“
You never really understand a person until you consider things from his point of view... Until you climb inside of his skin and walk around in it.
”
”
Harper Lee (To Kill a Mockingbird)
“
In a good bookroom you feel in some mysterious way that you are absorbing the wisdom contained in all the books through your skin, without even opening them.
”
”
Mark Twain
“
As if you were on fire from within.
The moon lives in the lining of your skin.
”
”
Pablo Neruda
“
The snake which cannot cast its skin has to die. As well the minds which are prevented from changing their opinions; they cease to be mind.
”
”
Friedrich Nietzsche
“
Beauty is only skin deep, but ugly goes clean to the bone.
”
”
Dorothy Parker
“
Reading is the sole means by which we slip, involuntarily, often helplessly, into another's skin, another's voice, another's soul.
”
”
Joyce Carol Oates
“
She had blue skin,
And so did he.
He kept it hid
And so did she.
They searched for blue
Their whole life through,
Then passed right by-
And never knew.
”
”
Shel Silverstein (Every Thing on It)
“
If you can't feel, why did you kiss me?"
Patch traced a finger along my collarbone, then headed south stopping at my heart. I felt it pounding through my skin. "Because I feel it here, in my heart," he said quietly.
”
”
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
“
My skin has turned to porcelain, to ivory, to steel.
”
”
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
“
No matter how careful you are, there's going to be the sense you missed something, the collapsed feeling under your skin that you didn't experience it all. There's that fallen heart feeling that you rushed right through the moments where you should've been paying attention.
Well, get used to that feeling. That's how your whole life will feel some day.
This is all practice.
”
”
Chuck Palahniuk (Invisible Monsters)
“
Many will call me an adventurer, and that I am...only one of a different sort: one who risks his skin to prove his truths.
”
”
Ernesto Che Guevara
“
I know we're fucked up, alright? I'm impulsive, and hot tempered, and you get under my skin like no one else. You act like you hate me one minute, and then need me the next. I never get anything right, and I don't deserve you...but I fucking love you, Abby. I love you more than I loved anyone or anything ever. When you're around, I don't need booze, or money, or the fighting, or the one-night stands...
”
”
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
“
No one is born hating another person because of the color of his skin, or his background, or his religion. People must learn to hate, and if they can learn to hate, they can be taught to love, for love comes more naturally to the human heart than its opposite.
”
”
Nelson Mandela (Long Walk to Freedom)
“
I barely knew I had skin before I met you.
”
”
Sarah Waters (The Paying Guests)
“
I crave your mouth, your voice, your hair.
Silent and starving, I prowl through the streets.
Bread does not nourish me, dawn disrupts me, all day
I hunt for the liquid measure of your steps.
I hunger for your sleek laugh,
your hands the color of a savage harvest,
hunger for the pale stones of your fingernails,
I want to eat your skin like a whole almond.
I want to eat the sunbeam flaring in your lovely body,
the sovereign nose of your arrogant face,
I want to eat the fleeting shade of your lashes,
and I pace around hungry, sniffing the twilight,
hunting for you, for your hot heart,
Like a puma in the barrens of Quitratue.
”
”
Pablo Neruda
“
I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin but by the content of their character.
”
”
Martin Luther King Jr.
“
The damage was permanent; there would always be scars. But even the angriest scars faded over time until it was difficult to see them written on the skin at all, and the only thing that remained was the memory of how painful it had been.
”
”
Jodi Picoult
“
There is something about words. In expert hands, manipulated deftly, they take you prisoner. Wind themselves around your limbs like spider silk, and when you are so enthralled you cannot move, they pierce your skin, enter your blood, numb your thoughts. Inside you they work their magic.
”
”
Diane Setterfield (The Thirteenth Tale)
“
I want morning and noon and nightfall with you. I want your tears, your smiles, your kisses...the smell of your hair, the taste of your skin, the touch of your breath on my face. I want to see you in the final hour of my life...to lie in your arms as I take my last breath.
”
”
Lisa Kleypas (Again the Magic (Wallflowers, #0))
“
I'm tired of all this nonsense about beauty being only skin-deep. That's deep enough. What do you want, an adorable pancreas?
