Skin Colour Quotes

His skin was a pretty colour, it made me jealous. Jacob noticed my scrutiny. What?" he asked, suddenly self-conscious. "Nothing. I just hadn't realised before. Did you know, you're sort of beautiful?" Once the words slipped out, I worried that he might take my implusive observation the wrong way. But Jacob rolled his eyes. "You hit your head pretty hard, didn't you?" "I'm serious." Well, then, thanks. Sort of." I grinned. "You're sort of welcome.

Until the philosophy which holds one race superior and another inferior is finally and permanently discredited and abandoned, everywhere is war. And until there are no longer first-class and second-class citizens of any nation, until the colour of a man's skin is of no more significance than the colour of his eyes. And until the basic human rights are equally guaranteed to all without regard to race, there is war. And until that day, the dream of lasting peace, world citizenship, rule of international morality, will remain but a fleeting illusion to be pursued, but never attained... now everywhere is war.” - Popularized by Bob Marley in the song War

fit in here, in my palm, in my shadow, don’t be bigger than my idea of you, don’t be more beautiful than i can accept, don’t be more human than i am willing to allow you to be and be quiet, you’re too loud, even your un-belonging is loud. quiet your dreams, your voice, your hair, quiet your skin, quiet your displacement, quiet your longing, your colour, quiet your walk, your eyes. who said you could look at me like that? who said you could exist without permission? why are you even here? why aren’t you shrinking? i think of you often. you vibrate. you walk into a room and the temperature changes. i lean in and almost recognise you as human. but, no. we can’t have that.

Once we were blobs in the sea, and then fishes, and then lizards and rats and then monkeys, and hundreds of things in between. This hand was once a fin, this hand once had claws! In my human mouth I have the pointy teeth of a wolf and the chisel teeth of a rabbit and the grinding teeth of a cow! Our blood is as salty as the sea we used to live in! When we're frightened, the hair on our skin stands up, just like it did when we had fur. We are history! Everything we've ever been on the way to becoming us, we still are. [...] I'm made up of the memories of my parents and my grandparents, all my ancestors. They're in the way I look, in the colour of my hair. And I'm made up of everyone I've ever met who's changed the way I think.

The day your kind stops killing each other over skin colour or which God someone prays to, I might believe that.

He flushed, the colour dark against his pale skin. 'I mean. Tessa Gray, will you do me the honour of becoming my wife?' Jem...

Tolerance is not a Sapiens trademark. In modern times, a small difference in skin colour, dialect or religion has been enough to prompt one group of Sapiens to set about exterminating another group. Would ancient Sapiens have been more tolerant towards an entirely different human species? It may well be that when Sapiens encountered Neanderthals, the result was the first and most significant ethnic-cleansing campaign in history.

I made it," you said, gruffly, "for you." You shoved it onto my finger. It was roughly carved, shaped from a lump of something colourful and cold...a ring made entirely from a gemstone. It was beautiful. It glinted emerald greens and blood reds over my skin, and had tiny flecks of gold catching the light. I couldn't stop staring at it. "Why?" I asked. You didn't answer that. Instead you touched the ring gently and looked piercingly at me, unsaid questions in your eyes.

If somebody has the competency to do something, and the desire to do something, then nothing about their race, sex or sexual orientation should hold them back. But minimizing difference is not the same as pretending difference does not exist. To assume that sex, sexuality and skin colour mean nothing would be ridiculous. But to assume that they mean everything will be fatal.

Caleb and Tris exchange a look. The skin on his face and on her knuckles is nearly the same colour, purple-blue-green, as if drawn with ink. This is what happens when siblings collide - they injure each other in the same way.

A word is not a crystal, transparent and unchanged; it is the skin of a living thought and may vary greatly in colour and content according to the circumstances and time in which it is used.

People who think with their epidermis or their genitalia or their clan are the problem to begin with. One does not banish this specter by invoking it. If I would not vote against someone on the grounds of 'race' or 'gender' alone, then by the exact same token I would not cast a vote in his or her favor for the identical reason. Yet see how this obvious question makes fairly intelligent people say the most alarmingly stupid things.

exhilaration fizzed through Clarke’s body. Before she realised what she was doing, she had thrown her arms around Bellamy. He joined in her laughter as he staggered backward, and wrapped his arms around her waist, lifting her up and spinning her through the air. The colours of the clearing swirled, green and gold and blue all blurring until there was nothing in the world but Bellamy’s smile, lighting up his eyes. Finally he set her down gently on the ground. Be he didn’t loosen his grip. Instead he pulled her even closer, and before Clarke had time to catch her breath, his lips were on hers. A voice in her brain told her stop, but it was overpowered by the smell of his skin and the pressure of his touch. Clarke felt like she was melting into his arms, losing herself in the kiss. He tasted like joy, and joy tasted better on Earth.

But what no one tells you is that even when you decide which world you will live in, the world may not always see you as you would wish. Sometimes it demands that you be so outrageous as to transcend your very skin. You can change your name. Your eye colour. Make yourself a myth and live within it, so that you belong to no one but yourself.

McGuire started to rub the soap across himself, amazed at the change in his own skin colour as the filth of years of poverty floated off him.

What colour was her scythe?" "Sadly, I wasn't able to take the time to appreciate its subtle hues as it tore through my skin.

But labels, names, or skin colour don't matter ... we're children of Christ.

very small children don’t care about skin colour, Rachel, until they’re brainwashed by their parents

Tolerance is not a Sapiens trademark. In modern times, a small difference in skin colour, dialect or religion has been enough to prompt one group of Sapiens to set about exterminating another group. Would ancient Sapiens have been more tolerant towards an entirely different human species?

For years, I declined to fill in the form for my Senate press credential that asked me to state my 'race,' unless I was permitted to put 'human.' The form had to be completed under penalty of perjury, so I could not in conscience put 'white,' which is not even a color let alone a 'race,' and I sternly declined to put 'Caucasian,' which is an exploded term from a discredited ethnology. Surely the essential and unarguable core of King's campaign was the insistence that pigmentation was a false measure: a false measure of mankind (yes, mankind) and an inheritance from a time of great ignorance and stupidity and cruelty, when one drop of blood could make you 'black.

To her audience in Boston she also explained how white people who see people as individuals rather than by their skin colour are in fact ‘dangerous’.70 Meaning that it took only half a century for Martin Luther King’s vision to be exactly inverted.

Riley squinted. He ran his fingers along my neck. When he found the collar he explored the surface and tried to tug it. "No seams. It doesn't fell like metal. The colour is amazing". "Why?" (Trella) "It blends in. It matches your skin. Didn't you know?" (Riley) "No mirrors in my cell." (Trella) He gasped with mock horror. "So cruel! How did you ever survive?" (Riley)

Everything changes. The leaves, the weather, the colour of your hair, the texture of your skin. The feelings you have today - whether they kill you or enthrall you - won’t be the same tomorrow, so let go. Celebrate. Enjoy. Nothing lasts, except your decision to celebrate everything, everyone, for the beauty that is there within each moment, each smile, each impermanent flicker of infinity.

I climb the door instead of a tree Just to crawl with myself walking free What if I’m a lizard beneath my skin Changing my colours of the human I’ve been

What animal would do this?"he said harshly. "No, little one, animals might scratch you, or bite you, or even rip you apart in hunger or fear, but only a man can crush you inside, in your heart, for no other reason than the colour of tour skin.

Many people lost their lives fighting for these rights - to vote, to be free, to work, to be able to get on the same bus as someone considered their superior. And it was the next generations who embedded these changes, who came to view women as equals to men, who came to understand that skin colour is of no relevance. Young people are the future. Without them, the world stands still.

Jean-Louis had never had a day's illness in his life. He was tall and as gnarled as an oak. The sun had baked his skin until it had the colour and toughness and stillness of a tree. With advancing years, he had lost his tongue. He now never spoke, considering such an activity pointless.

To Whom It May Concern. A racist Irishman has just made me aware that I am as bigoted as he is. Please excuse me from working with people of different skin colours until I can achieve an attitude adjustment. I do not wish to be a Nazi.

You really do love him, don’t you?” she said quietly. Vadim blinked, then looked to the side, without seeing colours and patterns, but it helped him find words. Speaking about love without cliché, without borrowing somebody else’s well-worn words that were too comfortable. "Dan changed me in ways that stripped away the man I wanted to be, and the man I was made to be, and the man I was expected to be. He skinned me alive, and left only…..somebody who….” He breathed but barely. “…can live and die now, like a human being, not an automation, not somebody else’s creation. Dan took my fear of death. I can’t die now. I know I’m immortal.” “Immortal?” she said quietly, sitting still. “Your soul? Your being?” “I don’t believe there’s anything like a soul. But I believe most people are asleep. They aren’t even aware what they are, or that they are alive. And we are all scared to die, so when it happens we scream for our mothers and clutch our guts because we’re scared. I’m not. I’m not afraid of death. The only thing I’m afraid of is losing Dan.” But if that happens, he thought, Dan might just keep the promise and kill him on the way out.

