“
I don't care if you're black, white, straight, bisexual, gay, lesbian, short, tall, fat, skinny, rich or poor. If you're nice to me, I'll be nice to you. Simple as that.
”
”
Robert Michaels
“
We fatties have a bond, dude. It's like a secret society. We got all kinds of shit you don't know about. Handshakes, special fat people dances-we got these secret fugging lairs in the center of the earth and we go down there in the middle of the night when all the skinny kids are sleeping and eat cake and friend chicken and shit. Why d'you think Hollis is still sleeping, kafir? Because we were up all night in the secret lair injecting butter frosting into our veins. ...A fatty trusts another fatty.
”
”
John Green (An Abundance of Katherines)
“
I don't understand how people can
stand next to you one year,and next year, they cannot. They're going crazy, screaming. They can't take it that you're there. But last year I was in the same club,walking around,lonely like a motherfucker. Couldn't get a date or a dance. I was too skinny, too something,
and now, "He's just adorable. He's just, oh!
”
”
Tupac Shakur (Tupac: Resurrection, 1971-1996)
“
Also, chubby people can never truly pull off ethereal the same way skinny people can never be jolly.
”
”
Mindy Kaling
“
We should leave people alone about their weight. Being skinny for a while (provided you actually eat food and don't take pills or smoke to get there) is a perfectly fine pastime. Everyone should try it once, like a super-short haircut or dating a white guy.
”
”
Tina Fey (Bossypants)
“
Charlotte: "It’s too bad they don’t give out diplomas for what you learn at the mall, because I could graduate with honors in that subject. No really. Since I’ve worked there, I’ve become an expert on all things shopping-related. For example, I can tell you right off who to distrust at the mall:
1) Skinny people who work at Cinnabon. I mean, if they’re not eating the stuff they sell, how good can it be?
2) The salesladies at department store makeup counters. No matter what they tell you, buying all that lip gloss will not make you look like the pouty models in the store posters.
3) And most importantly—my best friend’s boyfriend, Bryant, who showed up at the food court with a mysterious blonde draped on his arm.
”
”
Janette Rallison (It's a Mall World After All)
“
As long as a population can be induced to believe in a supernatural hereafter, it can be oppressed and controlled. People will put up with all sorts of tyranny, poverty, and painful treatment if they're convinced that they'll eventually escape to some resort in the sky where lifeguards are superfluous and the pool never closes. Moreover, the faithful are usually willing to risk their skins in whatever military adventure their government may currently be promoting.
”
”
Tom Robbins (Skinny Legs and All)
“
Little world, full of little people
shouting for recognition, screaming for love,
Rolling world, teeming with millions,
carousel of the hungry,
Is there food enough? Wheat and corn will not do.
The fat are the hungriest of all, the skinny the most silent.
”
”
James Kavanaugh (There Are Men Too Gentle to Live Among Wolves)
“
People who love themselves, don’t hurt other people. People who love themselves have no reason to ever judge another person on looks. There is simply no need. People who love themselves no longer look at beauty on a sliding scale or as a competition. There is nobody more beautiful or less beautiful than anyone else, including themselves. People who love themselves no longer see fat or skinny, tall or short, fair or dark skin, gay or straight, strong or weak. They only see people. Beautiful, beautiful people.
”
”
Dan Pearce (Single Dad Laughing: The Best of Year One)
“
She hugs me, and it’s like hugging a flower. It’s like that with skinny people. I’m always terrified I’ll crush them.
”
”
Becky Albertalli (Leah on the Offbeat (Creekwood, #2))
“
Milk = fat. Butter = fat. Cheese = fat. People who think these products can be low fat or fat free = fucking morons.
”
”
Rory Freedman (Skinny Bitch: A No-Nonsense, Tough-Love Guide for Savvy Girls Who Want to Stop Eating Crap and Start Looking Fabulous!)
“
Hunger: The Darkest Fairytale
People ask questions,
but no one asks the right questions.
Who knew 'How are you so skinny?'
instead of 'When was the last time you ate?'
could be the difference between
getting help and nearly dying
”
”
Nikita Gill (Fierce Fairytales: Poems and Stories to Stir Your Soul)
“
You can never get to a person's mind. You cannot know the different deeds and missions of happiness; you can't tell a screm of pleasure from one of pain. Sometimes, we can barely read pain. Neither a barometer nor a guide, pain can mislead us. Even in the body, the laws of chain reactions can be false. This is why people always want a second opinion.
”
”
Ibi Kaslik (Skinny)
“
Headbangers' are people who like heavy-metal music, which is performed by skinny men with huge hair who stomp around the stage, striking their instruments and shrieking angrily, apparently because somebody has stolen all their shirts.
”
”
Dave Barry
“
A moment later, Helen had returned; she was walking slowly now, and carefully, her hand on the back of a thin boy with a mop of wavy brown hair. He couldn’t have been older than twelve, and Clary recognized him immediately. Helen, her hand firmly clamped around the wrist of a younger boy whose hands were covered with blue wax. He must have been playing with the tapers in the huge candelabras that decorated the sides of the nave. He looked about twelve, with an impish grin and the same wavy, bitter-chocolate hair as his sister.
Jules, Helen had called him. Her little brother.
The impish grin was gone now. He looked tired and dirty and frightened. Skinny wrists stuck out of the cuffs of a white mourning jacket whose sleeves were too long for him. In his arms he was carrying a little boy, probably not more than two years old, with the same wavy brown hair that he had; it seemed to be a family trait. The rest of his family wore the same borrowed mourning clothes: following Julian was a brunette girl about ten, her hand firmly clasped in the hold of a boy the same age: the boy had a sheet of tangled black hair that nearly obscured his face. Fraternal twins, Clary guessed. After them came a girl who might have been eight or nine, her face round and very pale between brown braids.
The misery on their faces cut at Clary’s heart. She thought of her power with runes, wishing that she could create one that would soften the blow of loss. Mourning runes existed, but only to honor the dead, in the same way that love runes existed, like wedding rings, to symbolize the bond of love. You couldn’t make someone love you with a rune, and you couldn’t assuage grief with it, either. So much magic, Clary thought, and nothing to mend a broken heart.
“Julian Blackthorn,” said Jia Penhallow, and her voice was gentle. “Step forward, please.”
Julian swallowed and handed the little boy he was holding over to his sister. He stepped forward, his eyes darting around the room. He was clearly scouring the crowd for someone. His shoulders had just begun to slump when another figure darted out onto the stage. A girl, also about twelve, with a tangle of blond hair that hung down around her shoulders: she wore jeans and a t-shirt that didn’t quite fit, and her head was down, as if she couldn’t bear so many people looking at her. It was clear that she didn’t want to be there — on the stage or perhaps even in Idris — but the moment he saw her, Julian seemed to relax. The terrified look vanished from his expression as she moved to stand next to him, her face ducked down and away from the crowd.
“Julian,” said Jia, in the same gentle voice, “would you do something for us? Would you take up the Mortal Sword?
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
We sat there, not talking, for a few minutes. He ate the Moon Pie; only skinny people can scarf down junk food like that. Finally, I said, "Norman?"
"Yeah?"
"Are you ever going to show me the painting?"
"Man," he said. "You are, like, so impatient."
"I am not," I said. "I've been waiting forever."
"Okay, okay." He stood up and went over to the corner, picking up the painting and bringing it over to rest against the bright pink belly of one of the mannequins. Then, he handed me a bandana. "Tie that on.
”
”
Sarah Dessen (Keeping the Moon)
“
If you really want change to happen, if you really want to "help" fat people, you need to understand that shaming an already-shamed population is, well, shameful.
”
”
Lindy West (Shrill: Notes from a Loud Woman)
“
I don't want you skinny, Bride. I like you as you are." His breath tickled her neck as he spoke and sent heat all over her.
"My people have a saying. Meat is for the man, the bone is for the dog."
"Yeah, but you're both."
"And when given a choice between ribs and steak, I go for top choice every time.
”
”
Sherrilyn Kenyon (Night Play (Dark-Hunter, #5; Were-Hunter, #1))
“
Many obese people spend a significant amount of their energy on suppressing the urge to tell some of the people who are staring at them that they do not eat as much and as frequently as they seem to.
”
”
Mokokoma Mokhonoana
“
It just wasn't fair. God made some people naturally skinny and some people naturally fat. I'd never know how my life would have been different if I'd been one of the ones He made skinny. I didn't know how He chose. This one will be blonde, with long thin legs and great skin. This one will be short and fat with legs that rub together when she walks. I just knew I wasn't one of the lucky ones.
”
”
Donna Cooner (Skinny)
“
Thirteen years old, I thought to myself, but I felt a spear of admiration for the girl. When I’d been sad, I hurt myself. Amma hurt other people. When I’d wanted attention, I’d submitted myself to boys: Do what you want; just like me. Amma’s sexual offerings seemed a form of aggression. Long skinny legs and slim wrists and high, babied voice, all aimed like a gun. Do what I want; I might like you.
”
”
Gillian Flynn (Sharp Objects)
“
See the exquisite contrast of the types of mind! The pragmatist clings to facts and concreteness, observes truth at its work in particular cases, and generalises. Truth, for him, becomes a class-name for all sorts of definite working-values in experience. For the rationalist it remains a pure abstraction, to the bare name of which we must defer. When the pragmatist undertakes to show in detail just why we must defer, the rationalist is unable to recognise the concretes from which his own abstraction is taken. He accuses us of denying truth; whereas we have only sought to trace exactly why people follow it and always ought to follow it. Your typical ultra-abstractions fairly shudders at concreteness: other things equal, he positively prefers the pale and spectral. If the two universes were offered, he would always choose the skinny outline rather than the rich thicket of reality. It is so much purer, clearer, nobler.
