“
We teach our girls how not to get raped with a sense of doom, a sense that we are fighting a losing battle. When I was writing this novel, friend after friend came to me telling me of something that had happened to them. A hand up their skirt, a boy who wouldn’t take no for an answer, a night where they were too drunk to give consent but they think it was taken from them anyway. We shared these stories with one another and it was as if we were discussing some essential part of being a woman, like period cramps or contraceptives. Every woman or girl who told me these stories had one thing in common: shame. ‘I was drunk . . . I brought him back to my house . . . I fell asleep at that party . . . I froze and I didn’t tell him to stop . . .’ My fault. My fault. My fault. When I asked these women if they had reported what had happened to the police, only one out of twenty women said yes. The others looked at me and said, ‘No. How could I have proved it? Who would have believed me?’ And I didn’t have any answer for that.
”
”
Louise O'Neill (Asking For It)
“
Finally I grinned and said, "I won't eat meat if it's been overcooked." She (Amarinda) glanced up at me, confused, and I added, "I thought you should know that, since we're going to be friends now."
Amarinda's smile widened. "I think it's unfair that women aren't allowed to wear trousers. They seem far more comfortable than dresses."
I chuckled. "They're not. Every year I think fashion invents one more piece I have to add to my wardrobe."
"And one more layer to my skirts." She thought for a moment, then said, "I think it's funny when you're rude to the cook. I shouldn't admit that, but his face turns all sorts of colors when you are and there's nothing he can do about it."
"He can overcook my meat.
”
”
Jennifer A. Nielsen (The Runaway King (Ascendance, #2))
“
Tal told me he loved me, and told me and told me, but you don't tell someone that and then tell them they're not experienced enough in bed and should read a book or something to learn, or they should try wearing deep-red lipstick and tight skirts to look hot like their best friend once in a while. If Tal hadn't lied to me when he said he loved me, I might not be without a future right now, a sucker who was so chickenshit she allowed herself to believe a false dream from a false god. I'm not sure I ever even liked Tal, much less loved him.
”
”
Rachel Cohn (Nick & Norah's Infinite Playlist)
“
A friend of ours, the wife of a pastor at a church in Colorado, had once told me about something her daughter, Hannah, said when she was three years old. After the morning service was over one Sunday, Hannah tugged on her mom’s skirt and asked, “Mommy, why do some people in church have lights over their heads and some don’t?
”
”
Todd Burpo (Heaven is for Real: A Little Boy's Astounding Story of His Trip to Heaven and Back)
“
A friend of ours, the wife of a pastor at a church in Colorado, had once told me about something her daughter, Hannah, said when she was three years old. After the morning service was over one Sunday, Hannah tugged on her mom's skirt and asked. "Mommy, why do some people in church have lights over their heads and some don't?" At the time, I remember thinking two things: First, I would've knelt down and asked Hannah, "Did I have a light over my head? Please say yes!" I also wondered what Hannah had seen, and whether she had seen it because, like my son, she had a childlike faith.
”
”
Todd Burpo
“
I glance around the room. What a comedy! All these people sitting there, looking serious, eating. No, they aren't eating: they are recuperating in order to successfully finish their tasks. Each one of them has his little personal difficulty which keeps him from noticing that he exists; there isn't one of them who doesn't believe himself indispensable to something or someone. Didn't the Self-Taught Man tell me the other day: "No one better qualified than Noucapie to undertake this vast synthesis?" Each one of them does one small thing and no one is better qualified than he to do it. No one is better qualified than the commercial traveler over there to sell Swan Toothpaste. No one better qualified than that interesting young man to put his hand under his girl friend's skirts. And I am among them and if they look at me they must think that no one is better qualified than I to do what I'm doing. But I know. I don't look like much, but I know I exist and that they exist. And if I knew how to convince people I'd go and sit down next to that handsome white-haired gentleman and explain to him just what existence means. I burst out laughing at the thought of the face he would make. The Self-Taught Man looks at me with surprise. I'd like to stop but I can't; I laugh until I cry.
”
”
Jean-Paul Sartre (Nausea)
“
What a Crazy Woman Thinks About While Walking Down the Street She tries to walk not too fast and not too slow. She doesn’t want to attract any attention. She pretends she doesn’t hear the whistles and catcalls and lewd comments. Sometimes she forgets and leaves her house in a skirt or a tank top because it’s a warm day and she wants to feel warm air on her bare skin. Before long, she remembers. She keeps her keys in her hand, three of them held between her fingers, like a dull claw. She makes eye contact only when necessary and if a man should catch her eye, she juts her chin forward, makes sure the line of her jaw is strong. When she leaves work or the bar late, she calls a car service and when the car pulls up to her building, she quickly scans the street to make sure it’s safe to walk the short distance from the curb to the door. She once told a boyfriend about these considerations and he said, “You are completely out of your mind.” She told a new friend at work and she said, “Honey, you’re not crazy. You’re a woman.
”
”
Roxane Gay (Difficult Women)
“
Naturally, Cinder got some on her gown—a smear of yellow frosting on the enormous skirt. She was mortified until Iko adjusted the skirt so the folds would hide it.
“It was inevitable,” Iko said with a wink. “It’s part of your charm.”
Cinder started to laugh, but was startled into silence by a sudden hiccup in her chest.
She looked around, at the smiles and the arms draped over shoulders and Winter daintily licking buttercream from her fingers. At the homemade cake. A gathering of friends. A celebration, for her. They were silly things to be floored by, but she couldn’t help it. She’d never had these things before.
”
”
Marissa Meyer (Winter (The Lunar Chronicles, #4))
“
Is the mask magic?" he demanded with sudden, passionate interest.
"Yes." I bowed my head, so that our eyes no longer met. "I made it magic to keep you safe. The mask is your friend, Erik. As long as you wear it, no mirror can ever show you the face again."
He was silent then and when I showed him the new mask he accepted it without question and put it on hastily with his clumsy, bandaged fingers. But when I stood up to go, he reacted with panic and clutched at my grown.
"Don't go! Don't leave me here in the dark."
"You are not in the dark," I said patiently. "Look, I have left the candle ..."
But I knew, as I looked at him, that it would have made no difference if I had left him fifty candles. The darkness he feared was in his own mind and there was no light in the universe powerful enough to take that darkness from him.
With a sigh of resignation I sat back on the bed and began to sing softly; and before I had finished the first verse, he was asleep.
The bandages on his hands and wrists showed white and eerie in the candle-light, as I eased my skirts from his grasp.
I knew that Marie was right.
Physically and mentally, I had scarred him for life.
”
”
Susan Kay (Phantom)
“
I felt myself a new species of child. Not a boy (most assuredly) but neither a (mere) girl. That skirt-bound race perpetually moving about serving tea had nothing to do with me.
I had such high hopes, you see.
The boundaries of the world seemed vast. I would visit Rome, Paris, Constantinople. Underground cafés presented in my mind where, crushed against wet walls, a (handsome, generous) friend and I sat discussing—many things. Deep things, new ideas. Strange green lights shone in the streets, the sea lapped nearby against greasy tilted moorings; there was trouble afoot, a revolution, into which my friend and I must— Well, as is often the case, my hopes were…not realized.
”
”
George Saunders (Lincoln in the Bardo)
“
This is where the pivotal events of my childhood unfolded, while I ate banana and root beer Popsicles, two by two, tucking the sticks neatly under the skirt of the chair. It's where Sunnybank Lad met Lady, Ken met his friend Flicka, Atlanta burned, Manderley burned, Lassie came home, Jim ran away, Alice got small, Wilbur got big, David Copperfield was born, Beth died, and, on an endless gloomy winter afternoon, Jody shot his yearling.
”
”
Jo Ann Beard (In Zanesville)
“
She knew bullshit when it was being tossed at her by the shovelful. "You know, Ms Purcell, I'm at absolute capacity in the friend department. You'll have to apply elsewhere. As for Roarke and his business, that's his deal. As for you, let's get this straight: You don't look stupid, so I don't believe you think you're the first of Roarke's discarded skirts to swing back this way. You don't worry me. In fact, you don't much interest me. So if that's all?"
Slowly Magdelana slid off the desk. "The man is just never wrong is he? I don't like you."
"Aw."
She moved to the door, then stopped, leaned on the jamb as she looked over at Eve again. "Just one thing? He didn't discard me. I discarded him. And since you don't look stupid either, you know that makes all the difference.
”
”
J.D. Robb (Innocent in Death (In Death, #24))
“
There is a story they tell, about a girl dared by her peers to venture to a local graveyard after dark. This was her folly: when they told her that standing on someone’s grave at night would cause the inhabitant to reach up and pull her under, she scoffed. Scoffing is the first mistake a woman can make.
I will show you, she said.
Pride is the second mistake.
They gave her a knife to stick into the frosty earth, as a way of proving her presence and her theory.
She went to that graveyard. Some storytellers say that she picked the grave at random. I believe she selected a very old one, her choice tinged by self-doubt and the latent belief that if she were wrong, the intact muscle and flesh of a newly dead corpse would be more dangerous than one centuries gone.
She knelt on the grave and plunged the blade deep. As she stood to run she found she couldn’t escape. Something was clutching at her clothes. She cried out and fell down.
When morning came, her friends arrived at the cemetery. They found her dead on the grave, the blade pinning the sturdy wool of her skirt to the ground. Dead of fright or exposure, would it matter when the parents arrived? She was not wrong, but it didn’t matter any more. Afterwards, everyone believed that she had wished to die, even though she had died proving that she could live.
As it turns out, being right was the third, and worst, mistake.
”
”
Carmen Maria Machado (Her Body and Other Parties: Stories)
“
No, Owen. That's what I am to you. I'm your best friend. But that's not what you're to me."
He shook his head in denial.
"What you are to me is the guy that I've been madly in love with since sixth grade. You're the guy I think about every night when I'm in my bed by myself. You're the one who doesn't want me but insists on keeping me tied so close that I can't have anyone else, who keeps on hand on my collar and the other hand up his girlfriend's skirt. And I can't do it anymore!
”
”
Eli Easton (Superhero)
“
Irene spread out her skirts and turned to watch the room, a smile pinned to her face. 'No, nothing going on here, absolutely normal. My friend here likes to stare into locks and wiggle bits of metal round in them; he does it every day and twice on Sundays...
”
”
Genevieve Cogman (The Invisible Library (The Invisible Library, #1))
“
Ms. Lane.”Barrons’ voice is deep, touched with that strange Old World accent and mildly pissed off. Jericho Barrons is often mildly pissed off. I think he crawled from the swamp that way, chafed either by some condition in it, out of it, or maybe just the general mass incompetence he encountered in both places. He’s the most controlled, capable man I’ve ever known.
After all we’ve been through together, he still calls me Ms. Lane, with one exception: When I’m in his bed. Or on the floor, or some other place where I’ve temporarily lost my mind and become convinced I can’t breathe without him inside me this very instant. Then the things he calls me are varied and nobody’s business but mine.
I reply: “Barrons,” without inflection. I’ve learned a few things in our time together. Distance is frequently the only intimacy he’ll tolerate. Suits me. I’ve got my own demons. Besides I don’t believe good relationships come from living inside each other’s pockets. I believe divorce comes from that.
I admire the animal grace with which he enters the room and moves toward me. He prefers dark colors, the better to slide in and out of the night, or a room, unnoticed except for whatever he’s left behind that you may or may not discover for some time, like, say a tattoo on the back of one’s skull.
“What are you doing?”
“Reading,” I say nonchalantly, rubbing the tattoo on the back of my skull. I angle the volume so he can’t see the cover. If he sees what I’m reading, he’ll know I’m looking for something. If he realizes how bad it’s gotten, and what I’m thinking about doing, he’ll try to stop me.
He circles behind me, looks over my shoulder at the thick vellum of the ancient manuscript. “In the first tongue?”
“Is that what it is?” I feign innocence.
He knows precisely which cells in my body are innocent and which are thoroughly corrupted. He’s responsible for most of the corrupted ones. One corner of his mouth ticks up and I see the glint of beast behind his eyes, a feral crimson backlight, bloodstaining the whites.
It turns me on. Barrons makes me feel violently, electrically sexual and alive. I’d march into hell beside him.
But I will not let him march into hell beside me. And there’s no doubt that’s where I’m going.
I thought I was strong, a heroine. I thought I was the victor. The enemy got inside my head and tried to seduce me with lies.
It’s easy to walk away from lies.
Power is another thing.
Temptation isn’t a sin that you triumph over once, completely and then you’re free. Temptation slips into bed with you each night and helps you say your prayers. It wakes you in the morning with a friendly cup of coffee, and knows exactly how you take it.
He skirts the Chesterfield sofa and stands over me. “Looking for something, Ms. Lane?”
I’m eye level with his belt but that’s not where my gaze gets stuck and suddenly my mouth is so dry I can hardly swallow and I know I’m going to want to. I’m Pri-ya for this man. I hate it. I love it. I can’t escape it.
I reach for his belt buckle. The manuscript slides from my lap, forgotten. Along with everything else but this moment, this man. “I just found it,” I tell him.
”
”
Karen Marie Moning (Burned (Fever, #7))
“
Ain't Got No/i Got Life
I ain't got no home, ain't got no shoes
Ain't got no money, ain't got no class
Ain't got no skirts, ain't got no sweater
Ain't got no perfume, ain't got no beer
Ain't got no man
Ain't got no mother, ain't got no culture
Ain't got no friends, ain't got no schooling
Ain't got no love, ain't got no name
Ain't got no ticket, ain't got no token
Ain't got no God
Then what have I got
Why am I alive anyway?
Yeah, what have I got
Nobody can take away
Got my hair, got my head
Got my brains, got my ears
Got my eyes, got my nose
Got my mouth, I got my smile
I got my tongue, got my chin
Got my neck, got my boobs
Got my heart, got my soul
Got my back, I got my sex
I got my arms, got my hands
Got my fingers, got my legs
Got my feet, got my toes
Got my liver, got my blood
I've got life
I've got my freedom
I've got life
I've got life
And I'm gonna keep it
I've got life
And nobody's gonna take it away
”
”
Nina Simone
“
The alley is a pitch for about twenty women leaning in doorways, chain-smoking. In their shiny open raincoats, short skirts, cheap boots, and high-heeled shoes they watch the street with hooded eyes, like spies in a B movie. Some are young and pretty, and some are older, and some of them are very old, with facial expressions ranging from sullen to wry. Most of the commerce is centred on the slightly older women, as if the majority of the clients prefer experience and worldliness. The younger, prettier girls seem to do the least business, apparent innocence being only a minority preference, much as it is for the aging crones in the alley who seem as if they’ve been standing there for a thousand years.
In the dingy foyer of the hotel is an old poster from La Comédie Française, sadly peeling from the all behind the desk. Cyrano de Bergerac, it proclaims, a play by Edmond Rostand. I will stand for a few moments to take in its fading gaiety. It is a laughing portrait of a man with an enormous nose and a plumed hat. He is a tragic clown whose misfortune is his honour. He is a man entrusted with a secret; an eloquent and dazzling wit who, having successfully wooed a beautiful woman on behalf of a friend cannot reveal himself as the true author when his friend dies. He is a man who loves but is not loved, and the woman he loves but cannot reach is called Roxanne.
That night I will go to my room and write a song about a girl. I will call her Roxanne. I will conjure her unpaid from the street below the hotel and cloak her in the romance and the sadness of Rostand’s play, and her creation will change my life.
