Slab Laying Quotes

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Names came patterning into the dusk, bodying out the places of their forebears, the villages and towns where the telegrams would be delivered, the houses where the blinds would be drawn, where low moans would come in the afternoon behind closed doors; and the places that had borne them, which would be like nunneries, like dead towns without their life or purpose, without young men at the factories or in the fields, with no husbands for the women, no deep sound of voices in the inns, with the children who would have been born, who would have grown and worked or painted, even governed, left ungenerated in their fathers shattered flesh that lay in stinking shellholes in the beet crop soil, leaving their homes to put up only granite slabs in place of living flesh, on whose inhuman surface the moss and lichen would cast their crawling green indifference.
Sebastian Faulks (Birdsong)
We are laying the foundation for some new, monstrous civilization. Only now do I realize what price was paid for building the ancient civilizations. The Egyptian pyramids, the temples and Greek statues—what a hideous crime they were! How much blood must have poured on to the Roman roads, the bulwarks, and the city walls. Antiquity—the tremendous concentration camp where the slave was branded on the forehead by his master, and crucified for trying to escape! Antiquity—the conspiracy of the free men against the slaves! .... If the Germans win the war, what will the world know about us? They will erect huge buildings, highways, factories, soaring monuments. Our hands will be placed under every brick, and our backs will carry the steel rails and the slabs of concrete. They will kill off our families, our sick, our aged. They will murder our children. And we shall be forgotten, drowned out by the voices of the poets, the jurists, the philosophers, the priests. They will produce their own beauty, virtue, and truth. They will produce religion.
Tadeusz Borowski (This Way for the Gas, Ladies and Gentlemen)
Names came pattering into the dusk, bodying out the places of their forebears, the villages and towns where the telegrams would be delivered, the houses where the blinds would be drawn, where low moans would come in the afternoon behind closed doors; and the places that had borne them, which would be like nunneries, like dead towns without their life or purpose, without the sound of fathers and their children, without young men at the factories or in the fields, with no husbands for the women, no deep sound of voices in the inns, with the children who would have been born, who would have grown and worked or painted, even governed, left ungenerated in their fathers’ shattered flesh that lay in stinking shellholes in the beet-crop soil, leaving their homes to put up only granite slabs in place of living flesh, on whose inhuman surface the moss and lichen would cast their crawling green indifference.
Sebastian Faulks (Birdsong)
Price began to speed the process. He hurried from one unanswered name to the next. Byrne, Hunt, Jones, Tipper, Wood, Leslie, Barnes, Studd, Richardson, Savile, Thompson, Hodgson, Birkenshaw, Llewellyn, Francis, Arkwright, Duncan, Shea, Simons, Anderson, Blum, Fairbrother. Names came pattering into the dusk, bodying out the places of their forebears, the villages and towns where the telegram would be delivered, the houses where the blinds would be drawn, where low moans would come in the afternoon behind closed doors; and the places that had borne them, which would be like nunneries, like dead towns without their life or purpose, without the sound of fathers and their children, without young men at the factories or in the fields, with no husbands for the women, no deep sound of voices in the inns, with the children who would have been born, who would have grown and worked or painted, even governed, left ungenerated in their fathers’ shattered flesh that lay in stinking shellholes in the beet-crop soil, leaving their homes to put up only granite slabs in place of living flesh, on whose inhuman surface the moss and lichen would cast their crawling green indifference.
Sebastian Faulks (Birdsong)
Good. Slowly, nerves as tight as bowstrings, she swept the weakening beam across the floor. Heart racing, ready to bolt, she tried to convince herself there was no one in the vault, no one but her and her own pounding pulse. She was wrong. A skeleton lay stretched upon a slab—a woman, she guessed, from its small size and the rotting nightgown and dark clumps of hair. “Oh, dear God.” The corpse had been here a while—teeth
Lisa Jackson (Close to Home)
Why can't unemployed people clean toilets, remove graffiti from vandalised war memorials, clear wasteland or derelict areas, or even decorate public buildings such as community centres. They could work in charity shops or down the local tip, sorting people’s rubbish out. They could even look after cemeteries, cutting the grass, hedges and shrubs, keeping gravestones clean, or maybe even laying paving slabs for a new path. Or how about putting in raised flower beds in the park?