”
”
Jean Kerr
“
But when it came right down to it, the skin of my wrist looked so white and defensless that I couldn't do it. It was as if what I wanted to kill wasn't in that skin or the thin blue pulse that jumped under my thumb, but somewhere else, deeper, more secret, and a whole lot harder to get.
”
”
Sylvia Plath (The Bell Jar)
“
I will love you always. When this red hair is white, I will still love you. When the smooth softness of youth is replaced by the delicate softness of age, I will still want to touch your skin. When your face is full of the lines of every smile you have ever smiled, of every surprise I have seen flash through your eyes, when every tear you have ever cried has left its mark upon your face,I will treasure you all the more, because I was there to see it all. I will share your life with you, Meredith, and I will love you until the last breath leaves your body or mine.
”
”
Laurell K. Hamilton (A Lick of Frost (Merry Gentry, #6))
“
You think my first instinct is to protect you. Because you're small, or a girl, or a Stiff. But you're wrong."
He leans his face close to mine and wraps his fingers around my chin. His hand smells like metal. When was the last time he held a gun, or a knife? My skin tingles at the point of contact, like he's transmitting electricity through his skin.
"My first instinct is to push you until you break, just to see how hard I have to press." he says, his fingers squeezing at the word break. My body tenses at the edge in his voice, so I am coiled as tight as a spring, and I forget to breathe.
His dark eyes lifting to mine, he adds, "But I resist it."
"Why..." I swallow hard. "Why is that your first instinct?"
"Fear doesn't shut you down; it wakes you up. I've seen it. It's fascinating." He releases me but doesn't pull away, his hand grazing my jaw, my neck. "Sometimes I just want to see it again. Want to see you awake.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
I missed you," I whisper against his skin and feel dizzy with the intimacy of the admission, feel more naked than when he could see every inch of me. "In the mortal world, when I thought you were my enemy, I still missed you."
"My sweet nemesis, how glad I am that you returned.
”
”
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
“
Your mother died to save you. If there is one thing Voldemort cannot understand, it is love. He didn't realize that love as powerful as your mother's for you leaves its own mark. Not a scar, no visible sign… to have been loved so deeply, even though the person who loved us is gone, will give us some protection forever. It is in your very own skin. Quirrel, full of hatred, greed, and ambition, sharing his soul with Voldemort, could not touch you for this reason. It was agony to touch a person marked by something so good.
”
”
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
“
My skin is kind of sort of brownish pinkish yellowish white. My eyes are greyish blueish green, but I'm told they look orange in the night. My hair is reddish blondish brown, but its silver when its wet, and all the colors I am inside have not been invented yet.
”
”
Shel Silverstein (Where the Sidewalk Ends)
“
I dreamed I spoke in another's language,
I dreamed I lived in another's skin,
I dreamed I was my own beloved,
I dreamed I was a tiger's kin.
I dreamed that Eden lived inside me,
And when I breathed a garden came,
I dreamed I knew all of Creation,
I dreamed I knew the Creator's name.
I dreamed--and this dream was the finest--
That all I dreamed was real and true,
And we would live in joy forever,
You in me, and me in you.
”
”
Clive Barker (Abarat: Days of Magic, Nights of War)
“
And indeed it was, the arrow still protruding from its wet, grayish skin, humping its body along with incredible speed. A flick of its tail caught the edge of a statue, sending it flying into the dry ornamental pool, where it shattered into dust.
“By the Angel, it just crushed Sophocles,” noted Will. “Has no one respect for the classics these days?
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
Desiring another person is perhaps the most risky endeavor of all. As soon as you want somebody—really want him—it is as though you have taken a surgical needle and sutured your happiness to the skin of that person, so that any separation will now cause a lacerating injury.
”
”
Elizabeth Gilbert (Committed: A Skeptic Makes Peace with Marriage)
“
She leaned forward and caught at his hand, pressing it between her own. The touch was like white fire through his veins. He could not feel her skin only the cloth of her gloves, and yet it did not matter. You kindled me, heap of ashes that I am, into fire. He had wondered once why love was always phrased in terms of burning. The conflagration in his own veins, now, gave the answer.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
Here is your country. Cherish these natural wonders, cherish the natural resources, cherish the history and romance as a sacred heritage, for your children and your children's children. Do not let selfish men or greedy interests skin your country of its beauty, its riches or its romance.
