Sky Related Quotes

once you have tasted the taste of sky, you will forever look up

Science can teach us, and I think our hearts can teach us, no longer to look around for imaginary supporters, no longer to invent allies in the sky, but rather to look to our own efforts here below to make the world a fit place to live.

My moods are inversely related to the clarity of the sky.

I told you in the course of this paper that Shakespeare had a sister; but do not look for her in Sir Sidney Lee’s life of the poet. She died young—alas, she never wrote a word. She lies buried where the omnibuses now stop, opposite the Elephant and Castle. Now my belief is that this poet who never wrote a word and was buried at the cross–roads still lives. She lives in you and in me, and in many other women who are not here to–night, for they are washing up the dishes and putting the children to bed. But she lives; for great poets do not die; they are continuing presences; they need only the opportunity to walk among us in the flesh. This opportunity, as I think, it is now coming within your power to give her. For my belief is that if we live another century or so—I am talking of the common life which is the real life and not of the little separate lives which we live as individuals—and have five hundred a year each of us and rooms of our own; if we have the habit of freedom and the courage to write exactly what we think; if we escape a little from the common sitting–room and see human beings not always in their relation to each other but in relation to reality; and the sky. too, and the trees or whatever it may be in themselves; if we look past Milton’s bogey, for no human being should shut out the view; if we face the fact, for it is a fact, that there is no arm to cling to, but that we go alone and that our relation is to the world of reality and not only to the world of men and women, then the opportunity will come and the dead poet who was Shakespeare’s sister will put on the body which she has so often laid down. Drawing her life from the lives of the unknown who were her forerunners, as her brother did before her, she will be born. As for her coming without that preparation, without that effort on our part, without that determination that when she is born again she shall find it possible to live and write her poetry, that we cannot expect, for that would he impossible. But I maintain that she would come if we worked for her, and that so to work, even in poverty and obscurity, is worth while.

Kinship with all creatures of the earth, sky, and water was a real and active principle. In the animal and bird world there existed a brotherly feeling that kept us safe among them... The animals had rights - the right of man's protection, the right to live, the right to multiply, the right to freedom, and the right to man's indebtedness. This concept of life and its relations filled us with the joy and mystery of living; it gave us reverence for all life; it made a place for all things in the scheme of existence with equal importance to all.

Religion is based primarily upon fear. It is partly the terror of the unknown and partly as the wish to feel that you have a kind of elder brother who will stand by you in all your troubles and disputes. Fear of the mysterious, fear of defeat, fear of death. Fear is the parent of cruelty, and therefore it is no wonder if cruelty and religion have gone hand in hand. It is because fear is at the basis of those two things. In this world we can now begin a little to understand things, and a little to master them by help of science, which has forced its way step by step against the opposition of all the old precepts. Science can help us to get over this craven fear in which mankind has lived for so many generations. Science can teach us, and I think our own hearts can teach us, no longer to look around for imaginary supports, no longer to invent allies in the sky, but rather to look to our own efforts here below to make this world a fit place to live in, instead of the place that the churches in all these centuries have made it.

My belief is that if we live another century or so — I am talking of the common life which is the real life and not of the little separate lives which we live as individuals — and have five hundred a year each of us and rooms of our own; if we have the habit of freedom and the courage to write exactly what we think; if we escape a little from the common sitting-room and see human beings not always in their relation to each other but in relation to reality; and the sky, too, and the trees or whatever it may be in themselves; if we look past Milton's bogey, for no human being should shut out the view; if we face the fact, for it is a fact, that there is no arm to cling to, but that we go alone and that our relation is to the world of reality and not only to the world of men and women, then the opportunity will come and the dead poet who was Shakespeare's sister will put on the body which she has so often laid down.

London The Institute Year of Our Lord 1878 “Mother, Father, my chwaer fach, It’s my seventeenth birthday today. I know that to write to you is to break the law, I know that I will likely tear this letter into pieces when it is finished. As I have done on all my birthdays past since I was twelve. But I write anyway, to commemorate the occasion - the way some make yearly pilgrimages to a grave, to remember the death of a loved one. For are we not dead to each other? I wonder if when you woke this morning you remembered that today, seventeen years ago, you had a son? I wonder if you think of me and imagine my life here in the Institute in London? I doubt you could imagine it. It is so very different from our house surrounded by mountains, and the great clear blue sky and the endless green. Here, everything is black and gray and brown, and the sunsets are painted in smoke and blood. I wonder if you worry that I am lonely or, as Mother always used to, that I am cold, that I have gone out into the rain again without a hat? No one here worries about those details. There are so many things that could kill us at any moment; catching a chill hardly seems important. I wonder if you knew that I could hear you that day you came for me, when I was twelve. I crawled under the bed to block out the sound of you crying my name, but I heard you. I heard mother call for her fach, her little one. I bit my hands until they bled but I did not come down. And, eventually, Charlotte convinced you to go away. I thought you might come again but you never did. Herondales are stubborn like that. I remember the great sighs of relief you would both give each time the Council came to ask me if I wished to join the Nephilim and leave my family, and each time I said no and I send them away. I wonder if you knew I was tempted by the idea of a life of glory, of fighting, of killing to protect as a man should. It is in our blood - the call to the seraph and the stele, to marks and to monsters. I wonder why you left the Nephilim, Father? I wonder why Mother chose not to Ascend and to become a Shadowhunter? Is it because you found them cruel or cold? I have no fathom side. Charlotte, especially, is kind to me, little knowing how much I do not deserve it. Henry is mad as a brush, but a good man. He would have made Ella laugh. There is little good to be said about Jessamine, but she is harmless. As little as there is good to say about her, there is as much good to say about Jem: He is the brother Father always thought I should have. Blood of my blood - though we are no relation. Though I might have lost everything else, at least I have gained one thing in his friendship. And we have a new addition to our household too. Her name is Tessa. A pretty name, is it not? When the clouds used to roll over the mountains from the ocean? That gray is the color of her eyes. And now I will tell you a terrible truth, since I never intend to send this letter. I came here to the Institute because I had nowhere else to go. I did not expect it to ever be home, but in the time I have been here I have discovered that I am a true Shadowhunter. In some way my blood tells me that this is what I was born to do.If only I had known before and gone with the Clave the first time they asked me, perhaps I could have saved Ella’s life. Perhaps I could have saved my own. Your Son, Will

Two thousand years ago the night sky looked completely different, and so when you get right down to it, the Greek conceptions of star signs as related to birth dates are grossly inaccurate for today's day and age. It's called the Line of Procession: back then the sun didn't set in Taurus, but in Gemini. A September 24 birthday didn't mean you were a Libra, but a Virgo. And there was a thirteenth zodiac constellation, Ophiuchus the Serpent Bearer, which rose between Sagittarius and Scorpio for only four days. The reason it's all off kilter? The earth's axis wobbles. Life isn't nearly as stable as we want it to be.

I grew up with landscape as a recourse, with the possibility of exiting the horizontal realm of social relations for a vertical alignment with earth and sky, matter and spirit. Vast open spaces speak best to this craving, the spaces I myself first found in the desert and then in the western grasslands.

Sarah Cynthia Sylvia Stout Would not take the garbage out! She'd scour the pots and scrape the pans, Candy the yams and spice the hams, And though her daddy would scream and shout, She simply would not take the garbage out. And so it piled up to the ceilings: Coffee grounds, potato peelings, Brown bananas, rotten peas, Chunks of sour cottage cheese. It filled the can, it covered the floor, It cracked the window and blocked the door With bacon rinds and chicken bones, Drippy ends of ice cream cones, Prune pits, peach pits, orange peel, Gloppy glumps of cold oatmeal, Pizza crusts and withered greens, Soggy beans and tangerines, Crusts of black burned buttered toast, Gristly bits of beefy roasts. . . The garbage rolled on down the hall, It raised the roof, it broke the wall. . . Greasy napkins, cookie crumbs, Globs of gooey bubble gum, Cellophane from green baloney, Rubbery blubbery macaroni, Peanut butter, caked and dry, Curdled milk and crusts of pie, Moldy melons, dried-up mustard, Eggshells mixed with lemon custard, Cold french fried and rancid meat, Yellow lumps of Cream of Wheat. At last the garbage reached so high That it finally touched the sky. And all the neighbors moved away, And none of her friends would come to play. And finally Sarah Cynthia Stout said, "OK, I'll take the garbage out!" But then, of course, it was too late. . . The garbage reached across the state, From New York to the Golden Gate. And there, in the garbage she did hate, Poor Sarah met an awful fate, That I cannot now relate Because the hour is much too late. But children, remember Sarah Stout And always take the garbage out!

They must live outside class, without relations or money; they must work and stick to each other till death. But England belonged to them. That, besides companionship, was their reward. Her air and sky were theirs, not the timorous millions' who own stuffy little boxes, but never their own souls.

A here exists only in relation to a there, not the other way around. There's this only because there's that; if we don't look up, we'll never know what's down. Think of it, boy. We find ourselves only by looking what we're not. You can't put your feet on the ground until you've touched the sky.

This book is for all of us who looked up at the sky in wonder, and then cried when we learned how much calculus separated us from the stars

Avoid outshining the master. All superiority is odious, but the superiority of a subject over his prince is not only stupid, it is fatal. This is a lesson that the stars in the sky teach us - they may be related to the sun, and just as brilliant, but they never appear in her company.

Who says books aren't 'real' friends? We hug them, treasure them, relate to them, spend weekends with them, and bring them along on vacation! They give us escape, comfort, adventures, advice, hope, inspiration, role models, and something to look forward to after a hard day. What more could you ask for from a friend?

[W]e conceive the Devil as a necessary part of a respectable view of cosmology. Ours is a divided empire in which certain ideas and emotions and actions are of God, and their opposites are of Lucifer. It is as impossible for most men to conceive of a morality without sin as of an earth without 'sky'. Since 1692 a great but superficial change has wiped out God's beard and the Devil's horns, but the world is still gripped between two diametrically opposed absolutes. The concept of unity, in which positive and negative are attributes of the same force, in which good and evil are relative, ever-changing, and always joined to the same phenomenon - such a concept is still reserved to the physical sciences and to the few who have grasped the history of ideas.

AN ARTIST’S RELATION TO SOLITUDE: An artist must make time for the long periods of solitude Solitude is extremely important Away from home, Away from the studio, Away from family, Away from friends An artist should stay for long periods of time at waterfalls An artist should stay for long periods of time at exploding volcanoes An artist should stay for long periods of time looking at fast-running rivers An artist should stay for long periods of time looking at the horizon where the ocean and sky meet An artist should stay for long periods of time looking at the stars in the night sky —An Artist’s Life Manifesto: Marina Abramović

I want them to see the magic of how everything is related: To walk out into the night and see the Green Corn Moon levitate across the sky.

Astrology provides a brilliant proof of the miserable subjectivity of human beings, as a result of which they relate everything to themselves and go from every thought in a straight line immediately back to themselves. It relates the course of the great celestial bodies to the pathetic I, as it also connects the comets in the sky with earthly quarrels and shabby tricks.

Time had ceased to feel linear. She looked up through the crisscrossing branches, thick with buds, into the night sky. The stars tugged at her gaze, trying to pull her up among them, or she was pulling them down to her. She was on the verge of some great discovery, she realized, but she had no idea what it was, what it related to, whether it even had anything to do with her at all. Was she a participant, or an observer? Did the world center around her, or could it carry on quite easily without her input? Looking up at those stars, feeling the embrace of their light as it enfolded her, she felt both small and large, as though everything mattered and nothing did. When someone crouched down beside her it took years for her to turn her head to see who it was. All she could make out was a dark shape, a vague outline of head and shoulders silhouetted against the stars, the rest of the body lost in the shadows of the rose bushes.

It's hard to imagine, seeing how crowded the sky looks tonight, how far away one star is from another. Like, people, really. We can appear to be standing right next to each other, and yet in our minds, we can be thousands of miles away, lost to the outer reaches. But we're all together in the same black soup, which makes us all related somehow.

My old friend, what are you looking for? After years abroad you’ve come back with images you’ve nourished under foreign skies far from you own country.’ ‘I’m looking for my old garden; the trees come to my waist and the hills resemble terraces yet as a child I used to play on the grass under great shadows and I would run for hours breathless over the slopes.’ ‘My old friend, rest, you’ll get used to it little by little; together we will climb the paths you once knew, we will sit together under the plane trees’ dome. They’ll come back to you little by little, your garden and your slopes.’ ‘I’m looking for my old house, the tall windows darkened by ivy; I’m looking for the ancient column known to sailors. How can I get into this coop? The roof comes to my shoulders and however far I look I see men on their knees as though saying their prayers.’ ‘My old friend, don’t you hear me? You’ll get used to it little by little. Your house is the one you see and soon friends and relatives will come knocking at the door to welcome you back tenderly.’ ‘Why is your voice so distant? Raise your head a little so that I understand you. As you speak you grow gradually smaller as though you’re sinking into the ground.’ ‘My old friend, stop a moment and think: you’ll get used to it little by little. Your nostalgia has created a non-existent country, with laws alien to earth and man.’ ‘Now I can’t hear a sound. My last friend has sunk. Strange how from time to time they level everything down. Here a thousand scythe-bearing chariots go past and mow everything down

There’s a fascinating frailty of the human mind that psychologists know all about, called “argument from ignorance.” This is how it goes. Remember what the “U” stands for in “UFO”? You see lights flashing in the sky. You’ve never seen anything like this before and don’t understand what it is. You say, “It’s a UFO!” The “U” stands for “unidentified.” But then you say, “I don’t know what it is; it must be aliens from outer space, visiting from another planet.” The issue here is that if you don’t know what something is, your interpretation of it should stop immediately. You don’t then say it must be X or Y or Z. That’s argument from ignorance. It’s common. I’m not blaming anybody; it may relate to our burning need to manufacture answers because we feel uncomfortable about being steeped in ignorance.

I am beginning to be sorry that I ever undertook to write this book. Not that it bores me; I have nothing else to do; indeed, it is a welcome distraction from eternity. But the book is tedious, it smells of the tomb, it has a rigor mortis about it; a serious fault, and yet a relatively small one, for the great defect of this book is you, reader. You want to live fast, to get to the end, and the book ambles along slowly; you like straight, solid narrative and a smooth style, but this book and my style are like a pair of drunks; they stagger to the right and to the left, they start and they stop, they mutter, they roar, they guffaw, they threaten the sky, they slip and fall... And fall! Unhappy leaves of my cypress tree, you had to fall, like everything else that is lovely and beautiful; if I had eyes, I would shed a tear of remembrance for you. And this is the great advantage in being dead, that if you have no mouth with which to laugh, neither have you eyes with which to cry.

Ah, my love. An apocalypse is a relative thing, isn’t it?

Suddenly, I saw ocean again—then another horizon line—but this time the deep blue sky was on the wrong side of the line…the Holy crap, we’re upside down side.

I am going to shrink and shrink until I am a dry fall leaf, complete with a translucent spine and brittle veins, blowing away in a stiff wind, up, up, up into a crisp blue sky.

Let me see if I understand correctly now," the Jinni said at one point. "You and your relations believe that a ghost living in the sky can grant you wishes." "That is a gross oversimplification, and you know it." "And yet, according to men, we jinn are nothing but children's tales?" "This is different. This is about religion and faith." "And where exactly is the difference?

I was obviously born to draw better than most people, just as the widow Berman and Paul Slazinger were obviously born to tell stories better than most people can. Other people are obviously born to sing and dance or explain the stars in the sky or do magic tricks or be great leaders or athletes, and so on. I think that could go back to the time when people had to live in small groups of relatives -- maybe fifty or a hundred people at the most. And evolution or God or whatever arranged things genetically to keep the little families going, to cheer them up, so that they could all have somebody to tell stories around the campfire at night, and somebody else to paint pictures on the walls of the caves, and somebody else who wasn't afraid of anything and so on. That's what I think. And of course a scheme like that doesn't make sense anymore, because simply moderate giftedness has been made worthless by the printing press and radio and television and satellites and all that. A moderately gifted person who would have been a community treasure a thousand years ago has to give up, has to go into some other line of work, since modern communications put him or her into daily competition with nothing but the world's champions. The entire planet can get along nicely now with maybe a dozen champion performers in each area of human giftedness. A moderately gifted person has to keep his or her gifts all bottled up until, in a manner of speaking, he or she gets drunk at a wedding and tapdances on the coffee table like Fred Astair or Ginger Rogers. We have a name for him or her. We call him or her an 'exhibitionist.' How do we reward such an exhibitionist? We say to him or her the next morning, 'Wow! Were you ever _drunk_ last night!

Orpheus backwards turned his sight And looking lost her twice to fate. For you the legend I relate, You who seek the upward way To lift your mind into the day; For who gives in and turns his eye Back to darkness from the sky, Loses while he looks below All that up with him may go.

What good's a black face if it means I'm just someone else's property? Why give me these arms and legs just to carry someone else's load, not my own?

Man is conscious of a universal soul within or behind his individual life, wherein, as in a firmament, the natures of Justice, Truth, Love, Freedom, arise and shine. This universal soul, he calls Reason: it is not mine, or thine, or his, but we are its; we are its property and men. And the blue sky in which the private earth is buried, the sky with its eternal calm, and full of everlasting orbs, is the type of Reason. That which, intellectually considered, we call Reason, considered in relation to nature, we call Spirit. Spirit is the Creator. Spirit hath life in itself. And man in all ages and countries, embodies it in his language, as the FATHER.

If you are not from a particular place the history of that particular place will dwell inside you differently to how it dwells within those people who are from that particular place. Your connection to certain events that define the history of a particular place is not straightforward because none of your ancestors were in any way involved or affected by those events. You have no stories to relate and compare, you have no narrative to inherit and run with, and all the names are strange ones that mean nothing to you at all. And it's as if the history of a particular place knows all about this blankness you contain. Consequently if you are not from a particular place you will always be vulnerable for the reason that it doesn't matter how many years you have lived there you will never have a side of the story; nothing with which you can hold the full force of the history of a particular place at bay. And so it comes at you directly, right through the softly padding soles of your feet, battering up throughout your body, before unpacking its clamouring store of images in the clear open spaces of your mind. Opening out at last; out, out, out And shimmered across the pale expanse of a flat defenceless sky. All the names mean nothing to you, and your name means nothing to them.

Accelerating to speeds faster than light was, of course, impossible. General relativity had made that clear enough back in the twentieth century. However, since then a number of ways of circumventing the speed limit had turned up; by now, there were at least six different known methods of moving mass or information from A to B without going through c.

People usually associate the colour pink with weakness and naiveté; but I associate this colour with the most beautiful parts of the day— dawn and dusk! And in my searching through mystical writings, I have found that pink is actually related to the utmost levels of the Tree of Life. I've also seen it in pictures of the sky surrounding the most magnificent Aurora Borealis! So pink is strong and wonderful.

...cultural barriers can be overcome relatively swiftly where there is the political will to do so.

You ever think about the noose?' 'I been thinking about the noose since I was born.

She’s looking right at you,” Scott says. As I hold her glittering gaze, I instinctively reach to touch her head. “As supple as leather, as tough as steel, as cold as night,” Hugo wrote of the octopus’s flesh; but to my surprise, her head is silky and softer than custard. Her skin is flecked with ruby and silver, a night sky reflected on the wine-dark sea. As I stroke her with my fingertips, her skin goes white beneath my touch. White is the color of a relaxed octopus; in cuttlefish, close relatives of octopus, females turn white when they encounter a fellow female, someone whom they need not fight or flee.

The stars are very thick. I understand finally that the sky is not above me, but that I am in the sky. This is related to the crow. And the crow is related to the baby. And the crow is related to you. Maybe the way the baby was related to you. Not through blood, but through me. Through a particular shared longing for increase.

My mom believed that you make your own luck. Over the stove she had hung these old, maroon painted letters that spell out, “MANIFEST.” The idea being if you thought and dreamed about the way you wanted your life to be -- if you just envisioned it long enough, it would come into being. But as hard as I had manifested Astrid Heyman with her hand in mine, her blue eyes gazing into mine, her lips whispering something wild and funny and outrageous in my ear, she had remained totally unaware of my existence. Truly, to even dream of dreaming about Astrid, for a guy like me, in my relatively low position on the social ladder of Cheyenne Mountain High, was idiotic. And with her a senior and me a junior? Forget it. Astrid was just lit up with beauty: shining blonde ringlets, June sky blue eyes, slightly furrowed brow, always biting back a smile, champion diver on the swim team. Olympic level. Hell, Astrid was Olympic level in every possible way.

