Skateboard Man Quotes

We've searched our database for all the quotes and captions related to Skateboard Man. Here they are! All 20 of them:

Daily I walk around my small, picturesque town with a thought bubble over my head: Person Going Through A Divorce. When I look at other people, I automatically form thought bubbles over their heads. Happy Couple With Stroller. Innocent Teenage Girl With Her Whole Life Ahead Of Her. Content Grandmother And Grandfather Visiting Town Where Their Grandchildren Live With Intact Parents. Secure Housewife With Big Diamond. Undamaged Group Of Young Men On Skateboards. Good Man With Baby In BabyBjörn Who Loves His Wife. Dogs Who Never Have To Worry. Young Kids Kissing Publicly. Then every so often I see one like me, one of the shambling gaunt women without makeup, looking older than she is: Divorcing Woman Wondering How The Fuck This Happened.
Suzanne Finnamore (Split: A Memoir of Divorce)
Lieutenant Chatrand: I don’t understand this omnipotent-benevolent thing. Camerlengo Carlo Ventresca: You are confused because the Bible describes God as an omnipotent and benevolent deity. Lieutenant Chatrand: Exactly. Camerlengo Carlo Ventresca: Omnipotent-benevolent simply means that God is all-powerful and well-meaning. Lieutenant Chatrand: I understand the concept. It’s just... there seems to be a contradiction. Camerlengo Carlo Ventresca: Yes. The contradiction is pain. Man’s starvation, war, sickness... Lieutenant Chatrand: Exactly! Terrible things happen in this world. Human tragedy seems like proof that God could not possibly be both all-powerful and well-meaning. If He loves us and has the power to change our situation, He would prevent our pain, wouldn’t he? Camerlengo Carlo Ventresca: Would He? Lieutenant Chatrand: Well... if God Loves us, and He can protect us, He would have to. It seems He is either omnipotent and uncaring, or benevolent and powerless to help. Camerlengo Carlo Ventresca: Do you have children? Lieutenant Chatrand: No, signore. Camerlengo Carlo Ventresca: Imagine you had an eight-year-old son... would you love him? Lieutenant Chatrand: Of course. Camerlengo Carlo Ventresca: Would you let him skateboard? Lieutenant Chatrand: Yeah, I guess. Sure I’d let him skateboard, but I’d tell him to be careful. Camerlengo Carlo Ventresca: So as this child’s father, you would give him some basic, good advice and then let him go off and make his own mistakes? Lieutenant Chatrand: I wouldn’t run behind him and mollycoddle him if that’s what you mean. Camerlengo Carlo Ventresca: But what if he fell and skinned his knee? Lieutenant Chatrand: He would learn to be more careful. Camerlengo Carlo Ventresca: So although you have the power to interfere and prevent your child’s pain, you would choose to show you love by letting him learn his own lessons? Lieutenant Chatrand: Of course. Pain is part of growing up. It’s how we learn. Camerlengo Carlo Ventresca: Exactly.
Dan Brown (Angels & Demons (Robert Langdon, #1))
You can't be careful on a skateboard, man.
Stephen King
We got hungry around three in the morning, and ordered a ton of pizza from an all-night pizza place. Afterward, Blake talked a guy into letting him borrow his skateboard, and he once again entertained all of us. If it had wheels, Blake could work it. “Is he your boyfriend?” a girl behind me asked. I turned to the group of girls watching Blake. They were all coifed and beautiful in their bikinis, not having gone in the water. My wet hair was pulled back in a ponytail by this point and I was wrapped in a towel. “No, he’s my boyfriend’s best friend. We’re watching his place while he’s . . . out of town.” A pang of fear jabbed me when I thought about Kai. “What’s your name?” asked a brunette with glossy lips. “Anna.” I smiled. “Hey. I’m Jenny,” she said. “This is Daniela and Tara.” “Hey,” I said to them. “So, your boyfriend lives here?” asked the blonde, Daniela. She had a cool accent—something European. “Yes,” I answered, pointing up to his apartment. The girls all shared looks, raising their sculpted eyebrows. “Wait,” said Jenny. “Is he that guy in the band?” The third girl, named Tara, gasped. “The drummer?” When I nodded, they shared awed looks. “Oh my gawd, don’t get mad at me for saying this,” said Jenny, “but he’s a total piece of eye candy.” Her friends all laughed. “Yum drum,” whispered Tara, and Daniela playfully shoved her. Jenny got serious. “But don’t worry. He, like, never comes out or talks to anyone. Now we know why.” She winked at me. “You are so adorable. Where are you from?” “Georgia.” This was met with a round of awwws. “Hey, you’re a Southern girl,” said Tara. “You should like this.” She held out a bottle of bourbon and I felt a tug toward it. My fingers reached out. “Maybe just one drink,” I said. Daniela grinned and turned up the music. Fifteen minutes and three shots later I’d dropped my towel and was dancing with the girls and telling them how much I loved them, while they drunkenly swore to sabotage the efforts of any girl who tried to talk to my man.
