Skip To The Good Part Quotes

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There was something just so reassuring about books. They had beginnings and middles and ends, and if you didn't like a part, you could skip to the next chapter. If someone died, you could stop on the last page before, and they'd live on forever. Happy endings were definite, evils defeated, and the good lasted forever.
Ashley Poston (The Seven Year Slip)
We now know I can do it, but I feel like hell," I went on. "I'm so cold, my teeth would chatter if they still could. And I'm hungry enough that both of you are starting to looking really, really good." Vlad's lips curled. "Is this the part where I'm supposed to remind you that this is just the leftover power talking and you don't really want to cheat on Hones?" "Not that kind of hungry!" I gasped, eyes bulging that Vlad thought I'd just casually thrown out that I wanted him and Mencheres to double-team me. "I meant hungry like drinking you guys' blood. Not hungry for... you know." Without thought, my gaze flew to the areas in question before skipping away once I realized what I was doing. Then my cheeks actually tingled with mortification as Vlad let out a long, hearty laugh. Mencheres, more courteous, pretended to suddenly find something fascinating in the door frame, but I saw his lips twitch. "My dear Reaper," Vlad said, still laughing. "Did you just check out our--" "No!" I interrupted at once, almost lunging toward the staircase. "I'm tired and still dazed from the Remnants and... fuck it, I'm taking a shower. I mean, not a cold shower, because I don't need that"--Oh Jesus, I was only making this worse--"because I am cold already, and I need to get hot. I mean, warmer. Oh, just shut up!
Jeaniene Frost (This Side of the Grave (Night Huntress, #5))
What if something were to happen? What if something suddenly started throbbing? Then they would notice it was there and they'd think their hearts were going to burst. Then what good would their dykes, bulwarks, power houses, furnaces and pile drivers be to them? It can happen any time, perhaps right now: the omens are present. For example, the father of a family might go out for a walk, and, across the street, he'll see something like a red rag, blown towards him by the wind. And when the rag has gotten close to him he'll see that it is a side of rotten meat, grimy with dust, dragging itself along by crawling, skipping, a piece of writhing flesh rolling in the gutter, spasmodically shooting out spurts of blood. Or a mother might look at her child's cheek and ask him: "What's that, a pimple?" and see the flesh puff out a little, split, open, and at the bottom of the split an eye, a laughing eye might appear. Or they might feel things gently brushing against their bodies, like the caresses of reeds to swimmers in a river. And they will realize that their clothing has become living things. And someone else might feel something scratching in his mouth. He goes to the mirror, opens his mouth: and his tongue is an enormous, live centipede, rubbing its legs together and scraping his palate. He'd like to spit it out, but the centipede is a part of him and he will have to tear it out with his own hands. And a crowd of things will appear for which people will have to find new names, stone eye, great three cornered arm, toe crutch, spider jaw. And someone might be sleeping in his comfortable bed, in his quiet, warm room, and wake up naked on a bluish earth, in a forest of rustling birch trees, rising red and white towards the sky like the smokestacks of Jouxtebouville, with big bumps half way out of the ground, hairy and bulbous like onions. And birds will fly around these birch trees and pick at them with their beaks and make them bleed. Sperm will flow slowly, gently, from these wounds, sperm mixed with blood, warm and glassy with little bubbles.
Jean-Paul Sartre (Nausea)
I’m shit with good-byes and we’re not talking anyway, so I’m skipping that part and staying at a hotel tonight. My offer was serious. It still is. My door will always be open for you. Yours until the sun flames out and all life on earth is extinguished, Prancer Included with the note is a first-class ticket to Scotland.
J.T. Geissinger (Melt for You (Slow Burn, #2))
Part of not wanting children has always been the certainty that I didn’t have the energy for it, and so I had to make a choice, the choice between children and writing. The first time it occurred to me that I wouldn’t have both, I was still years away from being biologically capable of reproduction. History offers some examples of people who’ve done a good job with children and writing, I know that, but I wasn’t one of those people. I’ve always known my limitations. I lacked the units of energy, and the energy I had, I wanted to spend on my work. To have a child and neglect her in favor of a novel would be cruel, but to simply skip the child in favor of a novel was to avoid harm altogether.
Ann Patchett (These Precious Days: Essays)
skipped this part of college for a reason; I’m no good at being a girlie girl, and it really shows. It makes other girls nervous. Especially
Callie Hart (Burn (Blood & Roses, #3))
So many fabulous-looking lives are fake. People only share the good parts and skip over the bad.
Imogen Clark (Postcards From a Stranger (Postcards #1))
Go nuts, girlfriend.” He grins, making his face instantly more familiar. “I told ’em we met when we were both looking after Jamie. But I skipped the part about taking off my pants and daring you to find out if Wesley’s massage chair would turn my dick into a real-life vibrator.
Sarina Bowen (Good Boy (WAGs, #1))
And soon a cold realization hit me: The time for giving up hope and 
letting go was now. It would be my parting gift to her. And as I cried 
into Mom’s ear and held her hand, and told her it was okay to let go, that I’d be fine, I felt her chest rise one last time. There was no long 
continuous beep like you see in the movies. Just a deafening silence 
and my echo of good-bye skipping down the side of her ear like a coin 
down a deep well.
John von Sothen (Monsieur Mediocre: One American Learns the High Art of Being Everyday French)
It had been a nice night, but not one they’d repeat. Like, ever. Why was he dialing his phone? A few rings later, a familiar voice picked up on the other end. “Whitman.” Dammit, my subconscious really is out to get me. “Matt? Brennan. I was wondering if…” make it something good, “…you…wanted to…” his gaze flew around the room, settling on his DVD shelf, “…watch Star Wars with me?”Star Wars? A hundred DVDs on the shelf and he settled on fucking Star Wars? He was never going to get in Matt’s pants ever again. There was a pause on the other end. Great, I’ve scared him off with my closet geekery. Go me. “Which one?” His heart skipped a beat. Or not.“I have all six.” “My favorite is Strikes Back. I can be at my place in about twenty. I’ll bring food?” Brennan’s eyes squeezed closed and he grinned, kicking his feet in delight. I am such a girl. “You know we can’t watch Strikes Back without immediately going to Return, right?” “We should pace ourselves. Star Wars is serious business. Usually I don’t watch them without consuming about five pounds of Skittles and three bottles of Coke.” “I’ll grab the junk food. We can pull an all -nighter.” “It’s a weeknight.” Matt sounded ridiculously disappointed about the fact, which was so happy-dance-worthy that Brennan almost literally jumped out of his chair. “But maybe we could turn it into a three-part date? Start tonight? End Friday?
