Skull And Rose Quotes

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Babies are soft. Anyone looking at them can see the tender, fragile skin and know it for the rose-leaf softness that invites a finger's touch. But when you live with them and love them, you feel the softness going inward, the round-cheeked flesh wobbly as custard, the boneless splay of the tiny hands. Their joints are melted rubber, and even when you kiss them hard, in the passion of loving their existence, your lips sink down and seem never to find bone. Holding them against you, they melt and mold, as though they might at any moment flow back into your body. But from the very start, there is that small streak of steel within each child. That thing that says "I am," and forms the core of personality. In the second year, the bone hardens and the child stands upright, skull wide and solid, a helmet protecting the softness within. And "I am" grows, too. Looking at them, you can almost see it, sturdy as heartwood, glowing through the translucent flesh. The bones of the face emerge at six, and the soul within is fixed at seven. The process of encapsulation goes on, to reach its peak in the glossy shell of adolescence, when all softness then is hidden under the nacreous layers of the multiple new personalities that teenagers try on to guard themselves. In the next years, the hardening spreads from the center, as one finds and fixes the facets of the soul, until "I am" is set, delicate and detailed as an insect in amber.
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
Charles,” Bones said distinctly. “You’d better have a splendid explanation for her being on top of you.” The black-haired vampire rose to his feet as soon as I jumped off, brushing the dirt off his clothes. “Believe me, mate, I’ve never enjoyed a woman astride me less. I came out to say hello, and this she-devil blinded me by flinging rocks in my eyes. Then she vigorously attempted to split my skull before threatening to impale me with silver if I so much as even twitched! It’s been a few years since I’ve been to America, but I daresay the method of greeting a person has changed dramatically!” Bones rolled his eyes and clapped him on the shoulder. “I’m glad you’re still upright, Charles, and the only reason you are is because she didn’t have any silver. She’d have staked you right and proper otherwise. She has a tendency to shrivel someone first and then introduce herself afterwards.
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
Oh, hey. This looks promising. " We came to a stop before a high, barbwire fence with an enormous PRIVATE PROPERTY--NO UNAUTHORIZED PERSONNEL ALLOWED sign on it. The lettering was red, apparently to emphasize how serious they were. Personally, I would have added a skull and crossbones to really drive the message home.
Richelle Mead (Spirit Bound (Vampire Academy, #5))
She wuz depressed. Yeah, she wuz on stuff for it. Like me. Sometimes it jus' takes you over. It's an illness," she said, although she made the words sound like "it's uh nillness." Nillness, thought Strike, for a second distracted. He had slept badly. Nillness, that was where Lula Landry had gone, and where all of them, he and Rochelle included, were headed. Sometimes illness turned slowly to nillness, as was happening to Bristow's mother... sometimes nillness rose to meet you out of nowhere, like a concrete road slamming your skull apart.
Robert Galbraith (The Cuckoo's Calling (Cormoran Strike, #1))
I used to have a cat, an old fighting tom, who would jump through the open window by my bed in the middle of the night and land on my chest. I'd half-awaken. He'd stick his skull under my nose and purr, stinking of urine and blood. Some nights he kneaded my bare chest with his front paws, powerfully, arching his back, as if sharpening his claws, or pummeling a mother for milk. And some mornings I'd wake in daylight to find my body covered with paw prints in blood; I looked as though I'd been painted with roses.
Annie Dillard (Pilgrim at Tinker Creek)
My sister Rose lives on the mantelpiece. Well, some of her does. A collarbone, two ribs, a bit of skull, and a little toe.
Annabel Pitcher (My Sister Lives on the Mantelpiece)
It's an illness," she said, although she made the words sound like "it's uh nillness." Nillness, thought Strike, for a second distracted. Sometimes illness turned slowly to nillness, as was happening to Bristow's mother... sometimes nillness rose to meet you out of nowhere, like a concrete road slamming your skull apart.
Robert Galbraith (The Cuckoo's Calling (Cormoran Strike, #1))
Then the Skopamish showed up. Their chests heaving, rotting eyes like dull raisins in their skulls. Their eyes found mine like a witching wand seeking water.
Tamara Rose Blodgett (Death Screams (Death, #4))
And don't succumb too much to the spell of these cases. I have seen many other fragments of the cross, in other churches. If all were genuine, our Lord's torment could not have been on a couple of planks nailed together, but on an entire forest.' 'Master!' I said, shocked. 'So it is, Adso. And there are ever richer treasuries. Some time ago, in the cathedral of Cologne, I saw the skull of John the Baptist at the age of twelve.' 'Really?' I exclaimed, amazed. Then, siezed by doubt, I added, 'But the Baptist was executed at a more advanced age!' 'The other skull must be in another treasury,' William said, with a grave face. I never understood when he was jesting.
Umberto Eco (The Name of the Rose)
The blackness he woke to on those nights was sightless and impenetrable. A blackness to hurt your ears with listening. Often he had to get up. No sound but the wind in the trees. He rose and stood tottering in that cold autistic dark with his arms outheld for balance while the vestibular calculations in his skull cranked out their reckonings.
Cormac McCarthy
His heart was a rose and in his skull another rose bloomed. The room was full of grace. A sweet, clean grace, not washed clean, but clean as the innersides of the inner petals of a newly forced rosebud.
Nathanael West (Miss Lonelyhearts)
Drenched in British purples, I have offered up my tones: pigeon breast, hind belly, balky mule lung, monkey bottom pink, lapis lazuli and malachite, excited nymph thigh, panther pee-pee, high-smelling hen hair, hedgehog in aspic, barrel-maker's brothel, revered rose, monkeybush, turkey-like white, sly violet, page's slipper, immaculate nun spring, unspeakable red, Ensor azure, affected yellow, mummy skull, rock-hard gray, brunt celadon, shop soiled smoke ring.
James Ensor (James Ensor)
Gacela of the Flight” I have lost myself in the sea many tunes with my ear full of freshly cut flowers, with my tongue full of love awl agony. I have lost myself in the sea many times as I lose myself in the heart of certain children. There is no one who in giving a kiss does not feel the smile of faceless people, and no one who in touching a newborn child forgets the motionless skulls of horses. Because the roses search in the forehead for a hard landscape of hone and the hands of man hate no other purpose than to imitate the roots below the earth. As I lose myself in the heart of certain children, I have lost myself in the sea many times. Ignorant of the water I go seeking a death full of light to consume me.
Federico García Lorca (The Selected Poems)
She alone was left standing, amid the accumulated riches of her mansion, while a host of men lay stricken at her feet. Like those monsters of ancient times whose fearful domains were covered with skeletons, she rested her feet on human skulls and was surrounded by catastrophes...The fly that had come from the dungheap of the slums, carrying the ferment of social decay, had poisoned all these men simply by alighting on them. It was fitting and just. She had avenged the beggars and outcasts of her world. And while, as it were, her sex rose in a halo of glory and blazed down on her prostrate victims like a rising sun shining down on a field of carnage, she remained as unconscious of her actions as a splendid animal, ignorant of the havoc she had wreaked, and as good-natured as ever.
Émile Zola (Nana)
That the Beast was a person, Bryony did not even question, but then, she believed on some level that Fumblefoot was a person, and Blackie the goat, and the neighbor’s large and grumpy tomcat.  It was not that she was sentimental about animals. Chickens, for example, were not people. You looked into a chicken’s eyes and you saw the back of their skulls.
T. Kingfisher (Bryony and Roses)
The inside of his skull, it tasted like roses and barbed wire and butterflies. Switchblades and heroin and grassy green gardens.
Mercedes M. Yardley (Apocalyptic Montessa and Nuclear Lulu: A Tale of Atomic Love)
My head ached. I was thinking of the pain, and wondering how it was possible for physical agony to be so intense. I had never imagined that such a torture could be endured. Yet here was I, both conscious and able to think clearly. And not only to think, but to observe the process and make calculations about it. The steel circle round my skull was closing in with faint cracking noises. How much farther could it shrink? I counted the cracking sounds. Since I took the triple dose of pain-killer, there had been two more. …I took out my watch and laid it on the table. “Give me morphia,” I said in a calm, hostile, icy tone. “You mustn’t take morphia! You know perfectly well. The very idea! And what are you doing with that watch?” “You will give me morphia within three minutes.” They looked me uneasily up and down. No one moved. Three minutes went by. Then ten more. I slipped the watch calmly into my pocket and rose unsteadily to my feet. “Then take me to the Fiakker Bar. They say it’s a good show, and to-night I want to enjoy myself.” The others jumped up with a feeling of relief. I never confessed the secret to anyone, either then or afterwards. I had made up my mind at the end of those three minutes — for the first and last time in my life — that if my headache had not stopped within the next ten I should throw myself under the nearest tram. It never came out whether I should have kept to my resolve, for the pain left with the suddenness of lighting.
Frigyes Karinthy (A Journey Round My Skull)
Each October I walk into the woods looking for bones: rabbit skulls, a grackle spine, the pelvis of a deer with the blood bleached out. What died in the lush of roses and mint shines out from the tangle of twigs that bind it to the place of its last leaping. The living lack that kind of clarity. In late April, when the water spreads out and out till everything is lilies and seepage, there is only the mystery of tracks, a rustle receding in the many reeds. And so the bones accumulate across my windowsill: the flightless wings and exaggerated grins, the silent unmoving reminders of where the glories of April lead.
Charles Rafferty (Where the Glories of April Lead)
I woke up horribly early the next morning to the sound of some sadistic bastard operating an electric hedge-trimmer just outside the window. I lay for a while hoping this prat would be struck by lightning or washed away in a bizarre flash flood. Neither happened, so I groaned and rolled out of bed. My skull had shrunk so that my brain was in imminent danger of being squeezed out of my ears, my teeth seemed to be covered in wool and my tongue was far too big for my mouth.
Danielle Hawkins (Dinner at Rose's)
When Khubchand, his beloved, blind, bald, incontinent seventeen-year-old mongrel, decided to stage a miserable, long-drawn-out death, Estha nursed him through his final ordeal as though his own life somehow depended on it. In the last months of his life, Khubchand, who had the best of intentions but the most unreliable of bladders, would drag himself to the top-hinged dog-flap built into the bottom of the door that led out into the back garden, push his head through it and urinate unsteadily, bright yellowly, inside Then with bladder empty and conscience clear he would look up at Estha with opaque green eyes that stood in his grizzled skull like scummy pools and weave his way back to his damp cushion, leaving wet footprints on the floor. As Khubchand lay dying on his cushion, Estha could see the bedroom window reflected in his smooth, purple balls. And the sky beyond. And once a bird that flew across. To Estha - steeped in the smell of old roses, blooded on memories of a broken man - the fact that something so fragile, so unbearably tender had survived, had been allowed to exist, was a miracle. A bird in flight reflected in an old dog's balls. It made him smile out loud.
