Skunk Quotes

We've searched our database for all the quotes and captions related to Skunk. Here they are! All 100 of them:

I read in a book once that a rose by any other name would smell as sweet, but I've never been able to believe it. I don't believe a rose WOULD be as nice if it was called a thistle or a skunk cabbage.
L.M. Montgomery (Anne of Green Gables (Anne of Green Gables, #1))
Many people lack the basic equipment to be in a relationship and there's nothing you can do to change it. You can't take a skunk and dip it in perfume and hope it becomes a puppy. Eventually, the perfume will wear off and you'll still have a skunk on your hands.
Sherry Argov (Why Men Love Bitches: From Doormat to Dreamgirl―A Woman's Guide to Holding Her Own in a Relationship)
People cain't help being what they are any more than a skunk can help being a skunk. Don't you think if they had their choice they would rather be something else? Sure they would. People are just weak.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe (Whistle Stop #1))
So a skunk humped my leg earlier.
Jennifer L. Armentrout (Half-Blood (Covenant, #1))
That’s the tricky thing about love. It walks like a duck, quacks like a duck, and smells like a duck. But after you sleep with it a month or so, or get dumped at the altar by it, it starts smelling more like a skunk.
C.C. Hunter (Born at Midnight (Shadow Falls, #1))
Her hair is ridiculous," I said. "I know. That was the only thing I said about her that was true. When you say nasty things about people, you should never say the true ones, because you can't really fully and honestly take those back, you know? I mean, there are highlights. And there are streaks. And then there are skunk stripes.
John Green (Paper Towns)
See that falcon? Hear those white-throated sparrows? Smell that skunk? Well, the falcon takes the sky, the white-throated sparrow takes the low bushes, the skunk takes the earth...I take the woods.
Jean Craighead George (My Side of the Mountain (Mountain, #1))
Anyway, my ribs hurt like hell, my vision is still blurry from acceleration sickness, I’m really hungry, it’ll be another 211 days before I’m back on Earth, and, apparently, I smell like a skunk took a shit on some sweat socks. This is the happiest day of my life.
Andy Weir (The Martian)
Everyone does something to be okay, Skunk. That’s how the world is. At least the only things you need to muffle to survive are the voices in your head. Some people muffle their hearts.
Hilary T. Smith (Wild Awake)
Oh dear, is that a skunk?" Leonora asked. "No," Alessandro gasped in horror. "No the smelly cat!" "I've told you, Alessandro darling, they aren't cats." "They look like cats. Like the big fluffy cat she's been stepped on and flattened to a big fluffy pancake cat," Alessandro argued.
Lynsay Sands (The Reluctant Vampire (Argeneau, #15))
(...) I let go, crying and unable to stop because God was such a dirty crook, contemptible skunk, that's what he was for doing that thing to that woman. Come down out of the skies, you God, come on down and I'll hammer your face all over the city of Los Angeles, you miserable unpardonable prankster. If it wasn't for you, this woman would not have been so maimed, and neither would the world, (...)
John Fante (Ask the Dust (The Saga of Arturo Bandini, #3))
What kills a skunk is the publicity it gives itself.
Abraham Lincoln
I skinned a skunk to make a rug. You know, for the bathroom.
Jarod Kintz (At even one penny, this book would be overpriced. In fact, free is too expensive, because you'd still waste time by reading it.)
Even though I was drunk as a skunk at the time, I still remembered what happened after that. Less than two seconds later he was inside me and I was waving good-bye to my virginity. I wanted it to last forever. I saw stars, came three times that night and it was the most beautiful experience of my life. Yeah right. Are you kidding me? Have you lost your virginity lately? It hurts like a mother effer and it's awkward and messy. Anyone that tells you she had anything even close to resembling an orgasm during the actual event itself is a lying sack of sh*t. The only stars I saw were the ones behind my eyelids as I squeezed them shut and waited for it to be over.
Tara Sivec
But I did not return until half past four this morning and I distinctly remember stubbing my toe on the stairs. I am as drunk as a skunk, Drumknott, which of course means skunks are just as drunk as I. I must say the term is unfamiliar to me, and I had not thought hitherto of skunks in this context, but Mustrum Ridcully was kind enough to enlighten me.
Terry Pratchett (Unseen Academicals (Discworld, #37; Rincewind, #8))
I want to kiss you," I say, "but I seem to be holding this cat." Skunk lifts his hand and touches it to the side of my face. His fingers are warm from carrying the hot skillet to the table. He regards me very seriously, and for a moment I wonder if he's about to tell me we should Focus on Bicycle Repair. Instead he just looks at me for a very long time. "You're beautiful," says Skunk, "and completely batshit.
Hilary T. Smith (Wild Awake)
I always know it's Sunday because I wake up feeling apologetic. That's one of the cool things about being a Catholic . . . it's a multifaceted experience. If you lose the faith, chances are you'll keep the guilt, so it isn't as if you've been skunked altogether.
Janet Evanovich (Four to Score (Stephanie Plum, #4))
One thing about a skunk—once you recognize the markings, you know things are gonna stink.
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
We're the propaganda monkeys. The digital download junkies. The skunk smoking geezers With an inflatable Jesus. We're the kitsch and cool. Divide and rule.
Harry Whitewolf (Propaganda Monkeys - Twenty Poems From My Twenties: 1996 - 2006)
She’s as drunk as a skunk!
M.L. Gardner (1929 (The 1929 Series, #1))
Low down dirty ornery rotten skunk of a cussed mule-headed soldier! What's he want with my book anyway? And what kind of a way is that to write a congratulations? I am so mad I could walk clear to that fort and take him on single handed.
Nancy E. Turner (These Is My Words: The Diary of Sarah Agnes Prine, 1881-1901)
When the picture your girlfriend conjures up in your head is of a cartoon skunk, reconsider the relationship.
Jackson Galaxy (Cat Daddy: What the World's Most Incorrigible Cat Taught Me About Life, Love, and Coming Clean)
I don't know how often opportunity knocks, but temptations to make foul decisions bang on my door all day long. And smelly decisions make for smelly problems later on. A few little decisions, good or bad, can make a big difference in a life. Better to run from those skunks than with them.
Steve Goodier
It was difficult to see much of his face, since he sported a huge black and grey beard topped with a moustache and his hair stuck out at angles – he looked like he was wearing an enraged skunk.
Karen Baugh Menuhin (Murder at Melrose Court (Heathcliff Lennox, #1))
When you say nasty things about people, you should never say the true ones, because you can't really fully and honestly take those back, you know? I mean, there are highlights. And there are streaks. And then there are skunk stripes.
John Green (Paper Towns)
Oh aye. Smells like she´s eaten a pickled skunk. Hungover isn´t the word. I´ve seen people looking healthier after they´ve passed post-mortemed." (Rennie about Steel )
Stuart MacBride
He’s sitting alone at the kitchen table, a half-emptied bottle of white liquor in one fist, his knife in the other. Drunk as a skunk.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Dr. Stern told me that the wilderness of Carolina is alive wi’ fierce creatures—bears and wildcats and wicked panthers—and a great foul thing the Indians call a skunk!