”
”
William James (Pragmatism and Other Writings)
“
Why can someone
get so sick that the only way to get better is to make them more sick?
It’s like the world’s longest exorcism. It doesn’t make sense that I can
chat with someone live on a tiny screen, that governments spend billions
of dollars on war and mayhem, that actors make millions of dollars
to just look pretty and skinny, yet no one can fucking fi gure out
how to cure cancer without torturing people.
”
”
Julie Halpern (The F-It List)
“
not only is religion divisive and oppressive, it is also a denial of all that is divine in people; it is a suffocation of the soul.
”
”
Tom Robbins (Skinny Legs and All)
“
She was plain and far from skinny or petite. As for parties...she'd rather be alone in a corner somewhere reading. She hated being nice to people she didn't like because her father wanted contributions. She hated being fake. All she wanted was to be herself.
”
”
Sherrilyn Kenyon (Unleash the Night (Dark Hunter, #8; Were-Hunter, #2))
“
If there’s a thing, a scene, maybe, an image that you want to see real bad, that you need to see but it doesn’t exist in the world around you, at least not in the form that you envision, then you create it so that you can look at it and have it around, or show it to other people who wouldn’t have imagined it because they perceive reality in a more narrow, predictable way. And that’s it. That’s all an artist does.
”
”
Tom Robbins (Skinny Legs and All)
“
Body love isn't just for fat people, it's for every person imaginable. Everyone has the right to self-love. Skinny people. Fat people. Short people. Tall people. All abilities. All sizes. All shapes. All shades. All sexes. All genders. Haters and lovers alike.
”
”
Jes Baker
“
We therefore work, not
for the work's sake, but for money—and money is supposed to get us
what we really want in our hours of leisure and play. In the United
States even poor people have lots of money compared with the wretched
and skinny millions of India, Africa, and China, while our middle andupper classes (or should we say "income groups") are as prosperous as
princes. Yet, by and large, they have but slight taste for pleasure. Money
alone cannot buy pleasure, though it can help. For enjoyment is an art
and a skill for which we have little talent or energy.
”
”
Alan W. Watts (The Book: On the Taboo Against Knowing Who You Are)
“
Wait until
a year from now
where you say,
“Holy fuck,
I can’t believe I was going to kill myself before I etcetera’d…
before I went skinny dipping in Tennessee,
made my own IPA,
tried out for a game show,
rode a camel drunk,
learned to waltz with clumsy old people,
photographed electric jellyfish,
built a sailboat from trash,
taught someone how to read,
ect. Ect. Etc.”
The red washing
down the bathtub
can’t change the color of the sea
at all.
”
”
Derrick Brown
“
How many skinny, short, blond men were rounded up when Dylann Roof massacred people
”
”
Patrisse Khan-Cullors (When They Call You a Terrorist: A Black Lives Matter Memoir)
“
If you want to be skinny, study skinny people, and if you want to be rich, do what lots of rich people do, not what some mythsayer says to do.
”
”
Dave Ramsey (The Total Money Makeover: A Proven Plan for Financial Fitness)
“
Those people who recognize that imagination is reality’s master, we call “sages,” and those who act upon it, we call “artists.
”
”
Tom Robbins (Skinny Legs and All)
“
Well,' said Can o' Beans, a bit hesitantly,' imprecise speech is one of the major causes of mental illness in human beings.'
Huh?'
Quite so. The inability to correctly perceive reality is often responsible for humans' insane behavior. And every time they substitute an all-purpose, sloppy slang word for the words that would accurately describe an emotion or a situation, it lowers their reality orientations, pushes them farther from shore, out onto the foggy waters of alienation and confusion.'
The manner in which the other were regarding him/her made Can O' Beans feel compelled to continue. 'The word neat, for example, has precise connotations. Neat means tidy, orderly, well-groomed. It's a valuable tool for describing the appearance of a room, a hairdo, or a manuscript. When it's generically and inappropriately applied, though, as it is in the slang aspect, it only obscures the true nature of the thing or feeling that it's supposed to be representing. It's turned into a sponge word. You can wring meanings out of it by the bucketful--and never know which one is right. When a person says a movie is 'neat,' does he mean that it's funny or tragic or thrilling or romantic, does he mean that the cinematography is beautiful, the acting heartfelt, the script intelligent, the direction deft, or the leading lady has cleavage to die for? Slang possesses an economy, an immediacy that's attractive, all right, but it devalues experience by standardizing and fuzzing it. It hangs between humanity and the real world like a . . . a veil. Slang just makes people more stupid, that's all, and stupidity eventually makes them crazy. I'd hate to ever see that kind of craziness rub off onto objects.
”
”
Tom Robbins (Skinny Legs and All)
“
I had a thing about fat people. It was the same thing I had about skinny people: I hated their guts.
”
”
Ottessa Moshfegh (Homesick for Another World)
“
Dear young woman, do not place your sense of beauty and self worth, upon the plastic pedestal called "what other people say to you", "what other people think about your photo", "how many 'likes' your pictures get", "how many guys tell you that you look sexy", "how skinny can you be?". A plastic pedestal that is but the dismal shadow of the real one. Dear young woman, place your sense of self worth and beauty upon the Roman marble pedestal that will exist even when all other people are no longer there. If you were the very last person on this planet, you should still be able to know within your heart that you are worthy, you are beautiful, you are wanted. Even if you become the very last person on Earth, you should be fully wanted. Want yourself. Know yourself. See yourself as beautiful, see yourself as worthy.
”
”
C. JoyBell C.
“
Love made us partners in narcissism, and we talked ceaselessly about how close we were, how perfect our connection was, like we were the first people in history to ever get it exactly right. We were that couple for a while, nauseatingly impervious assholes, busy staring into each other’s eyes while everyone else was trying to have a good time. When I think about how stupid we were, how obstinately clueless about the realities that awaited us, I just want to go back to that skinny, cocksure kid with his bloated heart and perennial erection, and kick his teeth in.
”
”
Jonathan Tropper (This is Where I Leave You)
“
When I'd been sad, I hurt myself. Amma hurt other people. When I'd wanted attention, I'd submitted myself to boys: Do what you want; just like me. Amma's sexual offerings seemed a form of aggression. Long skinny legs and slim wrists and high, babied voice all aimed like a gun. Do what I want; I might like you.
”
”
Gillian Flynn (Sharp Objects)
“
No one else noticed, or cared. It was just something they did. Taking other people’s livestock. Other people’s lives. She watched the soldiers, hating them. They were different in so many ways, white and black, yellow and brown, skinny, short, tall, small, but they were all the same. Didn’t matter if they wore finger-bone necklaces, or baby teeth on bracelets, or tattoos on their chests to ward off bullets. In the end, they were all mangled with battle scars and their eyes were all dead.
”
”
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
“
I'm mad because girls as young as eight years old are being shamed about their bodies. Fifth graders go on diets and admire Instagram pics of celebs in waist trainers. Some of the people I'm closest to have struggled with eating disorders. I'm mad at an industry that suggests that painfully thin is the only acceptable way to be. Please don't get on me for skinny shaming. If that's how you are shaped, God bless, but we gotta mix it up, because it's upsetting and confusing to women with other body types.
”
”
Amy Schumer (The Girl with the Lower Back Tattoo)
“
Ok kiddo, turn off the Xbox and lets get some grub."
"Awww Mom!"
"Don't you awww Mom me. You need to eat a decent meal, mister. However will you rule the world if you're malnourished? People aren't going to follow a skinny guy with patchy hair and no teeth, buddy. It's just not DONE.
”
”
Nicole Hamlett (Huntress (Grace Murphy, #1))
“
Elizabeth was one of those perfectly proportioned plump people, like an hourglass. I'm one of those perfectly proportioned skinny people, like a flagpole. Flagpoles are patriotic. That's about the nicest thing I can say about flagpoles.
”
”
Suzanne Selfors (Coffeehouse Angel)
“
People in other cultures consume half the amount of protein that we do, yet they live longer, healthier lives.
”
”
Rory Freedman (Skinny Bitch: A No-Nonsense, Tough-Love Guide for Savvy Girls Who Want to Stop Eating Crap and Start Looking Fabulous!)
“
People tend to take everything too seriously. Especially themselves.
”
”
Tom Robbins (Skinny Legs and All)
“
Later, when I hear others dismissing our voices, our protest for equity, by saying All Lives Matter or Blue Lives Matter, I will wonder how many white Americans are dragged out of their beds in the middle of the night because they might fit a vague description offered up by God knows who. How many skinny, short, blond men were rounded up when Dylann Roof massacred people in prayer? How many brown-haired white men were snatched out of bed when Bundy was killing women for sport?
”
”
Patrisse Khan-Cullors (When They Call You a Terrorist: A Black Lives Matter Memoir)
“
Wise people choose battles carefully, the way a rat nibbles around a trap. What doesn't kill you doesn't always make you stronger. Sometimes, they leave you maimed, scarred and lacklustre.
”
”
Tolu' Akinyemi (I Laugh At These Skinny Girls: Poetry For People Who Hate Poetry II)
“
Pandora decided to take another tack. “You do not want to marry me, my lord. I would be the worst wife imaginable. I’m forgetful and stubborn, and I can never sit still for more than five minutes. I’m always doing things I shouldn’t. I eavesdrop on other people, I shout and run in public, and I’m a clumsy dancer. And I’ve lowered my character with a great deal of unwholesome reading material.” Pausing to draw breath, she noticed that Lord St. Vincent didn’t appear properly impressed by her list of faults. “Also, my legs are skinny. Like a stork’s.
