Sky Short Quotes

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I can write the saddest poem of all tonight. Write, for instance: "The night is full of stars, and the stars, blue, shiver in the distance." The night wind whirls in the sky and sings. I can write the saddest poem of all tonight. I loved her, and sometimes she loved me too. On nights like this, I held her in my arms. I kissed her so many times under the infinite sky. She loved me, sometimes I loved her. How could I not have loved her large, still eyes? I can write the saddest poem of all tonight. To think I don't have her. To feel that I've lost her. To hear the immense night, more immense without her. And the poem falls to the soul as dew to grass. What does it matter that my love couldn't keep her. The night is full of stars and she is not with me. That's all. Far away, someone sings. Far away. My soul is lost without her. As if to bring her near, my eyes search for her. My heart searches for her and she is not with me. The same night that whitens the same trees. We, we who were, we are the same no longer. I no longer love her, true, but how much I loved her. My voice searched the wind to touch her ear. Someone else's. She will be someone else's. As she once belonged to my kisses. Her voice, her light body. Her infinite eyes. I no longer love her, true, but perhaps I love her. Love is so short and oblivion so long. Because on nights like this I held her in my arms, my soul is lost without her. Although this may be the last pain she causes me, and this may be the last poem I write for her.
Pablo Neruda
I'm Razo, a member of Bayern's Own," he said, stopping himself from adding "Loafing is just a hobby of mine." "Bayern's Own? But you're a child." Razo looked up to the sky. "I'm not a child, I'm just short.
Shannon Hale (River Secrets (The Books of Bayern, #3))
Patience. I colored patience gray, hung over with black clouds. I colored hope yellow, just like the sun we could see for a few short morning hours. Too soon the sun rose high in the sky & disappeared from view, leaving us bereft and staring at blue.
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
When the short days of winter came, dusk fell before we had well eaten our dinners. When we met in the street the houses had grown sombre. The space of sky above us was the colour of ever-changing violet and towards it the lamps of the street lifted their feeble lanterns. The cold air stung us and we played till our bodies glowed. Our shouts echoed in the silent street.
James Joyce (Dubliners)
There are no limits when you are surrounded by people who believe in you, or by people whose expectations are not set by the short-sighted attitudes of society, or by people who help to open doors of opportunity, not close them.
Neil deGrasse Tyson (The Sky Is Not the Limit: Adventures of an Urban Astrophysicist)
Rest in Peace?’ Why that phrase? That’s the most ridiculous phrase I’ve ever heard! You die, and they say ‘Rest in Peace!’ …Why would one need to ‘rest’ when they’re dead?! I spent thousands of years of world history resting. While Agamemnon was leading his ships to Troy, I was resting. While Ovid was seducing women at the chariot races, I was resting. While Jeanne d’Arc was hallucinating, I was resting. I wait until airplanes are scuttling across the sky to burst out onto the scene, and I’m only going to be here for a short while, so when I die, I certainly won’t need to rest again! Not while more adventures of the same kind are going on.
Roman Payne (Rooftop Soliloquy)
In Flanders fields the poppies blow Between the crosses, row on row That mark our place; and in the sky The larks, still bravely singing, fly Scarce heard amid the guns below We are the Dead. Short days ago We lived, felt dawn saw sunset glow Loved and were loved, and now we lie In Flanders fields Take up our quarrel with the foe; To you, from falling hands we throw The torch; be yours to hold it high If ye break faith with us who die We shall not sleep, though poppies grow In Flanders fields.
John McCrae
The sky is the limit only for those who aren't afraid to fly!
Bob Bello (Sci-fi Almanac, 2010: An Anthology of Short Stories)
We must go for walks out of doors, so that the mind can be strengthened and invigorated by a clear sky and plenty of fresh air. At times it will acquire fresh energy from a journey by carriage and a change of scene, or from socializing and drinking freely. Occasionally we should even come to the point of intoxication, sinking into drink but not being totally flooded by it; for it does wash away cares, and stirs the mind to its depths, and heals sorrow just as it heals certain diseases.
Seneca (On the Shortness of Life)
Casting back her head, Arya gazed up at the twinkling sky, her long neck gold with firelight, her face pale with the radiance of the heavenx. "Do you ask out of friendly concern or your own self-interest?" She gave an abrupt, choked laugh, the sound of water falling over cold rocks. "Never mind. The night air has addled me. It has undone my sense of courtesy and left me free to say the most spiteful things that occur to me." "No matter." "It does matter, because I regret it, and I shall not tolerate it. Did I love Faolin? How would you define love? For over twenty years, we traveled together, the only immortals to walk among the short-lived races. We were companions...and friends.
Christopher Paolini
Grace: Outside, deep in the woods, I heard a long keening wail, and then another, as the wolves began to howl. More voices pitched in, some low and mournful, others high and short, an eerie and beautiful chorus. I knew my wolf's howl; his rich tone sang out above others as if begging me to hear it. My heart ached inside me, torn between wanting them to stop and wishing they would go on for ever. I imagined myself there among them in the golden woods, watching them tilt their heads back and howl underneath a sky of endless stars. I blinked a tear away, feeling foolish and miserable, but I didn't go to sleep until every wolf had fallen silent.
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
Maybe I owe you something too, human," she said, drawing her pistol. Butler almost reacted, but decided to give Holly the benefit of the doubt. Captain Short plucked a gold coin from her belt, flicking it fifty feet into the moonlit sky. With one fluid movement, she brought her weapon up and loosed a single blast. The coin rose another fifty feet, then spun earthward. Artemis somehow managed to snatch it from the air. The first cool movement of his young life. "Nice shot," he said. The previously solid disk now had a tiny hole in the center. Holly held out her hand, revealing the still raw scar on her finger. "If it wasn't for you, I would have missed altogether. No mech-digit can replicate that kind of accuracy. So, thank you too, I suppose." Artemis held out the coin. "No," said Holly. "You keep it, to remind you." "To remind me?" Holly stared at him frankly. "To remind you that deep beneath the layers of deviousness, you have a spark of decency. Perhaps you could blow on that spark occasionally." Artemis closed his fingers around the coin. It was warm against his palm. "Yes, perhaps.
Eoin Colfer (The Arctic Incident (Artemis Fowl, #2))
The sky was rarely more than pale blue or violet, with a profusion of mighty, weightless, ever-changing clouds towering up and sailing on it, but it has blue vigour in it, and at a short distance it painted the ranges of hills and the woods a fresh deep blue.
Karen Blixen (Out of Africa)
Tonight I can write the saddest lines. Write, for example,'The night is shattered and the blue stars shiver in the distance.' The night wind revolves in the sky and sings. Tonight I can write the saddest lines. I loved her, and sometimes she loved me too. Through nights like this one I held her in my arms I kissed her again and again under the endless sky. She loved me sometimes, and I loved her too. How could one not have loved her great still eyes. Tonight I can write the saddest lines. To think that I do not have her. To feel that I have lost her. To hear the immense night, still more immense without her. And the verse falls to the soul like dew to the pasture. What does it matter that my love could not keep her. The night is shattered and she is not with me. This is all. In the distance someone is singing. In the distance. My soul is not satisfied that it has lost her. My sight searches for her as though to go to her. My heart looks for her, and she is not with me. The same night whitening the same trees. We, of that time, are no longer the same. I no longer love her, that's certain, but how I loved her. My voice tried to find the wind to touch her hearing. Another's. She will be another's. Like my kisses before. Her voide. Her bright body. Her inifinite eyes. I no longer love her, that's certain, but maybe I love her. Love is so short, forgetting is so long. Because through nights like this one I held her in my arms my sould is not satisfied that it has lost her. Though this be the last pain that she makes me suffer and these the last verses that I write for her.
Pablo Neruda
Summers with Rene began with a cigarette in one side of her mouth and a squinting of her eyes as she thought . . . . Shortly, she would make her pronouncement and it would seem magical no matter how often the words were said. "It's a beach day," blessed the day. The rest was understood. No more needed to be said. I knew that she knew. She had the gift to read what would come from the skies as surely as my mother could see births and betrayals in the cards.
Georgia Scott (American Girl: Memories That Made Me)
Tomorrow, your job is to change the world into a better place. Today, my job is to see that everyone gets there.
Terry Pratchett (A Hat Full of Sky (Discworld, #32; Tiffany Aching, #2))
Time grows short, my love. Let’s end with the beginning of the world, shall we? Yes. We shall.
N.K. Jemisin (The Stone Sky)
A short time later, when the carpenter was taking measurements for the coffin, through the window they saw a light rain of tiny yellow flowers falling. They fell on the town all through the night in a silent storm, and they covered the roofs and blocked the doors and smothered the animals who slept outdoors. So many flowers fell from the sky that in the morning the streets were carpeted with a compact cushion and they had to clear them away with shovels and rakes so that the funeral procession could pass by.
Gabriel García Márquez (One Hundred Years of Solitude)
There’s something satisfying, I think,’ Evans said, ‘about the idea of light travelling for millions of years through space and just at the right moment as it reaches Earth someone looks at the right bit of sky and sees it. It just seems right that an event of that magnitude should be witnessed.
