Skirt And Blouse Quotes

I notice her blouse has pulled out of her skirt in the back again and force myself to stay calm. "Tuck your tail in, little duck," I say, smoothing the blouse back in place. Prim giggles and give me a small "Quack." "Quack yourself," I say with a light laugh. The kind only Prim can draw out of me.

This is the first adventure I’ve survived without being kidnapped, attacked, knocked unconscious or possessed by evil spirits. A ripped blouse? Ruined skirt? Bad hair? I’d call this progress. ~Jaime Vegas

Here came the waitress. She had on a mini-skirt, high heels, see-through blouse with padded brassiere. Everything was too small for her: her outfit, the world, her mind. Her face was hard as steel. When she smiled it hurt. It hurt her and it hurt me. She kept smiling. That smile was so false the hairs on my arms rose. I looked away.

She had long since lost the sense of her dresses and skirts and blouses; they were rote phrases of rayon and cotton that she daily intoned.

Now isn't this role more fun than nun?" Gabrielle sauntered into the room, casting a sideways glance at the skirt she had personally hemmed. Hamish nodded, "Kat... you have... legs." "And boobs," Angus added, staring quite directly at the section of the white blouse that Gabrielle had made a bit too form-fitting for Kat's personal taste. "Seriously Kat," Simon said, inching closer, "When did you get boobs?" Hamish looked at Hale, "The boobs are new." He said as if that point hadn't already been thoroughly made. "Is that padded?" Simon held out his hand as if to cop an oh-so-scientific feel. "Hey!" Kat slapped his hand away. "Her dad's going to get out of prison one of these days boys." Hale added, amused.

When we finally do this, Nora,” he says, straightening away from me, his hands slipping my buttons back into buttonholes as easily as he undid them, “it’s not going to be on a library table, and it’s not going to be on a time crunch.” He smooths my hair, tucks my blouse back into my skirt, then takes my hips in his hands and guides me off the table, catching me against him. “We’re going to do this right. No shortcuts.

[I]n America, wrongs can be righted, warriors can wear skirts and blouses, and the bravest hearts may beat in girls only five feet tall.

Well, this is a nice surprise," he said. He looked us over. Jill had changed into her normal clothes during her isolation today, but I still had on the Amberwood blouse and skirt. "Sage, aren't you guys supposed to have uniforms? This looks like what you usually wear." "Cute," I said, suppressing an eye roll. Adrian gave me a mock bow. "Careful. You almost smiled.

Clothing was magic. Casey believed this. She would never admit this to her classmates in any of her women's studies courses, but she felt that an article of clothing could change a person... Each skirt, blouse, necklace, or humble shoe said something - certain pieces screamed, and others whispered seductively, but no matter, she experienced each item's expression keenly, and she loved this world. every article suggested an image, a life, a kind of woman, and Casey felt drawn to them." (Free Food For Millionaires, p.41).

He stopped at the door and turned to me. “I’ll be right back.” I nodded, and he disappeared out the door. I stood in my living area in my heels, skirt and blouse from work. Then I wondered if I had time to change before he got back. Then I wondered if he’d notice it if I’d spritzed on perfume when he got back. Then I wondered if I should do a shot or two of vodka before he got back. Then he knocked on my door, which meant he was back.

It was only then that I realized that poor Ms. Rubin’s blouse and skirt were completely covered in my blood.

All through June the writing course had stretched before me like a bright, safe bridge over the dull gulf of summer. Now I saw it totter and dissolve, and a body in a white blouse and green skirt plummet into the gap.

My ears hear what others cannot hear; small faraway things people cannot normally see are visible to me. These senses are the fruits of a lifetime of longing, longing to be rescued, to be completed. Just as the skirt needs the wind to billow, I'm not formed by things that are of myself alone. I wear my father's belt tied around my mother's blouse, and shoes which are from my uncle. This is me. Just as a flower does not choose its color, we are not responsible for what we have come to be. Only once you realize this do you become free, and to become adult is to become free.

Her skirt was nice, but she was wearing a dull-colored blouse that wasn't at all attractive. I'd have to remember to tell her not to wear it when she was with me if the two of us were going to get together, I thought

The boat was vacuum-packed with Albanians, four generations to a family: great-grandmother, air-dried like a chilli pepper, deep red skin and a hot temper; grandmother, all sun-dried tomato, tough, chewy, skin split with the heat; getting the kids to rub olive oil into her arms; mother, moist as a purple fig, open everywhere - blouse, skirt, mouth, eyes, a wide-open woman, lips licking the salt spray flying from the open boat. Then there were the kids, aged four and six, a couple of squirs, zesty as lemons.

She wore a pleated skirt, a white cotton blouse, and simple black shoes with knee high stockings. At the arc of each step, the skirt would rise to expose a few inches of her taut thighs. Neither Earl nor Duke could recall what Chad was wearing.

To cut a long story short, coaching by Charlotte and Mr. Giordano was even worse than I’d expected. That was mainly because they were trying to teach me everything at the same time. While I was struggling to learn the steps of the minuet (rigged out in a hooped skirt with cherry-red stripes, not very chic worn with my school uniform blouse, which was the color of mashed potato), I was also supposed to be learning how greatly the political opinions of the Whigs and the Tories differed, how to hold a fan, and the difference between “Your Highness,” “Your Royal Highness,” “Your Serene Highness,” and even “Your Illustrious Highness.” After only an hour plus seventeen different ways of opening a fan, I had a splitting headache, and I couldn’t tell left from right. My attempt to lighten the atmosphere with a little joke—“Couldn’t we stop for a rest? I’m totally, serenely, illustriously exhausted”—went down like a lead balloon. “This is not funny,” said Giordano in nasal tones. “Stupid girl.

She was wearing a skirt and a big-shouldered jacket of a royal blue that was fashionable in France, a blue-and-white-striped silk blouse, and electric-blue lizard pumps with white calf caps on the toes.

She was slender and dressed like an Edwardian maid, complete with a starched white bib apron over a full black skirt and white cotton blouse. Her face didn’t fit her outfit, being too long and sharp-boned, with black almond-shaped eyes. Despite her mob cap she wore her hair loose, a black curtain that fell to her waist. She instantly gave me the creeps and not just because I’ve seen too many Japanese horror films.

Then she washed and dressed very attentively, putting on high-heeled court shoes, silk stockings, a black skirt and crisply ironed white blouse, because she was Viennese and one dressed properly even when one's world had ended.

When they turned, Pelletier and Espinoza saw an older woman in a white blouse and black skirt, a woman with a figure like Marlene Dietrich, as Pelletier would say much later, a woman who despite her years was still as strong willed as ever, a woman who didn't cling to the edge of the abyss but plunged into it with curiosity and elegance. A woman who plunged into the abyss sitting down.

I PUT ON a skirt and blouse for the meeting, feeling dwarfy, my grown-up, big-girl clothes never quite fitting. I’m barely five foot—four foot, ten inches in truth, but I round up. Sue me. I’m thirty-one, but people tend to talk to me in singsong, like they want to give me fingerpaints.

I put on a skirt and blouse for the meeting, feeling dwarfy, my grown up, big-girl clothes never quite fitting. I'm barely five foot -- four foot, ten inches in truth, but I round up. Sue me. I'm thirty-one, but people tend to talk to me in singsong, like they want to give me fingerpaints.

I’d slipped on a black blouse, black skirt, and black shoes. My hair color did not require alteration. Neither did the color of my soul.

With your teacher, she said, playing with intimacy, and she was white and smooth. Not miserable and not knowing anything, not abandoned, not dirty-kneed like Joana, like Joana! Joana got up and she knew that her skirt was short, that her blouse was clinging to her minuscule, hesitant bust. Flee, run to the beach, lie face-down in the sand, hide her face, listen to the sound of the sea.

You told me that Kafka was not a thinker, and that a "genetic" approach to his work would disclose that much of it was only a kind of very imaginative whining. That was during the period when you were going in for wrecking operations, feeling, I suppose, that the integrity of your own mental processes was best maintained by a series of strong, unforgiving attacks. You made quite an impression on everyone, in those days: you ruffled blouse, you long magenta skirt slit to the knee, the dagger thrust into your boot. "Is that a metaphor?" I asked, pointing to the dagger; you shook your head, smiled, said no.

