Sixteen Souls Quotes

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A Half-Blood of the eldest gods, Shall reach sixteen against all odds And see the world in endless sleep The Hero's soul, cursed blade shall reap A single choice shall end his days Olympus to preserve or raze.
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
God fearing and man hating. Sugar sugar. There was so much sugar in the way they pretended to treat each other that I suffered from diabetes of the soul.
Flora Rheta Schreiber (Sybil: The Classic True Story of a Woman Possessed by Sixteen Personalities)
Everything in this world was so new, so wonderful and strange--like things in my old world, but better. For sixteen years my soul had been drawn towards this place, this alien homeland, toward its rainbow sunrises and whispering trees
Kailin Gow (Bitter Frost (Frost, #1))
The other side of midnight’s hour strikes a herald thrice rung Seer, Shadow, Sun—together they come Sixteen winters hence—the light shall be eclipsed Leaving darkness to ascend beneath a sky bleeding fire
Alyson Noel (Echo (Soul Seekers, #2))
Teachers dread nothing so much as unusual characteristics in precocious boys during the initial stages of their adolescence. A certain streak of genius makes an ominous impression on them, for there exists a deep gulf between genius and the teaching profession. Anyone with a touch of genius seems to his teachers a freak from the very first. As far as teachers are concerned, they define young geniuses as those who are bad, disrespectful, smoke at fourteen, fall in love at fifteen, can be found at sixteen hanging out in bars, read forbidden books, write scandalous essays, occasionally stare down a teacher in class, are marked in the attendance book as rebels, and are budding candidates for room-arrest. A schoolmaster will prefer to have a couple of dumbheads in his class than a single genius, and if you regard it objectively, he is of course right. His task is not to produce extravagant intellects but good Latinists, arithmeticians and sober decent folk. The question of who suffers more acutely at the other's hands - the teacher at the boy's, or vice versa - who is more of a tyrant, more of a tormentor, and who profanes parts of the other's soul, student or teacher, is something you cannot examine without remembering your own youth in anger and shame. yet that's not what concerns us here. We have the consolation that among true geniuses the wounds almost always heal. As their personalities develop, they create their art in spite of school. Once dead, and enveloped by the comfortable nimbus of remoteness, they are paraded by the schoolmasters before other generations of students as showpieces and noble examples. Thus the struggle between rule and spirit repeats itself year after year from school to school. The authorities go to infinite pains to nip the few profound or more valuable intellects in the bud. And time and again the ones who are detested by their teachers are frequently punished, the runaways and those expelled, are the ones who afterwards add to society's treasure. But some - and who knows how many? - waste away quiet obstinacy and finally go under.
Hermann Hesse (Beneath the Wheel)
It is quite natural and inevitable that, if we spend sixteen hours daily of our waking lives in thinking about the affairs of the world and five minutes in thinking about God and our souls, this world will seem two hundred times more real to us than God.
William Ralph Inge
It is to be prayed that the mind be sound in a sound body. Ask for a brave soul that lacks the fear of death, which places the length of life last among nature’s blessings, which is able to bear whatever kind of sufferings, does not know anger, lusts for nothing and believes the hardships and savage labors of Hercules better than the satisfactions, feasts, and feather bed of an Eastern king. I will reveal what you are able to give yourself; For certain, the one footpath of a tranquil life lies through virtue.
Juvenal (The Sixteen Satires)
I wept heartily over this poor little deceased soul. It was the first sentient being I had ever killed. I was now a killer. I was now as guilty as Cain. I was sixteen years old, a harmless boy, bookish and religious, and now I had blood on my hands. It's a terrible burden to carry. All sentient life is sacred.