Christine Price
There was something just so reassuring about books. They had beginnings and middles and ends, and if you didn't like a part, you could just skip to the next chapter. If someone died, you could just stop on the last page before, and they'd live on forever. Happy endings were definite, evils defeated, and the good last forever. And books about travel? They promised wide-eyed wonders. They waxed poetically about the history and the culture of the places, like an anthropologist of once-in-a-lifetime experiences
Ashley Poston (The Seven Year Slip)
There is, as a consequence, a natural urge on the part of the reader to skip the gassy bits and go directly to the dramatic bits. This would be a mistake, and one that this new translation by Julie Rose, which marvelously removes the yellowed varnish from Hugo’s prose and gives us the racy, breathless, and passionate intelligence of the original, makes easy to avoid. The gassy bits in Les Misérables aren’t really gassy. They’re as good as the good bits. They’re what give the good bits the gas that gets them aloft.
Victor Hugo (Les Misérables)
It is often said that Europeans learned religious intolerance from the Old Testament. Then how did we happen to skip over the parts where the laws protect and provide for the poor, and where oppression of them is most fiercely forbidden? It is surely dishonest to suggest we learned anything at all from the Torah, if we have not learned anything good from it. Better to say our vices are our own than to try to exculpate ourselves by implying that our attention strayed during the humane and visionary passages. The law of Moses puts liberation theology to shame in its passionate loyalty to the poor.
Marilynne Robinson
Grateful was the teacher rescued by Elwood’s contributions when the classroom fell drowsy with the afternoon heat and he offered up Archimedes or Amsterdam at the key moment. The boy had one usable volume of Fisher’s Universal Encyclopedia, so he used it, what else could he do? Better than nothing. Skipping around, wearing it down, revisiting his favorite parts as if it were one of his adventure tales. As a story, the encyclopedia was disjointed and incomplete, but still exciting in its own right. Elwood filled his notebook with the good parts, definitions and etymology. Later he’d find this scrap-rummaging pathetic.
Colson Whitehead (The Nickel Boys)
But you're worried I'll get in trouble?" I try not to show how much this pleases me. I've managed to ignore him for days now and here I sit. Lapping up his attention like a neglected puppy. My voice takes on an edge. "Why do you care? I've ignored you for days." His smile fades. He looks serious, mockingly so. "Yeah. You got to stop that." I swallow back a laugh. "I can't." "Why?" There's no humor in his eyes now, no mockery. "You like me. You want to be with me." "I never said-" "You didn't have to." I inhale sharply. "Don't do this." He looks at me so fiercely, so intently. Angry again. "I don't have friends. Do you see my hang with anyone besides my jerk cousins? That's for a reason. I keep people away on purpose," he growls. "But then you came along..." I frown and shake my head. His expression softens then, pulls at some part of me. His gaze travels my face, warming the core of me. "Whoever you are, Jacinda, you're someone I have to let in." He doesn't say anything for a while, just studies me in that intense way. His nostrils flare, and again it's like he's taking in my scent or something. He continues, "Somehow, I think I know you. From the first moment I saw you, I felt that I knew you." The words run through me, reminding me of when he let me escape in the mountains. He's good. Protective. I have nothing to fear from him, but everything to fear from his family. I scoot closer, the draw of him too great. My warming core, the vibrations inside my chest feel so natural, so effortless around him. I know I need to be careful, exercise restraint, but it feels too good. The pulse at his neck skips against his flesh. "Jacinda." My skin ripples at his hoarse whisper. I stare up at him, waiting. He slides down to land solidly on my step. He brings his face close to mine, angles his head. His breath is hard. Fast. Fills the space, the inch separating us. I touch his cheek, see my hand shake, and quickly pull it back. He grabs my wrist, places my palm back against his cheek, and closes his eyes like he's in agony. Or bliss. Or maybe both. Like he's never been touched before. My heart squeezes. Like I've never touched anyone before. "Don't stay away from me anymore." I stop myself, just barely, from telling him I won't. I can't promise that. Can't lie. He opens his eyes. Stares starkly, bleakly. "I need you." He says this like it doesn't make sense to him. Like it's the worst possible thing. A misery he must endure. I smile, understanding. Because it's the same for me. "I know." Then he kisses me.
Sophie Jordan (Firelight (Firelight, #1))
Skipping the intermediary stages, it suffices to say that this synthesis, after being incarnated in the Church and in Reason, culminates in the absolute State, founded by the soldier workers, where the spirit of the world will be finally reflected in the mutual recognition of each by all and in the universal reconciliation of everything that has ever existed under the sun. At this moment, "when the eyes of the spirit coincide with the eyes of the body," each individual consciousness will be nothing more than a mirror reflecting another mirror, itself reflected to infinity in infinitely recurring images. The City of God will coincide with the city of humanity; and universal history, sitting in judgment on the world, will pass its sentence by which good and evil will be justified. The State will play the part of Destiny and will proclaim its approval of every aspect of reality on "the sacred day of the Presence.
Albert Camus (The Rebel)
Generally speaking, the apparent lack of argumentation in some traditional Chinese texts doesn't mean that they don't contain argumentation. Rather, they may have simply skipped many argumentation steps and offered instead an 'argumentation sketch', or the key and most difficult steps in an argumentation. In fact, even in works of physics and mathematics that are known for their rigor, argumentation steps are often skipped, and the failure of a reader to understand them if often not a sign of a lack of rigor of the works in question but the lack of the reader's competence in becoming a good physicist or mathematician. As Friedrich Nietzsche put it in his discussion of the beauty of the aphoristic style, 'In the mountains the shortest way is from peak to peak: but for that one must have long legs. Aphorisms should be peaks - and those who are addressed, tall and lofty' (1954, 40 [ part 1, sec. 7,'On Reading and Writing']).
Tongdong Bai (Against Political Equality: The Confucian Case (The Princeton-China Series))
I get off at Witney. I'm part of the Friday-evening commuter throng, just another wage slave amongst the hot, tired masses, looking forward to getting home and sitting outside with a cold beer, dinner with the kids, an early night. It might just be the gin, but it feels indescribably good to be swept along with the crowd, everyone phone-checking, fishing in pockets for rail passes. I'm taken back, way back to the first summer we lived on Blenheim Road, when I used to rush home from work every night, desperate to get down the steps and out of the station, half running down the street. Tom would be working from home and I'd barely be through the door before he was taking my clothes off. I find myself smiling about it even now, the anticipation of it: heat rising to my cheeks as I skipped down the road, biting my lip to stop myself from grinning, my breath quickening, thinking of him and knowing he'd be counting the minutes until I got home, too.