”
”
Sting (Broken Music: A Memoir)
“
When Skye had come into my life, I’d wanted her from the first second. But we can’t always get what we want. I realized right away that Skye hadn’t needed a horny teenage boy trying to get under her skirt. She’d needed a friend and a protector
It had been easy to be her friend, and harder to keep her safe. Ultimately I’d failed at both, and that’s how I lost her. I can’t fail again.
But—Jesus Christ—the love of my life has the worst possible timing.
”
”
Sarina Bowen (Fireworks (True North, #6))
“
it wasn’t just in the comfort of my crochet corner that color blossomed. I began to notice color in other places again. I noticed the tone of a friend’s skin color because I wanted to make her a scarf and wanted to choose colors that would flatter her. I noticed the colors in the skirt of a passerby because I liked the pattern and wanted to create something similar. Before I knew it I was noticing the blue in the sky, the blue in my boyfriend’s eyes, in a way that I simply hadn’t noticed in a very, very long time.
”
”
Kathryn Vercillo (Crochet Saved My Life)
“
inclined my head toward said friends. One of them, a curvy redhead in a gold skirt that made her look like a disco ball, chose that moment to hop onto the table and shake her ass to the rap song blasting through the speakers. Josh snorted. “Jules? She’s a liability, not help. Stella is as trusting as Ava, and Bridget…well, she has security, but she’s not around as much.
”
”
Ana Huang (Twisted Love (Twisted, #1))
“
Melly is the only woman friend I ever had,” she thought forlornly, “the only woman except Mother who really loved me. She’s like Mother, too. Everyone who knew her has clung to her skirts.
”
”
Margaret Mitchell (Gone with the Wind)
“
I'm not a human, Evangeline. And I'm not your friend, your husband, or your lover."
"I never said you were," she breathed.
"Then don't try to make me act like it. It doesn't end well."
The fingers under her skirt turned rough and something vicious flashed in his eyes. Enough to make her finally feel a spike of fear. "This doesn't end well." His fingers pressed harder.
Evangeline gasped, and at last pushed him away, "There is no this - I'm married."
Jacks ran his finger over the smirk playing on his lips. "You keep saying that, Little Fox, as if it's something I should care about."
A heartbeat later, he was gone.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
Ugh. Crushes are the worst, but in hindsight a crush from afar seems so much easier than this. I should stick to making up stories in my head and watching from a distance like a reasonable creeper. Now I’ve broken the fourth wall and if he’s as friendly as his eyes tell me he is, he may notice me when I drop money in his case the next time, and I will be forced to interact smoothly or run in the opposite direction. I may be middle-of-the-pack when my mouth is closed, but as soon as I start talking to men, Lulu calls me Appalland, for how appallingly unappealing I become. Obviously, she’s not wrong. And now I’m sweating under my pink wool coat, my face is melting, and I’m hit with an almost uncontrollable urge to hike my tights up to my armpits because they have slowly crept down beneath my skirt and are starting to feel like form-fitting harem pants.
”
”
Christina Lauren (Roomies)
“
I skipped between the dancers, twirling my skirts. The seated, masked musicians didn’t look up at me as I leaped before them, dancing in place. No chains, no boundaries—just me and the music, dancing and dancing. I wasn’t faerie, but I was a part of this earth, and the earth was a part of me, and I would be content to dance upon it for the rest of my life.
One of the musicians looked up from his fiddling, and I halted.
Sweat gleamed on the strong column of his neck as he rested his chin upon the dark wood of the fiddle. He’d rolled up the sleeves of his shirt, revealing the cords of muscle along his forearms. He had once mentioned that he would have liked to be a traveling minstrel if not a warrior or a High Lord—now, hearing him play, I knew he could have made a fortune from it.
“I’m sorry, Tam,” Lucien panted, appearing from nowhere. “I left her alone for a little at one of the food tables, and when I caught up to her, she was drinking the wine, and—”
Tamlin didn’t pause in his playing. His golden hair damp with sweat, he looked marvelously handsome—even though I couldn’t see most of his face. He gave me a feral smile as I began to dance in place before him. “I’ll look after her,” Tamlin murmured above the music, and I glowed, my dancing becoming faster. “Go enjoy yourself.” Lucien fled.
I shouted over the music, “I don’t need a keeper!” I wanted to spin and spin and spin.
“No, you don’t,” Tamlin said, never once stumbling over his playing. How his bow did dance upon the strings, his fingers sturdy and strong, no signs of those claws that I had come to stop fearing … “Dance, Feyre,” he whispered.
So I did.
I was loosened, a top whirling around and around, and I didn’t know who I danced with or what they looked like, only that I had become the music and the fire and the night, and there was nothing that could slow me down.
Through it all, Tamlin and his musicians played such joyous music that I didn’t think the world could contain it all. I sashayed over to him, my faerie lord, my protector and warrior, my friend, and danced before him. He grinned at me, and I didn’t break my dancing as he rose from his seat and knelt before me in the grass, offering up a solo on his fiddle to me.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
It starts before you can remember: you learn, as surely as you learn to walk and talk, the rules for being a girl...
Put a little color on your face. Shave your legs. Don’t wear too much makeup. Don’t wear short skirts. Don’t distract the boys by wearing bodysuits or spaghetti straps or knee socks. Don’t distract the boys by having a body. Don’t distract the boys.
Don’t be one of those girls who can’t eat pizza. You’re getting the milk shake too? Whoa. Have you gained weight? Don’t get so skinny your curves disappear. Don’t get so curvy you aren’t skinny. Don’t take up too much space. It’s just about your health.
Be funny, but don’t hog the spotlight. Be smart, but you have a lot to learn. Don’t be a doormat, but God, don’t be bossy. Be chill. Be easygoing. Act like one of the guys. Don’t actually act like one of the guys. Be a feminist. Support the sisterhood. Wait, are you, like, gay? Maybe kiss a girl if he’s watching though—that’s hot. Put on a show. Don’t even think about putting on a show, that’s nasty.
Don’t be easy. Don’t give it up. Don’t be a prude. Don’t be cold. Don’t put him in the friend zone. Don’t act desperate. Don’t let things go too far. Don’t give him the wrong idea. Don’t blame him for trying. Don’t walk alone at night. But calm down! Don’t worry so much. Smile!
Remember, girl: It’s the best time in the history of the world to be you. You can do anything! You can do everything! You can be whatever you want to be!
Just as long as you follow the rules.
”
”
Candace Bushnell (Rules for Being a Girl)
“
Lolita is defined as a type of street fashion known only in Japan. But for me, Lolita goes far beyond fashion and serves as my unwavering, absolute personal policy.
Wearing a frilly blouse, a skirt over a huge ruffly petticoat with my waist squeezed into a corset, and a totally outlandish headdress, is my way of pledging that I have devoted myself to Rococo. If I didn't dress in this totally conspicuous and bizarre way, I'd make friends and be popular with boys... is what people tell me, and the more they say that, the more it fans the flames of my Lolita passion and stiffens my resolve to be a Lolita through and through.
”
”
Novala Takemoto (Kamikaze Girls)
“
I decide that if I ever get to come back here under different, nonstressful circumstances, I will stay at this hotel and drink fruity drinks and lay in the sand until my skin looks like it had a makeout session with the sun. But today, I’m looking for an inconspicuous way into the water.
We head out of the lobby and get waylaid by hula dancers in grass skirts handing out necklaces of flowers. Apparently Toraf doesn’t like necklaces of flowers; as one of the women raises it above his head, he slaps her hand away. I show him, as I accept the gift around my neck, that the woman with the coconut boobs was just trying to be his friend. Just like all the women he’s come across so far.
“Humans are too weird,” he whispers, unconvinced. I wonder what Toraf would think of Disney World.
Our hotel is right on the water, so we pass through the lobby to the back. The beach is lined with lounge chairs and umbrellas and people scantily clad and people who shouldn’t be scantily clad.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
But maybe I’ll try to work myself up. I don’t know if I could do it, but I might try. Because I want to get out of Castle Rock and go to college and never see my old man or any of my brothers again. I want to go someplace where nobody knows me and I don’t have any black marks against me before I start. But I don’t know if I can do it.”
“Why not?”
“People. People drag you down.”
“Who?” I asked, thinking he must mean the teachers, or adult monsters like Miss Simons, who had wanted a new skirt, or maybe his brother Eyeball who hung around with Ace and Billy and Charlie and the rest, or maybe his own mom and dad. But he said:
“Your friends drag you down, Gordie. Don’t you know that?” He pointed at Vern and Teddy, who were standing and waiting for us to catch up. They were laughing about something; in fact, Vern was just about busting a gut.
“Your friends do. They’re like drowning guys that are holding onto your legs. You can’t save them. You can only drown with them.
”
”
Stephen King (The Body)
“
Even with the questions and worries that flooded her, Lillian was overcome with sudden exhaustion. The waking nightmare had come to a precipitate end, and it seemed that for now there was nothing more she could do. She waited docilely, her cheek resting against the steady support of Marcus’s shoulder, only half hearing the conversation that ensued.
“… have to find St. Vincent…” Marcus was saying.
“No,” Simon Hunt said emphatically, “I’ll find St. Vincent. You take care of Miss Bowman.”
“We need privacy.”
“I believe there is a small room nearby— more of a vestibule, actually…”
But Hunt’s voice trailed away, and Lillian became aware of a new, ferocious tension in Marcus’s body. With a lethal shift of his muscles, he turned to glance in the direction of the staircase.
St. Vincent was descending, having entered the rented room from the other side of the inn and found it empty. Stopping midway down the stairs, St. Vincent took in the curious tableau before him… the clusters of bewildered onlookers, the affronted innkeeper… and the Earl of Westcliff, who stared at him with avid bloodlust.
The entire inn fell silent during that chilling moment, so that Westcliff’s quiet snarl was clearly audible. “By God, I’m going to butcher you.”
Dazedly Lillian murmured, “Marcus, wait—”
She was shoved unceremoniously at Simon Hunt, who caught her reflexively as Marcus ran full-bore toward the stairs. Instead of skirting around the banister, Marcus vaulted the railings and landed on the steps like a cat. There was a blur of movement as St. Vincent attempted a strategic retreat, but Marcus flung himself upward, catching his legs and dragging him down. They grappled, cursed, and exchanged punishing blows, until St. Vincent aimed a kick at Marcus’s head. Rolling to avoid the blow of his heavy boot, Marcus was forced to release him temporarily. The viscount lurched up the stairs, and Marcus sprang after him. Soon they were both out of sight. A crowd of enthusiastic men followed, shouting advice, exchanging odds, and exclaiming in excitement over the spectacle of a pair of noblemen fighting like spurred roosters.
White-faced, Lillian glanced at Simon Hunt, who wore a faint smile. “Aren’t you going to help him?” she demanded.
“Oh no. Westcliff would never forgive me for interrupting. It’s his first tavern brawl.” Hunt’s gaze flickered over Lillian in friendly assessment. She swayed a little, and he placed a large hand on the center of her back and guided her to the nearby grouping of chairs. A cacophony of noise drifted from upstairs. There were heavy thudding sounds that caused the entire building to shake, followed by the noises of furniture breaking and glass shattering.
“Now,” Hunt said, ignoring the tumult, “if I may have a look at that remaining handcuff, I may be able to do something about it.
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
If I had three lives, I’d marry you in two.
And the other? That life over there
at Starbucks, sitting alone, writing — a memoir,
maybe a novel or this poem. No kids, probably,
a small apartment with a view of the river,
and books — lots of books and time to read.
Friends to laugh with; a man sometimes,
for a weekend, to remember what skin feels like
when it’s alive. I’m thinner in that life, vegan,
practice yoga. I go to art films, farmers markets,
drink martinis in swingy skirts and big jewelry.
I vacation on the Maine coast and wear a flannel shirt
weekend guy left behind, loving the smell of sweat
and aftershave more than I do him. I walk the beach
at sunrise, find perfect shell spirals and study pockmarks
water makes in sand. And I wonder sometimes
if I’ll ever find you.
”
”
Sarah Russell
“
Well, this girl, this Ashford or whatever her name was, looked like a hippie. She was wearing a very pretty pink flowered skirt that was full and so long, it touched the tops of her shoes, which I soon realized were not shoes, but sort of hiking boots.
Her blouse, loose and lacy, was embroidered with pink flowers, and both her wrists were loaded with silver bangle bracelets. Her hair, which was almost as long as my friend Dawn's and was dirty blonde, was pulled into a big fat braid (which I might add, was not held in place with a rubber band or anything; it sort of trailed to an end).
But the amazing thing was that because of her hair was pulled back, you could see her ears and she had three pierced earrings in each ear. They were all silver and all dangly, but none matched.
”
”
Ann M. Martin (Claudia and the New Girl (The Baby-sitters Club, #12))
“
Sometimes, during the course of the listless day (dazed hours on the sofa, paging dully through the Encyclopaedia Britannica) these thoughts struck Harriet with such fresh force that she crawled in the closet and closed the door and cried, cried with her face in the taffeta skirts of her mother's dusty old party dresses, sick with the certainty that what she felt was never going to get anything but worse.
”
”
Donna Tartt (The Little Friend)
“
THE MEETING"
"Scant rain had fallen and the summer sun
Had scorched with waves of heat the ripening corn,
That August nightfall, as I crossed the down
Work-weary, half in dream. Beside a fence
Skirting a penning’s edge, an old man waited
Motionless in the mist, with downcast head
And clothing weather-worn. I asked his name
And why he lingered at so lonely a place.
“I was a shepherd here. Two hundred seasons
I roamed these windswept downlands with my flock.
No fences barred our progress and we’d travel
Wherever the bite grew deep. In summer drought
I’d climb from flower-banked combe to barrow’d hill-top
To find a missing straggler or set snares
By wood or turmon-patch. In gales of March
I’d crouch nightlong tending my suckling lambs.
“I was a ploughman, too. Year upon year
I trudged half-doubled, hands clenched to my shafts,
Guiding my turning furrow. Overhead,
Cloud-patterns built and faded, many a song
Of lark and pewit melodied my toil.
I durst not pause to heed them, rising at dawn
To groom and dress my team: by daylight’s end
My boots hung heavy, clodded with chalk and flint.
“And then I was a carter. With my skill
I built the reeded dew-pond, sliced out hay
From the dense-matted rick. At harvest time,
My wain piled high with sheaves, I urged the horses
Back to the master’s barn with shouts and curses
Before the scurrying storm. Through sunlit days
On this same slope where you now stand, my friend,
I stood till dusk scything the poppied fields.
“My cob-built home has crumbled. Hereabouts
Few folk remember me: and though you stare
Till time’s conclusion you’ll not glimpse me striding
The broad, bare down with flock or toiling team.
Yet in this landscape still my spirit lingers:
Down the long bottom where the tractors rumble,
On the steep hanging where wild grasses murmur,
In the sparse covert where the dog-fox patters.”
My comrade turned aside. From the damp sward
Drifted a scent of melilot and thyme;
From far across the down a barn owl shouted,
Circling the silence of that summer evening:
But in an instant, as I stepped towards him
Striving to view his face, his contour altered.
Before me, in the vaporous gloaming, stood
Nothing of flesh, only a post of wood.