Two and a half million years ago, when our distant relative Homo habilis was foraging for food across the Tanzanian savannah, a beam of light left the Andromeda Galaxy and began its journey across the Universe. As that light beam raced across space at the speed of light, generations of pre-humans and humans lived and died; whole species evolved and became extinct, until one member of that unbroken lineage, me, happened to gaze up into the sky below the constellation we call Cassiopeia and focus that beam of light onto his retina. A two-and-a-half-billion-year journey ends by creating an electrical impulse in a nerve fibre, triggering a cascade of wonder in a complex organ called the human brain that didn’t exist anywhere in the Universe when the journey began.

Craig said the problem with things is that everyone is always comparing everyone with everyone and because of that, it discredits people, like in his photography classes. Bob said that it was all about our parents not wanting to let go of their youth and how it kills them when they cant relate to something. Patrick said that the problem was that since everything has happened already, it makes it hard to break new ground. Nobody can be as big as the Beatles because the Beatles already gave it a "context." The reason they were so big is that they had no one to compare themselves with, so the sky was the limit.

Everyone is dazed. Screaming silently, making endless cups of tea. Grief is bewilderment. Grief is circling rooms and talking to unnamed relatives. Grief is a permanent headache and knotted stomach. Grief is sluggish time, staring at strangers on the street and thinking 'how can you act like nothing's happened?'. Grief is being angry that the sun is still shimmering away, smiling in the sky.

This was the last time I ever saw my mother alive. Just the same, this picture gets all mixed up in my mind with pictures I had of her when she was younger. The way I always see her is the way she used to be on Sunday afternoon, say, when the old folks were talking after the big Sunday dinner. I always see her wearing pale blue. She'd be sitting on the sofa. And my father would be sitting in the easy chair, not far from her. And the living room would be full of church folks and relatives. There they sit, in chairs all around the living room, and the night is creeping up outside, but nobody knows it yet. You can see the darkness growing against the windowpanes and you hear the street noises every now and again, or maybe the jangling beat of a tambourine from one of the churches close by, but it's real quiet in the room. For a moment nobody's talking, but every face looks darkening, like the sky outside. And my mother rocks a little from the waist, and my father's eyes are closed. Everyone is looking at something a child can't see. For a minute they've forgotten the children. Maybe a kid is lying on the rug, half asleep. Maybe somebody's got a kid in his lap and is absent-mindedly stroking the kid's head. Maybe there's a kid, quiet and big-eyed, curled up in a big chair in the corner. The silence, the darkness coming, and the darkness in the faces frighten the child obscurely. He hopes that the hand which strokes his forehead will never stop-- will never die. He hopes that there will never come a time when the old folks won't be sitting around the living room, talking about where they've come from, and what they've seen, and what's happened to them and their kinfolk. But something deep and watchful in the child knows that this is bound to end, is already ending. In a moment someone will get up and turn on the light. Then the old folks will remember the children and they won't talk anymore that day. And when light fills the room, the child is filled with darkness. He knows that every time this happens he's moved just a little closer to that darkness outside. The darkness outside is what the old folks have been talking about. It's what they've come from. It's what they endure. The child knows that they won't talk anymore because if he knows too much about what's happened to them, he'll know too much too soon, about what's going to happen to him.

Because when all is said and done the setting doesn’t matter: the space, the walls, the light. It makes no difference whether I’m under a clear blue sky or caught in the rain or swimming in the transparent sea in summer. I could be riding a train or traveling by a car or flying in a plane, among the clouds that drift and spread on all sides like a mass of jellyfish in the air. I’ve never stayed still, I’ve always been moving, that’s all I’ve ever been doing. Always waiting either to get somewhere or to come back. Or to escape. I keep packing and unpacking the small suitcase at my feet. I hold my purse in my lap, it’s got some money and a book to read. Is there any place we’re not moving through? Disoriented, lost, at sea, at odds, astray, adrift, bewildered, confused, uprooted, turned around. I’m related to these related terms. These words are my abode, my only foothold. On the Train There are five of them, four men and a woman, all more or less the same age.

People relate love to insects fluttering inside their digestive system.

I can see the headlines now, the Vega twins die in joint chocolate-related suicide

I want them to see the magic of how everything is related: To walk out into the night and see the Green Corn Moon levitate across the sky.

Home is not a building, but a feeling of belonging.

It was fun to see him becoming sententious again, glorying in a science he had invented, and as positive as a village soothsayer. 'So one should neither give nor receive?' I laughed. 'And if the lover is poor, his mistress indigent, then both she and he must tactfully let themselves and each other die?' 'Let them die,' he repeated. I had accompanied him as far as the revolving glass door of the lobby. 'Let them die,' he said again. 'It's less dangerous. I can swear on my word of honor that I never gave a present or made a loan or an exchange of anything except . . . this . . .' He waved both hands in a complicated gesture which fleetingly indicated his chest, his mouth, his genitals, his thighs. Thanks no doubt to my fatigue, I was reminded of an animal standing on its hind legs and unwinding the invisible. Then he resumed his strictly human significance, opened the door, and easily mingled with the night outside, where the sea was already a little paler than the sky.

By now you will not be surprised to learn that Gaston Bachelard had a few things to say about the element of air. In a book called "Air and Dreams". he points out that we categorize many of our emotions by their relative weight; they make us feel heavier or lighter. Perhaps because uprightness is the human quality, we imagine human emotions arranged on a vertical scale from ground to sky. So sadness is weighed down and earthbound. joy is aerial, and the sensation of freedom defies the bonds of gravity. "Air," Bachelard writes, "is the very substance of our freedom, the substance of superhuman joy." Elation, effervescence, elevation, levity, inspiration: air words all, alveolated with vowels, leavening the dough of everyday life.

He said he would be back and we'd drink wine together He said that everything would be better than before He said we were on the edge of a new relation He said he would never again cringe before his father He said that he was going to invent full-time He said he loved me that going into me He said was going into the world and the sky He said all the buckles were very firm He said the wax was the best wax He said Wait for me here on the beach He said Just don't cry I remember the gulls and the waves I remember the islands going dark on the sea I remember the girls laughing I remember they said he only wanted to get away from me I remember mother saying : Inventors are like poets, a trashy lot I remember she told me those who try out inventions are worse I remember she added : Women who love such are the worst of all I have been waiting all day, or perhaps longer. I would have liked to try those wings myself. It would have been better than this.

Suppose a Sun many times brighter than our Sun comes up in the sky. After we get used to its light, it goes away. Then our Sun will feel like moon to us and what we call as “light” will seem like darkness. So light and darkness are relative terms. Darkness is just less light.

The trick to realize that the boys who talk so much about being rejected that it seems like the’re proud of it aren’t necessarily sweeter or more sensitive than the Bababooey-spouting frat bullies who line up at clubs like SkyBar to run game on girls they want to date rape. There are plenty of nerds who fear women and aren’t sensitive, despite their marketing; they just dislike women in a new, exciting way. Timid racists aren’t sensitive because they lock their car doors when they see a black person on the street. They’re just too scared to get out of the car and shout the “N” word. Fear can be the result of admiration, or it can be a symptom of contempt. When I see squeamish guys passing over qualified women when they’re hiring for a job, or becoming tongue tied when a girl crashes their all-boy conversation at a party, I don’t give them credit for being awestruck. They’re reacting to the intimidating female as an intruder, an alien, and somebody they can’t relate to. It’s not a compliment to be made invisible.

But some contemporary believers, such as Lisa Domke, a pastor and mother in Seattle, ground their identity in Christ’s love but a love that goes beyond sentiment or feeling. “I say that I am someone seeking to live in the world with love and humility,” Lisa reports, “following God in the way of Jesus.” Love is the active practice of Christian virtue. As Sky, a Seattle Baptist, relates, “Children know that love is behavior, not romantic words.

He is certainly of an age to die.’ The sadness of the old; their banishment: most of them do not think that this age has yet come for them. I too made use of this cliché, and that when I was referring to my mother. I did not understand that one might sincerely weep for a relative, a grandfather aged seventy and more. If I met a woman of fifty overcome with sadness because she had just lost her mother, I thought her neurotic: we are all mortal; at eighty you are quite old enough to be one of the dead… But it is not true. You do not die from being born, nor from having lived, nor from old age. You die from something. The knowledge that because of her age my mother’s life must soon come to an end did not lessen the horrible surprise: she had sarcoma. Cancer, thrombosis, pneumonia: it is as violent and unforeseen as an engine stopping in the middle of the sky. My mother encouraged one to be optimistic when, crippled with arthritis and dying, she asserted the infinite value of each instant; but her vain tenaciousness also ripped and tore the reassuring curtain of everyday triviality. There is no such thing as a natural death: nothing that happens to a man is ever natural, since his presence calls the world into question. All men must die: but for every man his death is an accident and, even if he knows it and consents to it, an unjustifiable violation.

This is the yin and yang of the earth, an energetic feedback. What happens below relates directly to what is happening on the surface and in the atmosphere and vice versa. Tectonics does not end at the ground beneath your feet. It is a dynamic system from the earth's interior all the way into the sky and back.

It's hard to explain, but it's related to me know that for every moment of beauty this place gives me, I probably miss a thousand more. And I want them all. I swear I'd live on the dunes if I could. I was born out of my time. I should have been around during the end of the eighteenth century, when the Romantic Era kicked off, and writers and artists were obsessed with nature: the ocean, the mountains, the sky. And they believed in following their own path, experimenting, not blindly obeying rules. I found a quote by Henry David Thoreau- "I wanted to live deep and suck out all the marrow of life"...It made me cry. Urgency is so beautiful.

Chapter 1 I was sitting in Tina's Sunset Restaurant, watching the outriggers shuffle lazily through the clear waters of Sabang Bay, when Tomboy took a seat opposite me, ordered a San Miguel from Tina's daughter, and told me someone else had to die. It was five o'clock in the afternoon, there wasn't a cloud in the sky, and up until that point I'd been in a good mood. I told him I didn't want to kill people anymore, that it was a part of my past I didn't want to be reminded of, and he replied that he understood all that, but once again we needed the money. 'It's just the way the cookie crumbles.' he added, with the sort of bullshit 'I share your suffering' expression an undertaker might give to one of his customer's relatives. Tomboy Darke was my business partner and a man with a cliche for every occasion, including murder.

Aborigines, like other indian tribes, believe that people today have less of this life energy than in the past. Because life energy is the common source between human beings and nature, the loss of it parallels the loss of connection between human beings and their relations: the plants, animals, stones, water, sky, the Earth, and all of creation. Restoring life energy to its original condition of fullness may be the key to recovering lost potentials and realizing that "the Kingdom of Heaven is in our midst.

Like Nycteris, she thought, and cringed. There was an old fairy tale called The History of Photogen and Nycteris that she still carried a copy of. The main character in it was a young woman who had been raised by a cruel witch, inside a cave beneath a castle. The girl had grown up knowing only darkness, which at the time hadn’t seemed much of an issue to child-Devon. But the general idea was that Nycteris’s world was narrow: she thought the lamp in her cave was a sun, and that the universe was just a tiny series of rooms. She knew nothing of society and had very few books. A relatable situation, for a book eater woman. One day, Nycteris escaped her cave by following a stray firefly. She ended up in the castle garden. But her reactions in the story were strange and unexpected. Upon espying the moon for the first time, Nycteris decided that it must be a giant lamp, akin to the one in her cave. She saw the sky, and likewise decided it must be another kind of roof. And when she looked at the horizon, she saw not a limitless world, but merely another room, albeit with distant walls. The concept of outside didn’t exist for one such as Nycteris, nor could it ever. Her upbringing had given her such a fixed perspective that, even when encountering something new, she could only process it along the lines already drawn for her. The story’s complexity had baffled Devon as a child, but she understood it well enough now. The truth was, Nycteris never really escaped. Oh, she got a prince and a castle and the cruel witch died at the end. But Nycteris could not ever leave the cave, because the cave was a place in her mind; it was the entire way she thought about reality. Princesses like that couldn’t be rescued.

There is no 'right side of history', there is only their side, and yours

When a rainbow spreads across the sky it is reminding the world that beauty comes in all colors.

The books were the background of my little world, and seeing them carted away by friends and relatives was like watching someone dismantle the sky.

A fitly born and bred race, growing up in right conditions of outdoor as much as indoor harmony, activity and development, would probably, from and in those conditions, find it enough merely to live—and would, in their relations to the sky, air, water, trees, etc., and to the countless common shows, and in the fact of life itself, discover and achieve happiness—with Being suffused night and day by wholesome ecstasy, surpassing all the pleasures that wealth, amusement, and even gratified intellect, erudition, or the sense of art, can give.

The lost Greek tale Cloud Cuckoo Land, by the writer Antonius Diogenes, relating a shepherd’s journey to a city in the sky, was probably written around the end of the first century C.E.

The self-aggrandizing and widespread assumption that we humans have the full complement of all of the emotions possible to all animals on Earth–basically, that all the marbles belong to us–is not only unscientific but also childish. Do we know how it feel is sail on an updraft in the sky, to echolocate our dinner in the dark, or to see at lightning speed with a compound eye? Fortunately, human understanding is maturing, and we are learning that animals are emotional, thinking, and self-aware beings relative to the niche that they were born to occupy.

Perhaps we ought to feel with more imagination. As today the sky 70 degrees above zero with lines falling The way September moves a lace curtain to be near a pear, The oddest device can't be usual. And that is where The pejorative sense of fear moves axles. In the stars There is no longer any peace, emptied like a cup of coffee Between the blinding rain that interviews. You were my quintuplets when I decided to leave you Opening a picture book the pictures were all of grass Slowly the book was on fire, you the reader Sitting with specs full of smoke exclaimed How it was a rhyme for "brick" or "redder." The next chapter told all about a brook. You were beginning to see the relation when a tidal wave Arrived with sinking ships that spelled out "Aladdin." I thought about the Arab boy in his cave But the thoughts came faster than advice. If you knew that snow was a still toboggan in space The print could rhyme with "fallen star.

He walked on the Embankment once under a dark red sunset. The red river reflected the red sky, and they both reflected his anger. The sky, indeed, was so swarthy, and the light on the river relatively so lurid, that the water almost seemed of fiercer flame than the sunset it mirrored. It looked like a stream of literal fire winding under the vast caverns of a subterranean country.

And over my head,” relates Squire Haligast, “it form’d an E-clipse, an emptiness in the Sky, with a Cloud-shap’d Line drawn all about it, wherein words might appear, and it read,— ‘No King . . .

It's like there is a huge balance scale in the sky, weighing the relative strength of two opposing fields of Influence. One side represents those opening to a higher personal spirituality, and thus acting to lift others into that consciousness. The other side of the scale represents those who are still stuck in fear and anger, who are acting to pull people down into a simmering, untruthful fear and rage." The statement hit me hard. That meant there was a contagion from both sides, and the balance shifted daily depending on how consistently those in Alignment could hold their truth with others.

with you, the sense i have lost my place in a book or simply lost — misplaced the memory which isn't in the last place where I looked. a thought that the clouds don't move — that it is we who thunder past — there it is! an old vacation, a train ride — sense of immobility. as sky and forest scroll past in relation, we are not moved, pretend to love the view, resort at length to scripted conversation by a poet-turned-screenwriter who didn't want this job, career gone grossly wrong and now drafts action film scripts wholly two- dimensional unless you choose to don the 3d glasses that do not stay on —

There’s this great line in the song “Corner of the Sky”: “Don’t you see I want my life to be something more than long?” I can relate. I want to leave my footprint on this world in a positive, meaningful way.

But a little while ago I made an experiment with the absolute or the absurd. This root—there was nothing in relation to which it was absurd. Oh, how can I put it in words? Absurd: in relation to the stones, the tufts of yellow grass, the dry mud, the tree, the sky, the green benches. Absurd, irreducible; nothing—not even a profound, secret upheaval of nature—could explain it. Evidently I did not know everything, I had not seen the seeds sprout, or the tree grow. But faced with this great wrinkled paw, neither ignorance nor knowledge was important: the world of explanations and reasons is not the world of existence.

Some hangovers are so horrific that it seems the whole world rocks and sways around you, the very walls creaking with the motion. Others are relatively mild and it just turns out that in your drunkenness a collection of Vikings have thrown you onto a heap of coiled ropes in their longship and set to sea. “Oh, you bastards.” I cracked open an eye to see a broad sail flapping overhead and gulls wheeling far above me beneath a mackerel sky.

... there’s a common trick nature plays on its would-be investigators: resemblance, the human urge to map the unknown onto the already known, can be a snare. Just because something looks like something else doesn’t mean that the backstory for both must be the same. Rocks scattered across the sky may appear to be a rubble field left behind by an explosion…but unless you stop to think how else you might get there, you rely on assumptions not in evidence.

The things white folks put people through--my god, cruel in ways I just can't even reconcile. Should be ashamed for a thousand years for all the lynching and raping, using people like goddamn animals." "Not all white people," Sidney added. "My mother wouldn't have been a part of this. She shouldn't've had to feel shame for something she didn't do." "Shouldn't she?" Sailor cut eyes at Charlie and then in the rearview mirror at Sidney. "Feeling what deserves to be felt is the only pathway to understanding. Let's get it straight: white folks did rape and steal and kill, and black folks died by the thousands--was dying all the way up 'til a year ago. Never feeling shame for that, and not allowing us to feel anger over it, means we don't evolve. We just go on repeating evil we can't understand. I'm sure your momma was a nice lady with a good heart, but her not feeling ashamed about all that happened is the same as not feeling anything at all.

Lift every voice and sing, Till earth and heaven ring, Ring with the harmonies of Liberty; Let our rejoicing rise High as the list’ning skies, Let it resound loud as the rolling sea. Sing a song full of the faith that the dark past has taught us, Sing a song full of the hope that the present has brought us; Facing the rising sun of our new day begun, Let us march on till victory is won. Stony the road we trod, Bitter the chast’ning rod, Felt in the days when hope unborn had died; Yet with a steady beat, Have not our weary feet Come to the place for which our fathers sighed? We have come over a way that with tears has been watered. We have come, treading our path through the blood of the slaughtered, Out from the gloomy past, Till now we stand at last Where the white gleam of our bright star is cast. God of our weary years, God of our silent tears, Thou who hast brought us thus far on the way; Thou who hast by Thy might, Led us into the light, Keep us forever in the path, we pray. Lest our feet stray from the places, our God, where we met Thee, Lest our hearts, drunk with the wine of the world, we forget Thee; Shadowed beneath Thy hand, May we forever stand, True to our God, True to our native land.

The posture we take when we meditate signifies that we are linking absolute and relative, sky and ground, heaven and earth, like two wings of a bird, integrating the skylike, deathless nature of mind and the ground of our transient, mortal nature. The

The light irradiates white peaks of Annapurna marching down the sky, in the great rampart that spreads east and west for eighteen hundred miles, the Himalaya- the alaya (abode, or home) of hima (snow).Hibiscus, frangipani, bougainvillea: seen under snow peaks, these tropical blossoms become the flowers of heroic landscapes. Macaques scamper in green meadow, and a turquoise roller spins in a golden light. Drongos, rollers, barbets, and white Eqyptian vulture are the common birds, and all have close relatives in East Africa.

After a duration of a thousand years, the power of astrology broke down when, with Copernicus, Kepler, and Galileo, the progress of astronomy overthrew the false hypothesis upon which the entire structure rested, namely the geocentric system of the universe. The fact that the earth revolves in space intervened to upset the complicated play of planetary influences, and the silent stars, related to the unfathomable depths of the sky, no longer made their prophetic voices audible to mankind. Celestial mechanics and spectrum analysis finally robbed them of their mysterious prestige.

Oh, what love this was, free, unprecedented, unlike anything else! They thought the way people sing. They loved each other not out of necessity, not ‘scorched by passion’, as it is falsely described. They loved each other because everything around them wanted it so: the Earth beneath them, the sky over their heads, the clouds and trees. Everything around them was perhaps more pleased by their love than they were themselves. Strangers in the street, the distances opening out during their walks, the rooms they lived or met in. Ah, it was this, this was the chief thing that united them and made them akin! Never, never, even in moments of the most gratuitous, self-forgetful happiness, did that most lofty and thrilling thing abandon them: delight in the general mould of the world, the feeling of their relation to the whole picture, the sense of belonging to the beauty of the whole spectacle, to the whole universe. They breathed only by that oneness. And therefore the exaltation of man over the rest of nature, the fashionable fussing over and worshipping of man, never appealed to them. Such false principles of social life, turned into politics, seemed to them pathetically home-made and remained incomprehensible.

The reason for point particles is that if you stick something ugly in there—such as physical reality—the equations don’t work. A point devoid of physical being leaves you with location. And a location with a reference to some other location can’t be expressed. Some of the difficulty with quantum mechanics has to reside in the problem coming to terms with the simple fact that there is no such thing as information in and of itself independent of the apparatus necessary to its perception. There were no starry skies prior to the first sentient and ocular being to behold them. Before that all was blackness and silence.