Diana Gabaldon (Drums of Autumn (Outlander, #4))
[excerpt] The usual I say. Essence. Spirit. Medicine. A taste. I say top shelf. Straight up. A shot. A sip. A nip. I say another round. I say brace yourself. Lift a few. Hoist a few. Work the elbow. Bottoms up. Belly up. Set ‘em up. What’ll it be. Name your poison. I say same again. I say all around. I say my good man. I say my drinking buddy. I say git that in ya. Then a quick one. Then a nightcap. Then throw one back. Then knock one down. Fast & furious I say. Could savage a drink I say. Chug. Chug-a-lug. Gulp. Sauce. Mother’s milk. Everclear. Moonshine. White lightning. Firewater. Hootch. Relief. Now you’re talking I say. Live a little I say. Drain it I say. Kill it I say. Feeling it I say. Wobbly. Breakfast of champions I say. I say candy is dandy but liquor is quicker. I say Houston, we have a drinking problem. I say the cause of, and solution to, all of life’s problems. I say god only knows what I’d be without you. I say thirsty. I say parched. I say wet my whistle. Dying of thirst. Lap it up. Hook me up. Watering hole. Knock a few back. Pound a few down. My office. Out with the boys I say. Unwind I say. Nurse one I say. Apply myself I say. Toasted. Glow. A cold one a tall one a frosty I say. One for the road I say. Two-fisted I say. Never trust a man who doesn’t drink I say. Drink any man under the table I say. Then a binge then a spree then a jag then a bout. Coming home on all fours. Could use a drink I say. A shot of confidence I say. Steady my nerves I say. Drown my sorrows. I say kill for a drink. I say keep ‘em comin’. I say a stiff one. Drink deep drink hard hit the bottle. Two sheets to the wind then. Knackered then. Under the influence then. Half in the bag then. Out of my skull I say. Liquored up. Rip-roaring. Slammed. Fucking jacked. The booze talking. The room spinning. Feeling no pain. Buzzed. Giddy. Silly. Impaired. Intoxicated. Stewed. Juiced. Plotzed. Inebriated. Laminated. Swimming. Elated. Exalted. Debauched. Rock on. Drunk on. Bring it on. Pissed. Then bleary. Then bloodshot. Glassy-eyed. Red-nosed. Dizzy then. Groggy. On a bender I say. On a spree. I say off the wagon. I say on a slip. I say the drink. I say the bottle. I say drinkie-poo. A drink a drunk a drunkard. Swill. Swig. Shitfaced. Fucked up. Stupefied. Incapacitated. Raging. Seeing double. Shitty. Take the edge off I say. That’s better I say. Loaded I say. Wasted. Off my ass. Befuddled. Reeling. Tanked. Punch-drunk. Mean drunk. Maintenance drunk. Sloppy drunk happy drunk weepy drunk blind drunk dead drunk. Serious drinker. Hard drinker. Lush. Drink like a fish. Boozer. Booze hound. Alkie. Sponge. Then muddled. Then woozy. Then clouded. What day is it? Do you know me? Have you seen me? When did I start? Did I ever stop? Slurring. Reeling. Staggering. Overserved they say. Drunk as a skunk they say. Falling down drunk. Crawling down drunk. Drunk & disorderly. I say high tolerance. I say high capacity. They say protective custody. Blitzed. Shattered. Zonked. Annihilated. Blotto. Smashed. Soaked. Screwed. Pickled. Bombed. Stiff. Frazzled. Blasted. Plastered. Hammered. Tore up. Ripped up. Destroyed. Whittled. Plowed. Overcome. Overtaken. Comatose. Dead to the world. The old K.O. The horrors I say. The heebie-jeebies I say. The beast I say. The dt’s. B’jesus & pink elephants. A mindbender. Hittin’ it kinda hard they say. Go easy they say. Last call they say. Quitting time they say. They say shut off. They say dry out. Pass out. Lights out. Blackout. The bottom. The walking wounded. Cross-eyed & painless. Gone to the world. Gone. Gonzo. Wrecked. Sleep it off. Wake up on the floor. End up in the gutter. Off the stuff. Dry. Dry heaves. Gag. White knuckle. Lightweight I say. Hair of the dog I say. Eye-opener I say. A drop I say. A slug. A taste. A swallow. Down the hatch I say. I wouldn’t say no I say. I say whatever he’s having. I say next one’s on me. I say bottoms up. Put it on my tab. I say one more. I say same again
Nick Flynn (Another Bullshit Night in Suck City)
It was strange how in no time at all everybody went from fear to being excruciatingly bored, and the very women who yesterday had been helpless victims and just minutes earlier were howling in fright, now began to advance on him threatening with their fists and saying: 'Git on out of here, you old skunk!' Which shows something about the way a female is put together; she will suffer any outrage so long as it is interesting, but bore her and she don't know fear.
Thomas Berger (Little Big Man)
Even though I was drunk as a skunk at the time, I still remembered what happened after that. Less than two seconds later he was inside me and I was waving good-bye to my virginity. I wanted it to last forever. I saw stars, came three times that night and it was the most beautiful experience of my life. Yeah right. Are you kidding me? Have you lost your virginity lately? It hurts like a mother effer and it's awkward and messy. Anyone that tells you she had anything even close resembling an orgasm during the actual event itself is a lying sack of shit. The only stars I saw were the ones behing my eyelids as I squeezed them shut and waited for it to be over.
Tara Sivec (Seduction and Snacks (Chocolate Lovers, #1))
Beautiful, I think to myself as I float back into sleep, my whole body thrumming with a tender, exhausted state of exhilaration. Beside me, Skunk's body is warm under his T-shirt. The last thing I see before falling asleep is the Kali painting on Skunk's wall. Her blue-gold body is draped in equal parts flowers and severed heads - as if beauty and horror were interchangeable and what matters most is trusting in the dance.
Hilary T. Smith (Wild Awake)
Rows of roses rose up to smell my nose, and what could I do but sit back and appreciate my flower-nature. A Rose By Any Other Name Would Smell As Sweet- But if it changed its name to SKUNK, I'd Sincerely Doubt That Belief. -Jarod Kintz and James Lee Schmidt
Jarod Kintz (liQUID PROse QUOtes)
We became the most successful advanced projects company in the world by hiring talented people, paying them top dollar, and motivating them into believing that they could produce a Mach 3 airplane like the Blackbird a generation or two ahead of anybody else.
Ben R. Rich (Skunk Works: A Personal Memoir of My Years of Lockheed)
.....it was like having a pet nuclear device.
Gary Paulsen
One of my maids forgot the fruit with my breakfast. I became a skunk and sprayed her.
Cynthia Hand (My Lady Jane (The Lady Janies, #1))
Not every skunk in the world rates a first-class killing. Hanging is too good for some folks. They just need their behinds kicked.
Zora Neale Hurston (Dust Tracks on a Road)
Uncle Earl believes strongly in Jesus, Moses, the healing power of crystals, the Freemasons, the Illuminati, that aliens landed at Roswell but the government is suppressing it, secret histories, faith-healing, snake-handling, that there is an invention that will replace gasoline but the oil companies are suppressing it, chemtrails, demon-possession, the astonishing powers of Vicks VapoRub, and that there’s proof that aliens contacted the Mayans and the Aztecs and probably the Egyptians, but the scientists are suppressing it. He believes in Skunk Ape, Chupacabras, and he positively adores Mothman. He is not Catholic, but he believes in the miracle of Fatima, visions of Mary appearing on toast, and he is nearly positive that the end times are upon us, but seems to be okay with this, provided it does not interfere with museum hours.
T. Kingfisher (The Hollow Places)
Over the years we had developed the concept of using existing hardware developed and paid for by other programs to save time and money and reduce the risks of failures in prototype projects.
Ben R. Rich (Skunk Works: A Personal Memoir of My Years of Lockheed)
The hair compromise he finally agreed to is a white strip on the left side – geriatric punk, he’d whispered to himself – with, recently, the addition of an arresting scarlet patch. The total image is that of an alarmed skunk trapped in the floodlights after an encounter with a ketchup bottle.
Margaret Atwood (Stone Mattress: Nine Tales)
He squinted up at the straining muscular backs of the stone men supporing the dome. "You'll have to take me to some museums," he said. He was being the young man on the road, following the sun because gray weather made him suicidal, writing his poetry in his mind in diners and gas station men's rooms across the country. "But I did see a show of Hopper once. And I like his light. It was kind of lonely or something. Or, "The world's a mess, it's in my kiss,' like John and Exene say," he mumbled. We were in a leather store on Market Street being punks on acid with skunk-striped hair and steel-toed boots.