”
”
John Rawson (From The English Countryside: Tales Of Tragedy: Narrated In Dramatic Traditional Verse)
“
As long as you are forced to be a woman first instead of a person, by default, you need to be a feminist. That’s it. Men are people, women are women? Screw that. Screw that. I am sick of having words aimed to shut me up. I am sick of having to be anything other than a person first. Zounds! I enjoy being a girl, whatever that means. For me, that meant Star Wars figurines, mounds of books, skirts and flats. It meant Civil War reenacting and best girlfriends I’d give a kidney to and best guy friends I’d ruin a liver with and making messes and cleaning up some of them and still not knowing how to apply eye shadow. That’s being a girl. That’s being a person. It’s the same damn thing. I wish Rush had just called me an idiot. I’m happy to be called an idiot! On the day when someone on the Internet calls me an idiot first and ugly second, I will set down my feminist battle flag and heave a great sigh. Then I will pick it back up and keep climbing. There are many more mountains to overcome.
”
”
Alexandra Petri (A Field Guide to Awkward Silences)
“
Kestrel was stiff, her delicate shoes planted in the walkway’s gravel. She had lifted the hem of her storm-green skirts, the gesture of a lady, but he saw how she made fists of the fabric.
"I’m sorry,” he said, guessing what troubled her: the memory of the Firstwinter Rebellion. Her dead friends, Arin’s deception, the halls of the governor’s palace choked with corpses.
She gave him a narrow look. “Part of you isn’t sorry.”
He couldn’t deny it.
But she softened and said, “I’m not innocent either. I, too, feel sorry and not sorry about things I’ve done.” She let her dress’s hem fall to the stones and touched three fingers to the back of his hand.
Arin forgot, for a moment, where he was and what they were discussing. A marvel: that such a light touch could feel like a whole caress, that his body could ignite so easily.
Now she looked amused.
“Let’s leave.” He slid a hand beneath her loose hair and thumbed the slope of her neck, feeling the fluttery pulse there. Her expression changed, amusement melting into slow pleasure. He said, “Let’s not go in.”
“Arin.” She sighed. “We must go in.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
If you like cool, funny entertainment, you might like this one. It's a first novel by a local author." She handed him a copy of Practical Demonkeeping. "A very different kind of buddy novel. I thought it was hilarious."
"You're reading me like a book." The guy shook his head as if embarrassed by his own lame joke. Then he looked over at Blythe. Natalie saw his gaze move swiftly over her mother's red V-neck sweater and short skirt. "How can you tell that's exactly what would make me happy?" he asked.
Oh boy. He was flirting. Guys did that a lot with her mom. She was super pretty, and Natalie knew it wasn't only because Mom was her mom and all kids thought their moms were pretty. Even her snottiest friends like Kayla said Blythe looked like a model. Like Julia Roberts. Plus, her mom had a knack for dressing cool and being social---she could talk to anyone and make them like her.
Also, she had a superpower, which was on full display right now. She had the ability to see a person for the first time and almost instantly know what book to recommend. She was really smart and had also read every book ever written, or so it seemed to Natalie. She could talk to high school kids about Ivanhoe and Silas Marner. She ran a mystery discussion group. She could tell people the exact day the new Mary Higgins Clark novel would come out. She knew which kids would only ever read Goosebumps books, no matter what, and she knew which kids would try something else, like Edward Eager or Philip Pullman.
Sometimes people didn't know anything about the book they were searching for except "It's blue with gold page edges" and her mom would somehow figure it out.
”
”
Susan Wiggs (The Lost and Found Bookshop (Bella Vista Chronicles, #3))
“
Whether he talked or not made little difference to my mood. My only enemy was the clock on the dashboard, whose hands would move relentlessly to one o'clock. We drove east, we drove west, amidst the myriad villages that cling like limpets to the Mediterranean shore, and today I remember none of them. All I remember is the feel of the leather seats, the texture of the map upon my knee, its frayed edges, its worn seams, and how one day, looking at the clock, I thought to myself, 'This moment now, at twenty past eleven, this must never be lost, ' and I shut my eyes to make the experience more lasting. When I opened my eyes we were by a bend in the road, and a peasant girl in a black shawl waved to us; I can see her now, her dusty skirt, her gleaming, friendly smile, and in a second we had passed the bend and could see her no more. Already she belonged to the past, she was only a memory. I wanted to go back again, to recapture the moment that had gone, and then it came to me that if we did it would not be the same, even the sun would be changed in the sky, casting another shadow, and the peasant girl would trudge past us along the road in a different way, not waving this time, perhaps not even seeing us. There was something chilling in the thought, something a little melancholy, and looking at the clock I saw that five more minutes had gone by. Soon we would have reached our time limit, and must return to the hotel. 'If only there could be an invention', I said impulsively, 'that bottled up a memory, like scent. And it never faded, and it never got stale. And then, when one wanted it, the bottle could be uncorked, and it would be like living the moment all over again." (Rebecca, chapter five)
”
”
Daphne du Maurier
“
Kathleen would not know a friend if one sank
its teeth into her wrist--which is more or less what she expects from the mass of
other girls. She skirts them cautiously, as if they were dangerous wild animals
loitering about a common watering hole ready to pounce, you'd never know why or
what hit you. She fears them, sharp glinting creatures, and hasn't a clue what they
talk about or how they do it. How they merge into gregarious packs. Kathleen is in
fact horribly shy, but no one would ever suspect it--after all, she gets up and sings in
front of halls full of people.
”
”
Ann-Marie MacDonald (Fall on Your Knees)
“
When I reach my car door, I realize Jamie's followed me. He looks confused, and of course he is. Normal people don't need to prepare for social interactions. Normal people don't panic at the sight of strangers. Normal people don't want to cry because the plan they've processed in their head is suddenly not the plan that's going to happen.
I'm not normal. I know this. And now Jamie is going to figure it out too. Because I'm not the girl who wears crop tops and short skirts and looks like one of Taylor Swift's best friends.
I'm the girl who brings kiwi-flavored water to a house party.
”
”
Akemi Dawn Bowman (Starfish)
“
Fedmahn Kassad stepped off the dark marble in front of the Monolith and skirted the shattered crystal shards which littered the path. He realized that Moneta still clung to his arm. “If you fight again,” she said, her voice soft and urgent in his ear, “the Shrike will kill you.” “They’re my friends,” said Kassad. His FORCE gear and torn armor lay where Moneta had thrown it hours earlier. He searched the Monolith until he found his assault rifle and a bandolier of grenades, saw the rifle was still functional, checked charges and clicked off safeties, left the Monolith, and stepped forward at double time to intercept the Shrike.
”
”
Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
“
No, that was not right either. We were not in a house at all, but in the forest. We had snuck away with each other to an evergreen forest, two daughters of the shtetl, friends since childhood. We had snuck away in the dark of night so that we could have the whole forest floor to ourselves to make love. We had just fucked. We had fucked each other in our skirts. We had fucked each other in mutual desire and now we were lying on the forest floor curled up together, two girls in pine needles, under starlight. This was the definition of holy. Tell the village matchmaker not to bother with us. Here in the forest there was no potato smell, no porgroms. Only the scent of evergreens.
”
”
Melissa Broder (Milk Fed)
“
Actually, yeah, I did buy a few new things,” she confirmed, then she teased a little more by adding, “I think Pete is going to really enjoy my outfit tomorrow night.”
“Pete seems to like you no matter what you’re wearing,” Luke grumbled. “So, what did you buy for good ol’ Pete?”
Darn, if he didn’t sound jealous! Could it be possible? It’d mean she meant something to him. Something more than Dr. Doolittle anyway. “I bought a mini skirt.” She wouldn’t tell him about the hair and the shoes. Or what she bought to wear under the skirt.
She heard him cough. Hard. As if having a spasm. “Luke? Are you okay?”
A couple more very tense seconds of coughs, and then, “Did you say a skirt?”
She wanted to smack him.
”
”
Anne Rainey (Forbidden Fruit)
“
In the name of Him Who created and
sustains the world, the Sage Who
endowed tongue with speech.
He attains no honor who turns the face from the doer of His mercy.
The kings of the earth prostate themselves before Him in supplication.
He seizes not in haste the disobedient, nor drives away the penitent with
violence. The two worlds are as a drop of water in the ocean of His knowledge.
He withholds not His bounty though His
servants sin; upon
the surface of the earth has He spread a feast, in which both friend and foe may share.
Peerless He is, and His kingdom is eternal. Upon the head of one He placed a crown another he hurled from the throne to the ground.
The fire of His friend He turned into a
flower garden; through the water of the
Nile He sended His foes to perdition.
Behind the veil He sees all, and conceal
ed our faults with His own goodness.
He is near to them that are downcast,
and accepts the prayers of them that
lament.
He knows of the things that exist not, of secrets that are untold.
He causes the moon and the sun to revolve, and spreads water upon the
earth.
In the heart of a stone hath He placed
a jewel; from nothing had He created all that is.
Who can reveal the secret of His qualities; what eye can see the limits of His
beauty?
The bird of thought cannot soar to the height of His presence, nor the hand of
understanding reach to the skirt of His praise.
Think not, O Saadi, that one can walk
in the road of purity except in the
footsteps of Mohammed (Peace and Blessings be Upon Him)
”
”
Saadi (The Bustan of Sa'di)
“
Because there’s a silent, shrugging, stoical acceptance of all the things in the world we can never be part of: shorts, swimming pools, strappy dresses, country walks, roller-skating, ra-ra skirts, vest tops, high heels, rope climbing, sitting on a high stool, walking past building sites, flirting, being kissed, feeling confident. And ever losing weight, ever. The idea of suggesting we don’t have to be fat –that things could change –is the most distant and alien prospect of all. We’re fat now and we’ll be fat forever and we must never, ever mention it, and that is the end of it. It’s like Harry Potter’s Sorting Hat. We were pulled from the hat marked ‘Fat’ and that is what we must now remain, until we die. Fat is our race. Our species. Our mode. As a result, there is very little of the outside world –and very little of the year –we can enjoy. Summer is sweaty under self-conscious layers. On stormy days, wind flattens skirts against thighs, and alarms both us and, we think, onlookers and passers-by. Winter is the only time we feel truly comfortable: covered head to toe in jumpers, coats, boots and hat. I develop a crush on Father Christmas. If I married him, not only would I be expected to stay fat, but I’d look thin standing next to him, in comparison. Perspective would be my friend. We all dream of moving to Norway, or Alaska, where we could wear massive padded coats all the time, and never reveal an inch of flesh. When it rains, we’re happiest of all. Then we can just stay in, away from everyone, in our pyjamas, and not worry about anything. The brains in jars can stay inside, nice and dry.
”
”
Caitlin Moran (How to Be a Woman)
“
For the next nine months, Sylvia would report on campus trends, politics, tastes, style. It was an honor, but it was grueling. Sylvia was overworked. She had boyfriend problems. She longed for Europe. She broke her leg in a skiing accident. Her best friend, Marcia Brown, had gotten engaged and moved off campus - other girls were away on their junior year abroad. The whole campus seemed mired in some bleak haze- there were suicide attempts, abortions, disappearances, and hasty marriages. Sylvia coped with shopping binges in downtown Northhampton- sheer blouses, French pumps, red cashmere sweaters, white skirts, and tight black pullovers - clothes more suited to voguish amusements than studying. Everyone wanted to be one of Mademoiselle's guest editors, but Sylvia needed it - some shot of glamour to pull her out of the mud.
”
”
Elizabeth Winder (Pain, Parties, Work: Sylvia Plath in New York, Summer 1953)
“
Miranda was curled up against the wall, her pink calico skirts bunched carelessly above her knees in uncharacteristic abandon. A green measuring worm inched himself unchecked across the smooth bodice of her dress. The May breeze, fragrant with apple-blossoms and clover from the adjacent pasture, blew her loosened hair into her eyes. She pushed the strand back impatiently with one hand while the other clutched her book, as Miranda devoured the fascinating pages of The Beautiful Adulteress.
So compelling were the beautiful adulteress's adventures, that even when Miranda's sunbonnet slipped off and hot sunshine fell through the elm trees onto her skin, she did not pause to replace the bonnet. And yet the transparent whiteness of that skin was the envy of her friends and part product of many a tedious treatment with buttermilk and cucumber poultices.
”
”
Anya Seton (Dragonwyck)
“
A Note Left on the Door"
There are these: the blue
skirts of the ocean walking in now, almost
to the edge of town,
and a thousand birds, in their incredible wings
which they think nothing of, crying out
that the day is long, the fish are plentiful.
And friends, being as kind as friends can be,
striving to lift the darkness.
Forgive me, Lord of honeysuckle, of trees,
of notebooks, of typewriters, of music,
that there are also these:
the lover, the singer, the poet
asleep in the shadows.
A Note Left on the Door
There are these: the blue
skirts of the ocean walking in now, almost
to the edge of town,
and a thousand birds, in their incredible wings
which they think nothing of, crying out
that the day is long, the fish are plentiful.
And friends, being as kind as friends can be,
striving to lift the darkness.
Forgive me, Lord of honeysuckle, of trees,
of notebooks, of typewriters, of music,
that there are also these:
the lover, the singer, the poet
asleep in the shadows.
”
”
Mary Oliver (Thirst)
“
Go on like this and you’ll never get used to yourself or anything else,’ his mother had warned him more than once. ‘You’ll always be reinventing the wheel.’ Then, as if aside to a third party: ‘And my God, won’t that be as tiring for you as it is for everyone who has to deal with you.’
In revenge for assessments of this kind, Shaw had quickly learned to skip-read his own experience, maintaining through adolescence only the most lateral relationship with its problems. A short attention span had helped: if for a month or two he liked motorcycles, by Christmas it was horses. He didn’t meet girls. He didn’t make friends. With university behind him, he’d found himself able to skirt most events and encounters, problematic or not, by cataloguing them under ‘sketchy and uninterpretable’ even as they occurred. When he actually took in the things that happened to him, the work was done somewhere else, somewhere deep, if he had anywhere like that: his surface focus – indeed his entire personality – always seemed to be taken up somewhere else.
”
”
M. John Harrison (The Sunken Land Begins to Rise Again)
“
Tell me about yourself," Midori said.
"What about me?"
"Hmm, I don't know, what do you hate?" "Chicken and VD and barbers who talk too much." "What else?"
"Lonely April nights and lacy telephone covers." "What else?"
I shook my head. "I can't think of anything else."
"My boyfriend - which is to say, my ex-boyfriend - had all kinds of things he hated. Like when I wore too-short skirts, or when I smoked, or how I got drunk too quickly, or said disgusting things, or criticized his friends. So if there's anything about me you don't like, just tell me, and I'll fix it if I can."
"I can't think of anything," I said after giving it some thought. "There's nothing."
"Really?"
"I like everything you wear, and I like what you do and say and how you walk and how you get drunk. Everything."
"You mean I'm really OK just the way I am?"
"I don't know how you could change, so you must be fine the way you are."
"How much do you love me?" Midori asked.
"Enough to melt all the tigers in the world to butter," I said. "Far out," she said with a hint of satisfaction.
”
”
Haruki Murakami (Norwegian Wood)
“
Curious Oriental imagery was employed in these documents. In one of his earlier letters the thum asked why the British strayed thus into his country 'like camels without nose rings'. In another letter he declared that he cared nothing for the womanly English, as he hung upon the skirts of the manly Russians, and he warned Colonel Durand that he had given orders to his followers to bring him the Gilgit Agent's head on a platter. The thum was, indeed an excellent correspondent about this time. He used to dictate his letters to the Court Munshi, the only literary man, I believe, in the whole of his dominions, who wrote forcible, if unclassical, Persian. In one letter the thum somewhat shifted his ground, and spoke of other friends. 'I have been tributary to China for hundreds of years. Trespass into China if you dare,' he wrote to Colonel Durand. 'I will withstand you, if I have to use bullets of gold. If you venture here, be prepared to fight three nations - Hunza, China, and Russia. We will cut your head off, Colonel Durand, and then report you to the Indian Government.