My faux school uniform is like a power suit, my armor, a super hero’s costume that makes me feel on top of the world. Short skirt, white blouse, knee-highs and Mary Janes. When I wear this, I make the rules.

For example, Madame Chic’s wardrobe for winter consisted of three or four wool skirts, four cashmere sweaters, and three silk blouses. (Madame Chic rarely wore trousers.) She had a uniform of sorts and wore it well.

She tugs her skirt down, tucks in her blouse. Dead girls in bridal veils, why would that amuse me? With their tongues cut out. You must think I’m a brute. I’ll take it back. I’ll change it. I’ll rewrite history for you. How’s that?

In America: each year the day before school after summer vacation I sat on my bed touching my notebooks, pencils, ruler-holding the stern and sweet smelling brown oxfords in my lap and spreading my skirt and blouse and underwear and socks before me. My mother would come in and always say the same thing: “Free paper burn now.” Such words conspire to make a past. Such words conjure a knowledge. Such words make assimilation impossible. They stay with you for years. They puzzle but you sense a significance. I need these words.

Women love having a man in the store. She tries on a dress and I tell her to turn around so I can get the full effect. Or she likes a skirt but she thinks maybe the blouse is too plain. So I grab a scarf and drape it around her neck. That personal attention means everything.

By the time I was twelve, I learned I could single-handedly ruin a boy’s relationship with God by the length of my skirt or the cut of my blouse (Matthew 5:27–28), but that good looks and pretty clothes weren’t all bad, because that’s how Queen Esther saved the Jews. According

Cecily let her cheek fall to Leta’s shoulder and hugged her back. It felt so nice to be loved by someone in the world. Since her mother’s death, she’d had no one of her own. It was a lonely life, despite the excitement and adventure her work held for her. She wasn’t openly affectionate at all, except with Leta. “For God’s sake, next you’ll be rocking her to sleep at night!” came a deep, disgusted voice at Cecily’s back, and Cecily stiffened because she recognized it immediately. “She’s my baby girl,” Leta told her tall, handsome son with a grin. “Shut up.” Cecily turned a little awkwardly. She hadn’t expected this. Tate Winthrop towered over both of them. His jet-black hair was loose as he never wore it in the city, falling thick and straight almost to his waist. He was wearing a breastplate with buckskin leggings and high-topped mocassins. There were two feathers straight up in his hair with notches that had meaning among his people, marks of bravery. Cecily tried not to stare at him. He was the most beautiful man she’d ever known. Since her seventeenth birthday, Tate had been her world. Fortunately he didn’t realize that her mad flirting hid a true emotion. In fact, he treated her exactly as he had when she came to him for comfort after her mother had died suddenly; as he had when she came to him again with bruises all over her thin, young body from her drunken stepfather’s violent attack. Although she dated, she’d never had a serious boyfriend. She had secret terrors of intimacy that had never really gone away, except when she thought of Tate that way. She loved him… “Why aren’t you dressed properly?” Tate asked, scowling at her skirt and blouse. “I bought you buckskins for your birthday, didn’t I?” “Three years ago,” she said without meeting his probing eyes. She didn’t like remembering that he’d forgotten her birthday this year. “I gained weight since then.” “Oh. Well, find something you like here…” She held up a hand. “I don’t want you to buy me anything else,” she said flatly, and didn’t back down from the sudden menace in his dark eyes. “I’m not dressing up like a Lakota woman. In case you haven’t noticed, I’m blond. I don’t want to be mistaken for some sort of overstimulated Native American groupie buying up artificial artifacts and enthusing over citified Native American flute music, trying to act like a member of the tribe.” “You belong to it,” he returned. “We adopted you years ago.” “So you did,” she said. That was how he thought of her-a sister. That wasn’t the way she wanted him to think of her. She smiled faintly. “But I won’t pass for a Lakota, whatever I wear.” “You could take your hair down,” he continued thoughtfully. She shook her head. She only let her hair loose at night, when she went to bed. Perhaps she kept it tightly coiled for pure spite, because he loved long hair and she knew it. “How old are you?” he asked, trying to remember. “Twenty, isn’t it?” “I was, give years ago,” she said, exasperated. “You used to work for the CIA. I seem to remember that you went to college, too, and got a law degree. Didn’t they teach you how to count?” He looked surprised. Where had the years gone? She hadn’t aged, not visibly.

That they have, indeed! My sisters tell how they had to scrounge to get the supper together. Twice the gendarmes took everything from them at the station. The third time they sewed the eggs inside their cloaks, put the sausages into their blouses and hid the potatoes in pockets inside their skirts. That time they got through.

A lovely village woman with a pretty red skirt and white ruffled blouse was spanking her slave quite diligently upon a wooden counter, and the lovely face peering through its tears was that of Beauty. She writhed and struggled under the paddle. But I could see she was unfettered, just as I had been last night on the Public Turntable.

I squeezed through a horde of gum-snapping girls I recognized as seniors from my school. “He did not say that!” “Yes, he did! And you wouldn’t believe what she said!” Please, someone tell me I wouldn’t be that annoying if I had girlfriends. “Sure, you will be.” I whipped around and nearly got a faceful of cotton candy. I moved the purple sugar cloud to the side and glared at my mother. She wore a white, short-sleeved blouse and a patchwork skirt. “You have to stop listening in on my thoughts without my permission, Mom. It’s not cool.” She shoved a piece of cotton candy in my mouth to shut me up. “I didn’t do it on purpose, Clarity. I was strolling along listening in to the crowd.” “Pick up anything interesting?” “Actually, I did. That detective’s son can’t stop checking out your legs. He loves this little pink dress you’ve got on. So much so that he’s actually mad at himself for it.” She shook her head. I blushed. “Did you happen to pick up anything important?” “Like a man walking along thinking, ‘I killed Victoria Happel’?” “Exactly.” “No such luck. But dear, people don’t wander around thinking about their biggest secrets all the time. The killer could be standing right next to me and all I might pick up from him is how he wants to buy some barbequed chicken.” “Have you seen Billy Rawlinson or Frankie Creedon?” I asked. Distaste turned her mouth down. “No. Why are you looking for those scoundrels?” “Billy might be a witness in the case. Or a suspect.” “I’ll keep my eyes out and my mind open.” “Thanks,” I said. “Enjoy invading everyone’s privacy.

Well, this girl, this Ashford or whatever her name was, looked like a hippie. She was wearing a very pretty pink flowered skirt that was full and so long, it touched the tops of her shoes, which I soon realized were not shoes, but sort of hiking boots. Her blouse, loose and lacy, was embroidered with pink flowers, and both her wrists were loaded with silver bangle bracelets. Her hair, which was almost as long as my friend Dawn's and was dirty blonde, was pulled into a big fat braid (which I might add, was not held in place with a rubber band or anything; it sort of trailed to an end). But the amazing thing was that because of her hair was pulled back, you could see her ears and she had three pierced earrings in each ear. They were all silver and all dangly, but none matched.

Isaiah opens my car door and his warm silver eyes smile at me. “Hey.” I sweep my bangs from my eyes. “Hi.” He offers his hand and I accept. His fingers wrap around mine and heat surges up my arm, flushes my neck and settles into a blush on my face. He tugs gently and I slip out. I’m not sure if my body vibrates from the rumbling of the garage door closing or from the blood pounding in my veins. Our fingers lace together, and his other hand smoothly cups my hip. I suck in a breath, surprised that someone touches me so easily and with such care. “You look nice,” he says. “I’m in my school uniform.” White button-down blouse, maroon-and-black plaid skirt, and a pair of white Keds. Nothing spectacular. “I know.” The seductive slide in his voice causes the back of my neck to tickle.

After that she paired each of her outfits with one of his. She tucked the cuff of her blouse in his blue suit pocket. A skirt hem she looped around a trouser leg. Another dress she wrapped in the embrace of his blue cardigan. It was as if lots of invisible Maureens and Harolds were loitering in her wardrobe, simply waiting fro the opportunity to step out. It made her smile, and then it made her cry; but she didn't change them back.