Karl Wiggins (100 Common Sense Policies to make BRITAIN GREAT again)
It came as a gift. A large gray bird flew up with a loud alarm call as he approached. As it gained height and wheeled away over the valley, it gave out a piping sound on three notes, which he recognized as the inversion of a line he had already scored for a piccolo. How elegant, how simple. Turning the sequence round opened up the idea of a plain and beautiful song in common time, which he could almost hear. But not quite. An image came to him of a set of unfolding steps, sliding and descending-from the trap door of a loft, or from the door of a light plane. One note lay over and suggested the next. He heard it, he had it, and then it was gone. There was a glow of a tantalizing afterimage and the fading call of a sad little tune....These notes were perfectly interdependent, little polished hinges swinging the melody through its perfect arc. He could almost hear it again as he reached the top of the angled rock slab and paused to reach into his pocket for notebook and pencil.
Steven Pinker (The Stuff of Thought: Language as a Window into Human Nature)
As she and Murtagh continued to talk, their conversation grew easier and more relaxed. Despite their unpleasant circumstances, she found that she enjoyed speaking with him. He was smart and well educated, and he had a mordant wit that she appreciated, especially given her current predicament. Murtagh seemed to enjoy their conversation as much as she did. Still, the time came when they both recognized that it would be foolish to keep talking, for fear of being caught. So she returned to the slab, where she lay down and allowed him to strap her to the unforgiving block of stone once again. As he was about to leave, she said, “Murtagh.” He paused and turned to regard her. She hesitated for a moment, then mustered her courage and said, “Why?” She thought he understood her meaning: Why her? Why save her, and now why try to rescue her? She had guessed at the answer, but she wanted to hear him say it. He stared at her for the longest while, and then, in a low, hard voice, he said, “You know why.
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
how he would get to Tronjheim’s base—where the Urgals were breaking in. There was no time to climb down. He looked at the narrow trough to the right of the stairs, then grabbed one of the leather pads and threw himself down on it. The stone slide was smooth as lacquered wood. With the leather underneath him, he accelerated almost instantly to a frightening speed, the walls blurring and the curve of the slide pressing him high against the wall. Eragon lay completely flat so he would go faster. The air rushed past his helm, making it vibrate like a weather vane in a gale. The trough was too confined for him, and he was perilously close to flying out, but as long as he kept his arms and legs still, he was safe. It was a swift descent, but it still took him nearly ten minutes to reach the bottom. The slide leveled out at the end and sent him skidding halfway across the huge carnelian floor. When he finally came to a stop, he was too dizzy to walk. His first attempt to stand made him nauseated, so he curled up, head in his hands, and waited for things to stop spinning. When he felt better, he stood and warily looked around. The great chamber was completely deserted, the silence unsettling. Rosy light filtered down from Isidar Mithrim. He faltered—Where was he supposed to go?—and cast out his mind for the Twins. Nothing. He froze as loud knocking echoed through Tronjheim. An explosion split the air. A long slab of the chamber floor buckled and blew thirty feet up. Needles of rocks flew outward as it crashed down. Eragon stumbled back, stunned, groping for Zar’roc. The twisted shapes of Urgals clambered out of the hole in the floor. Eragon hesitated. Should he flee? Or should he stay and try to close the tunnel? Even if he managed to seal it before the Urgals attacked him, what if Tronjheim was already breached elsewhere? He could not find all the places in time to prevent the city-mountain from being captured. But if I run to one of Tronjheim’s gates and blast it open, the Varden could retake Tronjheim without having to siege it. Before he could decide, a tall man garbed entirely in black armor emerged from the tunnel and looked directly at him. It was Durza. The Shade carried his pale blade marked with the scratch from Ajihad. A black roundshield with a crimson ensign rested on his arm. His dark helmet was richly decorated, like a general’s, and a long snakeskin cloak billowed around him. Madness burned in his maroon eyes, the madness of one who enjoys power and finds himself in the position to use it.
