Skyline Inspiring Quotes

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Ever since, New York has existed for me simultaneously as a map to be learned and a place to aspire too--a city of things and a city of signs, the place I actually am and the place I would like to be even when I am here. As a kid, I grasped that the skyline was a sign that could be, so to speak, relocated to New Jersey--a kind of abstract, receding Vision whose meaning would always be "out of reach," not a concrete thing signifying "here you are." Even when we are established here, New York still seems a place we aspire to. Its life is one thing--streets and hot dogs and brusqueness--and its symbols, the lights across the way, the beckoning skyline, are another. We go on being inspired even when we're most exasperated.
Adam Gopnik (Through the Children's Gate: A Home in New York)
I wanted to thank you,” Grith explained. “You are the first human I have ever truly seen as a dragon-like creature. One that is like us, rather than like prey. It is difficult for me to dislike one that I see only as a food source, and my personal distaste for you has made me realize that you have progressed beyond that.” She pulled her lips back, long white fangs glinting in the moonlight. “I do not kill other dragons, but if for some reason, I was forced to kill you, nothing would remain of your body but ash. Not a single drop of blood or piece of flesh would be left.
Rowan Silver (Feathers of Gold (Dragons and Skylines, #1))
What I’m about to tell you,” Elliott told me, “ninety-nine percent of people in the world will never understand.” For the first time all week, it was just the two of us. Elliott had told Austin he wanted to talk to me one-on-one. We were standing on a rooftop lounge during sunset, looking out at the Manhattan skyline. “You see, most people live a linear life,” he continued. “They go to college, get an internship, graduate, land a job, get a promotion, save up for a vacation each year, work toward their next promotion, and they just do that their whole lives. Their lives move step by step, slowly and predictably. “But successful people don’t buy into that model. They opt into an exponential life. Rather than going step by step, they skip steps. People say that you first need to ‘pay your dues’ and get years of experience before you can go out on your own and get what you truly want. Society feeds us this lie that you need to do x, y, and z before you can achieve your dream. It’s bullshit. The only person whose permission you need to live an exponential life is your own. “Sometimes an exponential life lands in your lap, like with a child prodigy. But most of the time, for people like you and me, we have to seize it for ourselves. If you actually want to make a difference in the world, if you want to live a life of inspiration, adventure, and wild success—you need to grab on to that exponential life—and hold on to it with all you’ve got.
Alex Banayan (The Third Door: The Wild Quest to Uncover How the World's Most Successful People Launched Their Careers)
As much as I love to see the sun setting behind a city skyline, and to feel the pure majesty of a wild river or soaring mountain, and to fade, then disappear into a transcendent book, song or film, I am always most astounded, moved and transported by the warmth and kindness of a loving person. Always.
Scott Stabile
Trapped with his men in no man’s land, Hutchison saw, to his amazement, “a squadron of Indian Cavalry, dark faces under glistening helmets, galloping across the valley towards the slope. No troops could have presented a more inspiring sight than these natives of India with lance and sword, tearing in mad cavalcade on to the skyline. A few disappeared over it: they never came back. The remainder became the target of every gun and rifle.