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
I hate running. Hate, hate, hate it. Running is something that skinny people do so they can brag about it to those of us who come in adult sizes. I’m actually an okay sprinter. I’ve got long legs, and I’m surprisingly nimble for a big dude, but distance running is for masochists and crazy people who want to collect foot problems and repetitive stress injuries. My insane runner friends kept trying to tell me that at some point you were supposed to get this euphoric feeling during a run, but as far as I could tell that was propaganda they told themselves to feel better about having such a ridiculous pastime. The closest I ever came to euphoria was when the aches got numb. Running sucks.
”
”
Larry Correia (Monster Hunter Siege (Monster Hunter International #6))
“
My brain hurt like a warehouse
It had no room to spare
I had to cram so many things to store everything in there
And all the fat-skinny people
And all the tall-short people
And all the nobody people
And all the somebody people
I never thought I'd need so many people.
- Five Years
”
”
David Bowie
“
Hatred has engulfed the politics of the Left. Socialists hate the financially successful. LGBT activists hate fundamentalist Christians. Black Lives Matter hate police officers. Fat people hate skinny people, like me and Ann Coulter. But none of these groups hate with the PMS-fueled pettiness of feminism.
”
”
Milo Yiannopoulos (Dangerous)
“
Jerusalem was capital of southern Israel, known then as Judah. Isn't it true that there's always a rivalry between north and south? North and South Korea, North and South Vietnam, Northern and Southern Ireland, Yankees and Rebels, uptown and downtown. Somebody please tell me why that is? Maybe southerners get too much sun, like Mr. Sock over there, frying his threads, and northerners don't get enough (although I hardly think northern Israel a cool spot in the shade), but southern peoples--tropical and downtown types--always seem to lean toward decadence, whereas uptown, in the north, progress is favored. Decadence and progress obviously are at odds.
”
”
Tom Robbins (Skinny Legs and All)
“
Is this cock big enough for ya?” I looked at it. It was certainly medium-sized, and not skinny. I wasn’t sure if it had been a rhetorical question, like when people say “hot enough for ya?” or if he expected a thought-out response. I was momentarily confused, looking at his wielded appendage. “Yes,” I replied, with certainty. It was big enough for me.
”
”
Kelley Kenney (Prose and Lore: Memoir Stories About Sex Work (Issue 1))
“
What is politics, after all, but the compulsion to preside over property and make other people’s decisions for them?
”
”
Tom Robbins (Skinny Legs and All)
“
Slang just makes people more stupid, that’s all,
”
”
Tom Robbins (Skinny Legs and All)
“
Running is something that skinny people do so they can brag about it to those of us who come in adult sizes.
”
”
Larry Correia (Monster Hunter Siege (Monster Hunter International #6))
“
Silly little plastic belt, made for a skinny pinny; it could barely tie around her. She managed, though - a tiny white bow. Waiting, she folded her hands and realized how every single time she went by this hospital, the same two thoughts occurred to her: that she'd been born here and that her father's body had been brought here after his suicide. She'd been through some things, but never mind. She straightened her back. Other people had been through things, too.
”
”
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
“
A: Funny about my mother. All my life, from the time I was just a little kid, I thought of her as a sad person. I mean, the way some people are tall or fat or skinny. My father always seemed the stronger one. As if he was a bright color and she was a faded color. I know it sounds crazy.
T: Not at all.
A: But later, when I learned the truth about our lives, I found she was still sad. But strong, too. Not faded at all. It wasn't sadness so much as fear--the Never Knows.
”
”
Robert Cormier (I Am the Cheese)
“
Before September 11, the skinny, jittery black guy made security think one thing: drug mule. But after the attacks, security only cared about bombs. So it was the Arab guys, the Puerto Ricans and Indians, even white men, that got searched. I was too dark to make people worry on a plane. Still caused fear in elevators.
”
”
Victor LaValle (Big Machine)
“
I came at her like a snake.
"I am fully done with other people telling me what to do with my history," I said. "My past made me who I am. There is no way to wipe it clean. I am the evidence. If you look at me and see track marks and too-skinny arms and hands that know how to hold a gun and a brain that is sharper and faster than yours, then that is not my problem. Do you hear me? I have regrets, and I have made mistakes, but I am who I am. I'm done pretending that I've wholly remade myself, that I'm going to ... to hie myself away in some lecture hall for the next four years to make you all comfortable." She was backed up against the door, now, her arms wrapped around herself, and I didn't care. "If you want to stop seeing it, you'll have to stop seeing me, and I am not going to disappear.
”
”
Brittany Cavallaro (A Question of Holmes (Charlotte Holmes, #4))
“
Love like a dog.
As long as it’s been treated with kindness and respect a dog will love you. A dog doesn’t care about your age, sex, gender identity, orientation, religion, race or socioeconomic bracket. A dog doesn’t care if you’re skinny, have stretch marks or scars. A dog doesn’t care how many people you’ve slept with, what hardships you’ve had to overcome; and if you’re crying a dog will come put its little chin on your chest and love you regardless. A dog doesn’t let these things dictate to whom or how much it extends its heart. A dog just loves.
Love like a dog.
A dog never tries to play it cool, hard to get or shies away from showing how much it loves. A dog’s composure is never betrayed by its tail because it freely and without hesitation shows how ecstatic it is to see you every time you walk through the door. When a dog is around other dogs it doesn’t pretend that it doesn’t really love tennis balls. A dog loves what it loves and is never embarrassed about showing how it feels.
Love like a dog.
A dog is loyal to and would fiercely defend those whom it loves. “For the strength of the pack is the wolf, and the strength of the wolf is the pack.” Life is not always easy. At times you will have to be brave. At times you will be hurt. But a dog will never leave you. Stay close. Be faithful. Protect your pack.
Love like a dog.
That is my advice to you. Love like a dog.
”
”
Oliver Tremble
“
one time when we were at the Friendly Lounge they introduced me to Skinny Razor, and I got started doing it on my route. It was easy money, no muscle, strictly providing a service for people who had no credit. This was before credit cards when the people had nowhere to go for a couple of bucks between paychecks.
”
”
Charles Brandt ("I Heard You Paint Houses", Updated Edition: Frank "The Irishman" Sheeran & Closing the Case on Jimmy Hoffa)
“
People would never say, “Wow, you’re so fat, how do even you fit into a chair!” But skinniness is okay to remark upon. Worse, they often add, “You’re so lucky to be thin,” as if thinness were an accident, as if thinness were a quality you either have or you don’t. But there’s nothing accidental about thinness. Nope. Not in twenty-first-century America.
”
”
K.S.R. Burns (Rules for the Perpetual Diet)
“
The year was 1952.” I clear my throat and look down at my paper. “It was summer, and Frank Sinatra was on the radio. Lana Turner and Ava Gardner were the starlets of the day. Stormy was eighteen. She was in the marching band, she was voted Best Legs, and she always had a date on Saturday night. On this particular night, she was on a date with a boy named Walt. On a dare, she went skinny-dipping in the town lake. Stormy never could turn down a dare.”
Mr. Perelli laughs and says, “That’s right, she never could.” Other people murmur in agreement, “She never could.”
“A farmer called the police, and when they shined their lights on the lake, Stormy told them to turn around before she would come out. She got a ride home in a police car that night.”
“Not the first time or the last,” someone calls out, and everyone laughs, and I can feel my shoulders start to relax.
“Stormy lived more life in one night than most people do their whole lives. She was a force of nature. She taught me that love--” My eyes well up and I start over. “Stormy taught me that love is about making brave choices every day. That’s what Stormy did. She always picked love; she always picked adventure. To her they were one and the same. And now she’s off on a new adventure, and we wish her well.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
Sign O' The Times
Oh yeah
In France a skinny man
Died of a big disease with a little name
By chance his girlfriend came across a needle
And soon she did the same
At home there are seventeen-year-old boys
And their idea of fun
Is being in a gang called The Disciples
High on crack, totin' a machine gun
Time, time
Hurricane Annie ripped the ceiling of a church
And killed everyone inside
U turn on the telly and every other story
Is tellin' U somebody died
Sister killed her baby cuz she could afford 2 feed it
And we're sending people 2 the moon
In September my cousin tried reefer 4 the very first time
Now he's doing horse, it's June
Times, times
It's silly, no?
When a rocket ship explodes
And everybody still wants 2 fly
Some say a man ain't happy
Unless a man truly dies
Oh why
Time, time
Baby make a speech, Star Wars fly
Neighbors just shine it on
But if a night falls and a bomb falls
Will anybody see the dawn
Time, times
It's silly, no?
When a rocket blows
And everybody still wants 2 fly
Some say a man ain't happy, truly
Until a man truly dies
Oh why, oh why, Sign O the Times
Time, time
Sign O the Times mess with your mind
Hurry before it's 2 late
Let's fall in love, get married, have a baby
We'll call him Nate... if it's a boy
Time, time
Time, time
”
”
Prince
“
Kat had her arms folded and her hair was tied in what girls call a topknot. Her skinny, bony face jutted out. With her tilted chin and dark eyebrows she seemed sharper, somehow, as if she was more in focus than other people round her, or more real. You couldn't help noticing her, whether you were looking for her or not.
Maybe that's what being pretty meant, I thought.