”
”
Edward Frederick Knight (WHERE THREE EMPIRES MEET: Narrative of travel in Kashmir, Western Tibet, Gilgit and other adjoining countries)
“
By the end of the day, everyone was talking about my stupid drawing and
how Henry was going to have to get a restraining order before I started
showing up outside his window in the middle of the night.
It was embarrassing. I wanted to melt into the floor just to stop people
from looking at me.
I guess Henry was embarrassed too, because he made his friend Anthony
pull me aside to tell me that Henry wasn’t into girls who looked like me.
I remember not understanding it. Girls who looked like me. Did he mean
girls with dark hair? Girls who wore jeans instead of skirts? Girls who didn’t
have their ears pierced? Or did he mean something else?
For years I watched him hold hands with girls who didn’t look anything
like me. And some of them had dark hair. Some of them wore jeans. Plenty
of them didn’t have their ears pierced.
But they all had one thing in common: None of them were Asian.
Now when I have a crush on someone, I don’t wonder if they like the
same music as me, or if they watch the same kind of movies, or if we’ll get
along the way Jamie and I did. I wonder if they like Asian girls.
”
”
Akemi Dawn Bowman (Starfish)
“
All I remember is the feel of the leather seats, the texture of the map upon my knee, its frayed edges, its worn seams, and how one day, looking at the clock, I thought to myself, “This moment now, at twenty past eleven, this must never be lost,” and I shut my eyes to make the experience more lasting. When I opened my eyes we were by a bend in the road, and a peasant girl in a black shawl waved to us; I can see her now, her dusty skirt, her gleaming, friendly smile, and in a second we had passed the bend and could see her no more. Already she belonged to the past, she was only a memory.
I wanted to go back again, to recapture the moment that had gone, and then it came to me that if we did it would not be the same, even the sun would be changed in the sky, casting another shadow, and the peasant girl would trudge past us along the road in a different way, not waving this time, perhaps not even seeing us. There was something chilling in the thought, something a little melancholy, and looking at the clock I saw that five more minutes had gone by. Soon we would have reached our time limit, and must return to the hotel.
”
”
Daphne du Maurier (Rebecca)
“
She threw Lillian a laughing glance. “I’m sure he has found it refreshing to encounter a woman who actually dares to disagree with him.”
“I’m not certain that ‘refreshing’ would be his first choice of words,” Lillian replied wryly. “However, when I don’t like something that he’s done, I do not hesitate to tell him so.”
“Good,” Lady Olivia returned. “That is precisely what my brother needs. There are few women— or men, for that matter— who ever contradict him. He is a strong man who requires an equally strong wife to balance his nature.”
Lillian found herself needlessly smoothing the skirts of her pale green gown as she remarked carefully, “If Lord Westcliff and I did marry… he would face many objections from relatives and friends, wouldn’t he? Especially from the countess.”
“His friends would never dare,” Lady Olivia replied at once. “As for my mother…” She hesitated and then said frankly, “She has already made it clear that she does not approve of you. I doubt she ever will. However, that leaves you in very large company, as she disapproves of nearly everyone. Does it worry you that she opposes the match?”
“It tempts me beyond reason,” Lillian said, causing Lady Olivia to erupt with laughter.
“Oh, I do like you,” she gasped. “You must marry Marcus, as I would love above all else to have you as a sister-in-law.” Sobering, she stared at Lillian with a warm smile. “And I have a selfish reason for hoping that you will accept him. Although Mr. Shaw and I have no immediate plans to move to New York, I know that day will not be long in coming. When that happens, I should be relieved to know that Marcus is married and has someone to care for him, with both his sisters living so far away.” She stood from the bench, straightening her skirts. “The reason I’ve told you all of this is because I wanted you to understand why it is so difficult for Marcus to abandon himself to love. Difficult, but not impossible. My sister and I have finally managed to break free of the past, with the help of our husbands. But Marcus’s chains are the heaviest of all. I know that he is not the easiest man to love. However, if you could bring yourself to meet him halfway… perhaps even a bit more than halfway… I believe you would never have cause to regret it.
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
No one but she had realized that the ballroom bore a rather startling resemblance to the gardens at Charise Dumont’s country house, and that the arbor at the side, with its trellised entrance, was a virtual replica of the place where she and Ian had first waltzed that long-ago night.
Across the room, the vicar was standing with Jake Wiley, Lucinda, and the Duke of Stanhope, and he raised his glass to her. Elizabeth smiled and nodded back. Jake Wiley watched the silent communication and beamed upon his little group of companions. “Exquisite bride, isn’t she?” he pronounced, not for the first time. For the past half-hour, the three men had been merrily congratulating themselves on their individual roles in bringing this marriage about, and the consumption of spirits was beginning to show in Duncan and Jake’s increasingly gregarious behavior.
“Absolutely exquisite,” Duncan agreed.
“She’ll make Ian an excellent wife,” said the duke. “We’ve done well, gentlemen,” he added, lifting his glass in yet another congratulatory toast to his companions. “To you, Duncan,” he said with a bow, “for making Ian see the light.”
“To you, Edward,” said the vicar to the duke, “for forcing society to accept them.” Turning to Jake, he added, “And to you, old friend, for insisting on going to the village for the servingwomen and bringing old Attila and Miss Throckmorton-Jones with you.”
That toast belatedly called to mind the silent duenna who was standing stiffly beside them, her face completely devoid of expression. “And to you, Miss Throckmorton-Jones,” said Duncan with a deep, gallant bow, “for taking that laudanum and spilling the truth to me about what Ian did two years ago. ‘Twas that, and that alone, which caused everything else to be put into motion, so to speak. But here,” said Duncan, nonplussed as he waved to a servant bearing a tray of champagne, “you do not have a glass, my dear woman, to share in our toasts.”
“I do not take strong spirits,” Lucinda informed Duncan. “Furthermore, my good man,” she added with a superior expression that might have been a smile or a smirk, “I do not take laudanum, either.” And on that staggering announcement, she swept up her unbecoming gray skirts and walked off to dampen the spirits of another group. She left behind her three dumbstruck, staring men who gaped at each other and then suddenly erupted into shouts of laughter.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Her feet now safely planted on level flooring, Willow nervously smoothed her skirts before lifting her head.
Turquoise eyes met deep brown.
Willow's mouth dropped open in shock. "Lieutenant Numbskull?"
Rider stiffened, but recovered quickly. "Freckles?" he pretended surprise. Backing up a step, his appreciative gaze raked her from head to toe. "My God! It is you!"
Willow's cheecks burned beneath his conspicuous appraisal. The lieutenant's pleased grin fueled her simmering anger at Miriam's unwelcome matchmaking venture. "What are you doing here?" she huffed.
Rider arched a dark brow in ironic amusement. "Is that any way to greet an old friend...Freckles?"
"You two know each other?" Miriam interjected, astonished.
"You might say that." Rider chuckled.
Willow didn't know who she wanted to murder most, Miriam or the lieutenant. But standing here in all her ladylike spendor, she remembered his hurtful maligning of her femininity. For some inexplicable reason she felt compelled to prove that she could be every bit as feminine as any other woman.
Despite her stormy emotions, her next words dripped off her lips like warm honey. "Unfortunately, Miriam"-she caressed Rider's coat sleeve and flapped her lashes outrageously-"we were never formally introduced."
Rider eyed Willow's hand where it petted his arm, expecting claws to spring from her fingertips at any moment. Then he lifted his gaze to twin pools of mischief. One corner of his mouth crved in a wry grin. "What are you up to, Freckles?"
His devastating smile was unnerving. Suddenly all too aware of her ineptitude at coquetry. Willow's confidence slipped a notch. Nevertheless, she was determined not to let him intimidate her. Casting him what she hoped would pass for a coy smile, she answered his question with an innocent shrug.
Miriam blinked, agog at Willow
s antics. "Well,ah...let me properly introduce you two. Mr. Sinclair, this is Miss Willow Vaughn. Willow, this is Mr. Rider Sinclair."
Willow inclined her head with forced politeness. Rider tossed her a sly wink.
Befuddled by the stratified undercurrents, Miriam sputtered. "I...ah...I'm sorry to hurry the introductions, but we really are late. My carriage is waiting out front for us. Shall we go?"
"But of course." Rider held the door open, indicating they should proceed him. "Ladies..."
Willow waited while he closed the door, then draped herself over his proferred arm. Miriam took his other arm and cast a warning glance at the younger woman. The girl smiled back angelically, deciding Miriam deserved to worry-just a little.
”
”
Charlotte McPherren (Song of the Willow)
“
She does not like being the Governor's wife, she would prefer the Governor to be the governor of something other than a prison. The Governor had good enough friends to get him made the Governor, but not for anything else.
So here she is, and she must make the most of her social position and accomplishments, and although an object of fear, like a spider, and of charity as well, I am also one of the accomplishments. I come into the room and curtsy and move about, mouth straight, head bent, and I pick up the cups or set them down, depending; and they stare without appearing to, out from under their bonnets.
The reason they want to see me is that I am a celebrated murderess. Or that is what has been written down. When I first saw it I was surprised, because they say Celebrated Singer and Celebrated Poetess and Cele brated Spiritualist and Celebrated Actress, but what is there to celebrate about murder? All the same, Murderess is a strong word to have attached to you. It has a smell to it, that word-musky and oppressive, like dead flowers in a vase. Sometimes at night I whisper it over to myself: Murderess, Murderess. It rustles, like a taffeta skirt across the floor.
Murderer is merely brutal. It's like a hammer, or a lump of metal. I would rather be a murderess than a murderer, if those are the only choices.
”
”
Margaret Atwood (Alias Grace)
“
Grace adored Amelia. The older woman was a close friend of her grandmother and mother, and a constant in Grace's life. She visited Amelia often. The inn was her second home.
As a child she'd always raced up the stairs and raided Amelia's bedroom closet, and Amelia had encouraged her unconventional behavior. Grace had loved dressing up in vintage clothing. Attempting to walk up in a pair of high button shoes. Amelia was the first to recognize Grace's love of costume. Her enjoyment of tea parties. She'd supported Grace's dream of opening her business, Charade, when Grace sought a career. From birthdays to holidays, the costume shop was popular and successful. Grace couldn't have been happier.
She admired Amelia now. Her long, braided hair was the same soft gray as her eyes. Years accumulated, but never seemed to touch her. She appeared youthful, ageless, in a sage-green tunic, belted over a paisley gauze skirt in shades of cranberry, green, and gold. Elaborate gold hoops hung at her ears, ones designed with silver beads and tiny gold bells. The thin metal chains on her three-tiered necklace sparkled with lavender rhinestones and reflective mirror discs. Bangles of charms looped her wrist. A thick, hammered-silver bracelet curved near her right elbow. A triple gold ring with three pearls arched from her index finger to her fourth. She sparkled.
”
”
Kate Angell (The Cottage on Pumpkin and Vine)
“
Back in L.A., I’d remained friends with my freshman-year boyfriend, Collin, and we’d become even closer after he confided in me one dark and emotional night that he’d finally come to terms with his homosexuality. Around that time, his mother was visiting from Dallas, and Collin invited me to meet them at Hotel Bel Air for brunch. I wore the quintessential early-1990s brunch outfit: a copper-brown silk tank with white, dime-size polka dots and a below-the-knee, swinging skirt to match. A flawless Pretty Woman--Julia Roberts polo match replica. I loved that outfit.
It was silk, though, and clingy, and the second I sat down at the table I knew I was in trouble. My armpits began to feel cool and wet, and slowly I noticed the fabric around my arms getting damper and damper. By the time our mimosas arrived, the ring of sweat had spread to the level of my third rib; by mealtime, it had reached the waistline of my skirt, and the more I tried to will it away, the worse it got. I wound up eating my Eggs Florentine with my elbows stuck to my hip bones so Collin and his mother wouldn’t see. But copper-brown silk, when wet, is the most unforgiving fabric on the planet. Collin had recently come out to his parents, so I’d later determined I’d experienced some kind of sympathetic nervousness on Collin’s behalf. I never wore that outfit again. Never got the stains out.
Nor would I ever wear this suit again.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Vivien (spelled the same way as Vivien Leigh, lucky thing) was quite possibly the most beautiful woman she'd ever seen. She had a heart-shaped face, deep brown hair that gleamed in its Victory roll, and full curled lips painted scarlet. Her eyes were wide set and framed by dramatic arched brows just like Rita Hayworth's or Gene Tierney's, but it was more than that which made her beautiful. It wasn't the fine skirts and blouses she wore, it was the way she wore them, easily, casually; it was the strings of pearls strung airily around her neck, the brown Bentley she used to drive before it was handed over like a pair of boots to the Ambulance Service. It was the tragic history Dolly had learned in dribs and drabs- orphaned as a child, raised by an uncle, married to a handsome, wealthy author named Henry Jenkins, who held an important position with the Ministry of Information.
"Dorothy? Come and put my sheets to rights and fetch my sleep mask."
Ordinarily, Dolly might've been a bit envious to have a woman of that description living at such close quarters, but with Vivien it was different. All her life, Dolly had longed for a friend like her. Someone who really understood her (not like dull old Caitlin or silly frivolous Kitty), someone with whom she could stroll arm in arm down Bond Street, elegant and buoyant, as people turned to look at them, gossiping behind their hands about the dark leggy beauties, their careless charm. And now, finally, she'd found Vivien. From the very first time they'd passed each other walking up the Grove, when their eyes had met and they'd exchanged that smile- secretive, knowing, complicit- it had been clear to both of them that they were two of a kind and destined to be the very best of friends.
”
”
Kate Morton (The Secret Keeper)
“
It was about time he opened his eyes to see just to whom he was speaking.
After several quick blinks, he managed to do just that, gazing up into a small, heart-shaped face. A pretty face. Not one of a curvy seductress or a cool-hearted courtesan, but a feminine, delicately featured face. He knew this face. He adored this face.
"Miss Charlotte Greene," he stated finally, taking a risk and raising his head to get a better look.
Sitting at his side, the white skirt of her thick night rail tucked around her legs, she smiled down at him with concerned eyes of deep blue. Gorgeous sapphire eyes often hidden behind the rims of small, round spectacles.
Truthfully, she happened to be the complete opposite of what he was usually attracted to. She was a bit too thin, too short, and too quiet for his tastes, which had always leaned toward the voluptuous, the tall, and the spirited. Normally, she wasn't one to stand out. And he rather suspected she preferred it that way.
However, while most young bucks readily discounted her merits and furtively joked about her quirky behavior behind her back, Rothbury had always sensed a subtle undercurrent of passion in her dark blue gaze. Unlike the "diamonds" of the ton and demimonde, who slinked across assembly rooms completely aware of their beauty and the power that accompanied it, Miss Greene moved like a woman who hadn't yet realized how utterly fetching she truly was. She clung to the walls, sometimes barely raising her eyes from the floor, rarely spoke but to her closest friends, and shied away from situations that demanded she converse with the opposite sex.
Strange it was for him to notice those facets in such an unassuming woman. Strange it was he should have noticed her at all. But he always did. The second she walked into a room.
