Skipping Ropes Quotes

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April 19 And now it is spring. Birds are singing. Wistful notes and jubilant. And bare streets and no need for coats, and skipping ropes and bicycles and a thin new moon.
Elizabeth Smart (Necessary Secrets: The Journals of Elizabeth Smart)
We’d all lost ourselves and found something far more significant together. We reached with gaping wounds for a healing we desired so badly, like a blind man picturing the world around him—the lively children skipping rope, green grass, blue sky. It’s like that man standing in his vision, rising from the park bench, arms outstretched, taking the first steps into a world he only hopes exists.
Christopher Hawke (Unnatural Truth)
Rope-skipping, hopscotch. That old woman in black who sat down next to me on my bench, on my rack of joy (a nymphet was groping under me for a lost marble), and asked if I had stomachache, the insolent hag. Ah, leave me alone in my pubescent park, in my mossy garden. Let them play around me forever. Never grow up.
Vladimir Nabokov (Lolita)
and yet she continues to skip rope in my mind and on my canvases, raising her dark, hopeful face to the sky, innocent of the depth of people’s cruelty toward “the other”—those who, for whatever reason, must swim against the tide instead of letting it carry them. . . .
Wally Lamb (We Are Water)
who did I meet only Mrs Connolly with a grin swinging between her ears like a skipping rope.
Patrick McCabe (The Butcher Boy)
All I want is some man to take delight in me. 5:30? 6:30 A.M. as usual, no cigs. Better a maudlin drunk than a sterile one. My pimples are more like small boils; I have the plague. My lip is split. My tits are swollen and I can't ever sleep. I now breathe with my heart, which skips rope. Back to sex?
Maryse Holder (Give Sorrow Words: Maryse Holder's Letters From Mexico)
Let me be the first to say that I know the name for everything and if I don’t I’ll make them up: dukkha, naufragio, talinhaga. Just like the young whose hearts give no shame, I love the excesses of beauty, there is never enough sunlight in the world I will live in, never enough room for love. I fear none of us will last long enough to prove what I’ve always suspected, that the sky is a membrane in an angel’s skull, trees talk to each other at night, ice is water in a state of silence, the embryo listens to everything we say. I am afraid for the child skipping rope on the corner of my street, the girl on the train with flowers in her hair, the man whose memory is entirely in Spanish. I am more afraid of losing consciousness when I go to sleep, or that in my sleep I will grow old and forget how desire once drove me mad with wakefulness. Just like the perfect seasons they will die and I will die and you will die also; no one knows who will go first, and this is the source of all my grief.
Eric Gamalinda
She’d never been good at banter; it was like a skipping rope whose rhythm she couldn’t master enough to jump in with confidence. The war seemed not to exist here, despite the presence of officers in uniform.
Jennifer Egan (Manhattan Beach)
Picking oranges in Florida. Pushing a broom in New Orleans. Mucking out horse-stalls in Lufkin, Texas. Handing out real estate brochures on street corners in Phoenix, Arizona. Working jobs that pay cash. ... The faces on the currency don't matter. What matters is the sight of a weathervane against a violent pink sunset, the sound of his heels on an empty road in Utah, the sound of the wind in the New Mexico desert, the sight of a child skipping rope beside a junked-out Chevrolet Caprice in Fossil, Oregon. What matters is the whine of the powerlines beside Highway 50 west of Elko, Nevada, and a dead crow in a ditch outside Rainbarrel Springs. Sometimes he's sober and sometimes he gets drunk. Once he lays up in an abandoned shed-this is just over the California state line from Nevada-and drinks for four days straight. It ends with seven hours of off-and-on vomiting. For the first hour or so, the puking is so constant and so violent he is convinced it will kill him. Later on, he can only wish it would. And when it's over, he swears to himself that he's done, no more booze for him, he’s finally learned his lesson, and a week later lies drunk again and staring up at the strange stars behind the restaurant where he has hired on as a dishwasher. He is an animal in a trap and he doesn't care. ... Sometimes he asks himself what he thinks he's doing, where the hell he's going, and such questions are apt to send him in search of the next bottle in a hurry. Because he's really not going anywhere. He's just following the highways in hiding and dragging his trap along behind him, he's just listening to the call of those roads and going from one to the next. Trapped or not, sometimes he is happy; sometimes he sings in his chains like the sea. He wants to see the next weathervane standing against the next pink sunset. He wants to see the next silo crumbling at the end of some disappeared farmer's long-abandoned north field and see the next droning truck with TONOPAH GRAVEL or ASPLUNDH HEAVY CONSTRUCTION written on the side. He's in hobo heaven, lost in the split personalities of America. He wants to hear the wind in canyons and know that he's the only one who hears it. He wants to scream and hear the echoes run away.