Pause, take a deep breath and start again when you feel all your efforts are in vain. Pause and lift your spirits and forgive all over, when you feel your relations are gonna end forever. If at first, you don't succeed, don't lose hope, pause! try again! and proceed. when everything around seems going away, give your heart and mind a pause and sway. The wind will take you far when you lay, remember to let your thoughts linger on the way. A pause can do wonders, can save you from creating blunders. It saves you from telling a lie, your ego to reach the sky. Pause before you react and you fight, it will make your life shining bright.

Waiting for Icarus " He said he would be back and we’d drink wine together He said that everything would be better than before He said we were on the edge of a new relation He said he would never again cringe before his father He said that he was going to invent full-time He said he loved me that going into me He said was going into the world and the sky He said all the buckles were very firm He said the wax was the best wax He said Wait for me here on the beach He said Just don’t cry I remember the gulls and the waves I remember the islands going dark on the sea I remember the girls laughing I remember they said he only wanted to get away from me I remember mother saying : Inventors are like poets, a trashy lot I remember she told me those who try out inventions are worse I remember she added : Women who love such are the Worst of all I have been waiting all day, or perhaps longer. I would have liked to try those wings myself. It would have been better than this.

Firmly planted. Not fallen from on high: sprung up from below. Ochre, the color of burnt honey. The color of a sun buried a thousand years ago and dug up only yesterday. Fresh green and orange stripes running across its still-warm body. Circles, Greek frets: scattered traces of a lost alphabet? The belly of a woman heavy with child, the neck of a bird. If you cover and uncover its mouth with the palm of your hand, it answers you with a deep murmur, the sound of bubbling water welling up from its depths; if you tap its sides with your knuckles, it gives a tinkling laugh of little silver coins falling on stones. It has many tongues: it speaks of the language of clay and minerals, of air currents flowing between canyon walls, of washerwomen as they scrub, of angry skies, of rain. A vessel of baked clay: do not put it in a glass case alongside rare precious objects. It would look quite out of place. Its beauty is related to the liquid that it contains and to the thirst that it quenches. Its beauty is corporal: I see it, I touch it, I smell it, I hear it. If it is empty, It must be filled; if it is full, it must be emptied. I take it by the shaped handle as I would take a woman by the arm, I lift it up, I tip over a pitcher into which I pour milk or pulque - lunar liquids that open and close the doors of dawn and dark, waking a sleeping.

At Padovani Beach the dance hall is open every day. And in that huge rectangular box with its entire side open to the sea, the poor young people of the neighborhood dance until evening. Often I used to await there a a moment of exceptional beauty. During the day the hall is protected by sloping wooden awnings. When the sun goes down they are raised. Then the hall is filled with an odd green light born of the double shell of the sky and the sea. When one is seated far from the windows, one sees only the sky and, silhouetted against it, the faces of the dancers passing in succession. Sometimes a waltz is being played, and against the green background the black profiles whirl obstinately like those cut-out silhouettes that are attached to a phonograph's turntable. Night comes rapidly after this, and with it the lights. But I am unable to relate the thrill and secrecy that subtle instant holds for me. I recall at least a magnificent tall girl who had danced all afternoon. She was wearing a jasmine garland on her right blue dress, wet with perspiration from the small of her back to her legs. She was laughing as she danced and throwing back her head. As she passed the tables, she left behind her a mingled scent of flowers and flesh. When evening came, I could no longer see her body pressed tight to her partner, but against her body alternating spots of white jasmine and black hair, and when she would throw back her swelling breast I would hear her laugh and see her partner's profile suddenly plunge forward. I owe to such evenings the idea I have of innocence. In any case, I learn not to separate these creatures bursting with violent energy from the sky where their desires whirl.

Every generation of children instinctively nests itself in nature, no matter matter how tiny a scrap of it they can grasp. In a tale of one city child, the poet Audre Lord remembers picking tufts of grass which crept up through the paving stones in New York City and giving them as bouquets to her mother. It is a tale of two necessities. The grass must grow, no matter the concrete suppressing it. The child must find her way to the green, no matter the edifice which would crush it. "The Maori word for placenta is the same word for land, so at birth the placenta is buried, put back in the mothering earth. A Hindu baby may receive the sun-showing rite surya-darsana when, with conch shells ringing to the skies, the child is introduced to the sun. A newborn child of the Tonga people 'meets' the moon, dipped in the ocean of Kosi Bay in KwaZulu-Natal. Among some of the tribes of India, the qualities of different aspects of nature are invoked to bless the child, so he or she may have the characteristics of earth, sky and wind, of birds and animals, right down to the earthworm. Nothing is unbelonging to the child. "'My oldest memories have the flavor of earth,' wrote Frederico García Lorca. In the traditions of the Australian deserts, even from its time in the womb, the baby is catscradled in kinship with the world. Born into a sandy hollow, it is cleaned with sand and 'smoked' by fire, and everything -- insects, birds, plants, and animals -- is named to the child, who is told not only what everything is called but also the relationship between the child and each creature. Story and song weave the child into the subtle world of the Dreaming, the nested knowledge of how the child belongs. "The threads which tie the child to the land include its conception site and the significant places of the Dreaming inherited through its parents. Introduced to creatures and land features as to relations, the child is folded into the land, wrapped into country, and the stories press on the child's mind like the making of felt -- soft and often -- storytelling until the feeling of the story of the country is impressed into the landscape of the child's mind. "That the juggernaut of ants belongs to a child, belligerently following its own trail. That the twitch of an animal's tail is part of a child's own tale or storyline, once and now again. That on the papery bark of a tree may be written the songline of a child's name. That the prickles of a thornbush may have dynamic relevance to conscience. That a damp hollow by the riverbank is not an occasional place to visit but a permanent part of who you are. This is the beginning of belonging, the beginning of love. "In the art and myth of Indigenous Australia, the Ancestors seeded the country with its children, so the shimmering, pouring, circling, wheeling, spinning land is lit up with them, cartwheeling into life.... "The human heart's love for nature cannot ultimately be concreted over. Like Audre Lord's tufts of grass, will crack apart paving stones to grasp the sun. Children know they are made of the same stuff as the grass, as Walt Whitman describes nature creating the child who becomes what he sees: There was a child went forth every day And the first object he look'd upon, that object he became... The early lilacs became part of this child... And the song of the phoebe-bird... In Australia, people may talk of the child's conception site as the origin of their selfhood and their picture of themselves. As Whitman wrote of the child becoming aspects of the land, so in Northern Queensland a Kunjen elder describes the conception site as 'the home place for your image.' Land can make someone who they are, giving them fragments of themselves.

This took place just before the war, in the relatively rosz times, when we were euphoric with the imminence of disaster – we drank and laughed and experimented with poetic forms into the late hours. We tried to keep the war away from the Table, but now and the na budding Serbian patriot would start ranting about the suppression of his people’s culture, whereupon Dedo, with his newly acquired elder status, would indeed suppress him with a sequence of carefully arranged insults and curses. Inevitably, the nationalist would declare Dedo an Islamofascist and storm off, never to return, while we, the fools, laughed uproariously. We knew – but we didn’t want to know – what was going to happen, the sky descending upon our heads like the shadow of a falling piano in a cartoon.

They were polytheistic, and the name for their most securely reconstructible deity relates to the word for “sky.” Their word for human, on the other hand, was derived from their word for “earth” or “land.” Their poetry revolved around themes of fertility, reciprocity, immortality, and heroic deeds; a single famous phrase, best known to us from the Homeric epics, is glossed as “imperishable fame.

Aryabhata correctly concluded, a full thousand years before Copernicus and Galileo, that the earth rotates about its axis daily, and that the apparent movement of the stars is a relative motion caused by the rotation of the earth, contrary to the prevailing view that it was the sky that rotated. What he got wrong was believing that the sun revolved around the earth rather than the other way round.

THE EXPERIENCE OF WAR was extraordinarily diverse. The Eastern Front, where 90 percent of all Germans killed in combat met their fate, overwhelmingly dominated the struggle against Hitler. Between 1941 and 1944, British and American sailors and airmen fought at sea and in the sky, but relatively small numbers of Western Allied ground troops engaged the Axis in North Africa, Italy, Asia and the Pacific.

Like I told you, Sam and Patrick love their big song, so I thought I'd read it to have something to discuss with them. In the end, the magazine compared him with John Lennon from the Beatles. I told that to Sam later, and she got really mad. She said he was like Jim Morrison if he was like anybody, but really, he isn't like anybody but himself. We were all at the Big Boy after Rocky Horror, and it started this big discussion. Craig said the problem with things is that everyone is always comparing everyone with everyone and because of that, it discredits people, like in his photography classes. Bob said that it was all about our parents not wanting to let go of their youth and how it kills them when they can't relate to something. Patrick said that the problem was that since everything has happened already, it makes it hard to break new ground. Nobody can be as big as the Beatles because the Beatles already gave it a "context." The reason they were so big is that they had no one to compare themselves with, so the sky was the limit. Sam added that nowadays a band or someone would compare themselves to the Beatles after the second album, and their own personal voice would be less from that moment on.

Who looks upon a river in a meditative hour, and is not reminded of the flux of all things? Throw a stone into the stream, and the circles that propagate themselves are the beautiful type of all influence. Man is conscious of a universal soul within or behind his individual life, wherein, as in a firmament, the natures of Justice, Truth, Love, Freedom, arise and shine. This universal soul, he calls Reason: it is not mine, or thine, or his, but we are its; we are its property and men. And the blue sky in which the private earth is buried, the sky with its eternal calm, and full of everlasting orbs, is the type of Reason. That which, intellectually considered, we call Reason, considered in relation to nature, we call Spirit. Spirit is the Creator. Spirit hath life in itself. And man in all ages and countries, embodies it in his language, as the FATHER.

as the earth orbits around the sun, different stars appear to pass behind the sun and have their light deflected. They therefore change their apparent position relative to other stars. FIGURE 2.8 It is normally very difficult to see this effect, because the light from the sun makes it impossible to observe stars that appear near to the sun in the sky. However, it is possible to do so during an eclipse of the sun, when the sun’s light is blocked out by the moon. Einstein’s prediction of light deflection could not be tested immediately in 1915, because the First World War was in progress, and it was not until 1919 that a British expedition, observing an eclipse from West Africa, showed that light was indeed deflected by the sun, just as predicted by the theory. This proof of a German theory by British scientists was hailed as a great act of reconciliation between the two countries after the war.

Last night, I spoke at one of the Circle Meetings of the Baptist Church. Afterward, a Kenyan friend, Wangari Waigwa-Stone, and I spoke about darkness and stars. “I was raised under an African sky,” she said. “Darkness was never something I was afraid of. The clarity, definition, and profusion of stars became maps as to how one navigates at night. I always knew where I was simply by looking up.” She paused. “My sons do not have these guides. They have no relationship to darkness, nothing in their imagination tells them there are pathways in the night they can move through.” “I have a Norwegian friend who says, ‘City lights are a conspiracy against higher thought,’ ” I added. “Indeed,” Wangari said, smiling, her rich, deep voice resonating. “I am Kikuyu. My people believe if you are close to the Earth, you are close to people.” “How so?” I asked. “What an African woman nurtures in the soil will eventually feed her family. Likewise, what she nurtures in her relations will ultimately nurture her community. It is a matter of living the circle. “Because we have forgotten our kinship with the land,” she continued, “our kinship with each other has become pale. We shy away from accountability and involvement. We choose to be occupied, which is quite different from being engaged. In America, time is money. In Kenya, time is relationship. We look at investments differently.

The journeys that people took had always interested him; his own life was a constant journeying, though not quite so constant as it had been before he had his wives and children. Usually he only agreed to scout for the Texans if they were going in a direction he wanted to go himself, in order to see a particular hill or stream, to visit a relative or friend, or just to search for a bird or animal he wanted to observe. Also, he often went back to places he had been at earlier times in his life, just to see if the places would seem the same. In most cases, because he himself had changed, the places did not seem exactly as he remembered them, but there were exceptions. The simplest places, where there was only rock and sky, or water and rock, changed the least. When he felt disturbances in his life, as all men would, Famous Shoes tried to go back to one of the simple places, the places of rock and sky, to steady himself and grow calm again.

From Venice to Rome, Paris to Brussels, London to Edinburgh, the Ambassadors watched, long-eared and bright-eyed. Charles of Spain, Holy Roman Emperor, fending off Islam at Prague and Lutherism in Germany and forcing recoil from the long, sticky fingers at the Vatican, cast a considering glance at heretic England. Henry, new King of France, tenderly conscious of the Emperor's power and hostility, felt his way thoughtfully toward a small cabal between himself, the Venetians and the Pope, and wondered how to induce Charles to give up Savoy, how to evict England from Boulogne, and how best to serve his close friend and dear relative Scotland without throwing England into the arms or the lap of the Empire. He observed Scotland, her baby Queen, her French and widowed Queen Mother, and her Governor Arran. He observed England, ruled by the royal uncle Somerset for the boy King Edward, aged nine. He watched with interest as the English dotingly pursued their most cherished policy: the marriage which should painlessly annex Scotland to England and end forever the long, dangerous romance between Scotland and England. Pensively, France marshalled its fleet and set about cultivating the Netherlands, whose harbours might be kind to storm-driven galleys. The Emperor, fretted by Scottish piracy and less busy than he had been, watched the northern skies narrowly. Europe, poised delicately over a brand-new board, waiting for the opening gambit.

If you are not spending all of your waking life in discontent, worry, anxiety, depression, despair, or consumed by other negative states; if you are able to enjoy simple things like listening to the sound of the rain or the wind; if you can see the beauty of clouds moving across the sky or be alone at times without feeling lonely or needing the mental stimulus of entertainment; if you find yourself treating a complete stranger with heartfelt kindness without wanting anything from him or her... it means that a space has opened up, no matter how briefly, in the otherwise incessant stream of thinking that is the human mind. When this happens, there is a sense of well-being, of alive peace, even though it may be subtle. The intensity will vary from a perhaps barely noticeable background sense of contentment to what the ancient sages of India called ananda - the bliss of Being. Because you have been conditioned to pay attention only to form, you are probably not aware of it except indirectly. For example, there is a common element in the ability to see beauty, to appreciate simple things, to enjoy your own company, or to relate to other people with loving kindness. This common element is a sense of contentment, peace, and aliveness that is the invisible background without which these experiences would not be possible. Whenever there is beauty, kindness, the recognition of the goodness of simple things in your life, look for the background to that experience within yourself. But don't look for it as if you were looking for something. You cannot pin it down and say, "Now I have it," or grasp it mentally and define it in some way. It is like the cloudless sky. It has no form. It is space; it is stillness, the sweetness of Being and infinitely more than these words, which are only pointers. When you are able to sense it directly within yourself, it deepens. So when you appreciate something simple - a sound, a sight, a touch - when you see beauty, when you feel loving kindness toward another, sense the inner spaciousness that is the source and background to that experience.

Krishna, I go to swarga with my friends and relatives. But you and your friends will live on earth to suffer,” said the stubborn Duryodhana. “I studied the Vedas. I have given gifts ordained by law and I have reigned supreme over all the sea-girt earth. While I lived, I stood upon the humbled heads of foes. All human joys, such joys as even the Gods cannot despise and kings sigh for in vain, the very pinnacle of power, were mine. Dying now, such death as warriors deem the crown of kshatriya life, I go to meet in heaven my friends and brothers gone before, eager to welcome me. Who is more blest, I, or you who, doomed to linger here, mourning for slaughtered friends in desolate homes, find the long sought triumph but ashes in your mouth?” said Duryodhana and the gods showered flowers down on the dying warrior and the gandharvas played music and the sky was illuminated. Vasudeva and the Pandavas felt small. “There is truth,” said Krishna, “in what Duryodhana said. You could not have defeated him by fair means. This wicked man was invincible in battle.

Man is a thinking reed but his great works are done when he is not calculating and thinking. ‘Childlikeness’ has to be restored with long years of training in the art of selfforgetfulness. When this is attained, man thinks yet he does not think. He thinks like showers coming down from the sky; he thinks like the waves rolling on the ocean; he thinks like the stars illuminating the nightly heavens; he thinks like the green foliage shooting forth in the relaxing spring breeze. Indeed, he is the showers, the ocean, the stars, the foliage.

There was another inspiring moment: a rough, choppy, moonlit night on the water, and the Dreadnaught's manager looked out the window suddenly to spy thousands of tiny baitfish breaking the surface, rushing frantically toward shore. He knew what that meant, as did everyone else in town with a boat, a gaff and a loaf of Wonder bread to use as bait: the stripers were running! Thousands of the highly prized, relatively expensive striped bass were, in a rare feeding frenzy, suddenly there for the taking. You had literally only to throw bread on the water, bash the tasty fish on the head with a gaff and then haul them in. They were taking them by the hundreds of pounds. Every restaurant in town was loading up on them, their parking lots, like ours, suddenly a Coleman-lit staging area for scaling, gutting and wrapping operations. The Dreadnaught lot, like every other lot in town, was suddenly filled with gore-covered cooks and dishwashers, laboring under flickering gaslamps and naked bulbs to clean, wrap and freeze the valuable white meat. We worked for hours with our knives, our hair sparkling with snowflake-like fish scales, scraping, tearing, filleting. At the end of the night's work, I took home a 35-pound monster, still twisted with rigor. My room-mates were smoking weed when I got back to our little place on the beach and, as often happens on such occasions, were hungry. We had only the bass, some butter and a lemon to work with, but we cooked that sucker up under the tiny home broiler and served it on aluminum foil, tearing at it with our fingers. It was a bright, moonlit sky now, a mean high tide was lapping at the edges of our house, and as the windows began to shake in their frames, a smell of white spindrift and salt saturated the air as we ate. It was the freshest piece of fish I'd ever eaten, and I don't know if it was due to the dramatic quality the weather was beginning to take on, but it hit me right in the brainpan, a meal that made me feel better about things, made me better for eating it, somehow even smarter, somehow . . . It was a protein rush to the cortex, a clean, three-ingredient ingredient high, eaten with the hands. Could anything be better than that?

Time seemed to stop, and the Lakota phrase mitakuye oyasin—we are all related—came to me, and in that moment I understood what those words meant. I inhabited them, as images, thoughts, and memories arose amidst the old vehicles. I saw my mother, gone but still with me, my father, who’d died too soon, and my sister, who I’d loved like my own life. Grandparents, aunts, uncles, friends. They appeared before me, all of my relations, my ancestors, Native and white, who’d loved and struggled, hunted and gathered, worked and played; they’d stood on this continent, looking up at these stars and these planets. It was daylight, but I could see the stars now, all of them, surrounding me, lighting the air, their brilliance shining and radiating off the monoliths. And then it was dark, a black-hole sky. But I looked down and saw that the stars—every one of them—were now in my hands, lighting up my veins, my muscles, my bones. I stood there, alone with my ancestors, and listened to them. Finally I turned away. As I walked back to my life, the words my mother used to say finally came to me. Wakan Tanka nici un. May the Creator guide you.

The key to the problem how to restore the people to the land — that beautiful land of ours, with its canopy of sky, the air that blows upon it, the sun that warms it, the rain and dew that moisten it — the very embodiment of Divine love for man — is indeed a Master-Key, for it is the key to a portal through which, even when scarce ajar, will be seen to pour a flood of light on the problems of intemperance, of excessive toil, of restless anxiety, of grinding poverty — the true limits of Governmental interference, ay, and even the relations of man to the Supreme Power.

On New Year's Eve, when the children had gone up the hill to be with their father, I went to a Mensa party in San Francisco, but returned home relatively early, wanting to face the first few hours of the new year away from the noise and lurching of people who had drunk too much. I stood outside on the deck, in darkness, looking up at the star-frosted sky, letting myself feel without censoring the ache and hope that belonged to that night, and I sent out prayer for connection with someone who would be --finally -- the person I'd needed to be with all my life, someone who would have gone through his own changes and wars of the spirit and emerged a true adult. A grown-up man. Who wouldn't mind my being a grandmother, for Pete's sake. A man somewhat like Shura Borodin -- or what Shura seemed to be. I cried a bit because the wanting was so very intense and the clear night sky so very indifferent, and everything I was in body and soul might yet grow old without a lover and friend who could be to me what I was capable of being to him. I toasted myself, hope, the new year and the magnificent cold stars with a bit of wine, then went to bed.