”
”
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
“
The waltz was dwindling away, and with a supreme effort he let her go. They talked through the crowd together, smiling politely at people who intercepted them without the slightest idea of anything that was said. When they neared the Townsendes’ group Ian delayed her with a touch of his hand. “There’s something I’ve wanted to tell you,” he said. Scrupulously keeping up appearances, he reached out to take a drink from a tray being passed by a servant, using that to cover their having stopped. “I would have told you before, but until now you would have questioned my motives and not believed me.”
Elizabeth nodded graciously to a woman who greeted her, then she slowly reached for the glass, listening to him as he quietly said, “I never told your brother I didn’t want to wed you.”
Her hand stayed, then she took the glass from him and walked beside him as they made their slowest possible way back to their friends. “Thank you,” she said softly, pausing to sip from her glass in another delaying tactic.
“There’s one more thing,” he added irritably.
“What’s that?” she asked.
“I hate this damn ball. I’d give half what I own to be anywhere else with you.”
To his surprise, his thrifty fiancé nodded complete agreement. “So would I.”
“Half?” he chided, grinning at her in complete defiance of the rules of propriety. “Really?”
“Well-at least a forth,” she amended helplessly, giving him her hand for the obligatory kiss as she reached for her skirts, preparing to curtsy.
“Don’t you dare curtsy to me,” he warned in a laughing underbreath, kissing her gloved fingers. “Everywhere I go women are falling to the floor like collapsing rigging on a ship.”
Elizabeth’s shoulders shook with mirth as she disobediently sank into a deep throne-room curtsy that was a miracle of grace and exaggeration. Above her she heard his throaty chuckle.
In an utter turnabout of his earlier feelings, Ian suddenly decided this ball was immensely enjoyable.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
In other words, you'll pretend to be someone else in order to snag a husband."
"Oh, for heaven's sake," she said defensively, "it's no different than what half the women in society do to catch a man. I don't want to waste my time in pointless flirtation when a little knowledge will improve my aim on the targets."
He flashed her a condescending smile.
"What is it?" she snapped.
"Only you would approach courtship as a marksman approaches a shooting match." He licked the tip of his pencil. "So who are these hapless targets?"
"The Earl of Devonmont, the Duke of Lyons, and Fernandez Valdez, the Viscount de Basto."
His jaw dropped. "Are you insane?"
"I know they're rather beyond my reach, but they seem to like my company-"
"I daresay they do!" He strode up to her, strangely angry. "The earl is a rakehell with a notorious reputation for trying to get beneath the skirts of every woman he meets. The duke's father was mad, and it's said to run in his family, which is why most women steer clear of him. And Basto is a Portuguese idiot who's too old for you and clearly trawling for some sweet young thing to nurse him in his declining years."
"How can you say such things? The only one you know personally is Lord Devonmont, and you barely know even him."
"I don't have to. Their reputations tell me they're utterly unacceptable."
Unacceptable? Three of the most eligible bachelors in London? Mr. Pinter was mad, not her. "Lord Devonmont is Gabe's wife's cousin. The duke of Gabe's best friend, whom I've known since childhood, and the viscount...well..."
"Is an oily sort, from what I hear," he snapped.
"No, he isn't. He's very pleasant to talk to." Really, this was the most ridiculous conversation. "Who the devil do you think I should marry, anyway?"
That seemed to take him aback. He glanced away. "I don't know," he muttered. "But no...That is, you shouldn't..." He tugged at his cravat. "They're wrong for you, that's all."
She'd flustered Mr. Pinter. How astonishing! He was never flustered. It made him look vulnerable and much less...stiff. She rather liked that.
But she'd like it even better if she understood what had provoked it. "Why do you care whom I choose, as long as you're paid? I'm wiling to pay extra to ensure that you find out everything I want to know."
Once more he turned into Proud Pinter. "It isn't a matter of payment, madam. I choose my own assignments, and this one isn't to my taste. Good day," Turning on his heel, he headed for the door.
Oh, dear, she hadn't meant to run him off entirely.
”
”
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
“
[Scarlett] knew how to smile so that her dimples leaped, how to walk pigeon-toed so that her wide hoop skirts swayed entrancingly, how to look up into a man's face and then drop her eyes and bat the lids rapidly so that she seemed a-tremble with gentle emotion. Most of all she learned how to conceal from men a sharp intelligence beneath a face as sweet and bland as a baby's.
Ellen, by soft admonition, . . . labored to inculcate in her the qualities that would make her truly desirable as a wife.
"You must be more gentle, dear, more sedate," Ellen told her daughter. "You must not interrupt gentlemen when they are speaking, even if you do think you know more about matters than they do. Gentlemen do not like forward girls."
[Ellen] taught her all that a gentlewoman should know, but she learned only the outward signs of gentility. The inner grace from which these signs should spring, she never learned nor did she see any reason for learning it. Appearances were enough, for the appearances of ladyhood won her popularity and that was all she wanted. . . .
At sixteen, thanks to Mammy and Ellen, she looked sweet, charming and giddy, but she was, in reality, self-silled, vain and obstinate. She had the easily stirred passions of her Irish father and nothing except the thinnest veneer of her mother's unselfish and forbearing nature. . .
It was not that these two loving mentors deplored Scarlett's high spirits, vivacity and charm. These were traits of which Southern women were proud. It was Gerald's headstrong and impetuous nature in her that gave them concern, and they sometimes feared they would not be able to conceal her damaging qualities until she had made a good match. But Scarlett intended to marry-and marry Ashley-and she was willing to appear demure, pliable and scatterbrained, if those were the qualities that attracted men. Just why men should be this way, she did not know. She only knew that such methods worked. It never interested her enough to try to think out the reason for it, for she knew nothing of the inner workings of any human being's mind, not even her own. She knew only that if she did or said thus-and-so, men would unerringly respond with the complementary thus-and-so. It was like a mathematical formula and no more difficult . . .
If she knew little about men's minds, she knew even less about the minds of women, for they interested her less. She had never had a girl friend, and she never felt any lack on that account. To her, all women, including her two sisters, were natural enemies in pursuit of the same prey-man.
”
”
Margaret Mitchell (Gone with the Wind)
“
The opponent seemed to shift slightly in the seat. His index finger tapped a card, just a couple strokes. There it was the card that ruined his hand. Her hazel eyes release the player across from her to steal a glance registering the emotion of observers around the table then to her best friend. Sophie looks like a Nervous Nelly-she, always worries. She knows the girl will put too much emphasis on a lost hand. The striking man with his lusty brown eyes tries to draw Sophie closer. Now that he has folded and left the game, he is unnecessary, and the seasoned flirt easily escapes his reach. He leaves with a scowl; Sophie turns and issues knowing wink. Ell’s focus is now unfettered, freeing her again to bring down the last player. When she wins this hand, she will smile sweetly, thank the boys for their indulgence, and walk away $700 ahead. The men never suspected her; she’s no high roller. She realizes she and Sophie will have to stay just a bit. Mill around and pay homage to the boy’s egos. The real trick will be leaving this joint alone without one of them trying to tag along. Her opponent is taking his time; he is still undecided as to what card to keep—tap, tap. He may not know, but she has an idea which one he will choose. He attempts to appear nonchalant, but she knows she has him cornered. She makes a quick glance for Mr. Lusty Brown-eyes; he has found a new dame who is much more receptive than Sophie had been. Good, that small problem resolved itself for them. She returns her focuses on the cards once more and notes, her opponent’s eyes have dilated a bit. She has him, but she cannot let the gathering of onlookers know. She wants them to believe this was just a lucky night for a pretty girl. Her mirth finds her eyes as she accepts his bid.
From a back table, there is a ruckus indicating the crowd’s appreciation of a well-played game as it ends. Reggie knew a table was freeing up, and just in time, he did not want to waste this evening on the painted and perfumed blonde dish vying for his attention. He glances the way of the table that slowly broke up. He recognizes most of the players and searches out the winner amongst them. He likes to take on the victor, and through the crowd, he catches a glimpse of his goal, surprised that he had not noticed her before. The women who frequent the back poker rooms in speakeasies all dress to compete – loud colors, low bodices, jewelry which flashes in the low light. This dame faded into the backdrop nicely, wearing a deep gray understated yet flirty gown. The minx deliberately blended into the room filled with dark men’s suits. He chuckles, thinking she is just as unassuming as can be playing the room as she just played those patsies at the table. He bet she had sat down all wide-eyed with some story about how she always wanted to play cards. He imagined she offered up a stake that wouldn’t be large but at the same time, substantial enough. Gauging her demeanor, she would have been bold enough to have the money tucked in her bodice. Those boys would be eager after she teased them by retrieving her stake. He smiled a slow smile; he would not mind watching that himself. He knew gamblers; this one was careful not to call in the hard players, just a couple of marks, which would keep the pit bosses off her. He wants to play her; however, before he can reach his goal, the skirt slips away again, using her gray camouflage to aid her. Hell, it is just as well, Reggie considered she would only serve as a distraction and what he really needs is the mental challenge of the game not the hot release of some dame–good or not.
Off in a corner, the pit boss takes out a worn notepad, his meaty hands deftly use a stub of a pencil to enter the notation. The date and short description of the two broads quickly jotted down for his boss Mr. Deluca. He has seen the pair before, and they are winning too often for it to be accidental or to be healthy.
”
”
Caroline Walken (Ell's Double Down (The Willows #1))
“
herself closer to their front door, as if that would hurry her parents along. Her best friend, James, who lived upstairs, would be there any minute with his family to walk with them to Hollister’s bookstore. Emily’s dad carried out a cardboard box that still hadn’t been unpacked, even though the Cranes had lived in San Francisco for three months. He set it in the hall and pulled out a colander, an art book about Diego Rivera, and a wad of fabric that unrolled itself to reveal two ties. He stood in the hallway outside the tiny bathroom and looked at his reflection in the mirror, holding up first the blue tie and then the red one. “These are kind of wrinkly.” Emily’s mom strode out of her bedroom, a long skirt swishing around her ankles and her
”
”
Jennifer Chambliss Bertman (The Unbreakable Code (Book Scavenger, #2))
“
But then most of the women he chose were that way. Like her. Friendly. Made his part in the plan that much easier. He relaxed by his truck. Watched the sky darken. Few people spoke to him since he easily blended in to the Bend. Most skirted past him on a mission to get home.
”
”
Terri Tiffany (The Bend)
“
Josh shrugged. “Works for me.” Caroline nodded. “I think you should get married beside the loch,” Archie told them. Caroline helped herself to a cup of tea from the pot on the table in front of her. “The loch will be full of midges.” James bit into a biscuit and spoke with his mouth full. “With any luck they’ll only bite the foreigners.” Millicent blinked at the man before turning back to Caroline. “How about photos at the loch? That way you can have loch, castle and church.” “Sounds great to me.” Caroline took a sip of her tea. “Josh, what do you think?” “Whatever you decide is fine.” He couldn’t have come across less interested if he’d tried. “Now, the gentlemen were talking about having a grey colour scheme.” Millicent was clearly horrified by the idea. “What do you think?” They all looked at Caroline, who was wearing yet another second-hand grey skirt suit. Although Caroline had never bothered with fashion, she was beginning to think she might have to wear some other colours. “No, I don’t want grey,” Caroline sighed. “I like lavender.” “Lavender it is,” Millicent said. “Any thoughts on flowers?” “Heather,” Caroline said. Archie threw up his hands in disgust. “You can get heather on the damn hill. Pick something he has to pay for. The man is a gazillionaire. What’s the point in marrying him if you can’t splash out?” Caroline looked at Josh. “What kind of flowers do you want?” Josh was munching his way through a giant bag of chips. “I really don’t care about flowers.” Caroline felt her blood pressure rise. “Do you care about the wedding at all?” “Of course I do.” “Well, what ideas do you have for it?” “Fine.” He pushed himself away from the counter and sauntered towards them. Caroline bit the inside of her cheek to stop from commenting. Everything the man did was so unhurried. It was beyond irritating. He pulled up a chair, swung it around, straddled it and leaned on the back with his forearms. He was so close Caroline could feel the heat coming off him. “Okay, this is what I think.” Josh spread his hands wide. “I’m thinking a couple of hundred of our closest friends, large dance floor, great band. I might sing, but we can get someone else in too. Lots of food. I want steak. Apart from that, I don’t care what colour the thing is or what type of flowers we have.” “So, you’re going to leave the details up to me?” “Isn’t this what women do?
”
”
Janet Elizabeth Henderson (Goody Two Shoes (Invertary, #2))
“
Old Man Eating Alone in a Chinese Restaurant I am glad I resisted the temptation, if it was a temptation when I was young, to write a poem about an old man eating alone at a corner table in a Chinese restaurant. I would have gotten it all wrong thinking: the poor bastard, not a friend in the world and with only a book for a companion. He’ll probably pay the bill out of a change purse. So glad I waited all these decades to record how hot and sour the hot and sour soup is here at Chang’s this afternoon and how cold the Chinese beer in a frosted glass. And my book—José Saramago’s Blindness as it turns out—is so absorbing that I look up from its escalating horrors only when I am stunned by one of its arresting sentences. And I should mention the light which falls through the big windows this time of day italicizing everything it touches—the plates and tea pots, the immaculate tablecloths, as well as the soft brown hair of the waitress in the white blouse and short black skirt, the one who is smiling now as she bears a cup of rice and shredded beef with garlic to my favorite table in the corner.
”
”
Billy Collins (Aimless Love: New and Selected Poems)
“
I can't tell you how many times over the years people tried to give me soy cheese and tempeh fake-meat, and other ickiness and pass it off as yummy. I'm sorry but no, you cannot make vegetable protein taste like bacon, no matter how much salt and liquid smoke you put in it! I wanted to celebrate good food, prepared in ways that make it good for you, which is surprisingly easy to do if you know the basics. If you use exceptional products that have inherent natural goodness, you don't need to swamp them in butter or cream to make them taste good." For dinner we'd had grilled skirt steaks, spicy Thai sesame noodles from my friend Doug's recipe, braised cauliflower, and for dessert, poached pears and Greek yogurt with lavender flowers and black sage honey. Filling, balanced, nutritionally sound.
”
”
Stacey Ballis (Good Enough to Eat)
“
She tries to walk not too fast and not too slow. She doesn’t want to attract any attention. She pretends she doesn’t hear the whistles and catcalls and lewd comments.
Sometimes she forgets and leaves her house in a skirt or a tank top because it’s a warm day and she wants to feel warm air on her bare skin.
Before long, she remembers. She keeps her keys in her hand, three of them held between her fingers, like a dull claw. She
makes eye contact only when necessary and if a man should catch her eye, she juts her chin forward, makes sure the line of her jaw is strong. When she leaves work or the bar
late, she calls a car service and when the car pulls up to her building, she quickly scans the street to make sure it’s safe to walk the short distance from the curb to the door.
She once told a boyfriend about these considerations and he said, “You are completely out of your mind.” She told a new friend at work and she said, “Honey, you’re not crazy. You’re a woman.
