Skirt Speech Quotes

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A good speech should be like a woman's skirt; long enough to cover the subject and short enough to create interest.
Winston S. Churchill
A good speech is like a woman's skirt: short enough to hold your attention, long enough to cover the subject
Jonathan Tropper (This is Where I Leave You)
Is there no context for our lives? No song, no literature, no poem full of vitamins, no history connected to experience that you can pass along to help us start strong? You are an adult. The old one, the wise one. Stop thinking about saving your face. Think of our lives and tell us your particularized world. Make up a story. Narrative is radical, creating us at the very moment it is being created. We will not blame you if your reach exceeds your grasp; if love so ignites your words they go down in flames and nothing is left but their scald. Or if, with the reticence of a surgeon's hands, your words suture only the places where blood might flow. We know you can never do it properly - once and for all. Passion is never enough; neither is skill. But try. For our sake and yours forget your name in the street; tell us what the world has been to you in the dark places and in the light. Don't tell us what to believe, what to fear. Show us belief s wide skirt and the stitch that unravels fear's caul. You, old woman, blessed with blindness, can speak the language that tells us what only language can: how to see without pictures. Language alone protects us from the scariness of things with no names. Language alone is meditation.
Toni Morrison (The Nobel Lecture In Literature, 1993)
The fundamentalist seeks to bring down a great deal more than buildings. Such people are against, to offer just a brief list, freedom of speech, a multi-party political system, universal adult suffrage, accountable government, Jews, homosexuals, women's rights, pluralism, secularism, short skirts, dancing, beardlessness, evolution theory, sex. There are tyrants, not Muslims. United Nations Secretary-General Kofi Annan has said that we should now define ourselves not only by what we are for but by what we are against. I would reverse that proposition, because in the present instance what we are against is a no brainer. Suicidist assassins ram wide-bodied aircraft into the World Trade Center and Pentagon and kill thousands of people: um, I'm against that. But what are we for? What will we risk our lives to defend? Can we unanimously concur that all the items in the preceding list -- yes, even the short skirts and the dancing -- are worth dying for? The fundamentalist believes that we believe in nothing. In his world-view, he has his absolute certainties, while we are sunk in sybaritic indulgences. To prove him wrong, we must first know that he is wrong. We must agree on what matters: kissing in public places, bacon sandwiches, disagreement, cutting-edge fashion, literature, generosity, water, a more equitable distribution of the world's resources, movies, music, freedom of thought, beauty, love. These will be our weapons. Not by making war but by the unafraid way we choose to live shall we defeat them. How to defeat terrorism? Don't be terrorized. Don't let fear rule your life. Even if you are scared.
Salman Rushdie (Step Across This Line: Collected Nonfiction 1992-2002)
You probably think battles are won with cannons and brave speeches and fearless charges." She smoothed her skirts as she spoke. "They're not. Wars are won by dint of having adequate shoe leather. They're won by boys who make shells in munition factories, by supply trains shielded from enemy eyes. Wars are won by careful attendance to boring detail. If you wait to see the cavalry charge, Your Grace, you'll have already lost.
Courtney Milan (The Duchess War (Brothers Sinister, #1))
The old expression goes, a good speech is like a woman’s skirt: short enough to hold your attention, long enough to cover the subject.