Stephen King
If school days are the happiest of your life, I'm hanging myself with my skip-rope tonight.
Jackie Kennedy Onassis
Below them the town was laid out in harsh angular patterns. The houses in the outskirts were all exactly alike, small square boxes painted gray. Each had a small, rectangular plot of lawn in front, with a straight line of dull-looking flowers edging the path to the door. Meg had a feeling that if she could count the flowers there would be exactly the same number for each house. In front of all the houses children were playing. Some were skipping rope, some were bouncing balls. Meg felt vaguely that something was wrong with their play. It seemed exactly like children playing around any housing development at home, and yet there was something different about it. She looked at Calvin, and saw that he, too, was puzzled.
Madeleine L'Engle (A Wrinkle in Time (Time Quintet, #1))
There is just this moment. This now. I take him back into my mouth. I run my tongue over every part of his cock as if my tongue were a memory machine that will hold this shape inside me forever. I move up and down, finding rhythm, as I had done as a girl skipping with a rope. I want to bite him, chew him all up, swallow him down. He grows tense, rigid. I hear the milling of his breath, the quickening beat of his heart and, when he comes, his sperm is warm and fruity, a hint of the sea, a taste that will stay on the edge of my senses for the rest of my life.
Chloe Thurlow (Gratis: Midwinter Tales)
Hike 1.5 miles on a hilly trail. Get up off the floor under your own power, using a maximum of one arm for support. Pick up a young child from the floor. Carry two five-pound bags of groceries for five blocks. Lift a twenty-pound suitcase into the overhead compartment of a plane. Balance on one leg for thirty seconds, eyes open. (Bonus points: eyes closed, fifteen seconds.) Have sex. Climb four flights of stairs in three minutes. Open a jar. Do thirty consecutive jump-rope skips.
Peter Attia (Outlive: The Science and Art of Longevity)
Blocks of flats could change everything, thought Mma Ramotswe. They were designed for people, but people were not necessarily designed for them. These flats at the edges of the Village, though, were made more human by the washing that was hung out to dry from their balconies; by the children who congregated in their doorways, or played with skipping ropes and dogs on their pathways; by the music that the residents listened to, melodies that drifted out of the open windows and throbbed with life. All of this made it harder for large new buildings to deaden the human spirit. It was like the bush: you could clear it and build something where once there had been nothing but trees and grass and termite mounds, but if you turned your back for a moment, Africa would begin to reclaim what had always been hers. The grass would encroach, its seeds carried by the wind; birds would drop the seeds of saplings that would then send tiny shoots up out of the ground; the termites would marshal their exploratory troops to begin rebuilding their own intricate cities of mud in the very places they had claimed once before. And sooner or later the bush would have covered all your efforts and it would be as it was before, the wound on nature completely healed.