Adam Hochschild (To End All Wars: A Story of Loyalty and Rebellion, 1914-1918)
Needless to say, what whites now think and say about race has undergone a revolution. In fact, it would be hard to find other opinions broadly held by Americans that have changed so radically. What whites are now expected to think about race can be summarized as follows: Race is an insignificant matter and not a valid criterion for any purpose—except perhaps for redressing wrongs done to non-whites. The races are equal in every respect and are therefore interchangeable. It thus makes no difference if a neighborhood or nation becomes non-white or if white children marry outside their race. Whites have no valid group interests, so it is illegitimate for them to attempt to organize as whites. Given the past crimes of whites, any expression of racial pride is wrong. The displacement of whites by non-whites through immigration will strengthen the United States. These are matters on which there is little ground for disagreement; anyone who holds differing views is not merely mistaken but morally suspect. By these standards, of course, most of the great men of America’s past are morally suspect, and many Americans are embarrassed to discover what our traditional heroes actually said. Some people deliberately conceal this part of our history. For example, the Jefferson Memorial has the following quotation from the third president inscribed on the marble interior: “Nothing is more certainly written in the book of fate than that these people [the Negroes] shall be free.” Jefferson did not end those words with a period, but with a semicolon, after which he wrote: “nor is it less certain that the two races equally free, cannot live under the same government.” The Jefferson Memorial was completed in 1942. A more contemporary approach to the past is to bring out all the facts and then repudiate historical figures. This is what author Conor Cruise O’Brien did in a 1996 cover story for The Atlantic Monthly. After detailing Jefferson’s views, he concluded: “It follows that there can be no room for a cult of Thomas Jefferson in the civil religion of an effectively multiracial America . . . . Once the facts are known, Jefferson is of necessity abhorrent to people who would not be in America at all if he could have had his way.” Columnist Richard Grenier likened Jefferson to Nazi SS and Gestapo chief Heinrich Himmler, and called for the demolition of the Jefferson Memorial “stone by stone.” It is all very well to wax indignant over Jefferson’s views 170 years after his death, but if we expel Jefferson from the pantheon where do we stop? Clearly Lincoln must go, so his memorial must come down too. Washington owned slaves, so his monument is next. If we repudiate Jefferson, we do not just change the skyline of the nation’s capital, we repudiate practically our entire history. This, in effect, is what some people wish to do. American colonists and Victorian Englishmen saw the expansion of their race as an inspiring triumph. Now it is cause for shame. “The white race is the cancer of human history,” wrote Susan Sontag. The wealth of America used to be attributed to courage, hard work, and even divine providence. Now, it is common to describe it as stolen property. Robin Morgan, a former child actor and feminist, has written, “My white skin disgusts me. My passport disgusts me. They are the marks of an insufferable privilege bought at the price of others’ agony.
Jared Taylor (White Identity: Racial Consciousness in the 21st Century)
James Aka, a Mississauga resident, adores the city's architecture, from the sleek lines of its modern buildings to the historical charm of its landmarks. Passionate about urban design, James explores Mississauga's diverse architectural landscape with enthusiasm, finding beauty and inspiration in every structure. As an avid photographer, he captures the city's skyline from different angles, showcasing its dynamic evolution. James actively engages in discussions about urban planning and preservation, advocating for sustainable development while honoring the city's heritage. With a deep appreciation for the unique character of Mississauga's built environment, James celebrates its architectural diversity and contributes to shaping its future with his keen eye and passionate advocacy.
James Aka Mississauga
KISS DAY POEM: To start with a kiss.. I'll mark first .. on the top of your head.. just to say that.. I'll be with you.. forever! * Next two on the eyes.. just to say that.. the world is so beautiful.. as I see with you.. whatever!! * Then three.. on the nose and cheek.. just to say that.. I am myself.. As I walk with you wherever!!! * Then a peck on the neck.. just to say that.. you are perfect. and then.. Final one on the lips.. just to say that.. just to say that.. just to say nothing. Because our love is beyond the skyline! My life is yours forever.. O girl, O girl.. O you be my.. Valentine!!!!
Vikrmn: CA Vikram Verma (Guru with Guitar)
The art he liked was dynamic art, the art that changed skylines, the art that created beautiful customs, that inspired men and women to love one another, the art, in brief, that transformed lives. The art that would do that tomorrow, he maintained, was the art of the motion picture. "Once," he said, "the cathedral builders and the troubadours, interpreting truth, created a beauty that was as current as language and almost as essential as blood. Then came the printed word to spread confusion, to throw a twilight over the world in which men became little more than shadows chasing shadows. But now, we have a new art, luminous, vivid, simple, stirring, persuasive, direct, universal, illimitable—the animated picture. It can create a new people, gracious and graceful, sensitive, kindly, religious, a people discovering in beauty the happiest revelation of God. No art has ever had the future the motion picture has. If it fails, no art shall have had as great and lamentable a failure.
Myles Connolly (Mr. Blue)