“
You just asked me to marry you," he said, still waiting for me to admit some kind of trickery.
"I know."
"That was the real deal, you know. I just booked two tickets to Vegas for noon tomorrow. So that means we're getting married tomorrow night."
"Thank you."
His eyes narrowed. "You're going to be Mrs. Maddox when you start classes on Monday."
"Oh," I said, looking around. Travis raised an eyebrow.
"Second thoughts?"
"I'm going to have some serious paperwork to change next week."
He nodded slowly, cautiously hopeful. "You're going to marry me tomorrow?"
I smiled. "Uh huh"
"You're serious?"
"Yep."
"I fucking love you!" He grabbed each side of my face, slamming his lips against mine. "I love you so much, Pigeon," he said, kissing me over and over.
”
”
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
“
I've never been so sure about the rest of my life than I am in this moment. This girl is the rest of my life.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
Put out my eyes, and I can see you still;
slam my ears to, and I can hear you yet;
and without any feet can go to you;
and tongueless, I can conjure you at will.
Break off my arms, I shall take hold of you
and grasp you with my heart as with a hand;
arrest my heart, my brain will beat as true;
and if you set this brain of mine afire,
upon my blood I then will carry you.
”
”
Rainer Maria Rilke (Poems from the Book of Hours)
“
Please,” I gasped out.
He just brushed his lips against my jaw, my neck, my mouth.
“Tamlin,” I begged. He palmed my breast, his thumb flicking over my nipple. I cried out, and he buried himself in me with a mighty stroke.
For a moment, I was nothing, no one.
Then we were fused, two hearts beating as one, and I promised myself it always would be that way as he pulled out a few inches, the muscles of his back flexing beneath my hands, and then slammed back into me. Again and again.
I broke and broke against him as he moved, as he murmured my name and told me he loved me. And when that lightning once more filled my veins, my head, when I gasped out his name, his own release found him. I gripped him through each shuddering wave, savoring the weight of him, the feel of his skin, his strength.
For a while, only the rasp of our breathing filled the room.
I frowned as he withdrew at last—but he didn’t go far. He stretched out on his side, head propped on a fist, and traced idle circles on my stomach, along my breasts.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
I reached down and picked up a baseball bat at my feet and I flung it as hard as it could. It circled and arced high in the air until it slammed against the side of the dining hall with a crack and fell.
I sat down in the dirt. Then I lay down in the dirt.
Because not only was there no trail to follow, there was no evidence he’d ever been here.
There was no evidence any of them had been here.
”
”
Laura Anderson Kurk (Perfect Glass)
“
This poem is very long
So long, in fact, that your attention span
May be stretched to its very limits
But that’s okay
It’s what’s so special about poetry
See, poetry takes time
We live in a time
Call it our culture or society
It doesn’t matter to me cause neither one rhymes
A time where most people don’t want to listen
Our throats wait like matchsticks waiting to catch fire
Waiting until we can speak
No patience to listen
But this poem is long
It’s so long, in fact, that during the time of this poem
You could’ve done any number of other wonderful things
You could’ve called your father
Call your father
You could be writing a postcard right now
Write a postcard
When was the last time you wrote a postcard?
You could be outside
You’re probably not too far away from a sunrise or a sunset
Watch the sun rise
Maybe you could’ve written your own poem
A better poem
You could have played a tune or sung a song
You could have met your neighbor
And memorized their name
Memorize the name of your neighbor
You could’ve drawn a picture
(Or, at least, colored one in)
You could’ve started a book
Or finished a prayer
You could’ve talked to God
Pray
When was the last time you prayed?
Really prayed?
This is a long poem
So long, in fact, that you’ve already spent a minute with it
When was the last time you hugged a friend for a minute?
Or told them that you love them?
Tell your friends you love them
…no, I mean it, tell them
Say, I love you
Say, you make life worth living
Because that, is what friends do
Of all of the wonderful things that you could’ve done
During this very, very long poem
You could have connected
Maybe you are connecting
Maybe we’re connecting
See, I believe that the only things that really matter
In the grand scheme of life are God and people
And if people are made in the image of God
Then when you spend your time with people
It’s never wasted
And in this very long poem
I’m trying to let a poem do what a poem does:
Make things simpler
We don’t need poems to make things more complicated
We have each other for that
We need poems to remind ourselves of the things that really matter
To take time
A long time
To be alive for the sake of someone else for a single moment
Or for many moments
Cause we need each other
To hold the hands of a broken person
All you have to do is meet a person
Shake their hand
Look in their eyes
They are you
We are all broken together
But these shattered pieces of our existence don’t have to be a mess
We just have to care enough to hold our tongues sometimes
To sit and listen to a very long poem
A story of a life
The joy of a friend and the grief of friend
To hold and be held
And be quiet
So, pray
Write a postcard
Call your parents and forgive them and then thank them
Turn off the TV
Create art as best as you can
Share as much as possible, especially money
Tell someone about a very long poem you once heard
And how afterward it brought you to them
”
”
Colleen Hoover (This Girl (Slammed, #3))
“
I wish I could explain how I feel, but nothing can explain this moment. Not a vase of stars. Not a book. Not a song. Not even a poem. Nothing can explain the moment when the woman you would give your life for sees her daughter for the very first time.
Tears are streaming down her face. She’s stroking our baby girl’s cheek, smiling.
Crying.
Laughing.
“I don’t want to count her fingers or toes,” Lake whispers. “I don’t care if she has two toes or three fingers or fifty feet. I love her so much, Will. She’s perfect.”
She is perfect. So perfect. “Just like her mom,” I say.
I lean my head against Lake’s and we just stare. We stare at the daughter who is so much more than I could have asked for. The daughter who is so much more than I dreamt of. So much more than I ever thought I would have. This girl. This baby girl is my life. Her mother is my life. These girls are both my life.
I reach down and pick up her hand. Her tiny fingers reflexively wrap around my pinky and I can’t choke back my tears any longer. “Hey, Julia. It’s me. It’s your daddy.
”
”
Colleen Hoover (This Girl (Slammed, #3))
“
I didn’t want to put my church story in print because, the truth is, I still don’t know the ending. I am in the adolescence of my faith. There have been slammed doors and rolled eyes and defiant declarations of “I hate you!” hurled at every person or organization that represents the institutionalized church. I am angry and petulant, hopeful and naïve. I am trying to make my own way, but I haven’t yet figured out how to do that without exorcising the old one, without shouting it down, declaring my independence, and then running as fast as I can in the opposite direction. Church books are written by people with a plan and ten steps, not by Christians just hanging on by their fingernails.
”
”
Rachel Held Evans (Searching for Sunday: Loving, Leaving, and Finding the Church)
“
My life was awful. When I was a kid, I was fat, pretty ugly and had awful hair. I used to get teased every fucking day, slammed up against lockers, punched in the face - you name it. Hell, I had to go to prom with one of my female friends because I couldn’t even get a proper date. I can’t even look back at those photos because I look so bad. I transferred schools, but the teasing just got worse. After an, let’s say, ‘incident’ I had with the school play the bullying just got worse. But I made it through high school, only to find out that real life was pretty much the same. I just stayed in my dark room all day and didn’t talk to anyone. I didn’t go outside. I just stayed inside and drew. I’d draw vampires, mummies, heroes, villains. Anything to help me escape all the bad in the world. I went to art school and didn’t really belong. All I could draw was comic book characters. I tried to put my only good talent to use by drawing a cartoon and pitching it - only to have it turned down. Life to me was just pointless. I started drinking, doing drugs and just generally wasting my life drawing.
Then one day, I saw bodies falling from the sky. I witnessed people dying. And that’s when I decided to turn my life around. I called up anyone I knew who had an instrument and we formed a band. Being on tour for the first few years was bad. All we’d do is get drunk and do drugs, but I loved it. Because I was doing something I loved with people I loved. And a few years ago I met the most perfect woman ever. It’s like we share a wave-link or something. She just knows me without even knowing me, if you understand. And now, 2011, I have a beautiful baby girl, a caring wife and I get to perform for my adoring fans everyday. I am living proof that no matter how bad it gets, it gets better. I am Gerard Way, and I survived.