”
”
Theodore Roosevelt
“
I want so many things,” he whispers. “I want your mind. Your strength. I want to be worth your time.” His fingers graze the hem of my top and he says “I want this up.” He tugs on the waist of my pants and says “I want these down.” He touches the tips of his fingers to the sides of my body and says, “I want to feel your skin on fire. I want to feel your heart racing next to mine and I want to know it’s racing because of me, because you want me. Because you never,” he says, he breathes, “never want me to stop. I want every second. Every inch of you. I want all of it.
”
”
Tahereh Mafi (Unravel Me (Shatter Me, #2))
“
Yelena, you've driven me crazy. You've caused me considerable trouble and I've contemplated ending your life twice since I've known you." Valek's warm breath in my ear sent a shiver down my spine.
"But you’ve slipped under my skin, invaded my blood and seized my heart.”
“That sounds more like a poison than a person,” was all I could say. His confession had both shocked and thrilled me.
“Exactly,” Valek replied. “You have poisoned me.
”
”
Maria V. Snyder (Poison Study (Study, #1))
“
Real isn't how you are made,' said the Skin Horse. 'It's a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real.'
'Does it hurt?' asked the Rabbit.
'Sometimes,' said the Skin Horse, for he was always truthful. 'When you are Real you don't mind being hurt.'
'Does it happen all at once, like being wound up,' he asked, 'or bit by bit?'
'It doesn't happen all at once,' said the Skin Horse. 'You become. It takes a long time. That's why it doesn't happen often to people who break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don't matter at all, because once you are Real you can't be ugly, except to people who don't understand.
”
”
Margery Williams Bianco (The Velveteen Rabbit)
“
There is no doubt fiction makes a better job of the truth.
”
”
Doris Lessing (Under My Skin: Volume One of My Autobiography, to 1949)
“
If I could dream, I know I'd dream about you.I'd dream about the way you smell and how your dark hair feels like silk between my fingers. I'd dream about the smoothness of your skin and the fierceness of your lips when we kiss. Without dreams,I have to be content with my own imagination—which is almost as good. I can picture all those things perfectly.
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
...the secret of the Great Stories is that they have no secrets. The Great Stories are the ones you have heard and want to hear again. The ones you can enter anywhere and inhabit comfortably. They don’t deceive you with thrills and trick endings. They don’t surprise you with the unforeseen. They are as familiar as the house you live in. Or the smell of your lover’s skin. You know how they end, yet you listen as though you don’t. In the way that although you know that one day you will die, you live as though you won’t. In the Great Stories you know who lives, who dies, who finds love, who doesn’t. And yet you want to know again.
That is their mystery and their magic.
”
”
Arundhati Roy (The God of Small Things)
“
We felt the imprisonment of being a girl, the way it made your mind active and dreamy, and how you ended up knowing which colors went together. We knew that the girls were our twins, that we all existed in space like animals with identical skins, and that they knew everything about us though we couldn’t fathom them at all. We knew, finally, that the girls were really women in disguise, that they understood love and even death, and that our job was merely to create the noise that seemed to fascinate them.
”
”
Jeffrey Eugenides (The Virgin Suicides)
“
I’ll be your family now,” he says.
“I love you,” I say.
I said that once, before I went to Erudite headquarters, but he was asleep then. I don’t know why I didn’t say it when he could hear it. Maybe I was afraid to trust him with something so personal as my devotion. Or afraid that I did not know what it was to love someone. But now I think the scary thing was not saying it before it was almost too late. Not saying it before it was almost too late for me.
I am his, and he is mine, and it has been that way all along.
He stares at me. I wait with my hands clutching his arms for stability as he considers his response.
He frowns at me. “Say it again.”
“Tobias,” I say, “I love you.”
His skin is slippery with water and he smells like sweat and my shirt sticks to his arms when he slides them around me. He presses his face to my neck and kisses me right above the collarbone, kisses my cheek, kisses my lips.