Francesca Lia Block (Echo)
My little brother's greatest fear was that the one person who meant so much to him would go away. He loved Lindsey and Grandma Lynn and Samuel and Hal, but my father kept him stepping lightly, son gingerly monitoring father every morning and every evening as if, without such vigilance, he would lose him. We stood- the dead child and the living- on either side of my father, both wanting the same thing. To have him to ourselves forver. To please us both was an impossibility. ... 'Please don't let Daddy die, Susie,' he whispered. 'I need him.' When I left my brother, I walked out past the gazebo and under the lights hanging down like berries, and I saw the brick paths branching out as I advanced. I walked until the bricks turned to flat stones and then to small, sharp rocks and then to nothing but churned earth for miles adn miles around me. I stood there. I had been in heaven long enough to know that something would be revealed. And as the light began to fade and the sky to turn a dark, sweet blue as it had on the night of my death, I saw something walking into view, so far away I could not at first make out if it was man or woman, child or adult. But as moonlight reached this figure I could make out a man and, frightened now, my breathing shallow, I raced just far enough to see. Was it my father? Was it what I had wanted all this time so deperately? 'Susie,' the man said as I approached and then stopped a few feet from where he stood. He raised his arms up toward me. 'Remember?' he said. I found myself small again, age six and in a living room in Illinois. Now, as I had done then, I placed my feet on top of his feet. 'Granddaddy,' I said. And because we were all alone and both in heaven, I was light enough to move as I had moved when I was six and in a living room in Illinois. Now, as I had done then, I placed my feet on top of his feet. 'Granddaddy,' I said. And because we were all alone and both in heaven, I was light enough to move as I had moved when I was six and he was fifty-six and my father had taken us to visit. We danced so slowly to a song that on Earth had always made my grandfather cry. 'Do you remember?' he asked. 'Barber!' 'Adagio for Strings,' he said. But as we danced and spun- none of the herky-jerky awkwardness of Earth- what I remembered was how I'd found him crying to this music and asked him why. 'Sometimes you cry,' Susie, even when someone you love has been gone a long time.' He had held me against him then, just briefly, and then I had run outside to play again with Lindsey in what seemed like my grandfather's huge backyard. We didn't speak any more that night, but we danced for hours in that timeless blue light. I knew as we danced that something was happening on Earth and in heaven. A shifting. The sort of slow-to-sudden movement that we'd read about in science class one year. Seismic, impossible, a rending and tearing of time and space. I pressed myself into my grandfather's chest and smelled the old-man smell of him, the mothball version of my own father, the blood on Earth, the sky in heaven. The kumquat, skunk, grade-A tobacco. When the music stopped, it cold have been forever since we'd begun. My grandfateher took a step back, and the light grew yellow at his back. 'I'm going,' he said. 'Where?' I asked. 'Don't worry, sweetheart. You're so close.' He turned and walked away, disappearing rapidly into spots and dust. Infinity.
Alice Sebold
Three hundred types of mussel, a third of the world’s total, live in the Smokies. Smokies mussels have terrific names, like purple wartyback, shiny pigtoe, and monkeyface pearlymussel. Unfortunately, that is where all interest in them ends. Because they are so little regarded, even by naturalists, mussels have vanished at an exceptional rate. Nearly half of all Smokies mussels species are endangered; twelve are thought to be extinct. This ought to be a little surprising in a national park. I mean it’s not as if mussels are flinging themselves under the wheels of passing cars. Still, the Smokies seem to be in the process of losing most of their mussels. The National Park Service actually has something of a tradition of making things extinct. Bryce Canyon National Park is perhaps the most interesting-certainly the most striking-example. It was founded in 1923 and in less than half a century under the Park Service’s stewardship lost seven species of mammal-the white-tailed jackrabbit, prairie dog, pronghorn antelope, flying squirrel, beaver, red fox, and spotted skunk. Quite an achievement when you consider that these animals had survived in Bryce Canyon for tens of millions of years before the Park Service took an interest in them. Altogether, forty-two species of mammal have disappeared from America's national parks this century.
Bill Bryson (A Walk in the Woods: Rediscovering America on the Appalachian Trail)
Sure, black feels powerful because it IS powerful. Black, the absence of color, is connected to the portal of death. Even in nature, nearly all living things are in color, but most things black are associated with destructive energy, decay, stagnation, and death: Mold, tooth decay, ashes from burned wood and other objects, volcanic ash, coal, crows, ants, black bears, skunks, panthers, decaying meat, and even frostbite. Rarely in nature do we see living, vibrant things in a natural black state.
Cary G. Weldy (The Power of Tattoos: Twelve Hidden Energy Secrets of Body Art Every Tattoo Enthusiast Should Know)
Blah!' Oglivy yells, pushing Emma and me into a pile of wet leaves. We roll around, a red flail of limbs and hysterical laughter. We are all raccoon-drunk on moonlight and bloodshed and the heady, under blossom smell of the forest. I breathe in the sharp odor of cold stars and skunk, thinking, 'This is the happiest I have ever been'. I wish somebody would murder a sheep every night of my life. It feels like we are all embarking on a nightmare together. 'And will stop it in progress!' I think, yanking Emma and Ogli to their feet and hurting towards the lake. We will make sure that the rest of the herd escapes Heimdall's fate, we will....
Karen Russell (St. Lucy's Home for Girls Raised by Wolves)
My years inside the Skunk Works, for example, convinced me of the tremendous value of building prototypes. I am a true believer. The beauty of a prototype is that it can be evaluated and its uses clarified before costly investments for large numbers are made.
Ben R. Rich (Skunk Works: A Personal Memoir of My Years of Lockheed)
The top eleven are, in order, T. S. Eliot’s “Prufrock,” Robert Lowell’s “Skunk Hour,” Robert Frost’s “Stopping by Woods on a Snowy Evening,” William Carlos Williams’s “Red Wheelbarrow,” Elizabeth Bishop’s “The Fish,” Ezra Pound’s “The River Merchant’s Wife,” Sylvia Plath’s “Daddy,” Pound’s “In a Station of the Metro,” Frost’s “Mending Wall,” Wallace Stevens’s “The Snow Man,” and Williams’s “The Dance.
Malcolm Gladwell (What the Dog Saw and Other Adventures)
SCHIFFER WAS LEAVING, Dannon asked Carver to do a serious look around the yard. One of the radar buzzers had been going off, Dannon said, and he hadn’t been able to isolate why. “Probably another goddamn skunk,” Carver said. He pulled his jacket back on and went to look.
John Sandford (Silken Prey (Lucas Davenport #23))
I went into the bends. I got drunker and stayed drunker than a shit skunk in Purgatory. I even had the butcher knife against my throat one night in the kitchen and then I thought, easy, old boy, your little girl might want you to take her to the zoo. Ice cream bars, chimpanzees, tigers, green and red birds, and the sun coming down on top of her head, the sun coming down and crawling into the hairs of your arms, easy, old boy.
Charles Bukowski (Post Office)
...Hiver bouclé comme un bison, Hiver crispé comme la mousse de crin blanc, Hiver aux puits d'arsenic rouge, aux poches d'huile et de bitume, Hiver au goût de skunk et de carabe fumée de bois de hickory, Hiver aux prismes et aux critaux dans les carrefours de diamant noir, Hiver sans thyrses ni flambeaux, Hiver sans roses ni piscines, Hiver ! Hiver! tes pommes de cèdre de vieux fer! tes fruits de pierre! tes insectes de cuivre !
Saint-John Perse (Vents suivi de Chronique)
The woods were full of peril—rattlesnakes and water moccasins and nests of copperheads; bobcats, bears, coyotes, wolves, and wild boar; loony hillbillies destabilized by gross quantities of impure corn liquor and generations of profoundly unbiblical sex; rabies-crazed skunks, raccoons, and squirrels; merciless fire ants and ravening blackfly; poison ivy, poison sumac, poison oak, and poison salamanders; even a scattering of moose lethally deranged by a parasitic worm that burrows a nest in their brains and befuddles them into chasing hapless hikers through remote, sunny meadows and into glacial lakes.
Bill Bryson (A Walk in the Woods: Rediscovering America on the Appalachian Trail)
Daisy picked up the large, limp cat that was almost too heavy for her. “This is Clawed,” she said. “C-l-a-w-e-d,” she spelled. “Not like a man’s name. My brother named him Clawed because he had been clawed by another cat when he found him hiding in a gutter. Daddy says he hopes Jeremy never finds a wounded skunk.
Beverly Cleary (Ramona's World (Ramona, #8))
When I returned to camp, they walked behind me on the trail, and we spoke not a word about getting skunked today, but rather talked about the days we returned with a stringer full of fish, and how we filleted them and the left the guts out for bears and eagles, and how those fish tasted fresh when we fried them over a fire.
Daniel J. Rice (The UnPeopled Season: Journal from a North Country Wilderness)
fastest way to win a kingdom is by being kind and gentle instead of using violence and cruelty. Do
Amy Timberlake (Skunk and Badger (Skunk and Badger 1))
In the land of the skunks he who has half a nose is king.
Chris Farley
This stinks like a roadkill skunk.