”
”
Roxane Gay (Difficult Women)
“
In the course of a day, you can run around until your feet turn black and blue. We didn’t have any shoes. You go to bed, and your aunt wraps your feet in the hem of her nightgown to warm them. She’d swaddle me. You can lie there somewhere near her stomach…It’s like being in the womb…And that’s why I don’t remember anything evil. I’ve forgotten it all…It’s hidden away in some distant place. In the morning, I would be woken up by my aunt’s voice: “I made potato pancakes. Have some.” “Auntie, I want to sleep more.” “Eat some and then you can go back to sleep.” She understood that food, bliny, were like medicine to me. Pancakes and love. My uncle Vitalik was a shepherd, he carried a whip over his shoulder and had a long birch-bark pipe. He went around in his military jacket and breeches. He’d bring us “feed” from the pasture—there’d be some cheese and a piece of salo—whatever the women gave him while the animals grazed. Holy poverty! It didn’t mean anything to them, they weren’t upset or insulted by it. All of this is so important to me…so precious. One of my friends complains, “I can’t afford a new car…” another, “I dreamt of it my whole life, but I never did manage to buy myself a mink coat…” When people say those kinds of things to me, it’s like they’re speaking from behind glass…The only thing I regret is not being able to wear short skirts anymore…[We laugh.]
”
”
Svetlana Alexievich
“
For the record, there are other visitors, a handful of pleasant-faced, middle-aged women, long-standing friends of my mother, attractive women in the early stages of disrepair, fighting to keep age at bay with facials, compression undergarments, and aggressively fashionable skirts bought off the rack at Neiman Marcus and Nordstrom
”
”
Jonathan Tropper (This is Where I Leave You)
“
How much does this thing cost?” Travis says, walking closer to it.
Honestly, Travis is always like this. A negative nelly is what my mother would call him. He always has to ask the questions that nobody wants to answer because it ruins all the fun.
“Well, that’s a hard question. Are you talking about the rental price or the price of all the smiles on everyone’s faces as they are having the time of their lives?”
“The rental price.”
“Well, here’s the thing−” I start, but he holds his hand up and looks to Tina.
“$1599.00 plus deposit and taxes,” she says.
“WHAT?” Travis exclaims. “No way! Forget it. This is a veto.”
“You can’t use a veto for this!” I argue.
“Well, I just did,” he says, shrugging.
I can see he has already put the idea out of his mind, which is completely ridiculous. I mean, I know it is pretty expensive, but then I think of all the fun memories everyone will make together− and can you really put a price on that?
“Travis, you’re not seeing the bigger picture here!” I argue.
“We said a small party. A couple of friends, some food and wine. This,” he says, pointing to the obstacle course, “is not small.”
“Who wants small for a thirtieth birthday party? I mean, you only turn thirty once−” From the look on Travis’ face I decide to switch tactics. “What about if we charge people?”
“You’re crazy,” he says.
“Not our guests, but the neighbours and stuff. Kind of like a carnival.”
Actually, I just thought of that idea right here and now, but it’s not a bad one. Plus, it might be easier to have the neighbours agree to have it on the street if I let them join in the fun.
“Or we could just stick to the regular plan,” Travis says and turns to Tina. “I’m sorry we wasted your time.”
I already know the next part of this conversation is not going to go well.
“I kind of already put the deposit down,” I say, trying to get an imaginary piece of dirt off my sweater.
No one says anything and I am starting to feel pretty sorry for Tina because she looks beyond uncomfortable with the conversation.
“What kind of deposit?” Travis says in a low tone.
“The non-refundable kind,” I say, biting my lip.
“How much was the deposit?” he asks, looking from me to Tina. Tina’s eyes are wide and she looks to me desperately, asking me to rescue her from this awkwardness.
Honestly, if anyone needs a life jacket right now− it’s me.
“Nimfy perfin,” I mumble.
“What?”
“Ninety percent,” I say, meeting his eyes. “The remaining ten percent is due on delivery.”
“You really are crazy,” he says, shaking his head.
“I don’t know what you are getting all worked up about,” I say. “I’m paying for it!”
“Etty, this… thing… is your rent for the month!”
“I’ll take extra shifts,” I say, shrugging. “I wanted to make sure Scott’s day was really special.”
“It’s going to be special because he’s with his friends and family. You don’t need to do these things.”
“Yes, I do!” I say. “It’s how I show people that I care about them.”
“Write them a nice card,” Travis says slowly.
“I knew you wouldn’t understand. You’re always the storm cloud that rains on my parade!”
“No, I’m the voice of reason in a land of eternal sunshine and daisies,” he says, and turns to Tina. “Is there any way we can get her deposit back?”
Tina is now fidgeting with her skirt. “No, I’m sorry, but−”
“Don’t worry Tina, I don’t want my deposit back. What I want is my brother to have the best day ever with his friends and family on a hundred foot inflatable obstacle course,” I narrow my eyes at Travis while lifting my purse further up my shoulder. “Now, if you will excuse me, I have to go and start my first of twenty overtime shifts to pay for the best day of all of our lives.
”
”
Emily Harper (My Sort-of, Kind-of Hero)
“
In earnest, I shall echo your earlier proclamation, my friend, and state that in my mind the acquaintance of not only Cyprian Wythe, but any lover of King George is a grave displeasure.” Thomas raised his glass. “Hear, hear, my friend.” “Then I am surprised that you are able to abide my presence.” Kitty’s stiff response blasted a hole through Nathaniel’s middle and the resulting silence choked the merriment from their little circle like thick black smoke. He looked up only to be censured from the shock that drained the light from her eyes. Her lips pressed tight, turning them colorless. The blood drained from his face. Idiot! He couldn’t bring himself to look away from her wounded expression, aching for words that would soothe the pain he’d inflicted. The pleasant tune from the quartet and the quiet hum of voices continued around them, each guest blissfully unaware of his thoughtless remark. Thomas reached out to her, his brow pinching. “Kitty, you must know our comments are no reflection on you.” “Are they not?” She handed her glass to Eliza. “If you’ll excuse me, I shall take my leave so as not to injure you with my presence any longer.” Kitty brushed between them before facing them one last time. “Forgive me, Eliza.” She darted from the room, holding her skirts as she wove through the tangle of party-goers toward the exit. The hollow chill her absence created smacked Nathaniel on the back of the head like an irritated father. He exchanged a narrow glance with Thomas before slamming his eyes shut. How could he be so foolish? How could he have allowed himself to say something so hurtful to someone so gracious? The temperature of the room went hot, then instantly cold. So much for your famous charm, Nathaniel. You’ve proven your lack of it with amazing skill. “I’m
”
”
Amber Lynn Perry (So True a Love (Daughters of His Kingdom #2))
“
Ritual characterizes every aspect of life here, and even mundane, daily activities take on an ageless quality. The daily rhythm begins at dawn, as the fishermen launch boats from countless harbors, an event that has taken place for centuries. The women go to market, exchanging greetings and comments. Ritual rules the care and time taken with every detail of the midday meal, from the hearty seafood appetizers to the strong, syrupy coffee that marks the end of the feast. The day winds down with the evening stroll, a tradition thoroughly ingrained in the culture of the Greek Isles. In villages and towns throughout the islands, sunset brings cooler air and draws people from their homes and the beaches for an enjoyable evening walk through town squares, portside promenades, and narrow streets.
Ancient crafts still flourish in the artisans’ studios and in tidy homes of countless mountain villages and ports. Embroidery--traditionally the province of Greek women--is created by hand to adorn the regional costumes worn during festivals. Artists craft delicate silver utensils, engraved gems, blown glass, and gold jewelry. Potters create ceramic pieces featuring some of the same decorative patterns and mythological subjects that captured their ancestors’ imagination.
Weddings, festivals, saints’ days. And other celebrations with family and friends provide a backdrop for grave and energetic Greek dancing. For centuries--probably ever since people have lived on the islands--Greek islanders have seized every opportunity to play music, sing, and dance. Dancing in Greece is always a group activity, a way to create and reinforce bonds among families, friends, and communities, and island men have been dancing circle dances like the Kalamatianos and the Tsamikos since antiquity. Musicians accompany revelers on stringed instruments like the bouzouki--the modern equivalent of the lyre.
While traditional attire is reserved mainly for festive occasions, on some islands people still sport these garments daily. On Lefkada and Crete, it is not unusual to find men wearing vraka, or baggy trousers, and vests, along with the high boots known as stivania. Women wear long, dark, pleated skirts woven on a traditional loom, and long silk scarves or kerchiefs adorn their heads. All the garments are ornamented by hand with rich brocades and elaborate embroidery. All over the Greek Isles, Orthodox priests dress in long black robes, their shadowy figures contrasting with the bright whites, blues, and greens of Greek village architecture.
”
”
Laura Brooks (Greek Isles (Timeless Places))
“
flooded with relief when Gray came through the door. “You were at the cemetery awhile. I almost drove by, but I figured you wanted to be alone.” “Sorry. I didn’t mean to worry you.” Gray set down Charlene’s messenger bag. “Mind if I change real quick?” Gray snapped her fingers and the skirt turned into a pair of soft blue jeans and ribbed tank top. “Much better,” Gray said, flopping onto the couch. “Actually I ran into Raj McKenna and we left in favor of mochas at The Daily Grind.” “Raj McKenna knows you’re back?” “Hey, Charlene told Ryan Phillips. If she can tell her minion what’s going on I should be able to tell my… well, definitely not minion, but, you know, magically inclined friend.” Gray chuckled at the thought of Raj as her minion. “Speaking of Ryan Phillips, are you and Mr. Phillips still an item?” Yes, let’s change the subject—obviously Mom was mulling over both the fact that Gray had confided in someone and, more likely, that she’d been out having coffee with a boy. “Marc and I aren’t dating any longer.” Gray tilted her head back on the armrest of the couch. “Oh, why not?” “I couldn’t see him after hearing Ryan helped Charlene
”
”
Nikki Jefford (Entangled (Spellbound, #1))
“
As he turned her face to study her, he said, “You have more courage than you have strength, Yellow Hair. It is not wise to fight when you cannot win.”
Looking up at his carved features and the arrogant set of his mouth, she longed for the strength to jerk him off his horse. He wasn’t just taunting her, he was challenging her, mocking her.
“You will yield. Look at me and know the face of your master. Remember it well.”
Riding high on humiliation, Loretta forgot Amy, Aunt Rachel, everything. An image of her mother’s face flashed before her. Never, as long as she had life in her body, would she yield to him. She worked her parched mouth and spat. Nothing came out, but the message rang clear.
“Nei mah-heepicut!” Releasing her, he struck her lightly on the arm. Wheeling his horse, he glanced toward the windows of the house and thumped his chest with a broad fist. “I claim her!”
Loretta staggered, watching in numb disbelief as Hunter pranced his stallion in a circle around her. I claim her? Warily she turned, keeping him in sight, unsure of what he might do. He rode erect, his eyes touching on her dress, her face, her hair, as if everything about her were a curiosity.
A taunting smile curved his mouth. His attention centered on her full skirt, and she could almost see the questions churning in his head. He repositioned his hand on the lance. The determination in his expression filled her with foreboding.
He rode directly toward her, and she sidestepped. He turned his mount to come at her again. As he swept by he leaned forward, catching the hem of her skirt with his lance. Loretta whirled, striking out with her forearms, but the Indian moved expertly, his aim swift and sure, his horse precision-trained to the pressure of his legs. He was as bent on seeing her undergarments as she was on keeping them hidden.
The outcome of their battle was a foregone conclusion, and Loretta knew it. His friends encouraged him, whooping with ribald laughter each time her ruffles flashed. She snatched the dirty peace flag from the wooden shaft and threw it to the earth, grinding it beneath the heel of her shoe.
After fending off several more passes, exhaustion claimed its victory, and Loretta realized the folly in fighting. She stood motionless, breasts heaving, her eyes staring fixedly at nothing, head lifted. The warrior circled her, guiding his stallion’s flashing hooves so close to her feet that her toes tingled. When she didn’t move, he reined the horse to a halt and studied her for several seconds before he leaned forward to finger the bodice of her dress. Her breath snagged when he slid a palm over her bosom to the indentation of her waist.
“Ai-ee,” he whispered. “You learn quick.”
Raising tear-filled eyes to his, she again spat in his face. This time he felt the spray and wiped his cheek, his lips quivering with something that looked suspiciously like suppressed laughter, friendly laughter this time. “Maybe not so quick. But I am a good teacher. You will learn not to fight me, Yellow Hair. It is a promise I make for you.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
Nei mah-heepicut!” Releasing her, he struck her lightly on the arm. Wheeling his horse, he glanced toward the windows of the house and thumped his chest with a broad fist. “I claim her!”
Loretta staggered, watching in numb disbelief as Hunter pranced his stallion in a circle around her. I claim her? Warily she turned, keeping him in sight, unsure of what he might do. He rode erect, his eyes touching on her dress, her face, her hair, as if everything about her were a curiosity.
A taunting smile curved his mouth. His attention centered on her full skirt, and she could almost see the questions churning in his head. He repositioned his hand on the lance. The determination in his expression filled her with foreboding.
He rode directly toward her, and she sidestepped. He turned his mount to come at her again. As he swept by he leaned forward, catching the hem of her skirt with his lance. Loretta whirled, striking out with her forearms, but the Indian moved expertly, his aim swift and sure, his horse precision-trained to the pressure of his legs. He was as bent on seeing her undergarments as she was on keeping them hidden.
The outcome of their battle was a foregone conclusion, and Loretta knew it. His friends encouraged him, whooping with ribald laughter each time her ruffles flashed. She snatched the dirty peace flag from the wooden shaft and threw it to the earth, grinding it beneath the heel of her shoe.
After fending off several more passes, exhaustion claimed its victory, and Loretta realized the folly in fighting. She stood motionless, breasts heaving, her eyes staring fixedly at nothing, head lifted. The warrior circled her, guiding his stallion’s flashing hooves so close to her feet that her toes tingled. When she didn’t move, he reined the horse to a halt and studied her for several seconds before he leaned forward to finger the bodice of her dress. Her breath snagged when he slid a palm over her bosom to the indentation of her waist.
“Ai-ee,” he whispered. “You learn quick.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
Blue Eyes?”
He slowed his pace as he got closer, his indigo eyes traveling the length of her, taking in every detail of her dress, from the high neckline down to the bit of petticoat and black high-topped shoes showing below the hem of her full skirts. His eyes warmed with the familiar gleam of laughter that had once irritated her so much.
She fastened her gaze on his face and, resisting the need to blurt out her troubles, searched her mind for the appropriate Comanche greeting, determined to begin this encounter on the right note. “Hi, hites,” she said, lifting her right hand.
He caught the stallion’s bridle and stepped close. He was so tall that he didn’t have to tip his head back to see her face. With a smile in his voice, he replied, “Hello.”
Loretta caught her bottom lip between her teeth to stop its trembling. How like him to remember her word of greeting. He was her friend. She had been right to come here.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
Even at a distance he recognized the way she sat a horse, the tilt of her head. He couldn’t believe she had come so far and so quickly. Fate had indeed led her in a circle back to him.
Ordering Blackbird back to his mother’s lodge, Hunter increased his pace, the dread of leaving his people forgotten. Destiny. A month ago he had railed against it. Now he wasn’t certain how he felt. Resentful, yet pleased. And relieved. Deep in the quiet places of his heart, he sensed the rightness.
Fate. Today it had brought him a woman, a woman like no other, with skin as white as a night moon, hair like honey, and eyes like the summer sky. His woman, and this time she came freely.
From the hilltop Loretta watched the lone man walking toward her from the village. Relief flooded through her when she recognized Hunter’s loose-hipped, graceful stride. She crossed herself quickly and murmured thanks to the Holy Mother for her intercession. A dozen emotions surging through her, she urged Friend down the embankment.