Arundhati Roy (The God of Small Things)
He rose and stood tottering in that cold dark with his arms held out for balance while the vestibular calculations in his skull cranked out their reckonings. An old chronicle. To seek out the upright. No fall but preceded by a declination... Upright to what? Something nameless in the night, lode or matrix. To which he and the stars were common satellite. Like the great pendulum in its rotunda scribing through the long day movements of the universe of which you may say it knows nothing and yet know it must.
Cormac McCarthy (The Road)
“Maurency seems to be undergoing a remarkable and somewhat undesirable transformation.” “What?” “He’s changed hair color, put on some muscle and now seems to be cracking skulls rather than saying his prayers.” Mason rose and rounded the table. “In short, it looks like Linnet’s ideal hero might be turning into you.” [...] “He looks improved, but I still don’t like him.” “He’s you, you fool,” responded Oswald scathingly.
Alice Coldbreath (Her Bastard Bridegroom (Vawdrey Brothers, #1))
The whole underneath of Paris was an ant nest, Metro tunnels, sewer shafts, catacombs, mines, cemeteries. She'd been down in the city of bones where skulls and femurs rose in yellowing walls. Right down there, win the square before them. through a dinky little entrance, were the Roman ruins like honeycomb. The trains went under the river. There were tunnels people had forgotten about. It was a wonder Paris stood up at all. The bit you saw was only half of it. Her skin burned, thinking of it. The Hunchback knew. Up here in the tower of Notre Dame he saw how it was. Now and then, with the bells rattling his bones, he saw it like God saw it -- inside, outside, above and under -- just for a moment. The rest of the time he went back to hurting and waiting like Scully out there crying in the wind.
Tim Winton (The Riders)
The blackness he woke to on those nights was sightless and impenetrable. A blackness to hurt your ears with listening. Often he had to get up. No sound but the wind in the bare and blackened trees. He rose and stood tottering in that cold autistic dark with his arms outheld for balance while the vestibular calculations in his skull cranked out their reckonings. An old chronicle. To seek out the upright. No fall but preceded by a declination. He took great marching steps into the nothingness, counting them against his return. Eyes closed, arms oaring. Upright to what? Something nameless in the night, lode or matrix. To which he and the stars were common satellite. Like the great pendulum in its rotunda scribing through the long day movements of the universe of which you may say it knows nothing and yet know it must.
Cormac McCarthy (The Road)
They had heroes for companions, beautiful youths to dream of, rose-marble-fingered Women shed light down the great lines; But you have invoked the slime in the skull, The lymph in the vessels. They have shown men Gods like racial dreams, the woman's desire, The man's fear, the hawk-faced prophet's; but nothing Human seems happy at the feet of yours. Therefore though not forgotten, not loved, in the gray old years in the evening leaning Over the gray stones of the tower-top, You shall be called heartless and blind.
Robinson Jeffers (The Selected Poetry)
Our tears unshed Are roses of stone Inside our skulls
Merlie M. Alunan (Amina Among the Angels)
And on the second OOOOOOOO, you picture just a naked glowing green skull that hangs there vibrating gape-mouthed in a prison cell. Or whatever it is you picture.
John Jeremiah Sullivan (Pulphead)
I feel the sickening impact of the skull against my shoe. The scent of blood and roses stings my nose.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
I cannot have men stationed outside the first-class promenade. How will that look to well-paying passengers? This is not a workhouse and I will not treat my passengers like prisoners. They’re not being terrorized with a theatrical murder tonight and I intend to keep it that way. I will not make them suffer.” I physically had to check to see if my head had exploded from such a ridiculous statement. Gentle prodding of my hair proved my skull was still intact, miracle of all miracles. “You cannot be serious.” Thomas tossed his hands in the air. “It would seem an awful lot better to have crew members posted along the decks than to see dismembered body parts floating about while first-class patrons made their way to breakfast and tea. ‘Oh, look, Miss Eldridge, there’s a mauled torso. Won’t you pass the cream and sugar?’” “Don’t be absurd,” the captain said, aghast. “Apologies,” Thomas said, not sounding at all sorry, “I’m only following your lead.
Kerri Maniscalco (Escaping from Houdini (Stalking Jack the Ripper, #3))
And well may God with the serving-folk Cast in His dreadful lot; Is not He too a servant, And is not He forgot? For was not God my gardener And silent like a slave; That opened oaks on the uplands Or thicket in graveyard gave? And was not God my armourer, All patient and unpaid, That sealed my skull as a helmet, And ribs for hauberk made? Did not a great grey servant Of all my sires and me, Build this pavilion of the pines, And herd the fowls and fill the vines, And labour and pass and leave no signs Save mercy and mystery? For God is a great servant, And rose before the day, From some primordial slumber torn; But all we living later born Sleep on, and rise after the morn, And the Lord has gone away. On things half sprung from sleeping, All sleeping suns have shone, They stretch stiff arms, the yawning trees, The beasts blink upon hands and knees, Man is awake and does and sees- But Heaven has done and gone. For who shall guess the good riddle Or speak of the Holiest, Save in faint figures and failing words, Who loves, yet laughs among the swords, Labours, and is at rest? But some see God like Guthrum, Crowned, with a great beard curled, But I see God like a good giant, That, laboring, lifts the world.
G.K. Chesterton (The Ballad of the White Horse)
In that moment, I let myself entertain the idea of just putting the sword down and lying on the ground. It would feel good, and really, if I’d lost everything, who cared what this tiny homicidal person did to me? But just as quickly, I shut that thought right the heck down. No way had I survived demon attacks, and ghoul duels, and demonglass explosions to end up murdered by Raggedy Ann. Whether Mom was here or not, I was going to survive this. My fingers tightened on the sword’s hilt until I felt the metal cut into my skin. It hurt, but that was good. That might actually keep me from passing out, which in turn would keep Izzy from dissecting me, or whatever it was Brannicks did to demons. Former demons. Whatever. “So you guys have a compound,” I said, trying to will my brain into working. “That’s…cool. I bet it has bunkers and barbed wire.” Izzy rolled her eyes. “Duh.” “Right, so this compound. Where exactly…” My words trailed off as the ground started swaying. Or was it me weaving from side to side? And was everything getting dimmer because the flashlight was dying, or was it my eyes that had stopped working? “No. No, I am not going to faint.” “Um…okay?” I shook my head. “Did I say that out loud?” Izzy rose to her feet slowly. “You don’t look so good.” I would have glared at her if my eyes hadn’t been involved in more important things like not falling out of my skull. A loud clattering noise filled my head, and I realized it was my teeth. Great. I was going into shock. That was just…so inconvenient.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
I don't want to see any more of god's green factory. Trees are a trigger as are vines. Anything with petals must be zapped look how the grass grows in knives. Vitality comes with too much skull and an evil rose on its lips. Lace may be safe. Daisies are off limits.
Melissa Broder (Scarecrone)
I had tried to make it beautiful with a spray of golden and orange autumn leaves in an empty green wine bottle on the floor by the hearth, with a string of tiny mouse skulls and soft white dove feathers hanging above my bed, and a cluster of dried rose hips pinned behind the door.
Alice Olivia Scarlett (Shoal: A Thanet Writers Anthology)
In the sky there is nobody asleep. Nobody, nobody. Nobody is asleep. The creatures of the moon sniff and prowl about their cabins. The living iguanas will come and bite the men who do not dream, and the man who rushes out with his spirit broken will meet on the street corner the unbelievable alligator quiet beneath the tender protest of the stars. Nobody is asleep on earth. Nobody, nobody. Nobody is asleep. In a graveyard far off there is a corpse who has moaned for three years because of a dry countryside on his knee; and that boy they buried this morning cried so much it was necessary to call out the dogs to keep him quiet. Life is not a dream. Careful! Careful! Careful! We fall down the stairs in order to eat the moist earth or we climb to the knife edge of the snow with the voices of the dead dahlias. But forgetfulness does not exist, dreams do not exist; flesh exists. Kisses tie our mouths in a thicket of new veins, and whoever his pain pains will feel that pain forever and whoever is afraid of death will carry it on his shoulders. One day the horses will live in the saloons and the enraged ants will throw themselves on the yellow skies that take refuge in the eyes of cows. Another day we will watch the preserved butterflies rise from the dead and still walking through a country of gray sponges and silent boats we will watch our ring flash and roses spring from our tongue. Careful! Be careful! Be careful! The men who still have marks of the claw and the thunderstorm, and that boy who cries because he has never heard of the invention of the bridge, or that dead man who possesses now only his head and a shoe, we must carry them to the wall where the iguanas and the snakes are waiting, where the bear’s teeth are waiting, where the mummified hand of the boy is waiting, and the hair of the camel stands on end with a violent blue shudder. Nobody is sleeping in the sky. Nobody, nobody. Nobody is sleeping. If someone does close his eyes, a whip, boys, a whip! Let there be a landscape of open eyes and bitter wounds on fire. No one is sleeping in this world. No one, no one. I have said it before. No one is sleeping. But if someone grows too much moss on his temples during the night, open the stage trapdoors so he can see in the moonlight the lying goblets, and the poison, and the skull of the theaters - City That Does Not Sleep
Federico García Lorca
All else was heaped on the flames and while the sun rose and glistened on their gaudy faces they sat upon the ground each with his new goods before him and watched the fire and smoked their pipes as might some painted troupe of mimefolk recruiting themselves in such a wayplace far from the towns and the rabble hooting at them across the smoking footlamps, contemplating towns to come and the poor fanfare of trumpet and drum and the rude boards upon which their destinies were inscribed for these people were no less bound and indentured and they watched like the prefiguration of their own ends the carbonized skulls of their enemies incandescing before them bright as blood among the coals.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
The Last Hero The wind blew out from Bergen from the dawning to the day, There was a wreck of trees and fall of towers a score of miles away, And drifted like a livid leaf I go before its tide, Spewed out of house and stable, beggared of flag and bride. The heavens are bowed about my head, shouting like seraph wars, With rains that might put out the sun and clean the sky of stars, Rains like the fall of ruined seas from secret worlds above, The roaring of the rains of God none but the lonely love. Feast in my hall, O foemen, and eat and drink and drain, You never loved the sun in heaven as I have loved the rain. The chance of battle changes -- so may all battle be; I stole my lady bride from them, they stole her back from me. I rent her from her red-roofed hall, I rode and saw arise, More lovely than the living flowers the hatred in her eyes. She never loved me, never bent, never was less divine; The sunset never loved me, the wind was never mine. Was it all nothing that she stood imperial in duresse? Silence itself made softer with the sweeping of her dress. O you who drain the cup of life, O you who wear the crown, You never loved a woman's smile as I have loved her frown. The wind blew out from Bergen to the dawning of the day, They ride and run with fifty spears to break and bar my way, I shall not die alone, alone, but kin to all the powers, As merry as the ancient sun and fighting like the flowers. How white their steel, how bright their eyes! I love each laughing knave, Cry high and bid him welcome to the banquet of the brave. Yea, I will bless them as they bend and love them where they lie, When on their skulls the sword I swing falls shattering from the sky. The hour when death is like a light and blood is like a rose, -- You never loved your friends, my friends, as I shall love my foes. Know you what earth shall lose to-night, what rich uncounted loans, What heavy gold of tales untold you bury with my bones? My loves in deep dim meadows, my ships that rode at ease, Ruffling the purple plumage of strange and secret seas. To see this fair earth as it is to me alone was given, The blow that breaks my brow to-night shall break the dome of heaven. The skies I saw, the trees I saw after no eyes shall see, To-night I die the death of God; the stars shall die with me; One sound shall sunder all the spears and break the trumpet's breath: You never laughed in all your life as I shall laugh in death.