I thought I was going to die. I wanted to die. And I thought if I was going to die I would die with you. Someone like you, young as I am, I saw so many dying near me in the last year. I didn’t feel scared. I certainly wasn’t brave just now. I thought to myself, We have this villa this grass, we should have lain down together, you in my arms, before we died. I wanted to touch that bone at your neck, collarbone, it’s like a small hard wing under your skin. I wanted to place my fingers against it. I’ve always liked flesh the colour of rivers and rocks or like the brown eye of a Susan, do you know what that flower is? Have you seen them? I am so tired, Kip, I want to sleep. I want to sleep under this tree, put my eye against your collarbone I just want to close my eyes without thinking of others, want to find the crook of a tree and climb into it and sleep. What a careful mind! To know which wire to cut. How did you know? You kept saying I don’t know I don’t know, but you did. Right? Don’t shake, you have to be a still bed for me, let me curl up as if you were a good grandfather I could hug, I love the word ‘curl,’ such a slow word, you can’t rush it...

The Pomegranate The only legend I have ever loved is the story of a daughter lost in hell. And found and rescued there. Love and blackmail are the gist of it. Ceres and Persephone the names. And the best thing about the legend is I can enter it anywhere. And have. As a child in exile in a city of fogs and strange consonants, I read it first and at first I was an exiled child in the crackling dusk of the underworld, the stars blighted. Later I walked out in a summer twilight searching for my daughter at bed-time. When she came running I was ready to make any bargain to keep her. I carried her back past whitebeams and wasps and honey-scented buddleias. But I was Ceres then and I knew winter was in store for every leaf on every tree on that road. Was inescapable for each one we passed. And for me. It is winter and the stars are hidden. I climb the stairs and stand where I can see my child asleep beside her teen magazines, her can of Coke, her plate of uncut fruit. The pomegranate! How did I forget it? She could have come home and been safe and ended the story and all our heart-broken searching but she reached out a hand and plucked a pomegranate. She put out her hand and pulled down the French sound for apple and the noise of stone and the proof that even in the place of death, at the heart of legend, in the midst of rocks full of unshed tears ready to be diamonds by the time the story was told, a child can be hungry. I could warn her. There is still a chance. The rain is cold. The road is flint-coloured. The suburb has cars and cable television. The veiled stars are above ground. It is another world. But what else can a mother give her daughter but such beautiful rifts in time? If I defer the grief I will diminish the gift. The legend will be hers as well as mine. She will enter it. As I have. She will wake up. She will hold the papery flushed skin in her hand. And to her lips. I will say nothing.

A game at which the liberals have become masters is that of deliberate evasiveness. The question often comes up `what can you do?`. If you ask him to do something like stopping to use segregated facilities or dropping out of varsity to work at menial jobs like all blacks or defying and denouncing all provisions that make him privileged, you always get the answer - `but that's unrealistic!' While this may be true, it only serves to illustrate the fact that no matter what a white man does, the colour of his skin - his passport to privilege- will always put him miles ahead of the black men. Thus in the ultimate analysis, no white person can escape being part of the oppressor camp.

Admirable, however, as the Paris of the present day appears to you, build up and put together again in imagination the Paris of the fifteenth century; look at the light through that surprising host of steeples, towers, and belfries; pour forth amid the immense city, break against the points of its islands, compress within the arches of the bridges, the current of the Seine, with its large patches of green and yellow, more changeable than a serpent's skin; define clearly the Gothic profile of this old Paris upon an horizon of azure, make its contour float in a wintry fog which clings to its innumerable chimneys; drown it in deep night, and observe the extraordinary play of darkness and light in this sombre labyrinth of buildings; throw into it a ray of moonlight, which shall show its faint outline and cause the huge heads of the towers to stand forth from amid the mist; or revert to that dark picture, touch up with shade the thousand acute angles of the spires and gables, and make them stand out, more jagged than a shark's jaw, upon the copper-coloured sky of evening. Now compare the two.

When my friend Melot set the trap, I think I knew it. I turned to death full face, as I had turned to love with my whole body. I would let death enter me as you had entered me. You had crept along my blood vessels through the wound, and the blood that circulates returns to the heart. You circulated me, you made me blush like a girl in the hoop of your hands. You were in my arteries and my lymph, you were the colour just under my skin, and if I cut myself, it was you I bled. Red Isolde, alive on my fingers, and always the force of blood pushing you back to my heart.

When we first came here We were cold and we were clear with no colours on our skin We were light and paper thin. And when we first came here We were cold and we were clear With no colours on our skin 'Till you let the Spectrum in. --Spectrum

Racism is one of the most common results of the combination of stupidity and the ability to see.

He was obviously proud of his Berber skin. "This is the colour of wheat and gold.

OUr teachers at LT&C had their A levels and the odd teaching certificate. It is astonishing how a black crepe robe worn over a coat or blouse gives a Cockney punter or a Covent Garden flower girl the gravitas of an Oxford don. Accent be damned in Africa, as long as it's foreign and you have the right skin colour.

The hands were ivory-coloured, the skin finely wrinkled everywhere, like the crust on a pool of wax, and under it appreared livid bruises, arthritic nodes, irregular tea-brown stains. ...The flesh under the horny nails was candlvwax-coloured, and bloodless.

Coloured lights splintered behind my eyes. For a few brief, blissful moments, all thought, all memory, dissolved like sugar in water. I was free. There was nothing but sweat and skin, hot harsh breath against my neck, a cock driving into me. Raw, undeserved pleasure stolen from a stranger in a dark room

They may not change your skins colour; they may not change your body odour; but once they can change your daily thoughts, they can influence your habits! Beware of evil companions!

I don't care for the colour of your skin, I care for the size of your heart behind it.

why she is calling her abroad peoples white and black when colours are for crayons and pencils and things. I know that not everybody is having the same colour of skin in Nigeria, even me and Kayus and Born-boy didn’t have same skin colour, but nobody is calling anybody black or white, everybody is just calling us by our name: Adunni. Kayus. Born-boy. That’s all.

In Japan, even when you're alone, you're never really that lonely. But the loneliness you feel living among people with differently coloured skin and eyes, whose language you don't even speak very well - that sort of loneliness is something you feel down to the marrow of your bones.

As I begin to recognise that the Negro is the symbol of sin, I catch myself hating the Negro. But then I recognise that I am a Negro. There are two ways out of this conflict. Either I ask others to pay no attention to my skin, or else I want them to be aware of it. I try then to find value for what is bad--since I have unthinkingly conceded that the black man is the colour of evil. In order to terminate this neurotic situation, in which I am compelled to choose an unhealthy, conflictual solution, fed on fantasies, hostile, inhuman in short, I have only one solution: to rise above this absurd drama that others have staged around me, to reject the two terms that are equally unacceptable, and through one human being, to reach out for the universal. When the Negro dives--in other words, goes under--something remarkable occurs.

I never lost hope that this great transformation would occur (...) I always knew that deep down in every human heart, there was mercy and generosity. No one is born hating another person because of the colour of his skin, or his background, or his religion. People must learn to hate, and if they can learn to hate, they can be taught to love, for love comes more naturally to the human heart than its opposite. page 749

In practice, race was a sliding signifier in Jamaica. The social slippage – the sliding of the signifier – was extensive, constitutive of social life itself. There were wide skin colour variations even within the same family, as was the case in my own. Jamaican society gossiped, monitored intensely and speculated riotously about this perpetual, confusing fluidity of the body. When I was a child it’s what Jamaica was. Such

Up at Meru I saw a young Native girl with a bracelet on, a leather strap two inches wide, and embroidered all over with very small turquoise-coloured beads which varied a little in colour and played in green, light blue, and ultramarine. It was an extraordinarily live thing; it seemed to draw breath on her arm, so that I wanted it for myself, and made Farah buy it from her. No sooner had it come upon my own arm than it gave up the ghost. It was nothing now, a small, cheap, purchased article of finery. It had been the play of colours, the duet between the turquoise and the 'nègre' - that quick, sweet, brownish black, like peat and black pottery, of the Native's skin - that had created the life of the bracelet.

The variety of shapes, colours and textures under her feet was, she believed, literally infinite. It must be. Each shell, each pebble, each stone had been made what it was by aeons of submarine or subglacial massage. The indiscriminate, eternal devotion of nature to its numberless particles had an emotional importance for Isserley; it put the unfairness of human life into perspective.

I said that any individual who learned to do something better than anybody else—learned to do a common thing in an uncommon manner—had solved his problem, regardless of the colour of his skin, and that in proportion as the Negro learned to produce what other people wanted and must have, in the same proportion would he be respected.

You know those moments, whether you're in them or not, you feel something more than what you intended to feel, what you wanted to feel. That was right now. It was like watching a sunset, one that I expected to be an average sunset and knowing what the colours would be and the specific settings I would use, but then, with so much as a shift in the clouds, a sunset you never expected is revealed. It's a stolen heart in the rain, sprinkled rays of light that kiss your skin and dance in the rain to the sounds of thunder and rolling growls. It's being in the moment and giving yourself whether you intended to or not.