Alexander McCall Smith (The Minor Adjustment Beauty Salon (No. 1 Ladies' Detective Agency, #14))
There was one moment of everlasting shame, deeply imprinted on my mind about this time, when we were staying in the country, and M and Aunt Billy came out into the garden where I was playing, and they carried skipping-ropes. Suddenly they both took the pins out of their hair and let the hair flow upon their shoulders, and then they jumped up and down, skipping, as children might do. I felt myself go scarlet. I bent down to the ground, not to see them, and began to search for pebbles in the gravel path. The lower I bent the more they skipped and laughed. Were they doing it on purpose? It was terrible to think of the loose hair and the jumping feet. They had changed from safe people into strangers. Hide me, hide me.…
Daphne du Maurier (Myself When Young)
(...)"He said we all have this different idea of what love is and that's what makes our circle. The more ideas and misconceptions you throw in, the larger the diameter and the harder it is to connect with someone. We," he said, squeezing Hunter's hand and signaling Margie and everyone around them, "all sit around the edge looking at everyone else around the circle. Sometimes we just settle for the person next to us because it's easy or convenient and we skip our way around its circumference, never really knowing what love is all about." He took a sip of his Coke and kept his eyes on Margie. "But other times, you see that person across from you, staring back at you, and you fight like hell trying to get across while he does the same. If you're lucky, there's a rope you can toss over and help draw each other in, never looking away, never worrying about those still on the circumference; just you and him, pulling each other in, deeper and deeper."
Brandon Shire (Afflicted (Afflicted, #1))
To this day when I inhale a light scent of Wrangler—its sweet sharpness—or the stronger, darker scent of Musk, I return to those hours and it ceases to be just cologne that I take in but the very scent of age, of youth at its most beautiful peak. It bears the memory of possibility, of unknown forests, unchartered territories, and a heart light and skipping, hell-bent as the captain of any of the three ships, determined at all costs to prevail to the new world. Turning back was no option. Whatever the gales, whatever the emaciation, whatever the casualty to self, onward I kept my course. My heart felt the magnetism of its own compass guiding me on—its direction constant and sure. There was no other way through. I feel it again as once it had been, before it was broken-in; its strength and resolute ardency. The years of solitude were nothing compared to what lay ahead. In sailing for the horizon that part of my life had been sealed up, a gentle eddy, a trough of gentle waves diminishing further, receding away. Whatever loneliness and pain went with the years between the ages of 14 and 20, was closed, irretrievable—I was already cast in form and direction in a certain course. When I open the little bottle of eau de toilette five hundred different days unfold within me, conversations so strained, breaking slowly, so painstakingly, to a comfortable place. A place so warm and inviting after the years of silence and introspect, of hiding. A place in the sun that would burn me alive before I let it cast a shadow on me. Until that time I had not known, I had not been conscious of my loneliness. Yes, I had been taciturn in school, alone, I had set myself apart when others tried to engage. But though I was alone, I had not felt the pangs of loneliness. It had not burdened or tormented as such when I first felt the clear tang of its opposite in the form of another’s company. Of Regn’s company. We came, each in our own way, in our own need—listening, wanting, tentatively, as though we came upon each other from the side in spite of having seen each other head on for two years. It was a gradual advance, much again like a vessel waiting for its sails to catch wind, grasping hold of the ropes and learning much too quickly, all at once, how to move in a certain direction. There was no practicing. It was everything and all—for the first and last time. Everything had to be right, whether it was or not. The waters were beautiful, the work harder than anything in my life, but the very glimpse of any tempest of defeat was never in my line of vision. I’d never failed at anything. And though this may sound quite an exaggeration, I tell you earnestly, it is true. Everything to this point I’d ever set my mind to, I’d achieved. But this wasn’t about conquering some land, nor had any of my other desires ever been about proving something. It just had to be—I could not break, could not turn or retract once I’d committed myself to my course. You cannot force a clock to run backwards when it is made to persevere always, and ever, forward. Had I not been so young I’d never have had the courage to love her.
Wheston Chancellor Grove (Who Has Known Heights)
Don’t wish it was easier, wish you were better. Don’t wish for less problems, wish for more skills.” Don’t wish for someone to hold your hand like you’re a four-year-old skipping rope and chewing bubblegum. Wish to build discipline of long-term investing, like an adult. Others have done it and you can too.