“I love you, too,” he says.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
So that's how we live our lives. No matter how deep and fatal the loss, no matter how important the thing that's stolen from us--that's snatched right out of our hands--even if we are left completely changed, with only the outer layer of skin from before, we continue to play out our lives this way, in silence. We draw ever nearer to the end of our allotted span of time, bidding it farewell as it trails off behind. Repeating, often adroitly, the endless deeds of the everyday. Leaving behind a feeling of immeasurable emptiness.
”
”
Haruki Murakami (Sputnik Sweetheart)
“
Parents rarely let go of their children, so children let go of them. They move on. They move away. The moments that used to define them - a mother's approval, a father's nod - are covered by moments of their own accomplishments. It is not until much later, as the skin sags and the heart weakens, that children understand; their stories, and all their accomplishments, sit atop the stories of their mothers and fathers, stones upon stones, beneath the waters of their lives.
”
”
Mitch Albom (The Five People You Meet in Heaven)
“
Hair the color of lemons,'" Rudy read. His fingers touched the words. "You told him about me?"
At first, Liesel could not talk. Perhaps it was the sudden bumpiness of love she felt for him. Or had she always loved him? It's likely. Restricted as she was from speaking, she wanted him to kiss her. She wanted him to drag her hand across and pull her over. It didn't matter where. Her mouth, her neck, her cheek. Her skin was empty for it, waiting.
Years ago, when they'd raced on a muddy field, Rudy was a hastily assembled set of bones, with a jagged, rocky smile. In the trees this afternoon, he was a giver of bread and teddy bears. He was a triple Hitler Youth athletics champion. He was her best friend. And he was a month from his death.
Of course I told him about you," Liesel said.
”
”
Markus Zusak (The Book Thief)
“
Sometimes people hold a core belief that is very strong. When they are
presented with evidence that works against that belief, the new
evidence cannot be accepted. It would create a feeling that is
extremely uncomfortable, called cognitive dissonance. And because it
is so important to protect the core belief, they will rationalize,
ignore and even deny anything that doesn't fit in with the core belief.
”
”
Frantz Fanon (Black Skin, White Masks)
“
She is oxygen, carbon, hydrogen, nitrogen, calcium, and phosphorus. The same elements that are inside the rest of us, but I can’t help thinking she’s more than that and she’s got other elements going on that no one’s ever heard of, ones that make her stand apart from everybody else. I feel this brief panic as I think, What would happen if one of those elements malfunctioned or just stopped working altogether? I make myself push this aside and concentrate on the feel of her skin until I no longer see molecules but Violet.
”
”
Jennifer Niven (All the Bright Places)
“
Achilles was looking at me. “Your hair never quite lies flat, here.” He touched my head, just behind my ear. “I don’t think I’ve ever told you how I like it.”
My scalp prickled where his fingers had been. “You haven’t,” I said.
“I should have.” His hand drifted down to the vee at the base of my throat, drew softly across the pulse. “What about this? Have I told you what I think of this, just here?”
“No,” I said.
“This surely then.” His hand moved across the muscles of my chest; my skin warmed beneath it. “Have I told you of this?”
“That you have told me.” My breath caught a little as I spoke.
“And what of this?” His hand lingered over my hips, drew down the line of my thigh. “Have I spoken of it?”
“You have.”
“And this? Surely I would not have forgotten this.” His cat’s smile. “Tell me I did not.”
“You did not.”
“There is this too.” His hand was ceaseless now. “I know I have told you of this.”
I closed my eyes. “Tell me again,” I said.
”
”
Madeline Miller (The Song of Achilles)
“
Should I tell you that when we're apart, your body comes back to me in dreams? That when I sleep, I see you, the dip of your waist, the freckle above your hip, and when I wake up in the morning, it feels like I've just been with you, the phantom touch of your hand on the back of my neck fresh and not imagined? That I can feel your skin against mine, and it makes every bone in my body ache? That, for a few moments, I can hold my breath and be back there with you, in a dream, in a thousand rooms, nowhere at all?