If I had the true colours to describe what I feel for you, I wouldn't waste time stringing beads of words... Instead I would run to kiss you and leave monuments on you:- pyramids on your lips, the Taj Mahal on your skin, and the Eiffel tower in your heart. NOTESEUM | A storm I chased

Will took a deep breath. When he exhaled . . . I thought my eyes were playing tricks on me. We'd been in near-total darkness so long, I wasn't sure why Will's outline suddenly seemed clearer. I could see the texture of his jeans, the individual tufts of his hair, the blue of his eyes. His skin was glowing with a soft, warm golden light as if he'd ingested sunshine. 'Whoa,' Meg said. Rachel's eyebrows floated towards her hairline. Nico smirked. 'Friends, meet my glow-in-the-dark boyfriend.' 'Could you not make a big deal about it?' Will asked. I was speechless. How could anyone not make a big deal about this? As far as demigod powers went, glowing in the dark was perhaps not as showy as skeleton-summoning or tomato-vine mastery, but it was still impressive. And, like WIll's skill at healing, it was gentle, useful and exactly what we needed in a pinch. 'I'm so proud,' I said. Will's face turned the colour of sunlight shining through a glass of cranberry juice. 'Dad, I'm just glowing. I'm not graduating at the top of my class.' 'I'll be proud when you do that, too,' I assured him.

I want you, Mika. There are a million things that make you you, like your laugh, and the fact that you care about Primrose in spite of everything, and the colour of your skin, and the fact that when you decided you needed a mask to fit into the world, you chose one that was sunny instead of slowly like mine.

I want to feel them against my bare skin. I want their colourful touch to burn itself into my body and set my blood on fire with chemicals and fury, to drag me from a place of retreat and smothered tears into destruction and gloriously bright fire falling.

I can remember every second of that morning, if I shut my eyes I can see the deep blue colour of the sky and the mango leaves, the pink and red hibiscus, the yellow handkerchief she wore around her head, tied in the Martinique fashion with the sharp points in front, but now I see everything still, fixed for ever like the colours in a stained-glass window. Only the clouds move. It was wrapped in a leaf, what she had given me, and I felt it cool and smooth against my skin.

It seems like suffering's the only time we can see what's essential. If peace ever comes back I'm making a vow: I'll design myself special glasses. They'll block out whether people are fat or thin or beautiful or weird-looking, whether they have pimples or birthmarks or different coloured skin. They'll do everything suffering's done for us, but without the pain. I'm going to wear those glasses for the rest of my life.

Children, who made your skin white? Was it not God? Who made mine black? Was it not the same God? Am I to blame, therefore, because my skin is black?...Does not God love coloured children as well as white children? And did not the same Saviour die to save the one as well as the other?

Race is one millimeter deep. Intrepidly attending the dissection of a corpse", Bryson quotes the surgeon who pulled back a minute layer of skin and said: “That’s all that race is – a sliver of epidermis.” As we spread across the world, some people are thought to have evolved lighter skin in order to glean vitamin D from weaker sunlight. Throughout human history, people have “de-pigmented” and “re-pigmented” to suit their environment. Biologically, skin colour is just “a reaction to sunlight”, Bryson quotes the anthropologist Nina Jablonski as saying. She adds: “And yet look how many people have been enslaved or hated or lynched or deprived of fundamental rights through history because of the colour of their skin.

Lying asleep between the strokes of night I saw my love lean over my sad bed, Pale as the duskiest lily's leaf or head, Smooth-skinned and dark, with bare throat made to bite, Too wan for blushing and too warm for white, But perfect-coloured without white or red. And her lips opened amorously, and said-- I wist not what, saving one word--Delight. And all her face was honey to my mouth, And all her body pasture to my eyes; The long lithe arms and hotter hands than fire, The quivering flanks, hair smelling of the south, The bright light feet, the splendid supple thighs And glittering eyelids of my soul's desire.

If a snail’s shell gets injured, a repair can be made quickly. New shell material is secreted by the mantle, and where there was once a crack, a scar appears, looking much like a skin scar. Even a missing shell section can be replaced. Oliver Goldsmith described this in 1774: Sometimes these animals are crushed seemingly to pieces, and, to all appearance, utterly destroyed; yet still they set themselves to work, and, in a few days, mend all their numerous breaches . . . to the re-establishment of the ruined habitation. But all the junctures are very easily seen, for they have a fresher colour than the rest; and the whole shell, in some measure, resembles an old coat patched with new pieces.

There is no difference between one man and another, for all are born naked into the world. A man cannot be measured by the colour of his skin, or by his speech, or by his clothes and jewels, but only by his heart. A good man is better than a bad man, and justice is better than injustice--and that is all I know.

People think blood red, but blood don't got no colour. Not when blood wash the floor she lying on as she scream for that son of a bitch to come, the lone baby of 1785. Not when the baby wash in crimson and squealing like it just depart heaven to come to hell, another place of red. Not when the midwife know that the mother shed too much blood, and she who don't reach fourteen birthday yet speak curse 'pon the chile and the papa, and then she drop down dead like old horse. Not when blood spurt from the skin, on spring from the axe, the cat-o'-nine, the whip, the cane and the blackjack and every day in slave life is a day that colour red. It soon come to pass when red no different from white or blue or black or nothing. Two black legs spread wide and mother mouth screaming. A black baby wiggling in blood on the floor with skin darker than midnight but the greenest eyes anybody ever done seen. I goin' call her Lilith. You can call her what they call her.

Held captive beneath the translucent skin, the seven colours of the rainbow flickered with some secret fire of their own all over the surface of each precious sphere. Chéri recognized the pearl with a dimple, the slightly egg-shaped pearl, and the biggest pearl of the string, distinguishable by its unique pink. ‘These pearls, these at least, are unchanged! They and I remain unchanged.

Every time the women appear, Snowman is astonished all over again. They're every known colour from the deepest black to whitest white, they're various heights, but each one of them is admirably proportioned. Each is sound of tooth, smooth of skin. No ripples of fat around their waists, no bulges, no dimpled orange-skin cellulite on their thighs. No body hair, no bushiness. They look like retouched fashion photos, or ads for a high priced workout program. Maybe this is the reason that these women arouse in Snowman not even the faintest stirrings of lust. It was the thumbprints of human imperfection that used to move him, the flaws in the design: the lopsided smile, the wart next to the navel, the mole, the bruise. These were the places he'd single out, putting his mouth on them. Was it consolation he'd had in mind, kissing the wound to make it better? There was always an element of melancholy involved in sex. After his indiscriminate adolescence he'd preferred sad women, delicate and breakable, women who'd been messed up and who needed him. He'd liked to comfort them, stroke them gently at first, reassure them. Make them happier, if only for a moment. Himself too, of course; that was the payoff. A grateful woman would go the extra mile. But these new women are neither lopsided nor sad: they're placid, like animated statues. They leave him chilled.

He had first come into the house with her whom he loved. And Daisy was dressed in her bridal gown and wore a white lace veil. Her skin was a beautiful colour of dark honey and her laughter was sweet. At night he had shut himself in the bright room to study alone. He had tried to cogitate and to discipline himself to study. But with Daisy near him there was a strong desire in him that would not go away with study.

Every year, on the anniversary of 9/11, and in various places around the United States, I see the words 'Never Forget.' I understand that sentiment. I completely agree with honoring those who lost their lives. We must never forget them, and we must always be vigilant. But there is another side to this, too. It means we never forget to see my people as a potential threat. We haven't stopped racially profiling... these feelings of loss and fear and anger and tragedy affect all of us, regardless of the colour of our skin.

I had a bizarre rapport with this mirror and spent a lot of time gazing into the glass to see who was there. Sometimes it looked like me. At other times, I could see someone similar but different in the reflection. A few times, I caught the switch in mid-stare, my expression re-forming like melting rubber, the creases and features of my face softening or hardening until the mutation was complete. Jekyll to Hyde, or Hyde to Jekyll. I felt my inner core change at the same time. I would feel more confident or less confident; mature or childlike; freezing cold or sticky hot, a state that would drive Mum mad as I escaped to the bathroom where I would remain for two hours scrubbing my skin until it was raw. The change was triggered by different emotions: on hearing a particular piece of music; the sight of my father, the smell of his brand of aftershave. I would pick up a book with the certainty that I had not read it before and hear the words as I read them like an echo inside my head. Like Alice in the Lewis Carroll story, I slipped into the depths of the looking glass and couldn’t be sure if it was me standing there or an impostor, a lookalike. I felt fully awake most of the time, but sometimes while I was awake it felt as if I were dreaming. In this dream state I didn’t feel like me, the real me. I felt numb. My fingers prickled. My eyes in the mirror’s reflection were glazed like the eyes of a mannequin in a shop window, my colour, my shape, but without light or focus. These changes were described by Dr Purvis as mood swings and by Mother as floods, but I knew better. All teenagers are moody when it suits them. My Switches could take place when I was alone, transforming me from a bright sixteen-year-old doing her homework into a sobbing child curled on the bed staring at the wall. The weeping fit would pass and I would drag myself back to the mirror expecting to see a child version of myself. ‘Who are you?’ I’d ask. I could hear the words; it sounded like me but it wasn’t me. I’d watch my lips moving and say it again, ‘Who are you?