”
”
Gerard Way
“
A happy love is a single story, a disintegrating one is two or more competing, conflicting versions, and a disintegrated one lies at your feet like a shattered mirror, each shard reflecting a different story, that it was wonderful, that it was terrible, if only this had, if only that hadn't. The stories don't fit back together, and it's the end of stories, those devices we carry like shells and shields and blinkers and occasionally maps and compasses. The people close to you become mirrors and journals in which you record your history, the instruments that help you know yourself and remember yourself, and you do the same for them. When they vanish so does the use, the appreciation, the understanding of those small anecdotes, catchphrases, jokes: they become a book slammed shut or burnt.
”
”
Rebecca Solnit (A Field Guide to Getting Lost)
“
Dear Daniel,
How do you break up with your boyfriend in a way that tells him, "I don't want to sleep with you on a regular basis anymore, but please be available for late night booty calls if I run out of other options"?
Lily
Charlotte, NC
Dear Lily,
The story's so old you can't tell it anymore without everyone groaning, even your oldest friends with the last of their drinks shivering around the ice in their dirty glasses. The music playing is the same album everyone has. Those shoes, everybody has the same shoes on. It looked a little like rain so on person brought an umbrella, useless now in the starstruck clouded sky, forgotten on the way home, which is how the umbrella ended up in her place anyway. Everyone gets older on nights like this.
And still it's a fresh slap in the face of everything you had going, that precarious shelf in the shallow closet that will certainly, certainly fall someday. Photographs slipping into a crack to be found by the next tenant, that one squinter third from the left laughing at something your roommate said, the coaster from that place in the city you used to live in, gone now. A letter that seemed important for reasons you can't remember, throw it out, the entry in the address book you won't erase but won't keep when you get a new phone, let it pass and don't worry about it. You don't think about them; "I haven't thought about them in forever," you would say if anybody brought it up, and nobody does."
You think about them all the time.
Close the book but forget to turn off the light, just sit staring in bed until you blink and you're out of it, some noise on the other side of the wall reminding you you're still here. That's it, that's everything. There's no statue in the town square with an inscription with words to live by. The actor got slapped this morning by someone she loved, slapped right across the face, but there's no trace of it on any channel no matter how late you watch. How many people--really, count them up--know where you are? How many will look after you when you don't show up? The churches and train stations are creaky and the street signs, the menus, the writing on the wall, it all feels like the wrong language. Nobody, nobody knows what you're thinking of when you lean your head against the wall.
Put a sweater on when you get cold. Remind yourself, this is the night, because it is. You're free to sing what you want as you walk there, the trees rustling spookily and certainly and quietly and inimitably. Whatever shoes you want, fuck it, you're comfortable. Don't trust anyone's directions. Write what you might forget on the back of your hand, and slam down the cheap stuff and never mind the bad music from the window three floors up or what the boys shouted from the car nine years ago that keeps rattling around in your head, because you're here, you are, for the warmth of someone's wrists where the sleeve stops and the glove doesn't quite begin, and the slant of the voice on the punch line of the joke and the reflection of the moon in the water on the street as you stand still for a moment and gather your courage and take a breath before stealing away through the door. Look at it there. Take a good look. It looks like rain.
Love,
Daniel Handler
”
”
Daniel Handler
“
You just asked me to marry you,” he said, still waiting for me to admit some kind of trickery.
“I know.”
“That was the real deal, you know. I just booked two tickets to Vegas for noon tomorrow. So that means we’re getting married tomorrow night.”
“Thank you.”
His eyes narrowed. “You’re going to be Mrs. Maddox when you start classes on Monday.”
“Oh,” I said, looking around.
Travis raised an eyebrow. “Second thoughts?”
“I’m going to have some serious paperwork to change next week.”
He nodded slowly, cautiously hopeful. “You’re going to marry me tomorrow?”
I smiled. “Uh huh.”
“You’re serious?”
“Yep.”
“I fucking love you!” He grabbed each side of my face, slamming his lips against mine. “I love you so much, Pigeon,” he said, kissing me over and over.
“Just remember that in fifty years when I’m still kicking your ass in poker,” I giggled.
He smiled, triumphant. “If it means sixty or seventy years with you, Baby…you have my full permission to do your worst.”
I raised one eyebrow, “You’re gonna regret that.”
“You wanna bet?”
I smiled with as much deviance as I could muster. “Are you confident enough to bet that shiny bike outside?”
He shook his head, a serious expression replacing the teasing smile he had just seconds before. “I’ll put in everything I have. I don’t regret a single second with you, Pidge, and I never will.
”
”
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
“
Lösch mir die Augen aus"
Lösch mir die Augen aus: ich kann dich sehn,
wirf mir die Ohren zu: ich kann dich hören,
und ohne Füße kann ich zu dir gehn,
und ohne Mund noch kann ich dich beschwören.
Brich mir die Arme ab, ich fasse dich
mit meinem Herzen wie mit einer Hand,
halt mir das Herz zu, und mein Hirn wird schlagen,
und wirfst du in mein Hirn den Brand,
so werd ich dich auf meinem Blute tragen.
"Put out my eyes, and I can see you still"
Put out my eyes, and I can see you still,
Slam my ears too, and I can hear you yet;
And without any feet can go to you;
And tongueless, I can conjure you at will.
Break off my arms, I shall take hold of you
And grasp you with my heart as with a hand;
Arrest my heart, my brain will beat as true;
And if you set this brain of mine afire,
Then on my blood-stream I yet will carry you.
”
”
Rainer Maria Rilke (Rilke's Book of Hours: Love Poems to God)
“
Magic, like grief, could come welling up. The difference was how grief slammed into you without any kind of ceremony or invitation. Magic you could use. Grief just used you up.
”
”
Kelly Link (The Book of Love)
“
This is meant to be in praise of the interval called hangover,
a sadness not co-terminous with hopelessness,
and the North American doubling cascade
that (keep going) “this diamond lake is a photo lab”
and if predicates really do propel the plot
then you might see Jerusalem in a soap bubble
or the appliance failures on Olive Street
across these great instances,
because “the complex Italians versus the basic Italians”
because what does a mirror look like (when it´s not working)
but birds singing a full tone higher in the sunshine.
I´m going to call them Honest Eyes until I know if they are,
in the interval called slam clicker, Realm of Pacific,
because the second language wouldn´t let me learn it
because I have heard of you for a long time occasionally
because diet cards may be the recovery evergreen
and there is a new benzodiazepene called Distance,
anti-showmanship, anti-showmanship, anti-showmanship.
I suppose a broken window is not symbolic
unless symbolic means broken, which I think it sorta does,
and when the phone jangles
what´s more radical, the snow or the tires,
and what does the Bible say about metal fatigue
and why do mothers carry big scratched-up sunglasses
in their purses.
Hello to the era of going to the store to buy more ice
because we are running out.
Hello to feelings that arrive unintroduced.
Hello to the nonfunctional sprig of parsley
and the game of finding meaning in coincidence.
Because there is a second mind in the margins of the used book
because Judas Priest (source: Firestone Library)
sang a song called Stained Class,
because this world is 66% Then and 33% Now,
and if you wake up thinking “feeling is a skill now”
or “even this glass of water seems complicated now”
and a phrase from a men´s magazine (like single-district cognac)
rings and rings in your neck,
then let the consequent misunderstandings
(let the changer love the changed)
wobble on heartbreakingly nu legs
into this street-legal nonfiction,
into this good world,
this warm place
that I love with all my heart,
anti-showmanship, anti-showmanship, anti-showmanship.
”
”
David Berman
“
I will also talk about my experience of growing up in the former Soviet Union, where mathematics became an outpost of freedom in the face of an oppressive regime. I was denied entrance to Moscow State University because of the discriminatory policies of the Soviet Union. The doors were slammed shut in front of me. I was an outcast. But I didn’t give up. I would sneak into the University to attend lectures and seminars. I would read math books on my own, sometimes late at night. And in the end, I was able to hack the system. They didn’t let me in through the front door; I flew in through a window. When you are in love, who can stop you?
”
”
Edward Frenkel (Love and Math: The Heart of Hidden Reality)
“
I’ve been in your skin,” he taunted. “I know you inside and out. There’s nothing there. Do us all a favor and die so we can start working on another plan and quit thinking maybe you’ll grow the fuck up and be capable of something.”
Okay, enough! “You don’t know me inside and out,” I snarled. “You may have gotten in my skin, but you have never gotten inside my heart. Go ahead, Barrons, make me slice and dice myself. Go ahead, play games with me. Push me around. Lie to me. Bully me. Be your usual constant jackass self. Stalk around all broody and pissy and secretive, but you’re wrong about me. There’s something inside me you’d better be afraid of. And you can’t touch my soul. You will never touch my soul!”