Maya Banks (No Place to Run (KGI, #2))
...like a skunk that's been living off Mexican food.
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
He was a firm believer in that old saying, a skunk smells it own hole first.
Lynsay Sands (One Lucky Vampire (Argeneau, #19))
We already have the means to travel among the stars, but these technologies are locked up in black projects and it would take an act of God to ever get them out to benefit humanity.
Ben Rich CEO Lockheed Skunk Works
It’s hard to run in a Florida woods, where every square foot not occupied by trees is bristling with thigh-high palmetto spears and nets of entangling skunk vine, but I did my best,
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
They meant what they said about freedom. They fought a real revolution. They fought so that this could be a country where every man was equal in the sight of Nature - with an equal chance. This didn't mean that twenty per cent of the people were free to rob the other eighty per cent of the means to live. This didn't mean for one rich man to sweat the piss out of ten thousand poor men so that he can get richer. This didn't mean the tyrants were free to get this country in such a fix that millions of people are ready to do anything – cheat, lie, or whack off their right arm – just to work for three squares and a flop. They have made the word freedom a blasphemy. You hear me? They have made the word freedom stink like a skunk to all who know.
Carson McCullers (The Heart Is a Lonely Hunter)
So, yeah, my people figured that maybe there’s something at the back of it all, a creator, a great spirit, and so we say thank you to it, because it’s always good to say thank you. But we never built churches. We didn’t need to. The land was the church. The land was the religion. The land was older and wiser than the people who walked on it. It gave us salmon and corn and buffalo and passenger pigeons. It gave us wild rice and walleye. It gave us melon and squash and turkey. And we were the children of the land, just like the porcupine and the skunk and the blue jay.
Neil Gaiman (American Gods)
Cyanide,” I explained. “You can’t kill him with that.” Curran grimaced. “It’s not for him. It’s for me.” They stared at me. “People were dying,” I said. “He was laughing, and all I could do was to sit tight and be safe.” Curran growled. “You think it’s easy for me?” “No. But you’re used to it. You have experience with responsibility for people’s lives. I don’t. I don’t want anybody else to die for me. I’m up to my knees in blood as is.” “I had to send three patrols out,” Curran said. “Because of you. None of them died, but they could have. All because you couldn’t stand to not be the center of attention for a few minutes.” “You’re an asshole.” “Fuck you.” I started sniffing. “What the hell is that stink? Oh, wait a minute, it’s you. You reek. Did you dine on skunk or is that your natural odor?” “That’s enough,” Mahon roared, startling both of us into silence. “You’re acting like children. Curran, you’ve missed your meditation, and you need one. Kate, there is a punching bag in your room. Make use of it.” “Why do I have to punch the bag while he meditates?” I mumbled on the way out. “Because he breaks the bags when he punches them,” Mahon said.
Ilona Andrews (Magic Bites (Kate Daniels, #1))
The Mistress of the Manor (Hoyt calls her MOM) has no idea he shoots the skunks and raccoons he traps on her property. She has asked him please to release the creatures in some other vicinity, a "humane" act that only makes them somebody's else's problem. Typical: MOM sees nothing contradictory in driving twenty miles in a gas-guzzling atmosphere-choking SUV to buy organic vegetables.
Sarah Kernochan (Jane Was Here)
With every plus there must be a minus; with every tear there must be a smile; and for every skunk there must be a fragrant flower. We live our lives in fear of dying and we overlook the simple truth that living is all we can control. Never too high, never too low will get you stuck in the middle of the road. A sense of equilibrium is needed to see life as it is, not what you would like it to be.
Phil Wohl (BlueBalance)
Luther Burbank was born in a brick farmhouse in Lancaster Mass, he walked through the woods one winter crunching through the shinycrusted snow stumbling into a little dell where a warm spring was and found the grass green and weeds sprouting and skunk cabbage pushing up a potent thumb, He went home and sat by the stove and read Darwin Struggle for Existence Origin of Species Natural Selection that wasn't what they taught in church, so Luther Burbank ceased to believe moved to Lunenburg, found a seedball in a potato plant sowed the seed and cashed in on Darwin’s Natural Selection on Spencer and Huxley with the Burbank potato. Young man go west; Luther Burbank went to Santa Rosa full of his dream of green grass in winter ever- blooming flowers ever- bearing berries; Luther Burbank could cash in on Natural Selection Luther Burbank carried his apocalyptic dream of green grass in winter and seedless berries and stoneless plums and thornless roses brambles cactus— winters were bleak in that bleak brick farmhouse in bleak Massachusetts— out to sunny Santa Rosa; and he was a sunny old man where roses bloomed all year everblooming everbearing hybrids. America was hybrid America could cash in on Natural Selection. He was an infidel he believed in Darwin and Natural Selection and the influence of the mighty dead and a good firm shipper’s fruit suitable for canning. He was one of the grand old men until the churches and the congregations got wind that he was an infidel and believed in Darwin. Luther Burbank had never a thought of evil, selected improved hybrids for America those sunny years in Santa Rosa. But he brushed down a wasp’s nest that time; he wouldn’t give up Darwin and Natural Selection and they stung him and he died puzzled. They buried him under a cedartree. His favorite photograph was of a little tot standing beside a bed of hybrid everblooming double Shasta daisies with never a thought of evil And Mount Shasta in the background, used to be a volcano but they don’t have volcanos any more.
John Dos Passos (The 42nd Parallel (U.S.A., #1))
So you and St. Clair seemed pretty friendly at breakfast." "Um." Is she threatened by me? "I wouldn't get any ideas if I were you," she continues. "Not even you're pretty enough to steal him from his girlfriend. They've been together forever." Was that a compliment? Or not? Her emphasizing is really getting on my nerves. (My nerves.) Amanda gives a fake, bored yawn. "Interesting hair." I touch it self-consciously. "Thanks. My friend bleached it." Bridge added the thick band to my dark brown hair just last week. Normally, I keep the stripe tucked behind my right ear, but tonight it's back in a ponytail. "Do you like it?" she asks. Universal bitch-speak for I think it's hideous. I drop my hand. "Yeah.That's why I did it." "You know,I wouldn't pull it back like that. You kinda look like a skunk." "At least she doesn't reek like one." Rashmi appears behind me. She'd been visiting Meredith; I'd heard their muffled voices through my walls. "Delightful perfume, Amanda. Use a little more next time. I don't know if they can smell you in London.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Qué pasa, qué pasa. Y no sentí miedo. Y no sentí tristeza. Y no sentí nada. Porque todo eso lo había sentido tanto que ya ni cuenta me daba si era que siempre lo estaba sintiendo o si ya no lo podía volver a sentir aunque quisiera.
Reinaldo Arenas (The Palace of the White Skunks)
When you say nasty things about people, you should never say the true ones, because you can’t really fully and honestly take those back, you know? I mean, there are highlights. And there are streaks. And then there are skunk stripes.
John Green (Paper Towns)
Look,” said Whiskey Jack. “This is not a good country for gods. My people figured that out early on. There are creator spirits who found the earth or made it or shit it out, but you think about it: who’s going to worship Coyote? He made love to Porcupine Woman and got his dick shot through with more needles than a pincushion. He’d argue with rocks and the rocks would win. “So, yeah, my people figured that maybe there’s something at the back of it all, a creator, a great spirit, and so we say thank you to it, because it’s always good to say thank you. But we never built churches. We didn’t need to. The land was the church. The land was the religion. The land was older and wiser than the people who walked on it. It gave us salmon and corn and buffalo and passenger pigeons. It gave us wild rice and walleye. It gave us melon and squash and turkey. And we were the children of the land, just like the porcupine and the skunk and the blue jay.
Neil Gaiman (American Gods)
Clarence “Kelly” Johnson was an authentic American genius. He was the kind of enthusiastic visionary that bulled his way past vast odds to achieve great successes, in much the same way as Edison, Ford, and other immortal tinkerers of the past. When Kelly rolled up his sleeves, he became unstoppable, and the nay-sayers and doubters were simply ignored or bowled over. He declared his intention, then pushed through while his subordinates followed in his wake. He was so powerful that simply by going along on his plans and schemes, the rest of us helped to produce miracles too. Honest to God, there will never be another like him.
