Sketch London Quotes

I don't know what London's coming to — the higher the buildings the lower the morals.

Every once in a while, in newspapers, magazines, and biographical dictionaries, I run upon sketches of my life, wherein, delicately phrased, I learn that it was in order to study sociology that I became a tramp. This is very nice and thoughtful of the biographers, but it is inaccurate. I became a tramp — well, because of the life that was in me, of the wanderlust in my blood that would not let me rest. Sociology was merely incidental; it came afterward, in the same manner that a wet skin follows a ducking. I went on "The Road" because I couldn't keep away from it; because I hadn't the price of the railroad fare in my jeans; because I was so made that I couldn't work all my life on "one same shift"; because — well, just because it was easier to than not to.

he lived in London indeed but invisibly, his existence like an erased pencil sketch

Merry Patricia Wilding was sitting on a cobblestone wall, sketching three rutabagas and daydreaming about the unicorn.

Strange to say, the English people were so pleased with this humorous sketch of themselves, that they bought eighty thousand copies of the work. Not often is a truth teller so rewarded.

The Brute, which is the only sea-story in the volume, is, like Il Conde, associated with a direct narrative and based on a suggestion gathered on warm human lips. I will not disclose the real name of the criminal ship but the first I heard of her homicidal habits was from the late Captain Blake, commanding a London ship in which I served in 1884 as Second Officer. Captain Blake was, of all my commanders, the one I remember with the greatest affection. I have sketched in his personality, without however mentioning his name, in the first paper of The Mirror of the Sea. In his young days he had had a personal experience of the brute and it is perhaps for that reason that I have put the story into the mouth of a young man and made of it what the reader will see. The existence of the brute was a fact.

During my stay in London I resided for a considerable time in Clapham Road in the neighbourhood of Clapham Common... One fine summer evening I was returning by the last bus 'outside' as usual, through the deserted streets of the city, which are at other times so full of life. I fell into a reverie (Träumerei), and 10, the atoms were gambolling before my eyes! Whenever, hitherto, these diminutive beings had appeared to me, they had always been in motion: but up to that time I had never been able to discern the nature of their motion. Now, however, I saw how, frequently, two smaller atoms united to form a pair: how the larger one embraced the two smaller ones: how still larger ones kept hold of three or even four of the smaller: whilst the whole kept whirling in a giddy dance. I saw how the larger ones formed a chain, dragging the smaller ones after them but only at the ends of the chain. I saw what our past master, Kopp, my highly honoured teacher and friend has depicted with such charm in his Molekular-Welt: but I saw it long before him. The cry of the conductor 'Clapham Road', awakened me from my dreaming: but I spent part of the night in putting on paper at least sketches of these dream forms. This was the origin of the 'Structural Theory'.

Mrs. Jameson had not at this time written the works on sacred art with which her name is now chiefly associated; but she was already engaged in her long struggle to earn her livelihood by her pen. Her first work, ‘The Diary of an Ennuyée’ (1826), written before her marriage, had attracted considerable attention. Since then she had written her ‘Characteristics of Women,’ ‘Essays on Shakespeare’s Female Characters,’ ‘Visits and Sketches,’ and a number of compilations of less importance. Quite recently she had been engaged to write handbooks to the public and private art galleries of London, and had so embarked on the career of art authorship in which her best work was done.

As a child, she was curious about the world beyond the sea, but in a vague, half-sketched way, as she was curious about a lot of things she read in books. London and Treasure Island and horses and dragons were all equally imagined to her. She thought she would probably see them one day, when she was old. In the meantime, the island was hers to explore, and it took up more time than she could ever imagine having. There were books to read, thousands of them in the castle library, and Rowan brought back more all the time. There were trees to climb, caves along the beach to get lost in, traces of the fair folk who had once lived on the island to find and bring home. There was work to be done: Food needed to be grown and harvested; the livable parts of the castle, the parts that weren't a crumbling ruin, needed to be combed for useful things when the tide went out. She was a half-wild thing of ink and grass and sea breezes, raised by books and rabbits and fairy lore, and that was all she cared to be.