”
”
Casey McQuiston (Red, White & Royal Blue)
“
how far have you walked for men who’ve never held your feet in their laps?
how often have you bartered with bone, only to sell yourself short?
why do you find the unavailable so alluring?
where did it begin? what went wrong? and who made you feel so worthless?
if they wanted you, wouldn’t they have chosen you?
all this time, you were begging for love silently, thinking they couldn’t hear you, but they smelt it on you, you must have known that they could taste the desperate on your skin?
and what about the others that would do anything for you, why did you make them love you until you could not stand it?
how are you both of these women, both flighty and needful?
where did you learn this, to want what does not want you?
where did you learn this, to leave those that want to stay?
”
”
Warsan Shire
“
When you love someone, they become a part of who you are. They're in everything you do. They're in the air you breathe and the water you drink and the blood in your veins. Their touch stays on your skin and their voice stays in your ears and their thoughts stay in your mind. You know their dreams because their nightmares pierce your heart and their good dreams are your dreams too. And you don't think they're perfect, but you know their flaws, the deep-down truth of them, and the shadows of all their secrets, and they don't frighten you away; in fact you love them more for it, because you don't want perfect. You want them. You want—"
He broke off then, as if realizing everyone was looking at him again.
"You want what?" said Dru with enormous eyes.
"Nothing," Julian said. "I'm just talking.
”
”
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
“
I know exactly how that is. To love somebody who doesn’t deserve it. Because they are all you have. Because any attention is better than no attention. For exactly the same reason, it is sometimes satisfying to cut yourself and bleed. On those gray days where eight in the morning looks no different from noon and nothing has happened and nothing is going to happen and you are washing a glass in the sink and it breaks-accidentally-and punctures your skin. And then there is this shocking red, the brightest thing in the day, so vibrant it buzzes, this blood of yours. That is okay sometimes because at least you know you’re alive.
”
”
Augusten Burroughs (Running with Scissors)
“
Loneliness is a strange sort of thing.
It creeps on you, quiet and still, sits by your side in the dark, strokes by your hair as you sleep. It wraps itself around your bones, squeezing so tight you almost can't breathe. It leaves lies in your heart, lies next to you at night, leaches the light out of every corner. It's a constant companion, clasping your hand only to yank you down when you're struggling to stand up.
You wake up in the morning and wonder who you are. You fail to fall asleep at night and tremble in your skin. You doubt you doubt you doubt.
do I
don't I
should I
why won't I
And even when you're ready to let go. When you're ready to break free. When you're ready to be brand-new. Loneliness is an old friend stand beside you in the mirror, looking you in the eye, challenging you to live your life without it. You can't find the words to fight yourself, to fight the words screaming that you're not enough never enough never ever enough.
Loneliness is a bitter, wretched companion.
Sometimes it just won't let go.
”
”
Tahereh Mafi (Unravel Me (Shatter Me, #2))
“
For me, trees have always been the most penetrating preachers. I revere them when they live in tribes and families, in forests and groves. And even more I revere them when they stand alone. They are like lonely persons. Not like hermits who have stolen away out of some weakness, but like great, solitary men, like Beethoven and Nietzsche. In their highest boughs the world rustles, their roots rest in infinity; but they do not lose themselves there, they struggle with all the force of their lives for one thing only: to fulfil themselves according to their own laws, to build up their own form, to represent themselves. Nothing is holier, nothing is more exemplary than a beautiful, strong tree. When a tree is cut down and reveals its naked death-wound to the sun, one can read its whole history in the luminous, inscribed disk of its trunk: in the rings of its years, its scars, all the struggle, all the suffering, all the sickness, all the happiness and prosperity stand truly written, the narrow years and the luxurious years, the attacks withstood, the storms endured. And every young farmboy knows that the hardest and noblest wood has the narrowest rings, that high on the mountains and in continuing danger the most indestructible, the strongest, the ideal trees grow.
Trees are sanctuaries. Whoever knows how to speak to them, whoever knows how to listen to them, can learn the truth. They do not preach learning and precepts, they preach, undeterred by particulars, the ancient law of life.
A tree says: A kernel is hidden in me, a spark, a thought, I am life from eternal life. The attempt and the risk that the eternal mother took with me is unique, unique the form and veins of my skin, unique the smallest play of leaves in my branches and the smallest scar on my bark. I was made to form and reveal the eternal in my smallest special detail.