This Saturday, Galle and a volunteer assistant, Heinrich Ludwig d’Arrest, command the main telescope. Galle stands at the eyepiece and guides the instrument, pointing toward Capricorn. As each star comes into view, he calls out its brightness and position. D’Arrest pores over a sky map, ticking off each candidate as it reveals itself as a familiar object. So it goes until, sometime between midnight and 1 A.M., Galle reels out the numbers for one more mote of light invisible to the naked eye: right ascension 21 h, 53 min, 25.84 seconds. D’Arrest glances down at the chart, then yelps: “that star is not on the map!” The younger man runs to fetch the observatory’s director, who earlier that day had only reluctantly given his permission to attempt what he seems to have thought a fool’s errand. Together, the trio continue to watch the new object until it sets at around 2:30 in the morning. True stars remain mere points in even the most powerful telescopes. This does not, showing instead an unmistakable disk, a full 3.2 arcseconds across—just as Le Verrier had told them to expect. That visible circle can mean just one thing: Galle has just become the first man to see what he knows to be a previously undiscovered planet, one that would come to be called Neptune, just about exactly where Urbain-Jean-Joseph Le Verrier told him to look. —

Beginning at dawn— with faint pink streaks across the sky— may the days be long…. Bright-white and blazing, breaking waves gild the sea at sunrise: from our bed on the bedrock I rise up singing: this the song of confidence— I am a husband…. Boys and girls splash at the sun all-dazzling on the water to catch the sun and clutch it— and flowers oftentimes possess a floating transparency you can see but cannot touch... tempered by cliffs and the inhumanness of rock I’ll stay, she promises, to watch your flower set beyond and go out, shining, of my own horizon…. A pair of butterflies in sunlight leap in breezy flutters of flight high above the seed-heads: sun-bright morning she heralds the people with fountains of melody gurgling from her voice in youth gathering siblings and elders together —to fly away with tears…. Grappling in the sweat of the ring you fall down on the net— a white-light kind of dying… to be on the bottom in a world full of others and to choose it for my place: until your window-frame be palace-clouds and glassy: I’ll wear the ring…. Then, when all was silence between us and we were to one another only a presence in the room— still I knew she was my wife: for I could recognize a relation there of age more than just the day I was born... and now here we are standing a pair meeting face to face….

[OBSERVATIONS RELATED TO EXAMINING THE NATURE OF MIND] Be certain that the nature of mind is empty and without foundation. One’s own mind is insubstantial, like an empty sky. Look at your own mind to see whether it is like that or not. Divorced from views which constructedly determine [the nature of] emptiness, Be certain that pristine cognition, naturally originating, is primordially radiant – Just like the nucleus of the sun, which is itself naturally originating. Look at your own mind to see whether it is like that or not! Be certain that this awareness, which is pristine cognition, is uninterrupted, Like the coursing central torrent of a river which flows unceasingly. Look at your own mind to see whether it is like that or not! Be certain that conceptual thoughts and fleeting memories are not strictly identifiable, But insubstantial in their motion, like the breezes of the atmosphere. Look at your own mind to see whether it is like that or not! Be certain that all that appears is naturally manifest [in the mind], Like the images in a mirror which [also] appear naturally. Look at your own mind to see whether it is like that or not! Be certain that all characteristics are liberated right where they are, Like the clouds of the atmosphere, naturally originating and naturally dissolving. Look at your own mind to see whether it is like that or not! There are no phenomena extraneous to those that originate from the mind. [So], now could there be anything on which to meditate apart from the mind? There are no phenomena extraneous to those that originate from the mind. [So], there are no modes of conduct to be undertaken extraneous [to those that originate from the mind]. There are no phenomena extraneous to those that originate from the mind. [So], there are no commitments to be kept extraneous [to those that originate from the mind]. There are no phenomena extraneous to those that originate from the mind. [So], there are no results to be attained extraneous [to those that originate from the mind]. There are no phenomena extraneous to those that originate from the mind. [So], one should observe one’s own mind, looking into its nature again and again. If, upon looking outwards towards the external expanse of the sky, There are no projections emanated by the mind, And if, on looking inwards at one’s own mind, There is no projectionist who projects [thoughts] by thinking them, Then, one’s own mind, completely free from conceptual projections, will become luminously clear. [This] intrinsic awareness, [union of] inner radiance and emptiness, is the Buddha-body of Reality, [Appearing] like [the illumining effect of] a sunrise on a clear and cloudless sky,. It is clearly knowable, despite its lack of specific shape or form. There is a great distinction between those who understand and those who misunderstand this point. This naturally originating inner radiance, uncreated from the very beginning, Is the parentless child of awareness – how amazing! It is the naturally originating pristine cognition, uncreated by anyone – how amazing! [This radiant awareness] has never been born and will never die – how amazing! Though manifestly radiant, it lacks an [extraneous] perceiver – how amazing! Though it has roamed throughout cyclic existence, it does not degenerate – how amazing! Though it has seen buddhahood itself, it does not improve – how amazing! Though it is present in everyone, it remains unrecognised – how amazing! Still, one hopes for some attainment other than this – how amazing! Though it is present within oneself, one continues to seek it elsewhere – how amazing!

connection between skin color and sunlight. The results were as clear as the sky on a cloudless day—there was a near-constant correlation between skin color and sunlight exposure in populations that had remained in the same area for 500 years or more. They even produced an equation to express the relationship between a given population’s skin color and its annual exposure to ultraviolet rays. (If you’re feeling adventurous, the equation is W = 70-AUV/10. W represents relative whiteness and AUV represents annual ultraviolet exposure. The 70 is based on research that indicates that the whitest possible skin—the result of a population that received zero exposure to UV—would reflect about 70 percent of the light directed at it.)

Humans are free. Although we can't fly through the skies all alone, if we can think it, we can do almost anything. We can sleep when we're sleepy. We are free to start or stop anything whenever we wish. Of course, it is a bit hindered by common sense, moralities, and the rules of society. Walking nude out in the streets, stealing from the elderly, and even killing, we can do all of this as long as we throw out our morals. Which is why they drill these laws in our head when we are children. And yet, people still continue to fight, deceive, and steal from each other. And so, people suffer because they live. Even now, there are events of happiness and unhappiness going on all over the world... What can we do to make everyone happy? Of course that's impossible for me to know. If the answer to that could be found in the shallow wisdoms of a kid, wars would have stopped long ago. But I also dislike just leaving that problem up to society or the government. After all, a great person is just one who follows the popular will of the people. In this world, the essence of a frank honest human is just an idealization. I'm sure that there's nothing that can make everyone happy. Happiness is relative. And that's how people want it. Evil is also relative. Mothers can become demons when they do anything to protect their child. Yet it's usually seen as admirable. But when a person does anything for the country he loves, wars break out. Isn't it all the same thing? No matter how much a person pretends to be good and kind, he will still have negative aspects. But nobody really tries to notice that fact. Why is that? They all try to place the blame on others, and never even consider the possibility that they themselves may have played part in the problem. Just what the hell am I thinking? The world isn't going to change no matter what I think. Then what should I be doing? I don't really want to do anything. I don't want to order nor trouble anyone. That's just laziness, I guess. I don't go to school nor do I work and I've been wasting my time away since noon. Look at me, talking about the freedom of humans when I'm just some suspicious punk in this down. In conclusion, I have nothing.

One was the moon that had always been there, and the other was a far smaller, greenish moon, somewhat lopsided in shape, and much less bright. It looked like a poor, ugly, distantly related child that had been foisted on the family by unfortunate events and was welcomed by no one. But it was undeniably there, neither a phantom nor an optical illusion, hanging in space like other heavenly bodies, a solid mass with a clear-cut outline. Not a plane, not a blimp, not an artificial satellite, not a papier-mâché moon that someone made for fun. It was without a doubt a chunk of rock, having quietly, stubbornly settled on a position in the night sky, like a punctuation mark placed only after long deliberation or a mole bestowed by destiny.

That exactly is how my father and mother met and became man and wife. There were no home ceremonials, such as the seeking and obtaining of parental consent, because there were no parent; no conferences by uncles and grand-uncles, or exhortations by grandmothers and aunts; no male relatives to arrange the marriage knot, nor female relations to herald the family union, and no uncles of the bride to divide the bogadi (dowry) cattle as, of course, there were no cattle. It was a simple matter of taking each other for good and or ill with the blessing of the ‘God of Rain’. The forest was their home, the rustling trees their relations, the sky their guardian and the birds, who sealed the marriage contract with the songs, the only guests. Here they stablished their home and names it Re-Nosi (We-are-alone). [41]

The Republic, Plato writes: The stars that decorate the sky, though we rightly regard them as the finest and most perfect of visible things, are far inferior, just because they are visible, to the true realities; that is, to the true relative velocities, in pure numbers and perfect figures, of the orbits and what they carry in them, which are perceptible to reason and thought but not visible to the eye … We shall therefore treat astronomy, like geometry, as setting us problems for solution, and ignore the visible heavens, if we want to make a genuine study of the subject …127 This separation of the absolute and eternal, which can be known by logos (reason), from the purely phenomenological, which is now seen as inferior, leaves an indelible stamp on the history of Western philosophy for the subsequent two thousand years.

I grew up watching many parents use God as a threat towards their children. "Sit down and be still or God will get angry", "Listen to your mama and papa or God will get angry", "Don't say that word, it will make God angry." As a result, we have all of these adults today relating to God in that very same mindframe. God is a "sky daddy" literally sitting upon the clouds in our atmosphere, watching and getting ready to punish and get angry! A storyland God that is but a symbol of figments of childhood that were planted and then nourished throughout a person's growth, until now. It is not a sustainable God who has evolved along with a person's growth, as Someone a person can come to know in an organic and genuine way. It is a phantasmic God which is a staple of fear and tradition. And this is an absolute disservice that parents have done for their children.

Where would the would-be “purists” draw the line between native and alien elements? This whole planet was altered by the hand of man. A birder who scorned the alien Sky Larks might stand on San Juan and salute the native eagles . . . but some of those eagles had been released here; and they were living on an unnaturally high population of rabbits, from another continent, introduced here. The rabbits, in turn, were probably feeding on alien plants from other lands that were naturalized here — if the San Juan roadsides were anything like all the other roadsides in North America. And we birders of European descent were introduced here also, a few generations back. Even my Native American friends of the night before could claim to be “native” in only a relative sense; their ancestors had come across the Bering land bridge from Asia. None of us is native here.

A fact, once discovered, leads an existence of its own, and enters into relations with other facts of which their discoverers have never dreamt. Apollonius of Perga discovered the laws of the useless curves which emerge when a plane intersects a cone at various angles: these curves proved, centuries later, to represent the paths followed by planets, comets, rockets, and satellites. One cannot escape the feeling [wrote Heinrich Herz] that these mathematical formulae have an independent existence and an intelligence of their own, that they are wiser than we are, wiser even than their discoverers, that we get more out of them than was originally put into them. This confession of the discoverer of radio-waves sounds suspiciously like an echo of Kepler, echoing Plato, echoing Pythagoras: 'Methinks that all of nature and the graceful sky are set into symbols in geomatriam.

We've taken it away too much, the funeral people take over. No. Let people bury their own." "Do you think it helps people to go through the process and be intimately involved?" "Yes of course, of course!" It's the most emphatic Steve has been about anything. "Keep the body at home, put it on the dining table, let the kids sleep under the table, paint the coffin, decorate it, eat. When my brother died we had fights over the coffin drinking whiskey. I remember one brother pounding Bill's coffin 'Oh you bastard!' It was our lives. We carried the coffin, we filled in the hole. I used to work in the garden as a boy with my father. And I dug the hole to put his plants in and filled in the hole. In the end we put Dad into the ground and I helped my brothers fill in the hole. We need to do it ourselves." "Why do you think it helps to have that involvement?" "It's our responsibility, it's not to help, it's enabling us to grieve, it's enabling us to go through it together. Otherwise it's taken away and whoosh - it's gone. And you can't grieve. You've got to feel, you've got to touch, you've got to be there." Steve is passionate. He reaches into his bag to pull out something to show me. It's an old yellowing newspaper clipping. The caption reads 'Devastation: a woman in despair at the site of the blasts near the Turkey-Syrian border'. The photograph is a woman, she has her arms open to the sky and she is wailing, her head thrown back. "I pray in front of that" Steve tells me as I look at it. "That's a wonderful photo of the pain of our world. I don't know if she's lost relatives or what's blown up. You have a substance to your life if you've felt pain, you've got understanding, that's where compassion is, it makes you a deeper richer human being.

While British Bomber Command believed in leveling entire cities, the Americans considered themselves “precision bombers,” a term that implied attacks exclusively against military targets out of revulsion at indiscriminately killing civilians. But because the skies of central Europe were chronically overcast, half of Eighth Air Force’s bomb tonnage was dropped using “blind bombing” radar techniques; often, as few as one out of ten bombs fell within half a mile of an obscured target. Even when conditions were ideal for bombardiers—this was the case in roughly one sortie of seven—less than a third of all bombs detonated within a thousand feet of the aiming point. The term “precision bombing,” Spaatz conceded, was intended “in a relative, not a literal sense.” Bad weather also caused frequent diversions to secondary targets such as rail yards, a practice that amounted to emptying bomb bays over city centers.

Letter You can see it already: chalks and ochers; Country crossed with a thousand furrow-lines; Ground-level rooftops hidden by the shrubbery; Sporadic haystacks standing on the grass; Smoky old rooftops tarnishing the landscape; A river (not Cayster or Ganges, though: A feeble Norman salt-infested watercourse); On the right, to the north, bizarre terrain All angular--you'd think a shovel did it. So that's the foreground. An old chapel adds Its antique spire, and gathers alongside it A few gnarled elms with grumpy silhouettes; Seemingly tired of all the frisky breezes, They carp at every gust that stirs them up. At one side of my house a big wheelbarrow Is rusting; and before me lies the vast Horizon, all its notches filled with ocean blue; Cocks and hens spread their gildings, and converse Beneath my window; and the rooftop attics, Now and then, toss me songs in dialect. In my lane dwells a patriarchal rope-maker; The old man makes his wheel run loud, and goes Retrograde, hemp wreathed tightly round the midriff. I like these waters where the wild gale scuds; All day the country tempts me to go strolling; The little village urchins, book in hand, Envy me, at the schoolmaster's (my lodging), As a big schoolboy sneaking a day off. The air is pure, the sky smiles; there's a constant Soft noise of children spelling things aloud. The waters flow; a linnet flies; and I say: "Thank you! Thank you, Almighty God!"--So, then, I live: Peacefully, hour by hour, with little fuss, I shed My days, and think of you, my lady fair! I hear the children chattering; and I see, at times, Sailing across the high seas in its pride, Over the gables of the tranquil village, Some winged ship which is traveling far away, Flying across the ocean, hounded by all the winds. Lately it slept in port beside the quay. Nothing has kept it from the jealous sea-surge: No tears of relatives, nor fears of wives, Nor reefs dimly reflected in the waters, Nor importunity of sinister birds.

An entire horde, a generation of open-minded, healthy lads pounces upon the work of diseased genius, genialized by disease, admires and praises it, raises it to the skies, perpetuates it, transmutes it, and bequeathes it to civilization, which does not live on the home-baked bread of health alone. They all swear by the name of the great invalid, thanks to whose madness they no longer need to be mad. Their healthfulness feeds upon his madness and in them he will become healthy. In other words, certain attainments of the soul and the intellect are impossible without disease, without insanity, without spiritual crime, and the great invalids are crucified victims, sacrificed to humanity and its advancement, to the broadening of its feeling and knowledge – in short, to its more sublime health. They force us to re-evaluate the concepts of 'disease' and 'health,' the relation of sickness and life, they teach us to be cautious in our approach to the idea of disease, for we are too prone always to give it a biological minus sign.

the Mexican sierra has “XVII-15-IX” spines in the dorsal fin. These can easily be counted. But if the sierra strikes hard on the line so that our hands are burned, if the fish sounds and nearly escapes and finally comes in over the rail, his colors pulsing and his tail beating the air, a whole new relational externality has come into being—an entity which is more than the sum of the fish plus the fisherman. The only way to count the spines of the sierra unaffected by this second relational reality is to sit in a laboratory, open an evil-smelling jar, remove a stiff colorless fish from a formalin solution, count the spines, and write the truth “D.XVII-15-IX.” There you have recorded a reality which cannot be assailed—probably the least important reality concerning either the fish or yourself. It is good to know what you are doing. The man with his pickled fish has set down one truth and has recorded in his experience many lies. The fish is not that color, that texture, that dead, nor does he smell that way…. [W]e were determined not to let a passion for unassailable little truths draw in the horizon and crowd the sky down on us.

He is certainly of an age to die.’ The sadness of the old; their banishment: most of them do not think that this age has yet come for them. I too made use of this cliché, and that when I was referring to my mother. I did not understand that one might sincerely weep for a relative, a grandfather aged seventy and more. If I met a woman of fifty overcome with sadness because she had just lost her mother, I thought her neurotic: we are all mortal; at eighty you are quite old enough to be one of the dead … But it is not true. You do not die from being born, nor from having lived, nor from old age. You die from something. The knowledge that because of her age my mother’s life must soon come to an end did not lessen the horrible surprise: she had sarcoma. Cancer, thrombosis, pneumonia: it is as violent and unforeseen as an engine stopping in the middle of the sky. ... There is no such thing as a natural death: nothing that happens to a man is ever natural, since his presence calls the world into question. All men must die: but for every man his death is an accident and, even if he knows it and consents to it, an unjustifiable violation.

A look passed between Genevieve, Kaya, and I, a silent knowledge relating back to the warning Anansi had given us that Paine was growing corn here, recalling a vision I had not long ago about acres and acres of the stuff stretching on for miles beneath a moonlit sky, about so many lessons gleaned in the Divine Rite Academy as children regarding the “Devil’s Grain” and how to spot it and its many forms by sight and smell, so that we would always avoid it if it should ever reappear on this earth. That yellow sweet temptress. Its siren song was near impossible to avoid, even though I’d never once tasted it. But somehow I knew exactly how it would taste, how its rough grit would crunch between my teeth like grains of sand, as if it had been imprinted into my genes from so many ancestors going back thousands of years who were gluttons for those kernels of gold. We could drive it to extinction or turn it into a monster that would drive us to extinction, but it would always be a part of us, waiting for resurrection. I could tell by the way the women gazed at the platter of golden medallions that they were having a similar fight in their minds. Just one bite. One little taste. It wouldn’t be so bad. And then we could move on.

When, in the evening, Françoise was nice to me and asked if she could come and sit in my room, it seemed to me that her face became transparent and that I could see her kindness and honesty revealed. But Jupien, whose lapses into indiscretion were unfamiliar to me at the time, revealed afterward that she had told him that I was not worth the price of the rope it would take to hang me, and that I had tried to do her all the harm I could. Jupien’s words immediately set before me, in unfamiliar colors, a print of my relations with Françoise so different from the one I often took pleasure in contemplating, and in which, beyond any shadow of doubt, Françoise adored me and lost no opportunity of singing my praises, that I realized that it is not only the physical world that differs from the particular way we see it; that all reality is perhaps equally dissimilar from what we believe ourselves to be directly perceiving, which we compose with the help of ideas that do not reveal themselves but are functioning all the same, just as trees, the sun, and the sky would not be the way we see them if they were perceived by creatures with eyes differently constituted from our own, or with organs other than eyes, which fulfilled the same purpose and conveyed equivalents of trees and sky and sun, but not visual ones.

Simple Twist Of Fate" They sat together in the park As the evening sky grew dark She looked at him and he felt a spark tingle to his bones It was then he felt alone and wished that he'd gone straight And watched out for a simple twist of fate. They walked alone by the old canal A little confused I remember well And stopped into a strange hotel with a neon burning bright He felt the heat of the night hit him like a freight train Moving with a simple twist of fate. A saxophone someplace far off played As she was walking on by the arcade As the light bust through a-beat-up shade where he was waking up She dropped a coin into the cup of a blind man at the gate And forgot about a simple twist of fate. He woke up the room was bare He didn't see her anywhere He told himself he didn't care pushed the window open wide Felt an emptiness inside to which he just could not relate Brought on by a simple twist of fate. He hears the ticking of the clocks And walks along with a parrot that talks Hunts her down by the waterfront docks where the sailers all come in Maybe she'll pick him out again how long must he wait One more time for a simple twist of fate. People tell me it's a sin To know and feel too much within I still believe she was my twin but I lost the ring She was born in spring but I was born too late Blame it on a simple twist of fate. Bob Dylan, Blood On The Tracks (1975)

For almost all astronomical objects, gravitation dominates, and they have the same unexpected behavior. Gravitation reverses the usual relation between energy and temperature. In the domain of astronomy, when heat flows from hotter to cooler objects, the hot objects get hotter and the cool objects get cooler. As a result, temperature differences in the astronomical universe tend to increase rather than decrease as time goes on. There is no final state of uniform temperature, and there is no heat death. Gravitation gives us a universe hospitable to life. Information and order can continue to grow for billions of years in the future, as they have evidently grown in the past. The vision of the future as an infinite playground, with an unending sequence of mysteries to be understood by an unending sequence of players exploring an unending supply of information, is a glorious vision for scientists. Scientists find the vision attractive, since it gives them a purpose for their existence and an unending supply of jobs. The vision is less attractive to artists and writers and ordinary people. Ordinary people are more interested in friends and family than in science. Ordinary people may not welcome a future spent swimming in an unending flood of information. A darker view of the information-dominated universe was described in the famous story “The Library of Babel,” written by Jorge Luis Borges in 1941.§ Borges imagined his library, with an infinite array of books and shelves and mirrors, as a metaphor for the universe. Gleick’s book has an epilogue entitled “The Return of Meaning,” expressing the concerns of people who feel alienated from the prevailing scientific culture. The enormous success of information theory came from Shannon’s decision to separate information from meaning. His central dogma, “Meaning is irrelevant,” declared that information could be handled with greater freedom if it was treated as a mathematical abstraction independent of meaning. The consequence of this freedom is the flood of information in which we are drowning. The immense size of modern databases gives us a feeling of meaninglessness. Information in such quantities reminds us of Borges’s library extending infinitely in all directions. It is our task as humans to bring meaning back into this wasteland. As finite creatures who think and feel, we can create islands of meaning in the sea of information. Gleick ends his book with Borges’s image of the human condition: We walk the corridors, searching the shelves and rearranging them, looking for lines of meaning amid leagues of cacophony and incoherence, reading the history of the past and of the future, collecting our thoughts and collecting the thoughts of others, and every so often glimpsing mirrors, in which we may recognize creatures of the information.