Jonathan Tropper (This is Where I Leave You)
A good speech should be a like a woman’s skirt: long enough to cover the subject and short enough to create interest. —WINSTON CHURCHILL
Bill McGowan (Pitch Perfect: How to Say It Right the First Time, Every Time (How to Say It Right the First Time, Every Time Hardcover))
Through Jimi Hendrix's music you can almost see the assassinations of President John F. Kennedy and of Martin Luther King Junior, the beginnings of the Berlin Wall, Yuri Gagarin in space, Fidel Castro and Cuba, the debut of Spiderman, Martin Luther King Junior’s ‘I Have a Dream’ speech, Ford Mustang cars, anti-Vietnam protests, Mary Quant designing the mini-skirt, Indira Gandhi becoming the Prime Minister of India, four black students sitting down at a whites-only lunch counter in Greensboro North Carolina, President Johnson pushing the Civil Rights Act, flower children growing their hair long and practicing free love, USA-funded IRA blowing up innocent civilians on the streets and in the pubs of Great Britain, Napalm bombs being dropped on the lush and carpeted fields of Vietnam, a youth-driven cultural revolution in Swinging London, police using tear gas and billy-clubs to break up protests in Chicago, Mods and Rockers battling on Brighton Beach, Native Americans given the right to vote in their own country, the United Kingdom abolishing the death penalty, and the charismatic Argentinean Marxist revolutionary Che Guevara. It’s all in Jimi’s absurd and delirious guitar riffs.
Karl Wiggins (Wrong Planet - Searching for your Tribe)
He spent the next ten minutes giving a speech about the great day that is the day of their Surrender, and I can’t be bothered to remember it all (it went on for nine minutes too long, if you ask me), but suffice it to say that it was a heart-warming speech that excited the crowd and sent jitters up Alice’s skirts; and anyway, I hope you don’t mind but I’d like to skip ahead to the part where things actually happen.
Tahereh Mafi (Furthermore)
She wanted to go to school with him. She wanted to don a gang jacket and sit in the back of the classroom with a bat so that everyone understood what would happen to them if they messed with her kid. She wanted to go in and give a speech she'd actually rehearsed over and over in her head. The rest of you may be gender-conforming children, she'd say, but you're not nearly as smart, funny, or interesting as Claude, so you tell me which is better: awesome, dynamic boy in a skirt, or tiresome, whiney child with a runny nose who has nothing to offer but compliance.
Laurie Frankel (This Is How It Always Is)
In the name of Him Who created and sustains the world, the Sage Who endowed tongue with speech. He attains no honor who turns the face from the doer of His mercy. The kings of the earth prostate themselves before Him in supplication. He seizes not in haste the disobedient, nor drives away the penitent with violence. The two worlds are as a drop of water in the ocean of His knowledge. He withholds not His bounty though His servants sin; upon the surface of the earth has He spread a feast, in which both friend and foe may share. Peerless He is, and His kingdom is eternal. Upon the head of one He placed a crown another he hurled from the throne to the ground. The fire of His friend He turned into a flower garden; through the water of the Nile He sended His foes to perdition. Behind the veil He sees all, and conceal ed our faults with His own goodness. He is near to them that are downcast, and accepts the prayers of them that lament. He knows of the things that exist not, of secrets that are untold. He causes the moon and the sun to revolve, and spreads water upon the earth. In the heart of a stone hath He placed a jewel; from nothing had He created all that is. Who can reveal the secret of His qualities; what eye can see the limits of His beauty? The bird of thought cannot soar to the height of His presence, nor the hand of understanding reach to the skirt of His praise. Think not, O Saadi, that one can walk in the road of purity except in the footsteps of Mohammed (Peace and Blessings be Upon Him)
Saadi (The Bustan of Sa'di)