Bill Bryson (A Short History of Nearly Everything)
When they reached their ship, Ed gazed out at the bay. It was black. The sky was black, but the bay was even blacker. It was a slick, oily blackness that glowed and reflected the moonlight like a black jewel. Ed saw the tiny specks of light around the edges of the bay where he knew ships must be docked, and at different points within the bay where vessels would be anchored. The lights were pale and sickly yellow when compared with the bright blue-white sparkle of the stars overhead, but the stars glinted hard as diamonds, cold as ice. Pg. 26.
Clark Zlotchew (Once upon a Decade: Tales of the Fifties)
[Anger] gave him the soul to keep fighting no matter how many times the world seemed bent on destroying him. He may be a broken young man, but he would never be a defeated one
Faye Fite (Skies of Dripping Gold)
I am thinking of a sky filled with spaceships, so many of them that they seem like a plague of locusts, silver against the luminous mauve of the night.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
Tonight I Can Write Tonight I can write the saddest lines. Write, for example, 'The night is starry and the stars are blue and shiver in the distance.' The night wind revolves in the sky and sings. Tonight I can write the saddest lines. I loved her, and sometimes she loved me too. Through nights like this one I held her in my arms. I kissed her again and again under the endless sky. She loved me, sometimes I loved her too. How could one not have loved her great still eyes. Tonight I can write the saddest lines. To think that I do not have her. To feel that I have lost her. To hear the immense night, still more immense without her. And the verse falls to the soul like dew to the pasture. What does it matter that my love could not keep her. The night is starry and she is not with me. This is all. In the distance someone is singing. In the distance. My soul is not satisfied that it has lost her. My sight tries to find her as though to bring her closer. My heart looks for her, and she is not with me. The same night whitening the same trees. We, of that time, are no longer the same. I no longer love her, that's certain, but how I loved her. My voice tried to find the wind to touch her hearing. Another's. She will be another's. As she was before my kisses. Her voice, her bright body. Her infinite eyes. I no longer love her, that's certain, but maybe I love her. Love is so short, forgetting is so long. Because through nights like this one I held her in my arms my soul is not satisfied that it has lost her. Though this be the last pain that she makes me suffer and these the last verses that I write for her.
Pablo Neruda (Twenty Love Poems and a Song of Despair)
We’re long on high principles and short on simple human understanding.
Vernor Vinge (A Deepness in the Sky (Zones of Thought, #2))
The stars slowly faded as the sun began to rise, and I found eternity in the morning sky.
Christy Ann Martine
Thank you for the day and night, for rainy spells and summer’s light. Thank you for the skies of blue and puffy clouds in grayish hue. Thank you for the gigglefests and midnight’s cloak to hasten rest. Thank you for tomorrow new and yesterday’s tomorrow too. Thank you for “I’m glad we met” and also for “we haven’t yet.” Thank you for the peace of mind a grateful soul doth always find.
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
Shortly afterwards it started raining, very innocently at first, but the sky was packed tight with cloud and gradually the drops grew bigger and heavier, until it was autumn’s dismal rain that was falling—rain that seemed to fill the entire world with its leaden beat, rain suggestive in its dreariness of everlasting waterfalls between the planets, rain that thatched the heavens with drabness and brooded oppressively over the whole countryside, like a disease, strong in the power of its flat, unvarying monotony, its smothering heaviness, its cold, unrelenting cruelty. Smoothly, smoothly it fell, over the whole shire, over the fallen marsh grass, over the troubled lake, the iron-grey gravel flats, the sombre mountain above the croft, smudging out every prospect. And the heavy, hopeless, interminable beat wormed its way into every crevice in the house, lay like a pad of cotton wool over the ears, and embraced everything, both near and far, in its compass, like an unromantic story from life itself that has no rhythm and no crescendo, no climax, but which is nevertheless overwhelming in its scope, terrifying in its significance. And at the bottom of this unfathomed ocean of teeming rain sat the little house and its one neurotic woman.
Halldór Laxness (Independent People)
People have short memories, but nature is patient and implacable.
Fonda Lee (Untethered Sky)
New York. The world's most dramatic city. Like a permanent short circuit, sputtering and sparking up into the night sky all night long. No place like it for living. And probably no place like it for dying. ("New York Blues")
Cornell Woolrich (Night and Fear: A Centenary Collection of Stories by Cornell Woolrich (Otto Penzler Book))
The planet Venus, a circle of silver in a green sky, pierced the edge of the evening while the wintry woods darkened about me and in the stillness the regular sound of my footsteps striking the pavement was like a the rhythmic beating of a giant stone heart.
Gore Vidal (Clouds and Eclipses: The Collected Short Stories)
That’s why all of us are working so damn hard to figure out a way around this for you. Because we believe you both deserve that. So stop selling yourself short. Stop selling her short. And decide right here and now that you’re going to fight for your girl. Really fight for her. Not just achieve this bullshit mission to right all your wrongs against her. Prove to her that you deserve her and then climb up into the fucking sky and tear the stars right out of it for her if they still don’t agree.
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
Life's too short to be sat at home writing all the time.
Helen Hodgman (Blue Skies And Jack And Jill)
Your sky is full of stars and my arms too short to reach a piece to call my own
Robert M. Drake
if I was a painter, and was to paint the American Eagle, how should I do it?...I should want to draw it like a Bat, for its short-sightedness; like a Bantam. for its bragging; like a Magpie, for its honesty; like a Peacock, for its vanity; like an Ostrich, for putting its head in the mud, and thinking nobody sees it -' ...'And like a Phoenix, for its power of springing from the ashes of its faults and vices, and soaring up anew into the sky!
Charles Dickens (Martin Chuzzlewit)
But others of us believed that the only true happiness our Sara had ever known in her short life on this earth had been among these people. And we wished for her soul to go to the place the Cheyennes called Seano – the place of the dead – which is reached by following the Hanging Road in the Sky, the Milky Way. Here the Cheyennes believe that all the People who have ever died live with their Creator, He’amaveho’e. In Seano they live in villages just as they did on earth – hunting, working, eating, playing, loving, and making war. And all go to the place of the dead, regardless of whether they were good or bad on earth, virtuous or evil, brave or cowardly – everyone – and eventually in Seano all are reunited with the souls of their loved ones.
Jim Fergus (One Thousand White Women: The Journals of May Dodd (One Thousand White Women, #1))
A story that began with, and exists because of, my love of the remoter parts of Scotland, where the bones of the Earth show through, and the sky is a pale white, and it's all astoundingly beautiful, and it feels about as remote as any place can possibly be.
Neil Gaiman (Fragile Things: Short Fictions and Wonders)
Mountains clothed in snow Robed in white against blue skies Mirrored in the lake.
Timothy Salter (Reflections in Short Poetry)
April was just beginning, and after the warm spring day it turned cooler, slightly frosty, and a breath of spring could be felt in the soft, cold air. The road from the convent to town was sandy, they had to go at a walking pace; and on both sides of the carriage, in the bright, still moonlight, pilgrims trudged over the sand. And everyone was silent, deep in thought, everything around was welcoming, young, so near— the trees, the sky, even the moon—and one wanted to think it would always be so.
Anton Chekhov (Short Stories)
The world seems to want us to be sad and angry because bad things frequently happen. But I say we should feel the opposite. We should be happy and cheerful because good things happen. We should be delighted to see the sun rise and stars glow and rainbows color stormy skies. We should savor every simple breath and eat each meal with gratitude. We should slumber in sweet dreams and relish moments of laughter and love. We should take more notice of the joys and kindnesses that do exist, still dictating the actions of millions of good people all over the world. Life is filled with pleasant moments, not just grief. We should be happy because this is true.
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
Kip cleared his throat and gave a brave smile. ‘We destroyed our world,’ he said, ‘and left it for the skies. Our numbers were few. Our species had scattered. We were the last to leave. We left the ground behind. We left the oceans. We left the air. We watched these things grow small. We watched them shrink into a point of light. As we watched, we understood. We understood what we were. We understood what we had lost. We understood what we would need to do to survive. We abandoned more than our ancestors’ world. We abandoned our short sight. We abandoned our bloody ways. We made ourselves anew.’ He spread his hands, encompassing the gathered. ‘We are the Exodus Fleet. We are those that wandered, that wander still. We are the homesteaders that shelter our families. We are the miners and foragers in the open. We are the ships that ferry between. We are the explorers who carry our names. We are the parents who lead the way. We are the children who continue on.’ He picked up his scrib from the podium. ‘What is his name?
Becky Chambers (Record of a Spaceborn Few (Wayfarers, #3))
When you look for a long time into the deep sky, without taking your eyes away, your thoughts and soul merge for some reason in an awareness of loneliness. You begin to feel yourself irremediably alone, and all that you once considered close and dear becomes infinitely distant and devoid of value.