A tree says: My strength is trust. I know nothing about my fathers, I know nothing about the thousand children that every year spring out of me. I live out the secret of my seed to the very end, and I care for nothing else. I trust that God is in me. I trust that my labor is holy. Out of this trust I live.
When we are stricken and cannot bear our lives any longer, then a tree has something to say to us: Be still! Be still! Look at me! Life is not easy, life is not difficult. Those are childish thoughts. Let God speak within you, and your thoughts will grow silent. You are anxious because your path leads away from mother and home. But every step and every day lead you back again to the mother. Home is neither here nor there. Home is within you, or home is nowhere at all.
A longing to wander tears my heart when I hear trees rustling in the wind at evening. If one listens to them silently for a long time, this longing reveals its kernel, its meaning. It is not so much a matter of escaping from one's suffering, though it may seem to be so. It is a longing for home, for a memory of the mother, for new metaphors for life. It leads home. Every path leads homeward, every step is birth, every step is death, every grave is mother.
So the tree rustles in the evening, when we stand uneasy before our own childish thoughts: Trees have long thoughts, long-breathing and restful, just as they have longer lives than ours. They are wiser than we are, as long as we do not listen to them. But when we have learned how to listen to trees, then the brevity and the quickness and the childlike hastiness of our thoughts achieve an incomparable joy. Whoever has learned how to listen to trees no longer wants to be a tree. He wants to be nothing except what he is. That is home. That is happiness.
”
”
Hermann Hesse (Bäume: Betrachtungen und Gedichte)
“
Do you remember,” he said, “when we first met and I told you I was ninety percent sure putting a rune on you wouldn’t kill you—and you slapped me in the face and told me it was for the other ten percent?” Clary nodded.
“I always figured a demon would kill me,” he said. “A rogue Downworlder. A battle. But I realized then that I just might die if I didn’t get to kiss you, and soon.” Clary licked her dry lips. “Well, you did,” she said. “Kiss me, I mean.”
He reached up and took a curl of her hair between his fingers. He was close enough that she could feel the warmth of his body, smell his soap and skin and hair.
“Not enough,” he said, letting her hair slip through his fingers. “If I kiss you all day every day for the rest of my life, it won’t be enough.
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
Save yourselves!” Percy warned. “It is too late for us!”
Then he gasped and pointed to the spot where Frank was hiding. “Oh, no! Frank is turning into a crazy dolphin!”
Nothing happened.
“I said,” Percy repeated, “Frank is turning into a crazy dolphin!”
Frank stumbled out of nowhere, making a big show of grabbing his throat. “Oh, no,” he said, like he was reading from a teleprompter. “I am turning into a crazy dolphin.”
He began to change, his nose elongating into a snout, his skin becoming sleek and gray. He fell to the deck as a dolphin, his tail thumping against the boards.
The pirate crew disbanded in terror.
”
”
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
“
Could it be because it reminds us that we are alive, of our mortality, of our individual souls- which, after all, we are too afraid to surrender but yet make us feel more miserable than any other thing? But isn't it also pain that often makes us most aware of self? It is a terrible thing to learn as a child that one is a being separate from the world, that no one and no thing hurts along with one's burned tongues and skinned knees, that one's aches and pains are all one’s own. Even more terrible, as we grow old, to learn that no person, no matter how beloved, can ever truly understand us. Our own selves make us most unhappy, and that's why we're so anxious to lose them, don't you think?
”
”
Donna Tartt (The Secret History)
“
Why do I read?
I just can't help myself.
I read to learn and to grow, to laugh
and to be motivated.
I read to understand things I've never
been exposed to.
I read when I'm crabby, when I've just
said monumentally dumb things to the
people I love.
I read for strength to help me when I
feel broken, discouraged, and afraid.
I read when I'm angry at the whole
world.
I read when everything is going right.
I read to find hope.
I read because I'm made up not just of
skin and bones, of sights, feelings,
and a deep need for chocolate, but I'm
also made up of words.
Words describe my thoughts and what's
hidden in my heart.
