Skateboard Small Quotes

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Daily I walk around my small, picturesque town with a thought bubble over my head: Person Going Through A Divorce. When I look at other people, I automatically form thought bubbles over their heads. Happy Couple With Stroller. Innocent Teenage Girl With Her Whole Life Ahead Of Her. Content Grandmother And Grandfather Visiting Town Where Their Grandchildren Live With Intact Parents. Secure Housewife With Big Diamond. Undamaged Group Of Young Men On Skateboards. Good Man With Baby In BabyBjörn Who Loves His Wife. Dogs Who Never Have To Worry. Young Kids Kissing Publicly. Then every so often I see one like me, one of the shambling gaunt women without makeup, looking older than she is: Divorcing Woman Wondering How The Fuck This Happened.
Suzanne Finnamore (Split: A Memoir of Divorce)
The only awkward moment was when the waitress, trying to make small talk, asked Neil about his bandages. "Skateboarding," Matt said the same time Dan said, "Fell into a tank of piranhas." Allison waved a hand in bored dismissal when the waitress sent a nonplussed look between the two and said, rather conspiratorially, "Bad breakup.
Nora Sakavic (The King's Men (All for the Game, #3))
A younger brunette woman slides through the small crack before shutting it softly behind her.  I look down at my watch. Who is she and why is she twenty minutes late?  She clutches onto a neon pink Penny skateboard with one golden brown arm as she scans the packed room. I take advantage of her distraction to assess her. She’s beautiful in a way that makes it difficult to refocus my attention on the conversation at the front of the room.  I hate it yet I can’t look away. My eyes trace the curves of her body, drawing a path from her delicate throat to her thick thighs. The speed of my heart picks up.  I clench my hands into two fists, disliking the lack of control I have over my body.  Get ahold of yourself.
Lauren Asher (The Fine Print (Dreamland Billionaires, #1))
How recently have the sharks been fed?" the guy next to me asked. Alex and I were in a small room with a dry-erase board, a perky blonde aquarium emplyee, and three guys from Rutgers who'd won their fraternity Christmas prize. True to Alex's promise, no one had seen me in my miniscule jungle print. Another perky girl had handed me a wet suit and pointed me into a changing room. So as I listened to the basics of shark tank etiquette, I was fully encased in blue neoprene from ankle to jaw. The frat boys kept sneaking looks at me when they thought I-and Alex-wasn't looking. It made me feel just a little bit better. Alex's promise that I didn't have to get into the water if I really didn't want to helped, too. It had gotten me out of the car and into the aquarium. "You can do it," he'd coaxed. "Yes," I'd answered, thinking of the skateboarder a little and "fake it til you make it" more. "I can do it." "Yesterday." Perky Girl answered the feeding question. "Believe me. They're not hungry." I wanted to know exactly how she knew that.Did she ask the sharks? "Okay," she chirped. "Let's get snorkeling.
Melissa Jensen (The Fine Art of Truth or Dare)
THE SK8 MAKER VS. GLOBAL INDUSTRIALIZATION This new era of global industrialization is where my personal analogy with the history of the skateboard maker diverges. It’s no longer cost-effective to run a small skateboard company in the U.S., and the handful of startups that pull it off are few and far between. The mega manufacturers who can churn out millions of decks at low cost and record speed each year in Chinese factories employ proprietary equipment and techniques that you and I can barely imagine. Drills that can cut all eight truck holes in a stack of skateboard decks in a single pull. CNC machinery to create CAD-perfect molds used by giant two-sided hydraulic presses that can press dozens of boards in a few hours. Computer-operated cutting bits that can stamp out a deck to within 1⁄64 in. of its specified shape. And industrial grade machines that apply multicolored heat-transfer graphics in minutes. In a way, this factory automation has propelled skateboarding to become a multinational, multi-billion dollar industry. The best skateboarders require this level of precision in each deck. Otherwise, they could end up on their tails after a failed trick. Or much worse. As the commercial deck relies more and more on a process that is out of reach for mere mortals, there is great value in the handmade and one of a kind. Making things from scratch is a dying art on the brink of extinction. It was pushed to the edge when public schools dismissed woodworking classes and turned the school woodshop into a computer lab. And when you separate society from how things are made—even a skateboard—you lose touch with the labor and the materials and processes that contributed to its existence in the first place. It’s not long before you take for granted the value of an object. The result is a world where cheap labor produces cheap goods consumed by careless customers who don’t even value the things they own.