In her white-gloved hand she brandished a long ball-topped staff which she pumped up and down in time with the martial strains. Her white blouse was surmounted by a crimson bolero jacket. She strutted and pranced like an Arabian mare on display, her gleaming knees, responding to the drum beat, shooting to a level equal with her chin, her tassled white kid boots contrasting with the healthy pink of her rounded calves, her pleated crimson and white skirt --lifted by her knees, fanned by the wind-- revealing smooth firm thighs.

A study by T. Joel Wade and Jennifer Slemp similarly found that the most effective flirtation tactics for women include touching, dressing in revealing clothing, moving closer, kissing on the cheek, and rubbing against the man.37 Effective nonverbal seduction tactics for women in Lisbon, Portugal, included wearing tight skirts, wearing low-neck blouses, and exposing legs through short skirts or wearing attention-getting black or red nylons.38 Women who sexualize their appearance and behavior succeed in evoking approaches from men.

Out of the corner of his eye, he saw another woman sitting over in a wing chair, a pleasantly attractive lady wearing the tasteful clothes of a senior redactrice, or senior civil servant, the stylish black skirt, the dark stockings, the black pumps, and the starched white linen blouse of her caste. The dark hair was swept up in a chignon, elegant and functional, dark eyes glistened as she smiled at him in a professional manner. He could see that she was a woman who met men in a highly assured way—serene, and expert at creating a proper distance.

It was readily apparent that Millie was fond of geometric patterns. Today she wore double diamond checks. Her blouse in black and white, her skirt in bright teal. Around her neck she wore a scarf printed with random blocks of gray and gold. Out of sight, hanging in the tiny wardrobe of her room, were five striped blouses, two sweaters knit in intricate cables of intersecting colors. Also three tartan plaid skirts and one pair of unusual trousers, blue and yellow. She wore brown-and-white saddle shoes, which she constantly thought of decorating with fine black lines.

float before I could swim. Ellis never believed it was called Dead-Man’s Float, thought I’d made it up. I told him it was a survival position after a long exhausting journey. How apt. All I see below is blue light. Peaceful and eternal. I’m holding my breath until my body throbs as one pulse. I roll over and suck in a deep lungful of warm air. I look up at the starry starry night. The sound of water in and out of my ears, and beyond this human shell, the sound of cicadas fills the night. I dreamt of my mother. It was an image, that’s all, and a fleeting one, at that. She was faded with age, like a discarded offcut on the studio floor. In this dream, she didn’t speak, just stepped out of the shadows, a reminder that we are the same, her and me, cut from the same bruised cloth. I understand how she got up one day and left, how instinctively she trusted the compulsion to flee. The rightness of that action. We are the same, her and me. She walked out when I was eight. Never came back. I remember being collected from school by our neighbour Mrs Deakin, who bought me sweets on the way home and let me play with a dog for as long as I wanted. Inside the house, my father was sitting at the table, drinking. He was holding a sheet of blue writing paper covered in black words, and he said, Your mother’s gone. She said she’s sorry. A sheet of writing paper covered in words and just two for me. How was that possible? Her remnant life was put in bags and stored in the spare room at the earliest opportunity. Stuffed in, not folded – clothes brushes, cosmetics all thrown in together, awaiting collection from the Church. My mother had taken only what she could carry. One rainy afternoon, when my father had gone next door to fix a pipe, I emptied the bags on to the floor and saw my mother in every jumper and blouse and skirt I held up. I used to watch her dress and she let me. Sometimes, she asked my opinion about colours or what suited her more, this blouse or that blouse? And she’d follow my advice and tell me how right I was. I took off my clothes and put on a skirt first, then a blouse, a cardigan, and slowly I became her in miniature. She’d taken her good shoes, so I slipped on a pair of mid-height heels many sizes too big, of course, and placed a handbag on my arm. I stood in front of the mirror, and saw the infinite possibilities of play. I strutted, I

I imagined her taller. My mother stands in front of me. She leans more of her slight weight on her right leg. A hide pack rests against her back. The long skirt she wears touches almost to the ground; its fringe brushes the blades of green grass. A plentiful, red, calico blouse adorns the top of her body. It flounces out around her waist and makes her appear smaller, child- like. Her black, shiny braid of hair ropes around her shoulder. One small streak of silver hides in its weave. Her eyes meet mine. I don’t move, and neither does she. She has the blackest eyes I’ve ever seen. Crow black.

Lolita is defined as a type of street fashion known only in Japan. But for me, Lolita goes far beyond fashion and serves as my unwavering, absolute personal policy. Wearing a frilly blouse, a skirt over a huge ruffly petticoat with my waist squeezed into a corset, and a totally outlandish headdress, is my way of pledging that I have devoted myself to Rococo. If I didn't dress in this totally conspicuous and bizarre way, I'd make friends and be popular with boys... is what people tell me, and the more they say that, the more it fans the flames of my Lolita passion and stiffens my resolve to be a Lolita through and through.

You seem to need a reality check on who the fuck you belong to, Mrs. King. This”—he pinches my arse cheek until I whimper, then slaps it, hard—“is mine.” Still gripping my arse with one hand, he releases my nape and reaches beneath my blouse, crumpling it and freeing it from the skirt, and then moves to my breast underneath the bra and squeezes my nipple in a painful, erotic pull. “These tits are also mine. But above all.” He slides his grip from my arse, cups my pussy through my panties, and strokes his finger on my swollen clit. “This cunt is fucking mine. The next time you offer it to someone else, I want you to remember that.

For all women—or maybe just all plus-size women, or maybe just me—there’s a moment right after you put on a new piece of clothing, after you’ve buttoned the buttons or zipped the zipper, but before you’ve seen how it looks—or, rather, how you look in it. A moment of just sensation, of feeling the fabric on your skin, the garment against your body, knowing where the waistband pinches or if the cuffs are the right length, an instant of perfect faith, of pure, untarnished hope that this dress, this blouse, this skirt, will be the one that transforms you, that makes you look shapely and pretty, and worthy of love, or respect, or whatever you most desire.

And so it began. He played “Begin the Beguine” against Tessie’s collarbone. He played “Moonface” against her smooth cheeks. Pressing the clarinet right up against the red toenails that had so dazzled him, he played “It Goes to Your Feet.” With a secrecy they didn’t acknowledge, Milton and Tessie drifted off to quiet parts of the house, and there, lifting her skirt a little, or removing a sock, or once, when nobody was home, pulling up her blouse to expose her lower back, Tessie allowed Milton to press his clarinet to her skin and fill her body with music. At first it only tickled her. But after a while the notes spread deeper into her body. She felt the vibrations penetrate her muscles, pulsing in waves, until they rattled her bones and made her inner organs hum.

I had forgotten all about that particular event. But the moment I found myself scaling the wall wearing a knapsack, the feeling came back to me—the indescribable loneliness I had felt, standing by myself amid unfamiliar streets and unfamiliar people and unfamiliar houses, watching the afternoon sun lose its light bit by bit. And then I thought of Kumiko: Kumiko, who had disappeared somewhere, taking with her only her shoulder bag and her blouse and skirt from the cleaner’s. She had passed her last chance to turn back. And now she was probably standing by herself in some strange and distant town. I could hardly bear to think of her that way. But no, she couldn’t be by herself. She had to be with a man. That was the only way this made sense. I stopped thinking about Kumiko.

For the next nine months, Sylvia would report on campus trends, politics, tastes, style. It was an honor, but it was grueling. Sylvia was overworked. She had boyfriend problems. She longed for Europe. She broke her leg in a skiing accident. Her best friend, Marcia Brown, had gotten engaged and moved off campus - other girls were away on their junior year abroad. The whole campus seemed mired in some bleak haze- there were suicide attempts, abortions, disappearances, and hasty marriages. Sylvia coped with shopping binges in downtown Northhampton- sheer blouses, French pumps, red cashmere sweaters, white skirts, and tight black pullovers - clothes more suited to voguish amusements than studying. Everyone wanted to be one of Mademoiselle's guest editors, but Sylvia needed it - some shot of glamour to pull her out of the mud.