Paula Hawkins (The Girl on the Train)
Couldn't I come along with you? I've been trapped inside for days now and I need some sunshine and exercise. If you're really busy today, maybe I could hhelp. It's not as if I'm a greenhorn who'd get in your way." "This isn't a good idea, Freckles, and you know it." The feisty redhead grinned. "I admit I'm somewhat ignorant on the subject, but I've never heard of doing "it" on the back of a horse." A roguish grin dangled from the corner of his mouth. "Sweetheart, you'd be surprised where...Never mind." Though he'd tried to sound gruff, Willow detected a slight wavering in his determination. "I'll promise not to attack your body, if that's what you're worried about." She started laughing. Moving closer, she backed him against the door. Then tilting her head, she hit him full force with her big blue-green sparklers. Her lips parted in a very seductive, very naughty smile. "Please, just a short ride?" She toyed with the edge of his black leather vest, the backs of her fingers sliding up and down his chest. Rider sucked in a gulp of air. "Dammit, woman,what's Mrs. Brigham been teaching you? Stop that!" He batted her hand away, laughing despite himself. He was beaten and he knew it. "Well?" She smiled slyly. He grasped her arms and set her away to a safer distance. "All right, all right. I give up. I'll take you for a ride." When her face lit up,he raised a cautioning finger and hastened to add, "On one condition. You have to keep yours hands to yourself. No touching!" "Yes! I promise!" Willow threw herself into his arms and pulled his face close for a brisk buss on the cheek. Then she sprang free and skipped past him to the door. "I kow, no touching. That was just a thank you. Hurry up, I'm all ready to go." Following in her wake, Rider groaned, "Yeah,so am I-in more ways than one." "What did you say?" she called back. "I said you were a little flirt!" She gave him an innocent smile over her shoulder and sprinted off to saddle Sugar.
Charlotte McPherren (Song of the Willow)
Ecclesiastes declares that life has no meaning, that evil will be rewarded, and goodness punished. He says that even the most honorable man can be left in town to die in the street, while the greediest fool gets a eulogy and a proper burial. But either people skip that part of the Old Testament, or they never read the Bible at all, and instead they follow their instinct to mythify a sequence of random events and the stream of strangers they encounter in life: Good things happen to them or people they like and they think, “justice.” Bad things happen to people they don’t like and once again they think, “justice.” This is part of why a cold bump can be so effective: Lucien believed that he summoned me into his life by heart alone, by fate. He believed he deserved to fall in love (everyone believes they deserve this) and, in his specific case, with someone like me. His satisfied desire was a reward, as if it were part of a grand design based on birthright, on being from a good family, and making good choices, moral choices, and aesthetic ones too. We took turns kissing and talking, lying on the grass of the Place des Vosges. Lucien was telling me about Victor Hugo, how Victor Hugo, exiled to the island of Guernsey in the English Channel, had heard voices in the waves, addressing him on the subject of the future of France.
Rachel Kushner (Creation Lake)
Ronan's trying to wake up the world. I'm trying to think of how to talk him out of it, but what he's talking about is a world where she never fell asleep. A world where Matthew's just a kid. A world where it doesn't matter what Hennessy does, if something happens to her. A level playing field. I don't think it's a good idea, but it's not like I can't see the appeal, because now I'm biased, I'm too biased to be clear." Declan shook his head a little. "I said I would never become my father, anything like him. And now look at me. At us." Ah, there it was. It took no effort to remember the way he'd looked at her the first moment he realized she was a dream. "I'm a dream," Jordan said. "I'm not your dream." Declan put his chin in his hand and looked back out the window; that, too, would be a good portrait. Perhaps it was just because she liked looking at him that she thought each pose would make a good one. A series. What a future that idea promised, nights upon nights like this, him sitting there, her standing here. "By the time we're married," Declan said eventually, "I want you to have applied for a different studio in this place because this man's paintings are very ugly." Her pulse gently skipped two beats before continuing on as before. "I don't have a social security number of my own, Pozzi." "I'll buy you one," Declan said. "You can wear it in place of a ring." The two of them looked at each other past the canvas on her easel. Finally, he said, voice soft, "I should see the painting now." "Are you sure?" "It's time, Jordan." Putting his jacket to the side, he stood. He waited. He would not come around to look without an invite. It's time, Jordan. Jordan had never been truly honest with anyone who didn't wear Hennessy's face. Showing him this painting, this original, felt like being more honest than she had ever been in her life. She stepped back to give him room. Declan took it in. His eyes flickered to and from the likeness, from the jacket on Portrait Declan's leg to the real jacket he'd left behind on the chair. She watched his gaze follow the line edge she had taken such care to paint, that subtle electricity of complementary colors at the edge of his form. "It's very good," Declan muttered. "Jordan, it's very good." "I thought it might be." "I don't know if it's a sweetmetal. But you're very good." "I thought I might be." "The next one will be even better." "I think it might be." "And in ten years your scandalous masterpiece will get you thrown out of France, too," he said. "And later you can triumphantly sell it to the Met. Children will write papers about you. People like me will tell stories about you to their dates at museums to make them think they're interesting." She kissed him. He kissed her. And this kiss, too, got all wrapped up in the art-making of the portrait sitting on the easel beside them, getting all mixed in with all the other sights and sounds and feelings that had become part of the process. It was very good.
Maggie Stiefvater (Mister Impossible (Dreamer Trilogy, #2))
Harris doesn’t have a lot of conflicted feelings vis-à-vis the domestic sphere. I didn’t either until we had a baby. Harris and I were just two workaholics, fairly equal. Without a child I could dance across the sexism of my era, whereas becoming a mother shoved my face right down into it. A latent bias, internalized by both of us, suddenly leapt forth in parenthood. It was now obvious that Harris was openly rewarded for each thing he did while I was quietly shamed for the same things. There was no way to fight back against this, no one to point a finger at, because it came from everywhere. Even walking around my own house I felt haunted, fluish with guilt about every single thing I did or didn’t do. Harris couldn’t see the haunting and this was the worst part: to be living with someone who fundamentally didn’t believe me and was really, really sick of having to pretend to empathize—or else be the bad guy! In his own home! How infuriating for him. And how infuriating to be the wife and not other women who could enjoy how terrific he was. How painful for both of us, especially given that we were modern, creative types used to living in our dreams of the future. But a baby exists only in the present, the historical, geographic, economic present. With a baby one could no longer be cute and coy about capitalism—money was time, time was everything. We could have skipped lightly across all this by not becoming parents; it never really had to come to a head. On the other hand, sometimes it’s good when things come to a head. And then eventually, one day: pop.