On a journey the face of reality changes with the mountains and rivers, with the architecture of the buildings, the layout of the gardens, with the language, the skin colour. And yesterday’s reality burns on in the pain of parting; the day before yesterday’s is a finished episode, never to return; what happened a month ago is a dream, a past life. And at last you realize that the course of a life contains nothing but a limited number of such ‘episodes’, that a thousand and one accidents determine where we can build our house at last – but the peace of our poor minds is a precious good freedom that you should not chase, not haggle over, nor should you bargain for it with the dictators who can set fire to our houses, trample our fields and spread cholera overnight. Appalling uncertainty…? Appalling only when we fail to look it in the eyes. But the journey that many may take for an airy dream, an enticing game, liberation from daily routine, freedom as such, is in reality merciless, a school that accustoms us to the inevitable course of events, to encounters and losses, blow upon blow.

Do you know why the leaves change colour, Makin?" They did look spectacular. The forest had grown around us as we traveled and the canopy burned with colour, from deepest red to flame orange, an autumn fire spreading in defiance of the rain. "I don't know," he said, "Why do they change?" "Before a tree sheds a leaf it pumps it full of all the poison it can't rid itself of otherwise. That red there—that's a man's skin blotching with burst veins after an assassin spikes his last meal with roto-weed. The poison spreading through him before he dies.

Outside, overgrown grass lapped dew on Ronan’s boots, and mist curled around the tyres of the charcoal BMW. The sky over Monmouth Manufacturing was the colour of a muddy lake. It was cold, but Ronan’s gasoline heart was firing. He settled into the car, letting it become his skin. The night air was still coiled beneath the seats and lurking in the door pockets; he shivered as he tethered his raven to the seat belt fastener in the passenger seat. Not the fanciest setup, but effective for keeping a corvid from flapping around one’s sports car. Chainsaw bit him, but not as hard as the early morning cold.

Who can be wise, amazed, temperate and furious, Loyal and neutral, in a moment? No man. The expedition of my violent love Outrun the pauser reason. Here lay Duncan, His silver skin laced with his golden blood, And his gashed stabs looked like a breach in nature             For ruin's wasteful entrance; there the murderers, Steeped in the colours of their trade, their daggers Unmannerly breeched with gore. Who could refrain, That had a heart to love, and in that heart Courage to make's love known?

At the tender age of 19 Bessie Stringfield commenced traveling across the United States. She’d toss a penny onto a map of the States and wherever it landed was where she’d go, and this was at the height of racism at its ugliest, yet this never stopped her. Though often denied accommodation because of the colour of her skin, she would find a place to sleep with black families or, if this wasn’t possible, she’d simply sleep on her motorbike at filling stations, using her rolled up jacket as a pillow

Mumbai is the sweet, sweaty smell of hope, which is the opposite of hate; and it's the sour, stifled smell of greed, which is the opposite of love. It's the smell of Gods, demons, empires, and civilizations in resurrection and decay. Its the blue skin-smell of the sea, no matter where you are in the island city, and the blood metal smell of machines. It smells of the stir and sleep and the waste of sixty million animals, more than half of them humans and rats. It smells of heartbreak, and the struggle to live, and of the crucial failures and love that produces courage. It smells of ten thousand restaurants, five thousand temples, shrines, churches and mosques, and of hunderd bazaar devoted exclusively to perfume, spices, incense, and freshly cut flowers. That smell, above all things - is that what welcomes me and tells me that I have come home. Then there were people. Assamese, Jats, and Punjabis; people from Rajasthan, Bengal, and Tamil Nadu; from Pushkar, Cochin, and Konark; warrior caste, Brahmin, and untouchable; Hindi, Muslim, Christian, Buddhist, Jain, Parsee, Animist; fair skin and dark, green eyes and golden brown and black; every different face and form of that extravagant variety, that incoparable beauty, India.

My well-beloved was stripped. Knowing my whim, She wore her tinkling gems, but naught besides: And showed such pride as, while her luck betides, A sultan's favoured slave may show to him. When it lets off its lively, crackling sound, This blazing blend of metal crossed with stone, Gives me an ecstasy I've only known Where league of sound and luster can be found. She let herself be loved: then, drowsy-eyed, Smiled down from her high couch in languid ease. My love was deep and gentle as the seas And rose to her as to a cliff the tide. My own approval of each dreamy pose, Like a tamed tiger, cunningly she sighted: And candour, with lubricity united, Gave piquancy to every one she chose. Her limbs and hips, burnished with changing lustres, Before my eyes clairvoyant and serene, Swanned themselves, undulating in their sheen; Her breasts and belly, of my vine and clusters, Like evil angels rose, my fancy twitting, To kill the peace which over me she'd thrown, And to disturb her from the crystal throne Where, calm and solitary, she was sitting. So swerved her pelvis that, in one design, Antiope's white rump it seemed to graft To a boy's torso, merging fore and aft. The talc on her brown tan seemed half-divine. The lamp resigned its dying flame. Within, The hearth alone lit up the darkened air, And every time it sighed a crimson flare It drowned in blood that amber-coloured skin

There were wires coming out of Amanita’s olive skin. Thin-as-hairs and in the colour of silver, the threads appeared to descend from the bedroom ceiling (without physically being tethered to it) only to wrap themselves securely around the woman’s unsuspecting wrists. Mario rubbed his eyes raw, trying to dispense with the illusion. Amanita noticed him looking and pushed a lock of hair over her shoulder. As she moved, the white-metallic Thread followed her gesture without ever detaching from her wrist. Mario automatically beheld his own hands. They were not shackled. “She isn’t free!

The dream clung to her. Her sleep had been full of Jupiter ever since the survey last week: that overwhelming, unstoppable girth; the swirling patterns of the atmosphere, dark belts and light stripes rolling in circular rivers of ammonia crystal clouds; every shade of orange in the spectrum, from soft, sand-coloured regions to vivid streams of molten vermilion; the breathtaking speed of a ten-hour orbit, whipping around and around the planet like a spinning top; the opaque surface, simmering and roaring in century-old tempests. And the moons! The ancient, pockmarked skin of Callisto and the icy crust of Ganymede. The rusty cracks of Europa’s subterranean oceans. The volcanoes of Io, magma fireworks leaping up from the surface.

I watched my best friend fall in love with the same girl a million times in the same minute.  She had vivid eyes, a warm smile, and a streak of purple in her hair.  They were too drunk to notice I was watching; I was too sober to not realize what was happening.  Someone kept cutting off the oxygen in the room every time their faces got close.  But I knew if it were for just a few more inches, they would have kissed.  I also knew that it was because of the fact that she had a boyfriend that they didn't.  Even I could feel his heart racing as she licked off the birthday cake icing off his right cheek.  I saw his eyes light up; it was much more than the effects of inebriation.  There was suddenly a different kind of gravity present in the room.  And I then I realized: The same forces that bring two people together are the same ones that pull them apart.  But I knew from the way he looked at her.  I knew what he felt.  I knew how much she meant to him.  And in that moment, I finally understood.  Because that's the exact same way I look at you.  (I have learned to see gravity; it is the colour of your skin.)

He meditated resentfully on the physical texture of life. Had it always been like this? Had food always tasted like this? He looked round the canteen. A low-ceilinged, crowded room, its walls grimy from the contact of innumerable bodies; battered metal tables and chairs, placed so close together that you sat with elbows touching; bent spoons, dented trays, coarse white mugs; all surfaces greasy, grime in every crack; and a sourish, composite smell of bad gin and bad coffee and metallic stew and dirty clothes. Always in your stomach and in your skin there was a sort of protest, a feeling that you had been cheated of something that you had a right to. It was true that he had no memories of anything greatly different. In any time that he could accurately remember, there had never been quite enough to eat, one had never had socks or underclothes that were not full of holes, furniture had always been battered and rickety, rooms underheated, tube trains crowded, houses falling to pieces, bread dark-coloured, tea a rarity, coffee filthy-tasting, cigarettes insufficient -- nothing cheap and plentiful except synthetic gin. And though, of course, it grew worse as one's body aged, was it not a sign that this was not the natural order of things, if one's heart sickened at the discomfort and dirt and scarcity, the interminable winters, the stickiness of one's socks, the lifts that never worked, the cold water, the gritty soap, the cigarettes that came to pieces, the food with its strange evil tastes? Why should one feel it to be intolerable unless one had some kind of ancestral memory that things had once been different?

It was quite unlike any other party they had seen that day. The crier who went before it shouting, “Way, way!” was the only Calormene in it. And there was no litter; everyone was on foot. There were about half a dozen men and Shasta had never seen anyone like them before. For one thing, they were all as fair-skinned as himself, and most of them had fair hair. And they were not dressed like men of Calormen. Most of them had legs bare to the knee. Their tunics were of fine, bright, hardy colours – woodland green, or gay yellow, or fresh blue. Instead of turbans they wore steel or silver caps, some of them set with jewels, and one with little wings on each side of it. A few were bare-headed. The swords at their sides were long and straight, not curved like Calormene scimitars. And instead of being grave and mysterious like most Calormenes, they walked with a swing and let their arms and shoulders go free, and chatted and laughed. One was whistling. You could see that they were ready to be friends with anyone who was friendly, and didn’t give a fig for anyone who wasn’t. Shasta thought he had never seen anything so lovely in his life.

According to Yiannis' sister Irini, who had trained as a hairdresser in London, the British spent their long winters in grey and black, and this was why they chose such gaudy colours for the summer: turquoise with blue, orange with pink, mauve with indigo. Colours that didn't go well with the bleached hair of the women and the reddish flush of tans that resulted from too great a greediness for the sun, as if Mother Nature, who hated to be hurried, had imprinted her exasperation on their skin.