Yann Martel (Life of Pi)
Once upon a time there was a king who had three beautiful daughters. No, no, wait. Once upon a time there were three bears who lived in a wee house in the woods. Once upon a time there were three soldiers, tramping together down the road after the war. Once upon a time there were three little pigs. Once upon a time there were three brothers. No, this is it. This is the variation I want. Once upon a time there were three Beautiful children, two boys and a girl. When each baby was born, the parents rejoiced, the heavens rejoiced, even the fairies rejoiced. The fairies came to christening parties and gave the babies magical gifts. Bounce, effort, and snark. Contemplation and enthusiasm. Ambition and strong coffee. Sugar, curiosity, and rain. And yet, there was a witch. There's always a witch. This which was the same age as the beautiful children, and as she and they grew, she was jealous of the girl, and jealous of the boys, too. They were blessed with all these fairy gifts, gifts the witch had been denied at her own christening. The eldest boy was strong and fast, capable and handsome. Though it's true, he was exceptionally short. The next boy was studious and open hearted. Though it's true, he was an outsider. And the girl was witty, Generous, and ethical. Though it's true, she felt powerless. The witch, she was none of these things, for her parents had angered the fairies. No gifts were ever bestowed upon her. She was lonely. Her only strength was her dark and ugly magic. She confuse being spartan with being charitable, and gave away her possessions without truly doing good with them. She confuse being sick with being brave, and suffered agonies while imagining she merited praise for it. She confused wit with intelligence, and made people laugh rather than lightening their hearts are making them think. Hey magic was all she had, and she used it to destroy what she most admired. She visited each young person in turn in their tenth birthday, but did not harm them out right. The protection of some kind fairy - the lilac fairy, perhaps - prevented her from doing so. What she did instead was cursed them. "When you are sixteen," proclaimed the witch in a rage of jealousy, "you shall prick your finger on a spindle - no, you shall strike a match - yes, you will strike a match and did in its flame." The parents of the beautiful children were frightened of the curse, and tried, as people will do, to avoid it. They moved themselves and the children far away, to a castle on a windswept Island. A castle where there were no matches. There, surely, they would be safe. There, Surely, the witch would never find them. But find them she did. And when they were fifteen, these beautiful children, just before their sixteenth birthdays and when they're nervous parents not yet expecting it, the jealous which toxic, hateful self into their lives in the shape of a blonde meeting. The maiden befriended the beautiful children. She kissed him and took them on the boat rides and brought them fudge and told them stories. Then she gave them a box of matches. The children were entranced, for nearly sixteen they have never seen fire. Go on, strike, said the witch, smiling. Fire is beautiful. Nothing bad will happen. Go on, she said, the flames will cleanse your souls. Go on, she said, for you are independent thinkers. Go on, she said. What is this life we lead, if you did not take action? And they listened. They took the matches from her and they struck them. The witch watched their beauty burn, Their bounce, Their intelligence, Their wit, Their open hearts, Their charm, Their dreams for the future. She watched it all disappear in smoke.
E. Lockhart (We Were Liars)
At least Madame Selena had her own building…about sixteen inches from the edge of the highway, but still. And she had a turban. Say what you will, but it certainly added an air of mystery to her, like what, exactly, she was hiding under it.
Stacey Kade (Body & Soul (The Ghost and the Goth, #3))
Promises are meant to be broken, that’s what people always say, but what if I want to keep mine? To this day, I’d sooner break my bones than go back on any of the words I said so dearly to you. We’re so young, God, we’re so young. Only sixteen with a pocketful of big dreams. The world is in our hands, that’s what people always say, but what if I’m afraid to carry it? What if I don’t want to be Atlas? You, my dear, are unshakeable. You hold your cards close to your chest. Courage finds a home in the space between your ribs. I’m too young to understand, that’s what people always say, but I am old enough to see. There’s a forest fire in your eyes that sets me alight. A bravery in your heart that beats in tune to mine. My darling, you’re something out of a story. Poetry doesn’t begin to do your soul justice. Change is inevitable, that’s what people always say, but what if that change is good? There’s a lightness to my steps there wasn’t before. There’s a brightness in my heart there wasn’t before. If you held me up to a candle, my silhouette would be covered in your name. Before you, I used to care what people always say your lovely heart led me astray in unexpected ways. Sometimes I think I’m going to burst into flames. From the spark you struck inside my chest. I wonder, how do you keep from setting yourself afire? But then comes the startling yet undeniable understanding. You are fireproof, lionheart and now I am, too.