A silver hairbrush, old and surely precious, with a little leopard's head for London stamped near the bristles. A white dress, small and pretty, the sort of old-fashioned dress Cassandra had never seen, let alone owned- the girls at school would laugh if she wore such a thing. A bundle of papers tied together with a pale blue ribbon. Cassandra let the bow slip loose between her fingertips and brushed the ends aside to see what lay beneath. A picture, a black-and-white sketch. The most beautiful woman Cassandra had ever seen, standing beneath a garden arch. No, not an arch, a leafy doorway, the entrance to a tunnel of trees. A maze, she thought suddenly. The strange word came into her mind fully formed. Scores of little black lines combined like magic to form the picture, and Cassandra wondered what it would feel like to create such a thing. The image was oddly familiar and at first she couldn't think how that could be. Then she realized- the woman looked like someone from a children's book. Like an illustration from an olden-days fairy tale, the maiden who turns into a princess when the handsome prince sees beyond her ratty clothing.

FEARON, HENRY BRADSHAW. Sketches of America (1817-1818). Narrative of a Journey of 5,000 Miles through the Eastern and Western States of America. Second Edition, London: 1818.

The little boy had a delightful curious face. “Do you live in London?” he asked Obinze. “Yes,” Obinze said, but that yes did not tell his story, that he lived in London indeed but invisibly, his existence like an erased pencil sketch; each time he saw a policeman, or anyone in a uniform, anyone with the faintest scent of authority, he would fight the urge

Another game-changing project is the BRCK, pronounced “brick,” created by the same team behind Ushahidi and iHub. On a flight back to Africa from the United States some years ago, Hersman looked down on our vast, rugged continent and wondered why it was that most routers and modems were built for the first-world comfort zones of, say, New York or London, whereas most Internet users actually live in the harsh, far less comfortable environments of Asia, Africa and Latin America. The team sketched out a design for a rugged portable connectivity device that could work in remote conditions where electrical power and Internet connections were a problem. The result is the BRCK, a sturdy, brick-shaped, cloud-enabled Wi-Fi hotspot router from which you can access the Internet from anywhere on the continent that is close to a signal. It has an antenna, charger, USB ports, 4 GB of storage, a built-in global SIM card and enough backup power to survive a blackout. The device sells for $199 online and is already being used in 45 countries around the world. Consider the provenance: designed in Nairobi, Kenya; manufactured in Austin, Texas. This is a complete reversal of the standard manufacturing paradigm. Again, an example of African technology going global.