Ben R. Rich (Skunk Works: A Personal Memoir of My Years of Lockheed)
Ook, though very clever, was the worst fighter in the tribe. That is how he ended up with Grot-Grot as his woman. Grot-Grot had a bald patch on the top of her head, she was missing an eye and she smelled like a dead skunk. She did have a good sense of humour though.
Aussiescribbler (Queens of the Stone Age)
Seeing them again in mufti, a year later, confirmed the verdict of defeat and showed these men now to be guilty of numerous sartorial misdemeanors. They squeaked around the store in bargain-basement penny loafers and creased budget khakis, or in ill-fitting suits advertised by wholesalers for the price of buy-one-get-one-free. Ties, handkerchiefs, and socks were thrown in, though what was really needed was cologne, even of the gigolo kind, anything to mask the olfactory evidence of their having been gleefully skunked by history.
Viet Thanh Nguyen (The Sympathizer (The Sympathizer, #1))
Dad was mercurial, swinging between extremes. Guilty and full of remorse one day, drunk as a skunk the next. I wanted to hate him, but I couldn’t. I could see the same traits welling up within me, and that scared me. I didn’t want to turn out like him. I was desperate to be better. Explains a lot about my life, really, but he had this poem hanging on the wall of our living room. I guess it was a prayer. Lord, Grant me the serenity to accept the things I cannot change, Courage to change the things I can, And wisdom to know the difference.
Peter Cawdron (Losing Mars (First Contact))
Wednesday is pizza day at Chadham High. The lunchroom smells like a cross between a sewer and a dead skunk. Chadham High pizza consists of a cardboard crust and sauce made of mud, topped with some kind of fungus that looks suspiciously like phlegm pretending to be cheese.
Huston Piner (Conjoined at the Soul)
Lewis Mumford was not a planner, but he wrote eloquently of planning. It was a difficult task. Planning is an exercise of power, and in a modern state much real power is suffused with boredom. The agents of planning are usually boring; the planning process is boring; the implementation of plans is always boring. In a democracy boredom works for bureaucracies and corporations as smell works for skunk. It keeps danger away. Power does not have to be exercised behind the scenes. It can be open. The audience is asleep. The modern world is forged amidst our inattention.
Richard White (The Organic Machine: The Remaking of the Columbia River (Hill and Wang Critical Issues))
For the first time that day, he thought about the men who abandoned him. His rage grew as he stared at the doe. Abandonment seemed too benign to describe their treachery. Abandonment was a passive act—running away or leaving something behind. If his keepers had done no more than abandon him, he would at this moment be sighting down the barrel of his gun, about to shoot the deer. He would be using his knife to butcher the animal, and sparking his flint against steel to start a fire and cook it. He looked down at himself, wet from head to toe, wounded, reeking from the skunk, the bitter taste of roots still in his mouth. What
Michael Punke (The Revenant (Peter Decker and Rina Lazarus))
Even though I was drunk as a skunk at the time, I still remembered what happened after that. Less than two seconds later he was inside me and I was waving good-bye to my virginity. I wanted it to last forever. I saw stars, came three times that night and it was the most beautiful experience of my life. Yeah right. Are you kidding me? Have you lost your virginity lately? It hurts like a mother effer and it's awkward and messy. Anyone that tells you she had anything even close to resembling an orgasm during the actual event itself is a lying sack of shit. The only stars I saw were the ones behind my eyelids as I squeezed them shut and waited for it to be over.
Tara Sivec (Seduction and Snacks (Chocolate Lovers, #1))
The father and daughter made their way north, through unknown sylvan paradises where only the owls and skunks know their way around. The hard work of paddling non-stop for many hours had long since stopped being difficult for Saweyimew. In spite of her beauty and grace, her back had grown strong and sinewy from years of canoe trips. She reveled in the exhilaration it always brought her, after the first few hours left her body insensible to pain or discomfort. Warm and tingly, lulled into peaceful contemplation by hours of the rhythmic paddling, the smell of the water, exotic blooms, animal musk. It all combined as one to make her feel so alive. Especially when it rained, and her body steamed against the cool drops, feeling invincible against the elements. The mountain of her father's back was like a rock against anything nature could throw against them. The stream of fragrant pipe-smoke still flowing from his lips, regardless of any obstacle. She felt at that moment, nothing would ever stop her father's pipe from smoking. Nothing, not death, not any force of the living or spirit world, would ever still her father's heart. Rain cleansing her to the core, she was a spring of raw power and self-reliance, paddling against all adversity--their master completely. Her father's daughter. At times like that, when it rained, she entirely understood and shared her father's outlook on life.
Alexei Maxim Russell (Forgotten Lore: Volume II)
The Life of a Day Like people or dogs, each day is unique and has its own personality quirks which can easily be seen if you look closely. but there are so few days as compared to people, not to mention dogs, that it would be surprising if a day were not a hundred times more interesting than most people. But usually they just pass, mostly unnoticed, unless they are wildly nice, like autumn ones full of red maple trees and hazy sunlight, or if they are grimly awful ones in a winter blizzard that kills the lost traveler and bunches of cattle. For some reason we like to see days pass, even though most of us claim we don't want to reach our last one for a long time. We examine each day before us with barely a glance and say, no, this isn't one I've been looking for, and wait in a bored sort of way for the next, when, we are convinced, our lives will start for real. Meanwhile, this day is going by perfectly well-adjusted, as some days are, with the right amounts of sunlight and shade, and a light breeze scented with a perfume made from the mixture of fallen apples, corn stubble, dry oak leaves, and the faint odor of last night's meandering skunk.
Tom Hennen
But we never built churches. We didn’t need to. The land was the church. The land was the religion. The land was older and wiser than the people who walked on it. It gave us salmon and corn and buffalo and passenger pigeons. It gave us wild rice and walleye. It gave us melon and squash and turkey. And we were the children of the land, just like the porcupine and the skunk and the blue jay.
Neil Gaiman (American Gods)
We became the most successful advanced projects company in the world by hiring talented people, paying them top dollar, and motivating them into believing that they could produce a Mach 3 airplane like the Blackbird a generation or two ahead of anybody else. Our design engineers had the keen experience to conceive the whole airplane in their mind’s-eye, doing the trade-offs in their heads between aerodynamic needs and weapons requirements. We created a practical and open work environment for engineers and shop workers, forcing the guys behind the drawing boards onto the shop floor to see how their ideas were being translated into actual parts and to make any necessary changes on the spot. We made every shop worker who designed or handled a part responsible for quality control. Any worker—not just a supervisor or a manager—could send back a part that didn’t meet his or her standards. That way we reduced rework and scrap waste. We encouraged our people to work imaginatively, to improvise and try unconventional approaches to problem solving, and then got out of their way. By applying the most commonsense methods to develop new technologies, we saved tremendous amounts of time and money, while operating in an atmosphere of trust and cooperation both with our government customers and between our white-collar and blue-collar employees. In the end, Lockheed’s Skunk Works demonstrated the awesome capabilities of American inventiveness when free to operate under near ideal working conditions. That may be our most enduring legacy as well as our source of lasting pride.
Ben R. Rich (Skunk Works: A Personal Memoir of My Years of Lockheed)
....One dark night, my Tudor Ford climbed the hill's skull; I watched for love-cars. Lights turned down, they lay together, hull to hull, where the graveyard shelves on the town. . . . My mind's not right. A car radio bleats, "Love, O careless Love. . . ." I hear my ill-spirit sob in each blood cell, as if my hand were at its throat. . . . I myself am hell; nobody's here-- only skunks, that search in the moonlight for a bite to eat. They march on their soles up Main Street: white stripes, moonstruck eyes' red fire under the chalk-dry and spar spire of the Trinitarian Church. I stand on top of our back steps and breathe the rich air-- a mother skunk with her column of kittens swills the garbage pail. She jabs her wedge-head in a cup of sour cream, drops her ostrich tail, and will not scare.