Ramit Sethi
The seventies were crazy everywhere, but crazier in Los Angeles. It was the era of freewheeling drugs and sex, the rag end of the sixties. I refer to sprees, to strange couplings and triplings, to nights that started with beer and wine and ended with cocaine and capsules, to debaucheries too various to chronicle. In a sense, we were all Robert Mitchum, smoking rope in bed with two girls while the sun was still noon high. We thought it was normal. You would walk into a house for a pool party, and there, on the cocktail table in the center of the living room, as if it were nuts or cooked shrimp, would be a platter of cocaine. We did it because we were stupid, because we did not know the danger. When I talk about my drug years, I am talking about twenty-four months in the middle of the seventies. I was in the rock and roll world, which meant I was around the stuff all the time. Of course, it was more than mere proximity. I was fun when I was high, talkative and all-encompassing. I could go forever, never be done talking. To some extent, I was really self-medicating, using the drugs to skate over issues in my own life. The fact is, money and success had come so fast, while I was away doing something else, not paying attention, that, when I finally realized where I was and just what I had, I could not understand it. There was this voice in my head, saying, Who do you think you are? What do you think you did? You are a fraud! You don’t deserve any of this! I tortured myself, and let the anxiety well up, then beat back the anxiety with the drugs, on and on, until one day, I stood up and said, “Screw it. That’s over. I’m done.” No rehab, no counseling, nothing like that. Just a moment of clarity, in which I saw myself from the outside, the mess I was making, the waste. I was slipping, not working as hard as I used to. I started leaving the office early on Fridays, then skipping Fridays altogether. Then I started leaving early on Thursdays, then arriving late on Mondays. I was letting myself go. Then one day, I just decided, It has to stop. I threw away the pills and bottles, took a cold shower, had a barbershop shave, and stepped into the cool of Sunset Boulevard, and began fresh. Maybe it had to do with my family situation. I was a father again.
Jerry Weintraub (When I Stop Talking, You'll Know I'm Dead: Useful Stories from a Persuasive Man)
But tell me one thing, why do Bengalis still use surnames that indicate their caste? We used to do it in Kerala fifty years ago, now we don’t do it any more. But you people still use Mukherjee and Chatterjee and so on.’ I did not have an answer to his question, but I knew that the question was a well-meaning one, asked out of innocent curiosity by one member of the communist society to another presumed member. He did not know that I actually hailed from the Hindi heartland, where people wear their caste names like medals. Casteism in Uttar Pradesh is so rampant that it can lead to embarrassing situations in day-to-day life because of two certain surnames—Sharma and Verma. There are two varieties of Sharma, one the Brahmins and the other the craftsman community, such as carpenters, called Vishwakarmas. And there are two varieties of Vermas, one the Kayasthas and other the mallah or the boatman community. The uppercaste Sharmas and Vermas never miss a chance to point out that they are not to be confused with the other set of Sharmas and Vermas. I was witness to such an incident, while in college in Kanpur. Among my many friends, there were two Sharmas, one Anil Sharma, a boy from a well-to-do family, and another Sunil Sharma, who rarely spoke about his family. One winter afternoon, while I was having a smoke with Sunil at the parking lot, Anil came by. I introduced them to each other. ‘Meet Sunil Sharma,’ I told Anil. Anil somewhat hesitated to shake Sunil’s hand but when he finally did, the first thing he asked was, ‘Are you the Brahmin Sharma or the Vishwakarma Sharma?’ Sunil’s face went red with embarrassment, but he mustered a smile and said, ‘Vishwakarma Sharma.’ ‘No wonder. I could tell that,’ Anil grinned and took leave, leaving me red-faced. But that was then. Today, Anil could have been lynched for that arrogant grin, because power has gone to the hitherto-suppressed classes. Either way, the fact remains that caste rules. Compared to Uttar Pradesh, Kerala might be a paradise, where caste is nearly irrelevant in public life, but are there not people who still take pride in being called a Nair or a Nambiar or a Menon? I wanted to ask Mr Sankarankutty that, but I let it be. His question was, after all, a well-meaning one. By now, I had completely forgotten that a whisky bottle was sitting there. The conversation with him had distracted me from my hypochondria and I felt perfectly fine. After he left, I reached for my skipping rope and jumped five hundred times non-stop. I knew I was in perfect shape to climb even a mountain.