Hunter met her halfway across the flat. As Loretta rode toward him, she couldn’t stop staring. Even though she had been away from him only a short while, she had forgotten how Indian he looked. How savage. He moved with the fluid strength of a well-muscled animal, his shoulders, arms, and chest in constant motion, a bronzed play of tendon and flesh. The wind whipped his hair about his face.
Mercy. He wasn’t wearing any breeches, just a breechcloth and knee-high moccasins. She drew Friend to a halt and swallowed a rush of anxiety. Aunt Rachel was right. He was a Comanche, first, last, and always. Yet she had come to him.
“Blue Eyes?”
He slowed his pace as he got closer, his indigo eyes traveling the length of her, taking in every detail of her dress, from the high neckline down to the bit of petticoat and black high-topped shoes showing below the hem of her full skirts. His eyes warmed with the familiar gleam of laughter that had once irritated her so much.
She fastened her gaze on his face and, resisting the need to blurt out her troubles, searched her mind for the appropriate Comanche greeting, determined to begin this encounter on the right note. “Hi, hites,” she said, lifting her right hand.
He caught the stallion’s bridle and stepped close. He was so tall that he didn’t have to tip his head back to see her face. With a smile in his voice, he replied, “Hello.”
Loretta caught her bottom lip between her teeth to stop its trembling. How like him to remember her word of greeting. He was her friend. She had been right to come here.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
prettiness and their cut showed off her neat figure. It was a pity that Paul wasn’t there to see the chrysalis changing into a butterfly. She had to make do with Queenie. She had to admit that by teatime, even though she had filled the rest of the day by taking the dogs for a long walk, she was missing him, which was, of course, exactly what he had intended. Mrs Parfitt, when Emma asked her the next day, had no idea when he would be back. ‘Sir Paul goes off for days at a time,’ she explained to Emma. ‘He goes to other hospitals, and abroad too. Does a lot of work in London, so I’ve been told. Got friends there too. I dare say he’ll be back in a day or two. Why not put on one of your new skirts and that jacket and go down to the shop for me and fetch up a few groceries?’ So Emma went shopping, exchanging good mornings rather shyly with the various people she met. They were friendly, wanting to know if she liked the village and did she get on with the dogs? She guessed that there were other questions hovering on their tongues but they were too considerate to ask them. Going back with her shopping, she reflected that, since she had promised to marry Paul, it might be a good thing to do so as soon as possible. He had told her to decide on a date. As soon after the banns had been read as could be arranged—which thought reminded her that she would certainly need something special to wear on her wedding-day. Very soon, she promised herself, she would get the morning bus to Exeter and go to the boutique Paul had taken her to. She had plenty of money still—her own money too…Well, almost her own, she admitted, once the house was sold and she had paid him back what she owed him. The time passed pleasantly, her head filled with the delightful problem of what she would wear next, and even the steady rain which began to fall as she walked on the moor with the dogs did nothing to dampen her
”
”
Betty Neels (The Right Kind of Girl)
“
The bonnets come to stare,
the dark skirts also,
the upturned faces in between,
mouths closed so tight they’re lipless.
I can see down into their eyeholes
and nostrils. I can see their fear.
You were my friend, you too.
I cured your baby, Mrs.,
and flushed yours out of you,
Non-wife, to save your life.
Help me down? You don’t dare.
I might rub off on you,
like soot or gossip. Birds
of a feather burn together,
though as a rule ravens are singular.
”
”
Margaret Atwood
“
The M1A3 Abrams was a man-killer. Colonel J. “Lonesome” Jones thanked the good Lord that he had never had to face anything like it. The models that preceded it, the A1 and A2, were primarily designed to engage huge fleets of Soviet tanks on the plains of Europe. They were magnificent tank busters, but proved to be less adept at the sort of close urban combat that was the bread and butter of the U.S. Army in the first two decades of the twenty-first century. In the alleyways of Damascus and Algiers, along the ancient cobbled lanes of Samara, Al Hudaydah, and Aden, the armored behemoths often found themselves penned in, unable to maneuver or even to see what they were supposed to kill. They fell victim to car bombs and Molotovs and homemade mines. Jones had won his Medal of Honor rescuing the crew of one that had been disabled by a jihadi suicide squad in the Syrian capital. The A3 was developed in response to attacks just like that one, which had become increasingly more succesful. It was still capable of killing a Chinese battle tank, but it was fitted out with a very different enemy in mind. Anyone, like Jones, who was familiar with the clean, classic lines of the earlier Abrams would have found the A3 less aesthetically pleasing. The low-profile turret now bristled with 40 mm grenade launchers, an M134 7.62 mm minigun, and either a small secondary turret for twin 50s, or a single Tenix-ADI 30 mm chain gun. The 120 mm canon remained, but it was now rifled like the British Challenger’s gun. But anyone, like Jones, who’d ever had to fight in a high-intensity urban scenario couldn’t give a shit about the A3’s aesthetics. They just said their prayers in thanks to the designers. The tanks typically loaded out with a heavy emphasis on high-impact, soft-kill ammunition such as the canistered “beehive” rounds, Improved Conventional Bomblets, White Phos’, thermobaric, and flame-gel capsules. Reduced propellant charges meant that they could be fired near friendly troops without danger of having a gun blast disable or even kill them. An augmented long-range laser-guided kinetic spike could engage hard targets out to six thousand meters. The A3 boasted dozens of tweaks, many of them suggested by crew members who had gained their knowledge the hard way. So the tank commander now enjoyed an independent thermal and LLAMPS viewer. Three-hundred-sixty-degree visibility came via a network of hardened battle-cams. A secondary fuel cell generator allowed the tank to idle without guzzling JP-8 jet fuel. Wafered armor incorporated monobonded carbon sheathing and reactive matrix skirts, as well as the traditional mix of depleted uranium and Chobam ceramics. Unlike the tank crew that Jones had rescued from a screaming mob in a Damascus marketplace, the men and women inside the A3 could fight off hordes of foot soldiers armed with RPGs, satchel charges, and rusty knives—for the “finishing work” when the tank had been stopped and cracked open to give access to its occupants.
”
”
John Birmingham (Designated Targets (Axis of Time, #2))
“
When I die I hope that there will be laughter.
I hope that champagne will be served.
I hope that people wear red.
And I hope when people speak of me that this is what they will say:
She hugged too hard.
She laughed too loud.
She felt too much.
She swore too much.
She talked too much.
She wore heels that were too tall.
She wore skirts that were too short.
She had too many tattoos.
She made too many inappropriate jokes.
She asked too many questions.
She drank too much caffeine.
She drank too much wine.
She made peace with being too much for too many.
She was overdressed.
She was never early.
She couldn’t sing but that never stopped her.
She couldn’t sew.
She couldn’t bake.
She couldn’t be contained.
She never had a shortage of people in her kitchen.
She made her own traditions.
She stopped using her voice for apologies unearned.
She loved with reckless abandon.
She tried to see the whole world.
She tried to save the corners that she could.
She tried to give her children deep roots and wide wings.
She fell.
She rose.
She danced.
She unraveled.
She let go.
She evolved.
She carried herself as though she was made of feathers.
She never smoothed her wild edges.
She never stopped writing new chapters.
She never stopped chasing the light.
She was a tangled mess.
She was strong.
She was fierce.
She was brave.
She was a badass.
She dreamed out loud.
Her friends were her soulmates.
The ocean was her therapy.
Grace was her religion.
Imperfection was her backbone.
Forgiveness was her freedom.
She lived like there was magic enveloped in the every day.
She lived like there would never be enough time.
She lived like there was fire in her veins.
She lived.
”
”
Katie Yackley Moore
“
This might sound like a foolish thing to have done, but a woman who has no family and few friends is forever skirting the edges of a profound despair, which derives from the fear that she could vanish from the world and leave no trace she had ever existed; that the things she has done shall be of no account and the perceptions she has formed [as of Dr. von Pfung for example] shall be swallowed up like a cry in a dark woods.
”
”
Neal Stephenson (The Baroque Cycle: Quicksilver, The Confusion, and The System of the World)
“
Raucous laughter drew my attention and I looked into the far corner, spotting Roxy Vega clambering up onto the table while two of her powerless little friends watched excitedly. She still had her uniform on and I wondered how long they’d been here, hiding themselves with that spell. It was a pretty clever way to avoid the Hell Week chaos going on back at the House even if they were being stupid by staying out after curfew. But then I could hardly talk on that front
“Far be it for you to not go through with the... for me to not to go through to do the daring...” Roxy was slurring and she stumbled, almost falling from the table even though she was only wearing flat pumps.
The guy leapt up and caught her waist to steady her and my gut lurched irritably as his hand skimmed her ass. I bit my tongue, turning away from them as I crossed the room in search of my drinks. I didn’t think I’d seen her that wasted before and a Tuesday evening in The Orb seemed like an odd venue to choose for a bender. But that was her business.
“I only came up with that dare because I didn’t think you’d actually lose!” the girl protested.
“I am not usually one for losing, Sofia,” Roxy agreed. “But I will never back out of a dare and you ordered a strip show.”
I paused a few meters from the ice chiller, fighting against the urge to look back over to them again. Roxy Vega might have been the most irritatingly rude and stubborn girl I’d ever met but she was fucking hot. And with the stupid games we played together while I was tutoring her in her fire magic I had to admit that I’d imagined her stripping for me more than once.
The guy muttered something in Spanish and the tone of it made me think she’d started to pull her clothes off.
I fought the urge to turn with clenched teeth then continued my mission for beer, deciding to skip the food in favour of sleep. I snagged a six pack from the chiller and turned back, meaning to head for the exit.
Of course my goddamn dick wasn’t going to let me leave without looking over at Roxy again, it didn’t care that I had to get rid of her or that she irritated me more than any woman ever born.
Her blazer already lay in a heap on the floor and she was fumbling with the buttons on her shirt, her inebriation obviously slowing her down. But the way she was swaying her hips and tossing her long, black hair still made her look sexy as hell. Her pleated skirt fell to her mid thigh, giving me a look at several inches of bare flesh between it and the top of her knee length socks, but the elevated angle of looking up at her on the table made it seem like her bronzed legs went on forever.
“Why don’t you do another dare?” the boy protested. “Go for a run in The Wailing Wood?”
“Don’t be crazy,” Sofia objected. “There could be a Nymph out there!”
(Darius POV)
”
”
Caroline Peckham (The Reckoning (Zodiac Academy, #3))
“
I adored my best friend. Reyna Vargas was the most genuine, kindhearted person I’d ever met. I’d felt an urgent need to take her under my wing the first day she joined our school at the start of senior year. She was so soft-spoken and delicate that she would need protection if she was going to survive the hallways of Xavier Catholic School, where privilege was the backbone of the curriculum and the air itself was infused with the fresh leather scent of entitlement. The kids at my school were carbon copies of their CEO fathers and corporate counsel mothers. They’d been trained since birth to smell blood in the water from a mile away. Xavier bullies could teach the CIA innovative new torture tactics. Reyna had been a brand-new shiny target in a plaid pleated skirt until I took her in my arms and claimed her. No one at school had dared touch her after that.
”
”
Jill Ramsower (Perfect Enemies (The Five Families, #6))
“
Gone the glitter and glamour; gone the pompous wealth beside naked starvation; gone the strange excitement of a polyglot and many-sided city; gone the island of Western civilization flourishing in the vast slum that was Shanghai.
Good-by to all that: the well-dressed Chinese in their chauffeured cars behind bullet-proof glass; the gangsters, the shakedowns, the kidnapers; the exclusive foreign clubs, the men in white dinner jackets, their women beautifully gowned; the white-coated Chinese “boys” obsequiously waiting to be tipped; Jimmy’s Kitchen with its good American coffee, hamburgers, chili and sirloin steaks. Good-by to all the night life: the gilded singing girl in her enameled hair-do, her stage make-up, her tight-fitting gown with its slit skirt breaking at the silk clad hip, and her polished ebony and silver-trimmed rickshaw with its crown of lights; the hundred dance halls and the thousands of taxi dolls; the opium dens and gambling halls; the flashing lights of the great restaurants, the clatter of mah-jongg pieces, the yells of Chinese feasting and playing the finger game for bottoms-up drinking; the sailors in their smelly bars and friendly brothels on Szechuan Road;
the myriad short-time whores and pimps busily darting in and out of the alleyways; the display signs of foreign business, the innumerable shops spilling with silks, jades, embroideries, porcelains and all the wares of the East; the generations of foreign families who called Shanghai home and lived quiet conservative lives in their tiny vacuum untouched by China; the beggars on every downtown block and the scabby infants urinating or defecating on the curb while mendicant mothers absently scratched for lice; the “honey carts” hauling the night soil through the streets; the blocks-long funerals, the white-clad professional mourners weeping false tears, the tiers of paper palaces and paper money burned on the rich man’s tomb; the jungle free-for- all struggle for gold or survival and the day’s toll of unwanted infants and suicides floating in the canals; the knotted rickshaws with their owners fighting each other for customers and arguing fares; the peddlers and their plaintive cries; the armored white ships on the Whangpoo, “protecting foreign lives and property”; the Japanese conquerors and their American and Kuomintang successors; gone the wickedest and most colorful city of the old Orient: good-by to all that.
”
”
Edgar Snow (Red China Today: The Other Side of the River)
“
A meeting with the Friends Mission in La Paz, Bolivia, lived long in the memory of the touring pair. Mr. O told it repeatedly as he relived the pioneering days of international outreach: The church in the Indian section of the city was crowded and most of the adults, so colorful in their native dress, were believers. The women, in bright shawls and skirts, removed their babies from their backs to the floor during the meeting. How they listened as their pastor interpreted…my message on The Wordless Book! Their faces lit up with understanding—the children’s too! Then at the close the pastor gave an altar call for the children to accept Christ. It was wonderful to see them come one by one until about 35 were gathered at the altar. The pastor dealt with each personally and faithfully and I am sure many were born again that day. This meeting alone, in all of its marvelous aspects, was worth the trip to South America.
”
”
Norman Rohrer (The Indomitable Mr. O)
“
It hurts,” Portia moaned. “It hurts so much. I must be dying.”
“Of course you aren’t.” Folding her skirts, Cecily settled at her friend’s side.
Luke could feel her blue eyes on him as he selected a thick branch and stripped it of twigs.
Having removed his coat, Brooke folded it and propped it beneath Portia’s head, for a pillow. “You can’t die,” he told her, crouching at her other side. “Who would argue with me then?”
“Anyone with sense,” she said tartly. But when Brooke took her hand, Portia allowed him to keep it. “Don’t you aggravating know-all’s have some sort of debating society?” “Yes, but none of the members have your amusing imagination. Nor such lovely hair.” He stroked an ebony lock from her pale, sweating brow.
Luke pushed her skirts to the knee and took a firm grip on his branch. “Mrs. Yardley, this is going to hurt.”
Portia whimpered. Brooke kept stroking her hair, murmuring, “Be brave, darling. Scream all you like. Break every bone in my hand, if you must. I won’t leave your side.
”
”
Tessa Dare (The Legend of the Werestag)
“
We have received more than a few invitations to visit friends in the country.” Lottie came beside him and sank to the carpeted floor, the skirts of her printed muslin skirts billowing around her. Their faces were nearly level as Nick reclined on the arm of the low-backed settee. “Even one from Westcliff, asking if we would stay a fortnight or so at Stony Cross Park.”