Anton Chekhov (The Complete Short Novels)
These are the three stages of enlightenment, the three glimpses of satori. 1. The first stage enlightenment: A Glimpse of the Whole The first stage of enlightenment is short glimpse from faraway of the whole. It is a short glimpse of being. The first stage of enlightenment is when, for the first time, for a single moment the mind is not functioning. The ordinary ego is still present at the first stage of enlightenment, but you experience for a short while that there is something beyond the ego. There is a gap, a silence and emptiness, where there is not thought between you and existence. You and existence meet and merge for a moment. And for the first time the seed, the thirst and longing, for enlightenment, the meeting between you and existence, will grow in your heart. 2. The second stage of enlightenment: Silence, Relaxation, Togetherness, Inner Being The second stage of enlightenment is a new order, a harmony, from within, which comes from the inner being. It is the quality of freedom. The inner chaos has disappeared and a new silence, relaxation and togetherness has arisen. Your own wisdom from within has arisen. A subtle ego is still present in the second stage of enlightenment. The Hindus has three names for the ego: 1. Ahamkar, which is the ordinary ego. 2. Asmita, which is the quality of Am-ness, of no ego. It is a very silent ego, not aggreessive, but it is still a subtle ego. 3. Atma, the third word is Atma, when the Am-ness is also lost. This is what Buddha callas no-self, pure being. In the second stage of enlightenment you become capable of being in the inner being, in the gap, in the meditative quality within, in the silence and emptiness. For hours, for days, you can remain in the gap, in utter aloneness, in God. Still you need effort to remain in the gap, and if you drop the effort, the gap will disappear. Love, meditation and prayer becomes the way to increase the effort in the search for God. Then the second stage becomes a more conscious effort. Now you know the way, you now the direction. 3. The third stage of enlightenment: Ocean, Wholeness, No-self, Pure being At the third stage of enlightenment, at the third step of Satori, our individual river flowing silently, suddenly reaches to the Ocean and becomes one with the Ocean. At the third Satori, the ego is lost, and there is Atma, pure being. You are, but without any boundaries. The river has become the Ocean, the Whole. It has become a vast emptiness, just like the pure sky. The third stage of enlightenment happens when you have become capable of finding the inner being, the meditative quality within, the gap, the inner silence and emptiness, so that it becomes a natural quality. You can find the gap whenever you want. This is what tantra callas Mahamudra, the great orgasm, what Buddha calls Nirvana, what Lao Tzu calls Tao and what Jesus calls the kingdom of God. You have found the door to God. You have come home.
Swami Dhyan Giten
He had imagined Scotland as being a soft place, all gentle heathery hills, but here on the north coast everything seemed sharp and jutting, even the grey clouds that scudded across the pale blue sky. It was as if the bones of the world showed through.
Neil Gaiman (Fragile Things: Short Fictions and Wonders)
The longness and shortness of the present moment can be recognized by utilizing a big image of the moon, which is reflecting on the surface of the ocean, and a small image of the moon on the surface of a cup of water, or in another example the very wide scale of the whole sky itself, and the very narrow space of the moon, which is shining in the sky.
Dōgen
Later that day, shortly before the sun sank in the wintry sky, despite the best efforts of the medics, Arra Sails closed her eyes, made peace with the gods of the vampires, breathed her last...and died.
Darren Shan (The Vampire Prince (Cirque Du Freak, #6))
Dan was shorter than me, especially as I was wearing sky blue silk stilettos. He appeared to be my age or a few years older,stocky, and thick necked with swirling tattoos just visible beneath the blue collar of his uniform.Dan gave me a plain once over as he walked me to an elevator and placed his palm against a glass screen. The screen retracted to reveal keypad. Dan then punched in a series of numbers and he said- “You’re very big.”I gave him a cursory smile, “Yes. I ate all my vegetables as a child.
Penny Reid (Neanderthal Seeks Human (Knitting in the City, #1))
Henry liked to put to himself when he was a schoolboy: what are the chances of this particular fish, from that shoal, off that continental shelf ending up in the pages of this copy of the Daily Mirror? Something just short of infinity to one. Similarly, the grains of sand on a beach, arranged just so. The random ordering of the world, the unimaginable odds against any particular condition, still please him. Even as a child, and especially after Aberfan, he never believed in fate or providence, or the future being made by someone in the sky. Instead, at every instant, a trillion trillion possible futures; the pickiness of pure chance and physical laws seemed like freedom from the scheming of a gloomy god.
Ian McEwan (Saturday)
So now you know that, as dark as the depths of the sea may be, as dark as the night gets without a moon, it is not really true darkness. It's just waiting for light to return. There are places that are truly dark in this world, Ven, but this place here, this open stretch of sea where you are floating, is not one of them. It's not really dark here - it's just night. If you hang on and stay awake, in a short while the edges of the sky will start to turn gray, then pink, and the sun will rise, and there will be blue above and all around you again.
Elizabeth Haydon (The Floating Island (The Lost Journals of Ven Polypheme, #1))
The lucidity, the clarity of light that afternoon was sufficient to itself; perfect transparency must be impenetrable, these vertical bars of brass-coloured distillation of light coming down from sulphur-yellow interstices in a sky hunkered with grey clouds that bulge with more rain. It struck the wood with nicotine-stained fingers, the leaves glittered. A cold day of late October, when the withered blackberries dangled like their own dour spooks on the discoloured brambles. There were crisp husks of beechmast and cast acorn cups underfoot in the russet slime of the dead bracken where the rains of the equinox had so soaked the earth that the cold oozed up through the soles of the shoes, lancinating cold of the approaching winter that grips hold of your belly and squeezed it tight. Now the stark elders have an anorexic look; there is not much in the autumn wood to make you smile but it is not yet, not quite yet, the saddest time of the year. Only, there is a haunting sense of the imminent cessation of being; the year, in turning, turns in on itself. Introspective weather, a sickroom hush.
Angela Carter (Burning Your Boats: The Collected Short Stories)
I appreciate the scientific rigor with which you’ve approached this project, Anna,” said Christopher, who had gotten jam on his sleeve. “Though I don’t think I could manage to collect that many names and also pursue science. Much too time-consuming.” Anna laughed. “How many names would you want to collect, then?” Christopher tilted his head, a brief frown of concentration crossing his face, and did not reply. “I would only want one,” said Thomas. Cordelia thought of the delicate tracery of the compass rose on Thomas’s arm, and wondered if he had any special person in mind. “Too late for me to only have one,” declared Matthew airily. “At least I can hope for several names in a carefully but enthusiastically selected list.” “Nobody’s ever tried to seduce me at all,” Lucie announced in a brooding fashion. “There’s no need to look at me like that, James. I wouldn’t say yes, but I could immortalize the experience in my novel.” “It would be a very short novel, before we got hold of the blackguard and killed him,” said James. There was a chorus of laughter and argument. The afternoon sun was sinking in the sky, its rays catching the jeweled hilts of the knives in Anna’s mantelpiece. They cast shimmering rainbow patterns on the gold-and-green walls. The light illuminated Anna’s shabby-bright flat, making something in Cordelia’s heart ache. It was such a homey place, in a way that her big cold house in Kensington was not. “What about you, Cordelia?” said Lucie. “One,” said Cordelia. “That’s everyone’s dream, isn’t it, really? Instead of many who give you little pieces of themselves—one who gives you everything.” Anna laughed. “Searching for the one is what leads to all the misery in this world,” she said. “Searching for many is what leads to all the fun.
Cassandra Clare (Chain of Gold (The Last Hours, #1))
The sky was wide and inviting, and the grass was cool and sweetly refreshing under my bare feet as I walked across the undulating field towards the river. It was a short walk, only a mile or so, but I did not hurry it, letting my soul soak up the glorious sensation of freedom and lightness.
Susanna Kearsley (Mariana)
Just forget for a minute that you have spectacles on your nose and autumn in your heart. Stop being tough at your desk and stammering with timidity in the presence of people. Imagine for one second that you raise hell in public and stammer on paper. You’re a tiger, a lion, a cat. You spend a night with a Russian woman and leave her satisfied. You’re twenty five. If rings had been fastened to the earth and sky, you’d have seized them and pulled the sky down to earth
Isaac Babel
The scent of flowers grew stronger and came from all sides; the grass was drenched with dew; a nightingale struck up in a lilac bush close by and then stopped on hearing our voices; the starry sky seemed to come down lower over our heads.
Leo Tolstoy (Great Short Works of Leo Tolstoy)
Night had fallen, and Diane admired the deep sky behind Steve's calm countenance. They looked into each other's eyes again and felt the spark and excitement of discovery. As if to celebrate the perfect, life-enabling distance of the earth from the sun, Diane and Steve kissed again." "-The Grand Unified Story (a Short Story) from Stories and Scripts: an Anthology
Zack Love (Stories and Scripts: an Anthology)
A dam inside my own heart opened up, and the feelings of heaviness and unease lifted like wind against the winter sky. I loved him. I loved his slow wit and his gruff demeanor and his tender disposition. I loved his endless empathy and his world-weary cynicism and his innocence. I loved that he was a walking, breathing paradox. I loved his lank hair and his iron earring and the tooth missing at the back of his mouth. I loved the way he laughed, music incomparable to any song, and the way he smiled, like you could see the child in him and the animal in him and the man in him all at once. I loved that he listened to crappy music, the kind that made me want to put my head through a wall, and I loved the charcoal stains on his knuckles and the pencils he tucked behind his ears. I loved that he told me to shut up as though I could actually say anything. I loved that he made me feel as though I could. I loved his short fingers and his rough palms and his long legs and his flat belly. I loved that he liked to read Kerouac but didn't know how to pronounce Kerouac. I loved his brown skin and his blue tattoos and his tempestuous blue eyes. I loved that he loved the land. I loved him. I loved him. Oh, God. I loved him.