So, Like- always I am going too dragged myself out of my bed, brush my hair, brush my teeth.' 'Grab a bra out of my dresser and slide it up on me. Today it is an adorable baby pink one with black dots, and a little bow in the middle, so sweet- like me.' 'So anyway, I am going to clasp it in the back, as my long hair falls forward while doing it.' 'Then spin a white blouse through my arms and on top of my shoulders, I will fix my collar. Button everything it up, to a point; tie it up at the bottom so it is snug to my lower ribs. Then I slide a skirt up over my body, zip and button it in the front. I will use the bathroom one last time.' 'Fix my hair for the last time, while looking into my oval bathroom mirror, which is lit from both sides. That is where I do all my makeup. I like to use a nude shade of powder, pink blush on my cheeks, and a soft eyeshadow.

The reaction of the people below to this fantastic sight and sound was one of wild excitement. Details could be seen vividly from aloft. An elderly man and woman fell to their knees and prayed. People in the villages stood still and gaped upward. Most of them still had their Sunday finery on. "You could see people going to church...man, wife, and child walking along the country roads." Bombardier Herbert Light, through his binoculars, saw an open-air festival in progress, with the women dressed in colorful skirts and blouses. One of them threw her apron over her head in panic. As they roared over the wheat fields, the first unfriendly acts occurred: farmers threw stones and pitchforks at them. One farmer leading two horses was startled by the advancing planes and leaped into a nearby stream. A girl swimming in another river was reported by ten separate crews.

A while back a young woman from another state came to live with some of her relatives in the Salt Lake City area for a few weeks. On her first Sunday she came to church dressed in a simple, nice blouse and knee-length skirt set off with a light, button-up sweater. She wore hose and dress shoes, and her hair was combed simply but with care. Her overall appearance created an impression of youthful grace. Unfortunately, she immediately felt out of place. It seemed like all the other young women her age or near her age were dressed in casual skirts, some rather distant from the knee; tight T-shirt-like tops that barely met the top of their skirts at the waist (some bare instead of barely); no socks or stockings; and clunky sneakers or flip-flops. One would have hoped that seeing the new girl, the other girls would have realized how inappropriate their manner of dress was for a chapel and for the Sabbath day and immediately changed for the better. Sad to say, however, they did not, and it was the visitor who, in order to fit in, adopted the fashion (if you can call it that) of her host ward. It is troubling to see this growing trend that is not limited to young women but extends to older women, to men, and to young men as well. . . . I was shocked to see what the people of this other congregation wore to church. There was not a suit or tie among the men. They appeared to have come from or to be on their way to the golf course. It was hard to spot a woman wearing a dress or anything other than very casual pants or even shorts. Had I not known that they were coming to the school for church meetings, I would have assumed that there was some kind of sporting event taking place. The dress of our ward members compared very favorably to this bad example, but I am beginning to think that we are no longer quite so different as more and more we seem to slide toward that lower standard. We used to use the phrase “Sunday best.” People understood that to mean the nicest clothes they had. The specific clothing would vary according to different cultures and economic circumstances, but it would be their best. It is an affront to God to come into His house, especially on His holy day, not groomed and dressed in the most careful and modest manner that our circumstances permit. Where a poor member from the hills of Peru must ford a river to get to church, the Lord surely will not be offended by the stain of muddy water on his white shirt. But how can God not be pained at the sight of one who, with all the clothes he needs and more and with easy access to the chapel, nevertheless appears in church in rumpled cargo pants and a T-shirt? Ironically, it has been my experience as I travel around the world that members of the Church with the least means somehow find a way to arrive at Sabbath meetings neatly dressed in clean, nice clothes, the best they have, while those who have more than enough are the ones who may appear in casual, even slovenly clothing. Some say dress and hair don’t matter—it’s what’s inside that counts. I believe that truly it is what’s inside a person that counts, but that’s what worries me. Casual dress at holy places and events is a message about what is inside a person. It may be pride or rebellion or something else, but at a minimum it says, “I don’t get it. I don’t understand the difference between the sacred and the profane.” In that condition they are easily drawn away from the Lord. They do not appreciate the value of what they have. I worry about them. Unless they can gain some understanding and capture some feeling for sacred things, they are at risk of eventually losing all that matters most. You are Saints of the great latter-day dispensation—look the part.

I panted as he pulled me back through the entryway, hands on my waist, kissing the whole way, and collapsed backward onto the gray leather couch, which felt softer than my skin. I fell on top of him, straddling his lap. He kissed his way down my neck and across the collar of my blouse, leaving a trail of fire behind. "Enough of that," I panted, ripping my shirt over my head. Thank goodness I'd worn a decent bra today---blue satin with a bow in the middle, not frayed or torn anywhere. He eyed it with a growl of approval, but maybe it wasn't a growl for the bra at all, because a moment of fumbling over my back and---pop---I shook off my now unfastened bra. "And to think you didn't like me at first." He drank me in unabashedly, his eyes roaming from belly to breasts to nose to eyes, and each inch his eyes traveled made me feel more and more powerful. Like I could go anywhere, do anything. Except all I wanted to do was right here. I ground against him, feeling his cock already hard and strong under his zipper. "Who says I like you now?" He gasped and pulled me tighter onto him. "If this is what you do to people you don't like, what do you do to people you do like?" I silenced him with another kiss as I rubbed up and down him again. Now my own sex was throbbing, and I sucked in a breath with every movement. I kept moving up and down as he kissed my breasts, tongue tracing lightly over each nipple. When I couldn't take it anymore, I tumbled to the side, lying down on the couch and pulling him on top of me. Because his was an expensive couch and not the cheap one my old roommate had bought at Ikea, there was plenty of room for us to writhe without making me feel like I might topple off the edge. He went down to kiss my breasts again... and kept going. His tongue slid down my stomach, did a lazy circle around my belly button. I clenched my teeth, holding back a beg for more as he slowly, slowly, way too slowly unzipped my skirt and tugged it down. I kicked it off, along with my underwear, when he reached my knees, nearly clipping him on the ear. When I felt close to the edge, I reached down and pulled him up. My hand moved down and took over, zeroing in on just the right spot on my clit. It didn't take long. I shuddered against his shoulder, biting back a cry, then wondered why I was biting it back and let it out. Breathing hard, my head collapsed back into the cushion. I was a little worried that now post-orgasm clarity would descend upon me and be like, What the hell are you doing, Julie? but the post-orgasm clarity seemed to approve. With a wink and a nudge, it made me pull away, and the desire roared back inside me. "That's why it's great to have a clitoris," I told Bennett. "Multiple orgasms.

Extract from 'Quixotic Ambitions': The crowd stared at Katy expectantly. She looked at them - old women in black, exhausted young women with pasty-faced children, youths in jeans and leather blousons chewing gum. She tried to speak but the words wouldn’t come. Then, with a sudden burst of energy, she blurted out her short speech, thanking the people of Shkrapova for their welcome and promising that if she won the referendum she would work for the good of Maloslavia. There was some half-hearted applause and an old lady hobbled up to her, knelt down with difficulty, and kissed the hem of her skirt. She looked at Katy with tears rolling down her face and gabbled something excitedly. Dimitar translated: ‘She says that she remembers the reign of your grandfather and that God has sent you to Maloslavia.’ Katy was embarrassed but she smiled at the woman and helped her to her feet. At this moment the People’s Struggle Pioneers appeared on the scene, waving their banners and shouting ‘Doloy Manaheeyoo! Popnikov President!’ Police had been stationed at strategic points and quickly dispersed the demonstrators without any display of violence, but the angry cries of ‘Down with the monarchy!’ had a depressing effect on the entertainment that had been planned; only a few people remained to watch it. A group of children aged between ten and twelve ran into the square and performed a series of dances accompanied by an accordian. They stamped their feet and clapped their hands frequently and occasionally collided with one another when they forgot their next move. The girls wore embroidered blouses, stiffly pleated skirts and scarlet boots and the boys were in baggy linen shirts and trousers, the legs of which were bound with leather thongs. Their enthusiasm compensated for their mistakes and they were loudly applauded. The male voice choir which followed consisted of twelve young men who sang complicated polyphonic melodies with a high, curiously nasal tenor line accompanied by an unusually deep droning bass. Some of their songs were the cries of despair of a people who had suffered under Turkish occupation; others were lively dance tunes for feast days and festivals. They were definitely an acquired taste and Katy, who was beginning to feel hungry, longed for them to come to an end. At last, at two o’clock, the performance finished and trestle tables were set up in the square. Dishes of various salads, hors-d’oeuvres and oriental pastries appeared, along with casks of beer and bottles of the local red wine. The people who had disappeared during the brief demonstration came back and started piling food on to paper plates. A few of the People’s Struggle Pioneers also showed up again and mingled with the crowd, greedily eating anything that took their fancy.