G.K. Chesterton
I found a small velvet-and-nailhead Victorian sofa at a rummage sale on my way to a demonstration in the Castro District; the gay men selling it for $10 kindly hauled it over and up the stairs after the protest was over. It left droppings of ancient horsehair stuffing on the floor like an incontinent old pet. I accumulated small souvenirs, treasures, and artifacts that made the place gradually come to resemble an eccentric natural history museum, with curious lichen-covered twigs and branches, birds’ nests and shards of eggs, antlers, stones, bones, dead roses, a small jar of yellow sulfur butterflies from a mass migration in eastern Nevada, and, from my younger brother, a stag’s antlered skull that still presides over my home.
Rebecca Solnit (Recollections of My Nonexistence)
What kind of woman was she? What kind of woman was it who called to me from that calamity on the Seventh Avenue line? What kind of woman do I love now, with a fealty that will not cease, not till my occluded arteries send their clots up to the spongy interiors in my skull and I go mute and slack? I love the kind of woman whose hair has gone gray in a not terribly flattering way, the kind who doesn't even notice how she has to keeps having to buy larger jeans, the kind who likes big cars because she doesn't like to be uncomfortable. I love this woman because she is gifted with astounding premonitory skills: no matter how uncertain, how despondent, how lost her mate feels, no matter how dire the circumstances, she nonetheless predicts that Everything will be roses.
Rick Moody (Demonology)
tattered. Water or something more foul soaked both knees of the pants. But Thomas took all that in quickly. Most of his attention was drawn to the man’s head. Thomas couldn’t help but stare, mesmerized. It looked like hair had been ripped from his scalp, leaving bloody scabs in its place. His face was pallid and wet, with scars and sores everywhere. One eye was gone, a gummy red mass where it should have been. He also had no nose, and Thomas could actually see traces of the nasal passages in his skull underneath the terribly mangled skin. And his mouth. Lips drawn back in a snarl, gleaming white teeth exposed, clenched tightly together. His good eye glared, somehow vicious in the way it darted between Brenda and Thomas. Then the man said something in a wet and gurgly voice that made Thomas shiver. He spoke only a few words, but they were so absurd and out of place that it just made the whole thing that much more horrifying. “Rose
James Dashner (The Scorch Trials (Maze Runner, #2))
Lane,” it said curtly. “I was afraid you were still out of the country,” Cecily said with relief. “Are you all right?” “A few new scars,” he said, with lightness in his tone. “How about a pizza? I’ll pic you up…” “I’m in South Dakota.” “What?” “It’s a long story. Leta has a comfortable sofa. Can you come out here right away?” There was a pause. “If you miss me that much, maybe we’d better get married,” he pointed out. “I’m not marrying a man who shoots people for a living,” she replied with a girn. “I only shoot bad people,” he protested. “Besides…I know what a foramen magnum is.” “Darling!” she exclaimed theatrically. “Get the license!” He chuckled. “That’ll be the day, when you take me on. What sort of mischief are you up to, Cecily?” “No mischief. Just an artifact-buying trip. But I need you.” “In that case, I’m on the way. I’ll rent a car at the airport. See you soon.” He hung up. “You’re not going to marry Colby Lane,” Leta said like a disapproving parent. “But he knows what a foramen magnum is,” she said teasingly. “A who?” “It’s the large opening at the back of the skull,” Cecily said. “Gory stuff.” “Not to an archaeologist,” Cecily said. “Did you know that we can identify at least one race by the dentition of a skull? Native Americans are mongoloid and they have shovel-shaped incisors.” This caused Leta to feel her teeth and ask more questions, which kept her from thinking too much about Colby’s mock proposal.
Diana Palmer (Paper Rose (Hutton & Co. #2))
The favourites of James I wore ear-rings of emeralds set in gold filigrane. Edward II gave to Piers Gaveston a suit of red-gold armour studded with jacinths, a collar of gold roses set with turquoise-stones, and a skull-cap parsemé with pearls. Henry II. wore jewelled gloves reaching to the elbow, and had a hawk-glove sewn with twelve rubies and fifty-two great orients. The ducal hat of Charles the Rash, the last Duke of Burgundy of his race, was hung with pear-shaped pearls and studded with sapphires.
Oscar Wilde (The Picture of Dorian Gray)
For what is this sea, this atmosphere, doing within the eight-inch diameter of your skull? (I say nothing of the sun and the galaxy which are also there.) At the center of the beholder there must be space for the whole, and this nothing-space is not an empty nothing but a nothing reserved for everything. You can feel this nothing-everything capacity with ecstasy and this was what I actually felt in the jet. Sipping whisky, feeling the radiant heat that rose inside, I experienced a bliss that I knew perfectly well was not mad.
Saul Bellow (Humboldt's Gift)
Ecstasy. From the Greek Ekstasis . Meaning not what you think. Meaning not euphoria or sexual climax or even happiness. Meaning, literally: a state of displacement, of being driven out of one’s senses. Three thousand years ago in Delphi the Oracle became ecstatic every single working hour. That night in a hunting cabin in northern Michigan, so did Calliope. High for my first time, drunk for my first time, I felt myself dissolving, turning to vapor. Like the incense at church my soul rose toward the dome of my skull—and then broke through.
Jeffrey Eugenides (Middlesex)
Christopher opened the door and with a crisp nod to the gawking man, drew Erienne out ahead of him. They were in the hall before she dared release her breath. “Lord Talbot will never forgive you for that,” she whispered worriedly. A low chuckle preceded his reply. “I don’t think I’ll miss his affection.” “You should be more careful,” she warned. “He’s a man of much influence.” “He’s a man of much arrogance, and I could not resist deflating him a bit.” Christopher looked down at her, and his eyes danced with green lights as he searched her face. “Do I actually detect some concern for me in your admonition, my sweet?” “When you’re so reckless, someone needs to try to get you to listen to reason,” she said impatiently. “I take heart that you care.” “There’s really no reason for you to feel conceit,” she responded dryly. “Ah, milady pricks me with her thorns and wounds me to the quick.” “Your hide is thicker than an oxen’s,” she scoffed. “And your skull just as dense.” “Don’t be mean, my love,” he coaxed. “Give me a warm smile to soothe this heart that beats only for you.” -Erienne & Christopher
Kathleen E. Woodiwiss (A Rose in Winter)
Julius explained that the palace rooms where they stood were called Wunderkammers, or wonder rooms. Souvenirs of nature, of travels across continents and seas; jewels and skulls. A show of wealth, intellect, power. The first room had rose-colored glass walls, with rubies and garnets and bloodred drapes of damask. Bowls of blush quartz; semiprecious stone roses running the spectrum of red down to pink, a hard, glittering garden. The vaulted ceiling, a feature of all the ten rooms Julius and Cymbeline visited, was a trompe l'oeil of a rosy sky at down, golden light edging the morning clouds. The next room was of sapphire and sea and sky; lapis lazuli, turquoise and gold and silver. A silver mermaid lounged on the edge of a lapis lazuli bowl fashioned in the shape of an ocean. Venus stood aloft on the waves draped in pearls. There were gold fish and diamond fish and faceted sterling silver starfish. Silvered mirrors edged in silvered mirror. There were opals and aquamarines and tanzanite and amethyst. Seaweed bloomed in shades of blue-green marble. The ceiling was a dome of endless, pale blue. A jungle room of mica and marble followed, with its rain forest of cats made from tiger's-eye, yellow topaz birds, tortoiseshell giraffes with stubby horns of spun gold. Carved clouds of smoky quartz hovered over a herd of obsidian and ivory zebras. Javelinas of spotted pony hide charged tiny, life-sized dik-diks with velvet hides, and dazzling diamond antlers mingled with miniature stuffed sable minks. Agate columns painted a medley of dark greens were strung with faceted ropes of green gold. A room of ivory: bone, teeth, skulls, and velvet. A room crowded with columns all sheathed in mirrors, reflecting world maps and globes and atlases inlaid with silver, platinum, and white gold; the rubies and diamonds that were sometimes set to mark the location of a city or a town of conquest resembled blood and tears. A room dominated by a fireplace large enough to hold several people, upholstered in velvets and silks the colors of flame. Snakes of gold with orange sapphire and yellow topaz eyes coiled around the room's columns. Statues of smiling black men in turbans offering trays of every gem imaginable-emerald, sapphire, ruby, topaz, diamond-stood at the entrance to a room upholstered in pistachio velvet, accented with malachite, called the Green Vault. Peridot wood nymphs attended to a Diana carved from a single pure crystal of quartz studded with tiny tourmalines. Jade tables, and jade lanterns. The royal jewels, blinding in their sparkling excess: crowns, tiaras, coronets, diadems, heavy ceremonial necklaces, rings, and bracelets that could span a forearm, surrounding the world's largest and most perfect green diamond. Above it all was a night sky of painted stars, with inlaid cut crystal set in a serious of constellations.
Whitney Otto (Eight Girls Taking Pictures (Thorndike Press Large Print Basic Series))
It’s not my fault you have no friends and a dead-end job” she ranted, face reddening. She was seething now. “If you’re awkward and ugly, you have no one to blame but yourself. I gave you every opportunity. I gave up my career and my independence, plus any pretense whatsoever of a romantic relationship. I gave you everything, all of me---can you get that through your thick skull? And you thank me for my sacrifices by turning on me the first chance you get? By marching straight to the witness stand? You believed that wench Alex and her bigmouth mother over me? It’s your fault I’m in here, not mine
Stephanie Wrobel (Darling Rose Gold)
Some of them are mech,” said Zita, nimbly picking her high heels through the steaming pools of red goo and severed, wriggling limbs. She was splattered with blood and grinning as she came to them, but she frowned to see the utter bafflement on Rose’s face. “Hey, snap out of it. Haven’t you seen mech before?” She kicked a man’s severed head, and Rose gasped when his face slid off, revealing a skull of gleaming silver metal. Rose shook her head. “Mech are illegal. The government s-said they feared a robot war!” she insisted, turning to follow as Zita limped past her. Zita laughed dryly, folding up her rifle and tucking it under her skirt. “Is it so hard to imagine your government lied? Governments tend to do that.