”
”
Siobhan Dowd (The London Eye Mystery (London Eye Mystery, #1))
“
Not many people can imagine a president of the Parlement of Aix—it is a species of beast of which people have often spoken without knowing it well: strict and unbending by profession, and pernickety, credulous, stubborn, vain, cowardly, garrulous and stupid by character; with a beaky little face, rolling his 'r's like a Punchinello, commonly as thin as a rake, lanky and skinny and stinking like a corpse...
”
”
Marquis de Sade (Betrayal (Hesperus Classics))
“
I am fully done with other people telling me what to do with my history. My past made me who I am. There is no way to wipe it clean. I am the evidence. If you look at me and see track marks and too-skinny arms and hands that know how to hold a gun and a brain that is sharper and faster than yours, then that is not my problem. Do you hear me? I have regrets, and I have made mistakes, but I am who I am. I’m done pretending that I’ve wholly remade myself, that I’m going to…to hide myself away in some lecture hall for the next four years to make you all comfortable. If you want to stop seeing it, you’ll have to stop seeing me, and I am not going to disappear.
”
”
Brittany Cavallaro (A Question of Holmes (Charlotte Holmes, #4))
“
Skinny as Mum was, she'd always had a good appetite, so when she couldn't eat her roast potatoes I knew the end must be nigh.
[...] We opened our presents and Mum put a polka-dot shower cap on her head and let us take pictures of her in it, which was most unlike her, she liked to be a bit dignified about things. This was another indication that she knew she was dying. Other signs to look out for are when an elderly person starts giving away their things – usually about two or three years before they die – and if they insist, rather aggressively, on returning anything they've borrowed or get annoyed if you give them gifts – they don't want any more clutter.
”
”
Viv Albertine (Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys)
“
Pushing through the market square,
So many mothers sighing.
News had just come over,
We had five years left to cry in.
News guy wept and told us,
Earth was really dying.
Cried so much his face was wet,
then I knew he was not lying.
I heard telephones, opera house, favourite melodies.
I saw boys, toys, electric irons and T.V.s.
My brain hurt like a warehouse,
It had no room to spare.
I had to cram so many things
To store everything in there.
And all the fat-skinny people.
And all the tall-short people.
And all the nobody people.
And all the somebody people.
I never thought I'd need so many people.
A girl my age went off her head,
hit some tiny children.
If the black hadn't a-pulled her off,
I think she would have killed them.
A soldier with a broken arm
Fixed his stare to the wheel of a Cadillac.
A cop knelt and kissed the feet of a priest,
and a queer threw up at the sight of that.
I think I saw you in an ice-cream parlour,
Drinking milk shakes cold and long.
Smiling and waving and looking so fine,
Don't think you knew you were in this song.
And it was cold and it rained so I felt like an actor,
And I thought of Ma and I wanted to get back there.
Your face, your race, the way that you talk,
I kiss you, you're beautiful, I want you to walk.
We've got five years,
Stuck on my eyes.
Five years,
What a surprise!
We've got five years,
My brain hurts a lot.
Five years,
That's all we've got.
- Five Years
”
”
David Bowie
“
no one wants to hear fat-girl stories of taking up too much space and still finding nowhere to fit. People prefer the stories of the too-skinny girls who starve themselves and exercise too much and are gray and gaunt and disappearing in plain sight.
”
”
Roxane Gay (Hunger: A Memoir of (My) Body)
“
The ones who’re so upset about everybody not being the same, about competition, about standards of quality, about art objects having ’auras’ around them, they’re usually people with average abilities and average minds. And below average senses of humor.
”
”
Tom Robbins (Skinny Legs and All)
“
You do not want to marry me, my lord. I would be the worst wife imaginable. I'm forgetful and stubborn, and I can never sit still for more than five minutes. I'm always doing things I shouldn't. I eavesdrop on other people, I shout and run in public, and I'm a clumsy dancer. And I've lowered my character with a great deal of unwholesome reading material." Pausing to draw breath, she noticed that Lord St. Vincent didn't appear properly impressed by her list of faults. "Also, my legs are skinny. Like a stork's."
At the indecent mention of body parts, Lord Chaworth gasped audibly, while Lord Westcliff developed a sudden keen interest in the nearby cabbage roses.
Lord St. Vincent's mouth worked against a brief tremor, as if he were amused despite himself. "I appreciate your candor," he said after a moment.
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
I wrote mostly about men. I hadn't interviewed a lot of women. Whenever I did, the stories were always about the struggle to be the kind of woman who got interviewed—the writers who were counted out, the politicians who were mistaken for secretaries, the actresses who were told they were too fat and tall and short and skinny and ugly and pretty. It was all the same story, which is not to say it wasn't important. But it was boring. The first time I interviewed a man, I understood we were talking about something more like the soul.
The men hadn't had any external troubles. They didn't have a fear that they didn't belong. They hadn't had any obstacles. They were born knowing they belonged, and they were reassured at every turn just in case they'd forgotten. But they were still creative and still people, and so they reached for problems out of an artistic sense of yearning. Their problems weren't real. They had no identity struggle, no illness, no money fears. Instead, they had found the true stuff of their souls—of all our souls—the wound lying beneath all the survivalism and circumstance.
”
”
Taffy Brodesser-Akner (Fleishman Is in Trouble)
“
We might have a zillion reasons to be jaded about our world, but that is not the kind of person I want to be. I want to be someone who clings to the grace and the gift and the good. Rather than spend my days scanning the digital horizon for a dopamine hit of false comfort, I want to keep my ear tuned to the groanings of my place. I want to stand ready, as Christ’s ambassador in my neighborhood, wearing grace, flesh, and skinny jeans. I want to belong, just as I am, and I want to get better at loving people for every good and puzzling thing they are.
”
”
Shannan Martin (The Ministry of Ordinary Places: Waking Up to God's Goodness Around You)
“
Gregori brought Savannah's hand to the warmth of his mouth,his breath heating the pulse beating in her wrist. The night is especially beautiful, mon petit amour.Your hero saved the girl, walks among humans, and converses with a fool.That alone should bring a smile to your face.Do not weep for what we cannot change.We will make certain that this human with us comes to no harm.
Are you my hero,then? There were tears in her voice, in her mind, like an iridescent prism. She needed him, his comfort,his support under her terrible weight of guilt and love and loss.
Always,for all eternity, he answered instantly,without hesitation, his eyes hot mercury. He tipped her chin up so that she met the brilliance of his silver gaze.Always, mon amour.His molten gaze trapped her blue one and held her enthralled. Your heart grows lighter.The burden of your sorrow becomes my own. He held her gaze captive for a few moments to ensure that she was free of the heaviness crushing her.
Savannah blinked and moved a little away from him, wondering what she had been thinking of.What had they been talking about?
"Gary." Gregori drawled the name slowly and sat back in his chair,totally relaxed. He looked like a sprawling tiger,dangerous and untamed. "Tell us about yourself."
"I work a lot.I'm not married. I'm really not much of a people person. I'm basically a nerd."
Gregori shifted, a subtle movement of muscles suggesting great power. "I am not familiar with this term."
"Yeah,well,you wouldn't be," Gary said. "It means I have lots of brains and no brawn.I don't do the athlete thing. I'm into computers and chess and things requiring intellect. Women find me skinny,wimpy,and boring. Not something they would you." There was no bitterness in his voice,just a quiet acceptance of himself,his life.
Gregori's white teeth flashed. "There is only one woman who matters to me, Gary, and she finds me difficult to live with.I cannot imagine why,can you?"
"Maybe because you're jealous, possessive, concerned with every single detail of her life?" Gary plainly took the question literally, offering up his observations without judgement. "You're probably domineering,too. I can see that. Yeah.It might be tough."
Savannah burst out laughing, the sound musical, rivaling the street musicians. People within hearing turned their heads and held their breath, hoping for more. "Very astute, Gary.Very, very astute. I bet you have an anormous IQ."
Gregori stirred again, the movement a ripple of power,of danger. He was suddenly leaning into Gary. "You think you are intelligent? Baiting the wild animal is not too smart.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
I happened to catch a glimpse of my reflection in the window glass.
The image of myself that floated to the surface, tinged with blue against a backdrop of the signs, walls, and windows of the nearby buildings, looked absolutely miserable. Not sad, or tired, but the dictionary definition of a miserable person. This was the woman that I saw in the glass, while an assortment of other objects drifted in and out of the reflection. The space around my head was wild with baby hair or stray hairs that had come free. My shoulders sagged, and the skin around my eyes was sunken. My arms and legs looked stubby while my neck looked long and skinny. The tendons around my collarbone and throat stuck out, and my skin was anything but supple, as if the flesh had been deflated, leaving bizarre diagonal lines on my cheeks. What I saw in the reflection was myself, in a cardigan and faded jeans, at age thirty-four. Just a miserable woman, who couldn’t even enjoy herself on a gorgeous day like this, on her own in the city, desperately hugging a bag full to bursting with the kind of things that other people wave off or throw in the trash the first chance they get.
”
”
Mieko Kawakami (All the Lovers in the Night)
“
The largest culture shock was being Black in this atmosphere. We had white coaches, and they wanted the Black players to be the embodiment of who they were. They would tell us to wear our pants or shoes a certain way; this is what it meant to “be a man.” They thought our path to manhood was to be found in skinny jeans and a tucked-in shirt. (Although now Migos, getting “Bad and Boujee,” has all kinds of young players dressing like that by choice. Go figure.) But they never understood or tried to understand us. They projected their morals and thought processes onto young Black men without figuring out who we were. This struck me as a recipe for our continually being misunderstood, misguided, and misjudged, ingredients for disaster and rebellion, or at the very least for stress and self-destruction and the creation of the very PTSD that afflicts players when it’s all over.