Rose Christo (Looks Over (Gives Light, #2))
You know how when you ask someone what they'd do if the sun was headed for Earth and they had twenty-four hours left to live? And everyone always says they'd be with family, eat their favorite food, go someplace they've always wanted to go? Nobody ever says they'd spend the last day curled up in bed crying- because they wouldn't. That's not what anyone wants to do with their final hours. I mean, yeah, you'd cry. And you'd be scared because you're gonna die. And you'd find yourself looking at the sky throughout the day, knowing what's coming because that's just human nature. But for the most part, you'd just enjoy the time you had left. Especially because there's nothing you can do about it. There's no escape, nowhere to hide. So why bother? Obsessing over the end is pointless. If you spend your life dwelling on the worst possible thing, when it finally happens, you've lived it twice. I don't want to live the worst things twice. I try really hard not to think about the bad stuff. But every once in a while I'm human and I look up. Yesterday was just one of those days that I looked at the sun.
Abby Jimenez (Life’s Too Short (The Friend Zone, #3))
The attraction of snowboarding is the freedom it gives you. With a snowboard on your feet the sky is the limit. You can do anything and go anywhere. This is not just for pro riders. It is for everyone. The other amazing thing with snowboarding is how easy it is to get away from people and enjoy the solitude of the mountains. Its almost impossible in surfing but with snowboarding it is a short hike from the top of the lift or the side of the road.
Jeremy Jones
As for the bracelet Mom wore to the funeral, what I did was I converted Dad’s last voice message into Morse code, and I used sky-blue beads for silence, maroon beads for breaks between letters, violet beads for breaks between words, and long and short pieces of string between the beads for long and short beeps, which are actually called blips, I think, or something. Dad would have known.
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
I Won’t Fly Today Too much to do, despite the snow, which made all local schools close their doors. What a winter! Usually, I love watching the white stuff fall. But after a month with only short respites, I keep hoping for a critical blue sky. Instead, amazing waves of silvery clouds sweep over the crest of the Sierra, open their obese bellies, and release foot upon foot of crisp new powder. The ski resorts would be happy, except the roads are so hard to travel that people are staying home. So it kind of boggles the mind that three guys are laying carpet in the living room. Just goes to show the power of money. In less than an hour, the stain Conner left on the hardwood will be a ghost.
Ellen Hopkins (Perfect (Impulse, #2))
Near the snow,near the sun , in the highest field See how those names are feted by the wavering grass, And by the streamers of white cloud, And whispers of wind in the listening sky; The names of those who in their lives have fought for life, Who wore at their hearts the fire's centre. Born of the sun they traveled a short while towrads the sun. And left the vivid air signed with their honour.
Stephen Spender
What is man—and of course the writer means all of us puny little insignificant creatures—what is a mere human being that God who made the immense universe should ever notice?' She chuckled. 'The sky does take you down to size.' Not even big as bugs. Not even a speck of dust to the nearest star,' Angel agreed. But the psalmist answers his own question. "Thou hast made him a little lower than the angels, and hast crowned him with glory and honor..." ' What?' Angel asked, not sure she had heard right. A little lower than the angels, crowned with glory and honor.' The real angels? Do you believe that?' Yes, Angel, I do. When people look down on me, and these days'—she laughed shortly—'these days everyone over the age of five does. When people look down on me, I remember that God looks at this pitiful, twisted old thing that I have become and crowns me with glory.
Katherine Paterson (The Same Stuff as Stars)
Now I was making my way through the garden. There was that strange light which follows a day of persistent rain, when the sun comes out and the sky clears too late to be of any use. The earth makes a sound as of sighs and the last drops fall from the emptied cloudless sky. A small boy, stretching out his hands and looking up at the blue sky, asked his mother how such a thing was possible. Fuck off, she said.
Samuel Beckett (The Complete Short Prose, 1929-1989)
I want to be able to do anything with words: handle slashing, flaming descriptions like Wells, and use the paradox with the clarity of Samuel Butler, the breadth of Bernard Shaw and the wit of Oscar Wilde, I want to do the wide sultry heavens of Conrad, the rolled-gold sundowns and crazy-quilt skies of Hitchens and Kipling as well as the pastel dawns and twilights of Chesterton. All that is by way of example. As a matter of fact I am a professed literary thief, hot after the best methods of every writer in my generation.
F. Scott Fitzgerald (A Short Autobiography)
A gull planed steeply over their heads, a precarious flash of white against the windy blue sky. The short, hacking cry of a baby seemed to merge seamlessly for a moment with the gull's repetitive wail, as if they were one species. One species, Falkender thought, raucous and scavenging; one species calling out in pain. To be human is to be mixed and miscegenated like this. To be lost.
M. John Harrison (Things That Never Happen)
We would be in each other's lives again. No, he hadn't been the best father, but he was my father, and we loved each other. We needed each other. Though he'd disappointed me countless times through the years, life had already proven too short for me to hold on to that. So I let go of my hurt. I let go years of frustration between us. Most of all, I let go of any desire to change my father and I accepted him for who he was. I took all of my anguish and released it like a fistful of helium balloons to the sky, and I chose to forgive him.
Liz Murray (Breaking Night: A Memoir of Forgiveness, Survival, and My Journey from Homeless to Harvard)
He thought of nothing, wished for nothing, but not to be left behind the peasants, and to do his work as well as possible. He heard nothing but the swish of scythes, and saw before him Tit's upright figure mowing away, the crescent-shaped curve of the cut grass, the grass and flower heads slowly and rhythmically falling before the blade of his scythe, and ahead of him the end of the row, where would come the rest. Suddenly, in the midst of his toil, without understanding what it was or whence it came, he felt a pleasant sensation of chill on his hot, moist shoulders. He glanced at the sky in the interval for whetting the scythes. A heavy, lowering storm cloud had blown up, and big raindrops were falling. Some of the peasants went to their coats and put them on; others--just like Levin himself--merely shrugged their shoulders, enjoying the pleasant coolness of it. Another row, and yet another row, followed--long rows and short rows, with good grass and with poor grass. Levin lost all sense of time, and could not have told whether it was late or early now. A change began to come over his work, which gave him immense satisfaction. In the midst of his toil there were moments during which he forgot what he was doing, and it came all easy to him, and at those same moments his row was almost as smooth and well cut as Tit's. But so soon as he recollected what he was doing, and began trying to do better, he was at once conscious of all the difficulty of his task, and the row was badly mown.
Leo Tolstoy (Anna Karenina)
The best sentences orient us, like stars in the sky, like landmarks on a trail. They remain the test, whether or not to read something. The most compelling narrative, expressed in sentences with which I have no chemical reaction, or an adverse one, leaves me cold. In fiction, plenty do the job of conveying information, rousing suspense, painting characters, enabling them to speak. But only certain sentences breathe and shift about, like live matter in soil. The first sentence of a book is a handshake, perhaps an embrace. Style and personality are irrelevant. They can be formal or casual. They can be tall or short or fat or thin. They can obey the rules or break them. But they need to contain a charge. A live current, which shocks and illuminates.
Jhumpa Lahiri
When the sun goes down, melting away his caresses into the sky which consonants with the ocean, lively colors are scattered through the deep pale depth during some short sensuous instants. Later, as by art of magic, light is consumed into the infinite horizon giving space to the poked voidness and its full-cristal-covered vastness. Then, to mystify the night, a marvelous and alluring sentinel rests next to us through the vivid night, just until the next prismatic fest arrives with its celebrating aperture.
Jose A. Arvide
There are gigantic trees that have grown tall into the winds and the clouds over the thousands of years of their lives, their tops are rustled and tossed by the mists of the atmosphere! Then there are the short trees that don't live for long, they are young with no deep roots and only a few annual rings to tell their stories.The tall, ancient trees sway in the realm of freedom while the short young trees cannot even raise their branches into that direction of the sky! Now, you are the bird who needs a tree to live in; if you choose to live in the tree which thrives in the realm of freedom, that doesn't mean you are not committed to that tree. You are still committed to your tree, but together you and your tree live in freedom. Freedom is not the absence of commitment. If you are the bird who chooses to fly around amongst the short trees and live in them, that's because your wings are too short to make it any higher and your vision too near to see any further into the clouds. And if you move from one short tree to the next short tree, that doesn't mean you are free, you are still down there below, freedom is still nowhere near you.
C. JoyBell C.
No he hadn't been the best father, but he was my father, and we loved each other. We needed each other. Though he'd disappointed me countless times through the years, life had already proven too short for me to hold on to that. So I let go of my hurt. I let go years of frustration between us. Most of all, I let go of any desire to change my father and I accepted him for who he was. I took all of my anguish and released it like a fistful of helium balloons to the sky, and I chose to forgive him.