Words are alive--when I've found a
story that I love, I read it again and
again, like playing a favorite song
over and over.
Reading isn't passive--I enter the
story with the characters, breathe
their air, feel their frustrations,
scream at them to stop when they're
about to do something stupid, cry with
them, laugh with them.
Reading for me, is spending time with a
friend.
A book is a friend.
You can never have too many.
”
”
Gary Paulsen (Shelf Life: Stories by the Book)
“
Do you love me?' I asked her. She smiled. 'Yes.' 'Do you want me to be happy?' as I asked her this I felt my heart beginning to race. 'Of course I do.' 'Will you do something for me then?' She looked away, sadness crossing her features. 'I don't know if I can anymore.' she said. 'but if you could, would you?' I cannot adequately describe the intensity of what I was feeling at that moment. Love, anger, sadness, hope, and fear, whirling together sharpened by the nervousness I was feeling. Jamie looked at me curiously and my breaths became shallower. Suddenly I knew that I'd never felt as strongly for another person as I did at that moment. As I returned her gaze, this simple realization made me wish for the millionth time that I could make all this go away. Had it been possible, I would have traded my life for hers. I wanted to tell her my thoughts, but the sound of her voice suddenly silenced the emotions inside me. 'yes' she finally said, her voice weak yet somehow still full of promise. 'I would.' Finally getting control of myself I kissed her again, then brought my hand to her face, gently running my fingers over her cheek. I marveled at the softness of her skin, the gentleness I saw in her eyes. even now she was perfect. My throat began to tighten again, but as I said, I knew what I had to do. Since I had to accept that it was not within my power to cure her, what I wanted to do was give her something that she'd wanted. It was what my heart had been telling me to do all along. Jamie, I understood then, had already given me the answer I'd been searching for, the answer my heart needed to find. She'd told me outside Mr. Jenkins office, the night we'd asked him about doing the play. I smiled softly, and she returned my affection with a slight squeeze of my hand, as if trusting me in what I was about to do. Encouraged, I leaned closer and took a deep breath. When I exhaled, these were the words that flowed with my breath. 'Will you marry me?
”
”
Nicholas Sparks (A Walk to Remember)
“
I am not the first person you loved.
You are not the first person I looked at
with a mouthful of forevers. We
have both known loss like the sharp edges
of a knife. We have both lived with lips
more scar tissue than skin. Our love came
unannounced in the middle of the night.
Our love came when we’d given up
on asking love to come. I think
that has to be part
of its miracle.
This is how we heal.
I will kiss you like forgiveness. You
will hold me like I’m hope. Our arms
will bandage and we will press promises
between us like flowers in a book.
I will write sonnets to the salt of sweat
on your skin. I will write novels to the scar
of your nose. I will write a dictionary
of all the words I have used trying
to describe the way it feels to have finally,
finally found you.
And I will not be afraid
of your scars.
I know sometimes
it’s still hard to let me see you
in all your cracked perfection,
but please know:
whether it’s the days you burn
more brilliant than the sun
or the nights you collapse into my lap
your body broken into a thousand questions,
you are the most beautiful thing I’ve ever seen.
I will love you when you are a still day.
I will love you when you are a hurricane.
”
”
Clementine von Radics
“
I watched him pitch the ball at a table neatly lined with six bowling pins, my stomach giving a little flutter when his T-shirt crept up in the back, revealing a stripe of skin. I knew from experience that every inch of him was hard, defined muscle. His back was smooth and perfect too, the scars from when he’d fallen once again replaced with wings—wings I, and every other human, couldn’t see.
“Five dollars says you can’t do it again,” I said, coming up behind him.
Patch looked back and grinned. “I don’t want your money, Angel.”
“Hey now, kids, let’s keep this discussion PG-rated,” Rixon said.
“All three remaining pins,” I challenged Patch.
“What kind of prize are we talking about?” he asked.
“Bloody hell,” Rixon said. “Can’t this wait until you’re alone?”
Patch gave me a secret smile, then shifted his weight back, cradling the ball into his chest. He dropped his right shoulder, brought his arm around, and sent the ball flying forward as hard as he could. There was a loud crack! and the remaining three pins scattered off the table.
