Skateboard Quotes

We've searched our database for all the quotes and captions related to Skateboard. Here they are! All 100 of them:

Brianna dropped the skateboard in front of Sam. “Don’t worry: I won’t let you fall off.” “Yeah? Then why did you bring the helmet?” Brianna tossed it to him. “In case you fall off.
Michael Grant (Hunger (Gone, #2))
What about little microphones? What if everyone swallowed them, and they played the sounds of our hearts through little speakers, which could be in the pouches of our overalls? When you skateboarded down the street at night you could hear everyone's heartbeat, and they could hear yours, sort of like sonar. One weird thing is, I wonder if everyone's hearts would start to beat at the same time, like how women who live together have their menstrual periods at the same time, which I know about, but don't really want to know about. That would be so weird, except that the place in the hospital where babies are born would sound like a crystal chandelier in a houseboat, because the babies wouldn't have had time to match up their heartbeats yet. And at the finish line at the end of the New York City Marathon it would sound like war.
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
Words had started swimming off the page, circling my head, the letters doing one-eighties as if they were riding skateboards.
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
You can't be careful on a skateboard.
Stephen King (It)
I want you to tell me about every person you’ve ever been in love with. Tell me why you loved them, then tell me why they loved you. Tell me about a day in your life you didn’t think you’d live through. Tell me what the word home means to you and tell me in a way that I’ll know your mother’s name just by the way you describe your bedroom when you were eight. See, I want to know the first time you felt the weight of hate, and if that day still trembles beneath your bones. Do you prefer to play in puddles of rain or bounce in the bellies of snow? And if you were to build a snowman, would you rip two branches from a tree to build your snowman arms or would leave your snowman armless for the sake of being harmless to the tree? And if you would, would you notice how that tree weeps for you because your snowman has no arms to hug you every time you kiss him on the cheek? Do you kiss your friends on the cheek? Do you sleep beside them when they’re sad even if it makes your lover mad? Do you think that anger is a sincere emotion or just the timid motion of a fragile heart trying to beat away its pain? See, I wanna know what you think of your first name, and if you often lie awake at night and imagine your mother’s joy when she spoke it for the very first time. I want you to tell me all the ways you’ve been unkind. Tell me all the ways you’ve been cruel. Tell me, knowing I often picture Gandhi at ten years old beating up little boys at school. If you were walking by a chemical plant where smokestacks were filling the sky with dark black clouds would you holler “Poison! Poison! Poison!” really loud or would you whisper “That cloud looks like a fish, and that cloud looks like a fairy!” Do you believe that Mary was really a virgin? Do you believe that Moses really parted the sea? And if you don’t believe in miracles, tell me — how would you explain the miracle of my life to me? See, I wanna know if you believe in any god or if you believe in many gods or better yet what gods believe in you. And for all the times that you’ve knelt before the temple of yourself, have the prayers you asked come true? And if they didn’t, did you feel denied? And if you felt denied, denied by who? I wanna know what you see when you look in the mirror on a day you’re feeling good. I wanna know what you see when you look in the mirror on a day you’re feeling bad. I wanna know the first person who taught you your beauty could ever be reflected on a lousy piece of glass. If you ever reach enlightenment will you remember how to laugh? Have you ever been a song? Would you think less of me if I told you I’ve lived my entire life a little off-key? And I’m not nearly as smart as my poetry I just plagiarize the thoughts of the people around me who have learned the wisdom of silence. Do you believe that concrete perpetuates violence? And if you do — I want you to tell me of a meadow where my skateboard will soar. See, I wanna know more than what you do for a living. I wanna know how much of your life you spend just giving, and if you love yourself enough to also receive sometimes. I wanna know if you bleed sometimes from other people’s wounds, and if you dream sometimes that this life is just a balloon — that if you wanted to, you could pop, but you never would ‘cause you’d never want it to stop. If a tree fell in the forest and you were the only one there to hear — if its fall to the ground didn’t make a sound, would you panic in fear that you didn’t exist, or would you bask in the bliss of your nothingness? And lastly, let me ask you this: If you and I went for a walk and the entire walk, we didn’t talk — do you think eventually, we’d… kiss? No, wait. That’s asking too much — after all, this is only our first date.
Andrea Gibson
Nothing happened. And everything did. Your whole life you can be told something is wrong and so you believe it. Why should you question it? But then slowly seeds are planted inside of you, one by one, by a touch or a look or a day skateboarding in a park, and they start to burst out of old hulls shells and they start to sprout. And pretty soon there are so many of them. They are named Love and Trust and Kindness and Joy and Desire and Wonder and Spirit and Soulmate. They grow into a garden so dense and thick that it starts to invade your brain where the old things you were once told are dying.
Francesca Lia Block (Wasteland)
I went to sleep with gum in my mouth and now there's gum in my hair and when I got out of bed this morning I tripped on the skateboard and by mistake I dropped my sweater in the sink while the water was running and I could tell it was going to be a terrible, horrible, no good, very bad day.
Judith Viorst (Alexander and the Terrible, Horrible, No Good, Very Bad Day)
Daily I walk around my small, picturesque town with a thought bubble over my head: Person Going Through A Divorce. When I look at other people, I automatically form thought bubbles over their heads. Happy Couple With Stroller. Innocent Teenage Girl With Her Whole Life Ahead Of Her. Content Grandmother And Grandfather Visiting Town Where Their Grandchildren Live With Intact Parents. Secure Housewife With Big Diamond. Undamaged Group Of Young Men On Skateboards. Good Man With Baby In BabyBjörn Who Loves His Wife. Dogs Who Never Have To Worry. Young Kids Kissing Publicly. Then every so often I see one like me, one of the shambling gaunt women without makeup, looking older than she is: Divorcing Woman Wondering How The Fuck This Happened.
Suzanne Finnamore (Split: A Memoir of Divorce)
Lieutenant Chatrand: I don’t understand this omnipotent-benevolent thing. Camerlengo Carlo Ventresca: You are confused because the Bible describes God as an omnipotent and benevolent deity. Lieutenant Chatrand: Exactly. Camerlengo Carlo Ventresca: Omnipotent-benevolent simply means that God is all-powerful and well-meaning. Lieutenant Chatrand: I understand the concept. It’s just... there seems to be a contradiction. Camerlengo Carlo Ventresca: Yes. The contradiction is pain. Man’s starvation, war, sickness... Lieutenant Chatrand: Exactly! Terrible things happen in this world. Human tragedy seems like proof that God could not possibly be both all-powerful and well-meaning. If He loves us and has the power to change our situation, He would prevent our pain, wouldn’t he? Camerlengo Carlo Ventresca: Would He? Lieutenant Chatrand: Well... if God Loves us, and He can protect us, He would have to. It seems He is either omnipotent and uncaring, or benevolent and powerless to help. Camerlengo Carlo Ventresca: Do you have children? Lieutenant Chatrand: No, signore. Camerlengo Carlo Ventresca: Imagine you had an eight-year-old son... would you love him? Lieutenant Chatrand: Of course. Camerlengo Carlo Ventresca: Would you let him skateboard? Lieutenant Chatrand: Yeah, I guess. Sure I’d let him skateboard, but I’d tell him to be careful. Camerlengo Carlo Ventresca: So as this child’s father, you would give him some basic, good advice and then let him go off and make his own mistakes? Lieutenant Chatrand: I wouldn’t run behind him and mollycoddle him if that’s what you mean. Camerlengo Carlo Ventresca: But what if he fell and skinned his knee? Lieutenant Chatrand: He would learn to be more careful. Camerlengo Carlo Ventresca: So although you have the power to interfere and prevent your child’s pain, you would choose to show you love by letting him learn his own lessons? Lieutenant Chatrand: Of course. Pain is part of growing up. It’s how we learn. Camerlengo Carlo Ventresca: Exactly.