The conception of substance, which is fundamental in the philosophies of Descartes, Spinoza, and Leibniz, is derived from the logical category of subject and predicate. Some words can be either subjects or predicates; e.g. I can say 'the sky is blue' and 'blue is a colour'. Other words—of which proper names are the most obvious instances—can never occur as predicates, but only as subjects, or as one of the terms of a relation. Such words are held to designate substances. Substances, in addition to this logical characteristic, persist through time, unless destroyed by God's omnipotence (which, one gathers, never happens). Every true proposition is either general, like 'all men are mortal', in which case it states that one predicate implies another, or particular, like 'Socrates is mortal', in which case the predicate is contained in the subject, and the quality denoted by the predicate is part of the notion of the substance denoted by the subject. Whatever happens to Socrates can be asserted in a sentence in which 'Socrates' is the subject and the words describing the happening in question are the predicate. All these predicates put together make up the 'notion' of Socrates. All belong to him necessarily, in this sense, that a substance of which they could not be truly asserted would not be Socrates, but some one else. Leibniz was a firm believer in the importance of logic, not only in its own sphere, but as the basis of metaphysics. He did work on mathematical logic which would have been

We tend to be unaware that stars rise and set at all. This is not entirely due to our living in cities ablaze with electric lights which reflect back at us from our fumes, smoke, and artificial haze. When I discussed the stars with a well-known naturalist, I was surprised to learn that even a man such as he, who has spent his entire lifetime observing wildlife and nature, was totally unaware of the movements of the stars. And he is no prisoner of smog-bound cities. He had no inkling, for instance, that the Little Bear could serve as a reliable night clock as it revolves in tight circles around the Pole Star (and acts as a celestial hour-hand at half speed - that is, it takes 24 hours rather than 12 for a single revolution). I wondered what could be wrong. Our modern civilization does not ignore the stars only because most of us can no longer see them. There are definitely deeper reasons. For even if we leave the sulphurous vapours of our Gomorrahs to venture into a natural landscape, the stars do not enter into any of our back-to-nature schemes. They simply have no place in our outlook any more. We look at them, our heads flung back in awe and wonder that they can exist in such profusion. But that is as far as it goes, except for the poets. This is simply a 'gee whiz' reaction. The rise in interest in astrology today does not result in much actual star-gazing. And as for the space programme's impact on our view of the sky, many people will attentively follow the motions of a visible satellite against a backdrop of stars whose positions are absolutely meaningless to them. The ancient mythological figures sketched in the sky were taught us as children to be quaint 'shepherds' fantasies' unworthy of the attention of adult minds. We are interested in the satellite because we made it, but the stars are alien and untouched by human hands - therefore vapid. To such a level has our technological mania, like a bacterial solution in which we have been stewed from birth, reduced us. It is only the integral part of the landscape which can relate to the stars. Man has ceased to be that. He inhabits a world which is more and more his own fantasy. Farmers relate to the skies, as well as sailors, camel caravans, and aerial navigators. For theirs are all integral functions involving the fundamental principle - now all but forgotten - of orientation. But in an almost totally secular and artificial world, orientation is thought to be un- necessary. And the numbers of people in insane asylums or living at home doped on tranquilizers testifies to our aimless, drifting metaphysic. And to our having forgotten orientation either to seasons (except to turn on the air- conditioning if we sweat or the heating system if we shiver) or to direction (our one token acceptance of cosmic direction being the wearing of sun-glasses because the sun is 'over there'). We have debased what was once the integral nature of life channelled by cosmic orientations - a wholeness - to the ennervated tepidity of skin sensations and retinal discomfort. Our interior body clocks, known as circadian rhythms, continue to operate inside us, but find no contact with the outside world. They therefore become ingrown and frustrated cycles which never interlock with our environment. We are causing ourselves to become meaningless body machines programmed to what looks, in its isolation, to be an arbitrary set of cycles. But by tearing ourselves from our context, like the still-beating heart ripped out of the body of an Aztec victim, we inevitably do violence to our psyches. I would call the new disease, with its side effect of 'alienation of the young', dementia temporalis.

This is an empirical claim: Look closely enough at your own mind in the present moment, and you will discover that the self is an illusion. The problem with a claim of this kind, however, is that one can’t borrow another person’s contemplative tools to test it. To see how the feeling of “I” is a product of thought—indeed, to even appreciate how distracted by thought you tend to be in the first place—you have to build your own contemplative tools. Unfortunately, this leads many people to dismiss the project out of hand: They look inside, notice nothing of interest, and conclude that introspection is a dead end. But just imagine where astronomy would be if, centuries after Galileo, a person were still obliged to build his own telescope before he could even judge whether astronomy was a legitimate field of inquiry. It wouldn’t make the sky any less worthy of investigation, but astronomy’s development as a science would become immensely more difficult. A few pharmacological shortcuts exist—and I discuss some of them in a later chapter—but generally speaking, we must build our own telescopes to judge the empirical claims of contemplatives. Judging their metaphysical claims is another matter; many of them can be dismissed as bad science or bad philosophy after merely thinking about them. But to determine whether certain experiences are possible—and if possible, desirable—and to see how these states of mind relate to the conventional sense of self, we have to be able to use our attention in the requisite ways. Primarily, that means learning to recognize thoughts as thoughts—as transient appearances in consciousness—and to no longer be distracted by them, if only for short periods of time. This may sound simple enough, but actually accomplishing it can take a lot of work. Unfortunately, it is not work that the Western intellectual tradition knows much about. LOST

People with wombs have always known that bodies and consciousness are cyclical, tied to a rhythm that is larger than the individual. The cycle is twenty-eight days, full moon to full moon. Moon sounds like a name or a noun. But let us remember that moon is a gerund. Always moving. Always moon-ing. It is time to give the masculine back its lunar knowledge. Wombs swell, yearn, mulch, and release in twenty-eight days. But a womb is not just an organ. It is an invitation that anyone of any physicality and any gender expression can accept. It is an invitation to dance inside change for twenty-eight days. To practice softness for a cycle. The masculine has a womb, too. A moon. All it need do is look up at the night sky. What is lunar wisdom? Even on a new moon night, the moon is still present: replete and whole, while also void and occluded. This is a completion that holds loss tenderly inside its body. It is neatly summed up by Octavia Butler’s powerful words: “God is change.”1 The moon is every gender, every sexuality, mostly both, always trans: waxing and waning. The moon only ever flirts with fullness or emptiness for a brief, tenuous moment before slipping into change. Here is our blended, androgynous Dionysus. Wine-drunk, love-swollen, wind-swept, in ecstatic union with the holy, the moon encourages us to dissolve our edges rather than affirm them. Lunar knowledge keeps us limber. Keeps us resilient. Awe, whether somatic or spiritual, transforms us. The alternative to patriarchy and sky gods is not equal and opposite. It is not a patriarchy with a woman seated on a throne. The Sacred Masculine isn’t a horned warrior bowing down to his impassive empress. The divine, although it includes us, is mostly inhuman. Mutable. Mostly green. Often microscopic. And it is everything in between. Interstitial and relational. The light and the dark. Moonlight on moving water. The lunar bowl where we all mix and love and change.

The most unfortunate persons are the impersonalists, who cannot understand the transcendental variegatedness of the spiritual world. They are afraid to talk about the beauty of the Vaikuṇṭha planets because they think that variegatedness must be material. Such impersonalists think that the spiritual world is completely void, or, in other words, that there is no variegatedness. This mentality is described here as ku-kathā mati-ghnīḥ, “intelligence bewildered by unworthy words.” The philosophies of voidness and of the impersonal situation of the spiritual world are condemned here because they bewilder one’s intelligence. How can the impersonalist and the void philosopher think of this material world, which is full of variegatedness, and then say that there is no variegatedness in the spiritual world? It is said that this material world is the perverted reflection of the spiritual world, so unless there is variegatedness in the spiritual world, how can there be temporary variegatedness in the material world? That one can transcend this material world does not imply that there is no transcendental variegatedness. Here in the Bhāgavatam, in this verse particularly, it is stressed that people who try to discuss and understand the real spiritual nature of the spiritual sky and the Vaikuṇṭhas are fortunate. The variegatedness of the Vaikuṇṭha planets is described in relation to the transcendental pastimes of the Lord. But instead of trying to understand the spiritual abode and the spiritual activities of the Lord, people are more interested in politics and economic developments. They hold many conventions, meetings and discussions to solve the problems of this worldly situation, where they can remain for only a few years, but they are not interested in understanding the spiritual situation of the Vaikuṇṭha world. If they are at all fortunate, they become interested in going back home, back to Godhead, but unless they understand the spiritual world, they rot in this material darkness continuously.

Simon laughs when I audibly exhale. “Relieved she’s not here yet?” I roll my suitcase into one of the barren bedrooms and then plunk down on the rock-hard, hideous orange sofa in the lounge. Simon takes a swivel chair from my room and slides it in front of me, where he then plants himself. “Why are you so worried?” I cross my arms and look around the concrete room. “I’m not worried at all. She’s probably very nice. I’m sure we’ll become soul mates, and she’ll braid my hair, and we’ll have pillow fights while scantily clad and fall into a deep lesbian love affair.” I squint my eyes at a cobweb and assume there are spider eggs preparing to hatch and invade the room. “Allison?” Simon waits until I look at him. “You can’t do that. You can’t become a lesbian.” “Why not?” “Because then everyone will say that your adoptive gay father magically made you gay, and it’ll be a big thing, and we’ll have to hear about nature versus nurture, and it’ll be soooooo boring.” “You have a point.” I wait for spider eggs to fall from the sky. “Then I’ll go with assuming she’s just a really sweet, normal person with whom I do not want to engage in sexual relations.” “Better,” he concedes. “I’m sure she’ll be nice. This kind of strong liberal arts college attracts quality students. There’re good people here.” He’s trying to reassure me, but it’s not working. “Totally,” I say. My fingers run across the nubby burned-orange fabric covering the couch, which is clearly composed of rock slabs. “Simon?” “Yes, Allison?” I sigh and take a few breaths while I play with the hideous couch threads. “She probably has horns.” He shrugged. “I think that’s unlikely.” Simon pauses. “Although . . .” “Although what?” I ask with horror. There’s a long silence that makes me nervous. Finally, he says very slowly, “She might have one horn.” I jerk my head and stare at him. Simon claps his hands together and tries to coax a smile out of me. “Like a unicorn! Ohmigod! Your roommate might be a unicorn!” “Or a rhinoceros,” I point out. “A beastly, murderous rhino.” “There is that,” he concedes. I sigh. “In good news, if I ever need a back scratcher, I have this entire couch.” I slump back against the rough fabric and hold out my hands before he can protest. “I know. I’m a beacon of positivity.” “That’s not news to me.

This was the last time I ever saw my Mother alive. Just the same, this picture gets all mixed up in my mind with pictures I had of her when she was younger. The way I always see her is the way she used to be on Sunday afternoon, say, when the old folks were talking after the big Sunday dinner. I always see her wearing pale blue. She'd be sitting on the sofa. And my Father would be sitting in the easy chair, not far from her. And the living room would be full of church folks and relatives. There they sit, in chairs all around the living room, and the night is creeping up outside, but nobody knows it yet. You can see the darkness growing against the windowpanes and you hear the street noises every now and again, or maybe the jangling beat of a tambourine from one of the churches close by, but it's real quiet in the room. For a moment nobody's talking, but every face looks darkening, like the sky outside. And my Mother rocks a little from the waist, and my Father's eyes are closed. Everyone is looking at something a child can't see. For a minute they've forgotten the children. Maybe a kid is lying on the rug, half asleep. Maybe somebody's got a kid in his lap and is absent-mindedly stroking the kid's head. Maybe there's a kid, quiet and big-eyed, curled up in a big chair in the corner. The silence, the darkness coming, and the darkness in the faces frighten the child obscurely. He hopes that the hand which strokes his forehead will never stop - will never die. He hopes that there will never come a time when the old folks won't be sitting around the living room, talking about where they've come from, and what they've seen, and what's happened to them and their kinfolk. But something deep and watchful in the child knows that this is bound to end, is already ending. In a moment someone will get up and turn on the light. Then the old folks will remember the children and they won't talk anymore that day. And when light fills the room, the child is filled with darkness. He knows that every time this happens he's moved just a little closer to that darkness outside. The darkness outside is what the old folks have been talking about. It's what they've come from. It's what they endure. The child knows that they won't talk anymore because if he knows too much about what's happened to them, he'll know too much too soon, about what's going to happen to him.

The universal survey of life as a whole, an advantage which man has over the animal through his faculty of reason, is also comparable to a geometrical, colourless, abstract, reduced plan of his way of life. He is therefore related to the animal as the navigator, who by means of chart, compass, and quadrant knows accurately at any moment his course and position on the sea, is related to the uneducated crew who see only the waves and skies. It is therefore worth noting, and indeed wonderful to see, how man, besides his life in the concrete, always lives a second life in the abstract. In the former he is abandoned to all the storms of reality and to the influence of the present; he must struggle, suffer, and die like the animal. But his life in the abstract, as it stands before his rational consciousness, is the calm reflection of his life in the concrete, and of the world in which he lives; it is precisely that reduced chart or plan previously mentioned. Here in the sphere of calm deliberation, what previously possessed him completely and moved him intensely appears to him cold, colourless, and, for the moment, foreign and strange; he is a mere spectator and observer. In respect of this withdrawal into reflection, he is like an actor who has played his part in one scene, and takes his place in the audience until he must appear again. In the audience he quietly looks on at whatever may happen, even though it be the preparation of his own death (in the play); but then he again goes on the stage, and acts and suffers as he must. From this double life proceeds that composure in man, so very different from the thoughtlessness of the animal. According to previous reflection, to a mind made up, or to a recognized necessity, a man with such composure suffers or carries out in cold blood what is of the greatest, and often most terrible, importance to him, such as suicide, execution, duels, hazardous enterprises of every kind fraught with danger to life, and generally things against which his whole animal nature rebels. We then see to what extent reason is master of the animal nature, and we exclaim to the strong: ferreum certe tibi cor! (Truly hast thou a heart of iron!) [Iliad, xxiv, 521.] Here it can really be said that the faculty of reason manifests itself practically, and thus practical reason shows itself, wherever action is guided by reason, where motives are abstract concepts, wherever the determining factors are not individual representations of perception, or the impression of the moment which guides the animal.

Obama is also directing the U.S. government to invest billions of dollars in solar and wind energy. In addition, he is using bailout leverage to compel the Detroit auto companies to build small, “green” cars, even though no one in the government has investigated whether consumers are interested in buying small, “green” cars—the Obama administration just believes they should. All these measures, Obama recognizes, are expensive. The cap and trade legislation is estimated to impose an $850 billion burden on the private sector; together with other related measures, the environmental tab will exceed $1 trillion. This would undoubtedly impose a significant financial burden on an already-stressed economy. These measures are billed as necessary to combat global warming. Yet no one really knows if the globe is warming significantly or not, and no one really knows if human beings are the cause of the warming or not. For years people went along with Al Gore’s claim that “the earth has a fever,” a claim illustrated by misleading images of glaciers disappearing, oceans swelling, famines arising, and skies darkening. Apocalypse now! Now we know that the main body of data that provided the basis for these claims appears to have been faked. The Climategate scandal showed that scientists associated with the Intergovernmental Panel on Climate Change were quite willing to manipulate and even suppress data that did not conform to their ideological commitment to global warming.3 The fakers insist that even if you discount the fakery, the data still show.... But who’s in the mood to listen to them now? Independent scientists who have reviewed the facts say that average global temperatures have risen by around 1.3 degrees Fahrenheit in the past 100 years. Lots of things could have caused that. Besides, if you project further back, the record shows quite a bit of variation: periods of warming, followed by periods of cooling. There was a Medieval Warm Period around 1000 A.D., and a Little Ice Age that occurred several hundred years later. In the past century, the earth warmed slightly from 1900 to 1940, then cooled slightly until the late 1970s, and has resumed warming slightly since then. How about in the past decade or so? Well, if you count from 1998, the earth has cooled in the past dozen years. But the statistic is misleading, since 1998 was an especially hot year. If you count from 1999, the earth has warmed in the intervening period. This statistic is equally misleading, because 1999 was a cool year. This doesn’t mean that temperature change is in the eye of the beholder. It means, in the words of Roy Spencer, former senior scientist for climate studies at NASA, that “all this temperature variability on a wide range of time scales reveals that just about the only thing constant in climate is change.”4

I woke up as the first light began to bring an orange glow to the tops of the whispering pines (and sky) above me at 5:43 but lay still to avoid waking Hope for another half-hour. She had suffered through a tough and mostly sleepless night, and I wanted to give her every second I could as the next week promised to be very stressful for her (and me), and that was if everything went according to plan. At a few minutes after six, she either sensed the growing light or my wakefulness and shifted to give me a wet kiss. We both moved down towards the slit in the bottom of my Hennessy hammock and dropped out and down onto the pine needles to explore the morning. Both of us went a ways into the woods to take care of early morning elimination, and we met back by the hammock to discuss breakfast. I shook out some Tyler kibble (a modified GORP recipe) for me and an equal amount of Hope’s kibble for her. As soon as we had scarfed down the basic snack, we picked our way down the sloping shore to the water’s edge, jumped down into the warm water (relative to the cool morning air at any rate) for a swim as the sun came up, lighting the tips of the tallest pines on the opposite shore. Hope and I were bandit camping (a term that I had learned soon after arriving in this part of the world, and enjoyed the feel of), avoiding the established campsites that ringed Follensby Clear Pond. We found our home for the last seventeen days (riding the cooling August nights from the full moon on the ninth to what would be a new moon tonight) near a sandy swimming spot. From there, we worked our way up (and inland) fifty feet back from the water to a flat spot where some long-ago hunter had built/burned a fire pit. We used the pit to cook some of our meals (despite the illegality of the closeness to the water and the fire pit cooking outside an approved campsite … they call it ‘bandit camping’ for a reason). My canoe was far enough up the shore and into the brush to be invisible even if you knew to look for it, and nobody did/would/had. After we had rung a full measure of enjoyment out of our quiet morning swim, I grabbed the stringer I had anchored to the sandy bottom the previous afternoon after fishing, pulled the two lake trout off, killed them as quickly/painlessly/neatly as I could manage, handed one to Hope, and navigated back up the hill to our campsite. I started one of the burners on my Coleman stove (not wanting to signal our position too much, as the ranger for this area liked morning paddles, and although we had something of an understanding, I didn’t want to put him in an uncomfortable position … we had, after all, been camping far too long in a spot too close to the water). Once I had gutted/buttered/spiced the fish, I put my foil-wrapped trout over the flame (flipping and moving it every minute or so, according to the sound/smell of the cooking fish); Hope ate hers raw, as is her preference. It was a perfect morning … just me and my dog, seemingly alone in the world, doing exactly what we wanted to be doing.