Matt Berger (The Handmade Skateboard: Design & Build a Custom Longboard, Cruiser, or Street Deck from Scratch)
Why, he asked, do all of our policing efforts have to be so reactive, so negative, and so after the fact? What if, instead of just focusing on catching criminals—and serving up ever harsher punishments—after they committed the crime, the police devoted significant resources and effort to eliminating criminal behavior before it happens? To quote Tony Blair, what if they could be tough on crime but also tough on the causes of crime?3 Out of these questions came the novel idea for Positive Tickets, a program whereby police, instead of focusing on catching young people perpetrating crimes, would focus on catching youth doing something good—something as simple as throwing litter away in a bin rather than on the ground, wearing a helmet while riding their bike, skateboarding in the designated area, or getting to school on time—and would give them a ticket for positive behavior. The ticket, of course, wouldn’t carry a fine like a parking ticket but instead would be redeemable for some kind of small reward, like free entry to the movies or to an event at a local youth center—wholesome activities that also had the bonus of keeping the young people off the streets and out of trouble. So how well did Richmond’s unconventional effort to reimagine policing work? Amazingly well, as it turned out. It took some time, but they invested in the approach as a long-term strategy, and after a decade the Positive Tickets system had reduced recidivism from 60 percent to 8 percent. You might not think of a police department as a place where you would expect to see Essentialism at work, but in fact Ward’s system of Positive Tickets is a lesson in the practice of effortless execution. The way of the Nonessentialist is to go big on everything: to try to do it all, have it all, fit it all in. The Nonessentialist operates under the false logic that the more he strives, the more he will achieve, but the reality is, the more we reach for the stars, the harder it is to get ourselves off the ground. The way of the Essentialist is different. Instead of trying to accomplish it all—and all at once—and flaring out, the Essentialist starts small and celebrates progress. Instead of going for the big, flashy wins that don’t really matter, the Essentialist pursues small and simple wins in areas that are essential.
Greg McKeown (Essentialism: The Disciplined Pursuit of Less)
Blue I emerge from our yellow linoleum bathroom blue at one end of our single-wide trailer and I have the length of narrow hallway to consider before reaching the living room blue Blue!? And I know my mother is furious You look ridiculous it’s all she says and I do I had torn the pages from a magazine lined my bedroom floor with them and studied those punk rock spiked hair white teeth high fashion popped collar leather studded glossy photos strewn across my small space like a spread of tarot cards telling me a future I would never get to not out here not in the white trailer rusting amber thick of trees stretch of reservation of highway that stood between me and whatever else was out there record stores the mall parking lots where kids were skateboarding and smoking pot probably kids with boom boxes and bottles of beer out there were beaches with bands playing on them and these faces these shining faces with pink green purple and blue hair blue I could get that at least I could mix seventeen packets of blue raspberry Kool-Aid with a little water and I could get that it was alchemy it was potion-making but no one told me about the bleach about my dark hair needing to lift to lighten in order to get that blue no one told me that the mess of Kool-Aid would only run down my scalp my face my neck would stain me blue Blue is what you taste like he says still holding me on the twin bed in the glow of dawn my teenage curiosity has pushed me to ask What does my body taste like to you his fingers travel from neck to navel breath on my thigh and here in our sacred space he answers simply Blue you taste blue and I wonder if what he means is sad you taste sad taqʷšəblu the name is given to me when I am three to understand it my child brain has to break it apart taqʷšəblu talk as in talking as in to tell as in story sha as in the second syllable of my English name as in half of me blue as in the taste of me blue as in sad my grandmother was taqʷšəblu before me and now I am taqʷšəblu too
Sasha LaPointe