Dan Brown (Angels & Demons (Robert Langdon, #1))
I backed us up against the wall. “How I feel? You want to know?” I ran my hands over his face and tangled them into his messy hair. “This is unlike anything else. I’ve bungeed off buildings, I’ve skateboarded off roofs. I’ve even gone train surfing. Nothing comes close to the high I feel when I’m with you. You’ve been through horrible things, and yet you’re one of the kindest, truest people I’ve ever met. At first I thought it was because you were safe. I could feel something for you because you couldn’t hurt me. Not the way Alex did. But it’s more than that. It’s you. Who you are. The way you are. Everything from your smile to the way you always say exactly what’s on your mind. Your soul, Kale.
Jus Accardo (Touch (Denazen, #1))
Big decisions in my life have always come easy and are made without hesitation. It is easier for me to make a life-changing decision than to decide what to get for dessert.
Tony Hawk (Hawk: Occupation: Skateboarder)
You cant be too careful on a skateboard.
Stephen King (The Tommyknockers)
I wish I could go out and walk and run and skateboard and swim in lakes. But I can’t because my mother has Courage. So instead I get to stay in bed and be sick. I’m glad about this. I really am.
Kazuo Ishiguro (Klara and the Sun)
You see, my buddies had a freedom I no longer had. All I wanted was to do something normal and skateboard with the guys, but i knew that if I went downstairs to join them it would create total chaos.
Justin Bieber (Justin Bieber: Just Getting Started)
What about a teakettle? What if the spout opened and closed when the steam came out, so it would become a mouth, and it could whistle pretty melodies, or do Shakespeare, or just crack up with me? I could invent a teakettle that reads in Dad’s voice, so I could fall asleep, or maybe a set of kettles that sings the chorus of “Yellow Submarine,” which is a song by the Beatles, who I love, because entomology is one of my raisons d’être, which is a French expression that I know. Another good thing is that I could train my anus to talk when I farted. If I wanted to be extremely hilarious, I’d train it to say, “Wasn’t me!” every time I made an incredibly bad fart. And if I ever made an incredibly bad fart in the Hall of Mirrors, which is in Versailles, which is outside of Paris, which is in France, obviously, my anus would say, “Ce n’étais pas moi!” What about little microphones? What if everyone swallowed them, and they played the sounds of our hearts through little speakers, which could be in the pouches of our overalls? When you skateboard down the street at night you could hear everyone's heartbeat, and they could hear yours, sort of like sonar. One weird thing is, I wonder if everyone's hearts would start to beat at the same time, like how women who live together have their menstrual periods at the same time, which I know about, but don't really want to know about. That would be so weird, except that the place in the hospital where babies are born would sound like a crystal chandelier in a houseboat, because the babies wouldn't have had time to match up their heartbeats yet. And at the finish line at the end of the New York City Marathon it would sound like war.
Jonathan Safran Foer
When I was growing up, my mother enrolled me into the same classes as my brother so I learned karate, kung fu, and swimming. She also took us fishing, skateboarding, and to martial arts films. Needless to say, my mom was and still is cool. - Strong by Kailin Gow
Kailin Gow
unsettling, like seeing Stalin on a skateboard.
David Nicholls (Starter for Ten)
My yoga teacher says to think of your thoughts like skateboarders passing through our line of vision; just watch them go by, don't try to follow them down the street.
Gabrielle Bell (The Voyeurs)
I think she and I were talking about how much I adored skateboarding on the computer but how it would never even occur to me to try and step on a skateboard in real life, and then she said, 'Let's play Truth or Dare' and then you fucked her." "Wait, you fucked her? In front of the Colonel?" Takumi cried. "I didn't fuck her.
John Green (Looking for Alaska)
Skateboarding has taught me two things - that symbolise a meaning of life. How to keep a balance and how to pick yourself up when you've fallen.
Nikki Rowe
You can't be careful on a skateboard, man.
Stephen King
A human on a bicycle is more efficient (in calories expended per pound and per mile) than a train, truck, airplane, boat, automobile, motorcycle, skateboard, canoe, or jet pack. Not only that, bicycling is more efficient than walking, which takes three times as many calories per mile. In fact, pound for pound, a person on a bike can go farther on a calorie of food than a gazelle can running, a salmon swimming, or an eagle flying.
Sightline Institute
Michael tousled my hair and said, "Remember, no more skateboards, right?" And then this gem: "If you ever break your arm skateboarding again..." He paused, flashing me a dimpled Charles Ingalls grin, which then suddenly disappeared. "I'll break the other one.
Alison Arngrim (Confessions of a Prairie Bitch: How I Survived Nellie Oleson and Learned to Love Being Hated)
There's no point in looking back.. There's also no point in looking forward.. That's why I close my eyes when I skateboard
Katya Zamolodchikova
And the dark night of flow is an issue that society has not made particularly easy to handle. How many people have stopped playing guitar, writing poetry, or painting watercolors—activities packed with flow triggers—because these are also activities that do not squarely fit into culturally acceptable responsibility categories like “career” or “children”? How many, now grown up and done with childish things, have put away the surfboard, the skateboard, the whatever? How many have made the mistake of conflating the value of the vehicle that leads us to an experience (the surfboard, etc.) with the value of the experience itself (the flow state)?
Steven Kotler (The Rise of Superman: Decoding the Science of Ultimate Human Performance)
We got hungry around three in the morning, and ordered a ton of pizza from an all-night pizza place. Afterward, Blake talked a guy into letting him borrow his skateboard, and he once again entertained all of us. If it had wheels, Blake could work it. “Is he your boyfriend?” a girl behind me asked. I turned to the group of girls watching Blake. They were all coifed and beautiful in their bikinis, not having gone in the water. My wet hair was pulled back in a ponytail by this point and I was wrapped in a towel. “No, he’s my boyfriend’s best friend. We’re watching his place while he’s . . . out of town.” A pang of fear jabbed me when I thought about Kai. “What’s your name?” asked a brunette with glossy lips. “Anna.” I smiled. “Hey. I’m Jenny,” she said. “This is Daniela and Tara.” “Hey,” I said to them. “So, your boyfriend lives here?” asked the blonde, Daniela. She had a cool accent—something European. “Yes,” I answered, pointing up to his apartment. The girls all shared looks, raising their sculpted eyebrows. “Wait,” said Jenny. “Is he that guy in the band?” The third girl, named Tara, gasped. “The drummer?” When I nodded, they shared awed looks. “Oh my gawd, don’t get mad at me for saying this,” said Jenny, “but he’s a total piece of eye candy.” Her friends all laughed. “Yum drum,” whispered Tara, and Daniela playfully shoved her. Jenny got serious. “But don’t worry. He, like, never comes out or talks to anyone. Now we know why.” She winked at me. “You are so adorable. Where are you from?” “Georgia.” This was met with a round of awwws. “Hey, you’re a Southern girl,” said Tara. “You should like this.” She held out a bottle of bourbon and I felt a tug toward it. My fingers reached out. “Maybe just one drink,” I said. Daniela grinned and turned up the music. Fifteen minutes and three shots later I’d dropped my towel and was dancing with the girls and telling them how much I loved them, while they drunkenly swore to sabotage the efforts of any girl who tried to talk to my man.