Belle suddenly cinched

Ken Wharfe In 1987, Ken Wharfe was appointed a personal protection officer to Diana. In charge of the Princess’s around-the-clock security at home and abroad, in public and in private, Ken Wharfe became a close friend and loyal confidant who shared her most private moments. After Diana’s death, Inspector Wharfe was honored by Her Majesty Queen Elizabeth II at Buckingham Palace and made a Member of the Victorian Order, a personal gift of the sovereign for his loyal service to her family. His book, Diana: Closely Guarded Secret, is a Sunday Times and New York Times bestseller. He is a regular contributor with the BBC, ITN, Sky News, NBC, CBS, and CNN, participating in numerous outside broadcasts and documentaries for BBC--Newsnight, Channel 4 News, Channel 5 News, News 24, and GMTV. My memory of Diana is not her at an official function, dazzling with her looks and clothes and the warmth of her manner, or even of her offering comfort among the sick, the poor, and the dispossessed. What I remember best is a young woman taking a walk in a beautiful place, unrecognized, carefree, and happy. Diana increasingly craved privacy, a chance “to be normal,” to have the opportunity to do what, in her words, “ordinary people” do every day of their lives--go shopping, see friends, go on holiday, and so on--away from the formality and rituals of royal life. As someone responsible for her security, yet understanding her frustration, I was sympathetic. So when in the spring of the year in which she would finally be separated from her husband, Prince Charles, she yet again raised the suggestion of being able to take a walk by herself, I agreed that such a simple idea could be realized. Much of my childhood had been spent on the Isle of Purbeck in Dorset, a county in southern England approximately 120 miles from London; I remembered the wonderful sandy beaches of Studland Bay, on the approach to Poole Harbour. The idea of walking alone on miles of almost deserted sandy beach was something Diana had not even dared dream about. At this time she was receiving full twenty-four-hour protection, and it was at my discretion how many officers should be assigned to her protection. “How will you manage it, Ken? What about the backup?” she asked. I explained that this venture would require us to trust each other, and she looked at me for a moment and nodded her agreement. And so, early one morning less than a week later, we left Kensington Palace and drove to the Sandbanks ferry at Poole in an ordinary saloon car. As we gazed at the coastline from the shabby viewing deck of the vintage chain ferry, Diana’s excitement was obvious, yet not one of the other passengers recognized her. But then, no one would have expected the most photographed woman in the world to be aboard the Studland chain ferry on a sunny spring morning in May. As the ferry docked after its short journey, we climbed back into the car and then, once the ramp had been lowered, drove off in a line of cars and service trucks heading for Studland and Swanage. Diana was driving, and I asked her to stop in a sand-covered area about half a mile from the ferry landing point. We left the car and walked a short distance across a wooded bridge that spanned a reed bed to the deserted beach of Shell Bay. Her simple pleasure at being somewhere with no one, apart from me, knowing her whereabouts was touching to see. Diana looked out toward the Isle of Wight, anxious by now to set off on her walk to the Old Harry Rocks at the western extremity of Studland Bay. I gave her a personal two-way radio and a sketch map of the shoreline she could expect to see, indicating a landmark near some beach huts at the far end of the bay, a tavern or pub, called the Bankes Arms, where I would meet her.

Christopher listened attentively. With the breeze playing lightly in his dark gold hair, and a slight smile on his lips, he was so handsome that it was difficult not to gape at him. “You know all the secrets of this forest, don’t you?” he asked gently. “There’s so much to learn, I’ve only scratched the surface. I’ve filled books with sketches of animals and plants, and I keep finding new ones to study.” A wistful sigh escaped her. “There is talk of a natural history society to be established in London. I wish I could be part of it.” “Why can’t you?” “I’m sure they won’t admit ladies,” Beatrix said. “None of those groups do. It will be a room full of whiskered old men smoking pipes and sharing entomological notes. Which is a pity, because I daresay I could talk about insects as well as any of them.” A slow smile crossed his face. “I for one am glad you have neither pipe nor whiskers,” he said. “However, it seems a pity that anyone who likes animals and insects as well as you shouldn’t be allowed to discuss them. Perhaps we could persuade them to make an exception for you.” Beatrix glanced at him in surprise. “You would do that? You wouldn’t mind the idea of a woman pursuing such unorthodox interests?” “Of course I wouldn’t. There would be no point in marrying a woman with unorthodox interests and then trying to make her ordinary, would there?

Elijah Harrison is the most sought-after portraitist in London, unless you count Sir Thomas Lawrence, who is flooded with commissions and at the regent’s beck and call.” “Which you ought to be. His sketch of you is quite good.” Louisa came closer to study the drawing. “He’s caught how fiercely you concentrate, like a raptor focusing on her prey.” “Louisa, I know you are a poetess, but that image is hardly flattering to a lady.” “Elijah Harrison has also caught you as a woman, Jenny. He drew you full of curves and energy, a female body engaged in a passion, not some drawing-room artifact showing off her modiste’s latest patterns. He sees that your beauty is not merely physical.” Was that why he’d kissed her, or had it been merely a passing holiday gesture? “You are fanciful, Louisa.” “I am honest.” Both

No, sir, it was reserved for the present day to bring forth a fry of young critic imps, the mingled spawn of arrogance and envy hatched by mischief, who were to entail disgrace for ever on the word reviewer, by making it synonymous with libeller and assassin.... You may proceed in your career… grin over the collection of hopes destroyed, of fortunes injured, of feelings outraged, of intellects deranged, of hearts broken by your merry malice, or your venomous corruption; enjoy the feast infernal!