”
”
Michael Bennett (Things That Make White People Uncomfortable)
“
Some of the leaders of the backlash said their name was an acronym for “Taxed Enough Already.” Maybe this was true at first. But the Tea Party was soon infused with paranoia that had nothing to do with taxes. While the ugliness caught Washington observers by surprise, anyone who had spent time in a battleground state recognized it instantly. Back in Ohio, volunteers had been told to check boxes corresponding to a voter’s most important issue: economy, environment, health care. But what box were you supposed to check when a voter’s concern was that Obama was a secret Muslim? Or a terrorist? Or a communist? Or the actual, literal Antichrist? How could you convince a voter whose pastor told them your candidate would bring about the biblical end of days? Other people were just plain racist. Outside an unemployment center in Canton, a skinny white man with stringy hair and a ratty T-shirt told me he would never, ever support my candidate. When I asked why, he took two fingers and tapped them against the veiny underside of his forearm. At first I didn’t understand. “You won’t vote for Obama because you’re a heroin addict?” It took me at least ten seconds to realize he was gesturing to the color of his skin.
”
”
David Litt (Thanks, Obama: My Hopey, Changey White House Years)
“
He loved the energy of the place, though he barely ever visited without getting shoved around or having his pockets picked. The slam of the city, the assault of neon and electric light, the roiling mass of people, made up of mixed elements: sailors, tourists, cops, hookers, hustlers and dealers. He wandered through the crowds, fascinated; a skinny boy with big teeth and glasses, his ribs sticking out. At the same time he was drawn to quieter, more inward pursuits. He liked to draw, liked going to the movies on his own or wandering round the dioramas in the Natural History Museum; the dusty smell, the long unpopulated corridors.
”
”
Olivia Laing (The Lonely City: Adventures in the Art of Being Alone)
“
After his initial homecoming week, after he'd been taken to a bunch of sights by his cousins, after he'd gotten somewhat used to the scorching weather and the surprise of waking up to the roosters and being called Huascar by everybody (that was his Dominican name, something else he'd forgotten), after he refused to succumb to that whisper that all long-term immigrants carry inside themselves, the whisper that says You do not belong, after he'd gone to about fifty clubs and because he couldn't dance salsa, merengue, or bachata had sat and drunk Presidentes while Lola and his cousins burned holes in the floor, after he'd explained to people a hundred times that he'd been separated from his sister at birth, after he spent a couple of quiet mornings on his own, writing, after he'd given out all his taxi money to beggars and had to call his cousin Pedro Pablo to pick him up, after he'd watched shirtless shoeless seven-year-olds fighting each other for the scraps he'd left on his plate at an outdoor cafe, after his mother took them all to dinner in the Zona Colonial and the waiters kept looking at their party askance (Watch out, Mom, Lola said, they probably think you're Haitian - La unica haitiana aqui eres tu, mi amor, she retorted), after a skeletal vieja grabbed both his hands and begged him for a penny, after his sister had said, You think that's bad, you should see the bateys, after he'd spent a day in Bani (the camp where La Inca had been raised) and he'd taken a dump in a latrine and wiped his ass with a corn cob - now that's entertainment, he wrote in his journal - after he'd gotten somewhat used to the surreal whirligig that was life in La Capital - the guaguas, the cops, the mind-boggling poverty, the Dunkin' Donuts, the beggars, the Haitians selling roasted peanuts at the intersections, the mind-boggling poverty, the asshole tourists hogging up all the beaches, the Xica de Silva novelas where homegirl got naked every five seconds that Lola and his female cousins were cracked on, the afternoon walks on the Conde, the mind-boggling poverty, the snarl of streets and rusting zinc shacks that were the barrios populares, the masses of niggers he waded through every day who ran him over if he stood still, the skinny watchmen standing in front of stores with their brokedown shotguns, the music, the raunchy jokes heard on the streets, the mind-boggling poverty, being piledrived into the corner of a concho by the combined weight of four other customers, the music, the new tunnels driving down into the bauxite earth [...]
”
”
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
“
…by Tracie Morris, “Project Princess.” It’s about a girl from the projects who doesn’t care what people think about her—she just does what makes her feel confident. Then I looked myself straight in the eyes and said, “Gabi, get over it. You look spectacular. You look amazing, so stop your bitching or do something that makes you feel better.” I took a deep breath and took off my shorts and shirt and stepped out on the beach like I owned that shit and didn’t give a fuck about all the skinny girls around me. After a while, I didn’t feel like an outsider and nobody made comments or even cared about what I looked like. The other think about being fat is that you spend too much damn time worrying about being fat and that takes time away from having fun. But I decided today would be different. And it was.
”
”
Isabel Quintero (Gabi, a Girl in Pieces)
“
The other thing to remember, of course, is that most people get no help at all. I sure didn't, oh, no: it was just me and Castle, charging, desperate, through the country darkness, and that's how it is for most people who dare to run - no help from no Airlines, no help from no one. They just go, man, after years of planning or in the heat of a sudden moment they go, hurl their skinny bodies over a cyclone fence or purge themselves into a moat, break free of a chain line or a guard's hard grip and run, brother, run, sister, run along back roads and through forests. No planes and no cars or trucks, either. Just brave souls darting across open fields and wading in and out of rivers and stumbling along deer paths through dark woods. Find the star and follow it, as runners have done all the way back to the days of Old Slavery.
”
”
Ben H. Winters (Underground Airlines)
“
I bent down and, and as our lips came together, I understood why people made such a big deal about this. First there was the novelty of it: the weird sensation of my lips pressed against hers, and the warm air sighing in and out of our noses, and the mysterious dark hollows behind our teeth. After that came the disappearing. The walls of the room fell away, the ceiling vanished, and we floated up, up to the stars, suspended in a clear crystal bubble... Our kiss contained us, it contained all of our hopes and fears and wants, and even more. It contained the world: Indians praying to painted gods, and skinny Chinese men pedaling their bicycles to work, and the glossy black water of a bayou at night, where, above it in a soft yellow room, a boy kissed a girl for the very first time while the silver-and-gold sparks of a comet rained down on them......
”
”
George Bishop
“
Politics is the science of domination, and persons in the process of enlargement and illumination are notoriously difficult to control. Therefore, to protect its vested interests, politics usurped religion a very long time ago. Kings bought off priests with land and adornments. Together, they drained the shady ponds and replaced them with fish tanks. The walls of the tanks were constructed of ignorance and superstition, held together with fear. They called the tanks “synagogues” or “churches” or “mosques.” After the tanks were in place, nobody talked much about soul anymore. Instead, they talked about spirit. Soul is hot and heavy. Spirit is cool, abstract, detached. Soul is connected to the earth and its waters. Spirit is connected to the sky and its gases. Out of the gases springs fire. Firepower. It has been observed that the logical extension of all politics is war. Once religion became political, the exercise of it, too, could be said to lead sooner or later to war. “War is hell.” Thus, religious belief propels us straight to hell. History unwaveringly supports this view. (Each modern religion has boasted that it and it alone is on speaking terms with the Deity, and its adherents have been quite willing to die—or kill—to support its presumptuous claims.) Not every silty bayou could be drained, of course. The soulfish that bubbled and snapped in the few remaining ponds were tagged “mystics.” They were regarded as mavericks, exotic and inferior. If they splashed too high, they were thought to be threatening and in need of extermination. The fearful flounders in the tanks, now psychologically dependent upon addictive spirit flakes, had forgotten that once upon a time they, too, had been mystical. Religion is nothing but institutionalized mysticism. The catch is, mysticism does not lend itself to institutionalization. The moment we attempt to organize mysticism, we destroy its essence. Religion, then, is mysticism in which the mystical has been killed. Or, at least diminished. Those who witness the dropping of the fourth veil might see clearly what Spike Cohen and Roland Abu Hadee dimly suspected: that not only is religion divisive and oppressive, it is also a denial of all that is divine in people; it is a suffocation of the soul.
”
”
Tom Robbins (Skinny Legs and All)
“
Ellen got off the bus at the corner of Fifth Avenue and Fiftythird Street. Rosy twilight was gushing out of the brilliant west, glittered in brass and nickel, on buttons, in people's eyes. All the windows on the east side of the avenue were aflame. As she stood with set teeth on the curb waiting to cross, a frail tendril of fragrance brushed her face. A skinny lad with towhair stringy under a foreignlooking cap was offering her arbutus in a basket. She bought a bunch and pressed her nose in it. May woods melted like sugar against her palate.
The whistle blew, gears ground as cars started to pour out of the side streets, the crossing thronged with people. Ellen felt the lad brush against her as he crossed at her side. She shrank away. Through the smell of the arbutus she caught for a second the unwashed smell of his body, the smell of immigrants, of Ellis Island, of crowded tenements. Under all the nickelplated, goldplated streets enameled with May, uneasily she could feel the huddling smell, spreading in dark slow crouching masses like corruption oozing from broken sewers, like a mob. She walked briskly down the cross-street. She went in a door beside a small immaculately polished brass plate.
”
”
John Dos Passos (Manhattan Transfer)
“
My sister Meghan was smart and beautiful... if only she'd lose weight. Fat was a concern, an error, something to be cured of; a but between you and everything good. I hated overhearing these comments, hated how they made my ears flush red in embarrassment and anger, hated how they revealed a secret side of life where even the people who love you the most could also be privately cataloging your flaws. What did they not like about me? What ways could I be improved upon? I hated even more how relieved I was to be skinny, and what a coward I was to overhear all this and say nothing in defense of the people I loved.