Come here, little one.” “I want to go back.” He hoped she stood there arguing for a time. “Obey your husband.” She wrinkled her nose. “It’s broad daylight.” “Keemah, come.” Growing tired of just looking when he could be touching, Hunter cocked his head and let her see him leering. He was awarded a fetching glimpse of slender, creamy thighs and honey gold. She gasped and dropped to her knees as if someone had dealt a blow to the backs of her legs. Tucking her skirt under her knees, she cried, “Have you no shame?” His answer was a slow grin. Seizing her wrist, he drew her toward him. “There is no shame. You are my woman.” Pulled off balance, she fell across his chest. Squirming, but halfheartedly, she said, “There’s a time and a place for everything, and this isn’t it.” “No?” He ran a hand under her blouse. “I say it is a very good time.” She jerked when his fingers scaled her ribs. “That tickles.” Without warning he rolled with her, coming out on top. He kissed her lightly on the lips while he moved his hand from her ribs to her breast. The small mound of warm flesh fit perfectly in his hand, the crest springing taut against his palm. Scarlet flamed on her cheeks. Unable to resist, Hunter lifted her blouse and moved off her to look, one thigh slanted across both of hers to keep her still. He had guessed right; when she was shy, she grew pink all over. “Hunter!” She tried to shove the leather down. “Someone might come!” “No one comes.

I spun around, and now heat throbbed all through me from my chest down between my legs, because we were front to front, and my eyes met his with a spark that sizzled, and his voice was husky as he said, "We might die in here." There are worse places to die, I thought, nestled against his chest, and then I said it out loud. I could feel rather than hear his laugh. And then I was looking up at him, and he was looking down at me, and he asked the question with his eyes, and I answered it, and he bent down, and I lifted my chin and then we were kissing. Kissing. I was kissing Bennett. His lips were soft against mine at first, gentle, exploring. But I craved more. I wrapped my arms around his shoulders and pulled him closer, kissed him harder, parted my lips and let his tongue slip inside. I was kissing Bennett. He made a little noise deep in his throat, a growl or a purr, as he slid his hands down my body to my waist. They touched the exposed slice of skin between my blouse and skirt and God that flash of tingly heat made me gasp. Made me want more. Made me want him. "Julie." My name was a plea. I answered him with another kiss, curled myself into him so tight I didn't know if I'd be able to untangle myself from his warm skin and soft curls and the gentle flex of his biceps as he held tight to me. I didn't want to, though. I wanted to wrinkle that pressed button-down, slip my hand beneath it and trace the divot running down his back, bite his earlobe and feel him shiver.

Vivien (spelled the same way as Vivien Leigh, lucky thing) was quite possibly the most beautiful woman she'd ever seen. She had a heart-shaped face, deep brown hair that gleamed in its Victory roll, and full curled lips painted scarlet. Her eyes were wide set and framed by dramatic arched brows just like Rita Hayworth's or Gene Tierney's, but it was more than that which made her beautiful. It wasn't the fine skirts and blouses she wore, it was the way she wore them, easily, casually; it was the strings of pearls strung airily around her neck, the brown Bentley she used to drive before it was handed over like a pair of boots to the Ambulance Service. It was the tragic history Dolly had learned in dribs and drabs- orphaned as a child, raised by an uncle, married to a handsome, wealthy author named Henry Jenkins, who held an important position with the Ministry of Information. "Dorothy? Come and put my sheets to rights and fetch my sleep mask." Ordinarily, Dolly might've been a bit envious to have a woman of that description living at such close quarters, but with Vivien it was different. All her life, Dolly had longed for a friend like her. Someone who really understood her (not like dull old Caitlin or silly frivolous Kitty), someone with whom she could stroll arm in arm down Bond Street, elegant and buoyant, as people turned to look at them, gossiping behind their hands about the dark leggy beauties, their careless charm. And now, finally, she'd found Vivien. From the very first time they'd passed each other walking up the Grove, when their eyes had met and they'd exchanged that smile- secretive, knowing, complicit- it had been clear to both of them that they were two of a kind and destined to be the very best of friends.

This way please,' said a voice. In the door stood Dr Sesame, the famous Dr Sesame, whose reputation as a sympathetic and, according to some, also a kind-hearted man had spread throughout the town and beyond. He had also written a popular pamphlet on sexual problems, which had given Pinneberg the courage to write making an appointment for Emma and himself. This, then, was the Dr Sesame at present standing in the doorway, and saying 'This way, please.' Dr Sesame searched on his desk for the letter. 'You wrote to me, Mr Pinneberg... saying you couldn't have any children just yet because you couldn't afford it?' 'Yes,' said Pinneberg, dreadfully embarrassed. 'You can start undressing,' said the doctor to Emma, and carried on: 'And you want to know an entirely reliable means of prevention. Hm, an entirely reliable means...' He smiled sceptically behind his gold-rimmed spectacles. 'I read about it in your book... These pessoirs...' 'Pessaries,' said the doctor. 'Yes, but they don't suit every woman. And it's always a bit of a business. It depends on whether your wife would be nimble-fingered enough...' He looked up at her. She had already taken off her blouse and skirt. Her slim legs made her look very tall. 'Well, let's go next door,' said the doctor. 'You needn't have taken your blouse off for this, young lady.' Emma went a deep red. 'Oh well, leave it off now. Come this way. One moment, Mr Pinneberg.' The two of them went into the next room. Pinneberg watched them go. The top of the doctor's head reached no farther than the 'young lady's' shoulders. How beautiful she was! thought Pinneberg yet again; she was the greatest girl in the world, the only one for him. He worked in Ducherow, and she worked here in Platz, and he never saw her more than once a fortnight, so his joy in her was always fresh, and his desire for her absolutely inexpressible. Next door he heard the doctor asking questions on and off in a low voice, and an instrument clinking on the side of a bowl. He knew that sound from the dentist's; it wasn't a pleasant one. Then he winced violently. Never had he heard that tone from Emma. She was saying in a high, clear voice that was almost a shriek - 'No, no, no!' And once again, 'No!' And then, very softly, but he still heard it: 'Oh God.' Pinneberg took three steps to the door - What was that? What could it be? What about these rumours that those kind of doctors were terrible lechers? But then Dr Sesame spoke again - impossible to hear what he said - and the instrument clinked again. There was a long silence.