Mr. Jones entered wearing his spotless black trench coat, the shiny black shoes, and the ridiculous hat that made him look like a figure from an 1880s London police sketch.

Dickens was already planning a novel of his own which would develop several of the themes in “A Visit to Newgate,” to be called Gabriel Vardon, the Locksmith of London, set during the period of the anti-Catholic Gordon Riots in the 1780s. But while Sketches by Boz was being prepared for the press, he was diverted by a request to write some stories to accompany a set of sporting prints. The result was The Posthumous Papers of the Pickwick Club, the first and least typical of all the great novels which were to flow subsequently

[Marie Bashkirtseff] did spend days walking the slums of Paris with her notebook in hand, sketching everything she saw, research which would produce numerous paintings, including 1884’s A Meeting, which now hangs in the Musée d’Orsay in Paris, and depicts a group of young street urchins gathered on a street corner.

The pair of them had taken pleasure in discovering the London markets together, stretching their fingers out to touch the pineapples and pomegranates, sketching the stalls piled high with herrings and cockleshells, and holding clementines to their noses at Christmas, each fruit crackling in its wrapping of foreign lettering.

Truth be told, it could be that bad. Her mother hadn’t said much about her family in France over the years, though she had continued to correspond with some of them. Everything her mother had done had seemed contradictory, though her love for her husband and children had been constant. She had likely been as involved with covert operations as her husband, and given that she had left her family to marry Hal’s father, seemingly without the approval of her family, one had to assume she had devoted herself to the British

Tomorrow I would start sketching, and in September I would be a student at the Slade School of Fine Art in London. I dipped my pen into the ink and wrote, Juliet Browning. Begun May 1928.

We walked to a large dry-erase board that covered the entire far wall of the command center. Gina Pellegrin—a detective I’d recently recruited to be my sniper coordinator—had already sketched out the surrounding parking lots and buildings. I nodded my approval when I saw the colored printouts of aerial satellite maps taped to the edges of the board. Gina looked up when we approached and smiled at us. “Give us a minute, Gina,” Captain Landry

While Devon browsed over a nearby exhibit of weaponry, Helen wandered to Kathleen, who was looking at a glass case of ancient coins. “There are so many galleries in this museum,” she remarked, “that we could visit every day for a month, and still not see everything.” “Certainly not at this rate,” Kathleen said, watching as Pandora and Cassandra opened their sketch tablets and began to copy some of the hieroglyphs. Following her gaze, Helen said, “They’re enjoying this immensely. So am I. It seems we’ve all been starved for more culture and stimulation than Eversby can offer.” “London has an abundance of both,” Kathleen said. Trying to sound light, she added, “I suppose Mr. Winterborne has that on his side: You would never be bored.” “No, indeed.” Helen paused before asking cautiously, “Regarding Mr. Winterborne, may we invite him to dinner? I would like to thank him in person for the music box.” Kathleen frowned. “Yes. Lord Trenear will invite him if you wish. However…you are aware of how inappropriate that music box is. It was a lovely and generous gift, but we should give it back.” “I can’t,” Helen whispered with a frown. “It would hurt his feelings.” “It would hurt your reputation.” “No one has to know, do they? Couldn’t we consider it as a gift for the family?” Before she replied, Kathleen thought of all the rules she had broken and the sins she had committed, some small, some far more egregious than accepting an inappropriate gift. Her mouth curved in wry resignation. “Why not?” she said, and took Helen’s arm. “Come help me stop Pandora--she’s trying to open a mummy case.

And she was about to hand back the notebook when a sketch hidden near the end caught her attention—a drawing she was surprised to recognize herself in. She sat with Keefe on the staircase at Havenfield, the light from the chandelier forming a soft halo around her as she leaned toward him, clinging to his hand while he turned away, his eyes slightly watery. It didn’t look like a happy scene, and it took her a second to realize she was seeing the moment she’d told him what little she’d learned from Fintan about Keefe’s shattered London memory. But underneath the sketch, in neat, bold letters, he’d written the words she remembered telling him that day: Lots of people care about you, Keefe.