Liz Murray (Breaking Night: A Memoir of Forgiveness, Survival, and My Journey from Homeless to Harvard)
Now in my eleven years of conventional life I had learned many things and one of them is what it means to be convicted of rape--I do not mean the man who did it, I mean the woman to whom it was done. Rape is one of the Christian mysteries, it creates a luminous and beautiful tableau in people's minds; and as I listened furtively to what nobody would allow me to hear straight out, I slowly came to understand that I was face to face with one of those feminine disasters, like pregnancy, like disease, like weakness; she was not only the victim of the act but in some strange way its perpetrator; somehow she had attracted the lightening that struck her out of a clear sky. A diabolical chance--which was not chance--had revealed her to all of us as she truly was, in her secret inadequacy, in that wretched guiltiness which she had kept hidden for seventeen years but which now finally manifested in front of everybody. Her secret guilt was this: She was Cunt. She had "lost" something. Now the other party to the incident had manifested his essential nature, too; he was Prick--but being Prick is not a bad thing. In fact, he had "gotten away with" something (possibly what she had "lost"). And there I was at eleven years of age: She was out late at night. She was in the wrong part of town. Her skirt was too short and that provoked him. She liked having her eye blacked and her head banged against the sidewalk. I understood this perfectly. (I reflected thus in my dream, in my state of being a pair of eyes in a small wooden box stuck forever on a grey, geometric plane--or so I thought.) I too had been guilty of what had been done to me, when I came home from the playground in tears because I had been beaten up by bigger children who were bullies. I was dirty. I was crying. I demanded comfort. I was being inconvenient. I did not disappear into thin air.
Joanna Russ (The Female Man)
If I were to sit on the ocean floor and look toward the sky, I might see a whale or electric eel or octopus pass by. And if I decided to jump straight up and reach with open arms, I might feel the pleasure of ocean flight propel me ’mid their swarms. But if I were seated upon the shore and looking toward the stars, I might see a comet or falling star near Mercury or Mars. Then if I decided to jump straight up and reach with open hands, I might feel despair when my feet refused to leave the shoreline sand. And so I return to the ocean depths where swimming creatures fly, For there I can soar with the whales and fish that daily touch the sky.
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
The world seems to want us to be sad and angry because bad things frequently happen. But I say we should feel the opposite. We should be happy and cheerful because good things happen. We should be delighted to see the sun rise and stars glow and rainbows color stormy skies. We should savor every simple breath and eat each meal with gratitude. We should slumber in sweet dreams and relish moments of laughter and love. We should take more notice of the joys and kindnesses that do exist, still dictating the actions of millions of good people all over the world. Life is filled with pleasant moments, not just grief. We should be happy because this is true.
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
I had travelled from Spain into Morocco and from there south to the Atlas Mountains, at the edge of the Sahara Desert…one night, in a youth hostel that was more like a stable, I woke and walked out into a snowstorm. But it wasn’t the snow I was used to in Minnesota, or anywhere else I had been. Standing bare chest to cool night, wearing flip-flops and shorts, I let a storm of stars swirl around me. I remember no light pollution, heck, I remember no lights. But I remember the light around me-the sense of being lit by starlight- and that I could see the ground to which the stars seemed to be floating down. I saw the sky that night in three dimensions- the sky had depth, some stars seemingly close and some much farther away, the Milky Way so well defined it had what astronomers call “structure”, that sense of its twisting depths. I remember stars from one horizon to another, making a night sky so plush it still seems like a dream. It was a time in my life when I was every day experiencing something new. I felt open to everything, as though I was made of clay, and the world was imprinting on me its breathtaking beauty (and terrible reality.) Standing nearly naked under that Moroccan sky, skin against the air, the dark, the stars, the night pressed its impression, and my lifelong connection was sealed.
Paul Bogard (The End of Night: Searching for Natural Darkness in an Age of Artificial Light)
Great actions have shaped our society.’ Sindermann said. The greatest of these, physically, has been the Emperor's formal and complete unification of Terra, the outward sequel to which, this Great Crusade, we are now engaged upon. But the greatest, intellectually, has been our casting off of that heavy mantle called religion. Religion damned our species for thousands of years, from the lowest superstition to the highest conclaves of spiritual faith. It drove us to madness, to war, to murder, it hung upon us like a disease, like a shackle ball. I'll tell you what religion was... No, you tell me. You, there?' 'Ignorance, sir.’ Thank you, Khanna. Ignorance. Since the earliest times, our species has striven to understand the workings of the cosmos, and where that understanding has failed, or fallen short, we have filled in the gaps, plastered over the discrepancies, with blind faith. Why does the sun go round the sky? I don't know, so I will attribute it to the efforts of a sun god with a golden chariot. Why do people die? I can't say, but I will choose to believe it is the murky business of a reaper who carries souls to some afterworld.
Dan Abnett (Horus Rising (The Horus Heresy, #1))
I ask you to come down to earth," said the Baron in a calm, rather faint voice, "and to take up the duties of your station!" "I have no intention of obeying you, my Lord Father," said Cosimo. "I am very sorry." They were ill at ease, both of them, bored. Each knew what the other would say. "And what about your studies? Your devotions as a Christian?" said the father. "Do you intend to grown up like an American Savage?" Cosimo was silent. These were thoughts he had not yet put to himself and had no wish to. Then he exclaimed: "Just because I'm a few yards higher up, does it mean that good teaching can't reach me?" This was an able reply too, though it diminished, in a way, the range of his gesture; a sign of weakness. His father realized this and became more pressing. "Rebellion cannot be measured by yards," said he. "Even when a journey seems no distance at all, it can have no return." Now was the moment for my brother to produce some other noble reply, perhaps a Latin maxim, but at that instant none came into his head, though he knew so many by heart. Instead he suddenly got bored with all this solemnity, and shouted: "But from the trees I can piss farther," a phrase without much meaning, but which cut the discussion short. As though they had heard the phrase, a shout went up from the ragamuffins around Porta Capperi. The Baron of Rondo's horse shied, the Baron pulled the reins and wrapped himself more tightly in his cloak, ready to leave. Then he turned, drew an arm out of his cloak, pointed to the sky, which had suddenly become overcast with black clouds, and exclaimed: "Be careful, son, there's Someone who can piss on us all!"...
Italo Calvino
Our northern summers, though, are versions Of southern winters, this is clear; And though we’re loath to cast aspersions, They seem to go before they’re here! The sky breathed autumn, turned and darkled; The friendly sun less often sparkled; The days grew short and as they sped, The wood with mournful murmur shed Its wondrous veil to stand uncovered; The fields all lay in misty peace; The caravan of cackling geese Turned south; and all around there hovered The sombre season near at hand; November marched across the land.
Alexander Pushkin (Eugene Onegin)
Humboldt's glorious descriptions are & will for ever be unparalleled: but even he with his dark blue skies & the rare union of poetry with science which he so strongly displays when writing on tropical scenery, with all this falls far short of the truth,he averred." The delight one experiences in such times bewilders the mind; if the eye attempts to follow the flight of a gaudy butter-fly, it is arrested by some strange tree or fruit; if watching an insect one forgets it in the stranger flower it is crawling over; if turning to admire the splendor of the scenery, the individual character of the foreground fixes the attention. The mind is a chaos of delight, out of which a world of future & more quiet pleasure will arise. I am at present fit only to read Humboldt; he like another sun illuminates everything I behold.
Charles Darwin
The aroma of chicken broth and beef pie wafted into the parlor. She set down the tray of food on the low table next to him. “Are you all right?” He grunted. “You don’t want to eat anything?” “No.” He did not want to tax his stomach for the next twelve hours. “So what now? Are we going on the run?” He removed his arm from his face and opened his eyes. She was sitting on the carpet before the low table, wearing his gray, hooded tunic, but not his trousers. Her legs were bare below mid-thigh. The sight jolted him out of his lethargy. “Where are your trousers?” “They had no braces and won’t stay up. Besides, it’s warm enough in here.” He was feeling quite hot. It was not unusual to see girls in short robes come summertime in Delamer. But in England skirts always skimmed the ground and men went mad for a glimpse of feminine ankles. So much skin—boys at school would faint from overexcitement. He might have been a bit unsteady too, if he were not already lying down. “You never answered my question,” she said, as if the view of long, shapely legs should not scramble his thoughts at all.
Sherry Thomas (The Burning Sky (The Elemental Trilogy, #1))
Haiku Christmas Story New light in the sky announces a sacred birth. Shine brightly young star. Hallelujah song carries on a gentle wind, heralding a king. Shepherds lift their heads, not to gaze at a new light but to hear angels. "Unto you is born in the city of David a Savior for all." Born on straw at night under low stable rafters, Baby Jesus cried. Sheep and goats and cows gather 'round a manger bed to awe at a babe. Wise men come to see a child of greater wisdom and honor divine. Rare and precious gifts, gold and myrrh and frankincense, to offer a king. Mary and Joseph huddle snugly together. They cradle God's son. On this wise He came, the Son of God to the earth. A humble wonder.
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
Things that remind me of Mother are these: the truth ‘mid deception, a warm summer breeze, the calm within chaos, a stitch in a rip, a comforting blanket, the smile on her lip, an ocean of love in a heart big as whales, the morals in everyday stories she tells, a wink amid laughter, the wisdom in books, the peace in humility, beauty in looks, the light and the life in a ray of the sun, the hard work accomplished disguised as pure fun, concern in a handclasp, encouragement too, the hope in a clear morning sky azure blue, the power in prayers uttered soft and sincere, the faith in a promise, and joy in a tear. These things all attest to the wonder and grace of my precious mother, none else could replace.