I raised my hand, drew back the knife, and let it fly. It sliced through the air, straight for his head.
He avoided it with preternatural grace, a mere whisper of a movement, precisely and only as much as was required to not get hit.
The hilt vibrated in the wood of the ornate mantel next to his head.
“So, fuck you, Jericho Barrons, and not the way you like it. Fuck you—as in, you can’t touch me. Nobody can.”
I kicked the table at him. It crashed into his shins. I picked up a lamp from the end table. Flung it straight at his head. He ducked again. I grabbed a book. It thumped off his chest.
He laughed, dark eyes glittering with exhilaration.
I launched myself at him, slammed a fist into his face. I heard a satisfying crunch and felt something in his nose give.
He didn’t try to hit me back or push me away. Merely wrapped his arms around me and crushed me tight to his body, trapping my arms against his chest.
Then, when I thought he might just squeeze me to death, he dropped his head forward, into the hollow where my shoulder met my neck.
“Do you miss fucking me, Ms. Lane?” he purred against my ear. Voice resonated in my skull, pressuring a reply.
I was tall and strong and proud inside myself. Nobody owned me. I didn’t have to answer any questions I didn’t want to, ever again.
“Wouldn’t you just love to know?” I purred back. “You want more of me, don’t you, Barrons? I got under your skin deep. I hope you got addicted to me. I was a wild one, wasn’t I? I bet you never had sex like that in your entire existence, huh, O Ancient One? I bet I rocked your perfectly disciplined little world. I hope wanting me hurts like hell!”
His hands were suddenly cruelly tight on my waist.
“There’s only one question that matters, Ms. Lane, and it’s the one you never get around to asking. People are capable of varying degrees of truth. The majority spend their entire lives fabricating an elaborate skein of lies, immersing themselves in the faith of bad faith, doing whatever it takes to feel safe. The person who truly lives has precious few moments of safety, learns to thrive in any kind of storm. It’s the truth you can stare down stone-cold that makes you what you are. Weak or strong. Live or die. Prove yourself. How much truth can you take, Ms. Lane?”
Dreamfever
”
”
Karen Marie Moning
“
He smirks, shaking his head and letting his eyes wander. I watch him carefully, wondering what I can say to get him to leave. “I’m not leaving until you answer some questions. Plus, I’m holding your sketchbook hostage, so you might want to cooperate.”
I raise an eyebrow at him. I guess there isn’t much I can say. “This isn’t a hostage negotiation.”
He chuckles half-heartedly as his eyes take me in, almost sizing me up. “I guess I should introduce myself.” He holds a hand out for me to shake. “I’m Nathan.”
I stare at his hand for a moment. “Taylor,” I reply, meeting his eyes again without taking his hand.
He lets his hand fall back to his side. “At least I got you to say something non-hostile.”
“I haven’t been hostile,” I object.
His eyebrows shoot up. “Oh, haven’t you?”
“Why don’t you leave me alone?” I snap. “Leave and don’t come back.” I move passed him, heading for my apartment. He can’t follow and annoy me if I lock the door.
“Where are you going?” he demands. I look back over my shoulder and roll my eyes at him, indicating the answer should be obvious: anywhere he isn’t. Once inside, I slam the door behind me.
“That was totally not hostile!” he calls after me, sarcastically. I quickly head for my bedroom door, slamming it, too.
”
”
Ashley Earley (Alone in Paris)
“
She knew one thing though, Franks was wrong about her never thinking of Jay again. He was with her now. Rooted in her soul like an unextractable cancer, right at the corner of worst nightmare and fondest fantasy. And he always would be. The tequila was starting to work. The welcome warmth of numbness spread evenly through mind and body. She slammed her shot and wondered if she would ever be able to go to sleep sober again.
”
”
Jesse James Kennedy (Missouri Homegrown (The McCrays Saga Book 1))
“
Is it true it takes thirteen months for a female to carry and give birth?”
“Minimum.” He said it with such casual dismissal that Bella laughed.
“That’s easy for you to say. You don’t have to lug the kid around inside of you all that time. You, just like your human counterparts, have the fun part over with like that.” She snapped her fingers in front of his face.
His dark eyes narrowed and he reached to enclose her hand in his, pulling her wrist up to the slow, purposeful brush of his lips even as he maintained a sensual eye contact that was far too full of promises. Isabella caught her breath as an insidious sensation of heated pins and needles stitched its way up her arm.
“I promise you, Bella, a male Demon’s part in a mating is never over like this.” He mimicked her snap, making her jump in time to her kick-starting heartbeat.
“Well”—she cleared her throat—“I guess I’ll have to take your word on that.” Jacob did not respond in agreement, and that unnerved her even further. Instinctively, she changed tack. “So, what brings you down into the dusty atmosphere of the great Demon library?” she asked, knowing she sounded like a brightly animated cartoon.
“You.”
Oh, how that singular word was pregnant with meaning, intent, and devastatingly blatant honesty. Isabella was forced to remind herself of the whole Demon-human mating taboo as the forbidden response of heat continued to writhe around beneath her skin, growing exponentially in intensity every moment he hovered close. She tried to picture all kinds of scary things that could happen if she did not quit egging him on like she was. How she was, she didn’t know, but she was always certain she was egging him on.
“Why did you want to see me?” she asked, breaking away from him and bending to retrieve the book she had dropped. It was huge and heavy and she grunted softly under the weight of it. It landed with a slam and another puff of dust on the table she had made into her own private study station.
“Because I cannot seem to help myself, lovely little Bella.
”
”
Jacquelyn Frank (Jacob (Nightwalkers, #1))
“
In psychology, they call the holistic view you form about another person your global evaluation. As you can see, your global evaluation about the height or beauty of another person greatly affects your other estimations, but many other global evaluations can produce the halo effect. When it comes to your favorite bands, directors, brands, or companies, you often lie to yourself about their shortcomings. For example, if you really, truly love a particular musician or band, you will forgive their poorer works much more readily than will a less-devoted fan. You may find yourself defending their latest album, explaining the nuances to the uninitiated, wondering why they can’t appreciate it. Or maybe you absolutely love a particular director or author, and believe her to be a genius who can do no wrong. When critics slam her latest movie or book, how do you react? Like most fanatics, you probably see the dissenters as naysayers and nitpickers drunk on their own haterade. The halo effect nullifies your objectivity.
”
”
David McRaney
“
Rewriting the baseball record book must be very fulfilling. Or maybe not. Yankees outfielder Roger Maris knew firsthand the fickle nature of success. After an MVP season in 1960—when he hit 39 homers and drove in a league-high 112 runs—Maris began a historic assault on one of baseball’s most imposing records: Babe Ruth’s single-season home run mark of 60. In the thirty-three seasons since the Bambino had set the standard, only a handful of players had come close when Jimmie Foxx in 1932 and Hank Greenberg in 1938 each hit 58. Hack Wilson, in 1930, slammed 56. But in 1961, Maris—playing in “The House That Ruth Built”—launched 61 home runs to surpass baseball’s most legendary slugger. Surprisingly, the achievement angered fans who seemed to feel Maris lacked the appropriate credentials to unseat Ruth. Some record books reminded readers that the native Minnesotan had accomplished his feat in a season eight games longer than Ruth’s. Major League Baseball, due to expansion, changed the traditional 154-game season to 162 games with the 1961 season. Of the new home run record, Maris said, “All it ever brought me was trouble.” Human achievements can be that way. Apart from God, the things we most desire can become empty and unfulfilling—even frustrating—as the writer of Ecclesiastes noted. “Whoever loves money never has enough; whoever loves wealth is never satisfied with their income,” he wrote (5:10). “Everyone’s toil is for their mouth,” he added, “yet their appetite is never satisfied” (6:7). But the Bible also shows where real satisfaction is found, in what Ecclesiastes calls “the conclusion of the matter.” Fulfillment comes to those who “fear God and keep his commandments” (12:13).