Miranda July (All Fours)
Before the 1940’s, if one woman in an audience stood up and shrieked at the top of her lungs throughout an entire show she’d have been carted off to an asylum. By the mid-forties, however, entire audiences behaved like that, screaming, tearing at their clothes and hair, leaving their seats to board the stage. On December 30th, 1942, while Frank Sinatra sang at the Paramount Theater in New York, the behavior of the audience changed, and a part of our relationship to well-known people changed forever. Psychiatrists and psychologists of the day struggled to explain the phenomenon. They recalled medieval dance crazes, spoke of “mass frustrated love” and “mass hypnosis.” The media age did bring a type of mass hypnosis into American life. It affects all of us to some degree, and some of us to a great degree. Before the advent of mass-media, a young girl might have admired a performer from afar, and it would have been acceptable to have a passing crush. It would not have been acceptable if she pursued the performer to his home, or if she had to be restrained by police. It would not have been acceptable to skip school in order to wait for hours outside a hotel and then try to tear pieces of clothing from the passing star. Yet that unhealthy behavior became “normal” in the Sinatra days. In fact, audience behavior that surprised everyone in 1942 was expected two years later when Sinatra appeared again at the Paramount Theater. This time, the 30,000 screaming, bobby-soxed fans were joined by a troop of reporters. The media were learning to manipulate this new behavior to their advantage. Having predicted a commotion, 450 police officers were assigned to that one theater, and it appeared that society had learned to deal with this phenomenon. It had not. During the engagement, an 18-year old named Alexander Ivanovich Dorogokupetz stood up in the theater and threw an egg that hit Sinatra in the face. The show stopped, and for a moment, a brief moment, Sinatra was not the star. Now it was Dorogokupetz mobbed by audience members and Dorogokupetz who had to be escorted out by police. Society had not learned to deal with this, and still hasn’t. Dorogokupetz told police: “I vowed to put an end to this monotony of two years of consecutive swooning. It felt good.” Saddled with the least American of names, he had tried to make one for himself in the most American way, and but for his choice of a weapon, he would probably be as famous today as Frank Sinatra. Elements in society were pioneering the skills of manipulating emotion and behavior in ways that had never been possible before: electronic ways. The media were institutionalizing idolatry.
Gavin de Becker (The Gift of Fear: Survival Signals That Protect Us from Violence)
Before the 1940’s, if one woman in an audience stood up and shrieked at the top of her lungs throughout an entire show she’d have been carted off to an asylum. By the mid-forties, however, entire audiences behaved like that, screaming, tearing at their clothes and hair, leaving their seats to board the stage. On December 30th, 1942, while Frank Sinatra sang at the Paramount Theater in New York, the behavior of the audience changed, and a part of our relationship to well-known people changed forever. Psychiatrists and psychologists of the day struggled to explain the phenomenon. They recalled medieval dance crazes, spoke of “mass frustrated love” and “mass hypnosis.” The media age did bring a type of mass hypnosis into American life. It affects all of us to some degree, and some of us to a great degree. Before the advent of mass-media, a young girl might have admired a performer from afar, and it would have been acceptable to have a passing crush. It would not have been acceptable if she pursued the performer to his home, or if she had to be restrained by police. It would not have been acceptable to skip school in order to wait for hours outside a hotel and then try to tear pieces of clothing from the passing star. Yet that unhealthy behavior became “normal” in the Sinatra days. In fact, audience behavior that surprised everyone in 1942 was expected two years later when Sinatra appeared again at the Paramount Theater. This time, the 30,000 screaming, bobby-soxed fans were joined by a troop of reporters. The media were learning to manipulate this new behavior to their advantage. Having predicted a commotion, 450 police officers were assigned to that one theater, and it appeared that society had learned to deal with this phenomenon. It had not. During the engagement, an 18-year old named Alexander Ivanovich Dorogokupetz stood up in the theater and threw an egg that hit Sinatra in the face. The show stopped, and for a moment, a brief moment, Sinatra was not the star. Now it was Dorogokupetz mobbed by audience members and Dorogokupetz who had to be escorted out by police. Society had not learned to deal with this, and still hasn’t. Dorogokupetz told police: “I vowed to put an end to this monotony of two years of consecutive swooning. It felt good.” Saddled with the least American of names, he had tried to make one for himself in the most American way, and but for his choice of a weapon, he would probably be as famous today as Frank Sinatra. Elements in society were pioneering the skills of manipulating emotion and behavior in ways that had never been possible before: electronic ways. The media were institutionalizing idolatry. Around
Gavin de Becker (The Gift of Fear: Survival Signals That Protect Us from Violence)
I thought my life with Kelli could be balanced, mitigated,. That Irene had just been doing it all wrong these years. I' thought we could hang out like normal sisters, run errands, go for lattes with Jessica Hendy, and every now and then go off and have a little temper tantrum if Kelli go on my nerves--leave her in the car, assume she'd be fine. I'd assumed I could indulge myself if need be, that there could be some kind of fulfillment beyond my sister's care--that I didn't have to give myself over to it completely. But here's what I needed to understand--what Irene understood. Either you were all in with Kelli, or you were not. But if you were, Kelli had to become your joy. Kelli would be where you went for meaning. Kelli was what it was all about. And Irene was right about this too-- it was like faith. It was exactly like faith in that you had to stop futzing around and let it take you over. No more hemming and hawing. No more trying to have it both ways. And once you put your petty shit aside --your petty ego and your petty needs and your petty ambitions--that was when at last the world opened up. The world that was Kelli. It was a small world, a circumscribed world but it was your world and you did what you could to make it more beautiful. You focused on hygiene, nourishing meals, a pleasing home that always smelled good. That was your achievement and more important that was you. Once you accept that, you were--and this was strange to think, but the moment I thought it, I realized I put my finger on the savagely beating heart of my mother's philosophy--free. When I was a kid, my mother had a lavishly illustrated encyclopedia of saints she would sometimes flip through with me, and I remember how she always made a point of skipping over Saint Teresa of Avila . She didn't want to talk about the illustration that went with it. It was a photograph of the sculpture The Ecstasy of Saint Teresa, and it was pretty obvious to me even as a child why my mother disapproved. It was a sexy sculpture. The smirking angel prepares to pierce Teresa's heart with his holy spear, and boy oh boy is Saint Teresa ready. Her eyes are closed, her lips are parted, and somehow everything about her marble body, swathed in marble clothing looks to be in motion. Saint Teresa is writhing. She's writhing because that is what it is to be a Catholic Saint. This is your fulfillment. The giving over. The letting go. The disappearance. This is what it takes
Lynn Coady (Watching You Without Me)
I think we would rather skip the parts of our story where God feels absent or where or bodies are riddled with illness or where our brains don't feel like our own, but I think God uses the winters and the dark nights to do something he cannot do when everything is good and fine and beautiful. He has our attention, He's on the move.