“Aye, now you’re in trouble, lass,” Rixon shouted at me over the commotion caused by a pocket of onlookers, who were clapping and whistling for Patch. Patch leaned back against the booth and arched his eyebrows at me. The gesture said it all: Pay up.
“You got lucky,” I said.
“I’m about to get lucky.
”
”
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
“
But I think the first real change in women’s body image came when JLo turned it butt-style. That was the first time that having a large-scale situation in the back was part of mainstream American beauty. Girls wanted butts now. Men were free to admit that they had always enjoyed them. And then, what felt like moments later, boom—Beyoncé brought the leg meat. A back porch and thick muscular legs were now widely admired. And from that day forward, women embraced their diversity and realized that all shapes and sizes are beautiful. Ah ha ha. No. I’m totally messing with you. All Beyonce and JLo have done is add to the laundry list of attributes women must have to qualify as beautiful. Now every girl is expected to have Caucasian blue eyes, full Spanish lips, a classic button nose, hairless Asian skin with a California tan, a Jamaican dance hall ass, long Swedish legs, small Japanese feet, the abs of a lesbian gym owner, the hips of a nine-year-old boy, the arms of Michelle Obama, and doll tits. The person closest to actually achieving this look is Kim Kardashian, who, as we know, was made by Russian scientists to sabotage our athletes.
”
”
Tina Fey (Bossypants)
“
And I want to play hide-and-seek and give you my clothes and tell you I like your shoes and sit on the steps while you take a bath and massage your neck and kiss your feet and hold your hand and go for a meal and not mind when you eat my food and meet you at Rudy's and talk about the day and type up your letters and carry your boxes and laugh at your paranoia and give you tapes you don't listen to and watch great films and watch terrible films and complain about the radio and take pictures of you when you're sleeping and get up to fetch you coffee and bagels and Danish and go to Florent and drink coffee at midnight and have you steal my cigarettes and never be able to find a match and tell you about the tv programme I saw the night before and take you to the eye hospital and not laugh at your jokes and want you in the morning but let you sleep for a while and kiss your back and stroke your skin and tell you how much I love your hair your eyes your lips your neck your breasts your arse your
and sit on the steps smoking till your neighbour comes home and sit on the steps smoking till you come home and worry when you're late and be amazed when you're early and give you sunflowers and go to your party and dance till I'm black and be sorry when I'm wrong and happy when you forgive me and look at your photos and wish I'd known you forever and hear your voice in my ear and feel your skin on my skin and get scared when you're angry and your eye has gone red and the other eye blue and your hair to the left and your face oriental and tell you you're gorgeous and hug you when you're anxious and hold you when you hurt and want you when I smell you and offend you when I touch you and whimper when I'm next to you and whimper when I'm not and dribble on your breast and smother you in the night and get cold when you take the blanket and hot when you don't and melt when you smile and dissolve when you laugh and not understand why you think I'm rejecting you when I'm not rejecting you and wonder how you could think I'd ever reject you and wonder who you are but accept you anyway and tell you about the tree angel enchanted forest boy who flew across the ocean because he loved you and write poems for you and wonder why you don't believe me and have a feeling so deep I can't find words for it and want to buy you a kitten I'd get jealous of because it would get more attention than me and keep you in bed when you have to go and cry like a baby when you finally do and get rid of the roaches and buy you presents you don't want and take them away again and ask you to marry me and you say no again but keep on asking because though you think I don't mean it I do always have from the first time I asked you and wander the city thinking it's empty without you and want what you want and think I'm losing myself but know I'm safe with you and tell you the worst of me and try to give you the best of me because you don't deserve any less and answer your questions when I'd rather not and tell you the truth when I really don't want to and try to be honest because I know you prefer it and think it's all over but hang on in for just ten more minutes before you throw me out of your life and forget who I am and try to get closer to you because it's beautiful learning to know you and well worth the effort and speak German to you badly and Hebrew to you worse and make love with you at three in the morning and somehow somehow somehow communicate some of the overwhelming undying overpowering unconditional all-encompassing heart-enriching mind-expanding on-going never-ending love I have for you.
”
”
Sarah Kane (Crave)