Wendy Higgins (Sweet Peril (Sweet, #2))
Then one of them asked why Japanese kids try to ape American kids? The clothes, the rap music, the skateboards, the hair. I wanted to say that it's not America they're aping, it's the Japan of their parents that they're rejecting. And since there's no home-grown counter culture, they just take hold of the nearest one to hand, which happens to be American. But it's not American culture exploiting us. It's us exploiting it.
David Mitchell (Ghostwritten)
Omnipotent-benevolent simply means that God is all-powerful and well-meaning.' 'I understand the concept. It's just . . . there seems to be a contradiction.' 'Yes. The contradiction is pain. Man's starvation, war, sickness . . .' 'Exactly!' Chartrand knew the camerlengo would understand. 'Terrible things happen in this world. Human tragedy seems like proof that God could not possibly be both all-powerful and well-meaning. If He loves us and has the power to change our situation, He would prevent our pain, wouldn't He?' The camerlengo frowned. 'Would He?' Chartrand felt uneasy. Had he overstepped his bounds? Was this one of those religious questions you just didn't ask? 'Well . . . if God loves us, and He can protect us, He would have to. It seems He is either omnipotent and uncaring, or benevolent and powerless to help.' 'Do you have children, Lieutenant?' Chartrand flushed. 'No, signore.' 'Imagine you had an eight-year-old son . . . would you love him?' 'Of course.' 'Would you let him skateboard?' Chartrand did a double take. The camerlengo always seemed oddly "in touch" for a clergyman. 'Yeah, I guess,' Chartrand said. 'Sure, I'd let him skateboard, but I'd tell him to be careful.' 'So as this child's father, you would give him some basic, good advice and then let him go off and make his own mistakes?' 'I wouldn't run behind him and mollycoddle him if that's what you mean.' 'But what if he fell and skinned his knee?' 'He would learn to be more careful.' The camerlengo smiled. 'So although you have the power to interfere and prevent your child's pain, you would choose to show your love by letting him learn his own lessons?' 'Of course. Pain is part of growing up. It's how we learn.' The camerlengo nodded. 'Exactly.
Dan Brown (Angels & Demons (Robert Langdon, #1))
I guess it's human nature to question yourself, to question why all the pain has had to happen? sometimes there isn't any answers it just is what it is and how we make ourselves feel and see through that, is what will determine how we move forward.
Nikki Rowe
The only awkward moment was when the waitress, trying to make small talk, asked Neil about his bandages. "Skateboarding," Matt said the same time Dan said, "Fell into a tank of piranhas." Allison waved a hand in bored dismissal when the waitress sent a nonplussed look between the two and said, rather conspiratorially, "Bad breakup.
Nora Sakavic (The King's Men (All for the Game, #3))
There are a great number of what appear to be teenage runaways, but in Portland it seems that even the elderly dress as if they are teenage runaways, in hoodies and kerchiefs and ragged jeans, stinking of patchouli and dirty feet, and one tattooed old man even rolls by on a skateboard.
Dan Chaon (Stay Awake)
When Louie was in his sixties, he was still climbing Cahuenga Peak every week and running a mile in under six minutes. In his seventies, he discovered skateboarding. At eighty-five, he returned to Kwajalein on a project, ultimately unsuccessful,
Laura Hillenbrand (Unbroken: A World War II Story of Survival, Resilience, and Redemption)
Are you sure you’re only twenty?” “Technically I’m still nineteen for a few weeks yet.” I saw that news made him frown and I stuck my tongue in the side of my cheek. Our age difference didn’t bother me a bit. “Christ, you’re a baby.” “Only against you, old man. But I’m sure you’ll keep up when we go skateboarding and climbing trees.
V. Theia (Manhattan Bet (From Manhattan #2))
And don’t ever, EVER compare yourself to a neurotypical (NT) girl or woman. They are a different species and you’ll only feel inadequate and bad about yourself. Find your tribe – online, in groups at comic conventions. Find people who are delighted that you are you. And you should be delighted that you are you too because when you’re 70, you’ll still be skateboarding, you’ll look amazing (from all those years of not ruining your skin with make-up) and you’ll realise that all those things you worried about don’t matter at all.
Sarah Hendrickx (Women and Girls with Autism Spectrum Disorder: Understanding Life Experiences from Early Childhood to Old Age)
Louie in his early eighties. “I think my skateboarding shakes up a few people. Some stop their cars to be sure their eyes aren’t deceiving them.
Louis Zamperini (Don't Give Up, Don't Give In: Lessons from an Extraordinary Life)
Sometimes he’d get annoyed at it, want to be left alone, wished he’d gone skateboarding, but mostly not.
Fiona Shaw (Outwalkers)
I was skateboarding on the levee and lost my edges,” she said. “You were skateboarding?” She turned and looked at him and shook her head in exasperation: “No, you dummy, I fell. On the ice. On the sidewalk. Like old people do.” Virgil: “Oh.” She shook her head again. “Jesus wept.
John Sandford (Deadline (Virgil Flowers #8))
There was no Disney World then, just rows of orange trees. Millions of them. Stretching for miles And somewhere near the middle was the Citrus Tower, which the tourists climbed to see even more orange trees. Every month an eighty-year-old couple became lost in the groves, driving up and down identical rows for days until they were spotted by helicopter or another tourist on top of the Citrus Tower. They had lived on nothing but oranges and come out of the trees drilled on vitamin C and checked into the honeymoon suite at the nearest bed-and-breakfast. "The Miami Seaquarium put in a monorail and rockets started going off at Cape Canaveral, making us feel like we were on the frontier of the future. Disney bought up everything north of Lake Okeechobee, preparing to shove the future down our throats sideways. "Things evolved rapidly! Missile silos in Cuba. Bales on the beach. Alligators are almost extinct and then they aren't. Juntas hanging shingles in Boca Raton. Richard Nixon and Bebe Rebozo skinny-dipping off Key Biscayne. We atone for atrocities against the INdians by playing Bingo. Shark fetuses in formaldehyde jars, roadside gecko farms, tourists waddling around waffle houses like flocks of flightless birds. And before we know it, we have The New Florida, underplanned, overbuilt and ripe for a killer hurricane that'll knock that giant geodesic dome at Epcot down the trunpike like a golf ball, a solid one-wood by Buckminster Fuller. "I am the native and this is my home. Faded pastels, and Spanish tiles constantly slipping off roofs, shattering on the sidewalk. Dogs with mange and skateboard punks with mange roaming through yards, knocking over garbage cans. Lunatics wandering the streets at night, talking about spaceships. Bail bondsmen wake me up at three A.M. looking for the last tenant. Next door, a mail-order bride is clubbed by a smelly ma in a mechanic's shirt. Cats violently mate under my windows and rats break-dance in the drop ceiling. And I'm lying in bed with a broken air conditioner, sweating and sipping lemonade through a straw. And I'm thinking, geez, this used to be a great state. "You wanna come to Florida? You get a discount on theme-park tickets and find out you just bough a time share. Or maybe you end up at Cape Canaveral, sitting in a field for a week as a space shuttle launch is canceled six times. And suddenly vacation is over, you have to catch a plane, and you see the shuttle take off on TV at the airport. But you keep coming back, year after year, and one day you find you're eighty years old driving through an orange grove.