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
My wife and I tend to overgift to our kids at Christmas. We laugh and feel foolish when a kid is so distracted with one toy that we must force them into opening the next, or when something grand goes completely unnoticed in a corner. How consumerist, right? How crassly American. How like God. We are all that overwhelmed kid, not even noticing our heartbeats, not even noticing our breathing, not even noticing that our fingertips can feel and pick things up, that pie smells like pie and that our hangnails heal and that honey-crisp apples are real and that dogs wag their tails and that awe perpetually awaits us in the sky. The real yearning, the solomonic state of mind, is caused by too much gift, by too many things to love in too short a time. Because the more we are given, the more we feel the loss as we are all made poor and sent back to our dust.
N.D. Wilson (Death by Living: Life Is Meant to Be Spent)
James Heron dreamed he was once more in the abandoned tunnels on Mars. As he walked, the barren rocky landscape transformed into hills of tangled vegetation. Lightning played in tall cumulus clouds in a darkening sky, and the sky was definitely an Earth sky, not a Martian one. He seemed to have companions, but their clothing was strange—very old fashioned, in fact, as if they belonged in the nineteenth century. He didn’t recognise the landscape, but it seemed to be on Earth, and the group, several youths and a few older men, appeared to be suffering from the heat, plucking their shirts which displayed damp patches of perspiration. A short distance ahead of him walked a heavily built man who evidently was not enjoying the walk in the heat, his face flushed crimson and perspiring profusely. The sky darkened and large drops of rain pelted the group, and they increased their pace. His view changed slightly as someone behind him called something he could not quite hear. The lightning seemed to be getting closer, and he and a companion—a youth, he noted ran for cover. He could smell the rain on the wet earth, and the fragrance of the vegetation intensified. He could feel the tension of the group—their fear perhaps? Suddenly there was a blinding flash that seemed to engulf him—and then he jolted awake bathed in perspiration.
Patrick G. Cox (First into the Fray (Harry Heron #1.5))
Yet only minutes before, on the roof, a cold Havana between his lips, he had been silent, both he and his wife bundled in winter coats and hats as if about to set out on a journey. Dark against the sky. A statuesque couple. For a while the Brandenburg Gate was only a black mass, scanned off and on by police searchlights. But then the torchlight procession arrived, spreading like a stream of lava which, separated for a short time by the pylons, eventually flowed together again, unremitting, unstoppable, solemn, portentous, lighting up the night, lighting up the Gate to the quadriga of stallions, to the goddess's sign of victory. We too on the roof of Liebermann's house were lit by that fatal glow, even as we were hit with the smoke and stench of a hundred thousand and more torches.
Günter Grass (My Century)
She let the relaxing song waft over and through her as she lost herself in everything around her: the millions of stars glittering above, the soft quilt beneath her, the man whose hand slipped warmly into hers. And she began to understand something she hadn't only a few short minutes before; she began to feel a certain, undeniable truth seeping into her skin, her muscles, her very bones. And when the song came to its sweet, peaceful conclusion, she continued peering up at the sky even as she leaned her head over to rest it on Lucky's shoulder. And she whispered, "You love me." He kept gazing upward, too, his answer coming softly. "Yeah, I do." And it sounded ... like it wasn't a surprise to him at all. The new knowledge made Tessa's skin tingle even as her body filled with warmth. And she pulled back just slightly to peer over at him, this man who loved her. He hadn't put it into words, but he hadn't needed to---because he'd shown her, in so many sweet ways.
Toni Blake (Whisper Falls (Destiny, #3))
His last word—to live with,' she murmured. 'Don't you understand I loved him—I loved him—I loved him!' "I pulled myself together and spoke slowly. "'The last word he pronounced was—your name.' "I heard a light sigh, and then my heart stood still, stopped dead short by an exulting and terrible cry, by the cry of inconceivable triumph and of unspeakable pain. 'I knew it—I was sure!' . . . She knew. She was sure. I heard her weeping; she had hidden her face in her hands. It seemed to me that the house would collapse before I could escape, that the heavens would fall upon my head. But nothing happened. The heavens do not fall for such a trifle. Would they have fallen, I wonder, if I had rendered Kurtz that justice which was his due? Hadn't he said he wanted only justice? But I couldn't. I could not tell her. It would have been too dark—too dark altogether. . . ." Marlow ceased, and sat apart, indistinct and silent, in the pose of a meditating Buddha. Nobody moved for a time. "We have lost the first of the ebb," said the Director, suddenly. I raised my head. The offing was barred by a black bank of clouds, and the tranquil waterway leading to the uttermost ends of the earth flowed somber under an overcast sky—seemed to lead into the heart of an immense darkness.
Joseph Conrad (Heart of Darkness)
My Darling, It is late at night and though the words are coming hard to me, I can’t escape the feeling that it’s time that I finally answer your question. Of course I forgive you. I forgive you now, and I forgave you the moment I read your letter. In my heart, I had no other choice. Leaving you once was hard enough; to have done it a second time would have been impossible. I loved you too much to have let you go again. Though I’m still grieving over what might have been, I find myself thankful that you came into my life for even a short period of time. In the beginning, I’d assumed that we were somehow brought together to help you through your time of grief. Yet now, one year later, I’ve come to believe that it was the other way around. Ironically, I am in the same position you were, the first time we met. As I write, I am struggling with the ghost of someone I loved and lost. I now understand more fully the difficulties you were going through, and I realize how painful it must have been for you to move on. Sometimes my grief is overwhelming, and even though I understand that we will never see each other again, there is a part of me that wants to hold on to you forever. It would be easy for me to do that because loving someone else might diminish my memories of you. Yet, this is the paradox: Even though I miss you greatly, it’s because of you that I don’t dread the future. Because you were able to fall in love with me, you have given me hope, my darling. You taught me that it’s possible to move forward in life, no matter how terrible your grief. And in your own way, you’ve made me believe that true love cannot be denied. Right now, I don’t think I’m ready, but this is my choice. Do not blame yourself. Because of you, I am hopeful that there will come a day when my sadness is replaced by something beautiful. Because of you, I have the strength to go on. I don’t know if spirits do indeed roam the world, but even if they do, I will sense your presence everywhere. When I listen to the ocean, it will be your whispers; when I see a dazzling sunset, it will be your image in the sky. You are not gone forever, no matter who comes into my life. you are standing with God, alongside my soul, helping to guide me toward a future that I cannot predict. This is not a good-bye, my darling, this is a thank-you. Thank you for coming into my life and giving me joy, thank you for loving me and receiving my love in return. Thank you for the memories I will cherish forever. But most of all, thank you for showing me that there will come a time when I can eventually let you go. I love you
Nicholas Sparks (Message in a Bottle)
What makes a taco perfect?" "Beautiful question," Felix said. "It's a taco that tastes as good as the idea of a taco itself. A taco that'll hold steadfast through memory's attempt to erase it, a taco that'll be worthy of the nostalgia that it will cause. A taco that won't satisfy or fill but will satiate your hunger. Not just for tonight but for tacos in general, for food, for life-it-fucking-self, brother. You will feel full to your soul "But!" he added, a callused index finger pointed straight up at the sky. "It's also a taco that will make you hunger for more tacos like it, for more tacos at all, for food, the joy of it, the beauty of it. A taco that makes you hungry for life and that makes you feel like you have never been more alive. Nothing short of that will do.
Adi Alsaid (North of Happy)
Sorrow (A Song) To me this world's a dreary blank, All hopes in life are gone and fled, My high strung energies are sank, And all my blissful hopes lie dead.-- The world once smiling to my view, Showed scenes of endless bliss and joy; The world I then but little knew, Ah! little knew how pleasures cloy; All then was jocund, all was gay, No thought beyond the present hour, I danced in pleasure’s fading ray, Fading alas! as drooping flower. Nor do the heedless in the throng, One thought beyond the morrow give, They court the feast, the dance, the song, Nor think how short their time to live. The heart that bears deep sorrow’s trace, What earthly comfort can console, It drags a dull and lengthened pace, 'Till friendly death its woes enroll.-- The sunken cheek, the humid eyes, E’en better than the tongue can tell; In whose sad breast deep sorrow lies, Where memory's rankling traces dwell.-- The rising tear, the stifled sigh, A mind but ill at ease display, Like blackening clouds in stormy sky, Where fiercely vivid lightnings play. Thus when souls' energy is dead, When sorrow dims each earthly view, When every fairy hope is fled, We bid ungrateful world adieu.