”
”
Nora McInerny (Bad Vibes Only (and Other Things I Bring to the Table))
“
My childhood dream came true, but now I have a new one. I dream that some of these young people, while they're out there clicking around, maybe they'll find out about this book and find a way to get their hands on it - and when they do, they'll know that even if you're a skinny kid from Long Island who's scared of heights, if you dream of walking among the stars you can do it. They'll know that finding a purpose, being dedicated to the service of others and to a calling higher than yourself, that is what's truly important in life. They'll be able to close their eyes and imagine what it's like in space, and when they open them again, they'll look up at the sun and the moon and the Milky Way and see them with the sense of awe and wonder that they deserve.
And those young boys and girls, whatever their space dream is, they'll go for it. Whatever hurdles are in their way, they'll get past them. When they fall down, they'll get back up. They'll keep going and going, working harder and harder and running faster and faster until one day, before they know it, they'll find themselves flying through the air. The hand of a giant science fiction monster will reach down and grab them by the chest and hurl them up and up and up, out to the furthest limits of the human imagination, where they'll take the next giant leap of the greatest adventure mankind has ever known.
”
”
Mike Massimino (Spaceman: An Astronaut's Unlikely Journey to Unlock the Secrets of the Universe)
“
Then he said something about how L.A. is dust and exhaust and the hot, dry wind that sets your nerves on edge and pushes fire up the hillsides in ragged lines like tears in the paper that separates us from hell, and it’s towering clouds of smoke, and it’s sunshine that won’t let up and cool ocean fog that gets unrolled at night over the whole basin like a clean white hospital sheet and peeled back again in the morning. It’s a crescent moon in a sky bruised green after the sunset has beaten the shit out of it. It’s a lazy hammock moon rising over power lines, over the skeletal silhouettes of pylons, over shaggy cypress trees and the spiky black lionfish shapes of palm-tree crowns on too-skinny trunks. It’s the Big One that’s coming to turn the city to rubble and set the rubble on fire but not today, hopefully not today. It’s the obviousness of pointing out that the freeway looks like a ruby bracelet stretched alongside a diamond one, looks like a river of lava flowing counter to a river of champagne bubbles. People talk about the sprawl, and, yeah, the city is a drunk, laughing bitch sprawled across the flats in a spangled dress, legs kicked up the canyons, skirt spread over the hills, and she’s shimmering, vibrating, ticklish with light. Don’t buy a star map. Don’t go driving around gawking because you’re already there, man. You’re in it. It’s all one big map of the stars.
”
”
Maggie Shipstead (Great Circle)
“
William Slothrop was a peculiar bird. He took off from Boston, heading west in true Imperial style, in 1634 or -5, sick and tired of the Winthrop machine, convinced he could preach as well as anybody in the hierarchy even if he hadn’t been officially ordained. The ramparts of the Berkshires stopped everybody else at the time, but not William. He just started climbing. He was one of the very first Europeans in. After they settled in Berkshire, he and his son John got a pig operation going—used to drive hogs right back down the great escarpment, back over the long pike to Boston, drive them just like sheep or cows. By the time they got to market those hogs were so skinny it was hardly worth it, but William wasn’t really in it so much for the money as just for the trip itself. He enjoyed the road, the mobility, the chance encounters of the day—Indians, trappers, wenches, hill people—and most of all just being with those pigs. They were good company. Despite the folklore and the injunctions in his own Bible, William came to love their nobility and personal freedom, their gift for finding comfort in the mud on a hot day—pigs out on the road, in company together, were everything Boston wasn’t, and you can imagine what the end of the journey, the weighing, slaughter and dreary pigless return back up into the hills must’ve been like for William. Of course he took it as a parable—knew that the squealing bloody horror at the end of the pike was in exact balance to all their happy sounds, their untroubled pink eyelashes and kind eyes, their smiles, their grace in crosscountry movement. It was a little early for Isaac Newton, but feelings about action and reaction were in the air. William must’ve been waiting for the one pig that wouldn’t die, that would validate all the ones who’d had to, all his Gadarene swine who’d rushed into extinction like lemmings, possessed not by demons but by trust for men, which the men kept betraying . . . possessed by innocence they couldn’t lose . . . by faith in William as another variety of pig, at home with the Earth, sharing the same gift of life. . . .
”
”
Thomas Pynchon (Gravity's Rainbow)
“
Chubby: A regular-size person who could lose a few, for whom you feel affection. Chubster: An overweight, adorable child. That kid from Two and a Half Men for the first couple of years. Fatso: An antiquated term, really. In the 1970s, mean sorority girls would call a pledge this. Probably most often used on people who aren’t even really fat, but who fear being fat. Fatass: Not usually used to describe weight, actually. This deceptive term is more a reflection of one’s laziness. In the writers’ room of The Office, an upper-level writer might get impatient and yell, “Eric, take your fat ass and those six fatasses and go write this B-story! I don’t want to hear any more excuses why the plot doesn’t make sense!” Jabba the Hutt: Star Wars villain. Also, something you can call yourself after a particularly filling Thanksgiving dinner that your aunts and uncles will all laugh really hard at. Obese: A serious, nonpejorative way to describe someone who is unhealthily overweight. Obeseotron: A nickname you give to someone you adore who has just stepped on your foot accidentally, and it hurts. Alternatively, a fat robot. Overweight: When someone is roughly thirty pounds too heavy for his or her frame. Pudgy: See “Chubby.” Pudgo: See “Chubster.” Tub o’ Lard: A huge compliment given by Depression-era people to other, less skinny people. Whale: A really, really mean way that teen boys target teen girls. See the following anecdote.
”
”
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
“
Sassy had worked in El Paso, Texas as a waitress in a small café, a toll-booth cashier in Houston, Texas, posed nude for magazine photos in Reno, Nevada and even was a ski instructor in Granby, Colorado for a few years. Sassy was always looking. She was looking for something that she couldn’t find. Sassy wanted to go where the road led. She walked past other people’s dreams and security and followed the twisting snake through deserts and mountains, big cities and cow towns. Sassy was on a quest and she didn’t even know it. She would take her small earnings and saddle-up, following fate or hope or desire into new horizons with new promises--a skinny green-eyed girl carrying a backpack full of her life, down the roads of America.
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”
Doug Hiser
“
I know that everyone in this room, Bernie Fain included, thinks I'm some kind of a nut with my so-called fixation on this vampire thing. OK, maybe I'm wrong. Maybe he only thinks he is. But there are things here that can't be explained away by so-called common sense. Not even Bernie's report can explain some of them.
'I was at the hospital yesterday.' I looked directly at Butcher. 'Your own people fired maybe fifty or sixty rounds at him, some at point-blank range. How come this man never even slowed down? How come a man seventy years old can outrun police cars for more than fifteen blocks? How come when he gets clubbed on the head he doesn't bleed like other people? Look at these photos! There's a gash on his forehead... and whatever is trickling down from the cut is clear... it isn't blood.
'How come three great, big, burly hospital orderlies weighing an estimated total of nearly seven-hundred fifty pounds couldn't bring one, skinny one-hundred sixty pound man to his knees? How come an ex-boxer, a light-heavyweight not long out of the ring, couldn't even faze him with his best punch, a right hook that should have broken his jaw?
'Face it. Whether it's science, witchcraft or black magic, this character has got something going for him you don't know anything about. He doesn't seem to feel pain. Or get winded. And he doesn't seem to be very frightened by guns, or discouraged by your efforts to trap him.
'Look at these photos! Look at that face! That isn't fear there. It's hate. Pure hate! This man is evil incarnate. He is insane and he may be something even worse although you'd laugh at me because I have no scientific documentation to back me up. Hell, even Regenhaus and Mokurji have all but confirmed that he sucks blood.
'Whatever he is, he's been around a long time and this seems to be the closest any police force has come to putting the finger on him. If you want to go on operating the way you've been doing by treating him like an ordinary man, go ahead. But, I'll bet you any amount of money you come up empty handed again. If you try to catch him at night he'll get away just like he did last night. He'll...'
'Jesus Christ!' bellowed Butcher. 'This son of a bitch has diarrhea of the mouth. Can't one of you people shut him up?
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”
Jeff Rice (The Night Stalker)
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We are not doing it for Jagen. We are doing it for our kind.”
“We?” Rayna snaps. “What Gift do you have, Grom? Oh, that’s right. You and Nalia get to stay safely behind while me and Galen and Emma drown an entire island.”
Oh, heck no. “Um, I’m not killing anyone,” I say, raising my hand. “Not humans, not Syrena.”
“It’s a good thing your Gift isn’t deadly then, isn’t it?” Rayna sneers. “I have an idea. You can give the humans their last meal. That would be special, wouldn’t it?”
“How would you like to go without eating for a while?” I shoot back. I could use my Gift to send the fish away from her, or I could just bust all her teeth out. Maturity seems to be evaporating into the air. I wonder if her Gift includes pushing all my buttons in rapid-point-five seconds. But then, I know her animosity is really toward Grom, not me. All I’m doing is feeding her anxiety.
Galen tucks a tendril of my hair behind my ear. It’s enough to distract me and he knows it. I give him a sour look for interfering, but he grins. “You don’t have to kill anyone, angelfish. In fact, we need your help to save them.” He seems to be telling me something with his eyes, but I’m not picking up on it. I’d love to blame it on the pain meds.
“Doesn’t that kind of miss the point?” Rayna says.
“Of course not,” Galen says. “Our objective is to rescue our kind, not kill the humans. We can do that without destroying them.”
Everyone is all ears, but Galen is not ready to divulge his plan just yet. He stands. “Highness, tell the Archives we will meet with them to discuss our terms.”