Tim Dorsey (Florida Roadkill (Serge Storms, #1))
I would also investigate the type and quality of naps there are, because there are so many different kinds. Short and deep--I call that kind "the wishing well." The very light doze, kind of half under, which can go on for hours--I call those "skateboards." The sort you have in front of the TV when a good show is playing (NOT this show) and you kind of take in the plot but are also asleep--those are called "whisperers.
Catriona Ward (The Last House on Needless Street)
What happened?" Wyatt asked Crystal, and stood back so the two of them could come inside out of the oppressive heat. "Why are you asking her?" Reed thumped past him. "I'm the one on crutches." "She'll tell me the truth," Wyatt said. "You'll just give me some bullshit story that will end with 'You should see the other guy'." "You wound me, bro" [Reed] "He tore his ACL the day before yesterday trying to do a stunt on a skateboard." [Crystal] "Mendoza dared him." [Luke Colter] "No one held a gun to the fool's head" [Mendoza]
Cindy Gerard (Risk No Secrets (Black Ops Inc., #5))
What if she doesn't worry about her body and eats enough for all the growing she has to do? She might rip her stockings and slam-dance on a forged ID to the Pogues, and walk home barefoot, holding her shoes, alone at dawn; she might baby-sit in a battered-women's shelter one night a month; she might skateboard down Lombard Street with its seven hairpin turns, or fall in love with her best friend and do something about it, or lose herself for hours gazing into test tubes with her hair a mess, or climb a promontory with the girls and get drunk at the top, or sit down when the Pledge of Allegiance says stand, or hop a freight train, or take lovers without telling her last name, or run away to sea. She might revel in all the freedoms that seem so trivial to those who could take them for granted; she might dream seriously the dreams that seem to obvious to those who grew up with them really available. Who knows what she would do? Who knows what it would feel like?
Naomi Wolf (The Beauty Myth)
Express to our world what is alive inside us not what their world says we should be… Our true selves should never be created by others, Held in their pockets like belongings, like trinkets. We are skaters. We are artists. We are free.
Jason E. Hodges (The Drop Off)
The reason twenty-nine feet is such a common length for RVs, I presume, is that once a vehicle gets much longer, you need a special permit to drive it. That would mean forms and fees, possibly even background checks. But show up at any RV joint with your thigh stumps lashed to a skateboard, crazily waving your hooks-for-hands, screaming you want that twenty-nine-footer out back for a trip you ain't sayin' where, and all they want to know is: Credit or debit, tiny sir?
John Jeremiah Sullivan (Pulphead)
Did you know that only older forests grow the sort of fungi that feeds the variety of orchid called Goodyera pubescens—” “You’re making that up.” “I promise you, I’m not making up mushroom facts for your amusement.” “Pubescens? Pubescent orchid?” He snorted. “Has it grown a little stupid mustache? Does it skateboard?
Brittany Cavallaro (A Question of Holmes (Charlotte Holmes, #4))
They want to control humankind through what they call selective breeding. The Nazis started it, but now the nwo are continuing it. See, the only way to control population is to first get it back down to manageable size. They're culling the herd, same way the game commission does when deer population gets out of control. That's why we've got diseases like cancer and aids. You telling me that we can put a little goddamn skateboard-looking robot on Mars and have it send pictures back, but we can't find a cure for cancer? There's a cure. You can bet on that, boys. There's a goddamn cure. They just won't release it because cancer helps cut down the population.
Brian Keene (A Gathering of Crows (Levi Stoltzfus, #3))
Duke to Michel: I’m fairly certain that even if you’d struggle in a quiz against a pigeon, you are capable enough of opening doors.
Elias Zapple (Duke & Michel: The Mysterious Corridor (Book 1))
Basset Hounds never get scared. We’re fearless, resolute and know how to season a good lamb chop.
Elias Zapple (Duke & Michel: The Mysterious Corridor (Book 1))
I thought about using my awesome skateboard skills to escape, but…” “... but you’re not very good at skateboarding?” suggested Carl.
Dave Villager (Dave the Villager 15: An Unofficial Minecraft Book (The Legend of Dave the Villager))
When we are crushing on someone, they are a swirling blur of dimples and crooked smiles, hair flips and skateboard tricks.
Aisha Tyler (Self-Inflicted Wounds: Heartwarming Tales of Epic Humiliation)
Four bricks could be affixed under a skateboard and used as really inefficient wheels. Ha! Let’s see Tony Hawk do tricks on that board. Actually, he probably could.

Jarod Kintz (Brick)
As far as boys went, I would have probably attracted more attention from the male species if I were a skateboard.
Caitlyn Duffy
You can’t be careful on a skateboard, man.” —some kid 1
Stephen King (It)
All they had to do was follow skateboarders to the secret places they had long since discovered. Thrashers and nuclear fuzz-grunge collectives thrive in the same environment.
Neal Stephenson (Snow Crash)
I wasn’t sure skateboarding across the shiny floors of the Museum of Modern Art on a charity poster was what he’d had in mind.
Lucy Lennox (Prince of Lies)
You can’t be careful on a skateboard,” the kid replied,
Stephen King (It)
You can't be too careful on a skateboard.
Stephen King (It)
You can’t be careful on a skateboard, man.” —some kid
Stephen King (It)
New York will always seem more real than anything Britain has to offer. It is strange that, although the majority of British people have never seen a skate-boarding body-popper, an exploding fire-hydrant, or anybody dunk a doughnut, these things seem infinitely more immediate and happening images than that jar of Horlicks which has stood in the cupboard for 40 years
Ben Elton (Gridlock)
Some kids make better decisions than others. And some kids take up riskier hobbies than others: horseback riding, skateboarding, and trampoline jumping are right up there with the riskiest.
Nathan Snyder (Scary Stories for Kids: Spine-Tingling Tales for Brave Kids Who Like Spooky Stories)
To distract himself he started making a mental list of all the ways he could leave Chapel Bluff. He could go by train. Plane. Motorcycle. Last night Beverly had invited all three of them - him, Ryan, and Tyler - to stay for dinner. Matt had refused. Ryan had likewise refused because his wife had dinner waiting for him at home. Tyler had leapt at the chance. Matt had been the one who'd decided to put distance between himself, Kate, and Beverley. Even so, it rankled that Tyler had slipped right into his empty spot at the dinner table. That Kate had found someone so much more charming than him to talk to. That Kate seemed so delighted to turn her back on him. He could leave by four-wheeler. Mountain bike. Skateboard. "You're a design genius, young lady." Tyler said to Kate. "That's a perfect place for that sideboard." "Why thank you," Kate replied. Matt ground his teeth and imagined leaving by Greyhound bus. He'd even have settled for a horse. Hot air balloon. Donkey cart.
Becky Wade (My Stubborn Heart)
I’m often asked about my generation, which some people call the Greatest Generation but which I also call the Hardy Generation. What made us hardy? The Depression years. We were not spoiled with money, that’s for sure. When we had disputes we didn’t use attorneys; we settled them on the street, even got broken bones and noses from fighting. In all ways we helped one another. We shared, we had neighborhood picnics, we made our own toys. (There were no toy stores; I built racing cars.) I also rode one of the first skateboards, with a box on the front. We had a single soccer ball for four or five blocks’ worth of kids; you were lucky if you got to kick it once. We had free time to burn. Distractions? Radio, yes, but no TV. Movies were only once a week. We were happier than people are today, despite the hard times. We overcame adversity and each time we did we enhanced our hardiness. We also knew how to win and lose gracefully.