Hannah Brencher (Fighting Forward: Your Nitty-Gritty Guide to Beating the Lies That Hold You Back)
It’s experience that has value, not possessions. We desire possessions because we think they’ll make us happier, but extensive research shows that once our basic survival needs are met, increased possessions don’t boost happiness levels. Meditation gives us the option of going straight to happiness and skipping the intermediate step of possessions. Acquiring them takes a lot of work and time, and all that effort can take us out of flow. We can spend a 40-year career amassing the possessions and money that we believe will give us happiness in retirement. Skipping the amassing stage and going straight to bliss gives us the end goal at the beginning. We win the gold medal before the contest even begins. Play doesn’t happen in an imaginary future in which our lives are perfect. Play happens now. We can become billionaires of happy experiences, the bank vaults of our minds overflowing with joy. That’s the only currency that counts. We’ve then acquired the end state without going through the intermediate state of getting stuff. We’ve loaded the dice, so that any and every roll produces bliss. Why not live like that every day? DEEPENING PRACTICES Here are practices you can do this week to integrate the information in this chapter into your life: Releasing the Suffering Self: That’s the theme of this chapter’s companion meditation. Use the link below to listen to this free 15-minute meditation each morning. Play the “Name Your Demon” Game: Give the selfing part of yourself a funny personal name, or ask it what its name is and write down the answer. One woman christened hers “Sticky.” Another, “Yuggo.” This exercise separates you from identification with the demon, and reminds you that you’re in control. Make the Subject-Object Shift: Whenever you find your mind wandering during meditation, simply thank your DMN by name (e.g., “Thanks, Yuggo!”) and then move your attention back to Focus. Mindfulness App: As a way of becoming mindful, enroll in the Harvard wandering mind study by using the link below to download the smartphone app. Time in Nature: Spend time in nature at least three times this week. Write those times in your calendar now, and treat them as seriously as you’d treat a doctor’s appointment. This exercise in self-care is a way of centering your mind and nurturing yourself. Journaling: In your new personal journal, write down the insights you have this week. Notice the way your mind works in meditation, and describe it in your journal. Just a few words are enough, like, “Had a hard time getting to a good place this morning. Lots of mind wandering, but I settled down in 15 minutes.
Dawson Church (Bliss Brain: The Neuroscience of Remodeling Your Brain for Resilience, Creativity, and Joy)
There was something just so reassuring about books. They had beginnings and middles and ends, and if you didn’t like a part, you could skip to the next chapter. If someone died, you could stop on the last page before, and they’d live on forever. Happy endings were definite, evils defeated, and the good lasted forever.
Ashley Poston (The Seven Year Slip)
I’m sure our newcomers appreciate hearing that being diagnosed with HIV is not all doom and gloom.” The leader’s gaze swept over all the others in the circle. “With an attitude like Duncan’s, great things will happen to you. Don’t let the disease define you. Make the disease work for you instead.” An hour later, the meeting was over. John had gotten the opportunity to introduce himself to the group, something he would have preferred to have skipped, but that wasn’t allowed. Everyone must participate in that part; only the question and answer session that followed was optional. He hadn’t mentioned that he used to be a cop, certainly not that he had been fired. He’d just said that he was a private eye and that he would be happy to be their spy if they needed one. “That wasn’t so bad now, was it?” Linda asked John when they were outside the room and in the hallway, where donuts and coffee and tea were served. Most of the participants milled around there, connecting with each other. John shrugged and grabbed a jelly donut. “I guess not.” The bespectacled leader named Robert came up to them then. He was on the short side and had an emaciated face with delicate features. He stuck out a bony hand toward John. John took it and gave it a firm shake. “John, it’s so nice to have you join us today,” Robert said with a broad smile that displayed big, graying teeth. Robert was HIV-positive as well, and in the chronic HIV stage. “Thank you for having me,” John said and returned the smile as best he could. “It’s been very…educational. I’m glad I came.” “Great,” Robert said, then his attention went to Linda. “Thanks for bringing your friend, Linda. And for coming again yourself.” “Oh, of course,” Linda said and smiled. Her hazel eyes glittered with warmth. “It’s a great group and you’re a great leader.” “Thank you. That’s so kind of you to say.” Robert tossed a glance over his shoulder, then leaned in toward John and Linda. “I just wanted to apologize for Doris.” “Apologize?” Linda repeated. “What did she do?” “Well, for starters, she’s not 33. She’s 64 and has been infected for thirty years. She’s also a former heroin addict and prostitute. She likes to pretend that she’s someone else entirely, and because we don’t want to upset her, we humor her. We pretend she’s being truthful when she talks about herself. I’d appreciate it if you help us keep her in the dark.” That last sentence had a tension to it that the rest of Robert’s words hadn’t had. It was almost like he’d warned them not to go against his will, or else. Not that it had been necessary to impress that on either John or Linda. John especially appreciated the revelation. Maybe having HIV was not as gruesome as Doris had made it seem then. Six Yvonne jerked awake when the phone rang. It rang and rang for several seconds before she realized where she was and what was going on. She pushed herself up on the bed and glanced around for the device. When she eventually spotted it on the floor beside the bed, it had stopped ringing. Even so, she rolled over on her side and fished it up to the bed. Crossing her legs Indian-style, she checked who had called her. It was Gabe, which was no surprise. He was the only one who had her latest burner number. He had left her a voicemail. She played it. “Mom, good news. I have the meds. Jane came through. Where do you want me to drop them off? Should I come to the motel? Call me.” Exhilaration streamed through her and she was suddenly wide awake. She made a fist in the air. Yes! Finally something was going their way. Now all they had to do was connect without Gabe leading the cops to her. She checked the time on the ancient clock radio on the nightstand. It was past six o’clock. So she must have slept
Julia Derek (Cuckoo Avenged (Cuckoo Series, #4))
A boy who is impatient to grow up is wandering in a forest when a witch appears and gives him a ball with a golden thread sticking out of it. If he pulls the thread, she says, time will go faster. But he must use the device wisely, as the thread can no more easily be put back in than time can run backward. Predictably, the boy can’t help himself: impatient to go home from school, he pulls the thread; impatient to marry his crush, he pulls the thread; impatient to have a child, he pulls the thread. All too soon, he finds himself at the end of his life without the sensation of having lived it. The moral of the story is supposed to be about “living in the moment” and the folly of wanting to skip over the bad parts of life to get to the good ones. But when I read it, the thing I fixated on was the thread and the ball, simply as an illustration of the irreversibility of time. Even though it has a happy ending (the witch finds the old man and lets him live his life over again), I remembered this for a long time as a horror story.