My father had a sister, Mady, who had married badly and ‘ruined her life.’ Her story was a classic. She had fallen in love before the war with an American adventurer, married him against her family’s wishes, and been disinherited by my grandfather. Mady followed her husband romantically across the sea. In America he promptly abandoned her. By the time my parents arrived in America Mady was already a broken woman, sick and prematurely old, living a life two steps removed from destitution. My father, of course, immediately put her on an allowance and made her welcome in his home. But the iron laws of Victorian transgression had been set in motion and it was really all over for Mady. You know what it meant for a woman to have been so disgraced and disinherited in those years? She had the mark of Cain on her. She would live, barely tolerated, on the edge of respectable society for the rest of her life. A year after we arrived in America, I was eleven years old, a cousin of mine was married out of our house. We lived then in a lovely brownstone on New York’s Upper West Side. The entire house had been cleaned and decorated for the wedding. Everything sparkled and shone, from the basement kitchen to the third-floor bedrooms. In a small room on the second floor the women gathered around the bride, preening, fixing their dresses, distributing bouquets of flowers. I was allowed to be there because I was only a child. There was a bunch of long-stemmed roses lying on the bed, blood-red and beautiful, each rose perfection. Mady walked over to them. I remember the other women were wearing magnificent dresses, embroidered and bejeweled. Mady was wearing only a simple white satin blouse and a long black skirt with no ornamentation whatever. She picked up one of the roses, sniffed deeply at it, held it against her face. Then she walked over to a mirror and held the rose against her white blouse. Immediately, the entire look of her plain costume was altered; the rose transferred its color to Mady’s face, brightening her eyes. Suddenly, she looked lovely, and young again. She found a long needle-like pin and began to pin the rose to her blouse. My mother noticed what Mady was doing and walked over to her. Imperiously, she took the rose out of Mady’s hand and said, ‘No, Mady, those flowers are for the bride.’ Mady hastily said, ‘Oh, of course, I’m sorry, how stupid of me not to have realized that,’ and her face instantly assumed its usual mask of patient obligation. “I experienced in that moment an intensity of pain against which I have measured every subsequent pain of life. My heart ached so for Mady I thought I would perish on the spot. Loneliness broke, wave after wave, over my young head and one word burned in my brain. Over and over again, through my tears, I murmured, ‘Unjust! Unjust!’ I knew that if Mady had been one of the ‘ladies’ of the house my mother would never have taken the rose out of her hand in that manner. The memory of what had happened in the bedroom pierced me repeatedly throughout that whole long day, making me feel ill and wounded each time it returned. Mady’s loneliness became mine. I felt connected, as though by an invisible thread, to her alone of all the people in the house. But the odd thing was I never actually went near her all that day. I wanted to comfort her, let her know that I at least loved her and felt for her. But I couldn’t. In fact, I avoided her. In spite of everything, I felt her to be a pariah, and that my attachment to her made me a pariah, also. It was as though we were floating, two pariahs, through the house, among all those relations, related to no one, not even to each other. It was an extraordinary experience, one I can still taste to this day. I was never again able to address myself directly to Mady’s loneliness until I joined the Communist Party. When I joined the Party the stifled memory of that strange wedding day came back to me. . .

I sorted through Zitora's clothes, choosing a long black skirt and a red-and-black V-neck blouse. The shirt had two layers of material. A pattern of fine black lace over red silk.

The best way to get this point across is to describe to you what Claudia was wearing at lunch that day. It was her vegetable blouse: an oversized white shirt with a green vegetable print all over it — cabbages and squashes and turnips and stuff. Under the blouse was a very short jean skirt, white stockings, green anklets over the stockings, and lavender sneakers, the kind boys usually wear, with a lot of rubber and big laces and the name of the manufacturer in huge letters on the sides. Wait, I’m not done. Claudia had pulled the hair on one side of her head back with a yellow clip that looked like a poodle. The hair on the other side of her head was hanging in her face. Attached to the one ear you could see was a plastic earring about the size of a jar lid. Awesome.

I was raised a Roman Catholic, but it was the kind of domesticated Catholicism that focused mostly on the length of your skirt rather than, say, the depth of your penitential observance

He moved into a large sitting area, past a sunken bath that could fit ten and through a set of double doors, where he tossed her on the bed. She bounced as she hit and looked up. He didn’t break eye contact as he shed his jacket, tossing it over on a chair. “Strip.” “You first.” Frank toed off his shoes and loosened his tie, pulling it over his head then dropping it to the floor. “Tell you what. Whoever’s naked first, gets to be on top.” He gave her a lecherous grin and was rewarded with a rosy blush, coloring her cheeks. “Okay.” She climbed off the bed. “On the count of three.” “One,” Frank said and lifted his hands to the top of his dress shirt. She did the same, bracing for the count like a racer on the blocks, her hands behind her neck. “Three.” Frank unbuttoned the collar, and tugged the shirt over his head, including the T-shirt underneath. “That’s cheating,” she said, as she fumbled with the hooks down the back of her blouse. “You had a head start. I’m evening the field.” He ripped his belt off and undid his fly and dropped his boxers and pants all at once. She froze and gasped, staring, hunger in her eyes, snapped out of the spell and tossed her blouse and bra to the side, moving fast, but not fast enough. Her skirt puddled around her ankles as Frank stood, as bare as the day he was born. “I win.” She kicked her garment to the side and placed her hands on her hips. Her chest rose and fell, pebbled nipples displayed against gloriously soft skin and full breasts. Her eyes were wild and her soft blonde hair tousled, like she’d already taken a roll in the sack. Man, did he want to make a bigger mess of it.

Victor and Melody Chen lived in the Mid-Levels, in an enormous white two-story house on May Road. There was a driveway, with potted plants lining the sides. Inside, there was the quiet, efficient buzz of a household staffed with plentiful servants. Claire had taken a bus, and when she arrived, she was perspiring after the walk from the road to the house. The amah had led her to a sitting room, where she found a fan blowing blessedly cool air. A houseboy adjusted the drapes so that she was properly shaded. Her blue linen skirt, just delivered from the tailor, was wrinkled, and she had on a white voile blouse that was splotched with moisture. She hoped the Chens would allow her some time to compose herself. She shifted, feeling a drop of perspiration trickle down her thigh.

Old Man Eating Alone in a Chinese Restaurant I am glad I resisted the temptation, if it was a temptation when I was young, to write a poem about an old man eating alone at a corner table in a Chinese restaurant. I would have gotten it all wrong thinking: the poor bastard, not a friend in the world and with only a book for a companion. He’ll probably pay the bill out of a change purse. So glad I waited all these decades to record how hot and sour the hot and sour soup is here at Chang’s this afternoon and how cold the Chinese beer in a frosted glass. And my book—José Saramago’s Blindness as it turns out—is so absorbing that I look up from its escalating horrors only when I am stunned by one of its arresting sentences. And I should mention the light which falls through the big windows this time of day italicizing everything it touches—the plates and tea pots, the immaculate tablecloths, as well as the soft brown hair of the waitress in the white blouse and short black skirt, the one who is smiling now as she bears a cup of rice and shredded beef with garlic to my favorite table in the corner.

Is there a particular dress you’d like her to wear?” I hadn’t thought about that. I didn’t know I was supposed to. I went to her closet and selected her favorite outfit, a white chiffon blouse and a flowing skirt that would swing out wide when Eve turned. It would rest forever, as would she.

She never hurried. Her brown hair took a lot of work to keep perfect. She wore a blouse and skirt, not expensive, but carefully selected. She had a quietness about her that she’d passed on to her middle child. They were both the introverts of the family.

I stood in the doorway and watched Dennis unbuttoning the blouse, pulling long shirttails out of her skirt and wetting her hair with his hands, letting hairspray clump together in long strands. Ruined like that, in front of me. It was hard to watch because it was so clean, so perfect. The glow from the television screen crawls over their faces and it's hard to convince yourself they are breathing, living things.

Right,” she said. “Come down off that chair. I think we are ready for the next step.” “What do you mean?” “I am going to see Mrs. Carter tomorrow. I shall tell her that you are not able to keep up with the twins in lessons.” “But--” Miss Minton held up her hand. “Don’t interrupt, please. I shall tell her that I will set you to work separately because you are holding the twins back. That means I am trusting you to work on your own. I shall, of course, help you whenever I can, but you must keep up the deception.” She gave one of her tight smiles. “I don’t see why we shouldn’t have an interesting time. I have a book about the history of Brazil, and one by Bates, the explorer who first described this part of the Amazon. And another by Humboldt--a very great scientist. The twins may live as though they are still in Littleford-on-Sea, but there is no need for us to do so.” Maia jumped from the chair. “Oh, Minty,” she said, and threw her arms around her governess. “Thank you. I’m sorry…I thought--” “Well don’t,” said Miss Minton briskly. And then: “Come along, it’s time we opened my trunk.” Miss Minton had been poor all her life. She had no trinkets, no personal possessions; her employers underpaid her when they paid her at all--but her trunk was an Aladdin’s cave. There were travel books and fairy tales, novels and dictionaries and collections of poetry… “How did you get them all?” Maia asked wonderingly. “How did you manage?” Miss Minton shrugged. “If you want something enough you usually get it. But you have to take what goes with it”--and she pointed to her shabby blouse and mended skirt. “Now, let’s see---what shall we start with? Ah yes, here is Bates. He must have sailed down this very river not sixty years ago. Look at that drawing of a sloth…

Well, it’s been a long time. You don’t know each other as adults. Sometimes these reunions don’t always work out the way we expect.’ ‘You sound very negative about her.’ I move from his embrace and begin undressing. I always look forward to getting out of the skirt and blouse of my working day and into my comfy tracky bottoms and T-shirt.