Louis Zamperini (Devil at My Heels)
A younger brunette woman slides through the small crack before shutting it softly behind her.  I look down at my watch. Who is she and why is she twenty minutes late?  She clutches onto a neon pink Penny skateboard with one golden brown arm as she scans the packed room. I take advantage of her distraction to assess her. She’s beautiful in a way that makes it difficult to refocus my attention on the conversation at the front of the room.  I hate it yet I can’t look away. My eyes trace the curves of her body, drawing a path from her delicate throat to her thick thighs. The speed of my heart picks up.  I clench my hands into two fists, disliking the lack of control I have over my body.  Get ahold of yourself.
Lauren Asher (The Fine Print (Dreamland Billionaires, #1))
I’d loved Emory since the moment I laid eyes on her when I was fourteen. I could still see her—sitting on her bike outside the chain-link fence surrounding the school parking lot as she watched my friends and me on our skateboards that summer.
Penelope Douglas (Nightfall (Devil's Night, #4))
Nobody tried to follow me when I left the coffeehouse at ten, or at least nobody but some of the overweight so-called wildlife that hangs around the pedestrian precinct and tries to cadge handouts from the weak-willed. They know a white bakery bag when they see one, and I was carrying a dozen cinnamon rolls. I swear some of our sparrows are too fat to fly, but the feral cats are too fat to catch them. And the squirrels should have had teeny-weeny skateboards to keep their bellies off the ground.
Robin McKinley (Sunshine)
If your goal as a skatemaker is to produce skateboard decks in quantity and achieve consistent results each time—whether as a hobby or a business—you’ll need to employ some of the same concepts in your garage shop that professionals employ in the factory.
Matt Berger (The Handmade Skateboard: Design & Build a Custom Longboard, Cruiser, or Street Deck from Scratch)
The first time I met Crenshaw was about three years ago, right after first grade ended. It was early evening, and my family and I had parked at a rest stop off a highway. I was lying on the grass near a picnic table, gazing up at the stars blinking to life. I heard a noise, a wheels-on-gravel skateboard sound. I sat up on my elbows. Sure enough, a skater on a board was threading his way through the parking lot. I could see right away that he was an unusual guy. He was a black and white kitten. A big one, taller than me. His eyes were the sparkly color of morning grass. He was wearing a black and orange San Francisco Giants baseball cap. He hopped off his board and headed my way. He was standing on two legs just like a human. “Meow,” he said. “Meow,” I said back, because it seemed polite.
Katherine Applegate (Crenshaw)
But I left out something significant when I told you about my conversation with Granny Peterson: when she asked me what kind of books I liked to read, the prevailing feeling I remember is bashfulness, just a few inches shy of outright embarrassment. I was standing in her front room with my hand on the table where the grownups always played canasta, and I stared at the linoleum floor, wishing she hadn’t asked me that question. Ask me about something else, I thought. Anything else. Skateboarding or girlfriends or grades or Jesus. Leave my stories alone. My craving for those tales occupied a private part of my adolescence; they represented my loneliness, the only antidote for which was the seemingly impossible dream that life could be lived alongside trusty companions and in defiance of great evil.
Andrew Peterson (Adorning the Dark: Thoughts on Community, Calling, and the Mystery of Making)
I jumped out of the way and Monique skidded across the floor like a drunk monkey on a skateboard and landed face-first in the puke. I hoped that popping sound was just the button on her halter top and not an imploded implant. That was a mess I wasn't about to clean up.
Barbra Annino (Bloodstone (A Stacy Justice Mystery, #3))
Surfers rode waves, which were already beautiful, but skateboarders made this beautiful: the ugly, discarded nooks and leftovers of a place, the abandoned, unused architecture that people preferred to ignore. Beneath their wheels, these dead places became sites of wonder.
Michael Christie (If I Fall, If I Die)
You’re still trying to get out of hell, and it’s a long climb. You’ll think flight may be the answer, but you don’t learn to skateboard by watching boys on the half-pipe, and you don’t learn to fly by watching boys jump off cliffs, shirtless, skinny, while you hold the car keys.
Maria Dahvana Headley (The Girlfriend's Guide to Gods)
I’d loved Emory since the moment I laid eyes on her when I was fourteen. I could still see her—sitting on her bike outside the chain-link fence surrounding the school parking lot as she watched my friends and me on our skateboards that summer. From that moment on, it seemed I was always aware of her, and everything I did, I did it with it in mind that she was watching. Every joke in class. Every strut into the lunchroom. Every new haircut and every new pair of jeans. Even the Raptor. My first thought when my parents bought it was how she’d look in it.
Penelope Douglas (Nightfall (Devil's Night, #4))
Before you start your full day of watching Equestrian Square Dancing, Soccer Balling, Hoop Dreaming, Cricket Batting, Rugby Punching, Volleyball Chopping, Skateboard Falling, Martial Arts Bowing, Bicycle Peddlers, and College Football Hecklers, maybe we have time to learn something Scientifically.
James Hauenstein
Since the late 1980s, woodworkers and cabinet makers have used vacuum press systems to build curved furniture and architectural components of all sizes and shapes—and, in many cases, to laminate inexpensive materials with exotic veneers. The method was born out of the aircraft manufacturing industry
Matt Berger (The Handmade Skateboard: Design & Build a Custom Longboard, Cruiser, or Street Deck from Scratch)
What I taste, I said, reading from my page, is what I remember from my last Dorito, plus the chemicals that are kind of like that taste, and then my zoned-out mind that doesn't really care what it actually tastes like. Remembering, chemicals, zoning. It is a magical combo. All these parts form together to make a flavor sensation trick that makes me want to eat the whole bag and then maybe another bag. Do you have another bag? asked a skateboard guy, licking his fingers. No, I said. In conclusion, I said, a Dorito asks nothing of you, which is its great gift. It only asks that you are not there.
Aimee Bender (The Particular Sadness of Lemon Cake)
So beware. For good or ill, a mature, enthusiastic delight is extremely contagious. This is where's God's Word cuts to the heart of the matter. Foolish companions will induce one another to try out and ultimately to 'study' foolish delights. Skateboarding and computer games come to mind. So do drugs and alcohol.
Gregg Harris (The Christian Home School)
I suppose there must be idiots who dream of signing deals with publishers while fully intending to drink martinis in cool bars or ride around on skateboards. But the actual writers I know are experts in neurotic self-torture. Every page of writing is the result of a thousand tiny decisions and desperate acts of will.
Helen Garner
What about little microphones? What if everyone swallowed them, and they played the sounds of our hearts through little speakers, which could be in the pouches of our overalls? When you skateboarded down the street at night you could hear everyone's heartbeat, and they could hear yours, sort of like sonar. One weird thing is, I wonder if everyone's hearts would start to beat at the same time...the place in the hospital where babies are born would sound like a crystal chandelier in a houseboat, because the babies wouldn't have had time to match up their heartbeats yet. And at the finish line at the end of the New York City Marathon it would sound like war
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
Exoteric machines - esoteric machines. They say the computer is an improved form of typewriter. Not a bit of it. I collude with my typewriter, but the relationship is otherwise clear and distant. I know it is a machine; it knows it is a machine. There is nothing here of the interface, verging on biological confusion, between a computer thinking it is a brain and me thinking I am a computer. The same familiarity with good old television, where I was and remained a spectator. It was an esoteric machine, whose status as machine I respected. Nothing there of all these screens and interactive devices, including the 'smart' car of the future and the 'smart' house. Even the mobile phone, that incrustation of the network in your head, even the skateboard and rollerblades - mobility aids - are of a quite different generation from the good old static telephone or the velocipedic machine. New manners and a new morality are emerging as a result of this organic confusion between man and his prostheses - a confusion which puts an end to the instrumental pact and the integrity of the machine itself.