“Terms?” Grom says. “This isn’t negotiable, Galen. They need us. It’s our duty as Royals.”
Galen shrugs. “As far as I’m concerned, it’s entirely negotiable. And we’re not Royals anymore, not until I hear it from their lips.” He turns to Antonis. “And tell them that in view of recent events, the council must come here, on land. There is no reason for us to doubt that this is a trap to recapture us.”
Antonis chuckles. I get the feeling that this is all an amusing game to him. But then, old people have earned the right to be amused by everything. And I’m pretty sure he’s the oldest person I know.
“Young Prince Galen, I am at your service.” With that, my grandfather leaves. I turn away as he begins to finagle the shorts from his skinny waist on his way down the beach.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
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After his initial homecoming week, after he'd been taken to a bunch of sights by his cousins, after he'd gotten somewhat used to the scorching weather and the surprise of waking up to the roosters and being called Huascar by everybody (that was his Dominican name, something else he'd forgotten), after he refused to succumb to that whisper that all long-term immigrants carry inside themselves, the whisper that says You do not belong, after he'd gone to about fifty clubs and because he couldn't dance salsa, merengue, or bachata had sat and drunk Presidentes while Lola and his cousins burned holes in the floor, after he'd explained to people a hundred times that he'd been separated from his sister at birth, after he spent a couple of quiet mornings on his own, writing, after he'd given out all his taxi money to beggars and had to call his cousin Pedro Pablo to pick him up, after he'd watched shirtless shoeless seven-year-olds fighting each other for the scraps he'd left on his plate at an outdoor cafe, after his mother took them all to dinner in the Zona Colonial and the waiters kept looking at their party askance (Watch out, Mom, Lola said, they probably think you're Haitian - La unica haitiana aqui eres tu, mi amor, she retorted), after a skeletal vieja grabbed both his hands and begged him for a penny, after his sister had said, You think that's bad, you should see the bateys, after he'd spent a day in Bani (the camp where La Inca had been raised) and he'd taken a dump in a latrine and wiped his ass with a corn cob - now that's entertainment, he wrote in his journal - after he'd gotten somewhat used to the surreal whirligig that was life in La Capital - the guaguas, the cops, the mind-boggling poverty, the Dunkin' Donuts, the beggars, the Haitians selling roasted peanuts at the intersections, the mind-boggling poverty, the asshole tourists hogging up all the beaches, the Xica de Silva novelas where homegirl got naked every five seconds that Lola and his female cousins were cracked on, the afternoon walks on the Conde, the mind-boggling poverty, the snarl of streets and rusting zinc shacks that were the barrios populares, the masses of niggers he waded through every day who ran him over if he stood still, the skinny watchmen standing in front of stores with their brokedown shotguns, the music, the raunchy jokes heard on the streets, the mind-boggling poverty, being piledrived into the corner of a concho by the combined weight of four other customers, the music, the new tunnels driving down into the bauxite earth,
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Junot Díaz (The Brief Wondrous Life of Oscar Wao)
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Little Brother, an aspiring painter, saved up all his money and went to France, to surround himself with beauty and inspiration. He lived on the cheap, painted every day, visited museums, traveled to picturesque locations, bravely spoke to everyone he met, and showed his work to anyone who would look at it. One afternoon, Little Brother struck up a conversation in a café with a group of charming young people, who turned out to be some species of fancy aristocrats. The charming young aristocrats took a liking to Little Brother and invited him to a party that weekend in a castle in the Loire Valley. They promised Little Brother that this was going to be the most fabulous party of the year. It would be attended by the rich, by the famous, and by several crowned heads of Europe. Best of all, it was to be a masquerade ball, where nobody skimped on the costumes. It was not to be missed. Dress up, they said, and join us! Excited, Little Brother worked all week on a costume that he was certain would be a showstopper. He scoured Paris for materials and held back neither on the details nor the audacity of his creation. Then he rented a car and drove to the castle, three hours from Paris. He changed into his costume in the car and ascended the castle steps. He gave his name to the butler, who found him on the guest list and politely welcomed him in. Little Brother entered the ballroom, head held high. Upon which he immediately realized his mistake. This was indeed a costume party—his new friends had not misled him there—but he had missed one detail in translation: This was a themed costume party. The theme was “a medieval court.” And Little Brother was dressed as a lobster. All around him, the wealthiest and most beautiful people of Europe were attired in gilded finery and elaborate period gowns, draped in heirloom jewels, sparkling with elegance as they waltzed to a fine orchestra. Little Brother, on the other hand, was wearing a red leotard, red tights, red ballet slippers, and giant red foam claws. Also, his face was painted red. This is the part of the story where I must tell you that Little Brother was over six feet tall and quite skinny—but with the long waving antennae on his head, he appeared even taller. He was also, of course, the only American in the room. He stood at the top of the steps for one long, ghastly moment. He almost ran away in shame. Running away in shame seemed like the most dignified response to the situation. But he didn’t run. Somehow, he found his resolve. He’d come this far, after all. He’d worked tremendously hard to make this costume, and he was proud of it. He took a deep breath and walked onto the dance floor. He reported later that it was only his experience as an aspiring artist that gave him the courage and the license to be so vulnerable and absurd. Something in life had already taught him to just put it out there, whatever “it” is. That costume was what he had made, after all, so that’s what he was bringing to the party. It was the best he had. It was all he had. So he decided to trust in himself, to trust in his costume, to trust in the circumstances. As he moved into the crowd of aristocrats, a silence fell. The dancing stopped. The orchestra stuttered to a stop. The other guests gathered around Little Brother. Finally, someone asked him what on earth he was. Little Brother bowed deeply and announced, “I am the court lobster.” Then: laughter. Not ridicule—just joy. They loved him. They loved his sweetness, his weirdness, his giant red claws, his skinny ass in his bright spandex tights. He was the trickster among them, and so he made the party. Little Brother even ended up dancing that night with the Queen of Belgium. This is how you must do it, people.
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”
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
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In Cootamundra the station was quiet. Tina looked around but before she could see anyone she saw the poster on the wall. Lockie saw it too. It stopped him mid-stride. It was surrounded by For Sale notices and babysitting flyers.Over the months it could have become covered over as hope was lost but it hadn’t been. Right in the middle, with some clear space around it, was the colour poster of a blue-eyed boy. His head was covered in golden curls and he had a deep dimple on his right cheek. His face had been enlarged so that every freckle could be counted. He was Lachlan Williams and in this town they were still looking for him. He looked nothing like the pale, skinny boy Tina was with. Underneath the picture were the words -
Missing:Lachlan Williams Aged 8 Disappeared from the Easter Show April 2010. If you have any information please contact...There were a whole lot of numbers and a website address. Lockie stared at the poster for a minute. He pushed his hood back down and ran his hand over his brush-cut blond hair.
‘What—’ Tina began.
‘He shaved it,’ said Lockie before she could complete the question. ‘Every few weeks, when it got longer, he would shave it again.’ His voice was two hundred years old.Tina saw her hand on the poker and felt a surge of triumph at what she had done. Some people just deserved to die. It wasn’t a nice thought but it was true. You couldn’t change someone who was fundamentally evil. Of everything Lockie must have suffered, and Tina could not even wrap her mind around what he must have gone through, the shaving of his head seemed somehow the worst. The uniform had changed who Lockie was. He was a golden boy with golden curls and the uniform had taken the gold from him. Lockie looked nothing like the poster. His face was all angles and his smile was lost. He hadn’t needed to conceal himself beneath a hood. No one would have recognised him anyway.
”
”
Nicole Trope (The Boy Under the Table)
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You know everybody hooks up on the ski trip, right? It’s like a school-sanctioned booty call.”
“What?”
“That’s where I lost my V freshman year.”
“I thought you lost it in the woods near your house.”
“Oh yeah. Whatever, the point is, I had sex on the ski trip.”
“There are chaperones,” I say worriedly. “How can people just have sex with chaperones around?”
“Chaperones go to sleep early because they’re old,” Chris says. “People just sneak out. Plus there’s a hot tub. Did you know that there’s a hot tub?”
“No…Peter never mentioned that.” Well, that’s that, I just won’t pack a bathing suit. It’s not like they can make you go in a hot tub if you don’t want to.
“The year I went, people were skinny-dipping.”
My eyes bug out. Skinny-dipping! “People were nude?”
“Well, the girls took their tops off. Just be prepared.” Chris chews on her fingernail. “Last year I heard Mr. Dunham got in the hot tub with students and it was weird.”
“This sounds like the Wild West,” I mutter.
“More like Girls Gone Wild.