Wendy Higgins (Sweet Peril (Sweet, #2))
Omnipotent-benevolent simply means that God is all-powerful and well-meaning.' 'I understand the concept. It's just . . . there seems to be a contradiction.' 'Yes. The contradiction is pain. Man's starvation, war, sickness . . .' 'Exactly!' Chartrand knew the camerlengo would understand. 'Terrible things happen in this world. Human tragedy seems like proof that God could not possibly be both all-powerful and well-meaning. If He loves us and has the power to change our situation, He would prevent our pain, wouldn't He?' The camerlengo frowned. 'Would He?' Chartrand felt uneasy. Had he overstepped his bounds? Was this one of those religious questions you just didn't ask? 'Well . . . if God loves us, and He can protect us, He would have to. It seems He is either omnipotent and uncaring, or benevolent and powerless to help.' 'Do you have children, Lieutenant?' Chartrand flushed. 'No, signore.' 'Imagine you had an eight-year-old son . . . would you love him?' 'Of course.' 'Would you let him skateboard?' Chartrand did a double take. The camerlengo always seemed oddly "in touch" for a clergyman. 'Yeah, I guess,' Chartrand said. 'Sure, I'd let him skateboard, but I'd tell him to be careful.' 'So as this child's father, you would give him some basic, good advice and then let him go off and make his own mistakes?' 'I wouldn't run behind him and mollycoddle him if that's what you mean.' 'But what if he fell and skinned his knee?' 'He would learn to be more careful.' The camerlengo smiled. 'So although you have the power to interfere and prevent your child's pain, you would choose to show your love by letting him learn his own lessons?' 'Of course. Pain is part of growing up. It's how we learn.' The camerlengo nodded. 'Exactly.
Dan Brown (Angels & Demons (Robert Langdon, #1))
There are a great number of what appear to be teenage runaways, but in Portland it seems that even the elderly dress as if they are teenage runaways, in hoodies and kerchiefs and ragged jeans, stinking of patchouli and dirty feet, and one tattooed old man even rolls by on a skateboard.
Dan Chaon (Stay Awake)
Are you sure you’re only twenty?” “Technically I’m still nineteen for a few weeks yet.” I saw that news made him frown and I stuck my tongue in the side of my cheek. Our age difference didn’t bother me a bit. “Christ, you’re a baby.” “Only against you, old man. But I’m sure you’ll keep up when we go skateboarding and climbing trees.
V. Theia (Manhattan Bet (From Manhattan #2))
You can’t be careful on a skateboard, man.” —some kid 1
Stephen King (It)
You can’t be careful on a skateboard, man.” —some kid
Stephen King (It)
Exoteric machines - esoteric machines. They say the computer is an improved form of typewriter. Not a bit of it. I collude with my typewriter, but the relationship is otherwise clear and distant. I know it is a machine; it knows it is a machine. There is nothing here of the interface, verging on biological confusion, between a computer thinking it is a brain and me thinking I am a computer. The same familiarity with good old television, where I was and remained a spectator. It was an esoteric machine, whose status as machine I respected. Nothing there of all these screens and interactive devices, including the 'smart' car of the future and the 'smart' house. Even the mobile phone, that incrustation of the network in your head, even the skateboard and rollerblades - mobility aids - are of a quite different generation from the good old static telephone or the velocipedic machine. New manners and a new morality are emerging as a result of this organic confusion between man and his prostheses - a confusion which puts an end to the instrumental pact and the integrity of the machine itself.
Jean Baudrillard (Cool Memories IV, 1995-2000)
Come along then, and we’ll saddle up Blackjack,” Mr. Hornbee said, reaching for his hat. “Blackjack?” Matt asked, following him outside to the barn. “My mule,” Mr. Hornbee replied. “He’ll follow the trail through the woods and take you right to the river. He’s smarter than any horse you’ve ever been on, I’ll wager.” Matt watched uneasily as the long-eared, sleepy-looking Blackjack was led from the barn. Matt wanted to tell the old man that he had never been on a horse before, much less a mule. A skateboard, Mr. Hornbee. That’s the last thing I rode on, Matt was thinking as he watched Blackjack open his mouth in a big-toothed yawn. “You can take care of your business yonder, son,” Mr. Hornbee told him, nodding toward a little shed behind the house. “My business?” Matt asked with a blank look. The old man shook his head and sighed heavily. “Surely that head wound has left you confused,” he said, gently leading Matt to the shed. “Come along, now.” And he opened the door and gave Matt a little push inside. “Oh, that business!” Matt smiled, on discovering that the shed was an outhouse.