Jean Baudrillard (Cool Memories IV, 1995-2000)
Read. You should read Bukowski and Ferlinghetti, read Sylvia Plath and Anne Sexton, and listen to Coltrane, Nina Simone, Hank Williams, Loretta Lynn, Son House, Robert Johnson, Howlin’ Wolf, Lightnin’ Hopkins, Miles Davis, Lou Reed, Nick Drake, Bobbie Gentry, George Jones, Jimmy Reed, Odetta, Funkadelic, and Woody Guthrie. Drive across America. Ride trains. Fly to countries beyond your comfort zone. Try different things. Join hands across the water. Different foods. New tasks. Different menus and tastes. Talk with the guy who’s working in construction on your block, who’s working on the highway you’re traveling on. Speak with your neighbors. Get to know them. Practice civil disobedience. Try new resistance. Be part of the solution, not the problem. Don’t litter the earth, it’s the only one you have, learn to love her. Care for her. Learn another language. Trust your friends with kindness. You will need them one day. You will need earth one day. Do not fear death. There are worse things than death. Do not fear the reaper. Lie in the sunshine but from time to time let the neon light your way. ZZ Top, Jefferson Airplane, Spirit. Get a haircut. Dye your hair pink or blue. Do it for you. Wear eyeliner. Your eyes are the windows to your soul. Show them off. Wear a feather in your cap. Run around like the Mad Hatter. Perhaps he had the answer. Visit the desert. Go to the zoo. Go to a county fair. Ride the Ferris wheel. Ride a horse. Pet a pig. Ride a donkey. Protest against war. Put a peace symbol on your automobile. Drive a Volkswagen. Slow down for skateboarders. They might have the answers. Eat gingerbread men. Pray to the moon and the stars. God is out there somewhere. Don’t worry. You’ll find out where soon enough. Dance. Even if you don’t know how to dance. Read The Four Agreements. Read the Bible. Read the Bhagavad Gita. Join nothing. It won’t help. No games, no church, no religion, no yellow-brick road, no way to Oz. Wear beads. Watch a caterpillar in the sun.
Lucinda Williams (Don't Tell Anybody the Secrets I Told You: A Memoir)
He realizes finally that the boy he's been watching snap his board into the air, then neatly touch down- long, black, gleaming hair, pale white skin- is Felice. He didn't know she'd learned how to skateboard. He's never seen her like this before- so intently focused and content- her beauty beside the point, merely part of the catalog of effects- speed, balance, daring. He admires her athletic form and feels moved in some unexpected way.
Diana Abu-Jaber (Birds of Paradise)
the fact is, our relationships to these corporations are not unambiguous. some memebers of negativland genuinely liked pepsi products. mca grew up loving star wars and didn't mind having his work sent all over the united states to all the "cool, underground magazines" they were marketing to--why would he? sam gould had a spiritual moment in the shower listening to a cd created, according to sophie wong, so that he would talk about tylenol with his independent artist friends--and he did. many of my friends' daughters will be getting american girl dolls and books as gifts well into the foreseeable future. some skateboarders in washington, dc, were asked to create an ad campaign for the east coast summer tour, and they all love minor threat--why not use its famous album cover? how about shilling for converse? i would have been happy to ten years ago. so what's really changed? the answer is that two important things have changed: who is ultimately accountable for veiled corporate campaigns that occasionally strive to obsfucate their sponsorship and who is requesting our participation in such campaigns. behind converse and nike sb is nike, a company that uses shit-poor labor policies and predatory marketing that effectively glosses over their shit-poor labor policies, even to an audience that used to know better. behind team ouch! was an underground-savvy brainreservist on the payroll of big pharma; behind the recent wave of street art in hip urban areas near you was omd worldwide on behalf of sony; behind your cool hand-stenciled vader shirt was lucasfilm; and behind a recent cool crafting event was toyota. no matter how you participated in these events, whether as a contributor, cultural producer, viewer, or even critic, these are the companies that profited from your attention.
Anne Elizabeth Moore (Unmarketable: Brandalism, Copyfighting, Mocketing, and the Erosion of Integrity)
Jake glanced up at the curtained windows. A boy slept inside one of those rooms. Could be me, he thought. Could be me with the garden and the swing, and a pad with all the games on it, and a mobile, and the Santa Cruz; and him out here, dead parents, scrounging other people’s clothes, on the run. There was the skateboard, leaned up against the porch, like it was the simplest thing in the world to own it. He took a few steps towards it. –Don’t. Poacher’s voice was a whisper.
Fiona Shaw (Outwalkers)
Truth [10w] Tell the truth and its enemies will scatter like roaches. Inventory of a Lost Childhood 1. Lion King’s Simba missing an eye 2. Conan the Barbarian missing a sword 3. Transformer missing an arm/wing/machine gun 4. Scooby-Doo missing a head 5. Star Wars’ R2-D2 missing a gripping tool 6. Etch-a-Sketch missing a knob 7. Powell Peralta skateboard missing a wheel 8. Teenage Mutant Ninja turtle missing a nunchuk 9. Atari console missing a joystick 10. G.I. Joe missing in action
Beryl Dov
How recently have the sharks been fed?" the guy next to me asked. Alex and I were in a small room with a dry-erase board, a perky blonde aquarium emplyee, and three guys from Rutgers who'd won their fraternity Christmas prize. True to Alex's promise, no one had seen me in my miniscule jungle print. Another perky girl had handed me a wet suit and pointed me into a changing room. So as I listened to the basics of shark tank etiquette, I was fully encased in blue neoprene from ankle to jaw. The frat boys kept sneaking looks at me when they thought I-and Alex-wasn't looking. It made me feel just a little bit better. Alex's promise that I didn't have to get into the water if I really didn't want to helped, too. It had gotten me out of the car and into the aquarium. "You can do it," he'd coaxed. "Yes," I'd answered, thinking of the skateboarder a little and "fake it til you make it" more. "I can do it." "Yesterday." Perky Girl answered the feeding question. "Believe me. They're not hungry." I wanted to know exactly how she knew that.Did she ask the sharks? "Okay," she chirped. "Let's get snorkeling.
Melissa Jensen (The Fine Art of Truth or Dare)
Allegedly, allegedly I say, the R.G.A. were extremely miffed of portrait painted of their monarch, King Tingaling XX, by Master. Portrait apparently, as it’s yet t’be unveiled, depicts King Tingaling XX in rather compromisin’ position with a pineapple, a wad of cash and his favourite pig, Buttercup.
Elias Zapple (Duke & Michel: The Mysterious Corridor (Book 1))
With the new, unedited Saudi Arabian National Guard manuals stuffed in her briefcase and a piece of licorice dangling from her mouth, she follows Edward through the plant. He wants to show her the anti-tanks. “Can’t write about ’em, if you’ve never seen ’em.” But Vero doesn’t want to see them. She wants to believe in her own etymology: anti-tank = the opposite of tank Whatever the opposite of tank might be—she doesn’t care—a bouncy castle, a skateboard, a bar on wheels. Her capacity for denial is astonishing, matched only by her capacity for rationalization. She knows this. Again, she doesn’t care.