Tashie Bhuiyan (Counting Down with You)
She was a soul-sucking vampire and I was a sixteen-year-old cheerleader, but I was damned if she was going to suck the life out of all my friends. High school was hard enough.
Marlene Perez (Dead Is the New Black (Dead Is, #1))
Happy the writer who, passing by characters that are boring, disgusting, shocking in their mournful reality, approaches characters that manifest the lofty dignity of man, who from the great pool of daily whirling images has chosen only the rare exceptions, who has never once betrayed the exalted turning of his lyre, nor descended from his height to his poor, insignificant brethren, and, without touching the ground, has given the whole of himself to his elevated images so far removed from it. Twice enviable is his beautiful lot: he is among them as in his own family; and meanwhile his fame spreads loud and far. With entrancing smoke he has clouded people's eyes; he has flattered them wondrously, concealing what is mournful in life, showing them a beautiful man. Everything rushes after him, applauding, and flies off following his triumphal chariot. Great world poet they name him, soaring high above all other geniuses in the world, as the eagle soars above the other high fliers. At the mere mention of his name, young ardent hearts are filled with trembling, responsive tears shine in all eyes...No one equals him in power--he is God! But such is not the lot, and other is the destiny of the writer who has dared to call forth all that is before our eyes every moment and which our indifferent eyes do not see--all the stupendous mire of trivia in which our life in entangled, the whole depth of cold, fragmented, everyday characters that swarm over our often bitter and boring earthly path, and with the firm strength of his implacable chisel dares to present them roundly and vividly before the eyes of all people! It is not for him to win people's applause, not for him to behold the grateful tears and unanimous rapture of the souls he has stirred; no sixteen-year-old girl will come flying to meet him with her head in a whirl and heroic enthusiasm; it is not for him to forget himself in the sweet enchantment of sounds he himself has evoked; it is not for him, finally, to escape contemporary judgment, hypocritically callous contemporary judgment, which will call insignificant and mean the creations he has fostered, will allot him a contemptible corner in the ranks of writers who insult mankind, will ascribe to him the quality of the heroes he has portrayed, will deny him heart, and soul, and the divine flame of talent. For contemporary judgment does not recognize that equally wondrous are the glasses that observe the sun and those that look at the movement of inconspicuous insect; for contemporary judgment does not recognize that much depth of soul is needed to light up the picture drawn from contemptible life and elevate it into a pearl of creation; for contemporary judgment does not recognize that lofty ecstatic laughter is worthy to stand beside the lofty lyrical impulse, and that a whole abyss separates it from the antics of the street-fair clown! This contemporary judgment does not recognize; and will turn it all into a reproach and abuse of the unrecognized writer; with no sharing, no response, no sympathy, like a familyless wayfarer, he will be left alone in the middle of the road. Grim is his path, and bitterly he will feel his solitude.
Nikolai Gogol (Dead Souls)
And I have to admit to myself that although I have plenty of sound reasons for not being a father—I know I would also be inconsistent and moody, alternately smothering and neglectful, plus I will never, ever be able to afford riding lessons or braces, let alone college—one of the reasons I don’t want children is fear. I’m afraid that if I ever did have children of my own I would love them so painfully it would rip my soul in half, that I would never again have a waking moment free from the terror that something bad might ever happen to them.
Tim Kreider (Selfish, Shallow, and Self-Absorbed: Sixteen Writers on The Decision Not To Have Kids)
I wondered how a soul could feel so tired after only sixteen years on this mortal coil.