Jenny Odell (Saving Time: Discovering a Life Beyond Productivity Culture)
To me, the heart of all successful human interactions is we look at each other and we know we’re about to attempt something that is difficult/ impossible. And we look in each other’s eyes, and we shake hands, and we both vow to die before we quit. And that’s what I thought we did. This is such a simple idea to me. The vows are “til death do us part”—God agrees with me. The vow is not to your partner—the vow is to the weakest part of yourself. How could you not quit if that’s one of the options? The reason you say you’re gonna do it or die is because death is what happens when you don’t do it. Your mind is trying to protect you from hard things, to defend you from pain. The problem is, all of your dreams are on the other side of pain and difficulty. So, a mind that tries to seek pleasure and comfort and the easy way inadvertently poisons its dreams—your mind becomes a barrier to your dreams, an internal enemy. If it was easy, everybody would do it. The reason we make vows is because we know we’re about to do a hell walk. You don’t have to vow to do easy things. No one ever said, “I vow to eat every ounce of this crème brulee—I swear to the wide heavens that I will not leave one speck on my plate! And I vow to skip my run tomorrow morning, and I vow to sleep in!” We wouldn’t need to make vows if it was easy. The reason the vows are so extreme—“in sickness and in health, till death do us part”—is because life is so extreme. Nothing else can keep us there. That’s the point of devotion. I’m not against divorce, and I’m not against surrendering in a battle, but it has to be at the end of the battle—not while you’re putting your armor on, not the first scary moment, not the first casualty. In my experience, most people get divorced too soon, before they’ve extracted the lessons that will keep them from doing the exact same things in their next relationships. I’m still not totally sure what I was thinking. Maybe it was pain; maybe it was delirium. Maybe I wasn’t thinking at all. Maybe I didn’t need to think, because I was clear. I could see the North Star through the fog. On February 19, only five days after I received my divorce papers, I called Jada. I hadn’t seen her, or heard from her, in months. The phone seemed to ring forever. Click. “Hello?” “Whatup, Jada. It’s Will.” “Heyyyy!” she said. Her voice seemed to still echo with the magic of our night at the Baked Potato. “How you doin’?” “I’m good. Better now that I’m talkin’ to you.” In hindsight, I probably could have given her a little more context, or warning. “Hey, are you seeing anybody?” I said. Jada hesitated—partly stunned, partly confused. “Um, no. Why?” “Cool, you’re seeing me now,
Will Smith (Will)
The ultimate form of intrinsic motivation is when a habit becomes part of your identity. It’s one thing to say I’m the type of person who wants this. It’s something very different to say I’m the type of person who is this. The more pride you have in a particular aspect of your identity, the more motivated you will be to maintain the habits associated with it. If you’re proud of how your hair looks, you’ll develop all sorts of habits to care for and maintain it. If you’re proud of the size of your biceps, you’ll make sure you never skip an upper-body workout. If you’re proud of the scarves you knit, you’ll be more likely to spend hours knitting each week. Once your pride gets involved, you’ll fight tooth and nail to maintain your habits.
James Clear (Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones)
Come swim with me,” he says, splashing water toward my legs. “I’m on duty,” I say, and I blow my whistle at one of the boys. He jerks a thumb over his shoulder toward the group and says, “They’re deaf, you know?” He laughs. “Your whistle is pretty ineffectual.” “Then let’s hope they can all swim.” “They’re confined to the shallow end.” He grins at me. I look at the boys. They’re watching Pete from where they’re still hitting the ball back and forth. “They like you,” I say. Of course they do. Everyone likes Pete. Even my dad likes him, though I’m not sure he likes the burgeoning relationship between us. “They like you more,” he says. “I told them I was going to come and put the moves on the pretty lifeguard.” A grin tugs at my lips. He thinks I’m pretty. “You did not.” “Oh, yes, I did.” He smiles, and my heart trips over. “Prepare to be moved, pretty lifeguard.” He hoists himself out of the pool, careful of his injured wrist as he goes up the ladder, and stalks toward me, water sluicing from his body. When he gets close to me, he stops and lays his crossed arms over my lap, and looks up at me. “You don’t mind me touching you, do you?” he asks. My heart’s beating so fast I can’t take a deep breath, but it’s not because I’m afraid of him. He makes me feel things I’ve never felt before. “Apparently, my inner goddess is a slut. Yeah, I read Fifty Orgasms.” He lays his forehead on his folded arms and laughs into the space, his shoulders shaking. I thump him on the top of his closely shaved head. He covers his head with his hand and looks up, scowling at me. “What was that for?” “You laughed at me.” He snorts. “You were talking about Fifty Orgasms. Of course I laughed.” I narrow my eyes at him. “Do you even know what book I’m talking about?” “Anastasia and what’s his name,” he says with a breezy wave. “I read it.” My mouth falls open. “The last one was the best.” He grins. “His surrender was kind of sweet.” “He didn’t surrender.” “What do you call it then?” He laughs. “He totally changed for her. And he loved every second of it.” I lay back heavily against the chair I’m in and glare at him. “You skipped around and just read the good parts, didn’t you?” He looks offended. “Just because I’m pretty doesn’t mean I’m not smart.