Percy Bysshe Shelley (The Complete Poems)
One by one our skies go black. Stars are extinguished, collapsing into distances too great to breach. Soon, not even the memory of light will survive. Long ago, our manifold universes discovered futures would only expand. No arms of limit could hold or draw them back. Short of a miracle, they would continue to stretch, untangle and vanish – abandoned at long last to an unwitnessed dissolution. That dissolution is now. Final winks slipping over the horizons share what needs no sharing: There are no miracles. You might say that just to survive to such an end is a miracle in itself. We would agree. But we are not everyone. Even if you could imagine yourself billions of years hence, you would not begin to comprehend who we became and what we achieved. Yet left as you are, you will no more tremble before us than a butterfly on a windless day trembles before colluding skies, still calculating beyond one of your pacific horizons. Once we could move skies. We could transform them. We could make them sing. And when we fell into dreams our dreams asked questions and our skies, still singing, answered back. You are all we once were but the vastness of our strangeness exceeds all the light-years between our times. The frailty of your senses can no more recognize our reach than your thoughts can entertain even the vaguest outline of our knowledge. In ratios of quantity, a pulse of what we comprehend renders meaningless your entire history of discovery. We are on either side of history: yours just beginning, ours approaching a trillion years of ends. Yet even so, we still share a dyad of commonality. Two questions endure. Both without solution. What haunts us now will allways hunt you. The first reveals how the promise of all our postponements, ever longer, ever more secure – what we eventually mistook for immortality – was from the start a broken promise. Entropy suffers no reversals. Even now, here, on the edge of time’s end, where so many continue to vanish, we still have not pierced that veil of sentience undone. The first of our common horrors: Death. Yet we believe and accept that there is grace and finally truth in standing accountable before such an invisible unknown. But we are not everyone. Death, it turns out, is the mother of all conflicts. There are some who reject such an outcome. There are some who still fight for an alternate future. No matter the cost. Here then is the second of our common horrors. What not even all of time will end. What plagues us now and what will always plague you. War.
Mark Z. Danielewski (One Rainy Day in May (The Familiar, #1))
Wild Peaches" When the world turns completely upside down You say we’ll emigrate to the Eastern Shore Aboard a river-boat from Baltimore; We’ll live among wild peach trees, miles from town, You’ll wear a coonskin cap, and I a gown Homespun, dyed butternut’s dark gold color. Lost, like your lotus-eating ancestor, We’ll swim in milk and honey till we drown. The winter will be short, the summer long, The autumn amber-hued, sunny and hot, Tasting of cider and of scuppernong; All seasons sweet, but autumn best of all. The squirrels in their silver fur will fall Like falling leaves, like fruit, before your shot. 2 The autumn frosts will lie upon the grass Like bloom on grapes of purple-brown and gold. The misted early mornings will be cold; The little puddles will be roofed with glass. The sun, which burns from copper into brass, Melts these at noon, and makes the boys unfold Their knitted mufflers; full as they can hold Fat pockets dribble chestnuts as they pass. Peaches grow wild, and pigs can live in clover; A barrel of salted herrings lasts a year; The spring begins before the winter’s over. By February you may find the skins Of garter snakes and water moccasins Dwindled and harsh, dead-white and cloudy-clear. 3 When April pours the colors of a shell Upon the hills, when every little creek Is shot with silver from the Chesapeake In shoals new-minted by the ocean swell, When strawberries go begging, and the sleek Blue plums lie open to the blackbird’s beak, We shall live well — we shall live very well. The months between the cherries and the peaches Are brimming cornucopias which spill Fruits red and purple, sombre-bloomed and black; Then, down rich fields and frosty river beaches We’ll trample bright persimmons, while you kill Bronze partridge, speckled quail, and canvasback. 4 Down to the Puritan marrow of my bones There’s something in this richness that I hate. I love the look, austere, immaculate, Of landscapes drawn in pearly monotones. There’s something in my very blood that owns Bare hills, cold silver on a sky of slate, A thread of water, churned to milky spate Streaming through slanted pastures fenced with stones. I love those skies, thin blue or snowy gray, Those fields sparse-planted, rendering meagre sheaves; That spring, briefer than apple-blossom’s breath, Summer, so much too beautiful to stay, Swift autumn, like a bonfire of leaves, And sleepy winter, like the sleep of death.
Elinor Wylie
Pessimism is a towering skyscraper eighty stories high in the suburbs of the soul at the end of a long avenue with waste ground on either side and a few poorly-stocked little shops. Several ultra-fast staircases give access to the building, running up from the cellars to the roof-gardens. The comfort of this place leaves nothing to be desired and only the greatest luxury is acceptable, but every Friday the residents gather on the ground floor to read from a bible bound in the skin of a blind man. The psalmic words they intone rise up through the pipes, sigh in the stoves and sweep the chimneys coated inside with black grease which leaves dirt on the skin. Water runs constantly in the bathrooms and the showers beat down on the numbered bodies, peppering them with sand. On Sundays the bed linen unrolls by itself and nobody makes love. For this tower block, like an obscure phallus scraping the vulva of the sky, is usually a hive of sexual activity. The most beautiful woman lives there, but no-one has ever known her. It is said, that dressed in furs and feathers, she keeps herself shut away in a first-floor apartment as if in a white safe. Her windows are scissors which cut short both shadow and breath. Her name is AURORA.
Michel Leiris (Aurora)
Vane, you okay in there?” my mom calls through my door. I jump so hard I crash into my desk and knock off some books and video game cases. If my mom comes in and finds a gorgeous girl in a skimpy dress passed out on my worn gray rug, I’ll be grounded for the rest of eternity. Especially since all I have on at the moment are my Batman boxers. Pretty sure she won’t buy my ghost-guardian angel/freak-of-nature theories either. I stumble toward the door, prepared to barricade it with my dresser if I have to. “I’m fine, Mom,” I say as I grab the first T-shirt I see off my floor and throw it on, along with my gym shorts. “Then what’s all that banging?” Come on, Vane. Think! Inspiration strikes. “I found a date roach in my bed.” “Did you kill it?” My mom sounds farther away, like she jumped back. “I tried to, but now I can’t find it.” I don’t need to worry about my mom offering to help. She’s a big believer in the whole boys should kill all the bugs philosophy. “Well, I won’t distract you, then,” she says, and I can’t help smiling.
Shannon Messenger (Let the Sky Fall (Sky Fall, #1))
If Only We Had Taller Been The fence we walked between the years Did bounce us serene. It was a place half in the sky where In the green of leaf and promising of peach We'd reach our hands to touch and almost touch the sky, If we could reach and touch, we said, 'Twould teach us, not to ,never to, be dead. We ached and almost touched that stuff; Our reach was never quite enough. If only we had taller been, And touched God's cuff, His hem, We would not have to go with them Who've gone before, Who, short as us, stood tall as they could stand And hoped by stretching, tall, that they might keep their land, Their home, their hearth, their flesh and soul. But they, like us, were standing in a hole. O, Thomas, will a Race one day stand really tall Across the Void, across the Universe and all? And, measured out with rocket fire, At last put Adam's finger forth As on the Sistene Ceiling, And God's hand come down the other way To measure man and find him Good, And Gift him with Forever's Day? I work for that. Short man, Large dream, I send my rockets forth between my ears, Hoping an inch of Good is worth a pound of years. Aching to hear a voice cry back along the universal Mall: We've reached Alpha Centauri! We're tall, O God, we're tall!
Ray Bradbury
I drummed my fingers on the steering wheel as I looked around the empty lot. I wavered on getting out when a giant lightning bolt painted a jagged streak across the rainy lavender-gray sky. Minutes passed and still he didn’t come out of the Three Hundreds’ building. Damn it. Before I could talk myself out of it, I jumped out of the car, cursing at myself for not carrying an umbrella for about the billionth time and for not having waterproof shoes, and ran through the parking lot, straight through the double doors. As I stomped my feet on the mat, I looked around the lobby for the big guy. A woman behind the front desk raised her eyebrows at me curiously. “Can I help you with something?” she asked. “Have you seen Aiden?” “Aiden?” Were there really that many Aidens? “Graves.” “Can I ask what you need him for?” I bit the inside of my cheek and smiled at the woman who didn’t know me and, therefore, didn’t have an idea that I knew Aiden. “I’m here to pick him up.” It was obvious she didn’t know what to make of me. I didn’t exactly look like pro-football player girlfriend material in that moment, much less anything else. I’d opted not to put on any makeup since I hadn’t planned on leaving the house. Or real pants. Or even a shirt with the sleeves intact. I had cut-off shorts and a baggy T-shirt with sleeves that I’d taken scissors to. Plus the rain outside hadn’t done my hair any justice. It looked like a cloud of teal. Then there was the whole we-don’t-look-anything-alike thing going on, so there was no way we could pass as siblings. Just as I opened my mouth, the doors that connected the front area with the rest of the training facility swung open. The man I was looking for came out with his bag over his shoulder, imposing, massive, and sweaty. Definitely surly too, which really only meant he looked the way he always did. I couldn’t help but crack a little smile at his grumpiness. “Ready?” He did his form of a nod, a tip of his chin. I could feel the receptionist’s eyes on us as he approached, but I was too busy taking in Grumpy Pants to bother looking at anyone else. Those brown eyes shifted to me for a second, and that time, I smirked uncontrollably. He glared down at me. “What are you smiling at?” I shrugged my shoulders and shook my head, trying to give him an innocent look. “Oh, nothing, sunshine.” He mouthed ‘sunshine’ as his gaze strayed to the ceiling. We ran out of the building side by side toward my car. Throwing the doors open, I pretty much jumped inside and shivered, turning the car and the heater on. Aiden slid in a lot more gracefully than I had, wet but not nearly as soaked. He eyed me as he buckled in, and I slanted him a look. “What?” With a shake of his head, he unzipped his duffel, which was sitting on his lap, and pulled out that infamous off-black hoodie he always wore. Then he held it out. All I could do was stare at it for a second. His beloved, no-name brand, extra-extra-large hoodie. He was offering it to me. When I first started working for Aiden, I remembered him specifically giving me instructions on how he wanted it washed and dried. On gentle and hung to dry. He loved that thing. He could own a thousand just like it, but he didn’t. He had one black hoodie that he wore all the time and a blue one he occasionally donned. “For me?” I asked like an idiot. He shook it, rolling his eyes. “Yes for you. Put it on before you get sick. I would rather not have to take care of you if you get pneumonia.” Yeah, I was going to ignore his put-out tone and focus on the ‘rather not’ as I took it from him and slipped it on without another word. His hoodie was like holding a gold medal in my hands. Like being given something cherished, a family relic. Aiden’s precious.