Stormy lived more life in one night than most people do their whole lives. She was a force of nature. She taught me that love--” My eyes well up and I start over. “Stormy taught me that love is about making brave choices every day. That’s what Stormy did. She always picked love; she always picked adventure. To her they were one and the same. And now she’s off on a new adventure, and we wish her well.” From his seat on the couch, John wipes his eyes with his sleeve. I give Janette a nod, and she gets up and presses play on the stereo, and “Stormy Weather” fills the room. “Don’t know why there’s no sun up in the sky…” After, John shoulders his way over to me, holding two plastic cups of fruit punch. Ruefully he says, “I’m sure she’d tell us to spike it, but…” He hands me a cup, and we clink. “To Edith Sinclair McClaren Sheehan, better known as Stormy.” “Stormy’s real name was Edith? It’s so serious. It sounds like someone who wears wool skirts and heavy stockings, and drinks chamomile tea at night. Stormy drank cocktails!” John laughs. “I know, right?” “So then where did the name Stormy come from? Why not Edie?” “Who knows?” John says, a wry smile on his lips. “She’d have loved your speech.” He gives me a warm, appreciative sort of look. “You’re such a nice girl, Lara Jean.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Extract from 'Quixotic Ambitions': The crowd stared at Katy expectantly. She looked at them - old women in black, exhausted young women with pasty-faced children, youths in jeans and leather blousons chewing gum. She tried to speak but the words wouldn’t come. Then, with a sudden burst of energy, she blurted out her short speech, thanking the people of Shkrapova for their welcome and promising that if she won the referendum she would work for the good of Maloslavia. There was some half-hearted applause and an old lady hobbled up to her, knelt down with difficulty, and kissed the hem of her skirt. She looked at Katy with tears rolling down her face and gabbled something excitedly. Dimitar translated: ‘She says that she remembers the reign of your grandfather and that God has sent you to Maloslavia.’ Katy was embarrassed but she smiled at the woman and helped her to her feet. At this moment the People’s Struggle Pioneers appeared on the scene, waving their banners and shouting ‘Doloy Manaheeyoo! Popnikov President!’ Police had been stationed at strategic points and quickly dispersed the demonstrators without any display of violence, but the angry cries of ‘Down with the monarchy!’ had a depressing effect on the entertainment that had been planned; only a few people remained to watch it. A group of children aged between ten and twelve ran into the square and performed a series of dances accompanied by an accordian. They stamped their feet and clapped their hands frequently and occasionally collided with one another when they forgot their next move. The girls wore embroidered blouses, stiffly pleated skirts and scarlet boots and the boys were in baggy linen shirts and trousers, the legs of which were bound with leather thongs. Their enthusiasm compensated for their mistakes and they were loudly applauded. The male voice choir which followed consisted of twelve young men who sang complicated polyphonic melodies with a high, curiously nasal tenor line accompanied by an unusually deep droning bass. Some of their songs were the cries of despair of a people who had suffered under Turkish occupation; others were lively dance tunes for feast days and festivals. They were definitely an acquired taste and Katy, who was beginning to feel hungry, longed for them to come to an end. At last, at two o’clock, the performance finished and trestle tables were set up in the square. Dishes of various salads, hors-d’oeuvres and oriental pastries appeared, along with casks of beer and bottles of the local red wine. The people who had disappeared during the brief demonstration came back and started piling food on to paper plates. A few of the People’s Struggle Pioneers also showed up again and mingled with the crowd, greedily eating anything that took their fancy.
Pamela Lake (Quixotic Ambitions)
Taking the catcher’s place, he sank to his haunches and gestured to Arthur. “Throw some easy ones to begin with,” he called, and Arthur nodded, seeming to lose his apprehensiveness. “Yes, milord!” Arthur wound up and released a relaxed, straight pitch. Squinting in determination, Lilian gripped the bat hard, stepped into the swing, and turned her hips to lend more impetus to the motion. To her disgust, she missed the ball completely. Turning around, she gave Westcliff a pointed glance. “Well, your advice certainly helped,” she muttered sarcastically. “Elbows,” came his succinct reminder, and he tossed the ball to Arthur. “Try again.” Heaving a sigh, Lillian raised the bat and faced the pitcher once more. Arthur drew his arm back, and lunged forward as he delivered another fast ball. Lillian brought the bat around with a grunt of effort, finding an unexpected ease in adjusting the swing to just the right angle, and she received a jolt of visceral delight as she felt the solid connection between the bat and the leather ball. With a loud crack the ball was catapulted high into the air, over Arthur’s head, beyond the reach of those in the back field. Shrieking in triumph, Lillian