The first twenty minutes at the store were a blur. This time, instead of lurking around the periphery, Kyle dragged him straight in and started handing him things: two skirts, a dress, and a couple of blouses.

The woman at the other end of the room stood unmoving, her posture a slender question mark, silhouetted against the light from the window. She had large dark eyes surrounded by thick lashes that appeared damp from crying. Her sable-brown hair was looped into a careless braid down her back, and she wore a gauzy skirt and blouse, an apron, a pair of oven mitts and espadrilles tied at the ankles. The two of them stared at one another. The stranger shifted, stepping into a shaft of light through the open window. She had the face of an old Hollywood movie star, with an aquiline nose and full lips. She wore little or no makeup; her olive-toned skin gave her an air of unstudied elegance, needing no embellishment.

Come here, little one.” “I want to go back.” He hoped she stood there arguing for a time. “Obey your husband.” She wrinkled her nose. “It’s broad daylight.” “Keemah, come.” Growing tired of just looking when he could be touching, Hunter cocked his head and let her see him leering. He was awarded a fetching glimpse of slender, creamy thighs and honey gold. She gasped and dropped to her knees as if someone had dealt a blow to the backs of her legs. Tucking her skirt under her knees, she cried, “Have you no shame?” His answer was a slow grin. Seizing her wrist, he drew her toward him. “There is no shame. You are my woman.” Pulled off balance, she fell across his chest. Squirming, but halfheartedly, she said, “There’s a time and a place for everything, and this isn’t it.” “No?” He ran a hand under her blouse. “I say it is a very good time.

hang heavy items on the left side of the closet and light items on the right. Heavy items include those with length, those made from heavier material, and those that are dark in color. As you move toward the right side of the closet, the length of the clothing grows shorter, the material thinner, and the color lighter. By category, coats would be on the far left, followed by dresses, jackets, pants, skirts, and blouses.

When at last Hunter drew back for air, his dark eyes were cloudy with tenderness. He smiled a slow, thoughtful smile and, sliding her down his thighs, let her feet touch the floor. With infinite slowness he grasped the tails of her overblouse and skimmed the leather lightly up her ribs, grazing her sensitized breasts. Loretta glued her gaze to his, bracing herself. “I’m frightened,” she said shakily. “I am frightened beside you,” he murmured. “You? But why are you--” “Because you are sunshine. Because you make a glad song inside me. I have great fear that you will go away from me.” He drew the blouse over her head and tossed it aside. Smiling, he smoothed her hair, then lifted its heavy length to resettle it around her white shoulders so it covered her breasts. Skimming his palms down her slender arms, he found the drawstring that held up her skirt and made fast work of untying the knot. “Nei com-mar-pe ein.” She clutched her skirt. “What does that mean?” “I love you.

Hunter?” She grasped his shoulders for support, digging her nails into his flesh. “Hunter?” “I am here. Be easy.” He slid a hand to the nape of her neck and turned her face back to him. “Be easy.” Loretta’s legs felt like wet clay. As his mouth again claimed hers, a hundred possibilities ran through her mind, all frightening. Then sensation wiped out everything. There was only Hunter, solid and warm and gentle, holding her in rock-hard arms, his body bracing hers. Even in her inexperience, she sensed that kissing was new to him, that he was doing it only to please her. But after a few experimental nibbles, he mastered the art, claiming her mouth with a shattering thoroughness, his tongue thrusting deep, the sensuous rhythm he struck as old as time. Loretta leaned into him, sliding her hands into his hair, forgetting for a moment to be afraid. Looping an arm under her bottom, he lifted her against him. She could feel his heart slamming. Or was it hers? It didn’t matter. All that mattered were the feelings sweeping through her. When at last Hunter drew back for air, his dark eyes were cloudy with tenderness. He smiled a slow, thoughtful smile and, sliding her down his thighs, let her feet touch the floor. With infinite slowness he grasped the tails of her overblouse and skimmed the leather lightly up her ribs, grazing her sensitized breasts. Loretta glued her gaze to his, bracing herself. “I’m frightened,” she said shakily. “I am frightened beside you,” he murmured. “You? But why are you--” “Because you are sunshine. Because you make a glad song inside me. I have great fear that you will go away from me.” He drew the blouse over her head and tossed it aside. Smiling, he smoothed her hair, then lifted its heavy length to resettle it around her white shoulders so it covered her breasts. Skimming his palms down her slender arms, he found the drawstring that held up her skirt and made fast work of untying the knot. “Nei com-mar-pe ein.” She clutched her skirt. “What does that mean?” “I love you.” “Oh, Hunter.

I’m frightened,” she said shakily. “I am frightened beside you,” he murmured. “You? But why are you--” “Because you are sunshine. Because you make a glad song inside me. I have great fear that you will go away from me.” He drew the blouse over her head and tossed it aside. Smiling, he smoothed her hair, then lifted its heavy length to resettle it around her white shoulders so it covered her breasts. Skimming his palms down her slender arms, he found the drawstring that held up her skirt and made fast work of untying the knot. “Nei com-mar-pe ein.” She clutched her skirt. “What does that mean?” “I love you.” “Oh, Hunter.

Sorting Laundry" Folding clothes, I think of folding you into my life. Our king-sized sheets like tablecloths for the banquets of giants, pillowcases, despite so many washings, seems still holding our dreams. Towels patterned orange and green, flowered pink and lavender, gaudy, bought on sale, reserved, we said, for the beach, refusing, even after years, to bleach into respectability. So many shirts and skirts and pants recycling week after week, head over heels recapitulating themselves. All those wrinkles To be smoothed, or else ignored; they're in style. Myriad uncoupled socks which went paired into the foam like those creatures in the ark. And what's shrunk is tough to discard even for Goodwill. In pockets, surprises: forgotten matches, lost screws clinking the drain; well-washed dollars, legal tender for all debts public and private, intact despite agitation; and, gleaming in the maelstrom, one bright dime, broken necklace of good gold you brought from Kuwait, the strangely tailored shirt left by a former lover… If you were to leave me, if I were to fold only my own clothes, the convexes and concaves of my blouses, panties, stockings, bras turned upon themselves, a mountain of unsorted wash could not fill the empty side of the bed.

The Drag Queen Dies in New Castle Returning home at twenty-nine, you made a bed your throne, your brothers carrying you from room to room, each one in turn holding the glass to your lips, though you were the oldest of the brood. Buried by the barn, you vanished, but the church women bought your wigs for the Christmas pageant that year, your blouses sewn into a quilt under which two newlyweds lay, skin to skin as if they carried some sense of your undressing. Skirts swayed where sheep grazed the plow and the farmer reached between legs to pull out the calf, fluid gushing to his feet. On lines across town, dresses flapped empty over mulch while you kept putting on your show, bones undressing like it's never over, throwing off your last great shift where a fox snake sank its teeth into a corn toad's back, the whole field flush with clover.

Aiko suddenly appeared by Scarlett’s side. Her skirt and blouse were silver this time, with eyes and lips painted to match. Like a teardrop the moon had cried.

Women were in communion with the gods, praying to the river, the forest spirits, the ancient stones, pouring out blood libations in evening rituals; healing the sick, foretelling the results of wars, quarrels, couplings, and the seasons. They walked with wisdom, dressed simply in an ankle-length piece of cloth wrapped and knotted about the hips, breasts left bare--until the Spaniards infected them with shame and made them hide their strength beneath layers of petticoats, half-chemises, drawers, skirts, blouses, shawls, and veils.

I was already hard just thinking about seeing her in a place full of naked women. She would be fully clothed and only I knew what those button-up blouses and black pencil skirts hid underneath. Fuck, I had to stop thinking of Christina or that secretary would think this tent in my pants was for her.

She stepped to her clothing trunks, the grand traveling trunks that she had packed so hopefully in the days before she left Bingtown. They had been stuffed when she began her journey, full of sensible clothes fit for a lady adventurer. Stoutly woven cotton blouses with a minimum of lace, split skirts for hiking, hats with veils to ward off insects and sun, sturdy leather boots…little but memories remained of them now. The hardships of travel had softened the fabrics. Her boots scuffed and leaked, the ties now a series of knots. Laundering clothes in the acidic waters of the river had been her only choice, but seams had weakened and hems had frayed. She drew on a set of her worn clothes with no thought as to what they would look like. No one was going to look at her anyway. She was finished forever with worrying about what she looked like or what people thought of her.