Ash Gray (Project Mothership (The Prince of Qorlec #1))
As she pronounced the last word the corpse shuddered violently; it slumped down to the ground and for a moment Gytha thought it was going to disappear back into the earth. But as she watched, its ashen, waxy skin began to bubble all over, as if maggots were crawling out of it, covering it from its skull to its feet. The skin was erupting into soft white feathers. The child lifted its head, and in the dark empty hollows of its eyes were two black glistening pearls. Two long wings unfurled on either side of its body and as they beat, the pale creature rose silently into the air. The barn owl hovered above them for a moment, its wings outstretched against the moon, then it turned and glided away over the dark mass of the trees.
Karen Maitland (The Gallows Curse)
The tattooed face of a cat, blue and grinning, covered his right hand; on one shoulder a blue rose blossomed. More markings, self-designed and self-executed, ornamented his arms and torso: the head of a dragon with a human skull between its open jaws; bosomy nudes; a gremlin brandishing a pitchfork; the word PEACE accompanied by a cross radiating, in the form of crude strokes, rays of holy light; and two sentimental concoctions—one a bouquet of flowers dedicated to MOTHER-DAD, the other a heart that celebrated the romance of DICK and CAROL, the girl whom he had married when he was nineteen, and from whom he had separated six years later in order to “do the right thing” by another young lady, the mother of his youngest child. (“I have three boys who
Truman Capote (In Cold Blood)
Mimicry flows like beauty from Mexico City’s faucets, space and time are relative, and instead of the usual floral-and-stone façade, there’s dahlia and obsidian. In the course of time, what was yesterday a lake of water becomes asphalt today, and the past is a perpetual duplication that drowns the future. Yesterday’s omens come back, the same substance in a different shape. The city is a nagual that becomes a wall of skulls, an intelligent domotique structure: the Huitzilopochtli temple in a cathedral and Castile roses in cactus bouquets. Time is measured simultaneously with the Aztec, Julian, and Gregorian calendars and the cesium fountain atomic clock; the heart of Mexico City is made of mud and green rocks, and the God of Rain continues to cry over the whole country.
Paco Ignacio Taibo II (Mexico City Noir)
My own heartbeat was slowing under my hand, under the deep rose silk, the color of a baby’s sleep-flushed cheek. When you hold a child to your breast to nurse, the curve of the little head echoes exactly the curve of the breast it suckles, as though this new person truly mirrors the flesh from which it sprang. Babies are soft. Anyone looking at them can see the tender, fragile skin and know it for the rose-leaf softness that invites a finger’s touch. But when you live with them and love them, you feel the softness going inward, the round-checked flesh wobbly as custard, the boneless splay of the tiny hands. Their joints are melted rubber, and even when you kiss them hard, in the passion of loving their existence, your lips sink down and seem never to find bone. Holding them against you, they melt and mold, as though they might at any moment flow back into your body. But from the very start, there is that small streak of steel within each child. That thing that says “I am,” and forms the core of personality. In the second year, the bone hardens and the child stands upright, skull wide and solid, a helmet protecting the softness within. And “I am” grows, too. Looking at them, you can almost see it, sturdy as heartwood, glowing through the translucent flesh. The bones of the face emerge at six, and the soul within is fixed at seven. The process of encapsulation goes on, to reach its peak in the glossy shell of adolescence, when all softness then is hidden under the nacreous layers of the multiple new personalities that teenagers try on to guard themselves. In the next years, the hardening spreads from the center, as one finds and fixes the facets of the soul, until “I am” is set, delicate and detailed as an insect in amber.
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
The night is filled with intermittent panicked shouts and pained wails, followed by the occasional laughter of an Evrallonic soldier. Fury warms me and I don’t feel the bite of the wintry air anymore, but I control my rage, filter and focus it, so that when two soldiers run past me, chasing after a young boy, I am able to act swiftly. I step out of the shadows and grab the first soldier by the hair, which has been left exposed after he either discarded or dropped his helmet. He opens his mouth to shout but it dies on his lips when I slit his throat, dropping him to the ground as he chokes. The soldier chasing the boy stops and turns around, drawing his sword upon seeing me. It’s the last thing he does. Before he moves an inch, I’ve thrown my dagger into his forehead. A wave of shock rolls through the soldiers body and I walk past him, snatching the blade from his skull just before he falls to the ground. The boy has disappeared but he’s none of my concern now. I move through the community like the wraith I’ve been labeled. Anyone wearing soldier’s attire is brought to their knees and left to die in the streets. Fishing families scurry out of my way like they know who I am and take refuge in their homes as I make my way to the other side of the community. An Evrallonic soldier stands on the doorstep of a home, hovering over a young woman whose blouse has been torn. The young woman is sobbing, her body trembling under the pressing soldier. The Evrallonic man is leaning towards her when I approach. He barely has time to look up before I’ve brought my knee up and connected it with his nose. The satisfying crack sounds through the air and the soldier shouts in disbelief, holding his nose. He drops his hand a moment later and unsheathes his sword, swinging a deadly strong blow at me. I sidestep and place my foot between his, easily knocking him to the ground when he trips over me. His sword spills from his hands and I snatch it up, jabbing it through the man’s chest before he can even utter a plea for mercy.
Rose Reid (Crown of Crimson (The Afterlight Chronicles, #1))
His mouth, his tongue, his voice box, seem to be working separately at first. His Adam's apple shivers, the skulls vibrate, his voice quakes. What's going on? It is as if a different Romeo is speaking, an interior Romeo. This unknown alternate Romeo has staged a coup. This Romeo Two has infiltrated his communication infrastructure. Are the drugs betraying him? What did he take again? What shape of pill? Romeo thinks it was a big white oval but there also were some smaller yellow articles. Perhaps crisscrossing side affects. Romeo is startled to silence even as Romeo Two becomes voluble, moved to unload certain acts undertaken for certain reasons. Romeo Two's mouth claptraps, his voice shifts gear, high and higher, until Romeo One understands in despair that Romeo Two has frog-leaped all the way to that holy step somewhere beyond three, maybe four, five, where you tell God and another human the exact nature of your wrongs. Talk about combined side effects. Where among the vertigo, gastric pain, incontinence, shortness of breath, and possible kidney failure was telling the truth?
Louise Erdrich (LaRose)
A slender figure emerged from behind an inflorescence of snow-white blooms. Helen's crystalline eyes caught the light, and her pretty lips rounded like a tea rose as she said his name in soundless bewilderment. She moved toward him, stumbling a little as she came around the table too fast. The hint of clumsiness, her obvious haste, electrified him. She had missed him. She had wanted him, too. Reaching her in three swift strides, Rhys caught her up against him so tightly that her toes left the floor. Momentum turned them in a half-circle. Letting her back down, he dove his face into the warm fragrant skin of her neck and breathed her, absorbed her. Cariad," he said huskily, "that was the first time I've ever seen you move with less than swanlike grace." She gave an unsteady laugh. "You surprised me." Her warm, delicate hands came to the cold sides of his face. "You're here," she said, as if trying to make herself believe it. Breathing unevenly, Rhys nuzzled her, amazed by the silkiness of her skin and hair, the tenderness of her flesh. Something like elation, only stronger, was pouring into his veins, intoxicating him. "I could eat you," he muttered, pushing past her caressing hands to find her lips, feeling her mouth with his. Helen responded eagerly, her fingers sliding into his hair and shaping against his skull. He murmured rough-soft endearments between kisses, while Helen clung to him.
Lisa Kleypas (Marrying Winterborne (The Ravenels, #2))
Sleepless City (Brooklyn Bridge Nocturne)" Out in the sky, no one sleeps. No one, no one. No one sleeps. Lunar creatures sniff and circle the dwellings. Live iguanas will come to bite the men who don’t dream, and the brokenhearted fugitive will meet on street corners an incredible crocodile resting beneath the tender protest of the stars. Out in the world, no one sleeps. No one, no one. No one sleeps. There is a corpse in the farthest graveyard complaining for three years because of an arid landscape in his knee; and a boy who was buried this morning cried so much they had to call the dogs to quiet him. Life is no dream. Watch out! Watch out! Watch out! We fall down stairs and eat the humid earth, or we climb to the snow’s edge with the choir of dead dahlias. But there is no oblivion, no dream: raw flesh. Kisses tie mouths in a tangle of new veins and those in pain will bear it with no respite and those who are frightened by death will carry it on their shoulders. One day horses will live in the taverns and furious ants will attack the yellow skies that take refuge in the eyes of cattle. Another day we’ll witness the resurrection of dead butterflies, and still walking in a landscape of gray sponges and silent ships, we’ll see our ring shine and rose spill from our tongues. Watch out! Watch out! Watch out! Those still marked by claws and cloudburst, that boy who cries because he doesn’t know bridges exist, or that corpse that has nothing more than its head and one shoe— they all must be led to the wall where iguanas and serpents wait, where the bear’s teeth wait, where the mummified hand of a child waits and the camel’s fur bristles with a violent blue chill. Out in the sky, no one sleeps. No one, no one. No one sleeps. But if someone closes his eyes, whip him, my children, whip him! Let there be a panorama of open eyes and bitter inflamed wounds. Out in the world, no one sleeps. No one. No one. I’ve said it before. No one sleeps. But at night, if someone has too much moss on his temples, open the trap doors so he can see in moonlight the fake goblets, the venom, and the skull of the theaters.
Federico García Lorca (Poet in New York (English and Spanish Edition))
He held her down in the cushioning billows of the bed, kissed her, fondled and provocatively caressed until she arched, with her body begged; breaking from the kiss, he trailed hot, wet, openmouthed kisses down the taut line of her throat, over the creamy upper swell of her breast, and gave her the first course of what she'd asked for. He feasted on her breasts without quarter, licked, suckled, and laved as she writhed and gasped beneath him, as her hands gripped and tightened on his skull as he drew every last gasp and moan he could from her, then moved on. Over her midriff, down over her waist, pausing to pay homage to the sensitive indentation of her navel, then he shifted still lower. Trapping one of her long legs beneath him, lifting and draping the other over his shoulder, he held it there, held her steady as he pressed an ardent kiss to the curls shielding her mons. He heard her breath hitch, felt her body tremble, then tense and coil. Glancing at her face, he caught a glimpse of intense cornflower blue burning beneath her heavy lids, saw her lips slick and swollen from his kisses, parted in shocked disbelief. Deliberately he slid lower, bent and set his lips to the slick, swollen flesh between her thighs. She jerked, moaned. He licked and she screamed. She reached for him, but could only touch his head. Her fingers twined in his hair, tightened; she tensed to tug, but he licked again, then slowly, expertly probed, and she didn't move. Panting, eyes shut, she waited. Inwardly smug, he settled to worship her in that way, too, to taste her, to fill his senses with her, and hers with him. She let him have his way, let him taste her as he wished, let him try her with his tongue and drive her mindless. He asked, and she surrendered; he took, and she gave. In return, he pleasured her with unwavering devotion until she sobbed and cried out his name. Rising, he rolled her firmly onto her back, trailed kisses like fire up her belly and breasts as he loomed over her, spreading her thighs wide, settling between. He held himself over her, arms braced as he kissed her, tasted her desperation on her lips. Then with one, single powerful thrust he joined them. She closed about him like a glove, and he gasped; like the goddess he'd named her she welcomed her servant into her temple and embraced him. He moved, and she moved with him, fluidly meeting him as they gave themselves up to the now familiar dance. His thoughts fractured, ripped from him as a whirlpool of sensation rose up, drenched, then drowned him.