dropped the bat and ran headlong toward the first sanctuary post, rounding it and heading toward second. Out of the corner of her eye, she saw Daisy hurtling across the field to scoop up the ball, and in nearly the same motion, throwing it to the nearest boy. Increasing her pace, her feet flying beneath her skirts, Lillian rounded third, while the ball was tossed to Arthur. Before her disbelieving eyes, she saw Westcliff standing at the last post, Castle Rock, with his hands held up in readiness to catch the ball. How could he? After showing her how to hit the ball, he was now going to tag her out? “Get out of my way!” Lillian shouted, running pellmell toward the post, determined to reach it before he caught the ball. “I’m not going to stop!” “Oh, I’ll stop you,” Westcliff assured her with a grin, standing right in front of the post. He called to the pitcher. “Throw it home, Arthur!” She would go through him, if necessary. Letting out a warlike cry, Lillian slammed full-length into him, causing him to stagger backward just as his fingers closed over the ball. Though he could have fought for balance, he chose not to, collapsing backward onto the soft earth with Lillian tumbling on top of him, burying him in a heap of skirts and wayward limbs. A cloud of fine beige dust enveloped them upon their descent. Lillian lifted herself on his chest and glared down at him. At first she thought that he had been winded, but it immediately became apparent that he was choking with laughter. “You cheated!” she accused, which only seemed to make him laugh harder. She struggled for breath, drawing in huge lungfuls of air. “You’re not supposed…to stand in front…of the post…you dirty cheater!” Gasping and snorting, Westcliff handed her the ball with the ginger reverence of someone yielding a priceless artifact to a museum curator. Lillian took the ball and hurled it aside. “I was not out,” she told him, jabbing her finger into his hard chest for emphasis. It felt as if she were poking a hearthstone. “I was safe, do you…hear me?” She heard Arthur’s amused voice as he approached them. “Actually, miss—” “Never argue with a lady, Arthur,” the earl interrupted, having managed to regain his powers of speech, and the boy grinned at him. “Yes, milord.” “Are there ladies here?” Daisy asked cheerfully, coming from the field. “I don’t see any.” Still smiling, the earl looked up at Lillian.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Dammit, Holly, I'd never have believed you'd do something so harebrained. Do you understand that the building could have collapsed around you and those henwits? I know what condition those places are in, and I wouldn't let a dog of mine venture past the threshold, much less my wife. And the men—good God, when I think of the low-living bastards who were in your vicinity, it makes my blood curdle! Sailors and drunkards on every corner—do you know what would happen if one of them took it into his head to snap up a little treat like you?” As the thought seemed to temporarily render him incapable of speech, Holly took the opportunity to defend herself. “I was with companions, and—” “Ladies,” he said savagely. “Armed with umbrellas, no doubt. Just what do you think they would have been able to do, had you met with bad company?” “The few men we encountered in the neighborhood were harmless,” Holly argued. “In fact, it was the very same place you lived in during your childhood, and those men were no different from you—” “In those days, I'd have played merry hell with you, if I'd managed to get my hands on you,” he said harshly. “Have no illusions, milady… you'd have ended face-to-the wall in Maidenhead Lane with your skirts around your waist. The only wonder is that you didn't meet that fate with some randy sailor yesterday.” “You're exaggerating,” Holly said defensively, but that only roused his temper to a higher pitch. He continued to blister her ears with a lecture that was furious and insulting by turns, naming the various diseases she could have contracted and the vermin she had likely encountered, until Holly couldn't bear another word. “I've heard enough,” she cried hotly. “It's clear to me that I'm not to make a single decision without asking your permission first—I'm to be treated as a child, and you will act as a dictator.” The accusation was unfair, and she knew it, but she was too incensed to care. Suddenly his fury seemed to evaporate, and he stared at her with an inscrutable gaze. A long moment passed before he spoke again. “You wouldn't have taken Rose to such a place, would you?” “Of course not! But she is a little girl, and I'm—” “My life,” he interrupted quietly. “You're my entire life. If anything ever happens to you, Holly, there is nothing left for me.