Tammy Falkner (Calmly, Carefully, Completely (The Reed Brothers, #3))
Shara met me at the airport in London, dressed in her old familiar blue woolen overcoat that I loved so much. She was bouncing like a little girl with excitement. Everest was nothing compared to seeing her. I was skinny, long-haired, and wearing some very suspect flowery Nepalese trousers. I short, I looked a mess, but I was so happy. I had been warned by Henry at base camp not to rush into anything “silly” when I saw Shara again. He had told me it was a classic mountaineers’ error to propose as soon as you get home. High altitude apparently clouds people’s good judgment, he had said. In the end, I waited twelve months. But during this time I knew that this was the girl I wanted to marry. We had so much fun together that year. I persuaded Shara, almost daily, to skip off work early from her publishing job (she needed little persuading, mind), and we would go on endless, fun adventures. I remember taking her roller-skating through a park in central London and going too fast down a hill. I ended up headfirst in the lake, fully clothed. She thought it funny. Another time, I lost a wheel while roller-skating down a steep busy London street. (Cursed skates!) I found myself screeching along at breakneck speed on only one skate. She thought that one scary. We drank tea, had afternoon snoozes, and drove around in “Dolly,” my old London black cab that I had bought for a song. Shara was the only girl I knew who would be willing to sit with me for hours on the motorway--broken down--waiting for roadside recovery to tow me to yet another garage to fix Dolly. Again. We were (are!) in love. I put a wooden board and mattress in the backseat so I could sleep in the taxi, and Charlie Mackesy painted funny cartoons inside. (Ironically, these are now the most valuable part of Dolly, which sits majestically outside our home.) Our boys love playing in Dolly nowadays. Shara says I should get rid of her, as the taxi is rusting away, but Dolly was the car that I will forever associate with our early days together. How could I send her to the scrapyard? In fact, this spring, we are going to paint Dolly in the colors of the rainbow, put decent seat belts in the backseat, and go on a road trip as a family. Heaven. We must never stop doing these sorts of things. They are what brought us together, and what will keep us having fun. Spontaneity has to be exercised every day, or we lose it. Shara, lovingly, rolls her eyes.
Bear Grylls (Mud, Sweat and Tears)
You can skip the part in the middle where he goes off on a tangent about how the Delphi psychics contacted the Grand Duchess Anastasia while on these drugs. Pretty sure she’d have been dead by then—” “Never stopped me.” He pauses for a moment. “That’s . . . true. Very good point.
Rysa Walker (The Delphi Effect (The Delphi Trilogy #1))
The presentation scene itself we skip. It is not a good idea to interrupt the narrative too often, since storytelling works by lulling the reader or listener into a dreamlike state in which the time and space of the real world fade away, superseded by the time and space of the fiction. Breaking into the dream draws attention to the constructedness of the story, and plays havoc with the realist illusion. However, unless certain scenes are skipped over we will be here all afternoon. The skips are not part of the text, they are part of the performance.
J.M. Coetzee
Our culture of achievement has grown to emphasize visions of success that are, for the most part, fairly predictable. Cole skipped a couple of steps. The basic plan is to go to Goldman Sachs, McKinsey, or the like, then maybe to a top-ranked business school, then back to banking, consulting, private equity, hedge funds, or a name-brand tech company. Or maybe go from law school to top firm to partner or in house at an investment firm, and live in New York, San Francisco, Boston, or Washington, DC.* Again, these institutions and roles are necessary, and they’re natural developments in our economy. We need them. But we need people doing other things too. We need people willing to take risks and, yes, to occasionally fail. Like real-world consequences fail. We need people committed over extended periods of time to creating value, no matter how hard that is. We need people who care deeply about the work they’re doing. Imagine someone who you think could stand to take on some risk—someone well educated who would always have something to fall back on, whose family might have some resources so he would be unlikely to starve. And this person would probably be young and free of major life obligations. Someone sort of like . . .  Cole. What’s interesting is that many of the people I meet who are young, highly educated, and from good families are among the most risk-averse. They feel like they need to be making progress along a ladder with each passing month or year. Their parents have often set high expectations for them. They measure themselves each period against their peers, who are generally following various well-defined paths.
Andrew Yang (Smart People Should Build Things: How to Restore Our Culture of Achievement, Build a Path for Entrepreneurs, and Create New Jobs in America)
Whenever you are going to skip executing a habit, force yourself to consciously admit that you're skipping, and articulate why you're skipping. It's easy to half-forget to do something, but it's a lot more difficult psychologically to present yourself with a flimsy argument and to go along with it. So if you say to yourself, “Okay, I'm not going to meditate tonight because I'm just too tired,” a part of you may challenge, “Even though I am tired, maybe I can just get through it.”  Try to establish as few “outs” for yourself as possible. We are all creative enough to come up with “good reasons” for not doing something that we don't feel like doing.
Anonymous
Suicide hotline. Coleman speaking . . . How much did you take? . . . When? . . . What color were the microdots . . . Oooo, purple, not good . . . Do you have a trip chaperone? . . . No? That’s still cool. I’ll walk you through it . . . First, nothing’s melting. Yes, I’m sure. Believe me, I’ve been there . . . Right, and whatever you do, don’t look in any mirrors . . . Because you might start pulling your face off. Any CDs around? . . . Great, do you have The White Album? . . .” Rrrrrrring! “Suicide hotline. Serge is on the case. Have you done anything crazy yet? . . . Ha! You call that crazy? . . . Yes, I can top that . . .” “. . . You’re doing fine,” said Coleman. “Now open the CD booklet . . . That’s right, the Beatles are with you . . . It really is an excellent tune . . . Okay, this next part is very important: Make sure you skip over ‘Helter Skelter’ . . .” “. . . Stop!” said Serge. “Life is a fabulous gift from the universe that we don’t deserve, and you’re talking about just throwing it all away? You must be a fun-riot on long plane flights—” Bang. “Hello? . . .” said Serge. “Hellllloooo? You still there? . . . Good, because I’m beginning to think there’s something wrong with my phone. What was the loud noise? . . . You’re shitting me . . . Because that’s the most retarded thing anyone’s ever said . . . Yes it is. Whoever heard of a warning shot during a suicide? . . .