Christopher Paolini (Eragon (The Inheritance Cycle, #1))
In the half darkness, piles of fish rose on either side of him, and the pungent stink of fish guts assaulted his nostrils. On his left hung a whole tuna, its side notched to the spine to show the quality of the flesh. On his right a pile of huge pesce spada, swordfish, lay tumbled together in a crate, their swords protruding lethally to catch the legs of unwary passersby. And on a long marble slab in front of him, on a heap of crushed ice dotted here and there with bright yellow lemons, where the shellfish and smaller fry. There were ricco di mare---sea urchins---in abundance, and oysters, too, but there were also more exotic delicacies---polpi, octopus; aragosti, clawless crayfish; datteri di mare, sea dates; and grancevole, soft-shelled spider crabs, still alive and kept in a bucket to prevent them from making their escape. Bruno also recognized tartufo di mare, the so-called sea truffle, and, right at the back, an even greater prize: a heap of gleaming cicale. Cicale are a cross between a large prawn and a small lobster, with long, slender front claws. Traditionally, they are eaten on the harbor front, fresh from the boat. First their backs are split open. Then they are marinated for an hour or so in olive oil, bread crumbs, salt, and plenty of black pepper, before being grilled over very hot embers. When you have pulled them from the embers with your fingers, you spread the charred, butterfly-shaped shell open and guzzle the meat col bacio----"with a kiss," leaving you with a glistening mustache of smoky olive oil, greasy fingers, and a tingling tongue from licking the last peppery crevices of the shell. Bruno asked politely if he could handle some of the produce. The old man in charge of the display waved him on. He would have expected nothing less. Bruno raised a cicala to his nose and sniffed. It smelled of ozone, seaweed, saltwater, and that indefinable reek of ocean coldness that flavors all the freshest seafood. He nodded. It was perfect.
Anthony Capella (The Food of Love)
He was walking one wet night through a desolate region of the City. A wagon trundled by, drenching his legs with a fine spray. He turned aside, and a maze of dingy streets opened before him. The sky between the slanting rooftops hung black as a slab of jet. Then a waning moon rode clear of the storm clouds. He had penetrated an old commercial sector of the City where winding lanes lay lampless, flanked by dilapidated warehouses. Every window was boarded up or shattered; too many doorways opened onto musty darkness. With every turn of the black road the same scene lay revealed: row upon row of grey, sagging eaves; scarred and battered gates; rusting fences; sickle moons in every shallow remnant of the rain. He seemed to be shedding the present with every step, moving backwards through time. It seemed that he was acting out some part prearranged, utterly without will. "The White Road
Ron Weighell (The White Road)
Sometimes I lay my body down on a marble slab . . . and become poetry.
Linda Gregg
PRAY FOR THE SOUL OF THE DEMOISELLE JEANNE D'Ys, WHO DIED IN HER YOUTH FOR LOVE OF PHILIP, A STRANGER. A.D. 1573." But upon the icy slab lay a woman's glove still warm and fragrant.
Robert W. Chambers (The King in Yellow)
they might debark and, with the pleasantest sense of stepping down from the zone of the possible to the zone of the realized, stroll to a service station or fishing camp or grocery store, where they’d have a beer or fill the tank with spring water or lay in eggs and country butter and grits and slab bacon; then back to the camper, which they’d show off to the storekeeper, he ruminating a minute and: all I got to say is, don’t walk off and leave the keys in it—and so on in the complex Southern tactic of assaying a sort of running start, a joke before the joke, ten assumptions shared and a common stance of rhetoric and a whole shared set of special ironies and opposites. He was home. Even though he was hundreds of miles from home and had never been here and it was not even the same here—it was older and more decorous, more tended to and a dream with the past—he was home.
Walker Percy (The Last Gentleman)
I lowered my face, took two more steps—and that was when I spotted Coach Bobby and his buddies in a Ford Expedition. Sigh. All four of them were there: Assistant Coach Pat drove, Coach Bobby was in the passenger seat, the other two slabs of beef sat in the back. I took out my mobile phone and hit the speed-dial button one. Win answered on the first ring. “Articulate,” Win said. That’s how he always answers the phone, even when he can clearly see on the caller ID that it’s me, and yes, it is annoying. “You better circle back,” I said. “Oh,” Win said, his voice kid-on-Christmas-morning happy, “goodie, goodie.” “How long will it take?” “I’m just down the street. I suspected something like this might occur.” “Don’t shoot anyone,” I said. “Yes, Mother.” My car was parked near the back of the lot. The Expedition followed slowly. The drizzle picked up a bit. I wondered what their plan was—something moronically macho, no doubt—and decided to just play it as it lays. Win’s Jag appeared and waited in the distance. I drive a Ford Taurus, aka The Chick Trawler. Win hates my car. He won’t sit in it. I took out my keys and hit the remote. The car made that little ding noise and unlocked. I slipped inside. The Expedition made its big move then. It raced forward and stopped directly behind the Taurus, blocking me in. Coach Bobby jumped out first, petting his goatee. His two buddies followed. I
Harlan Coben (Long Lost (Myron Bolitar, #9))
It was staggering. They roared and boomed and trumpeted, until stones began to crack and fall at the mere noise of them. Merry and I lay on the ground and stuffed our cloaks into our ears. Round and round the rock of Orthanc the Ents went striding and storming like a howling gale, breaking pillars, hurling avalanches of boulders down the shafts, tossing up huge slabs of stone into the air like leaves. The tower was in the middle of a spinning whirlwind. I saw iron posts and blocks of masonry go rocketing up hundreds of feet, and smash against the windows of Orthanc. But
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
Aelin lay in darkness, the slab of iron like a starless night overhead.