From birth to death and further on As we were born and introduced into this world, We had a gift hard to express by word And somewhere in our continuous road, It kind of lost it sense and turned. There was that time we sure remember, When everything was now and 'till forever Children with no worries and no regrets, The only goal was making a few friends. But later on everything has changed, By minds that had it all arranged To bring the people into stress, Into creating their own mess. We have been slaved by our own mind, Turned into something out of our kind Slowly faded away from the present time, Forced to believe in lies, in fights and crime. They made it clearly a fight of the ego, A never ending war that won't just go They made it a competitive game, To seek selfish materialistic fame. They turned us one against eachother, Man against man, brother against brother Dividing us by religion and skin color, Making us fight to death over a dollar. Making us lose ourselves in sadly thoughts, Wasting our days by living in the past Depressed and haunted by the memories, And yet still hoping to fly in our dreams. Some of us tried learning how to dance, Step after step, giving our soul a new chance Some of us left our ego vanish into sounds, Thus being aware of our natural bounce. Some tried expressing in their rhymes, The voice of a generation which never dies They reached eternity through poetry Leaving the teachings that shall fulfill the prophecy Others have found their way through spirituality, Becoming conscious of the human duality Seeking the spiritual enlightenment, Of escaping an ego-oriented fighting Science, philosophy, religion, Try to explain the human origin. Maybe changes are yet to come, And it shall be better for some Death's for the spirit not an end, But a relieving of the embodiment So I believe that furthermore, We'll understand the power of our soul But leaving behind all we know, And all that we might not yet know It all resumes to that certain truth, That we all seek to once conclude.

He looked at them and saw their faces did not fit. The skin on the skulls crawled and twitched like half-solid paste. All the heads in his angle of vision seemed irregular lumps, like potatoes but without a potato’s repose: potatoes with crawling surfaces punctured by holes which opened and shut, holes blocked with coloured jelly or fringed with bone stumps, elastic holes through which air was sucked or squirted, holes secreting salt, wax, spittle and snot. He grasped a pencil in his trouser pocket, wishing it were a knife he could thrust through his cheek and use to carve his face down to the clean bone. But that was foolish. Nothing clean lay under the face. He thought of sectioned brains, palettes, eyeballs and ears seen in medical diagrams and butcher’s shops. He thought of elastic muscle, pulsing tubes, gland sacks full of lukewarm fluid, the layers of cellular and fibrous and granular tissues inside a head. What was felt as tastes, caresses, dreams and thoughts could be seen as a cleverly articulated mass of garbage.

The Native Americans, whose wisdom Thoreau admired, regarded the Earth itself as a sacred source of energy. To stretch out on it brought repose, to sit on the ground ensured greater wisdom in councils, to walk in contact with its gravity gave strength and endurance. The Earth was an inexhaustible well of strength: because it was the original Mother, the feeder, but also because it enclosed in its bosom all the dead ancestors. It was the element in which transmission took place. Thus, instead of stretching their hands skyward to implore the mercy of celestial divinities, American Indians preferred to walk barefoot on the Earth: The Lakota was a true Naturist – a lover of Nature. He loved the earth and all things of the earth, the attachment growing with age. The old people came literally to love the soil and they sat or reclined on the ground with a feeling of being close to a mothering power. It was good for the skin to touch the earth and the old people liked to remove their moccasins and walk with bare feet on the sacred earth. Their tipis were built upon the earth and their altars were made of earth. The birds that flew in the air came to rest on the earth and it was the final abiding place of all things that lived and grew. The soil was soothing, strengthening, cleansing and healing. That is why the old Indian still sits upon the earth instead of propping himself up and away from its life-giving forces. For him, to sit or lie upon the ground is to be able to think more deeply and to feel more keenly; he can see more clearly into the mysteries of life and come closer in kinship to other lives about him. Walking, by virtue of having the earth’s support, feeling its gravity, resting on it with every step, is very like a continuous breathing in of energy. But the earth’s force is not transmitted only in the manner of a radiation climbing through the legs. It is also through the coincidence of circulations: walking is movement, the heart beats more strongly, with a more ample beat, the blood circulates faster and more powerfully than when the body is at rest. And the earth’s rhythms draw that along, they echo and respond to each other. A last source of energy, after the heart and the Earth, is landscapes. They summon the walker and make him at home: the hills, the colours, the trees all confirm it. The charm of a twisting path among hills, the beauty of vine fields in autumn, like purple and gold scarves, the silvery glitter of olive leaves against a defining summer sky, the immensity of perfectly sliced glaciers … all these things support, transport and nourish us.

As they sat at the table, she did not like the girls talking among themselves, or discussing matters she knew nothing about, and she did not encourage any mention of boyfriends. She was mainly interested in clothes and shoes, and where they could be bought and at what price and at what time of the year. Changing fashions and new trends were her daily topic, although she herself, as she often pointed out, was too old for some of the new colours and styles. Yet, Eilis saw, she dressed impeccably and noticed every item each of her lodgers was wearing. She also loved discussing skin care and different types of skin and problems. Mrs. Kehoe had her hair done once a week, on a Saturday, using the same hairdresser each time, spending several hours with her so that her hair would be perfect for the rest of the week.

Mira Levenson. Aged twelve. Looks, long dark shiny hair, dark brown eyes (almost black), brown skin. Beautiful. Favorite colour, copper orange, I think. Personality, clever, bright, serious, shy, funny without realizing it, holds back her thoughts, mystery girl, arty. What I've noticed: she's stronger than she thinks she is; she doesn't speak much ay school. What I know: she's got a loud laugh (when she lets it out). Her best friend is Millie Lockhart. She doesn't need Millie as much as she thinks she does. Her grandmother is dying and she loves her. She started talking in Pat Print's class. I know she doesn't know how much I think of her, how much I miss her if she's not around. What I think she thinks about me is that I'm a bit of a joker, but I'm deadly serious. Deer...apple...green...sea... See you on Friday! Love Jidé

The clear liquid in our eyes is seawater and therefore there are fish in our eyes, seawater being the natural medium of fish. Since blue and green are the colours of the richest seawater, blue and green eyes are the fishiest. Dark eyes are somewhat less fecund and albino eyes are nearly fishless, sadly so. But the quantity of fish in an eye means nothing. A single tigerfish can be as beautiful, as powerful, as an entire school of seafaring tuna. That science has never observed ocular fish does nothing to refute my theory; on the contrary, it emphasizes the key hypothesis, which is: love is the food of eye fish and only love will bring them out. So to look closely into someone's eyes with cold, empirical interest is like the rude tap-tap of a finder on an aquarium, which only makes the fish flee. In a similar vein, when I took to looking at myself closely in mirrors during the turmoil of adolescence, the fact that I saw nothing in my eyes, not even the smallest guppy or tadpole, said something about my unhappiness and lack of faith in myself at the time. ...I no longer believe in eye fish in [i]fact[/i], but still do in metaphor. In the passion of an embrace, when breath, the win, is at its loudest and skin at its saltiest, I still nearly think that I could stop things and hear, feel, the rolling of the sea. I am still nearly convinced that, when my love and I kiss, we will be blessed with the sight of angelfish and sea-horses rising to the surface of our eyes, these fish being the surest proof of our love. In spite of everything, I sill profoundly believe that love is something oceanic.

I write this sitting in the kitchen sink. That is, my feet are in it; the rest of me is on the draining-board, which I have padded with our dog's blanket and the tea-cosy. I can't say that I am really comfortable, and there is a depressing smell of carbolic soap, but this is the only part of the kitchen where there is any daylight left. And I have found that sitting in a place where you have never sat before can be inspiring - I wrote my very best poem while sitting on the hen-house. Though even that isn't a very good poem. I have decided my best poetry is so bad that I mustn't write any more of it. Drips from the roof are plopping into the water-butt by the back door. The view through the windows above the sink is excessively drear. Beyond the dank garden in the courtyard are the ruined walls on the edge of the moat. Beyond the moat, the boggy ploughed fields stretch to the leaden sky. I tell myself that all the rain we have had lately is good for nature, and that at any moment spring will surge on us. I try to see leaves on the trees and the courtyard filled with sunlight. Unfortunately, the more my mind's eye sees green and gold, the more drained of all colour does the twilight seem. It is comforting to look away from the windows and towards the kitchen fire, near which my sister Rose is ironing - though she obviously can't see properly, and it will be a pity if she scorches her only nightgown. (I have two, but one is minus its behind.) Rose looks particularly fetching by firelight because she is a pinkish person; her skin has a pink glow and her hair is pinkish gold, very light and feathery. Although I am rather used to her I know she is a beauty. She is nearly twenty-one and very bitter with life. I am seventeen, look younger, feel older. I am no beauty but I have a neatish face. I have just remarked to Rose that our situation is really rather romantic - two girls in this strange and lonely house. She replied that she saw nothing romantic about being shut up in a crumbling ruin surrounded by a sea of mud. I must admit that our home is an unreasonable place to live in. Yet I love it. The house itself was built in the time of Charles II, but it was grafted on to a fourteenth-century castle that had been damaged by Cromwell. The whole of our east wall was part of the castle; there are two round towers in it. The gatehouse is intact and a stretch of the old walls at their full height joins it to the house. And Belmotte Tower, all that remains of an even older castle, still stands on its mound close by. But I won't attempt to describe our peculiar home fully until I can see more time ahead of me than I do now. I am writing this journal partly to practise my newly acquired speed-writing and partly to teach myself how to write a novel - I intend to capture all our characters and put in conversations. It ought to be good for my style to dash along without much thought, as up to now my stories have been very stiff and self-conscious. The only time father obliged me by reading one of them, he said I combined stateliness with a desperate effort to be funny. He told me to relax and let the words flow out of me.