Angie Abdou (Between)
We look jealously around at others, noting their lack of grubby visible bra straps or crusty under-eye mascara sprinkles, and it’s hard not to be resentful. Why you and not me? you think, squinting angrily at this person who probably has a beautiful apartment and an actual career and a boyfriend who never uses a skateboard to go from place to place. But perhaps he has $12.37 in his checking account, or she has no idea how to cook anything, or he slowly lets his car rot from inside rather than pony up the thirty bucks to get the oil changed. Chances are good that person is looking at you the same way.
Kelly Williams Brown
“Morpheus.” Jeb bites down on the name, as if trying to chew it up. “He visits your dreams and flies with you. How can a human compete with that?” “This isn’t a competition,” I say. “I made my choice.” “Is that why you lied for so long?” He won’t meet my gaze, concentrating instead on his boots. “Because you made your choice?” His jaw clamps so tight I can see the muscles twitch beneath the skin. “No. You lied because I’m just a skater. Just an artist. I have nothing to offer. He can give you a world of magic and beauty.” His eyes slowly trail up to mine. They’re like a forest trampled by a storm. “A world that you were born to rule.” *** “Just an artist. You painted my freedom with your blood. Just a skater. You flew across a chasm on a skateboard made of a tea tray to get me to safety. You don’t need magic, Jeb.” I touch his face, and he leans his stubbled cheek against my palm, all of his anger and hurt seeping away. “You held your own against everything that was thrown at us, using only human courage and ingenuity. You’re my knight. There’s nothing left to prove anymore. Not to your dad, not to my mom, not to Morpheus, not to me. You’ve already proven you’re the guy I always knew you were. The guy I love.”
A.G. Howard (Unhinged (Splintered, #2))
What if she doesn’t worry about her body and eats enough for all the growing she has to do? She might rip her stockings and slam-dance on a forged ID to the Pogues, and walk home barefoot, holding her shoes, alone at dawn; she might baby-sit in a battered-women’s shelter one night a month; she might skateboard down Lombard Street with its seven hairpin turns, or fall in love with her best friend and do something about it, or lose herself for hours gazing into test tubes with her hair a mess, or climb a promontory with the girls and get drunk at the top, or sit down when the Pledge of Allegiance says stand, or hop a freight train, or take lovers without telling her last name, or run away to sea. She might revel in all the freedoms that seem so trivial to those who could take them for granted; she might dream seriously the dreams that seem so obvious to those who grew up with them really available. Who knows what she would do? Who knows what it would feel like? But if she is not careful she will end up: raped, pregnant, impossible to control, or merely what is now called fat. The teenage girl knows this. Everyone is telling her to be careful. She learns that making her body into her landscape to tame is preferable to any kind of wildness
Naomi Wolf (The Beauty Myth)
Since when is solitude one of the Seven Deadly Sins? But to a fellow evangelical, McHugh's sense of spiritual failure would make perfect sense. Contemporary evangelicalism says that every person you fail to meet and proselytize is another soul you might have saved. It also emphasizes building community among confirmed believers, with many churches encouraging (or even requiring) their members to join extracurricular groups organized around every conceivable subject—cooking, real-estate investing, skateboarding. So every social event McHugh left early, every morning he spent alone, every group he failed to join, meant wasted chances to connect with others.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
Just like that, we started to see each other most mornings, which meant we quickly went from two guys who liked each other and kept saying they wanted to hang out to actual full-blown bros. This of course meant that every woman who knew us...was falling over herself to label our relationship a 'bromance.' That's a term that was coined in the nineties by the skateboarding magazine -Big Brother- to describe skaters who spent a ton of time together, but it has morphed into a gentle insult for any guys who dare to get too close. It's not as condescending as 'bros,' and it doesn't cut quite as wrong as being shouted down with 'gaaay.' No, the bromance lived in the category of the oh-aren't-you-cute pat on the head.
Billy Baker (We Need to Hang Out: A Memoir of Making Friends)
THE RIVE BROTHERS used to be like a technology gang. In the late 1990s, they would jump on skateboards and zip around the streets of Santa Cruz, knocking on the doors of businesses and asking if they needed any help managing their computing systems. The young men, who had all grown up in South Africa with their cousin Elon Musk, soon decided there must be an easier way to hawk their technology smarts than going door-to-door. They wrote some software that allowed them to take control of their clients’ systems from afar and to automate many of the standard tasks that companies required, such as installing updates for applications. The software became the basis of a new company called Everdream, and the brothers promoted their technology in some compelling ways.
Ashlee Vance (Elon Musk: How the Billionaire CEO of SpaceX and Tesla is Shaping our Future)
What about little microphones? What if everyone swallowed them, and they played the sounds of our hearts through little speakers, which could be in the pouches of our overalls? When you skateboarded down the street at night you could hear everyone’s heartbeat, and they could hear yours, sort of like sonar. One weird thing is, I wonder if everyone’s hearts would start to beat at the same time, like how women who live together have their menstrual periods at the same time, which I know about, but don’t really want to know about. That would be so weird, except that the place in the hospital where babies are born would sound like a crystal chandelier in a houseboat, because the babies wouldn’t have had time to match up their heartbeats yet. And at the finish line at the end of the New York City Marathon it would sound like war.
Jonathan Safran Foer (Extremely Loud and Incredibly Close)
Only people who have a world-historical perspective can change history. The average person has only a domestic, ahistorical perspective. Look at social media. It’s full of people without a clue what’s going on. Immense historical forces have been unleashed all around them, and all they care about is posting their brain-dead, vacuous observations and their self-pitying, whining woe-is-me statements about how shitty their lives are and how no one understands them. As well as countless memes and selfies, of course. You just have to love those lolcats on skateboards, right, hoomans? They are forever trapped in their parochial little world of trivia. Why are our books so unsuccessful? It’s because they announce, with the volume of Stentor at Troy, a world-historic agenda, but we are surrounded by pygmies who stare at us like cows in line at the abattoir.
Joe Dixon (The Mandarin Effect: The Crisis of Meaning)
Ma non c'era solo ansia, vero? No, c'era anche desiderio... lo stesso sentimento che aveva avuto quando aveva incontrato il ragazzino con lo skateboard sotto il braccio. Il desiderio di andare veloce, di sentire il vento fischiarti intorno senza sapere se stai correndo verso qualcosa o scappando da qualcos'altro, il desiderio di andare e basta. Di volare. Ansia e desiderio. Tutta la differenza fra l'essere un adulto che calcola i rischi o un bambino che ci monta sopra e va. Tutto il mondo che c'è in mezzo. E tuttavia non una grande differenza, in fondo. Compagni di letto. La sensazione che si prova quando il vagoncino delle montagne russe arriva in cima alla prima ripida salita e comincia veramente la corsa. Ansia e desiderio. Ciò che si vuole e ciò che si ha paura di cercare di avere. Dove si è stati e dove si vuole andare. Qualcosa in una canzone rock a proposito dell'ambizione di avere una ragazza, l'automobile, un posto dove stare.