”
”
Paul Kent (Playing with Purpose: Baseball Devotions: 180 Spiritual Truths Drawn from the Great Game of Baseball)
“
Dearest Sister, I trust you received my earlier letter explaining why it was not safe for you to return. My mouth parted. Judas had written before—why had I not received it? The danger to you in Galilee has not fully passed, though it has lessened. Antipas is fully consumed by his lust to be named King of the Jews by Rome. Last week we came into Judea on our way to Jerusalem where we will remain through Passover. Antipas has no rule here. Come to us with all haste. Sail with Lavi to Joppa and make your way to Bethany where we lodge at the home of Lazarus, Mary, and Martha. The kingdom is close at hand. Vast throngs of people in Galilee and Judea now hail Jesus as the Messiah. He believes the fullness of time is upon us and he wishes you by his side. He compelled me to tell you that he is safe. I, though, must warn of dangers. The people are emboldened by the appearance of a Messiah and there is much talk of revolution. Jesus teaches each day in the Temple and the Jewish authorities set spies upon us the moment we enter the gates. If there is unrest, the Temple guard will most certainly arrest him. Jesus continues to believe God’s kingdom can come without swords. But I am both a Cynic and a Zealot. I only know we cannot let this moment pass. If it is necessary, I will do what I must this Passover to ensure the masses rise up and overthrow the Romans at last. The sacrifice of one for many. As I write, I sit in Lazarus’s courtyard where your friend Tabitha is playing the lyre, filling the air with the sweetest of music. Jesus has gone to the Mount of Olives to pray. He has missed you, Ana. He bids me give you his love. We await you. Your brother, Judas 10th day of Shebat Judas’s words slammed into me. I will do what I must this Passover . . . The sacrifice of one for many. What
”
”
Sue Monk Kidd (The Book of Longings)
“
pouch, and pulled out the parchment. Dearest Sister, I trust you received my earlier letter explaining why it was not safe for you to return. My mouth parted. Judas had written before—why had I not received it? The danger to you in Galilee has not fully passed, though it has lessened. Antipas is fully consumed by his lust to be named King of the Jews by Rome. Last week we came into Judea on our way to Jerusalem where we will remain through Passover. Antipas has no rule here. Come to us with all haste. Sail with Lavi to Joppa and make your way to Bethany where we lodge at the home of Lazarus, Mary, and Martha. The kingdom is close at hand. Vast throngs of people in Galilee and Judea now hail Jesus as the Messiah. He believes the fullness of time is upon us and he wishes you by his side. He compelled me to tell you that he is safe. I, though, must warn of dangers. The people are emboldened by the appearance of a Messiah and there is much talk of revolution. Jesus teaches each day in the Temple and the Jewish authorities set spies upon us the moment we enter the gates. If there is unrest, the Temple guard will most certainly arrest him. Jesus continues to believe God’s kingdom can come without swords. But I am both a Cynic and a Zealot. I only know we cannot let this moment pass. If it is necessary, I will do what I must this Passover to ensure the masses rise up and overthrow the Romans at last. The sacrifice of one for many. As I write, I sit in Lazarus’s courtyard where your friend Tabitha is playing the lyre, filling the air with the sweetest of music. Jesus has gone to the Mount of Olives to pray. He has missed you, Ana. He bids me give you his love. We await you. Your brother, Judas 10th day of Shebat Judas’s words slammed into me. I will do what I must this Passover . . . The sacrifice of one for many. What did he mean? What was he trying to tell me? I
”
”
Sue Monk Kidd (The Book of Longings)
“
Not a comforting thought, but Bryce nonetheless popped the silver bean into her mouth, worked up enough saliva, and swallowed. Its metal was cool against her tongue, her throat, and she could have sworn she felt its slickness sliding into her stomach. Lightning cleaved her brain. She was being ripped in two. Her body couldn’t hold all the searing light— Then blackness slammed in. Quiet and restful and eternal. No—that was the room around her. She was on the floor, curled over her knees, and … glowing. Brightly enough to illuminate Rhysand’s and Amren’s shocked faces. Azriel was already poised over her, that deadly dagger drawn and gleaming with a strange black light. He noted the darkness leaking from the blade and blinked. It was the most shock Bryce had seen him display. “Put it away, you fool,” Amren said. “It sings for her, and by bringing it close—” The blade vanished from Azriel’s hand, whisked away by a shadow. Silence, taut and rippling, spread through the room. Bryce stood slowly—as Randall and her mom had taught her to move in front of Vanir and other predators. And as she rose, she found it in her brain: the knowledge of a language that she had not known before. It sat on her tongue, ready to be spoken, as instinctual as her own. It shimmered along her skin, stinging down her spine, her shoulder blades—wait. Oh no. No, no, no. Bryce didn’t dare reach for the tattoo of the Horn, to call attention to the letters that formed the words Through love, all is possible. She could feel them reacting to whatever had been in that spell that set her glowing and could only pray it wasn’t visible. Her prayers were in vain. Amren turned to Rhysand and said in that new, strange language—their language: “The glowing letters inked on her back … they’re the same as those in the Book of Breathings.” They must have seen the words through her T-shirt when she’d been on the floor. With every breath, the tingling lessened, like the glow was fading. But the damage was already done. They once again assessed her. Three apex killers, contemplating a threat. Then Azriel said in a soft, lethal voice, “Explain or you die.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
I agree with Miss Erstwhile, you are acting like a scarecrow. I do not know why you put on this act, Nobley, when around the port table or out in the field you’re rather a pleasant fellow.”
“Really? That is curious,” Jane said. “Why, Mr. Nobley, are you generous in your attentions with gentlemen and yet taciturn and withdrawn around the fairer sex?”
Mr. Nobley’s eyes were back on the printed page, though they didn’t scan the lines. “Perhaps I do not possess the type of conversation that would interest a lady.”
“You say ‘perhaps’ as though you do not believe it yourself. What else might be the reason, sir?” Jane smiled. Needling Mr. Nobley was feeling like a very productive use of the evening.
“Perhaps another reason might be that I myself do not find the conversation of ladies to be very stimulating.” His eyes were dark.
“Hm, I just can’t imagine why you’re still unmarried.”
“I might say the same for you.”
“Mr. Nobley!” cried Aunt Saffronia.
“No, it’s all right, Aunt,” Jane said. “I asked for it. And I don’t even mind answering.” She put a hand on her hip and faced him. “One reason why I am unmarried is because there aren’t enough men with guts to put away their little boy fears and commit their love and stick it out.”
“And perhaps the men do not stick it out for a reason.”
“And what reason might that be?”
“The reason is women.” He slammed his book shut. “Women make life impossible until the man has to be the one to end it. There is no working it out past a certain point. How can anyone work out the lunacy?”
Mr. Nobley took a ragged breath, then his face went red as he seemed to realize what he’d said, where he was. He put the book down gently, pursed his lips, cleared his throat.
No one in the room made eye contact.
“Someone has issues,” said Miss Charming in a quiet, singsongy voice.
“I beg you, Lady Templeton,” Colonel Andrews said, standing, his smile almost convincingly nonchalant, “play something rousing on the pianoforte. I promised to engage Miss Erstwhile in a dance. I cannot break a promise to such a lovely young thing, not and break her heart and further blacken her view of the world, so you see my urgency.”
“An excellent suggestion, Colonel Andrews,” Aunt Saffronia said. “It seems all our spirits could use a lift. I think we feel the lack of Sir Templeton’s presence, indeed I do.”
Mr. Nobley, of course, declined to dance, so Jane and the colonel stood up with Captain East and Miss Charming, whose spirits were speedily improving. Twice she turned the wrong way, ramming herself into the captain’s shoulder, saying “pip, pip” and “jolly good.” Jane spied Mr. Nobley on the sofa, staring at the window and a reflection of the dancers.
”
”
Shannon Hale (Austenland (Austenland, #1))
“
That night, she was neglecting her pen in favor of rereading one of the most-favored books in her library. It was a small volume that had appeared mysteriously when she was only fifteen. Josephine still had no idea who had gifted her the lovely horror of Carmilla, but she owed her nameless benefactor an enormous debt. Her personal guess was a briefly employed footman who had seen her reading her mother’s well-worn copy of The Mysteries of Udolpho and confessed his own forbidden love of Poe. The slim volume of Le Fanu’s Gothic horror stories had been hidden well into adulthood. As it wasn’t her father’s habit to investigate her reading choices, concealment might have been more for dramatic effect than real fear of discovery. Josephine read by lamplight, curled into an old chaise and basking in the sweet isolation of darkness as she mouthed well-loved passages from her favorite vampire tale.
“For some nights I slept profoundly; but still every morning I felt the same lassitude, and a languor weighed upon me all day. I felt myself a changed girl. A strange melancholy was stealing over me, a melancholy that I would not have interrupted. Dim thoughts of death began to open, and an idea that I was slowly sinking took gentle, and, somehow, not unwelcome possession of me.”