Stephanie Laurens (The Taste of Innocence (Cynster, #14))
Archer arrived early the next morning. Grey was still asleep on the sofa in his study when he heard tapping on the window. He opened his eyes and immediately regretted it as the sharp light of day pierced his brain. Squinting, he tried to focus on his brother, since he already knew who his visitor was. Only one person ever announced himself so annoyingly. “Open the bloody window, Grey!” Grumbling, Grey slowly rose into a full sitting position. His back and neck were stiff and his head felt as though someone had kicked it repeatedly from all sides. And his mouth! Christ, he didn’t want to even think about what might have died inside it. He staggered to the window, unlatched it and swung it open. “What the hell do you want?” Wide-eyed, Archer made a tsking noise. “Is that any way to greet your favorite brother?” “You’re not my favorite,” Grey scowled. Unaffected, Archer easily adapted. “Is that any way to greet your second-favorite brother?” Grey grinned, he couldn’t help it. Archer had always had a knack for making him smile, just as he had a knack for pissing him off as well. “I’m hung over and feel like shite. What do you want?” “You look like shite. What’s this I hear about you making an appearance at Saint’s Row last night?” “Rose tell you that?” “She did. I’m surprised you took such a risk just to see her.” Grey thought of her in that teal gown, the lights illuminating the luster of her skin. “It was worth it.” “Worth it, eh? So worth it you immediately came home and got sloshed.” “Something like that. And then Rose came home and I got even more sloshed.” Archer’s expression turned to concern as he leaned against the window frame. “What happened?” Grey shrugged. He’d already revealed more than he’d wanted. “Suffice it to say she now knows what kind of man I am.” His brother snorted. “That girl has always known exactly what kind of man you are.” The words were plain enough, but there was a cryptic edge to them that had Grey puzzled. “What the hell does that mean?” Arch shook his head. “Come to the stables with me. I want to show you something.” He looked down at himself. He was wearing the same clothes he’d worn last night and he was wrinkled beyond hope. Not to mention that he smelled like a distillery-an unwashed one at that. And his mask was up in his room. What if someone happened by and saw him… He wasn’t a coward. He just didn’t wish to be seen looking less than his best. An oath punctuated the early morning air. Grey was grabbed by the front of the shirt and yanked-hard. His only course of action was to brace one booted foot on the bottom sill to keep from falling. Of course, that action only succeeded in making it easier for Archer to haul him completely out onto the lawn. He landed hard on both feet, the impact going straight to his ready-to-implode skull. “What the hell?” Fist cocked, Grey punched his brother in the shoulder. “Jesus, man! What are you about?” Archer punched him back. It hurt, and oddly enough it seemed to wake him up-clear the fog and some of the pressure surrounding his brain. “I’m trying to help you, you bugger.” “To do what?” Grey demanded. “Die?
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
The boy's smile was a mockery of innocence. 'Are you frightened?' 'Yes,' I said. Never lie- that had been Rhys's first command. The boy stood, but kept to the other side of the cell. 'Feyre,' he murmured, cocking his head. The orb of faelight glazed the inky hair in silver. 'Fay-ruh,' he said again, drawing out the syllables as if he could taste them. At last, he straightened his head. ''Where did you go when you died?' 'A question for a question,' I replied, as I'd been instructed over breakfast. ... Rhys gave me a subtle nod, but his eyes were wary. Because what the boy had asked... I had to calm my breathing to think- to remember. But there was blood and death and pain and screaming- and she was breaking me, killing me so slowly, and Rhys was there, roaring in fury as I died. Tamlin begging for my life on his knees before her throne... But there was so much agony, and I wanted it to be over, wanted it all to stop- Rhys had gone rigid while he monitored the Bone Carver, as if those memories were freely flowing past the mental shields I'd made sure were intact this morning. And I wondered if he thought I'd give up then and there. I bunched my hands into fists. I had lived; I had gotten out. I would get out today. 'I heard the crack,' I said. Rhys's head whipped toward me. 'I heard the crack when she broke my neck. It was in my ears, but also inside my skull. I was gone before I felt anything more than the first lash of pain.' The Bone Carver's violet eyes seemed to glow brighter. 'And then it was dark. A different sort of dark than this place. But there was a... thread,' I said. 'A tether. And I yanked on it- and suddenly I could see. Not through my eyes, but- but his,' I said, inclining my head toward Rhys. I uncurled the finger of my tattooed hand. 'And I knew I was dead, and this tiny scrap was all that was left of me, clinging to the thread of our bargain.' 'But was there anyone there- were you seeing anything beyond?' 'There was only that bond in the darkness.' Rhysand's face had gone pale, his mouth a tight line. 'And when I was Made anew,' I said, 'I followed that bond back- to me. I knew that home was on the other end of it. There was light then. Like swimming up through sparkling wine-' 'Were you afraid?' 'All I wanted was to return to- to the people around me. I wanted it badly enough I didn't have room for fear. The worst had happened and the darkness was calm and quiet. It did not seem like a bad thing to fade into. But I wanted to go home. So I followed the bond home.' 'There was no other world,' the Bone Carver pushed. 'If there was or is, I did not see it.' 'No light, no portal?' Where is it that you want to go? The question almost leaped off my tongue. 'It was only peace and darkness.' 'Did you have a body?' 'No.' 'Did-' 'That's enough from you,' Rhysand purred- the sound like velvet over sharpest steel. 'You said a question for a question. Now you've asked...' He did a tally on his fingers. 'Six.' The Bone Carver leaned back against the wall and slid to a sitting position. 'It is a rare day when I meet someone who comes back from true death. Forgive me for wanting to peer behind the curtain.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
The hero's light sprang from his forehead, long and thick as a warrior's whetstone, long as a prow, and he clattered with rage as he wielded the shields, urging his charioteer on and raining stones on the massed army. Then thick, steady, strong, high as the mast of a tall ship was the straight spout of dark blood that rose up from the fount of his skull to dissolve in an otherworldly mist like the smoke that hangs above a royal hunting-lodge when a king comes to be looked after at the close of a winter's day.
Ciaran Carson (The Táin: From the Irish Epic Táin Bó Cúailnge)
Babies are soft. Anyone looking at them can see the tender, fragile skin and know it for the rose-leaf softness that invites a finger’s touch. But when you live with them and love them, you feel the softness going inward, the round-checked flesh wobbly as custard, the boneless splay of the tiny hands. Their joints are melted rubber, and even when you kiss them hard, in the passion of loving their existence, your lips sink down and seem never to find bone. Holding them against you, they melt and mold, as though they might at any moment flow back into your body. But from the very start, there is that small streak of steel within each child. That thing that says “I am,” and forms the core of personality. In the second year, the bone hardens and the child stands upright, skull wide and solid, a helmet protecting the softness within. And “I am” grows, too. Looking at them, you can almost see it, sturdy as heartwood, glowing through the translucent flesh.
Anonymous
Welcome joy and welcome sorrow Come today and come tomorrow. I do love both of you together. I love to mark sad faces in fair weather. And hear a merry laugh amid the thunder. Fair and foul i love together. Meadows sweet where flames burn under. Infant playing with a skull. Serpents in red roses hissing. Cleopatra regal- dressed.
sagala ibrahim
The Line welcomed rain and sun. Seeds germinated in mass graves, between skulls and femurs and broken pick handles, tendrils rose up alongside dog spikes and clavicles, thrust around teak sleepers and tibias, scapulas, vertebrae, fibulas and femurs.
Richard Flanagan (The Narrow Road to the Deep North)
So is a murder rose until you decide to hold the blossom in your hand and sniff it. Perfectly inviting and even charming until the poisons burn your skull open.” “By the gods, man, where do you hear about these things?
James A. Moore (City of Wonders (Seven Forges, #3))
Claudette turned her arms upward to show us her tattooed wrists. One held the skull and crossbones of the Wilted Rose. The other resembled the flag which adorned the mast above us. A ship's wheel with two swords crossed through it.
Freedom Matthews (Inherited (Curses of VIII, #1))
Becoming aware of her presence in the doorway, the men looked up. Westcliff rose from his half-seated position on the desk. “My lord,” Daisy said, “if I might have a word with you?” Although she spoke calmly, something in her expression must have alerted him. He didn’t waste a second in coming to her. “Yes, Daisy?” “It’s about my sister,” she whispered. “It seems her labor has started.” She had never seen the earl look so utterly taken aback. “It’s too early,” he said. “Apparently the baby doesn’t think so.” “But…this is off-schedule.” The earl seemed genuinely baffled that his child would have failed to consult the calendar before arriving. “Not necessarily,” Daisy replied reasonably. “It’s possible the doctor misjudged the date of the baby’s birth. Ultimately it’s only a matter of guesswork.” Westcliff scowled. “I expected far more accuracy than this! It’s nearly a month before the projected…” A new thought occurred to him, and he turned skull-white. “Is the baby premature?” Although Daisy had entertained a few private concerns about that, she shook her head immediately. “Some women show more than others, some less. And my sister is very slender. I’m sure the baby is fine.” She gave him a reassuring smile. “Lillian has had pains for the past four or five hours, and now they’re coming every ten minutes or so, which Annabelle says—” “She’s been in labor for hours and no one told me?” Westcliff demanded in outrage. “Well, it’s not technically labor unless the intervals between the pains are regular, and she said she didn’t want to bother you until—” Westcliff let out a curse that startled Daisy. He turned to point a commanding but unsteady finger at Simon Hunt. “Doctor,” he barked, and took off at a dead run. Simon Hunt appeared unsurprised by Westcliff’s primitive behavior. “Poor fellow,” he said with a slight smile, reaching over the desk to slide a pen back into its holder.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
The bathroom door opened. He turned as Lisa stepped out. Leaving the light on, she pulled the door almost closed so a little light would illuminate the room for them. Taelon turned off the overhead light and crossed to the bed. Lisa faced him on the other side of it and fiddled with the edge of her towel. “My clothes are still wet.” “Mine are, too.” “I’m thinking there’s no way this towel is going to stay around me while I sleep.” “Do you wish to sleep without it?” he asked, willing his body not to respond to just the idea of it. “Um . . .” “I can sleep on the floor.” “Hell no. Not with those wounds. You’ll sleep in the bed with me. I’m just . . . not exactly an exhibitionist.” He hesitated. “I don’t think my translator is giving me an accurate definition of that word.” Her eyebrows rose. “You have a translator?” “Yes. All members of the Aldebarian Alliance do.” She studied him curiously. “Where is it?” He pointed to his head, just behind his ear. “Embedded in my brain.” “I’m surprised the doctors at the base didn’t remove it.” “Their scans failed to detect it because it isn’t metal and appears to be part of my skull when viewed with your more primitive scanning devices.” “That’s trippy.” “That word isn’t translating at all.” She tilted her head to one side. “What did it tell you an exhibitionist is?” “A street performer.” She laughed. “When I said I’m not an exhibitionist, I meant I’m not comfortable flaunting my naked body.” She glanced down and wrinkled her nose. “Especially when it looks like this.” “You’re shy?” “More self-conscious than shy,” she admitted. “I don’t know. I guess, despite my actions earlier, I just don’t want you to see me naked.” Surprise coursed through him. “You don’t want ME to see YOU naked?” Her brow furrowed. “Yeah.” Taelon shook his head. “Lisa, you’re beautiful.” When she started to speak, he held up a hand. “I’m not saying that to put you at ease. I think you’re lovely. So much so that I’ve honestly been having a hard time keeping myself from staring at you too long.” Her lips parted in surprise. “Really?” “Yes.” He motioned to the towel at his hips. “This doesn’t exactly hide my body’s response to you, so I’ve been trying to keep my focus from drifting lower than your pretty face. You’re beautiful, Lisa. If anyone should wish to hide his body, it’s me. I’m quite a bit thinner than I used to be.” Her eyes widened. “Seriously?” She motioned to his form. “You have all that muscle.” “I used to have more. And I’m covered with all these ghastly wounds and scars because I’m too weak to regenerate. I don’t know how you can stand to look at me or manage not to grimace when you touch me. So again, I will offer to sleep on the floor.” She stared at him, unspeaking. “I won’t be offended if you don’t wish to sleep with me,” he assured her. Assuming an exaggeratedly somber expression, he rested a hand over his heart and spoke in dejected tones. “I will just be deeply, deeply hurt.” Her lips twitched, then she laughed. “You are so freaking likable.” He smiled. “I feel the same about you.” “Okay then. We’re both adults. And neither one of us is physically up to engaging in anything amorous anyway, so—” “Well,” he said with a grin, “that isn’t precisely true.” Her cheeks pinkened. “Stop making me blush!” He laughed.