In many fields—literature, music, architecture—the label ‘Modern’ stretches back to the early 20th century. Philosophy is odd in starting its Modern period almost 400 years earlier. This oddity is explained in large measure by a radical 16th century shift in our understanding of nature, a shift that also transformed our understanding of knowledge itself. On our Modern side of this line, thinkers as far back as Galileo Galilei (1564–1642) are engaged in research projects recognizably similar to our own. If we look back to the Pre-Modern era, we see something alien: this era features very different ways of thinking about how nature worked, and how it could be known. To sample the strange flavour of pre-Modern thinking, try the following passage from the Renaissance thinker Paracelsus (1493–1541): The whole world surrounds man as a circle surrounds one point. From this it follows that all things are related to this one point, no differently from an apple seed which is surrounded and preserved by the fruit … Everything that astronomical theory has profoundly fathomed by studying the planetary aspects and the stars … can also be applied to the firmament of the body. Thinkers in this tradition took the universe to revolve around humanity, and sought to gain knowledge of nature by finding parallels between us and the heavens, seeing reality as a symbolic work of art composed with us in mind (see Figure 3). By the 16th century, the idea that everything revolved around and reflected humanity was in danger, threatened by a number of unsettling discoveries, not least the proposal, advanced by Nicolaus Copernicus (1473–1543), that the earth was not actually at the centre of the universe. The old tradition struggled against the rise of the new. Faced with the news that Galileo’s telescopes had detected moons orbiting Jupiter, the traditionally minded scholar Francesco Sizzi argued that such observations were obviously mistaken. According to Sizzi, there could not possibly be more than seven ‘roving planets’ (or heavenly bodies other than the stars), given that there are seven holes in an animal’s head (two eyes, two ears, two nostrils and a mouth), seven metals, and seven days in a week. Sizzi didn’t win that battle. It’s not just that we agree with Galileo that there are more than seven things moving around in the solar system. More fundamentally, we have a different way of thinking about nature and knowledge. We no longer expect there to be any special human significance to natural facts (‘Why seven planets as opposed to eight or 15?’) and we think knowledge will be gained by systematic and open-minded observations of nature rather than the sorts of analogies and patterns to which Sizzi appeals. However, the transition into the Modern era was not an easy one. The pattern-oriented ways of thinking characteristic of pre-Modern thought naturally appeal to meaning-hungry creatures like us. These ways of thinking are found in a great variety of cultures: in classical Chinese thought, for example, the five traditional elements (wood, water, fire, earth, and metal) are matched up with the five senses in a similar correspondence between the inner and the outer. As a further attraction, pre-Modern views often fit more smoothly with our everyday sense experience: naively, the earth looks to be stable and fixed while the sun moves across the sky, and it takes some serious discipline to convince oneself that the mathematically more simple models (like the sun-centred model of the solar system) are right.

The biblical King David was also a sacred shepherd. His sensual and ecstatic songs of earthly love, so untypical of the Bible, derive from the ancient love rites of the shepherd king and the Goddess—her Canaanite names were Asherah, Astarte, Ashtoreth. The settled people of the Old Testament, like everyone else in the Near East, practiced Goddess worship. The Old Testament is the record of the conquest and massacre of these Neolithic people by the nomadic Hebrews, followers of a Sky God, who then set up their biblical God in the place of the ancient Goddess. The biblical Hebrews were a nomadic pastoral and patriarchal people, tribes of sheepherders and warriors who invaded land belonging to the matriarchal Canaanites. Both Hebrews and Canaanites were Semitic people. The Canaanites lived in agricultural communities and worshiped the orgiastic-ecstatic Moon Mother Astarte. As Old Testament stories relate, the Hebrews sacked, burned, and destroyed village after village belonging to the Canaanites, massacring or enslaving the people—a series of brutal invasions and slaughters described typically by theologians and preachers as “a spiritual victory.” In this way the Hebrews established themselves on the land, along with the worship of their Sky-and-Thunder God Yahweh (Jehovah), calling themselves his “chosen people.” Yahweh’s male prophets and priests, however, despite their political victory over the Canaanites, had to carry on a continuous struggle and fulmination against their own people, who kept “backsliding” into worship of the Great Mother, the Goddess of all their Near Eastern neighbors. For she had originally been the Goddess of the Hebrews themselves. This constant fight against matriarchal religion and custom is the primary theme of the Old Testament. It begins in Genesis, with the takeover of the Goddess’s Garden of Immortality by a male God, and the inversion of all her sacred symbols—tree, serpent, moon-fruit, woman—into icons of evil. Of the two sons of Eve and Adam, Cain was made the “evil brother” because he chose settled agriculture (matriarchal)—the “good brother” Abel was a nomadic pastoralist (patriarchal). The war against the Goddess is carried on by the prophets’ rantings against the “golden calf,” the “brazen serpents,” the “great harlot” and “Whore of Babylon” (the Babylonian Goddess Ishtar), against enchantresses, pythonic diviners, and those who practice witchcraft. It is in the prophets’ war against the Canaanite worship of “stone idols”—the Triple Moon Goddess worshiped as three horned pillars, or menhirs. One of her shrines was on Mount Sinai, which means “Mountain of the Moon.” Moses was commanded by “the Lord” to go forth and destroy these “idols”—who all had breasts. We are told monotheism began with the Jews, that it was the great “spiritual invention” of the religious leader Moses. This is not so. The worship of one God, like everything else in religion, began with the worship of the Goddess. Her universality has been duly noted by everyone who has ever studied the matter. “Monotheism, once thought to have been the invention of Moses or Akhnaton, was worldwide in the prehistoric and early historic world,” i.e., throughout the Paleolithic and Neolithic ages. As E. O. James wrote in The Cult of the Mother Goddess, “It seems that Evans was correct when he affirmed that it was a ‘monotheism in which the female form of divinity was supreme.” The original monotheism of the Goddess is perhaps most clearly shown by the fact that, in Elizabeth Gould Davis’s words, “Almighty Yahweh, the god of Moses and the later Hebrews, was originally a goddess.” His name, Iahu ’anat, derives from that of the Sumerian Goddess Inanna.

It is related on the authority of Ibn ‘Abbâs that the Messenger of Allâh said: “When a person turns in repentance to Allâh ,Allâh accepts his repentance and He causes the angels who record his deeds to forget the sins which they had recorded, and He causes his body parts to forget the evil deeds which they committed, and He causes the place in the earth and the sky to also forget. Allâh does all this so that he may come to Him on the day of resurrection without anyone or anything from the creation being able to testify against him.

43. By making Samyama on the relation between the Akasha and the body and becoming light as cotton-wool etc., through meditation on them, the yogi goes through the skies. This Akasha is the material of this body; it is only Akasha in a certain form that has become the body. If the Yogi makes a Sanyama on this Akasha material of his body, it acquires the lightness of Akasha, and he can go anywhere through the air. So in the other case also.

Moreover, people feel no gratitude for something to which they are entitled. The very notion of grateful welfare recipients is almost comical. Many of them do not even realize that what is given to them had to be taken from someone else. They are left with the literally demoralizing notion that food stamps and welfare checks drop from the sky and are theirs by right. This warped, unhealthy view is easily passed on to children.

Young and old dropped. Someone laughed. “Useless animals. Now they will not eat the grass my cows need.” The rumbling sounds of big creatures came to a stop before the once-beautiful animals that now lie mangled in blood. “Dog food factory, here we come!” A scream tore from Shining Light’s mouth. “No! What is this horrible thing you show me? This is not right. What is this, I ask? What are cows? What is dog food factory? Why can they not share the land? Is this the future, or some nightmare I cannot push away? Blue Night Sky, why do you do this?” His body shook violently. He lost the food his belly held. “Sandstone. Where is Sandstone? She has taught me how smart her kind is, how much they understand humans and can love us, guide us. Sandstone!” ‘Be at peace, little one. This has not happened... yet. You think your destiny only lies in saving people? Telling stories of the grey dust that will choke future humans? You will tell the Peoples you go to meet of what I have shown you. This is their destiny... and your daughter’s. Yours... is what you choose it to be. Your daughter’s children’s children will have children who will become guardians of the Mustang Peoples, of the young four-leggeds yet unborn. ‘There will be a future where humans only think of themselves, what they can gain by having more things than others have. Some of these people may be our own. Some of these future humans will kill for what they can gain from it. Animals will be pounded into the grey dust because of human greed. Humans will even kill their own kind and take what they wish from them. Entire Peoples will vanish from our Mother. ‘Many animals will be thought of as wasting the land that humans could have. They will be killed. If our own people think of the mustang this way, they will lose their way. ‘The stories of our mustang relatives must be told. If the stories are lost, our people will forget the gifts the Mustang People give to them. As many times as Father Sun rises the stories must be told. Shining Light, you must help save the mustangs. You must help save

I was a very nervous kid, I was anxious all the time when I was younger, but what's nice is that some of the things I was anxious about don't bother me at all anymore. Like, uh, I always thought that quicksand was going to be a much bigger problem than it turned out to be. Because if you watch cartoons, quicksand is like the third biggest thing you have to worry about in adult life behind real sticks of dynamite and giant anvils falling on you from the sky. I used to sit around and think about what to do about quicksand. I never thought about how to handle real problems in adult life, I was never like "Oh, what's it gonna be like when relatives ask to borrow money?" Now that I've gotten older, not only have I never stepped in quicksand—I've never even heard about it! No one's ever been like, "Hey if you're coming to visit, take I-90 'cause I-95 has a little quicksand in the middle. Looks like regular sand, but then you're gonna start to sink into it.

With a few sweeps of her thumbs, the picture zoomed off into the ether, along with her note: Long-lost relative of yours? She slid her phone into her clutch to find her mother watching. “What?” Bryce muttered. But Ember only motioned toward the frieze. “Who does it depict?” Bryce checked the sliver of writing in the lower right corner. “It just says The Making of the Sword.” Her mother peered at the half-faded etching. “In what language?” Bryce tried to keep her posture relaxed. “The Old Language of the Fae.

Bryce rubbed at her neck—then straightened. “Any chance that Dusk’s Truth is somehow related to the Lightfall squadron?” Tharion arched a brow. “Why?” Hunt picked up her thread immediately. “Lightfall. Also known as dusk.” “And Project Thurr … thunder god … Could it be related to the thunderbirds?” Bryce went on. “You think it involved some kind of intel about Pippa’s Lightfall squadron?” Ruhn asked. “It seemed to be some sort of groundbreaking info,” Tharion said. “And Thurr … It could have had something to do with the thunderbird stuff. Sofie sounded afraid of the Asteri’s wrath in her reply to Danika … Maybe it was because she was afraid of them knowing she had the gift.” “These are all hypotheticals,” Hunt said. “And big stretches. But they might lead somewhere. Sofie and Danika were certainly well aware of the threats posed by both Lightfall and the Asteri.

Only those who are worthy. Who have enough energy. There is no judgment but that: whether a soul possesses enough residual power to make a hearty meal, both for myself and for the Dead Gate. As their souls pass through the Dead Gate, I take a … bite or two.” Hunt cringed inwardly. Maybe he had been too hasty in deeming the being before him not evil. The Under-King went on, “The rituals were all invented by you. Your ancestors. To endure the horror of the offering.” “But Danika was here. She answered me.” Bryce’s voice broke. “She was here. She and all of the newly dead from the past several centuries. Just long enough that their living descendants and loved ones either forget or don’t come asking. They dwell here until then in relative comfort—unless they make themselves a nuisance and I decide to send them into the Gate sooner. But when the dead are forgotten, their names no longer whispered on the wind … then they are herded through the Gate to become firstlight. Or secondlight, as it is called when the power comes from the dead. Ashes to ashes and all that.” “The Sleeping City is a lie?” Hunt asked. His mother’s face flashed before him. “A comforting one, as I have said.” The Under-King’s voice again became sorrowful. “One for your benefit.” “And the Asteri know about this?” Hunt demanded. “I would never presume to claim what the holy ones know or don’t know.” “Why are you telling us any of this?” Bryce blanched with horror. “Because he’s not letting us leave here alive,” Hunt breathed. And their souls wouldn’t live on, either. The light vanished entirely, and the voice of the Under-King echoed around them. “That is the first intelligent thing you’ve said.

THE NEXT DAY, GREG AND THE OTHER MUSKETEERS WOKE at the crack of dawn to ride to the royal hunting grounds along with the king—and the king’s staggeringly large entourage. There were four falconers, a squadron of soldiers, two dozen servants, and a coterie of distant relatives and other hangers-on. Despite all the attendants, King Louis was the only one allowed to participate in any of the actual falconry—although in truth, Louis really just sat on his horse and had other people do everything for him. The falconers brought him the birds. A stable boy held the reins of his horse. There were even servants armed with parasols to shade the king from the sun. And for what? At the far end of the field, a gamekeeper would release a previously captured dove. Then, with great fanfare, Louis would remove the blindfold from his falcon, which would take off—and kill the dove. That was it. To make it all worse, even if Greg had wanted to watch one bird kill another, the attack generally happened very far away, often quite high up in the sky, so that it merely looked like one dot flying into a slightly smaller dot. While Greg found the whole process mind-numbing, everyone else seemed absolutely enthralled. Even Aramis, who Greg wouldn’t have expected to root for the death of anything, was beside

My inability to act has always been an ailment with a metaphysical aetiology. I’ve always felt that to perform a gesture implied a disturbance, a repercussion, in the outer universe; I’ve always had the impression that any movement I might make would unsettle the stars and rock the skies. And so the tiniest gesture assumed for me early on a metaphysical significance of astonishing proportions. I developed an attitude of transcendental honesty with respect to all action, and ever since this attitude took firm hold in my consciousness, it has prevented me from having intense relations with the tangible world.

My Golden Earth (The Sonnet) O my golden earth, I am but your stupid lover. The flute of your dazzling fragrance, Makes my agonies disappear. Whenever your sky is cloudy, My heart drowns in drought. Whenever your oceans quiver, With tears my eyes get fraught. Whenever you giggle in prosperity, It pours honey into my ears. Whenever you shine with festivals, Light and love erase my historic fears. You are my home o my golden earth. All your children are my sisters and brothers.

Perhaps to be human is to struggle one’s whole life to find some solid ground to stand on and then die never coming anywhere close. And perhaps that’s not even a bad thing. To know the true meaning of life and self is to do what with it? End the mystery? End the game? What then? Perhaps one day we will find some unifying theory of everything and perhaps somehow this will make everything better, but what are the odds that we still care about the point of life after we’ve found it? Imagine a movie in which you knew exactly why and what everything was from the start. Imagine a life, if we found a theory of everything or an equation that connected the mysteries of quantum mechanics and Einstein’s Theory of General Relativity, and we understood the very core of how and why the universe worked, what difference would this really make in terms of the meaning of life. Would two different people still not watch the same movie and experience and interpret two different things? We would of course all agree that it’s a movie and on how the movie works, but when it comes to meaning, there will always remain a perceptual layer completely relative to the individuals observing it. Because of this, if we found the overarching ultimate truth of existence tomorrow, half the world would not believe it, and the other half would fight for it. And as a whole, we would be no different. And if somehow the whole world did agree upon one truth, what then? Utopia? What then? The truth we seek when considering the quality and meaning of our lives is not an outward truth, not a truth that resolves the questions of the universe, but a truth that glimpses inward and assembles into a stable self that can be integrated seamlessly into our perception of the whole around us, a truth we can’t ever truly have. Truth is not even the right word here, there is no right word here. That’s the point. I sit here writing, thinking about my being, about the strange relationship I have with this life and this plane of existence. I think about how alive I feel right now while writing. How potent this moment is. How insane and beautiful it is. How important it has been to me in the past. Thinking, writing, talking, and reading about earnest experiences and attempts at living. Personally, the direct confrontation with the challenges, complexities, sufferings, and plights of the human condition have provided me with some of, if not all of the profound, potent, and beautiful moments of my life. And I wonder if I would have ever experienced any of those undeniably worthy moments if life made sense. If it didn’t hurt and overwhelm me… How beautiful would the night sky be if we knew exactly where it went and how the stars got there? Would we ever be inspired to create art and form interpretations out of this life, what would I have written about? What would I have read about? How would I have ever found love or friendship or connection with others? Why would I have ever laughed or cried? What would I be doing right now? Would there be anything to say? Anything to live or die for? I don’t feel that my life would have been any better if I had known any more of what it was all about, in fact I think it would have only worsened the whole thing, we seem to so desire certainty, and immortality, a utopic end of conflict, suffering, and misunderstanding, and yet in the final elimination of all darkness exists light with no contrast. And where there is no contrast of light there is no perception of light, at all. What we think we want is rarely what we do, if we ever got what we did, we would no longer have anything. What we really want is to want. To have something to ceaselessly chase and move towards. To feel the motion and synchronicity with the universe's unending forward movement.

The transfer of power from an older sky god to a younger storm god is attested in other contemporaneous eastern Mediterranean cultures. Cronus was imprisoned and succeeded by his son Zeus, Yahweh succeeded El as the god of Israel, the Hurrian god Teshub assumed kingship in heaven after having defeated his father Kumarbi, and Baal replaced El as the effective head of the Ugaritic pantheon. A more remote and hence less exact parallel is the replacement of Dyaus by Indra in early Hinduism. These similar developments can be accurately dated to the second half of the second millennium BCE, a time of prosperity and extraordinary artistic development but also of political upheaval and natural disasters that ended in the collapse or destruction of many civilizations, including the Mycenaean, Minoan, Hittite, and Ugaritic. This was the period of the Trojan War, of the invasion of Egypt and the southeastern Mediterranean coast by the Sea Peoples, of the international unrest related in the Amarna letters.

When I listened to the lady telling her story, I could relate to not being welcome someplace. I liked the idea that God might take that very thing that stunk the worst about your life and change it around into something good.

As we approach parts with curiosity and compassion, they may spontaneously release burdens and polarities, returning to the wholeness of the Self, no longer believing in separateness. The conceptual framework surrounding parts may dissolve, and the very label "part" may become superfluous. This aligns with Schwartz’s belief that in a healthy, integrated, or never-burdened system, you "hardly notice your parts." As inner harmony is achieved through this work, the practices themselves may naturally fade away, including any mindfulness or self-inquiry techniques, as our direct knowing of the unified Self stabilizes. What remains is unmediated experiencing—perception without an internal judge or narrator imposing layers of meaning. Like a bird feeling the fresh raindrop, we awaken to the pure isness of the present moment. We recognize that diversity was never truly separate—all parts reside within the vastness of the Self and feel its illuminating presence infusing life with wholeness. Self-realization does not conflict with the experience of inner multiplicity. Rather, it provides the foundation for embracing our diverse parts with love and understanding. Just as clouds naturally arise within the vast expanse of the sky, the many facets of our psyche emerge from the same unitary source of consciousness. By recognizing our fundamental oneness, we can openly accept all inner voices and perspectives as inseparable expressions of our true nature. Parts work therapies like Jungian analysis, psychosynthesis, and IFS rest on the realization that our multiplicity arises from and returns to an underlying unity. Healing separation unveils the intrinsic connectedness shining through our diversity. The many are seen to be expressions of the one infinite consciousness from which we all emerge. Awakening to our true nature does not erase our finite human form but allows us to live as embodiments of the infinite while navigating the relative world. We can embrace relationships, experiences, and inner parts as manifestations of the vast depths of being itself. Our very capacity for a richly textured existence arises from the fecundity of the source—celebrating the unlimited creativity that gives rise to all multiplicities within its all-encompassing embrace. When we unravel the tendency to view parts as separate from Self, ourselves as separate from the collective, and the collective as separate from the universe, we find interconnected wholeness underneath it all, like pieces of the same puzzle fitting perfectly together. Though each piece may seem distinct, together they form a complete picture. Just as a puzzle is not whole without all its pieces, so too are we fragments without our connections to others and the greater whole. All pieces big and small fit together to create the fullness of life. From the vantage point of the infinite, life appears as a seamless whole. Yet seen through the finite lens of the mind, it fragments into countless shapes and forms. To insist that only oneness or multiplicity is real leads to a fragmented perspective, caught between mutually exclusive extremes. With curiosity and compassion, we can integrate these views into a unified vision. Like the beads in a kaleidoscope, Self appears in endless configurations—now as particle, now as wave. Though the patterns change, the beads remain the same. All possibilities are held safely within the kaleidoscope's luminous field. The essence lies in remembering that no bead stands alone. Parts require the presence of an overarching whole that encompasses them. The individual Self necessitates the existence of a vaster, universal SELF. The love that binds all parts infuses the inside and outside alike. This unifying love can be likened to the Tao, the very fabric from which life is woven.