She slammed the book shut. How had she turned so morbid? For while Josephine had long known she would not live to old age, she thought she had resigned herself to it. She made a point of fighting the melancholy that threatened her. If she had any regret, it was that she would not live long enough to write all the stories she wanted. Sometimes she felt a longing to shout them into the night, offering them up to any wandering soul that they might be heard so they could live. So many voices beating in her chest. So many tales to write and whisper and shout. Her eyes fell to the book she’d slammed shut.
‘“You are afraid to die?”
“Yes, everyone is.”
Josephine stood and pushed her way out of the glass house, into the garden where the mist enveloped her. She lifted her face to the moon and felt the tears cold on her cheeks. “‘ Girls are caterpillars,” she whispered, “‘ when they live in the world, to be finally butterflies when the summer comes; but in the meantime there are grubs and larvae, don’t you see?’” But the summer would never come for Josephine. She beat back the despair that threatened to envelop her.
You are afraid to die?
Yes, everyone is.
She lifted her face and opened her eyes to the starry night, speaking her secret longing into the night. “‘ But to die as lovers may— to die together, so that they may live together.’”
How she longed for love! For passion. How she ached to be seen. To be cherished. To be known.
She could pour her soul onto the page and still find loneliness in the dark. She strangled her heart to keep it alive, knowing it was only a matter of time until the palest lover took her to his bosom. Already, she could feel the tightness in her chest. Tomorrow would not be a good day.
”
”
Elizabeth Hunter (Beneath a Waning Moon)
“
I’ll serve first, shall I?” Caroline called across the net as she plucked a ball out of her pocket, stepped up to the line, and tossed it into the air, leaving Millie, who was supposed to be the recipient of the serve, barely any time to get ready. All the breath seemed to leave him as the ball traveled rather slowly over the net. But then Millie drew back her racquet and . . . slammed the ball back Caroline’s way, the force of her swing completely unexpected given her small size. Before Caroline even moved, the ball shot past her. “Was that out?” Caroline demanded, swinging around. “It was in,” called a lady from the stands. Caroline spun to face Millie as Nora flashed a cheeky grin. “Love-fifteen,” Nora called. “I know how to keep score,” Caroline snapped back. Unfortunately, the game did not get better for Caroline after that. Millie had obviously not been exaggerating when she’d claimed she’d played tennis before, but it was clear that she hadn’t been playing with young boys. She was all over the court, hitting anything Caroline or Gertrude managed to get over the net, while Nora simply strolled back and forth, swinging her racquet, and at one point, whistling a jaunty tune. When it was Millie’s turn to serve, matters turned downright concerning. Gertrude was the first to try and return Millie’s serve, but when the ball came rushing at her, she screamed, dropped her racquet, and ran the other way, earning a screech from Caroline until she seemed to recall that her turn was next. “Give her a fast one, Miss Longfellow,” Thaddeus called. Millie lowered her racquet to send Thaddeus another wave. “Miss Longfellow, we are in the middle of a match here,” Caroline yelled across the net. “Forgive me, Miss Dixon. You’re quite right.” As if the world had suddenly slowed down, Everett watched as Millie threw the ball up, and then the racquet connected squarely with it, the thud of the connection reaching his ears. It began to move, and then the world sped up as the ball hurled at Caroline, and . . . smacked her right in the middle of the forehead, the impact knocking Caroline off her feet. Her skirt fluttered up, showing a bit of leg. Millie immediately began running across the court. Darting around the net, she raced to Caroline’s side, and yanked Caroline’s skirt back over her legs. Before Everett had a chance to see what Millie would do next, Abigail was tugging on his arm, and he realized he needed to act . . . the sooner the better. By the time he got to Caroline, made certain she wasn’t seriously hurt, and on her feet, he knew he had to get Millie as far away as possible from her. Caroline was shaking with rage and muttering threats under her breath. Telling Caroline he’d be right back, he nodded to Millie, who was still trying to apologize to Caroline, even though Caroline was not acknowledging the apologies and was resolutely looking the opposite way from Millie. “I really am so very, very sorry,” Millie said one last time before Abigail suddenly appeared right by her side and the crowd that had gathered around them fell silent. “Good heavens, Millie, it’s not as if you hit Miss Dixon on purpose—something Caroline knows all too well.” Abigail leveled a cool look on Caroline. “Why, your forehead is just a little pink. Granted the pink is perfectly circular, but . . . I’m sure it’ll fade soon, so no harm done.” Abigail
”
”
Jen Turano (In Good Company (A Class of Their Own Book #2))
“
Jane, the captain, and the colonel begged out of cards, sat by the window, and made fun of Mr. Nobley. She glanced once at the garden, imagined Martin seeing her now, and felt popular and pretty--Emma Woodhouse from curls to slippers. It certainly helped that all the men were so magnificent. Unreal, actually. Austenland was feeling cozier.
“Do you think he hears us?” Jane asked. “See how he doesn’t lift his eyes from that book? In all, his manners and expression are a bit too determined, don’t you think?”
“Right you are, Miss Erstwhile,” Colonel Andrews said.
“His eyebrow is twitching,” Captain East said gravely.
“Why, so it is, Captain!” the colonel said. “Well observed.”
“Then again, the eyebrow twitch could be caused by some buried guilt,” Jane said.
“I believe you’re right again, Miss Erstwhile. Perhaps he does not hear us at all.”
“Of course I hear you, Colonel Andrews,” said Mr. Nobley, his eyes still on the page. “I would have to be deaf not to, the way you carry on.”
“I say, do not be gruff with us, Nobley, we are only having a bit of fun, and you are being rather tedious. I cannot abide it when my friends insist on being scholarly. The only member of our company who can coax you away from those books is our Miss Heartwright, but she seems altogether too pensive tonight as well, and so our cause is lost.”
Mr. Nobley did look up now, just in time to catch Miss Heartwright’s face turn away shyly.
“You might show a little more delicacy around the ladies, Colonel Andrews,” he said.
“Stuff and nonsense. I agree with Miss Erstwhile, you are acting like a scarecrow. I do not know why you put on this act, Nobley, when around the port table or out in the field you’re rather a pleasant fellow.”
“Really? That is curious,” Jane said. “Why, Mr. Nobley, are you generous in your attentions with gentlemen and yet taciturn and withdrawn around the fairer sex?”
Mr. Nobley’s eyes were back on the printed page, though they didn’t scan the lines. “Perhaps I do not possess the type of conversation that would interest a lady.”
“You say ‘perhaps’ as though you do not believe it yourself. What else might be the reason, sir?” Jane smiled. Needling Mr. Nobley was feeling like a very productive use of the evening.
“Perhaps another reason might be that I myself do not find the conversation of ladies to be very stimulating.” His eyes were dark.
“Hm, I just can’t imagine why you’re still unmarried.”
“I might say the same for you.”
“Mr. Nobley!” cried Aunt Saffronia.
“No, it’s all right, Aunt,” Jane said. “I asked for it. And I don’t even mind answering.” She put a hand on her hip and faced him. “One reason why I am unmarried is because there aren’t enough men with guts to put away their little boy fears and commit their love and stick it out.”
“And perhaps the men do not stick it out for a reason.”
“And what reason might that be?”
“The reason is women.” He slammed his book shut. “Women make life impossible until the man has to be the one to end it. There is no working it out past a certain point. How can anyone work out the lunacy?”
Mr. Nobley took a ragged breath, then his face went red as he seemed to realize what he’d said, where he was. He put the book down gently, pursed his lips, cleared his throat.
No one in the room made eye contact.
“Someone has issues,” said Miss Charming in a quiet, singsongy voice.
“I beg you, Lady Templeton,” Colonel Andrews said, standing, his smile almost convincingly nonchalant, “play something rousing on the pianoforte. I promised to engage Miss Erstwhile in a dance. I cannot break a promise to such a lovely young thing, not and break her heart and further blacken her view of the world, so you see my urgency.”
“An excellent suggestion, Colonel Andrews,” Aunt Saffronia said. “It seems all our spirits could use a lift.
”
”
Shannon Hale (Austenland (Austenland, #1))
“
I slammed the freezer door, cursing them for trying to keep me in my size sixteen. Even now, I was rudely knocking on eighteen’s door.