Dianne Duvall (The Lasaran (Aldebarian Alliance, #1))
They said goodbye to Carita, who lay peacefully in a coffin full of rose petals, and watched her disappear behind the steel doors of the furnace. None of them was prepared for what came next. After a pause, they were led into a room on the other side of the building, and each given a pair of white gloves and chopsticks. In the room, on a steel sheet, were Carita's remains as they had emerged from the heat of the furnace. The incineration was incomplete. Wood, cloth, hair, and flesh had burned away, but the biggest bones, of the legs ans arms, as well as the skull, were cracked but recognizable. Rather than a neat box of ashes, the Ridgways were confronted with Carita's calcined skeleton. As the family, their task, a traditional part of every Japanese cremation, was to pick up her bones with the chopsticks and place them in the urn. "Rob couldn't handle it at all," Nigel said. "He thought we were monsters even to think of it. But perhaps it's because we were the parents, and she was our daughter... It sounds macabre, as I tell you about it now, but it didn't feel that way at the time. It was something emotional. It almost made me feel calmer. I felt as if we were looking after Carita." Nigel, Annette and Sam picked up the bigger bones and placed them in the urn with the ashes. The bigger pieces of the skull went on the top.
Richard Lloyd Parry (People Who Eat Darkness: The True Story of a Young Woman Who Vanished from the Streets of Tokyo—and the Evil That Swallowed Her Up)
The organism - there was no other thing she could think to call it - churned and moved as it propelled itself across the ground, the living bodies of animals briefly appearing before being submerged in a sea of bugs as others rose to the surface. And then there were the bones. At first she didn't quite understand what she was seeing. For a moment she believed that they were pieces of wood - limbs of trees picked up by the undulating mass - but when she saw the skull, its jaw hanging open in a silent scream, she understood the horror of what it was. the remains of victims were a part of its body, flowing within the multitude that made up its mass.
Thomas E. Sniegoski (Savage)
Bagenal stood gaping as shot whizzed by his head. It was his brother-in-law, the traitor Tyrone. And the man had spotted him as well. Fury rose in Henry Bagenal and he strode out into the field to meet the bloody Irish devil. He and Tyrone would fight hand to hand, to the death, he swore to himself. He would have his revenge for Mabel, beautiful child, lost to this wretched land.   THE BALL FROM the musket of the proud Ulster marksman found the very center of Captain Bagenal’s forehead and blew out the back of the Englishman’s skull. Hugh O’Neill saw his brother-in-law fall, and though a great, joyful cry rose in his throat he never missed a step, leading his pikemen onward. But he found himself smiling as he marched, savoring the irony of the moment, for the ball that had smashed open Henry Bagenal’s head had been molded from the melted-down lead that old Lord Burleigh had foolishly sent for the roof of Mabel O’Neill’s proper English castle.
Robin Maxwell (The Wild Irish: A Novel of Elizabeth I and the Pirate O'Malley)
She crossed her arms behind her head, gazing at the turquoise sea visible between the dilapidated buildings that made up Skull’s Bay. Sam half-rose from his chair. “Just get back in your seat.” “I’ve spent the past ten days at sea. Why should I sit in that uncomfortable chair when this one’s far more suited to my tastes?” Sam let out a growl. Before he could speak, the door opened. Sam froze, but Celaena only inclined her head in greeting as Captain Rolfe, Lord of the Pirates, entered his office. “I’m glad to see you’ve made yourself at home.” The tall, dark-haired man shut the door behind him. Bold move, considering who was waiting in his office.
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
Babies are soft. Anyone looking at them can see the tender, fragile skin and know it for the rose-leaf softness that invites a finger’s touch. But when you live with them and love them, you feel the softness going inward, the round-checked flesh wobbly as custard, the boneless splay of the tiny hands. Their joints are melted rubber, and even when you kiss them hard, in the passion of loving their existence, your lips sink down and seem never to find bone. Holding them against you, they melt and mold, as though they might at any moment flow back into your body. But from the very start, there is that small streak of steel within each child. That thing that says “I am,” and forms the core of personality. In the second year, the bone hardens and the child stands upright, skull wide and solid, a helmet protecting the softness within. And “I am” grows, too. Looking at them, you can almost see it, sturdy as heartwood, glowing through the translucent flesh. The bones of the face emerge at six, and the soul within is fixed at seven. The process of encapsulation goes on, to reach its peak in the glossy shell of adolescence, when all softness then is hidden under the nacreous layers of the multiple new personalities that teenagers try on to guard themselves. In the next years, the hardening spreads from the center, as one finds and fixes the facets of the soul, until “I am” is set, delicate and detailed as an insect in amber.
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
Nillness, that was where Lula Landry had gone, and where all of them, he and Rochelle included, were headed. Sometimes illness turned slowly to nillness, as was happening to Bristow’s mother…sometimes nillness rose to meet you out of nowhere, like a concrete road slamming your skull apart.
Robert Galbraith (The Cuckoo's Calling (Cormoran Strike, #1))
A world made of skulls was no place for roses, and it was time to plant more than bones. (From the novel Following the Strandline)
Linda L. Zern (Following The Strandline (Book II))
Suddenly de Montfort went rigid and the ciborium slipped from his hand, dashing the white hosts like snowflakes onto the altar steps. The man’s hand went out, pointing at the king, his usually skull-like face now almost cadaverous, the skin drawn tight, the eyes bulging. Corbett rose, his hand searching for the knife beneath his cloak. De Montfort’s mouth opened and shut like a landed carp, then with a loud cry he fell headlong down the steps, his
Paul Doherty (The Angel of Death (Hugh Corbett, #4))
Her golden hair had been shorn to the skull. Her golden eyes had been plucked out. She was twitching where she had been impaled on the post, the metal pole straight through her slim torso, gore clinging to the metal above her.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
From a manhole in the middle of State Street steam rose and vanished. Francis imagined the subterranean element at the source of this: a huge human head with pipes screwed into its ears, steam rising from a festering skull wound.
William Kennedy (Ironweed: Pulitzer Prize Winner (A Novel))
The caterer would like to use your sideboard buffet for the skull platters, raven plates, and broomstick-style forks. The florist will provide a bouquet of black roses. The cauldron punch and batwing cups will go on the dining room table." "Menu?" Amelia requested. "We'd discussed finger food last week. What did you finally decide?" Grace ticked off the items. "All the food is easy to eat while standing," she assured Amelia. "Chicken-witch fingers, miniature goblin burgers, chocolate crescent witch hats, ghost sugar cookies, pumpkin Bundt cake, sliced caramel apples, small popcorn balls, and a big bowl of candy corn.
Kate Angell (The Cottage on Pumpkin and Vine)
The gelding had a broad back, making for a comfortable ride. Yedan rode at a canter. Ahead, the hills thickened with scrub, and beyond was a forest of white trees, branches like twisted bones, leaves so dark as to be almost black. Just before them and running the length of the wooded fringe rose dolmens of grey granite, their edges grooved and faces pitted with cup-shaped, ground-out depressions. Each stone was massive, twice the height of a grown man, and crowding the foot of each one that he could see were skulls. He slowed his mount, reined in a half-dozen paces from the nearest standing stone. Sat motionless, flies buzzing round the horse’s flickering ears, and studied those grisly offerings. Cold judgement was never short of pilgrims. Alas, true justice had no reason to respect secrets, as those close-fisted pilgrims had clearly discovered. A final and fatal revelation. Minute popping sounds in the air announced the approach of dread power, as the buzzing flies ignited in mid-flight, black bodies bursting like acorns in a fire. The horse shied slightly, muscles growing taut beneath Yedan, and then snorted in sudden fear. ‘Hold,’ Yedan murmured, his voice calming the beast. Those of the royal line among the Shake possessed ancient knowledge, memories thick as blood. Tales of ancient foes, sworn enemies of the uncertain Shore. More perhaps than most, the Shake rulers understood that a thing could be both one and the other, or indeed neither. Sides possessed undersides and even those terms were suspect. Language itself stuttered in the face of such complexities, such rampant subtleties of nature. In this place, however, the blended flavours of compassion were anathema to the powers that ruled. Yet the lone figure that strode out from the forest was so unexpected that Yedan Derryg grunted as if he had been punched in the chest. ‘This realm is not yours,’ he said, fighting to control his horse. ‘This land is consecrated for adjudication,’ the Forkrul Assail said. ‘I am named Repose. Give me your name, seeker, that I may know you—’ ‘Before delivering judgement upon me?’ The tall, ungainly creature, naked and weaponless, cocked his head. ‘You are not alone. You and your followers have brought discord to this land. Do not delay me—you cannot evade what hides within you. I shall be your truth.’ ‘I am Yedan Derryg.’ The Forkrul Assail frowned. ‘This yields me no ingress—why is that? How is it you block me, mortal?’ ‘I will give you that answer,’ Yedan replied, slipping down from the horse. He drew his sword. Repose stared at him. ‘Your defiance is useless.’ Yedan advanced on him. ‘Is it? But, how can you know for certain? My name yields you no purchase upon my soul. Why is that?’ ‘Explain this, mortal.’ ‘My name is meaningless. It is my title that holds my truth. My title, and my blood.’ The Forkrul Assail shifted his stance, lifting his hands. ‘One way or another, I will know you, mortal.’ ‘Yes, you will.’ Repose attacked, his hands a blur. But those deadly weapons cut empty air, as Yedan was suddenly behind the Forkrul Assail, sword chopping into the back of the creature’s elongated legs, the iron edge cutting between each leg’s two hinged knees, severing the buried tendons—Repose toppled forward, arms flailing. Yedan chopped down a second time, cutting off the Assail’s left arm. Blue, thin blood sprayed on to the ground. ‘I am Shake,’ Yedan said, raising his sword once more. ‘I am the Watch.’ The sudden hiss from Repose was shortlived, as Yedan’s sword took off the top of the Forkrul Assail’s head.