Elvira Woodruff (George Washington's Socks (Time Travel Adventure))
Matt wanted to tell the old man that he had never been on a horse before, much less a mule. A skateboard, Mr. Hornbee. That’s the last thing I rode on, Matt was thinking as he watched Blackjack open his mouth in a big-toothed yawn.
Elvira Woodruff (George Washington's Socks (Time Travel Adventure))
His SUV was nice, but I couldn’t care less about what a man drives, especially if they look anything like Malachi. He could be on a BMX bike talking about, “get on the handle bars,” and I would hop on. With skin the color of caramel that looked as smooth as a baby’s bottom, he could be on a damned skateboard for all I cared. I’d hop right on his back and ride like that shit was normal.
Shakara Cannon (This Can't be Life)
Yesterday on Boston Common I saw a young man on a skateboard collide with a child. The skateboarder was racing down the promenade and smashed into the child with full force. I saw this happen from a considerable distance. It happened without a sound. It happened in dead silence. The cry of the terrified child as she darted to avoid the skateboard and the scream of the child’s mother at the moment of impact were absorbed by the gray wool of the November day. The child’s body simply lifted up into the air and, in slow motion, as if in a dream, floated above the promenade, bounced twice like a rubber ball, and lay still. All of this happened in perfect silence. It was as if I were watching the tragedy through a telescope. It was as if the tragedy were happening on another planet. I have seen stars exploding in space, colossal, planet-shattering, distanced by light-years, framed in the cold glass of a telescope, utterly silent. It was like that. During the time the child was in the air, the spinning Earth carried her half a mile to the east. The motion of the Earth about the sun carried her back again forty miles westward. The drift of the solar system among the stars of the Milky Way bore her silently twenty miles toward the star Vega. The turning pinwheel of the Milky Way Galaxy carried her 300 miles in a great circle about the galactic center. After that huge flight through space she hit the ground and bounced like a rubber ball. She lifted up into the air and flew across the Galaxy and bounced on the pavement. It is a thin membrane that separates us from chaos. The child sent flying by the skateboarder bounced in slow motion and lay still. There was a long pause. Pigeons froze against the gray sky. Promenaders turned to stone. Traffic stopped on Beacon Street. The child’s body lay inert on the asphalt like a piece of crumpled newspaper. The mother’s cry was lost in the space between the stars. How are we to understand the silence of the universe? They say that certain meteorites, upon entering the Earth’s atmosphere, disintegrate with noticeable sound, but beyond the Earth’s skin of air the sky is silent. There are no voices in the burning bush of the Galaxy. The Milky Way flows across the dark shoals of the summer sky without an audible ripple. Stars blow themselves to smithereens; we hear nothing. Millions of solar systems are sucked into black holes at the centers of the galaxies; they fall like feathers. The universe fattens and swells in a Big Bang, a fireball of Creation exploding from a pinprick of infinite energy, the ultimate firecracker; there is no soundtrack. The membrane is ruptured, a child flies through the air, and the universe is silent.
Chet Raymo (The Soul of the Night: An Astronomical Pilgrimage)
He hangs out near campuses at lunch, after classes, his skateboard rat-a-tat-tatting across sidewalk cracks just barely past school-ground limits. The girls cluster and giggle, and he chooses one to peel off the herd. He tells her to snap pictures. He tells her to get a secret Facebook account, one her parents don’t know about, and upload them there. He tells her that everyone does this in high school, and he’s mostly right, but not everyone is hooked into a scheme like this. He targets Title I schools, broke girls, easily impressed, looking for a dream, a romance, a way out. Girls whose parents lack the resources to do much if they disappear. The secret Facebook page links go to Hector Contrell. The genius of it is, the girls create the sales catalog themselves.
Gregg Hurwitz (The Nowhere Man (Orphan X, #2))
In late 1985, the Reagan White House blocked the use of CDC money for education, leaving the US behind other Western nations in telling its citizens how to avoid contracting the virus. Many Americans still thought you could get AIDS from a toilet seat or a glass of water. According to one poll, the majority of Americans supported quarantining AIDS patients. This heightened awareness set off waves of anxiety across the country, which was often express through jokes (Q: What do you call Rock Hudson in a wheelchair? A: Roll-AIDS!) and violence. Between the years 1985 and 1986, anti-gay violence increased by 42 percent in the US. Even in San Francisco, where Greyhound buses still dropped off gay men and women taking refuge from the prejudice of their hometowns, carloads of teenagers would drive through the Castro looking for targets. In December 1985, a group of teenagers, shouting “diseased faggot” and “you’re killing us all,” dragged a man named David Johnson from his car in a San Francisco parking lot. While his lover looked on in horror, the teenagers kicked and beat Johnson with their skateboards, breaking three of his ribs, bruising his kidneys, an gashing his face and neck with deep fingernail scratches.