Robert Lowell
Steve Carver-the guy with the faux-surfer hair-and Amanda's best friend, Nicole,are chosen.Rashmi and I groan in a rare moment of camaraderie.Steve pumps a fist in the air.What a meathead. The selecting begins,and Amanda is chosen first. Of course. And then Steve's best friend.Of course. Rashmi elbows me. "bet you five euros I'm picked last." "I'll take that bet.Because it's totally me." Amanda turns in her seat toward me and lowers her voice. "That's a safe bet, Skunk Girl. Who'd want you on their team?" My jaw unhinges stupidly. "St. Clair!" Steve's voice startles me. It figures that St. Clair would be picked early. Everyone looks at him, but he's staring down Amanda. "Me," he says, in answer to her question. "I want Anna on my team,and you'd be lucky to have her." She flushes and quickly turns back around,but not before shooting me another dagger.What have I ever done to her? More names are called. More names that are NOT mine. St. Clair goes to get my attention,but I pretend I don't notice. I can't bear to look at him.I'm too humiliated. Soon the selection is down to me, Rashmi,and a skinny dude who, for whatever reason,is called Cheeseburger. Cheeseburger is always wearing this expresion of surprise, like someone's just called his name, and he can't figure out where the voice is coming from. "Rashmi," Nicole says without hestitation. My heart sinks.Now it's between me and someone named Cheeseburger. I focus my attention down on my desk, at the picture of me that Josh drew earlier today in history. I'm dressed like a medieval peasant (we're studying the Black Plague), and I have a fierce scowl and a dead rat dangling from one hand. Amanda whispers into Steve's ear. I feel her smirking at me,and my face burns. Steve clears his throat. "Cheeseburger.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Like gamblers, baseball fans and television networks, fishermen are enamored of statistics. The adoration of statistics is a trait so deeply embedded in their nature that even those rarefied anglers the disciples of Jesus couldn't resist backing their yarns with arithmetic: when the resurrected Christ appears on the morning shore of the Sea of Galilee and directs his forlorn and skunked disciples to the famous catch of John 21, we learn that the net contained not "a boatload" of fish, nor "about a hundred and a half," nor "over a gross," but precisely "a hundred and fifty three." This is, it seems to me, one of the most remarkable statistics ever computed. Consider the circumstances: this is after the Crucifixion and the Resurrection; Jesus is standing on the beach newly risen from the dead, and it is only the third time the disciples have seen him since the nightmare of Calvary. And yet we learn that in the net there were "great fishes" numbering precisely "a hundred and fifty three." How was this digit discovered? Mustn't it have happened thus: upon hauling the net to shore, the disciples squatted down by that immense, writhing fish pile and started tossing them into a second pile, painstakingly counting "one, two, three, four, five, six, seven... " all the way up to a hundred and fifty three, while the newly risen Lord of Creation, the Sustainer of all their beings, He who died for them and for Whom they would gladly die, stood waiting, ignored, till the heap of fish was quantified. Such is the fisherman's compulsion toward rudimentary mathematics! ....Concerning those disciples huddled over the pile of fish, another possibility occurs to me: perhaps they paid the fish no heed. Perhaps they stood in a circle adoring their Lord while He, the All-Curious Son of His All-Knowing Dad, counted them all Himself!
David James Duncan (The River Why)
Ben R. Rich, the ex-president of the famous “Skunk Works,” Lockheed-Martin’s Advanced Development Programs (ADP) group, revealed the truth just before he died. In an alumni speech at the University of California, Los Angeles, in 1993, he said, “We already have the means to travel among the stars, but these technologies are locked up in black projects and it would take an Act of God to ever get them out to benefit humanity . . . Anything you can imagine, we already know how to do.
Len Kasten (The Secret History of Extraterrestrials: Advanced Technology and the Coming New Race)
Try it! You might like it !! I wrote this letter to tell you that I am very, very sorry. When you are mad at me, your face looks like Daddy’s when he smelled that skunk that was hiding in the garage. And this made me very sad. Your face, not the smelly skunk. Are you still mad? Pleeze circle one: YES NO If you are still mad, pleeze accept my sorryness for taking your clock, calling you a sandwich stealer, playing games on your phone and drawing my very cute face on it, and trying to call Price Princess Sugar Plum. I did not reech her. But I did reech a guy named Moe by mistake, and he was not very polite at all. He said if I reech him again he will call the cops. That would be very bad becuz I do not think they serve chicken nuggets in jail. Then I would starve to death, which would not be a very fun time . Anyway, I made this sandwich just for you because I really care about you. I hope you love it! You are my very best friend! After Miss Penelope and Princess Sugar Plum.
Rachel Renée Russell (Dork Diaries 8: Tales from a Not-So-Happily Ever After)
not dealing with the past,” she said, “is like having a skunk in the middle of your living room. You don’t notice it after a while, but everyone around you smells it, and it rubs off on folks who visit, and no amount of tomato juice baths will ever wash the stink away. You can only bury the past when you acknowledge it and don’t allow it to sidle up against your leg no more. Even then, digging the hole to bury the thing is hard work. It’s the hard work of healing most folks never want to do.
Amy K. Sorrells (How Sweet the Sound)
When Congress approved the decision to retire the SR-71, the Smithsonian Institution requested that a Blackbird be delivered for eventual display in the Air and Space Museum in Washington and that we set a new transcontinental speed record delivering it from California to Dulles. I had the honor of piloting that final flight on March 6, 1990, for its final 2,300-mile flight between L.A. and D.C. I took off with my backseat navigator, Lt. Col. Joe Vida, at 4:30 in the morning from Palmdale, just outside L.A., and despite the early hour, a huge crowd cheered us off. We hit a tanker over the Pacific then turned and dashed east, accelerating to 2.6 Mach and about sixty thousand feet. Below stretched hundreds of miles of California coastline in the early morning light. In the east and above, the hint of a red sunrise and the bright twinkling lights from Venus, Mars, and Saturn. A moment later we were directly over central California, with the Blackbird’s continual sonic boom serving as an early wake-up call to the millions sleeping below on this special day. I pushed out to Mach 3.3.
Ben R. Rich (Skunk Works: A Personal Memoir of My Years of Lockheed)
He told me later that he was surprised to learn that with flat surfaces the amount of radar energy returning to the sender is independent of the target’s size. A small airplane, a bomber, an aircraft carrier, all with the same shape, will have identical radar cross sections.
Ben R. Rich (Skunk Works: A Personal Memoir of My Years of Lockheed)
When the crops were thriving, Squanto took the men to the open forests where the turkey dwelled. He pointed out the nuts, seeds, and insects that the iridescent birds fed upon. He showed them the leaf nests of the squirrels and the hideouts of the skunks and raccoons. Walking silently along bear trails, he took them to the blueberry patches. He told them that deer moved about at sundown and sunrise. He took them inland to valleys where the deer congregated in winter and were easy to harvest. He walked the Pilgrims freely over the land. To Squanto, as to all Native Americans, the land did not belong to the people, people belonged to the land. He took the children into the meadows to pick wild strawberries. He showed them how to dig up the sweet roots of the wild Jerusalem artichoke. In mid-summer he led them to cranberry bogs and gooseberry patches. Together they gathered chestnuts, hickory nuts, walnuts, and hazelnuts in September. He paddled the boys into the harbor in his dugout canoe to set lobster pots made of reeds and sinew. While they waited to lift their pots, he taught them the creatures of the tidal pools.