Bishwanath Ghosh (Chai, Chai: Travels in Places Where You Stop But Never Get Off)
Paint over Mickey Mouse 
 Burn Where the Wild Things Are
 Pulverise the lego 
 Set fire to the Christmas tree star. 
Seize all the teddies 
 Bury every skipping rope
 Paint the walls dark brown 
 Abolish all hope.
Michael Rosen
She could spin it between her legs, skip with it, twirl it around her neck and transfer it from one arm to the other. Shelly hooped because she enjoyed it; it calmed her whenever she would have an argument or a bad day at school, and it also allowed her to think. Today, she needed to hoop more than ever.
Nathan Reese Maher (Lights Out: Book 2)
Reading, writing, listening to music, skipping rope, flying kites, taking long walks along the sea, hiking in the crisp mountain air, all serve a joint purpose: these self-initiated acts free us from the drudgery of life. These forms of physical and mental exercises release the mind to roam uninhibited, such collaborative types of mind and body actions take people away from their physical pains and emotional grievances. A reprieve from the crippling grind of sameness allows personal imagination to soar. Imagination, a form of dreaming, is inherently pleasant and restorative. It is within these moments of personal introspection stolen from the industry of surviving that humankind touches upon the absolute truth of life: that there must be something more to living then merely getting by; the fundamental human condition thirsts for a way to improve upon the vestment that shelters our self-absorbed lives.
Kilroy J. Oldster (Dead Toad Scrolls)
What about after? Getting back through the lobby, I mean. Assuming you’ll need to leave at some point. For the bachelorette party, if nothing else.” “That’s not until the weekend.” He grinned. “Your point being?” “You know,” she said, tipping up on her toes and kissing his cheek, “I like it when you do the thinking.” “Well, I was going to mention that, but--” She pinched his butt, making him laugh. “Careful or I’ll swing you up and carry you up to my room over my shoulder.” Kerry spluttered a laugh, then said, “You know, it’s almost worth doing, just to blow everyone’s minds.” He pulled her closer. “Don’t tempt me.” She batted her lashes again. “But I thought you liked it when I tempted you.” Now he slid his hand behind her and gave her a little pinch, making her skip a little step but laugh at the same time. “I guess I had that coming.” “There’s a lot I’d like to do that has coming in the description.” “Okay, okay, so assuming I will have to leave your pirate’s lair at some point, then yes, how to do that without being the front-page story of the gossip gazette.” She looked up at him, her expression serious. “I could always come down the ramp carrying a box of tiddledywinks. Then no one would suspect for sure.” “A real funny one, you are,” he said dryly. “I was revisiting the whole black spandex cat burglar idea. Maybe you could sneak out under cover of darkness, shimmy down a rope from my window.” “Okay, you’ve given that particular scenario way too much thought.” They were still laughing when they reached the end of the pier.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
Downstairs was where I learned how to braid hair, how to skip rope, and how to eat balut—a common Southeast Asian street food: a developing duck embryo boiled alive in its shell.
Cinelle Barnes (Monsoon Mansion: A Memoir)
... the last year had seen women and children carrying [gas] masks about as they carried a handbag or a skipping rope.
