Slack Nested Quotes

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Their boredom becomes more and more terrible. They realize that they’ve been tricked and burn with resentment. Every day of their lives they read the newspapers and went to the movies. Both fed them on lynchings, murder, sex crimes, explosions, wrecks, love nests, fires, miracles, revolutions, war. This daily diet made sophisticates of them. The sun is a joke. Oranges can’t titillate their jaded palates. Nothing can ever be violent enough to make taut their slack minds and bodies. They have been cheated and betrayed. They have slaved and saved for nothing.
Nathanael West (The Day of the Locust)
The Big Nurse is able to set the wall clock at whatever speed she wants by just turning one of those dials in the steel door; she takes a notion to hurry things up, she turns the speed up, and those hands whip around that disk like spokes in a wheel. The scene in the picture-screen windows goes through rapid changes of light to show morning, noon, and night - throb off and on furiously with day and dark, and everybody is driven like mad to keep up with that passing of fake time; awful scramble of shaves and breakfasts and appointments and lunches and medications and ten minutes of night so you barely get your eyes closed before the dorm light's screaming at you to get up and start the scramble again, go like a sonofabitch this way, going through the full schedule of a day maybe twenty times an hour, till the Big Nurse sees everybody is right up to the breaking point, and she slacks off on the throttle, eases off the pace on that clock-dial, like some kid been fooling with the moving-picture projection machine and finally got tired watching the film run at ten times its natural speed, got bored with all that silly scampering and insect squeak of talk and turned it back to normal.
Ken Kesey (One Flew Over the Cuckoo’s Nest)
The caretaking has to be done. “Somebody’s got to be the mommy,” Individually, we underestimate this need, and as a society we make inadequate provision for it. Women take up the slack, making the need invisible as we step in to fill it. The ethologist Konrad Lorenz used to talk about the number of eggs laid by the same species of songbird when nesting at different latitudes. As you go farther north, the hours of daylight in summer are longer, so a given parental pair could gather food adequate for a larger number of fledglings. As you go south, the available daylight decreases, as does the average number of eggs. For the songbirds, surviving and raising the next generation fill the entire day. What is amazing about humans is that we seem able to do so much else; yet much of what we do is caretaking in another form or involves tasks that would be done better if they were understood in that way.
Mary Catherine Bateson (Composing a Life)
Every day of their lives they read the newspapers and went to the movies. Both fed them on lynchings, murder, sex crimes, explosions, wrecks, love nests, fires, miracles, revolutions, war. This daily diet made sophisticates of them. The sun is a joke. Oranges can't titillate their jaded palates. Nothing can ever be violent enough to make taut their slack minds and bodies. They have been cheated and betrayed. They have slaved and saved for nothing. Tod
Nathanael West (The Day of the Locust)
All their lives they had slaved at some kind of dull, heavy labor, behind desks and counters, in the fields and at tedious machines of all sorts, saving their pennies and dreaming of the leisure that would be theirs when they had enough. Finally that day came. They could draw a weekly income of ten or fifteen dollars. Where else should they go but California, the land of sunshine and oranges? Once there, they discover that sunshine isn’t enough. They get tired of oranges, even of avocado pears and passion fruit. Nothing happens. They don’t know what to do with their time. They haven’t the mental equipment for leisure, the money nor the physical equipment for pleasure. Did they slave so long just to go to an occasional Iowa picnic? What else is there? They watch the waves come in at Venice. There wasn’t any ocean where most of them came from, but after you’ve seen one wave, you’ve seen them all. The same is true of the airplanes at Glendale. If only a plane would crash once in a while so that they could watch the passengers being consumed in a “holocaust of flame,” as the newspapers put it. But the planes never crash. Their boredom becomes more and more terrible. They realize that they’ve been tricked and burn with resentment. Every day of their lives they read the newspapers and went to the movies. Both fed them on lynchings, murder, sex crimes, explosions, wrecks, love nests, fires, miracles, revolutions, wars. Their daily diet made sophisticates of them. The sun is a joke. Oranges can’t titillate their jaded palates. Nothing can ever be violent enough to make taut their slack minds and bodies. They have been cheated and betrayed. They have slaved and saved for nothing.
Nathanael West
Because it lacks message threading , in which messages take the form of a set of ordered, often nested replies to an initial post, it’s not easy to track specific discussions.
Glenn Fleishman (Take Control of Slack Basics)
Omit the Mouth that Answers the scrub pine dropping needles in a hush. Omit the washer junked in the corner, mice making nests in its hose. Omit his key in the ignition. Omit exhaust. Omit the mouth that answers. Omit the barn cat curled asleep on a pile of kindling in the corner of the garage. Omit the bicycle noosed to its rack. Omit the saw blade's teeth, the workbench hammer, the uncut plywood beside the rake. Omit the work lamp with its filmy eye. Omit his face gone slack. Omit the mouth that answers. Omit the algebra book open on the seat. Omit the moonlight, the cottonwood's glut of hairy seeds. Omit the drag of the door. Omit the air let loose from his lungs. Omit the mouth that answers. Omit the rise of swallows: wing, beak and claw. Omit the phone call, the dial tone's skidding hum. Omit the daylight's questions. Omit our grieving tongues.
Bruce Snider (Paradise, Indiana)
It's the eyes I look at now. I used to think these were self-righteous eyes, piggy and smug inside their wire frames; and they are. But they are also defeated eyes, uncertain and melancholy, heavy with unloved duty. The eyes of someone for whom God was a sadistic old man; the eyes of a small town threadbare decency. Mrs. Smeath was a transplant to the city, from somewhere a lot smaller. A displaced person; as I was. Now I can see myself, through these painted eyes of Mrs. Smeath: a frazzle-headed ragamuffin from heaven knows where, a gypsy practically, with a heathen father and a feckless mother who traipsed around in slacks and gathered weeds. I was unbaptized, a nest for demons: how could she know what germs of blasphemy and unfaith were breeding in me? And yet she took me in. Some of this must be true. I have not done it justice, or rather mercy. Instead I went for vengeance. An eye for an eye leads only to more blindness.
Margaret Atwood