”
”
Phoenix Rayne (Heels of Love (From Love to Loathe Book 1))
“
Dave and the others walked around the building. The building was surrounded by clumps of bushes and vines grew up its walls, but it looked like it had once had a lovely garden. When they reached the other side of the building, they saw a minecart track. It led from inside the building and then went off across the savanna, disappearing into the distance. The track seemed to lead right up to the huge white walls. The minecart track was twice as wide as they usually were. Suddenly an old music box embedded into one of the walls crackled into life, almost making Dave jump out of his skin. “Welcome to Redstone Land Station!” said a recorded voice. “You’re about to have the most fantastic vacation of your life, enjoying all the fun rides and experiences that our theme park has to offer. Ride on a rollercoaster! Stay at our luxury hotels! Chill out by our swimming pools! Or, if you’re feeling adventurous, why not join one of our tour groups and take a two-day horse ride to Bedrock City? This mysterious city has been abandoned for centuries. What kind of people used to live there? Nobody knows! But what we do know is that our Bedrock City tours are a fantastic deal — only forty emeralds per person, and kids get to go free! And if you’re feeling even more adventurous, you can take one of our tours to the Far Lands. Yes, beyond Bedrock City is one of the four edges of the world, a mysterious place where anything can happen! But I’m getting ahead of myself. For now, jump on the train and enjoy the leisurely ride to Redstone Land. The buffet carriage is at the back and is stocked with delicious food and drink! Terms and conditions apply. Redstone Land is not responsible for any injuries or loss of life experienced during one of our Bedrock City or Far Lands tours.” “Okay, that was weird,” said Carl. Suddenly the old music box spluttered into life once more and began to play the same message: “Welcome to Redstone Land Station! You’re about to have the most fantastic — “ WHAM! Carl slammed one of his golem fists into the music box, making it go POOF. A record fell out, and Carl picked it up and flung it across the savanna.
”
”
Dave Villager (Dave the Villager 36: Unofficial Minecraft Books (The Legend of Dave the Villager))
“
Kim Dokja x Hansooyoung PART 1
[I shall kill you, Yoo Joonghyuk.] ~ Kim Dokja pg 4110
46. ⸢(Looks like you still don't know how it works. The heroine loses her
consciousness, her hand falling away. And the male hero awakens! You
see, in all the movies I've seen so far…) pg 4112
47. These idiots, I even died so that you two could talk to each other, but this…'
She figured that she really needed to give these two men a harsh earful
when she arrived there. But, when she pushed past the bushes and stepped
forward, the ensuing spectacle freaked her out in a rather grand manner.
Kwa-aaang!! Bang!!!
Yoo Joonghyuk was mercilessly slamming his sword down on Kim Dokja,
currently sprawled out on the ground.
"Hey!! You crazy son of a bitch!!" pg 4125
48. There were plenty of things she wanted to ask, but she chose not to. Instead,
she poked Kim Dokja's cheek and spoke up. "Still, this guy looks like he
got completely fooled, doesn't he."
"Looks that way."
"How did it go?"
"He went crazy and attacked me."
Han Sooyoung smirked and lightly pinched Kim Dokja's cheek as if she
was proud of him. pg 4127
49. the events of her dying at Yoo Joonghyuk's sword, me fighting against him,
and then, passing out from his attack, and finally, sharing a conversation
with Yoo Sangah inside the Library…
Han Sooyoung approached the bed before I noticed it and pinched my
cheek.
"In any case, Kim Dokja. You can be really adorable sometimes." pg 4144
50. The moment Han Sooyoung's fist bumped into mine, she was completely
enveloped in bright light. As I watched her figure disappear, I became
aware once more that she had become my companion for real. pg 4165
51. ⸢And…⸥
My heart began powerfully pounding away.
⸢The woman that I used to love.⸥
pg 4189
52. Her emotionless eyes; the beauty spot just below one of them; and her lips
that always mocked me for fun, now arching up in a smooth line.
"Proceed with the execution pg 4191
53. "But, should you be doing something like that? She's originally your bride,
isn't she?"
"Correction. She was supposed to be one. The throne was usurped on the
first day of the wedding, however."
Oh, I see. So, it's that sort of development? I felt just a bit relieved now.
Han Sooyoung and Yoo Joonghyuk as a couple?
hadn't allowed any dating at the workplace yet, so hell no. pg 4202
54. ⸢By the time you're reading this book, I…⸥
I steeled my heart and read the next line of the text.
⸢…I'd still be living a pretty good life, I guess. Hahah, were you scared?⸥
This idiot… pg 4212
55. The following words were eerily similar to a certain body of text that I was
familiar with.
⸢The you reading this story will definitely make it out of here alive.⸥
Han Sooyoung's afterwords came to an end there. For the longest time, I
couldn't tear my eyes away from the full-stop at the end of the sentencepg4216
56. "Looks like the
company's internal rules need to be changed somewhat…" pg 4234
57. She spoke in a fed-up tone of voice. And then, issued an order to me.
"Marry me, Ricardo Von Kaizenix." pg 4244
58. "I didn't want to extend her 50 years by even one minute if I could help
it." I was being serious here.
The moment I arrived in this world and realized that Han Sooyoung had to
spend 50 years here, I just couldn't escape from this one overwhelming
emotion.
Someone was sacrificed again because of me.
Han Sooyoung who had to endure the time frame of 50 years – could she
still maintain a normal, functioning mind?
Was she able to maintain the ego of the Han Sooyoung that I know of?pg4254
59. Her palm smacked me in the back of the head again.
God damn it, this punk…
"The third method, 'Romance'."
"And its contents are?"
"Marry Yuri di Aristel."
"And just what did you choose?"
"The third method?"
"And are we currently married?"
"Nope."
"And why the hell not?!" pg 4256
”
”
shing shong (OMNISCIENT READER'S VIEWPOINT (light novel vol2))
“
Statistics Slam Dunk is a wonderful book to extend your data management and statistical skills with R, especially when you love sports!
”
”
Gary Sutton (Statistics Slam Dunk)
“
I’ve always said I didn’t want an ordinary life. Nothing average or mundane for me. But as I stared at the rather ample naked derriere wiggling two inches from my face today, I realized I should have been more specific with my goals. Definitely not ordinary, but not exactly what I had in mind. The Texas-flag tattoo emblazoned across the left cheek waved at me as she shifted her weight from foot to foot. The flag was distorted and stretched, as was the large yellow rose on the right cheek, both tattoos dotted with dimples and pock marks. An uneven script scrawled out “The Yellow Rose of Texas” across the top of her rump. Her entire bridal party—her closest friends and relatives, mind you—had left her high and dry. They’d stormed off the elevator as I tried to enter it, a flurry of daffodil-yellow silk, spouting and sputtering about their dear loved one, Tonya the bride. “That’s it! We’re done!” They sounded off in a chorus of clucking hens. “We ain’t goin’ back in there. She can get ready on her own!” “Yeah, she can get ready on her own!” “Known her since third grade and she’s gonna talk to me like that?” “Third grade? She’s my first cousin. I’ve known her since the day she was born. She’s always been that way. I don’t know why y’all acting all surprised.” I felt more than a little uneasy about what all this meant for our schedule. The ceremony was supposed to start in fifteen minutes. The bride should have already been downstairs and loaded in the carriage to make her way to the hotel’s beach. My unease grew to panic when I knocked on Tonya’s door and she opened it clad only in a skimpy little satin robe. “Honey, you’re supposed to be dressed and downstairs already.” I tried to say it as sweetly as possible, but I’m sure my panic came through. My Southern accent kicked in thick, which usually only happens when I’m panicked or frustrated. Or pissed. Or drunk. “Do you think I don’t know that?” she asked, arching a perfectly drawn-on eyebrow. “Do you think somehow when I booked this wedding and had invitations printed and planned the entire damned event, I somehow didn’t realize what time the ceremony started? And just who the hell are you anyway?” Well, alrighty then. Obviously this was going to be a fun day. “Um, I’m Tyler Warren. I’m assisting Lillian with your wedding today.” “Fine. Those bitches left me with my nails wet.” She held up both hands to show me the glossy, fresh manicure. “How the hell am I supposed to get dressed with wet nails?” she asked, arching both eyebrows now and glaring at me like I was somehow responsible for this. “Oh.” My mind spun with the limited time frame I had available, the amount of clothing she still needed to put on, and the amount of time it would take to get her in the carriage and to the ceremony. “Give me just a second to let Lillian know we’ll be down shortly.” I smiled what I hoped was my sweetest smile and stepped backward into the hallway. She slammed the door as I frantically dialed Lillian’s cell. “You’d better be calling to tell me she is in the carriage and on her way,” Lillian said. “It is hotter than Hades out here. I have several people looking like they’re about to faint, and I may possibly dunk a cranky, tuxedoed five-year-old