In any portion of the state, when laws relating to public lands are defied and set at naught, our first duty is to re-examine the laws, with the view of ascertaining what defects, if any, have produced this condition of society and, upon discovery of any defect, to apply a remedy,

..the human mind has been totally perverted by serious people. Those who have taken upon themselves the great work of making men serious have destroyed all that is beautiful in you. Ugliness is related to the serious, and religion has become ugly because it has become too much attached to seriousness. You are serious. You look at life as a business or as mathematics. It is not! Life is poetic, illogical. It is not like work, it is like play. Look at the trees, the animals, the birds; look at the sky: the whole existence is playful. You are very serious, so it is no wonder that you have become separate from existence. You are uprooted from it, and then you feel alienated, then you feel like strangers, then you feel that this existence is not your own. No one else is responsible for it except you and your seriousness. People go on asking, 'Where is God?' You cannot find him because he is a player and you are serious. Hindus have been saying for centuries that this existence is God's play, and you are so work-oriented, so serious, that you cannot meet him. Of course! Obviously! There is no possibility of your meeting him. You move in different dimensions. He moves into play. The whole existence is just a play. It is not a work; it is not serious.

In 1919, a solar eclipse took place that settled that question once and for all. This is the eclipse during which Einstein's theory of relativity was proven, as Einstein's math perfectly predicted the position of Mercury observed in the eclipse.

Edwards wrote in his Religious Affections that most thoughtful human beings feel a sense of gratitude for God’s gifts: life, health, a crisp, sky-blue day. He called it natural gratitude. That, while a common good, is not enough to stir us to true, deep love for the Giver. If people love God only because of what He gives, Edwards points out that “even a dog will love his master that is kind to him.”1 As Betty Howard wrote, there is a deeper, more mysterious, more sustaining sense of thankfulness: gratitude to God not for what He gives, but who He is. Edwards denoted this as supernatural gratitude, and said that it is the mark of the Holy Spirit in the life of the believer. This radical, gracious gratitude can thrive even in the midst of times of pain, trouble, and distress. It is relational, rather than conditional, drawing the human being who knows God into closer intimacy with Him.

This is for the kids who die, Black and white, For kids will die certainly. The old and rich will live on awhile, As always, Eating blood and gold, Letting kids die. Kids will die in the swamps of Mississippi Organizing sharecroppers Kids will die in the streets of Chicago Organizing workers Kids will die in the orange groves of California Telling others to get together Whites and Filipinos, Negroes and Mexicans, All kinds of kids will die Who don't believe in lies, and bribes, and contentment And a lousy peace. Of course, the wise and the learned Who pen editorials in the papers, And the gentlemen with Dr. in front of their names White and black, Who make surveys and write books Will live on weaving words to smother the kids who die, And the sleazy courts, And the bribe-reaching police, And the blood-loving generals, And the money-loving preachers Will all raise their hands against the kids who die, Beating them with laws and clubs and bayonets and bullets To frighten the people— For the kids who die are like iron in the blood of the people— And the old and rich don't want the people To taste the iron of the kids who die, Don't want the people to get wise to their own power, To believe an Angelo Herndon, or even get together Listen, kids who die— Maybe, now, there will be no monument for you Except in our hearts Maybe your bodies'll be lost in a swamp Or a prison grave, or the potter's field, Or the rivers where you're drowned like Leibknecht But the day will come— You are sure yourselves that it is coming— When the marching feet of the masses Will raise for you a living monument of love, And joy, and laughter, And black hands and white hands clasped as one, And a song that reaches the sky— The song of the life triumphant Through the kids who die.

Krishna’s form expanded so that it stretched from above the sky to the bottom of the sea. He was as resplendent as a thousand suns. From his breath emerged countless worlds. Between his teeth were crushed countless worlds. In him Arjuna saw all that was, is and will be—all the oceans, all the mountains, all the continents, the worlds above the sky and the worlds below the earth. Everything came from him, everything returned to him. He was the source of all Manavas, Devas, Asuras, Nagas, Rakshasas, Gandharvas, Apsaras, of all forefathers and all descendants. He was the container of all the possibilities of life. The sight made Arjuna aware of the enormity of the cosmos and his relative insignificance. He felt like a grain of sand on a vast endless beach. If Krishna was an ocean, this moment, this war, was but a wave. So many waves, so many opportunities to discover the sea. This war, this life, his rage and his frustrations, everything in this world was a pointer to the soul. ‘Remember, Arjuna,’ said Krishna, ‘he who says he kills and he who says he is killed are both wrong. I am both the killer and the killed. Yet I cannot die. I am your flesh and your soul, that which changes and that which does not change. I am the world around you, the spirit inside you and the mind in between. I am the measuring scale, the one who measures and that which is measured. I alone can bend the rules of space and time. I alone can shatter the web of karma. Realize me. Become a master of your intellect as a charioteer masters his horses and you will realize it is not about the war, it is not about fighting or not fighting, it is not about winning or losing, but it is about taking decisions and discovering the truth about yourself. When you do this, there will be no fear, there will be no ego; you will be at peace, even in the midst of what the deluded call war.

Line: An artist’s tool used to illustrate the outer edges of shapes and forms. Technically, no physical lines exist in nature. For example, there is not an actual line around an apple to distinguish it from the table it’s sitting on, nor is there a physical line between the sky and the land at the horizon; therefore, lines in art are an artist’s interpretation of the boundaries between forms in a scene, or the perceived edges of shapes in a composition. Repeated lines can also be used to create values and textures in two-dimensional and three-dimensional art. Shape: The outside two-dimensional contour, outline or border of a form, figure or structure. Form: The three-dimensional representation of a shape. In drawings, paintings and other two-dimensional art, the artist creates the illusion of a three-dimensional form in space using light, shadow and other rendering techniques. In sculpture, the form is the manifestation of the object itself. Texture: The distinctive surface qualities found on all things as well as the overall visual patterns and tactile feel of objects and their surroundings. Value: The relative lightness or darkness of shapes, forms and backgrounds of two-dimensional or three-dimensional compositions. Value plays a prominent role in both black-and-white and color artworks, potentially adding dramatic contrasts and depth to an otherwise bland composition. Color: The spectrum of hues, values and intensities of natural light and man-made pigments, paints and mineral compounds that can be used in all art forms.

The sky is our absolute nature, which has no barriers and is boundless, and the ground is our reality, our relative, ordinary condition.

These "bugs” or “orgones” seem to be relatives of the geometric light displays witnessed by people on peyote or its derivative, mescaline. They also appear in sensory withdrawal experiments, in which the subject is submerged in a tank of water and isolated from all outside stimuli; indeed, one stage of sensory withdrawal is called ‘mescaline” by the researchers because of this similarity. Alan W. Watts has suggested that what is happening in these cases is that the electrical patterns in the brain itself are being projected outward. Perhaps; but see, also, the lady in the last chapter, who found herself amid “the stars” while having an orgasm under the influence of marijuana. The vision of Nuit, the Egyptian goddess of the night sky and the stars, is the goal of Aleister Crowley’s sex magic, and he recorded in his most emotionally satisfying vision that the universe was “Nothing, with twinkles – but what twinkles!” Through such odd reports we might eventually trace an understanding of how bioelectricity converts into thought and mind.

I hated the car, the rubber toys, disliked your friends and, worse, your relatives. The jingling of my tags drove me mad. You always scratched me in the wrong place. All I ever wanted from you was food and fresh water in my metal bowls. While you slept, I watched you breathe as the moon rose in the sky. It took all of my strength not to raise my head and howl. Now I am free of the collar, the yellow raincoat, monogrammed sweater; the absurdity of your lawn, and that is all you need to know about this place except what you already supposed and are glad it did not happen sooner- that everyone here can read and write, the dogs in poetry, the cats and all the others in prose.

The Revenant I am the dog you put to sleep, as you like to call the needle of oblivion, come back to tell you this simple thing; I never liked you-not one bit. When I licked your face, I thought of biting off your nose. When I watched you toweling yourself dry, I wanted to leap and unman you with a snap. I resented the way you moved, your lack of animal grace, the way you would sit in a chair to eat, a napkin on your lap, knife in your hand. I would have run away, but I was too weak, a trick you taught me while I was learning to sit and heel, and-greatest of insults-shake hands without a hand. I admit the sight of the leash would excite me but only because it meant I was about to smell things you had never touched. You do no want to believe this, but I have no reason to lie. I hated the car, the rubber toys, disliked your friends and, worse, your relatives. The jingling of my tags drove me mad. You always scratched me in the wrong place. All I ever wanted from you was food and fresh water in my metal bowls. While you slept, I watched you breathe as the moon rose in the sky. It took all of my strength not to raise my head and howl. Now I am free of the collar, the yellow raincoat, monogrammed sweater; the absurdity of your lawn, and that is all you need to know about this place except what you already supposed and are glad it did not happen sooner- that everyone here can read and write, the dogs in poetry, the cats and all the others in prose.

I followed them in every foreign land where they work hard, and suffer, where they sigh and if in trenches they as soldiers stand. Once they have met me they can’t say goodbye. Because the way I talk, they like to swear, brings smells of home: pistachio nuts, a hint of shelled, dry almonds, rows of prickly pears, of orange blossoms and of calamint; of our green sea where tuna boats stand ready, of relatives, of lovers, and of wives, Mount Etna, the Red Mountain, Mumpileri, and our night sky when it is clear and bright... I bring them all the passions, so they say, Sicilians harbor in their fiery hearts, those hearts that seem incapable of joy because they constantly torment themselves. For someone like myself, to the wheel tied, mean mother, is it not enough, I say, that I roam round the world without a guide and earn without much art your weekly pay? The Author Forgive me, dear Centona, I apologize! My senses were impaired when I began; What you keep giving me is a great prize I value more than some relationships with man.

Friends The divine bliss of almighty is friend the relation boundless of any trend friends help us to solve all worries they wrap up our difficulties as furries. Friend is a best companion, ofcourse a guide they have no qualms to make us pride friends are gems hard to find nurturing this relation is the greatest task assigned. Friends stand together in joy and sorrows they take away all our pain and harrows till infinity live for friend, for him die limit this knot bonding beyond the sky. Distances cannot keep friends apart they reside in the fugal of heart never breakup, treat them with love and care remember enmities are everywhere friends are rare Though not a blood relation nor by birth It is the most pious bonding on the earth for my dearest friends, God I do thee pray always keep them happy, motivated and gay. ~Jugesh Singh Thakur Author ," The Craved Emotions" From:- Pogal Paristan

these states relate to the progressive age of maturation of a human being. Bala here means ‘child’; a planet in Bala Avastha will have a child-like energy to it, and like a child will not be able to exhibit the full potential of its strength. In fact, a planet in Bala Avastha displays only about one-fourth of the strength that would otherwise be predicted for it. Kumara means ‘youth’ and, like a vigorous youth, a planet in Kumara Avastha gives one-half of its results since, though strength is present, the wisdom needed to direct that strength, which is derived from experience, is usually lacking. Yuva, which also means ‘young’, indicates a young adult who has had sufficient experience to gain some of life’s wisdom. A planet in Yuva Avastha gives full results. Vriddha means ‘aged’ and indicates a planet which has entered its senior, retired years; it gives minimal results. Mrita means ‘dead’; relatively speaking, dead planets produce no results, though every planet does in some way or other give some result. Directional Strength TABLE 4.4 Directional Strength and Weakness of the Planets House Planet’s Strength Planet’s Weakness First (East) Mercury-Jupiter Saturn Fourth (North) Moon Venus Sun Mars Seventh (West) Saturn Jupiter Mercury Tenth (South) Sun Mars Moon Venus A horoscope’s tenth house corresponds to the sector of the heavens that is highest in the sky at any particular moment, while the fourth house corresponds to the sector that is underfoot, i.e. opposite the tenth house below the earth.

They found a lush, green spot on a small hill behind the park. Danny could have sworn that it was that one hill from that Salvador Dali painting. You know, the one with the hill? Then again, he thought the same thing of every mailbox that he walked past each morning. Neither was in any way, form, shape, or former shape related to Mr. Dali. As such, Danny’s assumptions never really did hold much weight; they weighed only about two pounds each. "Wolf! Wolf! The sky is falling! The sky is falling! Salvador Dali! Salvador Dali!

There’d better be chocolate down in these tunnels.” “If there’s not, what even is the point of living?” I lamented and she laughed. “I can see the headlines now, the Vega twins die in joint chocolate-related suicide,” she said and I chuckled.

IN DIRE STRAITS, WE HEAD STRAIGHT TO THE OCEAN The good Lord answered Beryl’s prayer when Dorjan came home next. On the cusp of the rainy season, when porch sitting Beryl was more inclined to watch tufts of moisture hung from invisible threads in fairytale skies than her playing children, he announced, “I have a will ‘ta move ‘ta the land of Hollywood and ‘burgeoning coastal developments,” like he’d read that phrase in a magazine. Then, he pressed on the horn in case she hadn’t heard his hollering. “I want a piece o’ that action, baby,” he said. “I can run my own company. ‘Reckon I know to do just about anything related to construction. Heya baby, why not?” He grinned as he rolled out of the driver’s seat. As she came down the steps to him, he smacked his thighs in a rhythm and did a fancy two-step. “The sun’s always shining. There’s bound to be work for me till I have no more need.” She went to hug him. “Lickety split, we’ll be going west… at the childr’n’s school break,” he said. That’s just what the Hudsons did. They left their free-of-charge huge, white house to the older brothers and sisters, taking brother Dennis along in the back seat with three of the children. Coalbert, sitting up front, sighed. “We’re just gonna leave the house like that? For someone other’n us to occupy, Daddy?” His heart was lying in that big white house with the wraparound porch. “Small thing. The place is tainted. It ‘taint yours and it ‘taint mine.” “I hope we get an indoor toilet, Mama!” Laila shouted. “Your daddy’s set on getting all the new things where we’re going to.

It is not justice," Sky spit out. "It is your undue privilege as prince, to not experience the consequences of your own actions." Lei smirked. "I'm sure you don't relate.

Authority: Avoid outshining the master. All superiority is odious, but the superiority of a subject over his prince is not only stupid, it is fatal. This is a lesson that the stars in the sky teach us—they may be related to the sun, and just as brilliant, but they never appear in her company. (Baltasar Gracián, 1601-1658)

I saw new Worlds beneath the Water ly, New Peeple; yea, another Sky And Sun, which seen by Day Might things more clear display. Just such another Of late my Brother Did in his Travel see, & saw by Night, A much more strange & wondrous Sight: Nor could the World exhibit such another, So Great a Sight, but in a Brother. Adventure strange! No such in Story we New or old, tru or feigned, see. On Earth he seem'd to mov Yet Heven went abov; Up in the Skies His Body flies In open, visible, yet Magick, sort: As he along the Way did sport, Over the Flood he takes his nimble Cours Without the help of feigned Horse. As he went tripping o'r the King's high-way, A little pearly River lay O'r which, without a Wing Or Oar, he dar'd to swim, Swim throu the Air On Body fair; He would not use nor trust Icarian Wings Lest they should prov deceitful things; For had he faln, it had been wondrous high, Not from, but from abov, the Sky: He might hav dropt throu that thin Element Into a fathomless Descent; Unto the nether Sky That did beneath him ly, And there might tell What Wonders dwell On Earth abov. Yet doth he briskly run, And bold the Danger overcom; Who, as he leapt, with Joy related soon How happy he o'r-leapt the Moon.

We were watching videos at night on her Samsung tablet or my company iPad. She showed me the Silvano Agosti 1983 Italian interview with a little Italian boy called “D'Amore si vive, We Live of Love.” The boy was so cute, and his thoughts seemed similar to mine and Martina's. I was so deeply in love with her. The boy on the interview was just like what our own child would be, and we agreed and laughed. “We Live of Love.” What a coincidence! Living. By: Love. I knew the interview from before and she was surprised at how I knew about it. I showed her on my Instagram a picture of the boy I had recently taken a screenshot of and posted. With the subtitle at the right moment under his face: “Descubrir a la vida.” To discover life. Together. With his one and only girlfriend, as the boy explains. I told her multiple times that I was still unsure if she was real, or if it was all a dream; if I had only dreamed of her one night in the dark; if Pinto and I had invented her in my mind. She was a big fan of space, but I thought she liked the mystery behind the endless space with all its questions and secrets for us humans. I thought she liked the sky and space because she recently flew from Argentina to land in my arms. Martina and I were obsessed with Chris Rock and Eddie Murphy; we both knew all their stand-up comedies by heart. We kept replaying the best moments or faces that Chris or Eddie made. We had so much fun watching the same videos over and over that I couldn't believe it. Nobody else ever found the same moments or the same stand-ups as funny as Martina and I did. Nobody before or after found it so amusing. If I showed it to someone, they didn't understand why I was so excited about it or why racist jokes were so funny for an hour from one black comedian to the next. We were obsessed the way Eddie spoke about the „Zebra-Bitch of her dreams, her dream-wife who doesn’t know the concept of money”, saying “she should have an afro, like Angela Davis goes 'God damn it.'“ We were laughing so much. Sometimes I tickled her flat belly or her ribs and she was laughing so sweetly and so much that she couldn't stop. She was begging me to stop tickling her when I barely touched her. She said “No, no, no, no” so many times so quickly and cutely that I had to stop and kiss her; I couldn't resist her lips or her person, I had to kiss and hug her. We laughed so much at particular parts of Chris Rock's stand-up comedies that we could barely stop, almost as if we were tickling each other. We were laughing when Chris Rock was mocking Bone-Thugs-n-Harmony for singing ‘Welfare chariots’ such as „The First of the Month” or when he explained that the government hates rappers, but „only the good rappers get gunned down. They could find Saddam Hussein in a cave in Iraq but couldn't arrest anyone related to Tupac Shakur’s assassination, which didn't happen in a cave in Iraq but in Las Vegas, on the Strip, not one of those side streets, but in front of Circus Circus, after a Mike Tyson fight. Now how many witnesses do you need, to arrest somebody?” We were fascinated with Eddie Murphy, Charlie Murphy, and Chris Rock, but when I showed her Richard Prior, Doug Stanhope, Aries Spears, or George Carlin, she was no longer so impressed for some reason. Her favorite part perhaps was when Chris Rock talked about love and relationships. He said that „you never really been in love unless you have contemplated murder; unless you have practiced your alibi in front of the mirror, staring at a can of rat poison for 45 minutes straight, you haven't been in love. And the only thing preventing you from killing your significant other was an episode of CSI.” He said that relationships are hard and that in order for them to work, both people need to have the same focus, which is all about: her.

We were watching videos at night on her Samsung tablet or my company iPad. She showed me the Silvano Agosti 1983 Italian interview with a little Italian boy called “D'Amore si vive, We Live of Love.” The boy was so cute, and his thoughts seemed similar to mine and Martina's. I was so deeply in love with her. The boy on the interview was just like what our own child would be, and we agreed and laughed. “We Live of Love.” What a coincidence! Living. By: Love. I knew the interview from before and she was surprised at how I knew about it. I showed her on my Instagram a picture of the boy I had recently taken a screenshot of and posted. With the subtitle at the right moment under his face: “Descubrir a la vida.” To discover life. Together. With his one and only girlfriend, as the boy explains. I told her multiple times that I was still unsure if she was real, or if it was all a dream; if I had only dreamed of her one night in the dark; if Pinto and I had invented her in my mind. She was a big fan of space, but I thought she liked the mystery behind the endless space with all its questions and secrets for us humans. I thought she liked the sky and space because she recently flew from Argentina to land in my arms. Martina and I were obsessed with Chris Rock and Eddie Murphy; we both knew all their stand-up comedies by heart. We kept replaying the best moments or faces that Chris or Eddie made. We had so much fun watching the same videos over and over that I couldn't believe it. Nobody else ever found the same moments or the same stand-ups as funny as Martina and I did. Nobody before or after found it so amusing. If I showed it to someone, they didn't understand why I was so excited about it or why racist jokes were so funny for an hour from one black comedian to the next. We were obsessed the way Eddie spoke about the „Zebra-Bitch of his dreams, his dream-wife who doesn’t know the concept of money”, saying “she should have an afro, like Angela Davis goes 'God damn it.'“ We were laughing so much. Sometimes I tickled her flat belly or her ribs and she was laughing so sweetly and so much that she couldn't stop. She was begging me to stop tickling her when I barely touched her. She said “No, no, no, no” so many times so quickly and cutely that I had to stop and kiss her; I couldn't resist her lips or her person, I had to kiss and hug her. We laughed so much at particular parts of Chris Rock's stand-up comedies that we could barely stop, almost as if we were tickling each other. We were laughing when Chris Rock was mocking Bone-Thugs-n-Harmony for singing ‘Welfare chariots’ such as „The First of the Month” or when he explained that the government hates rappers, but „only the good rappers get gunned down. They could find Saddam Hussein in a cave in Iraq but couldn't arrest anyone related to Tupac Shakur’s assassination, which didn't happen in a cave in Iraq but in Las Vegas, on the Strip, not one of those side streets, but in front of Circus Circus, after a Mike Tyson fight. Now how many witnesses do you need, to arrest somebody?” We were fascinated with Eddie Murphy, Charlie Murphy, and Chris Rock, but when I showed her Richard Prior, Doug Stanhope, Aries Spears, or George Carlin, she was no longer so impressed for some reason. Her favorite part perhaps was when Chris Rock talked about love and relationships. He said that „you never really been in love unless you have contemplated murder; unless you have practiced your alibi in front of the mirror, staring at a can of rat poison for 45 minutes straight, you haven't been in love. And the only thing preventing you from killing your significant other was an episode of CSI.” He said that relationships are hard and that in order for them to work, both people need to have the same focus, which is all about: her.