Jean Craighead George (The First Thanksgiving (Picture Puffin Books))
While a 10x improvement is gargantuan, Teller has very specific reasons for aiming exactly that high. “You assume that going 10x bigger is going to be ten times harder,” he continues, “but often it’s literally easier to go bigger. Why should that be? It doesn’t feel intuitively right. But if you choose to make something 10 percent better, you are almost by definition signing up for the status quo—and trying to make it a little bit better. That means you start from the status quo, with all its existing assumptions, locked into the tools, technologies, and processes that you’re going to try to slightly improve. It means you’re putting yourself and your people into a smartness contest with everyone else in the world. Statistically, no matter the resources available, you’re not going to win. But if you sign up for moonshot thinking, if you sign up to make something 10x better, there is no chance of doing that with existing assumptions. You’re going to have to throw out the rule book. You’re going to have to perspective-shift and supplant all that smartness and resources with bravery and creativity.” This perspective shift is key. It encourages risk taking and enhances creativity while simultaneously guarding against the inevitable decline. Teller explains: “Even if you think you’re going to go ten times bigger, reality will eat into your 10x. It always does. There will be things that will be more expensive, some that are slower; others that you didn’t think were competitive will become competitive. If you shoot for 10x, you might only be at 2x by the time you’re done. But 2x is still amazing. On the other hand, if you only shoot for 2x [i.e., 200 percent], you’re only going to get 5 percent and it’s going to cost you the perspective shift that comes from aiming bigger.” Most critically here, this 10x strategy doesn’t hold true just for large corporations. “A start-up is simply a skunk works without the big company around it,” says Teller. “The upside is there’s no Borg to get sucked back into; the downside is you have no money. But that’s not a reason not to go after moonshots. I think the opposite is true. If you publicly state your big goal, if you vocally commit yourself to making more progress than is actually possible using normal methods, there’s no way back. In one fell swoop you’ve severed all ties between yourself and all the expert assumptions.” Thus entrepreneurs, by striving for truly huge goals, are tapping into the same creativity accelerant that Google uses to achieve such goals. That said, by itself, a willingness to take bigger risks
Peter H. Diamandis (Bold: How to Go Big, Create Wealth and Impact the World (Exponential Technology Series))
Overnight, however, he apparently had second thoughts, or did some textbook reading on his own, and at the next meeting he turned to me as the first order of business. “On the black paint,” he said, “you were right about the advantages and I was wrong.” He handed me a quarter. It was a rare win. So Kelly approved my idea of painting the airplane black, and by the time our first prototype rolled out the airplane became known as the Blackbird. Our supplier, Titanium Metals Corporation, had only limited reserves of the precious alloy, so the CIA conducted a worldwide search and, using third parties and dummy companies, managed to unobtrusively purchase the base metal from one of the world’s leading exporters—the Soviet Union. The Russians never had an inkling of how they were actually contributing to the creation of the airplane being rushed into construction to spy on their homeland.
Ben R. Rich (Skunk Works: A Personal Memoir of My Years of Lockheed)
I found it again at last! Page 156 - 157 of *My Soul to Keep* by Melanie Wells. Dr. Dylan Foster is thinking to herself while searching through literature on snake lore, "Then there was all the mystical stuff. Once again, the dearth of comparative religion in my theology training nearly skunked me. Four years of sod-busing in seminary had taught me exactly nothing more than what I already knew--in grander proportions, of course, and to near-microscopic levels of minutia. In the end, I got out of there with a solid hermeneutical method, an encyclopedic understanding of dispensational theology, and the ability to conjugate verbs and deconstruct participles in Greek and Hebrew--all notable skills--but without even passable knowledge of anything outside one extremely narrow strip of theological territory." "When it was all said and done, I'd spent four years and trainload of money to get indoctrinated, not educated. Lousy planning, if you ask me.
Melanie Wells
Porque también estaba eso. No enloquecer. Tener el suficiente coraje para tolerar sin (auténticamente) tolerar, para aparentemente aceptar sin aceptar. Tener el suficiente valor para (aparentemente) hacer el juego sin traicionarse, sin perder el juicio; sin perder ese hilo casi inapresable que es el verdadero sentido, el que nadie conocía, y que nunca serviría para alimentarlo, para complacer a su familia, ni para disminuir el estruendo de las poleas, ni la claridad aterradora.
Reinaldo Arenas (The Palace of the White Skunks)
So when the pod people come and steal your body, does it hurt, or are you pretty much unconscious for the whole thing?" "Huh?" I asked. "I just double-skunked you three times in a row. What's going on with you?" He lifted an eyebrow. He was in detective mode now, and there was no escaping it. I imagined spilling to him the way I had to Rayna, and almost choked. I'd rather die than describe my fantasies to Ben. I'd never hear the end of it. Still, I needed to tell him something, and he knew me too well to buy a complete lie. I thought about the pictures. I could tell him about the pictures without telling him about the dreams. Ben was like Dad-he ate up anything that smacked of the inexplicable. He'd probably love the picture of the man at St. Vitus's Cathedral, standing in midair on nothing. "You might think I'm crazy...," I started. "I already think that, so..." I took a deep breath, then started to explain. I told him about every picture, including the ones that were completely impossible and seemed to prove the man wasn't actually in the shots when I snapped them. By the time I finished, Ben's brow was furrowed, and the concern in his eyes had deepened into alarm. He really did think I was crazy. I shouldn't have told him. "Can you stop looking at me like that? I know there's a logical explanation," I assured him. "I just don't know what it is yet, but-" "You need to show me those pictures," Ben said gravely. "Um...okay," I said, though I suddenly wasn't positive I wanted to share them. "After Rio I figured I'd open them up again and try to-" "Now, Clea," he said. "I really need to see them now.
Hilary Duff (Elixir (Elixir, #1))
Cribbage!” I declared, pulling out the board, a deck of cards, and pen and paper, “Ben and I are going to teach you. Then we can all play.” “What makes you think I don’t know how to play cribbage?” Sage asked. “You do?” Ben sounded surprised. “I happen to be an excellent cribbage player,” Sage said. “Really…because I’m what one might call a cribbage master,” Ben said. “I bet I’ve been playing longer than you,” Sage said, and I cast my eyes his way. Was he trying to tell u something? “I highly doubt that,” Ben said, “but I believe we’ll see the proof when I double-skunk you.” “Clearly you’re both forgetting it’s a three-person game, and I’m ready to destroy you both,” I said. “Deal ‘em,” Ben said. Being a horse person, my mother was absolutely convinced she could achieve world peace if she just got the right parties together on a long enough ride. I didn’t know about that, but apparently cribbage might do the trick. I didn’t know about that, but apparently cribbage might do the trick. The three of us were pretty evenly matched, and Ben was impressed enough to ask sage how he learned to play. Turned out Sage’s parents were historians, he said, so they first taught him the precursor to cribbage, a game called noddy. “Really?” Ben asked, his professional curiosity piqued. “Your parents were historians? Did they teach?” “European history. In Europe,” Sage said. “Small college. They taught me a lot.” Yep, there was the metaphorical gauntlet. I saw the gleam in Ben’s eye as he picked it up. “Interesting,” he said. “So you’d say you know a lot about European history?” “I would say that. In fact, I believe I just did.” Ben grinned, and immediately set out to expose Sage as an intellectual fraud. He’d ask questions to trip Sage up and test his story, things I had no idea were tests until I heard Sage’s reactions. “So which of Shakespeare’s plays do you think was better served by the Globe Theatre: Henry VIII or Troilus and Cressida?” Ben asked, cracking his knuckles. “Troilus and Cressida was never performed at the Globe,” Sage replied. “As for Henry VIII, the original Globe caught fire during the show and burned to the ground, so I’d say that’s the show that really brought down the house…wouldn’t you?” “Nice…very nice.” Ben nodded. “Well done.” It was the cerebral version of bamboo under the fingernails, and while they both tried to seem casual about their conversation, they were soon leaning forward with sweat beading on their brows. It was fascinating…and weird. After several hours of this, Ben had to admit that he’d found a historical peer, and he gleefully involved Sage in all kinds of debates about the minutiae of eras I knew nothing about…except that I had the nagging sense I might have been there for some of them. For his part, Sage seemed to relish talking about the past with someone who could truly appreciate the detailed anecdotes and stories he’d discovered in his “research.” By the time we started our descent to Miami, the two were leaning over my seat to chat and laugh together. On the very full flight from Miami to New York, Ben and Sage took the two seats next to each other and gabbed and giggled like middle-school girls. I sat across from them stuck next to an older woman wearing far too much perfume.