Tim Dorsey (Electric Barracuda (Serge Storms #13))
The first morning, emerging from your bivouac-thing, there is a great sense of joy and freedom. You feel quite alone in the world and no one knows who you are or why you are there. You could be in a campsite surrounded by happy families or out in the wild woods with silent, dumb creatures that creep and crawl. It makes no difference, the point is that you are alone because you wanted it this way. You don’t talk to a soul the whole time. You just get up, brew a coffee on a camping stove and then zip up the tent and go. If doesn’t really matter where you go either. You know that you have about twelve hours ahead of you just to yourself. So you start walking, along the coast, up a hill, by a river, down a valley, anywhere on and on, stopping every now and then for a banana and a drink (massive water bottle) and a sit. It feels good. You find yourself skipping no, gambolling, like a newborn lamb. In your head, details about daily life swiftly give way to songs, hymns you used to know, praise, yes praise, for God’s mind-blowing creation. Your thoughts then turn to God because there aren’t any people about and you find yourself chatting amicably with Him. Sometimes there are tears, sobbing even, but this comes with emptying. It’s really all about emptying and then, renewal. This is what we miss if we don’t empty stuff. By nightfall, the little tent and sleeping bag beckon; you greet them both joyfully and shut down. Usually it’s freezing and sleep comes in patches, but the night time wakefulness is all part of it. You use it to set things straight, mentally. Another day ahead, more wanderings, then hunger sets in and you head for home, refreshed.
Sara Maitland (How to Be Alone (The School of Life))
It was very hard for him to admit it to himself, but having her around had brought him a strange comfort, and he had no idea why. Looking out for her made him feel better somehow. Making sure she was fed and protected against danger—that seemed to work for him, too. It was a lot of trouble, actually. If she hadn’t been around, he wouldn’t go to as much bother with meals. Three out of four nights he’d just open a can of something, but because she’d been sick and needed a hot meal he’d put his best foot forward. Plus, she needed to put on another few pounds. He had spent a lot of time wondering if searching for him, sleeping in her car and probably skipping meals had made her thin and weak. Knowing she was going to be there when he got home, pestering and bothering him, made him hurry a little bit through his work, his chores. He couldn’t figure out why—he was damn sure not going to go over all that old business about the war, about Bobby. Just thinking about that stuff put a boulder in his gut and made his head ache. And yet, he had a ridiculous fear that this phone call to her sister would result in her saying, “I have to go home now.” But there was no use worrying about it—she’s going to leave soon no matter what the sister says. It’s not as though she’d camp out in his cabin through the holidays—she had people at home. Never mind her grousing about her sister, at least she had a sister who loved her, cared about her. And what had she said when she asked for a ride to town? Just a little while longer… It was the first relationship he’d had in about four years. Old Raleigh didn’t count—that had been pure servitude. If the man hadn’t left him part of a mountain, Ian would never have suspected Raleigh was even slightly grateful for the caretaking in the last months. Ian saw people regularly—he worked for the moving company when the weather was good, had his firewood route, went places like the library, had a meal out now and then. People were nice to him, and he was cordial in return. But he never got close; there had been no relationships. No one poked at him like she did, making him smile in spite of himself. That business with the puma—her opening the outhouse door and yelling at him like that—he knew what that was about. She was afraid he’d get hurt by the cat and risked her own skin to warn him. Been a long damn time since he felt anyone really cared about him at all. Maybe that was it, he thought. Marcie thinks she cares, and it’s because I was important to Bobby. If we’d just met somehow, it wouldn’t be like this. But that didn’t matter to him right now. He liked the feeling, alien though it was. He’d be back for her in two and a half hours and while he was delivering a half a cord to some dentist in Fortuna he’d watch the time so he wouldn’t be late getting back to pick her up. And with every split log he stacked, he’d be hoping her family wouldn’t find a way to get her home right away. *
Robyn Carr (A Virgin River Christmas (Virgin River #4))
H of H [voiceover]: All those years. Hitchhiking everywhere. Rock my pillow. Rain my liquor. Being told to throw myself into every kind of fire. Being given to believe I could burn away the weak parts, keep only one father (god), get rid of the other (the emotional), skip wife, skip kids, steal a Corvette, read dictionaries at night and beat the blue devils. And great acclaim being predicted for me based on my looks alone! And those being good times! So I get done with the Labours, I come home, I look in the mirror and the mirror is uninhabited. No one there.
Anne Carson (H of H Playbook)
Oh my God, I’m sucking your dick so good later,” Caden says, then looks back to his victim. “Sorry, my dude, but my man got me some food. This ends now. Toodles.” He slices through the guy's neck and practically skips to Ghost. Before taking the food, he kisses Ghost deeply, making Ghost groan and jerk him closer.
Ames Mills (The Heart of Psychos: Part One (Abbs Valley #6))
ou feel like the man who woke up with an uncommon, if not melodious, voice in the land of the deaf. There is no one to hear you. Even if they wanted, they could not. You start wondering if this really is a meaningless blessing, or a meaningful curse. For, even while we can pretend to write for ourselves in large part, we also wish to be read by the world. And that world hates to read. A certain Kafka had to die before he was read. An uncertain Nietzsche had to pay to be published. An honest Bukowski remained hated for the good part of his life. A frustrated Kaczynski had to blow up people and buildings in the US for his thoughts to get published. Our own Amish was rejected more times than there ever will be sequels to his books. Why should someone like you and I even attempt writing then? I do not know, even now. Sometimes it helps not to know all the answers. We can skip some questions. Kill a few, and move on.
Rasal (I Killed the Golden Goose : A COLLECTION OF THOUGHTS, THOUGHTLESSNESS, SILENCES, POEMS & SOME ‘SHOT’ STORIES)
Back to School As surreal as being a grown adult in high school was, it was also brief: in only one semester I had completed enough credits to obtain my diploma. From there I went directly to the “Adult Entry Program” at my local university and enrolled. I would spend one semester in remedial classes to catch up on missing prerequisites and then college would begin in earnest. One might imagine that by now I would have learned that being a good student takes significant effort, but I continued to coast my first semester, missing classes, and skipping homework. Then, one time after missing a few days in a row, I returned to discover the professor handing back a midterm exam –– one that I had not written! Apparently, I had skipped class that day. Although it would not lead to me failing the class (and as a remedial class it would not affect my overall grade,) it did require a “mercy pass” on the part of the instructor to get me through. The approach I’d been following all along simply wasn’t working. I had the right goals now but evidently I still lacked the right approach. As I think it might be for many people, the fundamental shift in how I went about things came with the realization that I was not going to school because I had to. No one was making me go. I was there of my own accord, for my own purposes and reasons. This understanding completely transformed the way I went about school; from that point forward, I treated it as something I wanted for myself, and I worked accordingly. By the end of my next semester, I was on the academic Dean’s List, and I would graduate with Great Distinction from the Honors program four years later.
David William Plummer (Secrets of the Autistic Millionaire: Everything I know about Autism, ASD, and Asperger's that I wish I'd known back then... (Optimistic Autism Book 2))
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