Kristy Cambron (A Sparrow in Terezin (Hidden Masterpiece #2))
There is a pleasure you could allow me, Anna.” He kept using her name, she thought, using it like a caress, a reminder that he knew the taste of her. “There are many pleasures I could allow you,” she said, caution in her tone, “few that I will.” “So I’m to earn your favors?” He merely smiled. “Then, allow me this: The heat and our rambling are threatening the integrity of your coiffure. Let me brush your hair.” “Brush my…?” Anna blinked and gave him a puzzled look. “I used to brush Her Grace’s hair when I was small, then my sisters’. I’ve taken a turn or two with Rose, but she demands a certain dispatch only her step-papa and mama seem to have perfected.” “You want to brush my hair,” Anna said, as if to herself. “That is an unusual request.” “But not too unusual. It requires no removal of clothing nor touching of the hands nor lascivious glances.” “All right,” Anna said, more perplexed than alarmed, but then, she was in the company of a man who scheduled his passions. She fished inside the hamper and withdrew her reticule, producing a small bone-handled brush. “Pretty little thing,” the earl remarked, thumbing the bristles. “Now”—he sat up—“sit you here.” He thumped the blanket beside him, and Anna scooted, only to find that the earl had shifted so she sat between his bent knees. “Is this decent?” she murmured. “Have another glass of wine,” the earl suggested. “It will feel frustratingly decent.” They fell silent, and Anna felt the earl’s fingers easing through her hair to find her hairpins. He slid them free carefully and began piling them to one side. When the bun at the nape of Anna’s neck was loosened, he let her thick plait tumble down her back. “I like this part,” he said. “When you free up a braid, and a single shiny rope becomes skeins and curls and riots of silky, soft hair. How do you keep it so fragrant?” She felt him lean in for a sniff, and her heart nearly skipped a beat. “I make a shampoo scented with roses.” And ye gods, it had been a struggle to utter that single coherent sentence. His hands were lacing through her unbound hair to massage her scalp and the back of her neck. His touch was perfect—deliberate, knowing, and competent without using too much strength. He trailed her hair down her back, leaving little trickles of pleasure to skitter along her spine, and then she felt him gathering the mass of it, to move it to one side. “It’s beautiful,” he murmured, his words breathed near her ear. “I’m going to forbid you to wear those hideous caps of yours when we return to Town.” His
Grace Burrowes (The Heir (Duke's Obsession, #1; Windham, #1))
School Library Journal Gr 3–6—This interactive manual is fun to read and even more fun to put into practice. From hopscotch to dodge ball, jacks to solitaire, and string games to memory games, all types of activities are included. Games to play with a ball, with cards, in a car on the go, alone, or in a group are all here to be enjoyed. The instructions are clear and easy to follow. There are also historical and factual asides for many of the entries. Some include variations on the main game or alternate names for the activity that have been used through the years. The illustrations depict children demonstrating a particular aspect of a game or just enjoying themselves playing. This is a great resource for parents and teachers, as well as for children.—Cynde Suite, Bartow County Library System, Adairsville, GA
J.J. Ferrer (The Art of Stone Skipping and Other Fun Old-Time Games: Stoopball, Jacks, String Games, Coin Flipping, Line Baseball, Jump Rope, and More)
I unhooked the partition and pulled it back, revealing the donkey’s shaggy coat and pot belly. She wouldn’t win any beauty pageants, but she looked to be in fairly good health. I clipped up her lead rope and led her to the top of the ramp where she stopped and looked around, swivelling her huge ears like antennae. Skip and Forbes were in the furthest corner of their paddock, staring in horror at the truck and snorting loudly at each other, clearly not impressed with the newest addition to the family. “What
Kate Lattey (Seventh Place (Pony Jumpers, #7))
plyometrics movements. This is when you are getting the hang of doing the movements that are involved in both types of training and refining them. Following AA, as you move into the MT and MS periods, gradually increase both the weight loads and the plyometric intensities. For example, move from rope skipping to low-box jumping to high-box jumping. The MS period is when you will
Joe Friel (The Triathlete's Training Bible)
These people were no more than my acquaintances; the women I had the unfortunate pleasure of crossing skipping ropes with on a daily basis. The worst breed of humans that one could meet – primary school mothers – better known to the likes of you and me as the Playground Mafia.