Nick’s face darkened. “No doubt the earl wants to assure himself that you’re not being maltreated by your husband from hell.”
Lottie couldn’t help laughing. “You must admit that you were not at your most charming then.”
Nick caught at her fingers as she reached over to loosen his necktie. “I wanted you too badly to bother with charm.” The pad of his thumb stroked over the smooth tips of her fingernails.
“You implied that I was interchangeable with any other woman,” she chided.
“In the past I learned that the best way to get something I wanted was to pretend that I didn’t want it.”
Lottie shook her head, perplexed. “That makes no sense at all.”
Smiling, Nick released her hand and toyed with the lace edge of her scooped neckline. “It worked,” he pointed out.
With their faces close together and his vivid blue eyes staring into hers, Lottie felt a blush climbing her face. “You were very wicked that night.”
His fingertip eased into the shallow valley between her breasts. “Not nearly as wicked as I wanted to be…”
-Lottie & Nick
”
”
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
“
Long before I ever saw him coming into Connie Sue’s salon, a friend of mine in high school was always talking about a guy named Jeptha. She was very sweet. She went to the Pentecostal church and dressed very conservatively--hair down to her booty, skirts, little makeup. We had history class together, and she used to let me put mascara on her.
“He’s a dream,” she used to say. I could tell she had a crush on this guy, and I’d just roll my eyes and shake my head.
I doubt it, I’d say to myself, after the thousandth time she’d talked about Jeptha and called him dreamy again.
I was familiar with the name but not the actual guy, and it wasn’t until the glide-by at Connie Sue’s that I came face-to-face with the dream. Whoops! I mean, with Jeptha. I didn’t think a whole lot more about him until I saw him again a couple of weeks later at a music club called Edge of Madness. There was no drinking, just music, and lots of kids hanging out.
The Jeptha came up to me during a break in the music and introduced himself.
“Hi. I’m Jeptha Robertson. Are you Jessica?”
Connie Sue had told him my name and a little bit about me, but I guess he wanted to make sure.
“Hi,” I said, and smiled back.
“My dad is the Duck Commander,” he offered.
Who? I didn’t answer because I didn’t know what to say. I had no idea who or what the Duck Commander was.
“You don’t know who the Duck Commander is?”
I shook my head no. I’m sure I looked as confused as I felt. Obviously, I am missing something, and I should know who the Duck Commander is.
“You don’t know who Phil Robertson is?”
No, again.
We chatted a little, and I could see he was trying to connect with me. Then he pulled out his best line: “Do you like my plaid pants?”
I looked at the familiar logo on his shirt and pants and thought to myself, Wow, you must really like Abercrombie and Fitch.
Surprised, I looked down and beheld his brown, green, and white plaid pants. You couldn’t miss them. They definitely stood out in the crowd.
“Yeah,” I said, my voice trailing off. I wasn’t quite sure what else to say.
Now at least I know who the dream is, I thought. And he is pretty cute.
”
”
Jessica Robertson (The Good, the Bad, and the Grace of God: What Honesty and Pain Taught Us About Faith, Family, and Forgiveness)
“
home only to pine over an ex-girlfriend, so he stopped. He apologized, saying a few more things that Catherine once again just nodded her head to, smiling, and before she knew it, she had plans to go see a movie with Dickie the following Friday. It was a date, the first of many. It went like this for two months: Friday night dates. Rides home from school while other girls looked on in jealousy. Long nights parked up at The Point, the low rumble of his car idling away while they made out with the heat blowing on her legs. Him sliding his hands up her skirt. Under her shirt. Her moaning. Her face flushing red. Her toes curling. The Rolling Stones on the radio. Why did he taste so good? Never sex, though. Even when he begged for it, she would refuse. She knew what their relationship really was. It was great and fun and wild and exciting, but she knew it wouldn’t last; he was off to college soon, and she remembered how he felt about being tethered to something familiar. That conversation never left her mind for the duration of their relationship, always reminding her to be ready to lose him. At the time, she was still a virgin, and as much as she loved Dickie she did not wish to give herself fully to someone who would more than likely forget about her within months, if not weeks, of leaving. Catherine was young, but never stupid or naive. She knew how the world worked… even Dickie’s world. What she felt and experienced with him may have been real by her definition, but she understood that that did not make the relationship everlasting or meant-to-be. Their time together had been great and fun and had changed her in ways she would never be able to put into words. She would forever cherish their moments together. Or at least, that’s what she’d thought at the time, before these cherished memories soured. Everything changed the night of the dance. The night he changed. The night she changed, too. It was Dickie’s senior prom. He invited her to go and she happily accepted. She even bought a new dress with the money she’d saved working shifts down at Woolworth’s. The dance was fine and good. They had a blast. They’d even kissed in the middle of the gymnasium during the last slow dance. It had been so romantic. But afterward was a different sort of time. Dickie and some of his friends rented a few rooms at the Heartsridge Motel for a place to hang out after the dance. But it was more than just a place to hang out. It was a place to party, a place to drink alcohol purchased illegally, a place for some of the looser girls to sleep with their dates. She had been to parties with Dickie before, parties with drinking and drugs and where there were rooms dedicated to fooling around. She wasn’t a square. But this was different. This place made her skin crawl. There was a raw energy in the air. She remembered feeling it on her skin. And the fact that it was a motel made the whole scene seem depraved. It just felt off, and she wanted to beg him to go somewhere else. But instead she held her tongue and went along with Dickie. He was leaving soon, after all. Why not appease him? He seemed excited about going. A few of them—all friends of Dickie’s—ended up together in one room, drinking Schnapps, smoking cigarettes, having
”
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Christian Galacar (Cicada Spring)
“
Styled by Kitty Black Perkins, an African-American designer whom Mattel hired in 1975, Black Barbie made her debut in 1980. Barbie had had black friends since the late sixties, but by 1979, Mattel determined that America was ready for the dream girl herself to be of color. Because the new doll was likely to be scrutinized, Mattel fashioned her with sensitivity: her hair is short and realistically textured; her face, if not aggressively non-Caucasian, is at least different from blond Barbie's; and her dress, while corporate, is livened up with jewelry evocative of African sculpture. Hispanic Barbie, who appeared the same year, is another story. Decked out in a peasant blouse, a two-tiered skirt, and a mantilla, the doll looks like a refugee from an amateur production of Carmen; she even has a rose pinned at her neck. Mattel's designers could hardly be unacquainted with Hispanics:
”
”
M.G. Lord (Forever Barbie: The Unauthorized Biography of a Real Doll)
“
It hurts,” Portia moaned. “It hurts so much. I must be dying.” “Of course you aren’t.” Folding her skirts, Cecily settled at her friend’s side. Luke could feel her blue eyes on him as he selected a thick branch and stripped it of twigs. Having removed his coat, Brooke folded it and propped it beneath Portia’s head, for a pillow. “You can’t die,” he told her, crouching at her other side. “Who would argue with me then?” “Anyone with sense,” she said tartly. But when Brooke took her hand, Portia allowed him to keep it. “Don’t you aggravating know-all’s have some sort of debating society?” “Yes, but none of the members have your amusing imagination. Nor such lovely hair.” He stroked an ebony lock from her pale, sweating brow. Luke pushed her skirts to the knee and took a firm grip on his branch. “Mrs. Yardley, this is going to hurt.” Portia whimpered. Brooke kept stroking her hair, murmuring, “Be brave, darling. Scream all you like. Break every bone in my hand, if you must. I won’t leave your side.” Cecily
”
”
Tessa Dare (How to Catch a Wild Viscount)
“
Sean checked his watch, grimaced, and lengthened his stride down the hallway. He’d make it to the high school—but only if he skirted around town instead of cutting through. It was 12:40 p.m. and the downtown streets would be clogged with motorists battling for lunch hour parking.
He was halfway down the granite steps when he spotted Dave and Evelyn standing beside his car in the lot reserved for official use. He raised an eyebrow at the twin smiles of angelic innocence on their faces. “What are you two doing, camped out here?”
“That should be obvious,” his secretary replied. “You tipped your hand when you canceled your lunch with Ferrucci and the oh-so-friendly developers. So Dave and I decided we might as well share the ride. No point in taking separate cars when we can carpool.”
He made a show of looking at his watch. “You want a lift to the deli for sandwiches? Fine, hop on in.”
Evelyn made a clucking noise with her tongue. Her pink curls shook slightly. “Sean, we’re your friends. If we’re willing to admit to unholy curiosity, then you should, too.”
Dave merely nodded in agreement, wisely holding his tongue. A good thing, too. These days, Sean’s temper had a real short fuse, wired to explode. He didn’t want to throttle his best friend in the town hall parking lot.
Sean had thought it would be easier not to see Lily, but he’d been wrong. Just knowing she was near had him craving even a glimpse of her. It was a gnawing hunger that nothing could appease . . . except her.
”
”
Laura Moore (Night Swimming: A Novel)
“
Why don’t you have a girlfriend, Matt?” I ask. And I really want to know, because it’s unfathomable to me that he’s single. He’s handsome, and he’s so kind. He shakes a finger at me. “There’s a story there,” he says. I settle into the sofa a little deeper and turn so that my feet are pointed toward him, my legs extended. My toes almost touch his thigh. But then he lifts my feet and slides under them, scooting closer to me. “I was in love with a girl. For a long time.” “What happened to her?” I ask. He starts to tickle across my toes, and then his fingertips drag down the top of my foot. It’s a gentle sweep, and it feels so good that I don’t want him to stop. His fingers play absently as he starts to talk. “When I got the diagnosis,” he says, “she couldn’t deal with it.” “Cancer?” I ask. He nods. His fingers drag up and down my shin, and he slides around to stroke the back of my knee. I don’t stop him when his hand slides beneath my skirt, although I do tense up. He smiles when he finds the top of my thigh-highs, and he unclips the little fastener that attaches them to my garters. He repeats the action on the other side, his hands teasing the sensitive skin of my inner thigh as he frees the stocking and rolls it down. He pulls it all the way over my foot, and does the same with the other side. I am suddenly really glad I shaved my legs this morning. I wiggle my toes at him, and he starts to stroke me again. I don’t ever want him to stop. “This okay?” he asks. But he’s not looking at my face. He’s looking at my legs. “Yeah,” I breathe. “Keep talking. You got diagnosed…” “I got diagnosed, and the prognosis wasn’t good. I went through chemo and got a little better. But then I needed a second round. Things didn’t look good, and we were flat broke. I couldn’t work at the tattoo parlor anymore because my immune system was too weak, so I had no money coming in. I was poor and sick, and she didn’t love me enough to walk the path with me.” He shrugs, but I can tell he’s serious. “She cheated with my best friend.” He shrugs again. “And that’s the end of that sad story.” “You still love her?” I ask. I don’t breathe, waiting for his answer. He shakes his head and looks up. “I did love her for a long time. And I haven’t been looking for a relationship. I haven’t dated anyone since her. But I’m not in love with her anymore. I know that now.” “Why now?” I ask. He looks directly into my eyes and says, “Because I met you, and I feel really hopeful that you’ll want to go after something real with me. I know we just met and all, but I was serious about making you fall in love with me.” He laughs. “Then you hit me in the nose tonight, and I knew it was meant to be.” “What?” I have no idea what he’s talking about. “When my brother Logan met Emily, she punched him in the face. And when Pete and Reagan first started dating, she hit him in the nose.” He reaches up and touches his nose gently. “So, when you hit me tonight, I just knew it was meant to be.” He grins. “I hope you feel the same way, because I really want to see where this thing is going to go.” “So the women your brothers fell in love with, they committed bodily harm to them and that’s how you guys knew it was real?” “We kind of have a rule. If a woman punches you in the face, you have to marry her.” He laughs. “I didn’t punch you.” “Same difference,” he says. “That’s my story and I’m sticking to it.
”
”
Tammy Falkner (Maybe Matt's Miracle (The Reed Brothers, #4))
“
She knocked at the door and was admitted by Corporal Pierce, the good-looking, dark-haired young man who worked in Colonel Tibbet’s office and had leave time coming up soon. He smiled broadly and ran one hand over his slicked-back hair. “Hello, Miss Lily,” he said, and he made a great business out of helping Lily off with her cloak, as if she hadn’t removed it on her own a thousand times. “Would you like some punch and cake?” Lily cast a surreptitious glance around the crowded parlor and saw Caleb standing on the far side of the room, a cup of punch in his hand, speaking with Sandra’s friend, Lieutenant Costner. He met Lily’s look, as quick as it was, but there was time enough for her to see the lack of interest in his eyes. “Yes, please,” she said brightly to Corporal Pierce, who was still standing attentively at her side. “Punch and cake would be very nice, thank you.” While the corporal hurried off to the refreshment table Lily scanned the room again, this time slowly, her gaze deliberately skirting Caleb. Despite her cool demeanor, however, she felt bruised. Just a day before he’d brought her candy and demanded that she come and live with him. Now he didn’t seem aware of her existence. “My first name is Wilbur, ma’am,” the corporal confided, returning with a plate of cake and a cup brimming with pink punch. Lily spotted a nearby chair and wended her way toward it. Reaching her destination, she sat down, balancing her cake plate on her knees, and gazed up at her new friend with her most devastating smile. “Wilbur,” she echoed, saying the name as though it were somehow Olympian and anyone bearing it would surely have wings upon his feet. Wilbur crouched beside her. “I know those rumors aren’t true,” he said earnestly. “About your washing business, I mean.” Lily might have choked on her first bite of cake if she hadn’t seen out of the corner of her eye that Caleb was watching her. She set her punch on the figurine-cluttered table beside her chair and patted Wilbur’s cheek affectionately. “Thank you, Wilbur,” she said softly. The young man fairly beamed. “I’ll bring, my wash over tomorrow, if that’s all right with you.” Lily risked a glance at Caleb and found that he was concentrating on a conversation with a plump blond woman wearing a blue sateen dress. “That’ll be fine,” she answered distractedly. “Of course, if it’s raining again, everything will take longer.” Before
”
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Linda Lael Miller (Lily and the Major (Orphan Train, #1))
“
Eve was talking to the horse in low, earnest tones, and the horse gave every appearance of listening raptly. An image of Mildred Staines flashed in Deene’s mind. He’d seen her riding in the park on a pretty bay mare just a few days previous. Mildred sat a horse competently, but there was nothing pretty about the picture. Her habit was fashionable, her horse tidily turned out, her appointments all coordinated for a smart impression, but… Eve was still wearing Deene’s coat, her skirts were rumpled, her boots dusty, and she sported a few wisps of straw in her hair. She stopped to turn the horse the other direction, pausing to pet the beast on his solid shoulder. I could marry her. The thought appeared in Deene’s brain between one instant and the next, complete and compelling. It rapidly began sprouting roots into his common sense. She was wellborn enough. She was pretty enough. She was passionate enough. She was—he forced himself to list this consideration—well dowered enough. And she charmed King William effortlessly. Why not? Little leaves of possibility began twining upward into Deene’s imagination. He knew her family thoroughly and wouldn’t have to deal with any aunts secreted away in Cumbria. He was friends with her brothers, who did not leave bastards all over the shire. The Windham hadn’t been born who lost control when gambling. And Eve Windham was a delightful kisser. Why the hell not? The longer he thought about it, the more patently right the idea became. Eve
”
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Grace Burrowes (Lady Eve's Indiscretion (The Duke's Daughters, #4; Windham, #7))