Steven Erikson (Dust of Dreams (Malazan Book of the Fallen, #9))
The plan is sounding good,” Balur said. “But plans are always being that way. They are always sounding like you will be waltzing into somewhere and will then be two-stepping out while one’s shit is smelling of roses. But what is actually happening is you are waltzing in and you are having your skull smacked, and then you are eviscerating your foes with your jaws, and you are staggering out with your shit smelling of your internal bleeding.” He hesitated. “To be using one specific example.
Jon Hollins (Fool's Gold (The Dragon Lords, #1))
Most effectively, and gruesomely, the skull of an elephant hung on a rafter, and a bouquet of dried creamy pink roses emerged from the central hole in the hull of its cranium - like the exploding brains of a dying animal, he couldn't help thinking; remembering Elphaba's youthful concerns. Or maybe an homage to the putative magical talents of elephants?
Gregory Maguire (Wicked: The Life and Times of the Wicked Witch of the West (The Wicked Years, #1))
Enough of these discouragements Enough of these discouragements, you said. Enough gnawed skulls. Why all these red wet tickets to the pain theatricals? Why these boxfuls of ruin? Whole big-block warehouses full. Why can't you tell about flowers? But I did tell, I answer. Petal by petal, snowdrop and rose unfolding in season, I told them all— the leaf, the stem, the intricate bloom— I praised each one in its turn. I told about sunsets, as well, and silvery dawns, and noons. I told about young men playing their flutes beside pools and young girls dancing. I raised up fountains, golden pears: such gentle miracles. You didn't want them, these pastel flavours. You were bored by them. You wanted the hard news, the blows of hammers, bodies slammed through the air. You wanted weaponry, the glare of sun on metal, the cities toppled, the dust ascending, the leaden thud of judgment. You wanted fire. Despite my singed feathers and this tattered scroll I haul around, I'm not an angel. I'm only a shadow, the shadow of your desires. I'm only a granter of wishes. Now you have yours.
Margaret Atwood
I watched the muscles in Nico’s arms flex, and my eyes moved across his body and back up to his face. A burning need swept through my body, desire like nothing I’d ever experienced in my life. He was the most beautiful man I’d ever laid eyes on in my life. A voice in my head started murmuring a single word. As he drew closer, the voice rose in volume, first a whisper, then a shout, then an earth-shattering scream, all inside my skull. Mine.
Roxie Ray (The Alpha's Fated Encounter (Fated to Royalty, #1))
Rhys smiled a bit, but the amusement died as he said, 'Tamlin was younger than me- born when the War started. But after the War, when he'd matured, we got to know each other at various court functions. He...' Rhys clenched his jaw. 'He seemed decent for a High Lord's son. Better than Beron's brood at the Autumn Court. Tamlin's brothers were equally as bad, though. Worse. And they knew Tamlin would take the title one day. And to a half-breed Illyrian who'd have to prove himself, defend his power, I saw what Tamlin went through... I befriended him. Sought him out whenever I was able to get away from the war camps or court. Maybe it was pity, but... I taught him some Illyrian techniques.' 'Did anyone know?' ... 'Cassian and Azriel knew,' Rhys went on. 'My family knew. And disapproved.' His eyes were chips of ice. 'But Tamlin's father was threatened by it. By me. And because he was weaker than both me and Tamlin, he wanted to prove to the world that he wasn't. My mother and sister were to travel to the Illyrian war-camp to see me. I was supposed to meet them halfway, but I was busy training a new unit and decided to stay.' My stomach turned over and over and over, and I wished I had something to lean against as Rhys said, 'Tamlin's father, brothers, and Tamlin himself set out into the Illyrian wilderness, having heard from Tamlin- from me- where my mother and sister would be, that I had plans to see them. I was supposed to be there. I wasn't. And they slaughtered my mother and sister anyway.' I began shaking my head, eyes burning. I didn't know what I was trying to deny, or erase, or condemn. 'It should have been me,' he said, and I understood- understood what he'd said that day I'd wept before Cassian in the training pit. 'They put their heads in boxes and sent them down the river- to the nearest camp. Tamlin's father kept their wings as trophies. I'm surprised you didn't see them pinned in the study.' I was going to vomit; I was going to fall to my knees and weep. ... Rhys merely continued. 'When I heard, when my father heard... I wasn't wholly truthful to you when I told you Under the Mountain that my father killed Tamlin's father and brothers, I went with him. Helped him. We winnowed to the edge of the Spring Court that night, then went the rest of the way on foot- tot he manor. I slew Tamlin's brothers on sight. I held their minds, and rendered them helpless while I cut them into pieces, then melted their brains inside their skulls. And when I got to the High Lord's bedroom- he was dead. And my father... my father had killed Tamlin's mother as well.' I couldn't stop shaking my head. 'My father had promised not to touch her. That we weren't the kind of males who would do that. But he lied to me, and he did it, anyway. And then he went for Tamlin's room.' I couldn't breathe- couldn't breathe as Rhys said, 'I tried to stop him. He didn't listen. He was going to kill him, too. And I couldn't... After all the death, I was done. I didn't care that Tamlin had been there, had allowed them to kill my mother and sister, that he'd come to kill me because he didn't want to risk standing against them. I was done with death. So I stopped my father before the door. He tried to go through me. Tamlin opened the door, saw us- smelled the blood already leaking into the hallway. And I didn't even get to say a word before Tamlin killed my father in one blow.' 'I felt the power shift to me, even as I saw it shift to him. And we just looked at each other, as we were both suddenly crowned High Lord- and then I ran.' He'd murdered Rhysand's family. The High Lord I'd loved- he'd murdered his friend's family, and when I'd asked how his family died, he'd merely told me a rival court had done it. Rhysand had done it, and- 'He didn't tell you any of that.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Rhys smiled a bit, but the amusement died as he said, 'Tamlin was younger than me- born when the War started. But after the War, when he'd matured, we got to know each other at various court functions. He...' Rhys clenched his jaw. 'He seemed decent for a High Lord's son. Better than Beron's brood at the Autumn Court. Tamlin's brothers were equally as bad, though. Worse. And they knew Tamlin would take the title one day. And to a half-breed Illyrian who'd had to prove himself, defend his power, I saw what Tamlin went through... I befriended him. Sought him out whenever I was able to get away from the war camps or court. Maybe it was pity, but... I taught him some Illyrian techniques.' 'Did anyone know?' ... 'Cassian and Azriel knew,' Rhys went on. 'My family knew. And disapproved.' His eyes were chips of ice. 'But Tamlin's father was threatened by it. By me. And because he was weaker than both me and Tamlin, he wanted to prove to the world that he wasn't. My mother and sister were to travel to the Illyrian war-camp to see me. I was supposed to meet them halfway, but I was busy training a new unit and decided to stay.' My stomach turned over and over and over, and I wished I had something to lean against as Rhys said, 'Tamlin's father, brothers, and Tamlin himself set out into the Illyrian wilderness, having heard from Tamlin- from me- where my mother and sister would be, that I had plans to see them. I was supposed to be there. I wasn't. And they slaughtered my mother and sister anyway.' I began shaking my head, eyes burning. I didn't know what I was trying to deny, or erase, or condemn. 'It should have been me,' he said, and I understood- understood what he'd said that day I'd wept before Cassian in the training pit. 'They put their heads in boxes and sent them down the river- to the nearest camp. Tamlin's father kept their wings as trophies. I'm surprised you didn't see them pinned in the study.' I was going to vomit; I was going to fall to my knees and weep. ... Rhys merely continued. 'When I heard, when my father heard... I wasn't wholly truthful to you when I told you Under the Mountain that my father killed Tamlin's father and brothers, I went with him. Helped him. We winnowed to the edge of the Spring Court that night, then went the rest of the way on foot- to the manor. I slew Tamlin's brothers on sight. I held their minds, and rendered them helpless while I cut them into pieces, then melted their brains inside their skulls. And when I got to the High Lord's bedroom- he was dead. And my father... my father had killed Tamlin's mother as well.' I couldn't stop shaking my head. 'My father had promised not to touch her. That we weren't the kind of males who would do that. But he lied to me, and he did it, anyway. And then he went for Tamlin's room.' I couldn't breathe- couldn't breathe as Rhys said, 'I tried to stop him. He didn't listen. He was going to kill him, too. And I couldn't... After all the death, I was done. I didn't care that Tamlin had been there, had allowed them to kill my mother and sister, that he'd come to kill me because he didn't want to risk standing against them. I was done with death. So I stopped my father before the door. He tried to go through me. Tamlin opened the door, saw us- smelled the blood already leaking into the hallway. And I didn't even get to say a word before Tamlin killed my father in one blow.' 'I felt the power shift to me, even as I saw it shift to him. And we just looked at each other, as we were both suddenly crowned High Lord- and then I ran.' He'd murdered Rhysand's family. The High Lord I'd loved- he'd murdered his friend's family, and when I'd asked how his family died, he'd merely told me a rival court had done it. Rhysand had done it, and- 'He didn't tell you any of that.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
skull stares at me with foreboding, another one a head with an open-mouthed scream. They run together so they’re barely distinguishable, the black rose the only reminder of his humanity.