Christie Barlow (A Year in the Life of a Playground Mother (A School Gates Comedy #1))
Banks was twenty-six years old, tall and well-built, with an appealing bramble of dark curls. By temperament he was cheerful, confident and adventurous: a true child of the Enlightenment. Yet he had thoughtful eyes and, at moments, a certain brooding intensity: a premonition of a quite different sensibility, the dreaming inwardness of Romanticism. He did not like to give way to it. So he kept good company with his shipmates, and had carefully maintained his physical fitness throughout the first eight months of the voyage. He regarded himself — ‘thank god’ — as in as good mental and physical trim as a man could be. When occasionally depressed, he did vigorous jumping ‘rope exercises’ in his cabin, once nearly breaking his leg while skipping.1
Richard Holmes (The Age of Wonder: How the Romantic Generation Discovered the Beauty and Terror of Science)
Children’s leisure had to fit around work and school. Visit any playground in Britain today, and you will witness Victorian games in action. Various forms of Tag, British Bulldog, Grandma’s Footsteps and What’s the Time, Mr Wolf? still form much of the charging about when children gather. Games of marbles can be found in quieter corners, Five Stones and Jacks are still popular, and many girls are still highly skilled with a skipping rope.
Ruth Goodman (How to Be a Victorian: A Dawn-to-Dusk Guide to Victorian Life)
We’d all agreed that we’d outgrown jumping rope, but Shady had given me such a nice gift of a skipping rope, and when there’s nothing better to do, I guess you go back to what once felt good.
Clare Vanderpool
The Delinquent Girl Chronicles Ages 7-11: Skip rope Ages 12-16: Skip class Age 17: Skip period Age 18: Skip coming home Age 19: Skip town
Beryl Dov
Poetry is Play [10w] Poetry is play ~ write it like a child skipping rope.
Beryl Dov
So it’s up to Maya. She’s already won. I’m just the bonus round.” He grinned then, but it was a different kind of grin, a mock arrogance that made me laugh and shake my head. I looked into his eyes and saw the challenge sparkling there, and I hadn’t even decided what to do when I heard myself saying, “You’re on.” As Rafe walked over to the dangling harness, he stripped off his jacket, earning him giggles and whispers from the girls and grunts from the guys, who weren’t nearly as impressed. Rafe skipped gym whenever he could, so I’d assumed he wasn’t the athletic type. I was wrong. He wore an old T-shirt with the sleeves torn off, and his lean muscles moved under coppery skin. He had a tattoo on the inside of his forearm--a small one that looked like raven wings. When he turned around, I caught the faint edge of another tattoo on his shoulder peeking from under his shirt. He glanced over, like he’d sensed me looking. When I didn’t turn away, he grinned and mouthed something I didn’t catch, probably didn’t want to. Brendan helped Rafe into the harness. It took a while, the process punctuated by Rafe’s questions. Then he stood at the base of the rock face, saying, “You put your toes here, right? And you grab those things that stick out?” The others laughed and yelled, “Quit while you’re ahead!” Daniel relaxed and rolled his eyes at me. I rolled mine back, but not for the same reason. When we were finally in position, the others pulling away, I whispered, “Poseur.” Rafe glanced over, brows arching. “Keep calling me that and I might get insulted.” “Stop earning it and I’ll stop saying it.” I faced forward as I tested my rope and waited for Daniel to get to the top. “Are you implying that I know how to climb?” “Are you implying that I’m stupid enough to think you’d challenge me if you didn’t? Of course, you can’t be that good if you need to slow me down by pretending you don’t know what you’re doing.
Kelley Armstrong (The Gathering (Darkness Rising, #1))
The following moves are simple but perfect for a proper warm-up: • Walking • Lightly jogging • Jumping jacks • High-knee running in place • Skipping • Jumping rope
Erin Oprea (The 4 x 4 Diet: 4 Key Foods, 4-Minute Workouts, Four Weeks to the Body You Want)
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