”
”
Violet Howe (Diary of a Single Wedding Planner (Tales Behind the Veils, #1))
“
How could you do that?” I ask. My heart is thumping like crazy, and I can barely catch my breath. “What did you do?” my mother asks. Dad shrugs and washes his hands at the sink. He ignores me completely. Mom raises her brow at me in question. “He called Pete a thug, and then he told me I have to go on a date with Chase just because his father called and snapped his fingers.” I snap mine for good measure. Mom’s inquisitive grin turns into a scowl. “What?” she asks. She grabs my father’s shoulder and turns him to face her. “You of all people called Pete a thug?” “To his face!” I shout. “Then Pete left. And I don’t even know what he’s thinking.” “I know what he’s thinking,” Dad murmurs. Mom frowns. “He’s thinking you don’t like him!” Dad makes a noncommittal hum. That’s it? A hum? Mom’s face softens. She can read Dad like a book. I just wish I could. “What?” I ask. I look back and forth between them. “Your dad is afraid Pete’s trying to get in your pants,” Mom says. She lifts her brow at Dad. Dad just glares at her. He won’t even look at me. I throw up my hands. “That’s just it!” I cry. “He’s not trying to get in my pants. He won’t even kiss me!” “Oh,” Mom breathes. Dad murmurs something, and Mom rubs his shoulder, her eyes soft as she looks at him. “What?” I ask again. “Your dad’s afraid you’ll get your heart broken,” she says quietly. She looks sympathetically toward my dad. I take a deep breath and steel myself. “Most girls get to have their hearts broken when they’re eighteen or so. Maybe sixteen or whenever they find their first boyfriend.” I jab a finger toward my chest. “I’ve never even had a boyfriend, Dad,” I say. My eyes fill with tears, but I blink them back. How messed up is this? “I like Pete, and he’s someone you can like, too. So, what’s the problem? We haven’t even been on a date!” “I saw him watching you at the pool.” Dad heaves a sigh. “He looks at you like I look at your mother.” He tips her chin up so that her eyes meet his. “I saw her and I knew she was completely out of my league, but I wanted her more than I ever wanted anything.” He looks at me. “And that’s how Pete looks at you. That’s what scares me, Reagan. Not that he’s a thug or that he’s poor or that he’s been in prison. He looks at you like he never wants to stop looking at you. I’d probably like him more if he was just trying to get in your pants, because that’s something you can get over. But a man loving you, that’s completely different. You’re not ready for it.” He shrugs his shoulders. “You’re just not.” He may as well have stuck a knife in my chest. “How do you know what I’m ready for?” I ask. “I saw what that asshole did to you, Reagan,” he says. He slams his fist down on the kitchen counter, making the dishes jump. And me, too. “I saw you walking around here, jumping at shadows, wrapping yourself in a protective bubble so no one else could hurt you. You learned how to protect your body, but no one ever taught you to protect your heart.” He pounds his fist against his chest. “You’re unprepared for what Pete wants. Completely unprepared.” “What do you want me to do?” I ask. I can barely hear myself, but Dad hears me. “Stop it before it’s too late,” he spits out. “Just stop it.” “Okay,” I breathe. “You win.
”
”
Tammy Falkner (Calmly, Carefully, Completely (The Reed Brothers, #3))
“
I’m not spending the whole weekend with you two sniping at each other,” Tommy said. “Erin, we’re going to solve this the way we settle things at the stable when your grandmother isn’t looking.” He nodded at Hunter. “Hit him.”
“Don’t make her do that,” Hunter told Tommy. “She’ll break her hand.”
“Ha! You think awfully well of your chiseled chin,” I said, but Tommy drowned me out, yelling, “Let her hit you or I will hit you myself.”
“This is excellent parenting.” Hunter emphasized his words with an okay sign of his thick fingers. His Rolex flashed in the sunlight before he put his hand down. “Here, Erin.” He closed his eyes and lifted his chin.
I edged toward him, balling my fist, feeling better already. “Open your eyes,” I said. “I want you to see it coming.”
“If I open my eyes, I’ll dodge you,” he said matter-of-factly, as if he was used to settling his differences this way with the other stable hands. He closed his eyes again.
I struck while I had the opportunity. Didn’t pause to think about technique or the proper position for my fist, thumb in or thumb out, just hauled back and hit him.
But in the split second before my hand connected with his face, I saw a flash of one of my family’s apartments in Los Angeles, an early one, because I glimpsed the ocean through the window across the room, and as the years went on we’d had less and less money and we’d move farther and farther from the sea. I saw my dad hitting my mom.
I redirected my fist, only grazing Hunter’s chin, and stumbled into the side of the truck. A strong arm hooked in mine and kept me from falling. Hunter drew me to him, chuckling. “Are you okay?”
I shoved him away from me, slid back into the truck, and slammed the door. He wasn’t even sorry and I couldn’t even get revenge. There was no good in this. With a final sniffle I opened my history book, wishing I hadn’t come.
”
”
Jennifer Echols (Love Story)
“
**Verse 1:**
The door slammed shut, you walked away,
Left me standing in a world turned grey.
Our pictures on the wall, now just ghosts,
Of the love we had, I'll miss the most.
**Chorus:**
We built a love, but it fell apart,
Now I'm nursing this broken heart.
The dreams we shared, now just a wake-up,
Lost in the echoes of our break up.
**Verse 2:**
I pass by our favorite spots, alone,
Every memory cuts to the bone.
The laughter we shared, now silent screams,
Our future's gone, just shattered dreams.
**Chorus:**
We built a love, but it fell apart,
Now I'm nursing this broken heart.
The dreams we shared, now just a wake-up,
Lost in the echoes of our break up.
**Bridge:**
But in this pain, there's a lesson learned,
In the ashes of love, that's burned.
I'll find myself, in the sorrow's cup,
And rise again, after this break up.
**Chorus:**
We built a love, it didn't last,
But I won't be defined by the past.
The pain is real, but I'll stand up,
Stronger for the trials of our break up.
**Outro:**
So here's to moving on, to new starts,
To healing minds and mending hearts.
I'll find love again, with some luck,
But for now, I'll close the book on our break up.
”
”
James Hilton-Cowboy
“
There were ornaments she had loved and paintings she had chosen. Books she’d read, or would never finish, photographs which had smashed from their frames as they’d hit against the metal. Photographs she had dusted and cared for, of people who were clearly no longer here to claim themselves from the debris. It was so quickly disposed of, so easily dismantled. A small existence, disappeared. There was nothing left to say she’d even been there. Everything was exactly as it was before. As if someone had put a bookmark in her life and slammed it shut.
”
”
Joanna Cannon (Three Things About Elsie)
“
She beat his ass!” Wryn jeered. Kadeem swerved again as his eyes bucked out of his head. “Wryn!” “Gram-Gram said it. Not me,” she defended. “Yeah, Gram-Gram cusses in the car all the time,” Wynter added. “We can’t say ass?” “No, you can’t say any bad words,” Kadeem replied, slamming on breaks after getting cut off. “Shit!
”
”
Aubreé Pynn (Give Good Love: A Ganton Hills Romance Novel (Ganton Hills Romance Series Book 5))
“
Jeez.” Daniella eyed her textbook with an expression of disgust. “Why does everything with the myths have to do with sex?” “Not every myth has to do with sex,” I argued, pushing myself off the wall so I could properly look Daniella in the eye. “A lot of it does,” Jade said, jumping on the bandwagon. “What about all the animals that gods turned into so they could have sex with mortals? Swans and bulls and eagles.” “That was just Zeus,” I corrected with a disgusted frown. “Then there was the sex cloud!” Jade continued. With a vigor, she yanked Beth’s textbook out of her hand and flipped through. She found her page and held up a picture of a centaur. “Ixion had sex with the Hera-shaped cloud and formed the centaurs.” “Or when Aphrodite cursed that one chick to fall in love with her dad,” Bethany said with clenched teeth and a wrinkled nose. “Everything with Aphrodite has to do with sex,” I reasoned unthinkingly. “True story,” Jade said pointedly. “Didn’t she impregnate a girl?” “She didn’t, but she caused a bear to impregnate a follower of Artemis. Her children turned out to be cannibals until Zeus turned them into birds,” I blurted out, unconsciously correcting my friend about the myth. “I don’t think that’s going to be on the test,” Daniella said skeptically. “That’s it!” Beth said with a triumphant slam of her book. “When in doubt, just write sex. You have a fifty-fifty chance of being right. Why did the Trojan war start? Sex! Why did Hercules complete his twelve tasks? Sex! How did Odysseus win Athena’s favor? Sex!