Jane Henry (Wicked Doms Box Set (Wicked Doms #1-3))
The chamber was a cool, chill black- as if we'd stepped inside the mind of some sleeping beast. And within its round space gleamed glittering islands of light. Of jewels. Ten thousand years' worth of treasure. It was neatly organised, in podiums and open drawers and busts and racks. 'The family jewels,' Rhys said with a devious grin. ... ...carved into the rock was an entire wall of crowns. They each had their own resting place, lined with black velvet, each illuminated by- 'Glowworms,' Rhys told me as the tiny, bluish globs crusted in the arches of each nook seemed to glitter like the entire night sky. In fact... What I'd taken for small faelights in the ceiling high above... It was all glowworms. Pale blue and turquoise, their light as silken as moonlight, illumining the jewels with ancient, silent fire. 'Pick one,' Rhys whispered in my ear. 'A glowworm?' He nipped at my earlobe. 'Smartass.' He steered me back toward the wall of crowns, each wholly different- as individual as skulls. 'Pick whichever crown you like.' 'I can't just- take one.' 'You must certainly can. They belong to you.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
tugging her through the crowds and toward the real tourist draw of the Gate. Jutting out of the quartz about four feet off the ground lay the dial pad: a solid-gold block embedded with seven different gems, each for a different quarter of the city, the insignia of each district etched beneath it. Emerald and a rose for Five Roses. Opal and a pair of wings for the CBD. Ruby and a heart for the Old Square. Sapphire and an oak tree for Moonwood. Amethyst and a human hand for Asphodel Meadows. Tiger’s-eye and a serpent for the Meat Market. And onyx—so black it gobbled the light—and a set of skull and crossbones for the Bone Quarter.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
During one of our brief breaks, he’d told me what Amren had done on her side of the river. With her dark power, she had spun illusions straight into the soldiers’ minds. They believed they had fallen into the Sidra and were drowning; they believed they were flying a thousand feet above and had dived, fast and swift, for the city—only to find the street mere feet away, and the crunch of their skulls. The crueler ones, the wickedest ones, she had unleashed their own nightmares upon them—until they died from terror, their hearts giving out.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
I’d heard of catacombs on the continent, where skulls of beloved or infamous people were kept in little alcoves—dozens or hundreds of them to a wall.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
When I heard, when my father heard … I wasn’t wholly truthful to you when I told you Under the Mountain that my father killed Tamlin’s father and brothers. I went with him. Helped him. We winnowed to the edge of the Spring Court that night, then went the rest of the way on foot—to the manor. I slew Tamlin’s brothers on sight. I held their minds, and rendered them helpless while I cut them into pieces, then melted their brains inside their skulls. And when I got to the High Lord’s bedroom—he was dead. And my father … my father had killed Tamlin’s mother as well.” I couldn’t stop shaking my head. “My father had promised not to touch her. That we weren’t the kind of males who would do that. But he lied to me, and he did it, anyway. And then he went for Tamlin’s room.” I couldn’t breathe—couldn’t breathe as Rhys said, “I tried to stop him. He didn’t listen. He was going to kill him, too. And I couldn’t … After all the death, I was done. I didn’t care that Tamlin had been there, had allowed them to kill my mother and sister, that he’d come to kill me because he didn’t want to risk standing against them. I was done with death. So I stopped my father before the door. He tried to go through me. Tamlin opened the door, saw us—smelled the blood already leaking into the hallway. And I didn’t even get to say a word before Tamlin killed my father in one blow. “I felt the power shift to me, even as I saw it shift to him. And we just looked at each other, as we were both suddenly crowned High Lord—and then I ran.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
I felt the light shooting straight through my eyes into my skull unfiltered, causing a tumor to grow in the center of my brain. The tumor was shaped like a rose and its petals were as sharp as razorblades. With each new thought, a petal would spiral away from the body of the flower and slice a passageway through the meat of my brain, slowly boring out large sections of my identity.
Michael Gira (The Consumer)
Snowflakes swirled from a dark sky and ashes rose to meet them, the grey and the white whirling around each other as flaming arrows arched above a wooden wall and dead things shambled silent through the cold, beneath a great grey cliff where fires burned inside a hundred caves. Then the wind rose and the white mist came sweeping in, impossibly cold, and one by one the fires went out. Afterward only the skulls remained.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
Donald was stunned. They must be making a sensaysh out of it, to sacrifice so much time from even their ten-minute condensed-news cycle! His Mark II confidence evaporated. Euphoric from his recent eptification, he had thought he was a new person, immeasurably better equipped to affect the world. But the implications of that expensive plug stabbed deep into his mind. If State were willing to go to these lengths to maintain his cover identity, that meant he was only the visible tip of a scheme involving perhaps thousands of people. State just didn’t issue fiats to a powerful corporation like English Language Relay Satellite Service without good reason. Meaningless phrases drifted up, dissociated, and presented themselves to his awareness, all seeming to have relevance to his situation and yet not cohering. My name is Legion. I fear the Greeks, even bearing gifts. The sins of the fathers shall be visited on the children. Say can you look into the seeds of time? Was this the face that launch’d a thousand ships, And burnt the topless towers of Ilium? Struggling to make sense of these fragments, he finally arrived at what his subconscious might be trying to convey. The prize, these days, is not in finding a beautiful mistress. It’s in having presentable prodgies. Helen the unattainable is in the womb, and every mother dreams of bearing her. Now her whereabouts is known. She lives in Yatakang and I’ve been sent in search of her, ordered to bring her back or say her beauty is a lie—if necessary to make it a lie, with vitriol. Odysseus the cunning lurked inside the belly of the horse and the Trojans breached the wall and took it in while Laocoön and his sons were killed by snakes. A snake is cramped around my forehead and if it squeezes any tighter it will crack my skull. When the purser next passed, he said, “Get me something for a headache, will you?” He knew that was the right medicine to ask for, yet it also seemed he should have asked for a cure for bellyache, because everything was confused: the men in the belly of the wooden horse waiting to be born and wreak destruction, and the pain of parturition, and Athena was born of the head of Zeus, and Time ate his children, as though he were not only in the wooden horse of the express but was it about to deliver the city to its enemy and its enemy to the city, a spiralling wild-rose branch of pain with every thorn a spiky image pricking him into other times and other places. Ahead, the walls. Approaching them, the helpless stupid Odysseus of the twenty-first century, who must also be Odin blind in one eye so as not to let his right hand know what his left was doing. Odinzeus, wielder of thunderbolts, how could he aim correctly without parallax? “No individual has the whole picture, or even enough of it to make trustworthy judgments on his own initiative.” Shalmaneser, master of infinite knowledge, lead me through the valley of the shadow of death and I shall fear no evil … The purser brought a white capsule and he gulped it down. But the headache was only a symptom, and could be fixed.
John Brunner (Stand on Zanzibar)
A skull graces the bulging muscle of one large bicep, a rose with something stuck in it is along another arm, a spider crawls along his back, and other intricately woven lines join them all together. These tattoos mean something.
Jane Henry (Wicked Doms Box Set (Wicked Doms #1-3))
When are you going to talk about how you wrote a letter to Tamlin, telling him you've left for good?' The question hit me so viciously that I sniped, 'How about when you talk about how you tease and taunt Mor to hide whatever it is you feel for her?' Because I had no doubt that he was well aware of the role he played in their little tangled web. ... Cassian let out a startled, rough laugh. 'Old news.' 'I have a feeling that's what she probably says about you.' ... But the question he'd asked swarmed in my skull. You've left for good, you've left for good, you've left for good. I had- I'd meant it. But without knowing what he thought, if he'd even care that much... No, I knew he'd care. He'd probably trashed the manor in his rage. If my mere mention of him suffocating me had caused him to destroy his study, then this... I had been frightened by those fits of pure rage, cowed by them. And it had been love- I had loved him so deeply, so greatly, but...
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
never woke, at first, without recalling, chilled, all those other waking times, those similar stark views from similarly lighted precipices: dizzying precipices from which the distant, glittering world revealed itself as a brooding and separated scene—and so let slip a queer implication, that I myself was both observer and observable, and so a possible object of my own humming awareness. Whenever I stepped into the porcelain bathtub, the bath’s hot water sent a shock traveling up my bones. The skin on my arms pricked up, and the hair rose on the back of my skull. I saw my own firm foot press the tub, and the pale shadows waver over it, as if I were looking down from the sky and remembering this scene forever. The skin on my face tightened, as it had always done whenever I stepped into the tub, and remembering it all drew a swinging line, loops connecting the dots, all the way back. You again.
Annie Dillard (An American Childhood)
It’s five o’clock, and I’m reaching into the fridge for a block of cheese when there’s a knock at the door. Stealth mode engaged, I abandon making what would have been the world’s most perfect sandwich and creep up the hall, eyeing the door like whoever is on the other side is going to burst right through it. We have a staredown then, the door and I. It’s pretty intense, just short of an evil sheriff hiding in the shadows, chewing on a matchstick. Another knock. Without moving my eyes, I pump a blob of antibacterial gel into my hands and rub it away. Because I’m sure the only thing on any home invader’s mind, after being polite enough to knock first, is a sanitary victim. I roll my eyes so hard they almost fall out of my skull.
Louise Gornall (Under Rose-Tainted Skies)
Mon Dieu, it’s the little admiral,” she said cheerfully. “What are you doing here?” Ignoring the anguished scream inside his skull, Miles schooled his features to an—exquisitely—polite blankness. “I beg your pardon, ma’am?” “Admiral Naismith. Or . . .” She took in his uniform, her eyes lighting with interest. “Is this some mercenary covert operation, Admiral?” A beat passed. Miles allowed his eyes to widen, his hand to stray to his weaponless trouser seam and twitch there. “My God,” he choked in a voice of horror—not hard, that—“Do you mean to tell me Admiral Naismith has been seen on Earth?” Her chin lifted, and her lips parted in a little half-smile of disbelief. “In your mirror, surely.” Were his eyebrows visibly singed? His right hand was still bandaged. Not a burn, ma’am, Miles thought wildly. I cut it shaving . . . Miles came to full attention, snapping his polished boot heels together, and favored her with a small, formal bow. In a proud, hard, and thickly Barrayaran-accented voice, he said, “You are mistaken, ma’am. I am Lord Miles Vorkosigan of Barrayar. Lieutenant in the Imperial Service. Not that I don’t aspire to the rank you name, but it’s a trifle premature.” She smiled sweetly. “Are you entirely recovered from your burns, sir?” Miles’s eyebrows rose—no, he shouldn’t have drawn attention to them—“Naismith’s been burned? You have seen him? When? Can we speak of this? The man you name is of the greatest interest to Barrayaran Imperial Security.” She
Lois McMaster Bujold (Brothers in Arms (Vorkosigan Saga, #5))
Jesus God!” His fingers sprang open, releasing her. They rose to gingerly probe the lump at back of his skull and he groaned again. The sound was echoed by the body crushed beneath him. “Beacom?” A lavender arm lifted to see what was beneath. “Good God, man, what are you doing under there?” “Waiting for you to rouse, your grace,” came the gasped reply. “Hoping that in your boundless compassion, you might even be willing to heave off me!
Marsha Canham (The Iron Rose (Dante Pirates, #2))
Yesterday it had been a single chocolate orb that shattered with the tap of a knife, revealing shards of crystallized whiteness. "Chocolate-menthol geode," Hector had said, and watched them piercingly as they ate, the chocolate melting on their tongues while the menthol rose in vapors straight towards the tops of their skulls.
Michelle Wildgen (Bread and Butter)