Alysia Abbott (Fairyland: A Memoir of My Father)
if an arm-less, leg-less woman on a skateboard could find a man, surely Sophie was doing something very, very wrong? How did this woman meet him? Pull on his trouser leg as she rolled by him in a nightclub?) Now
Liane Moriarty (The Last Anniversary)
Wasted I was so wasted I was a hippie I was a burnout I was a dropout I was out of my head I was a surfer I had a skateboard I was so heavy man, I lived on the strand I was so wasted I was so fucked up I was so messed up I was so screwed up I was out of my head I was so jacked up I was so drunk up I was so knocked out, I was out of my head I was so wasted I was wasted.
Pinback
I was expecting to find a scooter company. One of those trendy, battery-powered skateboard or Segway-like rolling transporters used in place of walking. What I found was something entirely more audacious.  PPS was developing a jetpack. An actual jetpack. One of those James Bond, Buck Rogers, Rocket Man-style engines you strapped to your back and flew with. I supposed the Space Coast location should have been a tipoff, but I missed that clue. The PPS website was just a Work In Progress placeholder, but I did find a few other companies in the niche, and one had a very impressive video. It showed a man flying over rivers and lakes using a device that looked exactly like what the comic books predicted. At first I thought it was faked, but it proved to be real. USA Today confirmed it in a front page story on November 11, 2015 titled “Man on jetpack flies around Statue of Liberty.”  That meant the core Iron Man technology had existed for years. If a fatal flaw hadn’t been found, it would now be in the refinement and regulatory approval stage. It occurred to me that between jetpacks and drones and hover boards and self-driving cars, the Department of Transportation had to be hopelessly swamped. The world was evolving at an incredible pace. It was no wonder that so many people
Tim Tigner (Twist and Turn (Kyle Achilles, #4))
Father," Chartrand said, "may I ask you a strange question?" The camerlegno smiled. "Only if I may give you a strange answer." Chartrand laughed. "I have asked every priest I know, and I still don't understand." "What troubles you?" The camerlegno led the way in short, quick strides, his frock kicking out in front of him as he walked. His black, crepe-sole shoes seemed befitting, Chartrand thought, like reflections of the man's essence... modern but humble, and showing signs of wear. Chartrand took a deep breath. "I don't understand this omnipotent-benevolent thing." The camerlegno smiled. "You've been reading Scripture." "I try." "You are confused because the Bible describes God as an omnipotent and benevolent deity." "Exactly." "Omnipotent-benevolent simply means that God is all-powerful and well-meaning." "I understand the concept. It's just... there seems to be a contradiction." "Yes. The contradiction is pain. Man's starvation, war, sickness..." "Exactly!" Chartrand knew the camerlegno would understand. "Terrible things happen in this world. Human tragedy seems like proof that God could not possibly be both all-powerful and well-meaning. If He loves us and has the power to change our situation, He would prevent our pain, wouldn't He?" The camerlegno frowned. "Would He?" Chartrand felt uneasy. Had he overstepped his bounds? Was this one of those religious questions you just didn't ask? "Well... if God loves us, and He can protect us, He would have to. It seems He is either omnipotent and uncaring, or benevolent and powerless to help." "Do you have children, Lieutenant?" Chartrand flushed. "No, signore." "Imagine you had an eight-year-old son... would you love him?" "Of course." "Would you do everything in your power to prevent pain in his life?" "Of course." "Would you let him skateboard?" Chartrand did a double take. The camerlegno always seemed oddly "in touch" for a clergyman. "Yeah, I guess," Chartrand said. "Sure, I'd let him skateboard, but I'd tell him to be careful." "So as this child's father, you would give him some basic, good advice and then let him go off and make his own mistakes?" "I wouldn't run behind him and mollycoddle him if that's what you mean." "But what if he fell and skinned his knee?" "He would learn to be more careful." The camerlegno smiled. "So although you have the power to interfere and prevent your child's pain, you would choose to show your love by letting him learn his own lessons?" "Of course. Pain is part of growing up. It's how we learn." The camerlegno nodded. "Exactly.
Dan Brown (Angels & Demons (Robert Langdon, #1))