”
”
Simon Archer (Forge of the Gods (Forge of the Gods, #1))
“
man and his wife were awakened at 3:00 am by a loud pounding on the door. The man gets up and goes to the door where a drunken stranger, standing in the pouring rain, is asking for a push. "Not a chance," says the husband, "it is 3:00 in the morning!" He slams the door and returns to bed. "Who was that?" asked his wife. "Just some drunk guy asking for a push," he answers. "Did you help him?" she asks. "No, I did not, it’s 3am in the morning and it’s well pouring with rain out there!" "Well, you have a short memory," says his wife. "Can’t you remember about three months ago when we broke down, and those two guys helped us? I think you should help him, and you should be ashamed of yourself!
"God loves drunk people too you know." The man does as he is told, gets dressed, and goes out into the pounding
rain. He calls out into the dark, "Hello, are you still there?" "Yes," comes back the answer. "Do you still need a push?" calls out the husband. "Yes, please!" comes the reply from the dark. "Where are you?" asks the husband. "Over here on the swing," replied the drunk.
”
”
Adam Smith (Funny Jokes: Ultimate LoL Edition (Jokes, Dirty Jokes, Funny Anecdotes, Best jokes, Jokes for Adults) (Comedy Central Book 1))
“
Where is Winesooth?” she had asked Wiktor, and he had said rather sharply: “On the map, where else?” “But where on the map? Clearly, it’s not on mine.” “It’s got to be,” he snapped, grabbing the map from her, then jabbing at it with his finger. “Right there, where it should be.” “But that says Lancut,” she protested, and when Wiktor looked again at the map he repeated: “It’s right here, where I said.” “But where you point…it’s Lancut.” For a long, perplexed moment Wiktor had looked at the map, then at his intended bride, and it was as if someone had lit a light in his face. “Darling, this is Winesooth.” “Are you teasing me?” “No!” he said emphatically, pointing to the letters Lancut. “That’s Winesooth. That’s how we pronounce it.” “Oh, Wiktor!” “Look for yourself. The L is pronounced W, the A isn’t like your A, sort of an I, which makes a Wine. Our C is really a TZ. And we give the final T a kind of Th sound. So it comes out Wine-tzooth.” She stared at her two maps, each of which clearly showed Lancut as the site of the palace; the word even carried a minute drawing of battlements to prove the point, but now she knew the name was really Winetzooth. Looking up, she had said: “I’m so glad you’ve proved you love me, Wiktor.” She had slammed the books shut. “Because otherwise I’d think you were trying to drive me crazy.” When it seemed that she would never master this difficult language, she had faced two alternatives: she could surrender in despair or she could laugh at herself and try anew.
”
”
James A. Michener (Poland)
“
Where is Winesooth?” she had asked Wiktor, and he had said rather sharply: “On the map, where else?” “But where on the map? Clearly, it’s not on mine.” “It’s got to be,” he snapped, grabbing the map from her, then jabbing at it with his finger. “Right there, where it should be.” “But that says Lancut,” she protested, and when Wiktor looked again at the map he repeated: “It’s right here, where I said.” “But where you point…it’s Lancut.” For a long, perplexed moment Wiktor had looked at the map, then at his intended bride, and it was as if someone had lit a light in his face. “Darling, this is Winesooth.” “Are you teasing me?” “No!” he said emphatically, pointing to the letters Lancut. “That’s Winesooth. That’s how we pronounce it.” “Oh, Wiktor!” “Look for yourself. The L is pronounced W, the A isn’t like your A, sort of an I, which makes a Wine. Our C is really a TZ. And we give the final T a kind of Th sound. So it comes out Wine-tzooth.” She stared at her two maps, each of which clearly showed Lancut as the site of the palace; the word even carried a minute drawing of battlements to prove the point, but now she knew the name was really Winetzooth. Looking up, she had said: “I’m so glad you’ve proved you love me, Wiktor.” She had slammed the books shut. “Because otherwise I’d think you were trying to drive me crazy.
”
”
James A. Michener (Poland)
“
Look for yourself. The L is pronounced W, the A isn’t like your A, sort of an I, which makes a Wine. Our C is really a TZ. And we give the final T a kind of Th sound. So it comes out Wine-tzooth.” She stared at her two maps, each of which clearly showed Lancut as the site of the palace; the word even carried a minute drawing of battlements to prove the point, but now she knew the name was really Winetzooth. Looking up, she had said: “I’m so glad you’ve proved you love me, Wiktor.” She had slammed the books shut. “Because otherwise I’d think you were trying to drive me crazy.
”
”
James A. Michener (Poland)
“
The ordinary challenging relationship remains a strangely and unhelpfully neglected topic. It's the extremes that repeatedly grab the spotlight - the entirely blissful partnerships or the murderous catastrophes - and so it is hard to know what we should make of, and how lonely we should feel about, such things as immature rages, late-night threats of divorce, sullen silences, slammed doors and everyday acts of thoughtlessness and cruelty.
Ideally, art would give us the answers that other people don't. This might even be one of the main points of literature: to tell us what society at large is too prudish to explore. The important books should be those that leave us wondering, with relief and gratitude, how the author could possibly have known so much about our lives.
But too often a realistic sense of what an endurable relationship is ends up weakened by silence, societal or artistic. We hence imagine that things are far worse for us than they are for other couples. Not only are we unhappy; we misunderstand how freakish and rare our particular form of unhappiness might be. We end up believing that our struggles are indications of having made some unusual and fundamental error, rather than evidence that our marriages are essentially going entirely according to plan.
”
”
Alain de Botton (The Course of Love)
“
It was infuriating to watch the beast of a man look so at ease with a book, while my anxiety wouldn’t let my body or mind relax in the slightest. His low chuckle at whatever he’d just read in his book was my last straw. I grabbed the nearest pillow and threw it as hard as I could. The resounding thud as the pillow slammed into his face was therapeutic. I should probably go take my aggressions out in our training center, but that required more effort than I cared to exert right then.
“What the hell, Taya?” Augie screeched as he held his nose.
“You were enjoying yourself too much. Seemed like a good idea to share my suffering with you. I feel better now. Thanks for that.”
“You’re certifiable. You know that, right?”
I shrugged my shoulders. “You love me anyway.”
“Fortunately for you, yes, I do.”
I went back to pacing and Augie went back to reading while keeping an eye on me in case I decided to throw any more objects at him. Liam and Caleb walked in from the kitchen. They must have come in through the back door, because I was pretty sure they hadn’t been in the house for the last couple hours. Plus, my eyes had barely left the front of the house. There was no way I missed them coming from that way.
“Will you guys get her out of here?” Augie complained. “She’s driving me crazy and starting to throw things.”
“Thing. I threw one thing, you big baby.” I rolled my eyes at him.
Liam and Caleb treaded carefully. Smart men.
”
”
Heather Renee (Shades of Magic (Raven Point Pack #2))
“
Between her scent, her voice and the way she felt on my dick, I was right there. “Cum for me, Anjo.” I demanded. “Where you want me to put this nut, my love… tell me cause I’m right there.” I grunted while slamming her down on me, knowing that I was about to unload. “Inside me,
”
”
Jahquel J. (Quasim : King Inferno (Season Four: Inferno Gods Book 1))
“
She’d gone cold turkey on Nora’s books a year ago, when her ex-husband, Rick-the-Dick, threw Black Hills at the wall, snarling that her favorite author had given her an unrealistic view of love. “Our marital problems are her fault,” he said. “She’s made you believe in happily ever after—something any adult knows is a myth. Grow up.” Then he packed his custom-tailored suits and slammed out the door of their swanky Manhattan apartment.
”
”
Ava Miles (Nora Roberts Land (Dare Valley, #1))
“
As I attempted to regain some control, Ty suddenly slammed his dick into me. Swear a bitch like me almost fainted. It was like Kevin Hart said: She wasn’t ready!
”
”
Elle Kayson (There's Still Beauty in This Street Love: Her Fallen Angel)