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
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longer; it cannot deceive them too much." Madame Defarge looked superciliously at the client, and nodded in confirmation. "As to you," said she, "you would shout and shed tears for anything, if it made a show and a noise. Say! Would you not?" "Truly, madame, I think so. For the moment." "If you were shown a great heap of dolls, and were set upon them to pluck them to pieces and despoil them for your own advantage, you would pick out the richest and gayest. Say! Would you not?" "Truly yes, madame." "Yes. And if you were shown a flock of birds, unable to fly, and were set upon them to strip them of their feathers for your own advantage, you would set upon the birds of the finest feathers; would you not?" "It is true, madame." "You have seen both dolls and birds to-day," said Madame Defarge, with a wave of her hand towards the place where they had last been apparent; "now, go home!" XVI. Still Knitting Madame Defarge and monsieur her husband returned amicably to the bosom of Saint Antoine, while a speck in a blue cap toiled through the darkness, and through the dust, and down the weary miles of avenue by the wayside, slowly tending towards that point of the compass where the chateau of Monsieur the Marquis, now in his grave, listened to the whispering trees. Such ample leisure had the stone faces, now, for listening to the trees and to the fountain, that the few village scarecrows who, in their quest for herbs to eat and fragments of dead stick to burn, strayed within sight of the great stone courtyard and terrace staircase, had it borne in upon their starved fancy that the expression of the faces was altered. A rumour just lived in the village—had a faint and bare existence there, as its people had—that when the knife struck home, the faces changed, from faces of pride to faces of anger and pain; also, that when that dangling figure was hauled up forty feet above the fountain, they changed again, and bore a cruel look of being avenged, which they would henceforth bear for ever. In the stone face over the great window of the bed-chamber where the murder was done, two fine dints were pointed out in the sculptured nose, which everybody recognised, and which nobody had seen of old; and on the scarce occasions when two or three ragged peasants emerged from the crowd to take a hurried peep at Monsieur the Marquis petrified, a skinny finger would not have pointed to it for a minute, before they all started away among the moss and leaves, like the more fortunate hares who could find a living there. Chateau and hut, stone face and dangling figure, the red stain on the stone floor, and the pure water in the village well—thousands of acres of land—a whole province of France—all France itself—lay under the night sky, concentrated into a faint hair-breadth line. So does a whole world, with all its greatnesses and littlenesses, lie in a twinkling star. And as mere human knowledge can split a ray of light and analyse the manner of its composition, so, sublimer intelligences may read in the feeble shining of this earth of ours, every thought and act, every vice and virtue, of every responsible
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”
Charles Dickens (A Tale of Two Cities)
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He was walking down a narrow street in Beirut, Lebanon, the air thick with the smell of Arabic coffee and grilled chicken. It was midday, and he was sweating badly beneath his flannel shirt. The so-called South Lebanon conflict, the Israeli occupation, which had begun in 1982 and would last until 2000, was in its fifth year.
The small white Fiat came screeching around the corner with four masked men inside. His cover was that of an aid worker from Chicago and he wasn’t strapped. But now he wished he had a weapon, if only to have the option of ending it before they took him. He knew what that would mean. The torture first, followed by the years of solitary. Then his corpse would be lifted from the trunk of a car and thrown into a drainage ditch. By the time it was found, the insects would’ve had a feast and his mother would have nightmares, because the authorities would not allow her to see his face when they flew his body home.
He didn’t run, because the only place to run was back the way he’d come, and a second vehicle had already stopped halfway through a three-point turn, all but blocking off the street.
They exited the Fiat fast. He was fit and trained, but he knew they’d only make it worse for him in the close confines of the car if he fought them. There was a time for that and a time for raising your hands, he’d learned. He took an instep hard in the groin, and a cosh over the back of his head as he doubled over. He blacked out then.
The makeshift cell Hezbollah had kept him in in Lebanon was a bare concrete room, three metres square, without windows or artificial light. The door was wooden, reinforced with iron strips. When they first dragged him there, he lay in the filth that other men had made. They left him naked, his wrists and ankles chained. He was gagged with rag and tape. They had broken his nose and split his lips.
Each day they fed him on half-rancid scraps like he’d seen people toss to skinny dogs. He drank only tepid water. Occasionally, he heard the muted sound of children laughing, and smelt a faint waft of jasmine. And then he could not say for certain how long he had been there; a month, maybe two. But his muscles had wasted and he ached in every joint. After they had said their morning prayers, they liked to hang him upside down and beat the soles of his feet with sand-filled lengths of rubber hose. His chest was burned with foul-smelling cigarettes. When he was stubborn, they lay him bound in a narrow structure shaped like a grow tunnel in a dusty courtyard. The fierce sun blazed upon the corrugated iron for hours, and he would pass out with the heat. When he woke up, he had blisters on his skin, and was riddled with sand fly and red ant bites.
The duo were good at what they did. He guessed the one with the grey beard had honed his skills on Jewish conscripts over many years, the younger one on his own hapless people, perhaps. They looked to him like father and son. They took him to the edge of consciousness before easing off and bringing him back with buckets of fetid water. Then they rubbed jagged salt into the fresh wounds to make him moan with pain. They asked the same question over and over until it sounded like a perverse mantra.
“Who is The Mandarin? His name? Who is The Mandarin?”
He took to trying to remember what he looked like, the architecture of his own face beneath the scruffy beard that now covered it, and found himself flinching at the slightest sound. They had peeled back his defences with a shrewdness and deliberation that had both surprised and terrified him.
By the time they freed him, he was a different man.
”
”
Gary Haynes (State of Honour)
“
Mathilde watched as down the street came a little girl in a red snowsuit with purple racing stripes. Mittens, a cap too big for her head. Disoriented, the girl turned around and around and around. She began to climb the snow mountain that blocked her from the street. But she was so weak. Halfway up, she’d slip back down. She’d try again, digging her feet deeper into the drift. Mathilde held her breath each time, let it out when the girl fell. She thought of a cockroach in a wineglass, trying to climb up the smooth sides. When Mathilde looked across the street at a long brick apartment complex taking up the whole block, ornate in its 1920s style, she saw, in scattered windows, three women watching the little girl’s struggles. Mathilde watched the women as they watched the girl. One was laughing over her bare shoulder at someone in the room, flushed with sex. One was elderly, drinking her tea. The third, sallow and pinched, had crossed her skinny arms and was pursing her lips. At last, the girl, exhausted, slid down and rested, her face against the snow. Mathilde was sure she was crying. When Mathilde looked up again, the woman with crossed arms was staring angrily through all the glass and cold and snow directly at her. Mathilde startled, sure she’d been invisible. The woman disappeared. She reappeared on the sidewalk in inside clothes, tweedy and thin. She chucked her body into the snowdrift in front of the apartment building, crossed the street, grabbed the girl by the mittens and swung her over the mountain. Carried her across the street and did it again. Both mother and daughter were powdered with white when they went inside. Long after they were gone, Mathilde thought of the woman. What she was imagining when she saw her little girl fall and fall and fall. She wondered at the kind of anger that would crumple your heart up so hard that you could watch a child struggle and fail and weep for so long, without moving to help. Mothers, Mathilde had always known, were people who abandoned you to struggle alone. It occurred to her then that life was conical in shape, the past broadening beyond the sharp point of the lived moment. The more life you had, the more the base expanded, so that the wounds and treasons that were nearly imperceptible when they happened stretched like tiny dots on a balloon slowly blown up. A speck on the slender child grows into a gross deformity in the adult, inescapable, ragged at the edges. A
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”
Lauren Groff (Fates and Furies)
“
Mr. President, Dr. Biden, Madam Vice President, Mr. Emhoff, Americans and the world, when day comes we ask ourselves where can we find light in this never-ending shade? The loss we carry asea we must wade. We’ve braved the belly of the beast. We’ve learned that quiet isn’t always peace. In the norms and notions of what just is isn’t always justice. And yet, the dawn is ours before we knew it. Somehow we do it. Somehow we’ve weathered and witnessed a nation that isn’t broken, but simply unfinished. We, the successors of a country and a time where a skinny black girl descended from slaves and raised by a single mother can dream of becoming president only to find herself reciting for one.
And yes, we are far from polished, far from pristine, but that doesn’t mean we are striving to form a union that is perfect. We are striving to forge our union with purpose. To compose a country committed to all cultures, colors, characters, and conditions of man. And so we lift our gazes not to what stands between us, but what stands before us. We close the divide because we know to put our future first, we must first put our differences aside. We lay down our arms so we can reach out our arms to one another. We seek harm to none and harmony for all. Let the globe, if nothing else, say this is true. That even as we grieved, we grew. That even as we hurt, we hoped. That even as we tired, we tried that will forever be tied together victorious. Not because we will never again know defeat, but because we will never again sow division.
Scripture tells us to envision that everyone shall sit under their own vine and fig tree and no one shall make them afraid. If we’re to live up to her own time, then victory won’t lie in the blade, but in all the bridges we’ve made. That is the promise to glade, the hill we climb if only we dare. It’s because being American is more than a pride we inherit. It’s the past we step into and how we repair it. We’ve seen a forest that would shatter our nation rather than share it. Would destroy our country if it meant delaying democracy. This effort very nearly succeeded.
But while democracy can be periodically delayed, it can never be permanently defeated. In this truth, in this faith we trust for while we have our eyes on the future, history has its eyes on us. This is the era of just redemption. We feared it at its inception. We did not feel prepared to be the heirs of such a terrifying hour, but within it, we found the power to author a new chapter, to offer hope and laughter to ourselves so while once we asked, how could we possibly prevail over catastrophe? Now we assert, how could catastrophe possibly prevail over us?
We will not march back to what was, but move to what shall be a country that is bruised, but whole, benevolent, but bold, fierce, and free. We will not be turned around or interrupted by intimidation because we know our inaction and inertia will be the inheritance of the next generation. Our blunders become their burdens. But one thing is certain, if we merge mercy with might and might with right, then love becomes our legacy and change our children’s birthright.
So let us leave behind a country better than one we were left with. Every breath from my bronze-pounded chest we will raise this wounded world into a wondrous one. We will rise from the gold-limbed hills of the West. We will rise from the wind-swept Northeast where our forefathers first realized revolution. We will rise from the Lake Rim cities of the Midwestern states. We will rise from the sun-baked South. We will rebuild, reconcile and recover in every known nook of our nation, in every corner called our country our people diverse and beautiful will emerge battered and beautiful. When day comes, we step out of the shade aflame and unafraid. The new dawn blooms as we free it. For there is always light. If only we’re brave enough.
”
”
Amanda Gorman