Stephen King (It)
Trial-and-error experimentation can be informal or formal; the underlying principles are the same. As an example on the informal side, consider a user experiencing a need and then developing what eventually turns out to be a new product: the skateboard. In phase 1 of the cycle, the user combines need and solution information into a product idea: “I am bored with roller skating. How can I get down this hill in a more exciting way? Maybe it would be fun to put my skates’ wheels under a board and ride down on that.” In phase 2, the user builds a prototype by taking his skates apart and hammering the wheels onto the underside of a board. In phase 3, he runs the experiment by climbing onto the board and heading down the hill. In phase 4, he picks himself up from an inaugural crash and thinks about the error information he has gained: “It is harder to stay on this thing than I thought. What went wrong, and how can I improve things before my next run down the hill?
Eric von Hippel (Democratizing Innovation)
THE SK8 MAKER VS. GLOBAL INDUSTRIALIZATION This new era of global industrialization is where my personal analogy with the history of the skateboard maker diverges. It’s no longer cost-effective to run a small skateboard company in the U.S., and the handful of startups that pull it off are few and far between. The mega manufacturers who can churn out millions of decks at low cost and record speed each year in Chinese factories employ proprietary equipment and techniques that you and I can barely imagine. Drills that can cut all eight truck holes in a stack of skateboard decks in a single pull. CNC machinery to create CAD-perfect molds used by giant two-sided hydraulic presses that can press dozens of boards in a few hours. Computer-operated cutting bits that can stamp out a deck to within 1⁄64 in. of its specified shape. And industrial grade machines that apply multicolored heat-transfer graphics in minutes. In a way, this factory automation has propelled skateboarding to become a multinational, multi-billion dollar industry. The best skateboarders require this level of precision in each deck. Otherwise, they could end up on their tails after a failed trick. Or much worse. As the commercial deck relies more and more on a process that is out of reach for mere mortals, there is great value in the handmade and one of a kind. Making things from scratch is a dying art on the brink of extinction. It was pushed to the edge when public schools dismissed woodworking classes and turned the school woodshop into a computer lab. And when you separate society from how things are made—even a skateboard—you lose touch with the labor and the materials and processes that contributed to its existence in the first place. It’s not long before you take for granted the value of an object. The result is a world where cheap labor produces cheap goods consumed by careless customers who don’t even value the things they own.
Matt Berger (The Handmade Skateboard: Design & Build a Custom Longboard, Cruiser, or Street Deck from Scratch)
Despite the superficial similarities created by global technology, the dynamics of peer-orientation are more likely to promote division rather than a healthy universality. One need only to look at the extreme tribalization of the youth gangs, the social forms entered into by the most peer-oriented among our children. Seeking to be the same as someone else immediately triggers the need to be different from others. As the similarities within the chosen group strengthen, the differences from those outside the groups are accentuated to the point of hostility. Each group is solidified and reinforced by mutual emulation and cue-taking. In this way, tribes have formed spontaneously since the beginning of time. The crucial difference is that traditional tribal culture could be passed down, whereas these tribes of today are defined and limited by barriers among the generations. The school milieu is rife with such dynamics. When immature children cut off from their adult moorings mingle with one another, groups soon form spontaneously, often along the more obvious dividing lines of grade and gender and race. Within these larger groupings certain subcultures emerge: sometimes along the lines of dress and appearance, and sometimes along those of shared interests, attitudes, or abilities, as in groups of jocks, brains, and computer nerds. Sometimes they form among peer-oriented subcultures like skateboarders, bikers, and skinheads. Many of these subcultures are reinforced and shaped by the media and supported by cult costumes, symbols, movies, music, and language. If the tip of the peer-orientation iceberg are the gangs and the gang wannabes, at the base are the cliques. Immature beings revolving around one another invent their own language and modes of expression that impoverish their self-expression and cut them off from others. Such phenomena may have appeared before, of course, but not nearly to the same extent we are witnessing today. The result is tribalization.
Gabor Maté (Hold On to Your Kids: Why Parents Need to Matter More Than Peers)
Why, he asked, do all of our policing efforts have to be so reactive, so negative, and so after the fact? What if, instead of just focusing on catching criminals—and serving up ever harsher punishments—after they committed the crime, the police devoted significant resources and effort to eliminating criminal behavior before it happens? To quote Tony Blair, what if they could be tough on crime but also tough on the causes of crime?3 Out of these questions came the novel idea for Positive Tickets, a program whereby police, instead of focusing on catching young people perpetrating crimes, would focus on catching youth doing something good—something as simple as throwing litter away in a bin rather than on the ground, wearing a helmet while riding their bike, skateboarding in the designated area, or getting to school on time—and would give them a ticket for positive behavior. The ticket, of course, wouldn’t carry a fine like a parking ticket but instead would be redeemable for some kind of small reward, like free entry to the movies or to an event at a local youth center—wholesome activities that also had the bonus of keeping the young people off the streets and out of trouble. So how well did Richmond’s unconventional effort to reimagine policing work? Amazingly well, as it turned out. It took some time, but they invested in the approach as a long-term strategy, and after a decade the Positive Tickets system had reduced recidivism from 60 percent to 8 percent. You might not think of a police department as a place where you would expect to see Essentialism at work, but in fact Ward’s system of Positive Tickets is a lesson in the practice of effortless execution. The way of the Nonessentialist is to go big on everything: to try to do it all, have it all, fit it all in. The Nonessentialist operates under the false logic that the more he strives, the more he will achieve, but the reality is, the more we reach for the stars, the harder it is to get ourselves off the ground. The way of the Essentialist is different. Instead of trying to accomplish it all—and all at once—and flaring out, the Essentialist starts small and celebrates progress. Instead of going for the big, flashy wins that don’t really matter, the Essentialist pursues small and simple wins in areas that are essential.
Greg McKeown (Essentialism: The Disciplined Pursuit of Less)
Betsy didn’t want to be at the party any more than Cole did. She’d met the birthday girl in a spin class a couple of years earlier and had been declining her Evites ever since. In an effort to meet new people, however, this time Betsy replied “Yes.” She took a cab to the party, wondering why she was going at all. When Betsy met Cole there was a spark, but she was ambivalent. Cole was clearly smart and well educated, but he didn’t seem to be doing much about it. They had some nice dates, which seemed promising. Then, after sleeping over one night and watching Cole wake up at eleven a.m. and grab his skateboard, Betsy felt less bullish. She didn’t want to help another boyfriend grow up. What Betsy didn’t know was that, ever since he’d started spending time with her, Cole had regained some of his old drive. He saw the way she wanted to work on her sculptures even on the weekend, how she and her friends loved to get together to talk about their projects and their plans. As a result, Cole started to think more aspirationally. He eyed a posting for a good tech job at a high-profile start-up, but he felt his résumé was now too shabby to apply. As luck would have it—and it is often luck—Cole remembered that an old friend from high school, someone he bumped into about once every year or two, worked at the start-up. He got in touch, and this friend put in a good word to HR. After a handful of interviews with different people in the company, Cole was offered the position. The hiring manager told Cole he had been chosen for three reasons: His engineering degree suggested he knew how to work hard on technical projects, his personality seemed like a good fit for the team, and the twentysomething who vouched for him was well liked in the company. The rest, the manager said, Cole could learn on the job. This one break radically altered Cole’s career path. He learned software development at a dot-com on the leading edge. A few years later, he moved over and up as a director of development at another start-up because, by then, the identity capital he’d gained could speak for itself. Nearly ten years later, Cole and Betsy are married. She runs a gallery co-op. He’s a CIO. They have a happy life and gladly give much of the credit to Cole’s friend from high school and to the woman with the Evites.
Meg Jay (The Defining Decade: Why Your Twenties Matter—And How to Make the Most of Them Now)