Peter W. Dawes (Deathspell (Deathspell, #1))
You might not see it now, but you are stronger than you can ever imagine. You cannot become comfortable in your pain. You have to let the pain that you feel turn you into a rose without thorns. There are sixteen pieces on the chess board. The king is the most important piece, but the difference is that the queen is the most powerful piece! You are a queen, you can maneuver around your opponents; they do not have the power over your life, your mind or soul. You might think you’ve been a prisoner, but that is your past’ Look in the now and work your way to how you want your future to be. Exercise your thoughts into a pattern of letting go, and think positively about more of what you want than what you do not want. Queen! You are a queen! As a matter of fact, you are the queen! Act as if you know it! You are powerful, determined, strong, and you can make the biggest and most extravagant move and put it into action. Lights, camera, strike a pose and own it! It is yours to own!
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
For me… it was excruciating.” He closed his eyes for a moment then focused on her. “It is so painful to truly love someone so much and not have them. For years I practiced tolerating that pain. Around the time I was sixteen I could finally stand to look at you. So, I did, all the damn time. I watched you so carefully. I captured every smile, every frown, every tear from you. I wanted you… but I couldn’t have you. Then one day we became friends and the pain came back, but I didn’t care because you were my friend, my best friend. But when you kissed me, I realized the feeling I had before was nothing compared to what I felt when we kissed. I felt alive… and guilty and betrayed, because it’s not fair. It’s not fair for me to go through that… to want to kiss you every day, every hour, every minute for the rest of my miserable life, but I want to. I’m afraid that it will get to a point where I need to. I have been in love with you since I was eight years old. I have hated the way my father has treated me, but nothing has hurt me as much as the pain of my mother’s death except seeing you and my brother in bliss. What I want is for you to stay in this room with me. I want to feel how you feel, taste how you taste, and completely fall in you because I’m just… tired of always wanting what I can’t have. I want to make you smile, make you happy… I want to be inside you… I want to give you pleasure in every way… mind, body, and soul… I am completely, madly… and utterly in love with you… and it hurts… because I can’t have you. And it hurts because if there is a chance that I can then it is possible that it will turn out to be my tragedy and misfortune. And all I can say to that … I accept my tragedy… but I don’t wish it.
Chelsea Ballinger (The Kindness of Kings)
Lee’s hand shook as he filled the delicate cups. He drank his down in one gulp. “Don’t you see?” he cried. “The American Standard translation orders men to triumph over sin, and you can call sin ignorance. The King James translation makes a promise in ‘Thou shalt,’ meaning that men will surely triumph over sin. But the Hebrew word, the word timshel—‘Thou mayest’—that gives a choice. It might be the most important word in the world. That says the way is open. That throws it right back on a man. For if ‘Thou mayest’—it is also true that ‘Thou mayest not.’ Don’t you see?” “Yes, I see. I do see. But you do not believe this is divine law. Why do you feel its importance?” “Ah!” said Lee. “I’ve wanted to tell you this for a long time. I even anticipated your questions and I am well prepared. Any writing which has influenced the thinking and the lives of innumerable people is important. Now, there are many millions in their sects and churches who feel the order, ‘Do thou,’ and throw their weight into obedience. And there are millions more who feel predestination in ‘Thou shalt.’ Nothing they may do can interfere with what will be. But “Thou mayest’! Why, that makes a man great, that gives him stature with the gods, for in his weakness and his filth and his murder of his brother he has still the great choice. He can choose his course and fight it through and win.” Lee’s voice was a chant of triumph. Adam said, “Do you believe that, Lee?” “Yes, I do. Yes, I do. It is easy out of laziness, out of weakness, to throw oneself into the lap of deity, saying, ‘I couldn’t help it; the way was set.’ But think of the glory of the choice! That makes a man a man. A cat has no choice, a bee must make honey. There’s no godliness there. And do you know, those old gentlemen who were sliding gently down to death are too interested to die now?” Adam said, “Do you mean these Chinese men believe the Old Testament?” Lee said, “These old men believe a true story, and they know a true story when they hear it. They are critics of truth. They know that these sixteen verses are a history of humankind in any age or culture or race. They do not believe a man writes fifteen and three-quarter verses of truth and tells a lie with one verb. Confucius tells men how they should live to have good and successful lives. But this—this is a ladder to climb to the stars.” Lee’s eyes shone. “You can never lose that. It cuts the feet from under weakness and cowardliness and laziness.” Adam said, “I don’t see how you could cook and raise the boys and take care of me and still do all this.” “Neither do I,” said Lee. “But I take my two pipes in the afternoon, no more and no less, like the elders. And I feel that I am a man. And I feel that a man is a very important thing—maybe more important than a star. This is not theology. I have no bent toward gods. But I have a new love for that glittering instrument, the human soul. It is a lovely and unique thing in the universe. It is always attacked and never destroyed—because ‘Thou mayest.