— If love wants you; if you’ve been melted down to stars, you will love with lungs and gills, with warm blood and cold. With feathers and scales. Under the hot gloom of the forest canopy you’ll want to breathe with the spiral calls of birds, while your lashing tail still gropes for the waes. You’ll try to haul your weight from simple sea to gravity of land. Caught by the tide, in the snail-slip of your own path, for moments suffocating in both water and air. If love wants you, suddently your past is obsolete science. Old maps, disproved theories, a diorama. The moment our bodies are set to spring open. The immanence that reassembles matter passes through us then disperses into time and place: the spasm of fur stroked upright; shocked electrons. The mother who hears her child crying upstairs and suddenly feels her dress wet with milk. Among black branches, oyster-coloured fog tongues every corner of loneliness we never knew before we were loved there, the places left fallow when we’re born, waiting for experience to find its way into us. The night crossing, on deck in the dark car. On the beach wehre night reshaped your face. In the lava fields, carbon turned to carpet, moss like velvet spread over splintered forms. The instant spray freezes in air above the falls, a gasp of ice. We rise, hearing our names called home through salmon-blue dusk, the royal moon an escutcheon on the shield of sky. The current that passes through us, radio waves, electric lick. The billions of photons that pass through film emulsion every second, the single submicroscopic crystal struck that becomes the phograph. We look and suddenly the world looks back. A jagged tube of ions pins us to the sky. — But if, like starlings, we continue to navigate by the rear-view mirror of the moon; if we continue to reach both for salt and for the sweet white nibs of grass growing closest to earth; if, in the autumn bog red with sedge we’re also driving through the canyon at night, all around us the hidden glow of limestone erased by darkness; if still we sish we’d waited for morning, we will know ourselves nowhere. Not in the mirrors of waves or in the corrading stream, not in the wavering glass of an apartment building, not in the looming light of night lobbies or on the rainy deck. Not in the autumn kitchen or in the motel where we watched meteors from our bed while your slow film, the shutter open, turned stars to rain. We will become indigestible. Afraid of choking on fur and armour, animals will refuse the divided longings in our foreing blue flesh. — In your hands, all you’ve lost, all you’ve touched. In the angle of your head, every vow and broken vow. In your skin, every time you were disregarded, every time you were received. Sundered, drowsed. A seeded field, mossy cleft, tidal pool, milky stem. The branch that’s released when the bird lifts or lands. In a summer kitchen. On a white winter morning, sunlight across the bed.

I have a dream that one day this nation will rise up and live out the true meaning of its creed: We hold these truths to be self-evident, that all men are created equal. ‘I have a dream that one day, on the red hills of Georgia, the sons of former slaves and the sons of former slave owners will be able to sit down to gether at the table of brotherhood – I have a dream. ‘That one day even the state of Mississippi – a state sweltering with the heat of injustice, sweltering with the heat of op pression – will be transformed into an oasis of freedom and justice. I have a dream.’ He had hit a rhythm, and two hundred thousand people felt it sway their souls. It was more than a speech: it was a poem and a canticle and a prayer as deep as the grave. The heartbreaking phrase ‘I have a dream’ came like an amen at the end of each ringing sentence. ‘. . . That my four little children will one day live in a nation where they will not be judged by the colour of their skin but by the content of their character – I have a dream today. ‘I have a dream that one day down in Alabama – with its vicious racists, with its governor having his lips dripping with the words of interposition and nullification – one day right there in Alabama, little black boys and black girls will be able to join hands with little white boys and white girls as sisters and brothers – I have a dream today. ‘With this faith we will be able to hew, out of the mountain of despair, a stone of hope. ‘With this faith we will be able to transform the jangling discords of our nation into a beautiful symphony of brotherhood. ‘With this faith we will be able to work together, to pray together, to struggle together, to go to jail together, to stand up for freedom together, knowing that we will be free one day.’ Looking around, Jasper saw that black and white faces alike were running with tears. Even he felt moved, and he had thought himself immune to this kind of thing. ‘And when this happens; when we allow freedom to ring; when we let it ring from every village and every hamlet, from every state and every city; we will be able to speed up that day when all of God’s children, black men and white men, Jews and Gentiles, Protestants and Catholics, will be able to join hands . . .’ Here he slowed down, and the crowd was almost silent. King’s voice trembled with the earthquake force of his passion. ‘. . . and sing, in the words of the old Negro spiritual: ‘Free at last! ‘Free at last! ‘Thank God Almighty, we are free at last!

Women with dark skin are sharing selfies on social media after decades of being underrepresented in the mainstream media. From what I have observed much of the dark skin adoration on social media appears to come from us - black women. We tend to use the appreciation hashtags with our own pictures of photographs of dark skin women whom we feel are stunning. While I am loving this fierceness.. There is just one sidetone to this revolution: I feel as if we are much more appreciated if we show more skin. The timelines are filled with absolutely beautiful dark-skinned women but most sadly most of the time they are all oiled up and showing their body parts in different angles. Now, I am definitely in to art and as a model I know that this comes with the territory. But we most not forget that we are Queens.. We need to stop degrading ourselves for likes on the gram. You don't have to be naked to show the world you're beautiful. You my sister are an African Queen. I feel as if black women are only appreciated if they wear very provocative clothes or if they do naked photoshoots. To me, it's degrading and reminds me of the time that we couldn't ride the bus because we were black. Women were seen as servants. The black women that weren't servants were sex slaves. We are not objects, we are not meat and people need to stop looking at us as sex objects. BUT we need to start respecting ourselves first! A black woman is a woman first and it should not even be necessary to specify the colour but this is the society we live in and I feel like I had to share this.

It’s no one’s fault really,” he continued. “A big city cannot afford to have its attention distracted from the important job of being a big city by such a tiny, unimportant item as your happiness or mine.” This came out of him easily, assuredly, and I was suddenly interested. On closer inspection there was something aesthetic and scholarly about him, something faintly professorial. He knew I was with him, listening, and his grey eyes were kind with offered friendliness. He continued: “Those tall buildings there are more than monuments to the industry, thought and effort which have made this a great city; they also occasionally serve as springboards to eternity for misfits who cannot cope with the city and their own loneliness in it.” He paused and said something about one of the ducks which was quite unintelligible to me. “A great city is a battlefield,” he continued. “You need to be a fighter to live in it, not exist, mark you, live. Anybody can exist, dragging his soul around behind him like a worn-out coat; but living is different. It can be hard, but it can also be fun; there’s so much going on all the time that’s new and exciting.” I could not, nor wished to, ignore his pleasant voice, but I was in no mood for his philosophising. “If you were a negro you’d find that even existing would provide more excitement than you’d care for.” He looked at me and suddenly laughed; a laugh abandoned and gay, a laugh rich and young and indescribably infectious. I laughed with him, although I failed to see anything funny in my remark. “I wondered how long it would be before you broke down and talked to me,” he said, when his amusement had quietened down. “Talking helps, you know; if you can talk with someone you’re not lonely any more, don’t you think?” As simple as that. Soon we were chatting away unreservedly, like old friends, and I had told him everything. “Teaching,” he said presently. “That’s the thing. Why not get a job as a teacher?” “That’s rather unlikely,” I replied. “I have had no training as a teacher.” “Oh, that’s not absolutely necessary. Your degrees would be considered in lieu of training, and I feel sure that with your experience and obvious ability you could do well.” “Look here, Sir, if these people would not let me near ordinary inanimate equipment about which I understand quite a bit, is it reasonable to expect them to entrust the education of their children to me?” “Why not? They need teachers desperately.” “It is said that they also need technicians desperately.” “Ah, but that’s different. I don’t suppose educational authorities can be bothered about the colour of people’s skins, and I do believe that in that respect the London County Council is rather outstanding. Anyway, there would be no need to mention it; let it wait until they see you at the interview.” “I’ve tried that method before. It didn’t work.” “Try it again, you’ve nothing to lose. I know for a fact that there are many vacancies for teachers in the East End of London.” “Why especially the East End of London?” “From all accounts it is rather a tough area, and most teachers prefer to seek jobs elsewhere.” “And you think it would be just right for a negro, I suppose.” The vicious bitterness was creeping back; the suspicion was not so easily forgotten. “Now, just a moment, young man.” He was wonderfully patient with me, much more so than I deserved. “Don’t ever underrate the people of the East End; from those very slums and alleyways are emerging many of the new breed of professional and scientific men and quite a few of our politicians. Be careful lest you be a worse snob than the rest of us. Was this the kind of spirit in which you sought the other jobs?