Lisa Kleypas (Where Dreams Begin)
widening. “Don’t you dare draw their fire.”  Lynn.   Jonathan committed the name to memory. The outsiders didn’t seem to notice the man’s slip. They kept their weapons trained on the girl. She glared at them as if daring them to kill her. “Go ahead! Shoot! I’m sick of being hunted by you! Kill me and claim the fame. Do it!”  Parker dodged forward, rushing past any and all that stood between him and the woman named Lynn. He shoved his body in front of hers in a protective manner and glared at the men. “You’ll not harm her. She’s under my protection now.”  Eli let out a low whistle. “Never did I see that coming. Saw-bones is a born skirt-chaser. Think he might have The Fever or something? He’s always doctorin’ folks with weird ailments.”  Well, if The Fever included an uncontrollable urge to protect a woman, then his brother most certainly had caught it. He could only hope Parker’s case was curable. Jonathan knew his own case wasn’t. Molly had infected him long ago and he knew he’d never get her out of his veins. It wasn’t like he hadn’t tried. His exploits of the female persuasion were legendary—so was the fact he refused to commit. “Are you stupid?” Lynn asked, giving Parker a good shove. At five-eight, she was tall by female standards but short compared the MacSweeny boys. Still, she managed to get Parker to budge ever so slightly, shocking Jonathan. “Move! They’ll gun you down to get to me.”  “Then so be it.”  Jonathan shook his head. Parker was bound to get himself killed without some serious intervention. “Parker, get her and your ass out of there. We’ll take care of our guests. We’ll even be sweet enough to give ‘em that welcome speech you had worked out.”  “Parker?” the girl asked. She glanced at Jonathan and Eli and her eyes widened. “That means one of you is Jonathan.” The feel of a cold, hard barrel pressed against the back of Jonathan’s head. Cursing himself for letting his guard down, he put his hands up as his attacker shoved harder with the gun.  “Lookie, boys, we got us a sheriff. He’s got to bring a good amount of coinage, don’t ya think?”  There was a flash of black. A blur. Several shots. Screams. Jonathan caught movement out of the corner of his eye and realized someone had shot the man who had him at gunpoint. Chapter Four Molly
Mandy M. Roth (Alpha Shifter Seductions Boxed Set: Paranormal Romance)
You probably think battles are won with cannons and brave speeches and fearless charges.” She smoothed her skirts as she spoke. “They’re not. Wars are won by dint of having adequate shoe leather. They’re won by boys who make shells in munitions factories, by supply trains shielded from enemy eyes. Wars are won by careful attendance to boring detail. If you wait to see the cavalry charge, Your Grace, you’ll have already lost.
Courtney Milan (The Duchess War (Brothers Sinister, #1))
A good speech should be like a woman’s skirt: long enough to cover the subject and short enough to create interest.
Richard Branson (The Virgin Way: How to Listen, Learn, Laugh and Lead)
I have this brilliant plan.” I slid my hand up her bare thigh and under the hem of her skirt, finding all soft skin, lacy panties, and enticing heat. “I’m going to bury my tongue in your pussy while you give your speech. If you get it right, I’ll make you come. If you don’t, we start all over.” I toyed with the elastic of her panties, waiting for her answer. The apples of her cheeks flushed, and her eyes brightened with interest. “You believe it’ll work?” “There’s a chance it will.” I worked my hand between her thighs and cupped her heated pussy. “Sit on my face, baby girl.” She stilled. “What? No. I’ll suffocate you.” I wiggled my eyebrows. “That’s the point. If I’m not short of breath, I’m not doing my job.
Julia Wolf (Burn it Down (The Savage Crew, #3))
A speech should be like a woman’s skirt: long enough to cover the subject matter but short enough to hold the audience’s attention.