An empire is often understood to be an aggregate of subject states, subdued by force and exploited for their resources to the aggrandizement of the heartland. It’s hard to dispute that this was Canada’s origin. But empire can also be construed as meaning to build, to connect or to unify. The older, now archaic word empyreal was used to denote something pertaining to the sky or heavens, something inspiring of awe. In a practical sense, relating to a political entity, the inspiration of awe could flow from the seemingly invincible power to control and direct and exploit; yet it could also flow from a string of grand or noble universal achievements. For many people these days, it’s unclear from which tributary of history we have sprung, in which world we now live. It shouldn’t be unclear to which world we should aspire.

Being conscious of our trauma, and recognising how it unavoidably manifests itself within our approach to romantic and platonic relations, skies is to strategise our connections. It helps us to it helps us to recognise patterns, set boundaries, take heed of red flags and ultimately aim higher.

And now, my dear professional pessimist,” said Locke as they stepped away from the Sinspire and acquired relative privacy, “my worry-merchant, my tireless font of doubt and derision…what do you say to that?” “Oh, very little, to be sure, Master Kosta. It’s so hard to think, overawed as I am with the sublime genius of your plan.” “That bears some vague resemblance to sarcasm.” “God forfend,” said Jean. “You wound me! Your inexpressible criminal virtues have triumphed again, as invariably as the tides come and go. I cast myself at your feet and beg for absolution. Yours is the genius that nourishes the heart of the world.” “And now you’re—” “If only there was a leper handy,” interrupted Jean, “so you could lay your hands on him and magically heal him.” “Oh, you’re just farting out your mouth because you’re jealous.

What is the same in every human being and doesn't change? [...] That you exist. The words we use to express this concept are "I am." "I" is the pronoun we use to reference the self. "Am" is the verb that references a state of being. "I am" indicates self-awareness of being. In the space between all words, all thoughts, all memories, what do you know with certainty? "I exist and I am aware of it." When stating, "I am", all self-aware beings are referring to an identical experience. [...] No matter one's age or life history, "I am" - the awareness of being - is a shared phenomenon. [This is] the part of you beyond your story. Think of "I am" like the vast open sky. Any words that follow "I am" are clouds. They arise within the sky, temporarily changing the appearance of it, but they have no effect on the sky's basic existence. Who are you beyond your story? You are the open sky my friend - the presence and expression of an immense Awareness that knows it exists. Because this is a shared presence, it's more fitting to refer to this as the Absolute Self (with a capital S) as opposed to the temporary, limited sense of "my" self with a story. [...] In the Bible, in the Book of Exodus, the story goes that when Moses asked for God's name, the first response he received was, "I AM that I AM." So we have the Absolute "I AM" that is everywhere, all-knowing, and all-powerful. And we have over seven billion relative beings also claiming "I am." The difference between relative awareness and Absolute Awareness is the individual stories or exeriences that arise in the one I AM Awareness, like clouds in the sky. The Self is the sky. The selves are the clouds. You are not apart from the sky. You are intimately part of it as a self-aware expression fo self-awareness.

I grew up in, the concept of “La Familia” is by no means exclusive to the bond between blood relatives. When I was growing up, every older person was a “tio” or “tia” (uncle or aunt), and I referred to so many people as cousins who, biologically speaking, were not.

I should say that it was only for me that Marxism seemed over. Surely, I would tell G. at least once a week, it had to count for something that every single self-described Marxist state had turned into an economically backward dictatorship. Irrelevant, he would reply. The real Marxists weren’t the Leninists and Stalinists and Maoists—or the Trotskyists either, those bloodthirsty romantics—but libertarian anarchist-socialists, people like Anton Pannekoek, Herman Gorter, Karl Korsch, scholarly believers in true workers’ control who had labored in obscurity for most of the twentieth century, enjoyed a late-afternoon moment in the sun after 1968 when they were discovered by the New Left, and had now once again fallen back into the shadows of history, existing mostly as tiny stars in the vast night sky of the Internet, archived on blogs with names like Diary of a Council Communist and Break Their Haughty Power. They were all men. The group itself was mostly men. This was, as Marxists used to say, no accident. There was something about Marxist theory that just did not appeal to women. G. and I spent a lot of time discussing the possible reasons for this. Was it that women don’t allow themselves to engage in abstract speculation, as he thought? That Marxism is incompatible with feminism, as I sometimes suspected? Or perhaps the problem was not Marxism but Marxists: in its heyday men had kept a lock on it as they did on everything they considered important; now, in its decline, Marxism had become one of those obsessive lonely-guy hobbies, like collecting stamps or 78s. Maybe, like collecting, it was related, through subterranean psychological pathways, to sexual perversions, most of which seemed to be male as well. You never hear about a female foot fetishist, or a woman like the high-school history teacher of a friend of mine who kept dated bottles of his own urine on a closet shelf. Perhaps women’s need for speculation is satisfied by the intense curiosity they bring to daily life, the way their collecting masquerades as fashion and domesticity—instead of old records, shoes and ceramic mixing bowls—and their perversity can be satisfied simply by enacting the highly artificial role of Woman, by becoming, as it were, fetishizers of their own feet.

I saw the massive stone altar first begin to glow like a ruby; then it was a heart of liquid gold like a solid single-crystal chrysoprase: the gold intensified into ice-cold emerald and passed into the dark sapphire of an arctic sky; this again withdrew into a violet so deep that the visual purple of the eye itself seemed absorbed in that depth, that abyss of color in which sight was being drowned. And as this intensification of vibrancy seemed to sweep across the visible spectrum up to those ranges where energy absorbs all mass and that which can pierce the most solid is itself fine beyond all substance, so it seemed with hearing. That abyss of sound which I had been thinking of as only depth, it, too, seemed to rise or, rather, I suppose I was carried up on some rising wave which explored the deep of the height. As the light drew toward the invisible, I experienced a sound so acute that I can only remember feeling to myself that this was the note emitted when the visible universe returns to the unmanifest—this was the consummatum est of creation. I knew that an aperture was opening in the solid manifold. The things of sense were passing with the music of their own transmutation, out of sight. Veil after veil was evaporating under the blaze of the final Radiance. Suddenly I knew terror as never before. The only words which will go near to recreating in me some hint of that actual mode are those which feebly point toward the periphery of panic by saying that all things men dread are made actually friendly by this ultimate awfulness. Every human horror, every evil that the physical body may suffer, seemed, beside this that loomed before me, friendly, homely, safe. The rage of a leaping tiger would have been a warm embrace. The hell of a forest wrapped in a hurricane of fire, the subzero desolation of the antarctic blizzard, would have been only the familiar motions of a simple well-known world. Yes, even the worst, most cunning and cruel evil would only be the normal reassuring behavior of a well-understood, much-sympathized-with child. Against This, the ultimate Absolute, how friendly became anything less, anything relative.

One Saturday morning last May, I joined the presidential motorcade as it slipped out of the southern gate of the White House. A mostly white crowd had assembled. As the motorcade drove by, people cheered, held up their smartphones to record the procession, and waved American flags. To be within feet of the president seemed like the thrill of their lives. I was astounded. An old euphoria, which I could not immediately place, gathered up in me. And then I remembered, it was what I felt through much of 2008, as I watched Barack Obama’s star shoot across the political sky. I had never seen so many white people cheer on a black man who was neither an athlete nor an entertainer. And it seemed that they loved him for this, and I thought in those days, which now feel so long ago, that they might then love me, too, and love my wife, and love my child, and love us all in the manner that the God they so fervently cited had commanded.

What would happen if the parasites were removed from this picture? Would there be fewer birds in the sky, more fish in the sea? Lafferty doesn’t know, but the change would almost certainly have a domino-like effect on the food chain. In some fragile ecosystems where animals struggle to get by on scarce resources, manipulative parasites might even tip the balance toward the survival or extinction of a species. Lafferty recounted joining Japanese biologists who were studying a type of endangered trout in hopes of increasing its numbers. In the fall, the team noticed, the fish were unusually well nourished; their bellies were packed full of crickets. What had made this source of nutrients suddenly so plentiful? A hairworm closely related to the species Thomas has long been studying was sending droves of the crickets into the water in late summer. If it weren’t for the parasite, said Lafferty, it’s possible the trout might already be extinct.

The first reason why peer-oriented children have to harden emotionally is that they have lost their natural source of power and self-confidence and, at the same time, their natural shield against intolerable hurt and pain. Apart from the steady onslaught of tragedies and traumas occurring everywhere, the child's personal world is one of intense interactions and events that can wound: being ignored, not being important, being excluded, not measuring up, experiencing disapproval, not being liked, not being preferred, being shamed and ridiculed. What protects the child from experiencing the brunt of all this stress is an attachment with a parent. It is attachment that matters: as long as the child is not attached to those who belittle him, there is relatively little damage done. The taunts can hurt and cause tears at the time, but the effect will not be long lasting. When the parent is the compass point, it is the messages he or she gives that are relevant. When tragedy and trauma happen, the child looks to the parent for clues whether or not to be concerned. As long as their attachments are safe, the sky could collapse and the world fall apart, but children would be relatively protected from feeling dangerously vulnerable. Roberto Benigni's movie, Life Is Beautiful, about a Jewish father's efforts to shield his son from the horrors of racism and genocide, illustrates that point most poignantly. Attachment protects the child from the outside world.

As for the relation between analytical and resting meditation on the one side and calm abiding and superior insight on the other, calm abiding is not exactly the same as resting meditation, nor is superior insight equivalent to analytical meditation. Rather, analytical and resting meditation each include both calm abiding and superior insight.

Second Timothy chapter 5, verse 8, stated, “If anyone does not provide for his relatives, and especially for his immediate family, he has denied the faith and is worse than an unbeliever.

In the scripture, God promised Abraham that he would be the father of many nations. In the natural it was impossible. Abraham didn’t have one child. He was eighty years old. But God didn’t just give him the promise; God gave him a picture to look at. God said, “Abraham, go out and look at the stars--that’s how many descendants you will have.” I’ve read where there are six thousand stars in the Eastern sky where he was. It’s not a coincidence that there are six thousand promises in the scripture. God was saying, “Every promise that you can get a vision for, I will bring it to pass.” God told him also to look at the grains of sand at the seashore, because that was how many relatives he would have. Why did God give him a picture? God knew there would be times when it would look as if the promise would not come to pass, and Abraham would be discouraged and tempted to give up. In those times, Abraham would go out at night and look up at the sky. When he saw the stars, faith would rise in his heart. Something would tell him, “It’s going to happen, I can see it.” In the morning when his thoughts told him, “You’re too old, it’s too late, you heard God wrong,” he would go down to the beach and look at the grains of sand. His faith would be restored. Like Abraham, there will be times when it seems as if your dreams are not coming to pass. It’s taking so long. The medical report doesn’t look good. You don’t have the resources. Business is slow. You could easily give up. But like Abraham, you’ve got to go back to that picture. Keep that vision in front of you. When you see the key to your new house, the outfit for your baby, the tennis shoes for when you’re healthy, the picture frame for your spouse, the article inspiring you to build an orphanage, those pictures of what you’re dreaming about will keep you encouraged. God is saying to you what He said to Abraham: “If you can see it, then I can do it. If you have a vision for it, then I can make a way. I can open up new doors. I can bring the right people. I can give you the finances. I can break the chains holding you back.

Art is long. Life is short, but it deserves our attentive devotion. Embrace life. No person has a monopoly on wisdom. Despite the plethora of written books and e-books covering virtually every imaginable subject, advances in human knowledge and changes in the physical environment will cause recurrent alterations in the human condition that writers are uniquely able to express, explain, explicate, and elucidate. The complexities of human life demand humanistic persons to explore and offer guidance and solace to troubled souls. The world is not in the need of any more corporate entities devoted to milling money. What the world needs is writers, singers, poets, and philosophers whom can expand upon the universal desire to display an intense and absorbing respect for life and honor the principles of truthfulness and charity in human relations. I wish for every person to cull the lyrical prose from their stroll in the meadow of life and express the vivacity of their inner daemon in whatever artistic methodology stirs their imagination and voices their uniqueness. I call upon each person to use logic, intuition, and imagination to share all their adventures in this world of rocks and stones, earth and sky, sunshine and rain. Splash it out there for everyone to witness your appreciativeness of nature’s glory, verification of your meaningful existence demands that you settle for nothing less.

[O]ne could assume an incompatibility, at one and the same level of reference, between two philosophical propositions, both of which cannot be true in accordance with the principle of contradiction. Alternatively, one might perhaps suppose a complementarity - perhaps even an incommensurability - between two doctrines that relate to different levels of reference or discourse, and which are accordingly not mutually exclusive or contradictory."`- In fact, this is precisely one of the major points in Dolpopa's original presentation of self-emptiness and other-emptiness that was often overlooked by later proponents of other-emptiness as well as their opponents. Despite the claims of his opponents, Dolpopa's use of this distinction is epistemological in nature and not ontological or reifying. In his main work, A Mountain Dharma, The Ocean of Definitive Meaning,'`" he himself makes a clear distinction between a "philosophical system" (Skt. siddhanta, Tib. grub mtha') based on certain explanations and arguments and a "point of view" in the sense of an outlook (Skt. darsana, Tib. Ita ba). For him, the latter is understood in the broad sense of including what is directly experienced in meditative equipoise. This is what he calls "Great Madhyamaka" and "other-emptiness," the outlook of noble beings who see how things really are. As such, it is clearly contrasted with Madhyamaka as a mere philosophical system. 'T'hus, on these two levels, the entire perspective of mind and, consequently, the way of discourse are quite different.

He Said EYE-RACK Relative to our plans for your country, we will blast your tree, crush your cart, stun your grocery. Amen sisters and brothers, give us your sesame legs, your satchels, your skies. Freedom will feel good to you too. Please acknowledge our higher purpose. Now, we did not see your bed of parsley. On St. Patrick's Day 2003, President Bush wore a blue tie. Blinking hard he said, "reckless aggression." He said, "the danger is clear." Your patio was not visible in his frame. Your comforter stuffed with wool from a sheep you knew. He said, "We are against the lawless men who rule your country, not you." Tell that to the mother, the sister, the bride, the proud boy, the peanut-seller, the librarian careful with her shelves. The teacher, the spinner, the sweeper, the invisible village, the thousands of people with laundry and bread, the ants tunneling through the dirt.

Buddha prophesies about future monks: The monks will no longer want to hear and study the suttantas taught by the Thus-Gone One that are so very deep in meaning, supramundane, and related to emptiness (sunnatd patisamyutta). Instead, they will only listen to the mundane suttantas taught by disciples and composed by poets, which are artistic and embellished with beautiful words and syllables.

Without reliance on conventions, The ultimate cannot be taught. Without realization of the ultimate, Nirvana cannot be attained.'", In other words, ordinary language is the container for the nectar of wisdom: The entire range of Buddhist notions related to ground, path, and fruition are but indications whose only purpose is to lead beings to mental freedom and not to trap them in just another conceptual cocoon.

It's hard to imagine, seeing how crowded the sky looks tonight, how far away one star is from another. Like people, really. We can appear to be standing right next to each other, and yet in our minds, we can be thousand miles away, lost to the outer reaches. But we're altogether in the same black soup, which makes us all related somehow.

Let me see if I understand correctly now,” the Jinni said at one point. “You and your relations believe that a ghost living in the sky can grant you wishes.” “That is a gross oversimplification, and you know it.” “And yet, according to men, we jinn are nothing but children’s tales?

The love of thee is in the Southern Sky; The sweetness of thee is in the Northern Sky. The beauty of thee carries away hearts; The love of thee makes arms languid; Thy beautiful form relaxes the hands; And hearts are forgetful at the sight of thee.

When he got out of the car to do his business, my mother stared straight ahead. But I turned to watch. There was always something wild and charismatically uncaring about my father’s demeanor in these moments, some mysterious abandonment of his frowning and cogitative state that already meant a lot to me, even though at that age I understood almost nothing about him. Paulie had long ago stopped whispering 'perv' to me for observing him as he relieved himself. She of course, kept her head n her novels. I remember that it was cold that day, and windy but that the sky had been cut from the crackling blue gem field of a late midwestern April. Outside the car, as other families sped past my father stepped to the leeward side of the open door then leaning back from the waist and at the same time forward the ankles. His penis poked out from his zipper for this part, Bernie always stood up at the rear window. My father paused fo a moment rocking slightly while a few indistinct words played on his lips. Then just before his stream stared he tiled back his head as if there were a code written in the sky that allowed the event to begin. This was the moment I waited for, the movement seemed to be a marker of his own private devotion as though despite his unshakable atheism and despite his sour, entirely analytic approach to every affair of life, he nonetheless felt the need to acknowledge the heavens in the regard to this particular function of the body. I don't know perhaps I sensed that he simply enjoyed it in a deep way that I did. It was possible I already recognized that the eye narrowing depth of his physical delight in that moment was relative to that paucity of other delights in his life. But in any case the prayerful uplifting of his cranium always seemed to democratize him for me, to make him for a few minutes at least, a regular man. Bernie let out a bark. ‘’Is he done?’’ asked my mother. I opened my window. ‘’Almost.’’ In fact he was still in the midst. My father peed like a horse. His urine lowed in one great sweeping dream that started suddenly and stopped just as suddenly, a single, winking arc of shimmering clarity that endured for a prodigious interval and then disappeared in an instant, as though the outflow were a solid object—and arch of glittering ice or a thick band of silver—and not (as it actually approximated) a parabolic, dynamically averaged graph of the interesting functions of gravity, air resistance, and initial velocity on a non-viscous fluid, produced and exhibited by a man who’d just consumed more than a gallon of midwestern beer. The flow was as clear as water. When it struck the edge of the gravel shoulder, the sound was like a bed-sheet being ripped. Beneath this high reverberation, he let out a protracted appreciative whistle that culminated in a tunneled gasp, his lips flapping at the close like a trumpeters. In the tiny topsoil, a gap appeared, a wisp entirely unashamed. Bernie bumped about in the cargo bay. My father moved up close to peer through the windshield, zipping his trousers and smiling through the glass at my mother. I realized that the yellow that should have been in his urine was unmistakable now in his eyes. ‘’Thank goodness,’’ my mother said when the car door closed again. ‘’I was getting a little bored in here.

Everything’s up in the air--how can I leave and never know the truth? Because in my heart, what I want, more than anything else, is for Luca and me to be together. There’s so much uncertainly, so much confusion. I want to reach out and touch him so badly, but I know I can’t. The space between us is tiny, but right now it feels as wide as the ocean. And as darkness falls, I make a resolution. That whatever the truth is about who I am, whether Luca and I really are related, I’ll stay in Italy until I’ve found it out. I learned another Italian word recently, painstakingly working on the translation of Jovanotti’s lyrics: storia. It means “history,” but it can also mean a relationship. If you say nostra storia, “our story,” that’s like saying “our relationship,” or “our love affair.” I cast a fleeting glance sideways at Luca and realize he’s looking at me, his eyes the dark blue of the night sky. Our story isn’t over. It’s not possible. Not so soon, when it’s barely even begun…

God’s Anger at Sin 18 But God shows his anger from heaven against all sinful, wicked people who suppress the truth by their wickedness.* 19 They know the truth about God because he has made it obvious to them. 20 For ever since the world was created, people have seen the earth and sky. Through everything God made, they can clearly see his invisible qualities—his eternal power and divine nature. So they have no excuse for not knowing God. 21 Yes, they knew God, but they wouldn’t worship him as God or even give him thanks. And they began to think up foolish ideas of what God was like. As a result, their minds became dark and confused. 22 Claiming to be wise, they instead became utter fools. 23 And instead of worshiping the glorious, ever-living God, they worshiped idols made to look like mere people and birds and animals and reptiles. 24 So God abandoned them to do whatever shameful things their hearts desired. As a result, they did vile and degrading things with each other’s bodies. 25 They traded the truth about God for a lie. So they worshiped and served the things God created instead of the Creator himself, who is worthy of eternal praise! Amen. 26 That is why God abandoned them to their shameful desires. Even the women turned against the natural way to have sex and instead indulged in sex with each other. 27 And the men, instead of having normal sexual relations with women, burned with lust for each other. Men did shameful things with other men, and as a result of this sin, they suffered within themselves the penalty they deserved.