Hilary Duff (Elixir (Elixir, #1))
Sam’s the man who’s come to chop us up to bits. No wonder I kicked him out. No wonder I changed the locks. If he cannot stop death, what good is he? ‘Open the door. Please. I’m so tired,’ he says. I look at the night that absorbed my life. How am I supposed to know what’s love, what’s fear? ‘If you’re Sam who am I?’ ‘I know who you are.’ ‘You do?’ ‘Yeah.’ ‘Who?’ Don’t say wife, I think. Don’t say mother. I put my face to the glass, but it’s dark. I don’t reflect. Sam and I watch each other through the window of the kitchen door. He coughs some more. ‘I want to come home,’ he says. ‘I want us to be okay. That’s it. Simple. I want to come home and be a family.’ ‘But I am not simple.’ My body’s coursing with secret genes and hormones and proteins. My body made eyeballs and I have no idea how. There’s nothing simple about eyeballs. My body made food to feed those eyeballs. How? And how can I not know or understand the things that happen inside my body? That seems very dangerous. There’s nothing simple here. I’m ruled by elixirs and compounds. I am a chemistry project conducted by a wild child. I am potentially explosive. Maybe I love Sam because hormones say I need a man to kill the coyotes at night, to bring my babies meat. But I don’t want caveman love. I want love that lives outside the body. I want love that lives. ‘In what ways are you not simple?’ I think of the women I collected upstairs. They’re inside me. And they are only a small fraction of the catalog. I think of molds, of the sea, the biodiversity of plankton. I think of my dad when he was a boy, when he was a tree bud. ‘It’s complicated,’ I say, and then the things I don’t say yet. Words aren’t going to be the best way here. How to explain something that’s coming into existence? ‘I get that now.’ His shoulders tremble some. They jerk. He coughs. I have infected him. ‘Sam.’ We see each other through the glass. We witness each other. That’s something, to be seen by another human, to be seen over all the years. That’s something, too. Love plus time. Love that’s movable, invisible as a liquid or gas, love that finds a way in. Love that leaks. ‘Unlock the door,’ he says. ‘I don’t want to love you because I’m scared.’ ‘So you imagine bad things about me. You imagine me doing things I’ve never done to get rid of me. Kick me out so you won’t have to worry about me leaving?’ ‘Yeah,’ I say. ‘Right.’ And I’m glad he gets that. Sam cocks his head the same way a coyote might, a coyote who’s been temporarily confused by a question of biology versus mortality. What’s the difference between living and imagining? What’s the difference between love and security? Coyotes are not moral. ‘Unlock the door?’ he asks. This family is an experiment, the biggest I’ve ever been part of, an experiment called: How do you let someone in? ‘Unlock the door,’ he says again. ‘Please.’ I release the lock. I open the door. That’s the best definition of love. Sam comes inside. He turns to shut the door, then stops himself. He stares out into the darkness where he came from. What does he think is out there? What does he know? Or is he scared I’ll kick him out again? That is scary. ‘What if we just left the door open?’ he asks. ‘Open.’ And more, more things I don’ts say about the bodies of women. ‘Yeah.’ ‘What about skunks?’ I mean burglars, gangs, evil. We both peer out into the dark, looking for thees scary things. We watch a long while. The night does nothing. ‘We could let them in if they want in,’ he says, but seems uncertain still. ‘Really?’ He draws the door open wider and we leave it that way, looking out at what we can’t see. Unguarded, unafraid, love and loved. We keep the door open as if there are no doors, no walls, no skin, no houses, no difference between us and all the things we think of as the night.
Samantha Hunt (The Dark Dark)
Knock, knock. Who's there? A: Lettuce Q: Lettuce who? A: Lettuce in, it's freezing out here.. . 2. Q: What do elves learn in school? A: The elf-abet . 3. Q: Why was 6 afraid of 7? A: Because: 7 8 9 . . 4. Q. how do you make seven an even number? A. Take out the s! . 5. Q: Which dog can jump higher than a building? A: Anydog – Buildings can’t jump! . 6. Q: Why do bananas have to put on sunscreen before they go to the beach? A: Because they might peel! . 7. Q. How do you make a tissue dance? A. You put a little boogie in it. . 8. Q: Which flower talks the most? A: Tulips, of course, 'cause they have two lips! . 9. Q: Where do pencils go for vacation? A: Pencil-vania . 10. Q: What did the mushroom say to the fungus? A: You're a fun guy [fungi]. . 11. Q: Why did the girl smear peanut butter on the road? A: To go with the traffic jam! . 11. Q: What do you call cheese that’s not yours? A: Nacho cheese! . 12. Q: Why are ghosts bad liars? A: Because you can see right through them. . 13. Q: Why did the boy bring a ladder to school? A: He wanted to go to high school. . 14. Q: How do you catch a unique animal? A: You neak up on it. Q: How do you catch a tame one? A: Tame way. . 15. Q: Why is the math book always mad? A: Because it has so many problems. . 16. Q. What animal would you not want to pay cards with? A. Cheetah . 17. Q: What was the broom late for school? A: Because it over swept. . 18. Q: What music do balloons hate? A: Pop music. . 19. Q: Why did the baseball player take his bat to the library? A: Because his teacher told him to hit the books. . 20. Q: What did the judge say when the skunk walked in the court room? A: Odor in the court! . 21. Q: Why are fish so smart? A: Because they live in schools. . 22. Q: What happened when the lion ate the comedian? A: He felt funny! . 23. Q: What animal has more lives than a cat? A: Frogs, they croak every night! . 24. Q: What do you get when you cross a snake and a pie? A: A pie-thon! . 25. Q: Why is a fish easy to weigh? A: Because it has its own scales! . 26. Q: Why aren’t elephants allowed on beaches? A:They can’t keep their trunks up! . 27. Q: How did the barber win the race? A: He knew a shortcut! . 28. Q: Why was the man running around his bed? A: He wanted to catch up on his sleep. . 29. Q: Why is 6 afraid of 7? A: Because 7 8 9! . 30. Q: What is a butterfly's favorite subject at school? A: Mothematics. Jokes by Categories 20 Mixed Animal Jokes Animal jokes are some of the funniest jokes around. Here are a few jokes about different animals. Specific groups will have a fun fact that be shared before going into the jokes. 1. Q: What do you call a sleeping bull? A: A bull-dozer. . 2. Q: What to polar bears eat for lunch? A: Ice berg-ers! . 3. Q: What do you get from a pampered cow? A: Spoiled milk.
Peter MacDonald (Best Joke Book for Kids: Best Funny Jokes and Knock Knock Jokes (200+ Jokes) : Over 200 Good Clean Jokes For Kids)
Wherever you go, Provincetown will always take you back, at whatever age and in whatever condition. Because time moves somewhat differently there, it is possible to return after ten years or more and run into an acquaintance, on Commercial or at the A&P, who will ask mildly, as if he’d seen you the day before yesterday, what you’ve been doing with yourself. The streets of Provincetown are not in any way threatening, at least not to those with an appetite for the full range of human passions. If you grow deaf and blind and lame in Provincetown, some younger person with a civic conscience will wheel you wherever you need to go; if you die there, the marshes and dunes are ready to receive your ashes. While you’re alive and healthy, for as long as it lasts, the golden hands of the clock tower at Town Hall will note each hour with an electric bell as we below, on our purchase of land, buy or sell, paint or write or fish for bass, or trade gossip on the post office steps. The old bayfront houses will go on dreaming, at least until the emptiness between their boards proves more durable than the boards themselves. The sands will continue their slow devouring of the forests that were the Pilgrims’ first sight of North America, where man, as Fitzgerald put it, “must have held his breath in the presence of this continent, compelled into an aesthetic contemplation he neither understood nor desired, face to face for the last time in history with something commensurate to his capacity for wonder.” The ghost of Dorothy Bradford will walk the ocean floor off Herring Cove, draped in seaweed, surrounded by the fleeting silver lights of fish, and the ghost of Guglielmo Marconi will tap out his messages to those even longer dead than he. The whales will breach and loll in their offshore world, dive deep into black canyons, and swim south when the time comes. Herons will browse the tidal pools; crabs with blue claws tipped in scarlet will scramble sideways over their own shadows. At sunset the dunes will take on their pink-orange light, and just after sunset the boats will go luminous in the harbor. Ashes of the dead, bits of their bones, will mingle with the sand in the salt marsh, and wind and water will further disperse the scraps of wood, shell, and rope I’ve used for Billy’s various memorials. After dark the raccoons and opossums will start on their rounds; the skunks will rouse from their burrows and head into town. In summer music will rise up. The old man with the portable organ will play for passing change in front of the public library. People in finery will sing the anthems of vanished goddesses; people who are still trying to live by fishing will pump quarters into jukeboxes that play the songs of their high school days. As night progresses, people in diminishing numbers will wander the streets (where whaling captains and their wives once promenaded, where O’Neill strode in drunken furies, where Radio Girl—who knows where she is now?—announced the news), hoping for surprises or just hoping for what the night can be counted on to provide, always, in any weather: the smell of water and its sound; the little houses standing square against immensities of ocean and sky; and the shapes of gulls gliding overhead, white as bone china, searching from their high silence for whatever they might be able to eat down there among the dunes and marshes, the black rooftops, the little lights tossing on the water as the tides move out or in.
Michael Cunningham (Land's End: A Walk in Provincetown)