I do know that the gardens of the first lands are still lying there, right under the skin of the world- pulsing the way our heartbeat drums under our own skin. And I believe that there's a connectedness between everything that gives some people a deep and abiding affinity to a certain kind of place or creature." "Like totems?" "Maybe. Or maybe something even more personal- something that's impossible to articulate with the vocabulary we have at the moment." "This is too weird." Annie shrugged. "What can I say? It's getting late, the stars are out. Once the sun sets, I tend to embrace whatever wild spirits are running around in the darkness, talking away to each other. I leave the logic of streets and pavement and cars and tall buildings behind and buy into the old magics that they're whispering about. Sometimes those little mysteries and bits of wisdom stick to the bones of my head and I carry them right out into the sunlight again. They're like Jack's stories, true and not true, all at the same time. They don't exactly shape my life, but they certainly colour it." She glanced at him, "I wouldn't like to live in a world where everything's as cut-and-dried as most people think it is

Close your eyes and stare into the dark. My father's advice when I couldn't sleep as a little girl. He wouldn't want me to do that now but I've set my mind to the task regardless. I'm staring beyond my closed eyelids. Though I lie still on the ground, I feel perched at the highest point I could possibly be; clutching at a star in the night sky with my legs dangling above cold black nothingness. I take one last look at my fingers wrapped around the light and let go. Down I go, falling, then floating, and, falling again, I wait for the land of my life. I know now, as I knew as that little girl fighting sleep, that behind her gauzed screen of shut-eye, lies colour. It taunts me, dares me to open my eyes and lose sleep. Flashes of red and amber, yellow and white speckle my darkness. I refuse to open them. I rebel and I squeeze my eyelids together tighter to block out the grains of light, mere distractions that keep us awake but a sign that there's life beyond. But there's no life in me. None that I can feel, from where I lie at the bottom of the staircase. My heart beats quicker now, the lone fighter left standing in the ring, a red boxing glove pumping victoriously into the air, refusing to give up. It's the only part of me that cares, the only part that ever cared. It fights to pump the blood around to heal, to replace what I'm losing. But it's all leaving my body as quickly as it's sent; forming a deep black ocean of its own around me where I've fallen. Rushing, rushing, rushing. We are always rushing. Never have enough time here, always trying to make our way there. Need to have left here five minutes ago, need to be there now. The phone rings again and I acknowledge the irony. I could have taken my time and answered it now. Now, not then. I could have taken all the time in the world on each of those steps. But we're always rushing. All, but my heart. That slows now. I don't mind so much. I place my hand on my belly. If my child is gone, and I suspect this is so, I'll join it there. There.....where? Wherever. It; a heartless word. He or she so young; who it was to become, still a question. But there, I will mother it. There, not here. I'll tell it; I'm sorry, sweetheart, I'm sorry I ruined your chances - our chances of a life together.But close your eyes and stare into the darkness now, like Mummy is doing, and we'll find our way together. There's a noise in the room and I feel a presence. 'Oh God, Joyce, oh God. Can you hear me, love? Oh God. Oh God, please no, Hold on love, I'm here. Dad is here.' I don't want to hold on and I feel like telling him so. I hear myself groan, an animal-like whimper and it shocks me, scares me. I have a plan, I want to tell him. I want to go, only then can I be with my baby. Then, not now. He's stopped me from falling but I haven't landed yet. Instead he helps me balance on nothing, hover while I'm forced to make the decision. I want to keep falling but he's calling the ambulance and he's gripping my hand with such ferocity it's as though I'm all he has. He's brushing the hair from my forehead and weeping loudly. I've never heard him weep. Not even when Mum died. He clings to my hand with all of his strength I never knew his old body had and I remember that I am all he has and that he, once again just like before, is my whole world. The blood continues to rush through me. Rushing, rushing, rushing. We are always rushing. Maybe I'm rushing again. Maybe it's not my time to go. I feel the rough skin of old hands squeezing mine, and their intensity and their familiarity force me to open my eyes. Lights fills them and I glimpse his face, a look I never want to see again. He clings to his baby. I know I lost mind; I can't let him lose his. In making my decision I already begin to grieve. I've landed now, the land of my life. And still my heart pumps on. Even when broken it still works.

After three years of music-hall and theatre I'm still the same: always ready too soon. Ten thirty-five. . . . I'd better open that book lying on the make-up shelf, even though I've read it over and over again, or the copy of Paris-Sport the dresser was marking just now with my eyebrow pencil; otherwise I'll find myself all alone, face to face with that painted mentor who gazes at me from the other side of the looking-glass, with deep-set eyes under lids smeared with purplish grease-paint. Her cheek-bones are as brightly coloured as garden phlox and her blackish-red lips gleam as though they were varnished. She gazes at me for a long time and I know she is going to speak to me. She is going to say: "Is that you there? All alone, therr in that cage where idle, impatient, imprisoned hands have scored the white walls with interlaced initials and embellished them with crude, indecent shapes? On those plaster walls reddened nails, like yours, have unconsciously inscribed the appeal of the forsaken. Behind you a feminine hand has carved Marie, and the name ends in a passionate mounting flourish, like a cry to heaven. Is it you there, all alone under that ceiling booming and vibrating beneath the feet of dancers, like the floor of a mill in action? Why are you there, all alone? And why not somewhere else?" Yes, this is the dangerous, lucid hour. Who will knock at the door of my dressing-room, what face will come between me and the painted-mentor peering at me from the other side of the looking-glass? Chance, my master and my friend, will, I feel sure, deign once again to send me the spirits of his unruly kingdom. All my trust is now in him----and in myself. But above all in him, for when I go under he always fishes me out, seizing and shaking me like a life-saving dog whose teeth tear my skin a little every time. So now, whenever I despair, I no longer expect my end, but some bit of luck, some commonplace little miracle which, like a glittering link, will mend again the necklace of my days. Faith, that is what it is, genuine faith, as blind as it sometimes pretends to be, with all the dissembling renunciations of faith, and that obstinacy which makes it continue to hope even at the moment if crying. "I am utterly forsaken!" There is no doubt that, if ever my heart were to call my master Chance by another name, I should make an excellent Catholic.

Despite a seemingly pervasive belief that only people of colour ‘play the race card’, it does not take anything as dramatic as a slave revolution or Japanese imperialism to evoke white racial anxieties, something as trivial as the casting of non-white people in films or plays in which a character was ‘supposed’ to be white will do the trick. For example, the casting of Olivier award-winning actress Noma Dumezweni to play the role of Hermione in the debut West End production of Harry Potter and the Cursed Child got bigots so riled up that J. K. Rowling felt the need to respond and give her blessing for a black actress to play the role. A similar but much larger controversy occurred when the character Rue in the film The Hunger Games was played by a black girl, Amandla Stenberg. Even though Rue is described as having brown skin in the original novel, ‘fans’ of the book were shocked and dismayed that the movie version cast a brown girl to play the role, and a Twitter storm of abuse about the ethnic casting of the role ensued. You have to read the responses to truly appreciate how angry and abusive they are.- As blogger Dodai Stewart pointed out at the time: All these . . . people . . . read The Hunger Games. Clearly, they all fell in love with and cared about Rue. Though what they really fell in love with was an image of Rue that they’d created in their minds. A girl that they knew they could love and adore and mourn at the thought of knowing that she’s been brutally killed. And then the casting is revealed (or they go see the movie) and they’re shocked to see that Rue is black. Now . . . this is so much more than, 'Oh, she’s bigger than I thought.’ The reactions are all based on feelings of disgust. These people are MAD that the girl that they cried over while reading the book was ‘some black girl’ all along. So now they’re angry. Wasted tears, wasted emotions. It’s sad to think that had they known that she was black all along, there would have been [no] sorrow or sadness over her death.

Harriet turned round, and we both saw a girl walking towards us. She was dark-skinned and thin, not veiled but dressed in a sitara, a brightly coloured robe of greens and pinks, and she wore a headscarf of a deep rose colour. In that barren place the vividness of her dress was all the more striking. On her head she balanced a pitcher and in her hand she carried something. As we watched her approach, I saw that she had come from a small house, not much more than a cave, which had been built into the side of the mountain wall that formed the far boundary of the gravel plateau we were standing on. I now saw that the side of the mountain had been terraced in places and that there were a few rows of crops growing on the terraces. Small black and brown goats stepped up and down amongst the rocks with acrobatic grace, chewing the tops of the thorn bushes. As the girl approached she gave a shy smile and said, ‘Salaam alaikum, ’ and we replied, ‘Wa alaikum as salaam, ’ as the sheikh had taught us. She took the pitcher from where it was balanced on her head, kneeled on the ground, and gestured to us to sit. She poured water from the pitcher into two small tin cups, and handed them to us. Then she reached into her robe and drew out a flat package of greaseproof paper from which she withdrew a thin, round piece of bread, almost like a large flat biscuit. She broke off two pieces, and handed one to each of us, and gestured to us to eat and drink. The water and the bread were both delicious. We smiled and mimed our thanks until I remembered the Arabic word, ‘Shukran.’ So we sat together for a while, strangers who could speak no word of each other’s languages, and I marvelled at her simple act. She had seen two people walking in the heat, and so she laid down whatever she had been doing and came to render us a service. Because it was the custom, because her faith told her it was right to do so, because her action was as natural to her as the water that she poured for us. When we declined any further refreshment after a second cup of water she rose to her feet, murmured some word of farewell, and turned and went back to the house she had come from. Harriet and I looked at each other as the girl walked back to her house. ‘That was so…biblical,’ said Harriet. ‘Can you imagine that ever happening at home?’ I asked. She shook her head. ‘That was charity. Giving water to strangers in the desert, where water is so scarce. That was true charity, the charity of poor people giving to the rich.’ In Britain a stranger offering a drink to a thirsty man in a lonely place would be regarded with suspicion. If someone had approached us like that at home, we would probably have assumed they were a little touched or we were going to be asked for money. We might have protected ourselves by being stiff and unfriendly, evasive or even rude.