Sarah J. Maas (Throne of Glass)
The snow lay like a shaggy carpet, rucked up here and there into drifts by icy gusts of wind. The roofs and treetops crouched low beneath slabs of pure white. A bank of heavy cloud threatened further snowfalls. The children ran gleefully down the lane, slithering and sliding.
George Chedzoy (Trouble at Chumley Towers (Lou Elliott Mystery Adventures Book 4))
Though it lay several miles to the west, she felt the high school as she passed by. Without even laying eyes on that place, she could feel it like an ache. Some institutional slab of crap architecture with that sixties-era authoritarian aura to its brick Lego look. She marveled at the power the American high school experience holds on the imagination. She’d always noticed how people tended to view their high school days as foundational even if they didn’t realize it. Get them talking about those years, and they suddenly had all these stories of dread and wonder you could wrap whole novels around.
Stephen Markley (Ohio)
Gabriel Solomon, our sandy-lashed, red-haired, soon-to-be-surgeon waiter, recited the night's menu: salad, broiled salmon, boiled red potatoes, sliced tomatoes and corn on the cob, all served family style. A vast slab of butter lay on a white plate next to baskets of bread- white Wonder bread and buttermilk biscuits, neither of which had ever touched our lips. There was a bottle of Hershey's chocolate syrup in the center of the table, a novelty for Jews who didn't mix dairy foods with meat. "The milk is from the farm's cows," Gabe explained. "It's pasteurized but it doesn't taste like city milk. If you'd like city milk, it will be delivered to you. But try the farm milk. Some guests love it. The children seem to enjoy it with syrup." Gabe paused. "I forgot to ask you, do you want your salad dressed or undressed?" Jack immediately replied, "Undressed of course," and winked. My mother worried about having fish with rolls and butter. "Fish is dairy," my father pronounced, immediately an expert on Jewish dietary laws. "With meat it's no butter and no milk for the children." Lil kept fidgeting in her straight-backed chair. "What kind of food is this?" she asked softly. "What do they call it?" "American," the two men said in unison. Within minutes Gabe brought us a bowl filled with iceberg lettuce, butter lettuce, red oak lettuce. "These are grown right here, in our own garden. We pick the greens daily. I brought you some oil and vinegar on the side, and a gravy boat of sour cream for the tomatoes. Take a look at these tomatoes." Each one was the size of a small melon, blood red, virtually seedless. Our would-be surgeon sliced them, one-two-three. We had not encountered such tomatoes before. "Beauties, aren't they?" asked Gabe. Jack held to certain eccentricities in his summer food. Without fail he sprinkled sugar over tomatoes, sugared his melons no matter how ripe and spread his corn with mustard- mustard!
Eleanor Widmer (Up from Orchard Street)
When I lay down on that clean concrete bed, I found the ideal place for an afternoon nap. On many baking afternoons that followed, if I saw that the morgue was not otherwise occupied, I would lie on the slab and savor its soothing coolness; sometimes in my dreams I would find myself in a garden full of blooming flowers.
Yu Hua (China in Ten Words)
He opened the gun box, lifted out the sections of his own gun, for comparison. They slid together with well-oiled clicks. Laying the two guns side by side, he experienced a momentary lapse of faith. They looked nothing like a pair. His own gun looked fat and polished. It almost breathed as it lay on the slab. Bertie’s gun looked like a sketch, or a preliminary model done in cheap materials to get the shape right and then discarded.
Helen Simonson (Major Pettigrew's Last Stand)