Ashwin Sanghi (13 Steps to Bloody Good Luck)
Without allowing herself a moment to contemplate the matter further, she surged into motion, scooting around the first row of chairs and plopping to the floor directly behind Miss Griswold and right in between two young ladies, neither of whom Wilhelmina had ever been introduced to. “Pretend I’m not here,” she whispered to a young lady sporting a most unfortunate hairstyle, who looked down at her as if she’d lost her mind. The young lady blinked right before she smiled. “That might be a little difficult, Miss Radcliff, especially since you’re sitting on my feet.” “Goodness, am I really?” Wilhelmina asked, scooting off the feet in question even as she pushed aside a bit of ivory chiffon that made up the young lady’s skirt. “Shall we assume you’re hiding from someone?” the young lady pressed. “Indeed, but . . . don’t look over at the refreshment table. That might draw unwanted notice.” Unfortunately, that warning immediately had the young lady craning her neck, while the other young lady sat forward, peering over Miss Griswold’s shoulder in an apparent effort to get a better view of the refreshment table. “Who are you hiding from?” Miss Griswold asked out of the corner of her mouth, having the good sense to keep her attention front and center. “Mr. Edgar Wanamaker, the gentleman you were inquiring about,” Wilhelmina admitted. “Mr. Wanamaker’s here?” the young lady with the unfortunate hairstyle repeated as she actually stood up and edged around Wilhelmina, stepping on Wilhelmina’s hand in the process. “Is he the gentleman with the dark hair and . . . goodness . . . very broad shoulders . . . and the one now looking our way? Why, I heard earlier this evening that he’s returned to town with a fortune at his disposal—a fortune that, rumor has it, is certain to turn from respectable to impressive in the not too distant future.” “You don’t say,” Wilhelmina muttered as she tried to tug her hand out from underneath the lady’s shoe. “Miss Cadwalader, you’re grinding poor Miss Radcliff’s hand into the floor.” Looking up, Wilhelmina stopped her tugging as she met the gaze of the other young lady sitting in the second row of the wallflower section, a lady who was looking somewhat appalled by the fact she’d apparently spoken those words out loud. Without saying another word, the lady rose to her feet, shook out the folds of a gown that was several seasons out of date, whispered something regarding not wanting to be involved in any shenanigans, and then dashed straightaway. “I wasn’t aware Miss Flowerdew was even capable of speech,” the lady still standing on Wilhelmina’s hand said before she suddenly seemed to realize that she was, indeed, grinding Wilhelmina’s hand into the ground. Jumping to the left, she sent Wilhelmina a bit of a strained smile. “Do forgive me, Miss Radcliff. I fear with all the intrigue occurring at the moment, paired with hearing Miss Flowerdew string an entire sentence together, well, I evidently quite lost my head and simply didn’t notice I was standing on you.” She thrust a hand Wilhelmina’s way. “I’m Miss Gertrude Cadwalader, paid companion to Mrs. Davenport. Please do accept my apologies for practically maiming you this evening, although rest assured, it is an unusual event for me to maim a person on a frequent basis.” Taking the offered hand in hers—although she did so rather gingerly since her hand had almost been maimed by Miss Cadwalader—Wilhelmina gave it a shake, a circumstance she still found a little peculiar, but resisted when Miss Cadwalader began trying to tug her to her feet. “How fortunate for Mrs. Davenport that you don’t participate in maiming often,” she began. “But if you don’t mind, I prefer staying down here for the foreseeable future, since I have no desire for Mr. Wanamaker to take notice of me this evening.” “Ah,
Jen Turano (At Your Request (Apart from the Crowd, #0.5))
I go back to Oberlin in the dead of winter to give a "convocation speech" in Finney Chapel, the largest and most historic of campus structures. In a subconscious nod to my college experience I forget to pack both tights and underwear and have to spend the weekend going commando in a wool skirt and knee socks. I am toured around the school like a stranger by a girl who didn't even go here. We stop at a glossy new cafe for tea and scones. She asks if I want a tour of the dormitories- no, I just want to wander around alone and maybe cry.
Lena Dunham (Not That Kind of Girl: A Young Woman Tells You What She's "Learned")
The only thing that would have made my Fourth of July Rotary Club Homegrown Hero Award Luncheon acceptance speech more humiliating was if my skirt had flown up and my ass crack had made another appearance.
Carrie Firestone (The Unlikelies)