Mariana Zapata (The Wall of Winnipeg and Me)
It was in December. I stood in the back of the tram, all the way in the back. It drove through the country and stopped and started again, it took hours, the countryside was endless. And the sky got bluer and bluer and the sun shone until it seemed like flowers would have to start sprouting out of the country bumpkins. And the red roofs in the villages and the black trees and the fields, most of them covered with straw, had it nice and warm, and the dunes sat bareheaded in the sun. And the road lay there, white and smarting, it couldn't bear the sunlight, and the glass panes of the village streetlamp flashed, they had trouble withstanding the glare too. But I got colder and colder. And the tram ran as long as the sun shone. It's a long ride from Hillegom to Leiden and the days are short in December. By the end, a block of ice was standing there on the tram staring into the big stupid cold sun that was flaming red as though the revolution was finally starting, as though offices were being blown up all over Amsterdam, but still it couldn't bring a spark of life back to my cold feet and stiff legs. And it kept getting bigger and colder, the sun, and I got colder and stayed the same size, and the blue sky looked down very disapprovingly: What are you doing on that tram?
Nescio (Amsterdam Stories)
Ieronym took hold of the cable with both hands, curved himself into a question mark, and grunted. The ferry creaked and lurched. The silhouette of the peasant in the tall hat slowly began to recede from me--which meant that the ferry was moving. Soon Ieronym straightened up and began working with one hand. We were silent and looked at the bank towards which we were now moving. There the "lumination" which the peasant had been waiting for was already beginning. At the water's edge, barrels of pitch blazed like huge bonfires. Their reflection, crimson as the rising moon, crept to meet us in long, wide stripes. The burning barrels threw light on their own smoke and on the long human shadows that flitted about the fire; but further to the sides and behind them, where the velvet ringing rushed from, was the same impenetrable darkness. Suddenly slashing it open, the golden ribbon of a rocket soared skywards; it described an arc and, as if shattering against the sky, burst and came sifting down in sparks. On the bank a noise was heard resembling a distant "hoorah." "How beautiful," I said. "It's even impossible to say how beautiful!" sighed Ieronym. "It's that kind of night, sir! At other times you don't pay attention to rockets, but now any vain thing makes you glad. Where are you from?
Anton Chekhov (Short Stories)
Mamaw also said that the best things in life die quickly, like the cherry blossom. Because something so beautiful can never last forever, shouldn’t last forever. It stays for a brief moment in time to remind us how precious life is, before fading away just as quickly as it came. She said that it teaches you more in its short life than anything that is forever by your side.” My throat began to close at the pain in her voice. She looked up at me. “Because nothing so perfect can last an eternity, can it? Like shooting stars. We see the usual stars above us every single night. Most people take them for granted, even forget they are there. But if a person sees a shooting star, they remember that moment forever, they even make a wish at its presence.” She took in a deep breath. “It shoots by so quickly that people savor the short time they have with it.” I felt a teardrop fall on our joined hands. I was confused, unsure why she was talking about such sad things. “Because something so completely perfect and special is destined to fade. Eventually, it has to blow away into the wind.” Poppy held up the cherry blossom that was still in her hand. “Like this flower.” She threw it into the air, just as a gust of wind came. The strong bluster carried the petals into the sky and away above the trees. It disappeared from our sight. “Poppy—” I went to speak, but she cut me off. “Maybe we’re like the cherry blossom, Rune. Like shooting stars. Maybe we loved too much too young and burned so bright that we had to fade out.” She pointed behind us, to the blossom grove. “Extreme beauty, quick death. We had this love long enough to teach us a lesson. To show us how capable of love we truly are.
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
Boney freckled knees pressed into bits of bark and stone, refusing to feel any more pain. Her faded t-shirt hugged her protruding ribs as she held on, hunched in silence. A lone tear followed the lumpy tracks down her cheek, jumped from her quivering jaw onto a thirsty browned leaf with a thunderous plop. Then the screen door squeaked open and she took flight. Crispy twigs snapped beneath her bare feet as she ran deeper and deeper into the woods behind the house. She heard him rumbling and calling her name, his voice fueling her tired muscles to go faster, to survive. He knew her path by now. He was ready for the hunt. The clanging unbuckled belt boomed in her ears as he gained on her. The woods were thin this time of year, not much to hide behind. If she couldn’t outrun him, up she would go. Young trees teased her in this direction, so she moved east towards the evergreens. Hunger and hurt left her no choice, she had to stop running soon. She grabbed the first tree with a branch low enough to reach, and up she went. The pine trees were taller here, older, but the branches were too far apart for her to reach. She chose the wrong tree. His footsteps pounded close by. She stood as tall as her little legs could, her bloodied fingers reaching, stretching, to no avail. A cry of defeat slipped from her lips, a knowing laugh barked from his. She would pay for this dearly. She didn’t know whether the price was more than she could bear. Her eyes closed, her next breath came out as Please, and an inky hand reached down from the lush needles above, wound its many fingers around hers, and pulled her up. Another hand, then another, grabbing her arms, her legs, firmly but gently, pulling her up, up, up. The rush of green pine needles and black limbs blurred together, then a flash of cobalt blue fluttered by, heading down. She looked beyond her dangling bare feet to see a flock of peculiar birds settle on the branches below her, their glossy feathers flickered at once and changed to the same greens and grays of the tree they perched upon, camouflaging her ascension. Her father’s footsteps below came to a stomping end, and she knew he was listening for her. Tracking her, trapping her, like he did the other beasts of the forest. He called her name once, twice. The third time’s tone not quite as friendly. The familiar slide–click sound of him readying his gun made her flinch before he had his chance to shoot at the sky. A warning. He wasn’t done with her. His feet crunched in circles around the tree, eventually heading back home. Finally, she exhaled and looked up. Dozens of golden-eyed creatures surrounded her from above. Covered in indigo pelts, with long limbs tipped with mint-colored claws, they seemed to move as one, like a heartbeat. As if they shared a pulse, a train of thought, a common sense. “Thank you,” she whispered, and the beasts moved in a wave to carefully place her on a thick branch.
Kim Bongiorno (Part of My World: Short Stories)
Lake Natron resided in northern Tanzania near an active volcano known as Ol Doinyo Lengai. It was part of the reason the lake had such unique characteristics. The mud had a curious dark grey color over where Jack had been set up for observation, and he noted that there was now an odd-looking mound of it to the right of one of the flamingo’s nests. He zoomed in further and further, peering at it, and then realized what he was actually seeing. The dragon had crouched down beside the nests and blended into the mud. From snout to tail, Jack calculated it had to be twelve to fourteen feet long. Its wings were folded against its back, which had small spines running down the length to a spiky tail. It had a fin with three prongs along the base of the skull and webbed feet tipped with sharp black talons. He estimated the dragon was about the size of a large hyena. It peered up at its prey with beady red eyes, its black forked tongue darting out every few seconds. Its shoulder muscles bunched and its hind legs tensed. Then it pounced. The dark grey dragon leapt onto one of flamingoes atop its nest and seized it by the throat. The bird squawked in distress and immediately beat its wings, trying to free itself. The others around them took to the skies in panic. The dragon slammed it into the mud and closed its jaws around the animal’s throat, blood spilling everywhere. The flamingo yelped out its last breaths and then finally stilled. The dragon dropped the limp carcass and sniffed the eggs before beginning to swallow them whole one at a time. “Holy shit,” Jack muttered. “Have we got a visual?” “Oh, yeah. Based on the size, the natives and the conservationists were right to be concerned. It can probably wipe out a serious number of wildlife in a short amount of time based on what I’m seeing. There’s only a handful of fauna that can survive in these conditions and it could make mincemeat out of them.” “Alright, so what’s the plan?” “They told me it’s very agile, which is why their attempts to capture it haven’t worked. I’m going to see if it responds to any of the usual stimuli. So far, they said it doesn’t appear to be aggressive.” “Copy that. Be careful, cowboy.” “Ten-four.” Jack glanced down at his utility belt and opened the pocket on his left side, withdrawing a thin silver whistle. He put it to his lips and blew for several seconds. Much like a dog whistle, Jack couldn’t hear anything. But the dragon’s head creaked around and those beady red eyes locked onto him. Jack lowered the whistle and licked his dry lips. “If I were in a movie, this would be the part where I said, ‘I’ve got a bad feeling about this.’” The dragon roared, its grey wings extending out from its body, and then flew straight at him.
Kyoko M. (Of Claws & Inferno (Of Cinder & Bone, #5))