Half-way into the stuck substance of sky clay-white dome of the day-moon pokes... Unkempt and in rags as I am my girl's dressed all in dots: in skirts and flowery blouses I spin her round and tie bows in little doll shoes to match her tails asking even dogs how she looks— stupidly, doting on her…. By amber candlelit warmth, I played cards in your sisters’ ambience: it was like you said: the warmth of their smiles charmed me, their enfolding talk, and eyes that wink…. A field of grass lay half-way between boughs and the sky I contemplate the clouds… solid and amassed, clouds topple on top of clouds clouds up into peaks culminate and yet are only clouds dissolving to a shroud and shadow in the sky…. Shh!— past sapling fleets and swift trunks she sprints quickly on feet and calves and finds me where I lounge, painting clouds— in her glass head radiant eyes like blue-glass shine blushing color bleeds lustrous through her cheeks to hover and float, floating just beneath the skin…. On my second helping of leek- and-potato stew, ladled like melting goo in my bowl— I watched you, bobbing, in the solving resolve of their womb-like steadiness, cooing and aspiring…. Insulating sun lushens in the grass— already afternoon shadows long out…. Root-grip to root-grip ahead I mark twists in the trail by way of the young-girl bulbs of her legs the deep churning spread of her waist swimming in my head and in my head quietly drowning…. Harvest-time’s swelling our baskets— spring in the fruiting grove… with her mouth stained red in seeded-berries and those cheeks just-flushed in blood, I'll pounce high on that raised bounce of her waist….

She was pleasantly surprised at how much remained. Her parents had abandoned a heap of old Caltreyan clothes. Selecting one of the island dresses, Kiela shook it out. Dust plumed in the air. The skirt was a quilt of blue--- sky blue, sapphire blue, sea blue--- all stitched together with silvery thread and hemmed with silver ribbon, and the bodice was a soft white blouse. Not at all a city style, but it was perfect for a picnic in a garden or a stroll on a shore. With a few repairs, she could wear a lot of her mother's abandoned clothes, and she could use her father's for... She wasn't sure what, but they were nice to have. She'd find a use for them. If nothing else, she could chop the fabric up into cleaning rags. Or perhaps learn to quilt? There was a moth-eaten blanket in one closet, in addition to the old quilts on the daybed and her parents' bed. Each quilt had its own pattern--- one was comprised of colors of the sunset and sewn in strips like rays of light, while another was the brown and pale green of a spring garden with pieces cut like petals and sewn like abstract flowers. We left so many beautiful things behind. She'd had no idea. She'd been too little to help much with the packing, though she remembered she'd tried. Carrying an armful of clothes into the kitchen, Kiela dumped them into the sink to soak in water. She planned to use the excess line from the boat to hang them out in the sun to dry. They'll be even more beautiful once they're clean. The kitchen cabinet produced more treasures: a few plates, bowls, and cups. Each bowl was painted with pictures of strawberries and raspberries, and the plates were painted with tomatoes and asparagus. The teacups bore delicate pictures of flowers.

His mamãe was the best artist at that show, the disaster that became the yardstick by which I measured all others. Her series of child-sized mannequins depicting the stages of life of a waka in Palmares Três made me bite back tears. She dressed a child in a smock made lovely by a border of hand-stitched coffee beans and sugarcane. The older ones wore a shimmering aquamarine dress with a wistful bow gathered like flowers beneath her chin; a soccer jersey for a team that didn’t exist and shockingly orange cleats; and the last mannequin came of age in a simple wide skirt and blouse in blushing pink and a turban the color of dried blood.

To do so, hang heavy items on the left side of the closet and light items on the right. Heavy items include those with length, those made from heavier material, and those that are dark in color. As you move toward the right side of the closet, the length of the clothing grows shorter, the material thinner, and the color lighter. By category, coats would be on the far left, followed by dresses, jackets, pants, skirts, and blouses. This is the basic order, but depending on the trends in your wardrobe, what classifies as “heavy” in each category will differ. Use your intuition to create a balance that makes it appear as if the clothes are sloping up to the right. In addition, organize the clothes within each category from heavy to light. When you stand in front of a closet that has been reorganized so that the clothes rise to the right, you will feel your heart beat faster and the cells in your body buzz with energy. This energy will also be transmitted to your clothes. Even when you close the closet door, your room will feel fresher. Once you have experienced this, you’ll never lose the habit of organizing by category.

see a bald woman in a black pencil skirt and white blouse.

Working Nine to Five   Wet, cold, miserable, Monday morning.  I had toast for breakfast, no bananas.  I think my mum is taking out her revenge on Steve’s behalf by withholding the purchase of bananas.  I stood by the sink sipping my morning tea watching the rain wash down the kitchen window.  Damn, I noticed that an eye had fallen off one of my bunny slippers.  I decided to wear the blue pencil skirt with a white blouse to work and to tie my hair up as best I could.  The journey was short and uneventful, no desperate people throwing themselves in

To do so, hang heavy items on the left side of the closet and light items on the right. Heavy items include those with length, those made from heavier material, and those that are dark in color. As you move toward the right side of the closet, the length of the clothing grows shorter, the material thinner, and the color lighter. By category, coats would be on the far left, followed by dresses, jackets, pants, skirts, and blouses. This is the basic order, but depending on the trends in your wardrobe, what classifies as “heavy” in each category will differ. Use your intuition to create a balance that makes it appear as if the clothes are sloping up to the right. In addition, organize the clothes within each category from heavy to light.

One of her nice dresses. What her mother meant was something more fashionable. Molly favored dark skirts and simple white blouses. Clothing that was practical and allowed her to move and breathe. Ruth Everton wanted her daughter in handsome suits with gathered flounces and lots of fringe, and a corset that laced her into the perfect S shape that fashion demanded. Forget breathing altogether.

The rest of the space? Stocked with dresses, skirts, blouses, jeans…all brand-new, with tags, in my size, from all of the most expensive stores in the world.

...she was suddenly as intently conscious of that particular moment, of herself and her own movement. She noticed her gray linen skirt, the rolled sleeve of her gray blouse and her naked arm reaching down for the paper. She felt her heart stop causelessly in the kind of gasp one feels in moments of anticipation.

By category, coats would be on the far left, followed by dresses, jackets, pants, skirts, and blouses.

Styled by Kitty Black Perkins, an African-American designer whom Mattel hired in 1975, Black Barbie made her debut in 1980. Barbie had had black friends since the late sixties, but by 1979, Mattel determined that America was ready for the dream girl herself to be of color. Because the new doll was likely to be scrutinized, Mattel fashioned her with sensitivity: her hair is short and realistically textured; her face, if not aggressively non-Caucasian, is at least different from blond Barbie's; and her dress, while corporate, is livened up with jewelry evocative of African sculpture. Hispanic Barbie, who appeared the same year, is another story. Decked out in a peasant blouse, a two-tiered skirt, and a mantilla, the doll looks like a refugee from an amateur production of Carmen; she even has a rose pinned at her neck. Mattel's designers could hardly be unacquainted with Hispanics:

He cannot help but feel that the universe is a woman in a blue silk skirt and a yellow blouse. --"What He Wrote

If all of my sensible clothes hadn’t gone missing, or if Mrs. O’Connor hadn’t conveniently shredded my last skirt and blouse in that wringer—something I’m still not convinced was an accident—it wouldn’t be so difficult getting dressed,” Millie grumbled as she suddenly stuck a hand on his leg when the buggy ran over a rut in the road. Immediately snatching her hand back, she blew out a breath. “I do beg your pardon, Everett.” “Think nothing of it,” he managed to respond in a voice that sounded a little high-pitched. “There,

Now the name rang a bell. Long plaid skirts, high-buttoned blouses, and a single cornrow down the middle of her head. Rafa’s lips twitched as he fought a grin. The picture forming in his mind threatened to derail his resolution.