Go get her,' Amren hissed. 'Right now.' 'No,' I said, and hated the word. They gaped at me, and I wanted to roar at the sight of the blood coating them, at my unconscious and suffering brothers on the carpet before them. But I managed to say to my cousin, 'Weren't you listening to what Feyre said to him? She promised to destroy him- from within.' Mor's face paled, her magic flaring on Azriel's chest. 'She's going into that house to take him down. To take them all down.' I nodded. 'She is now a spy- with a direct line t me. What the King of Hybern does, where he goes, what his plans are, she will know. And report back.' Far between us, faint and soft, hidden so none might find it... between us lay a whisper of colour, and joy, of light and shadow- a whisper of her. Our bond. 'She's your mate,' Amren bit at me. 'Not your spy. Go get her.' 'She is my mate. And my spy,' I said too quietly. 'And she is the High Lady of the Night Court.' 'What?' Mor whispered. I caressed a mental finger down that bond now hidden deep, deep within us, and said, 'If they had removed her other glove, they would have seen a second tattoo on her right arm. The twin to the other. Inked last night, when we crept out, found a priestess, and I swore her in as my High Lady.' 'Not- not consort,' Amren blurted, blinking. I hadn't seen her surprised in... centuries. 'Not consort, not wife. Feyre is High Lady of the Night Court.' My equal in every way; she would wear my crown, sit on a throne beside mine. Never sidelined, never deigned to breeding and parties and child-rearing. My queen. As if in answer, a glimmer of love shuddered down the bond. I clamped down on the relief that threatened to shatter any calm I feigned having. 'You mean to tell me,' Mor breathed, 'that my High Lady is now surrounded by enemies?' A lethal sort of calm crept over her tear-stained face. 'I mean to tell you,' I said, watching the blood clot on Cassian's wings with Amren's tending. Beneath Mor's own hands. Azriel's bleeding at least eased. Enough to keep them alive until the healer got here. 'I mean to tell you,' I said again, my power building and rubbing itself against my skin, my bones, desperate to be unleashed upon the world, 'that your High Lady made a sacrifice for her court- and we will move when the time is right.' Perhaps Lucien being Elain's mate would help- somehow, I'd find a way. And then I'd assist my mate in ripping the Spring Court, Ianthe, those mortal queens, and the King of Hybern to shreds. Slowly. 'Until then?' Amren demanded. 'What of the Cauldron- of the book?' 'Until then,' I said, staring toward the door as if I might see her walk through it, laughing and vibrant and beautiful, 'we got to war.

No one who had ever seen Catherine Morland in her infancy would have supposed her born to be an heroine. Her situation in life, the character of her father and mother, her own person and disposition, were all equally against her. Her father was a clergyman, without being neglected, or poor, and a very respectable man, though his name was Richard — and he had never been handsome. He had a considerable independence besides two good livings — and he was not in the least addicted to locking up his daughters. Her mother was a woman of useful plain sense, with a good temper, and, what is more remarkable, with a good constitution. She had three sons before Catherine was born; and instead of dying in bringing the latter into the world, as anybody might expect, she still lived on — lived to have six children more — to see them growing up around her, and to enjoy excellent health herself. A family of ten children will be always called a fine family, where there are heads and arms and legs enough for the number; but the Morlands had little other right to the word, for they were in general very plain, and Catherine, for many years of her life, as plain as any. She had a thin awkward figure, a sallow skin without colour, dark lank hair, and strong features — so much for her person; and not less unpropitious for heroism seemed her mind. She was fond of all boy's plays, and greatly preferred cricket not merely to dolls, but to the more heroic enjoyments of infancy, nursing a dormouse, feeding a canary-bird, or watering a rose-bush. Indeed she had no taste for a garden; and if she gathered flowers at all, it was chiefly for the pleasure of mischief — at least so it was conjectured from her always preferring those which she was forbidden to take. Such were her propensities — her abilities were quite as extraordinary. She never could learn or understand anything before she was taught; and sometimes not even then, for she was often inattentive, and occasionally stupid. Her mother was three months in teaching her only to repeat the "Beggar's Petition"; and after all, her next sister, Sally, could say it better than she did. Not that Catherine was always stupid — by no means; she learnt the fable of "The Hare and Many Friends" as quickly as any girl in England. Her mother wished her to learn music; and Catherine was sure she should like it, for she was very fond of tinkling the keys of the old forlorn spinner; so, at eight years old she began. She learnt a year, and could not bear it; and Mrs. Morland, who did not insist on her daughters being accomplished in spite of incapacity or distaste, allowed her to leave off. The day which dismissed the music-master was one of the happiest of Catherine's life. Her taste for drawing was not superior; though whenever she could obtain the outside of a letter from her mother or seize upon any other odd piece of paper, she did what she could in that way, by drawing houses and trees, hens and chickens, all very much like one another. Writing and accounts she was taught by her father; French by her mother: her proficiency in either was not remarkable, and she shirked her lessons in both whenever she could. What a strange, unaccountable character! — for with all these symptoms of profligacy at ten years old, she had neither a bad heart nor a bad temper, was seldom stubborn, scarcely ever quarrelsome, and very kind to the little ones, with few interruptions of tyranny; she was moreover noisy and wild, hated confinement and cleanliness, and loved nothing so well in the world as rolling down the green slope at the back of the house.

Oh I'll die I'll die I'll die My skin is in blazing furore I do not know what I'll do where I'll go oh I am sick I'll kick all Arts in the butt and go away Shubha Shubha let me go and live in your cloaked melon In the unfastened shadow of dark destroyed saffron curtain The last anchor is leaving me after I got the other anchors lifted I can't resist anymore, a million glass panes are breaking in my cortex I know, Shubha, spread out your matrix, give me peace Each vein is carrying a stream of tears up to the heart Brain's contagious flints are decomposing out of eternal sickness other why didn't you give me birth in the form of a skeleton I'd have gone two billion light years and kissed God's ass But nothing pleases me nothing sounds well I feel nauseated with more than a single kiss I've forgotten women during copulation and returned to the Muse In to the sun-coloured bladder I do not know what these happenings are but they are occurring within me I'll destroy and shatter everything draw and elevate Shubha in to my hunger Shubha will have to be given Oh Malay Kolkata seems to be a procession of wet and slippery organs today But i do not know what I'll do now with my own self My power of recollection is withering away Let me ascend alone toward death I haven't had to learn copulation and dying I haven't had to learn the responsibility of shedding the last drops after urination Haven't had to learn to go and lie beside Shubha in the darkness Have not had to learn the usage of French leather while lying on Nandita's bosom Though I wanted the healthy spirit of Aleya's fresh China-rose matrix Yet I submitted to the refuge of my brain's cataclysm I am failing to understand why I still want to live I am thinking of my debauched Sabarna-Choudhury ancestors I'll have to do something different and new Let me sleep for the last time on a bed soft as the skin of Shubha's bosom I remember now the sharp-edged radiance of the moment I was born I want to see my own death before passing away The world had nothing to do with Malay Roychoudhury Shubha let me sleep for a few moments in your violent silvery uterus Give me peace, Shubha, let me have peace Let my sin-driven skeleton be washed anew in your seasonal bloodstream Let me create myself in your womb with my own sperm Would I have been like this if I had different parents? Was Malay alias me possible from an absolutely different sperm? Would I have been Malay in the womb of other women of my father? Would I have made a professional gentleman of me like my dead brother without Shubha? Oh, answer, let somebody answer these Shubha, ah Shubha Let me see the earth through your cellophane hymen Come back on the green mattress again As cathode rays are sucked up with the warmth of a magnet's brilliance I remember the letter of the final decision of 1956 The surroundings of your clitoris were being embellished with coon at that time Fine rib-smashing roots were descending in to your bosom Stupid relationship inflated in the bypass of senseless neglect Aaaaaaaaaaaaaaaaaaaaaaaah I do not know whether I am going to die Squandering was roaring within heart's exhaustive impatience I'll disrupt and destroy I'll split all in to pieces for the sake of Art There isn't any other way out for Poetry except suicide Shubha Let me enter in to the immemorial incontinence of your labia majora In to the absurdity of woeless effort In the golden chlorophyll of the drunken heart Why wasn't I lost in my mother's urethra? Why wasn't I driven away in my father's urine after his self-coition? Why wasn't I mixed in the ovum -flux or in the phlegm? With her eyes shut supine beneath me I felt terribly distressed when I saw comfort seize S