John Steinbeck (East of Eden)
I've learned in my sixteen and a half years that there are things that will surprise you because you don't see them coming. They can be hard, painful things, and it's those ones that will live with you forever, bound to you soul in layers that grow thicker each year. Hopefully those layers will eventually dull the pain.
Juliana Stone (Boys Like You)
half-blood of the eldest gods . . . shall reach sixteen against all odds . . .” I hesitated, staring at the next lines. A cold feeling started in my fingers as if the paper was freezing. “And see the world in endless sleep, The hero’s soul, cursed blade shall reap.” Suddenly Riptide seemed heavier in my pocket. A cursed blade? Chiron once told me Riptide had brought many people sorrow. Was it possible my own sword could get me killed? And how could the world to fall into endless sleep, unless that meant death? “Percy,” Chiron urged. “Read the rest.” My mouth felt like it was full of sand, but I spoke the last two lines. “A single choice shall . . . shall end his days. Olympus to per—pursue—” “Preserve,” Annabeth said gently. “It means to save.” “I know what it means,” I grumbled. “Olympus to preserve or raze.” The room was silent. Finally Connor Stoll said, “Raise is good, isn’t it?” “Not raise,” Silena said. Her voice was hollow, but I was startled to hear her speak at all. “R-a-z-e means destroy.” “Obliterate,” Annabeth said. “Annihilate. Turn to rubble.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
Ah." He paused. "I see where this is going. You want to know my secret pain." "Secret pain?" "Oh, yes. My inner demons. The dark current of torment washing away little grains of my soul. That's what you're after. You think that if you keep me here in your pretty castle and cosset me with sixteen pillows, I'll learn to love myself and cease submitting my body to such horrific abuse." Clio bit her lip, grateful it was too dark for him to see her blush. If she'd been flamingo pink the other day, she must be fuchsia now. "I don't know where you get these ideas." He chuckled. "From every woman I've ever met. You're not the first to try it, and you won't be the last.
Tessa Dare (Say Yes to the Marquess (Castles Ever After, #2))
Theophilus Crowe wrote bad free-verse poetry and played a jimbai drum while sitting on a rock by the ocean. He could play sixteen chords on the guitar and knew five Bob Dylan songs all the way through, allowing for a dampening buzz any time he had to play a bar chord. He had tried his hand at painting, sculpture, and pottery and had even played a minor part in the Pine Cove Little Theater’s revival of Arsenic and Old Lace. In all of these endeavors, he had experienced a meteoric rise to mediocrity and quit before total embarrassment and self-loathing set in. Theo was cursed with an artist’s soul but no talent. He possessed the angst and the inspiration, but not the means to create.
Christopher Moore (The Lust Lizard of Melancholy Cove (Pine Cove, #2))
Love someone enough and you’re capable of the worst things imaginable. You’ll do anything to protect them.
Rosie Talbot (Twelve Bones (Sixteen Souls, #2))
So I’ve got to be something I’m not just to make strangers feel more comfortable? No, thank you. They’ll just stare anyway.
Rosie Talbot (Sixteen Souls)
With his blue velvet cloak-coat, white hair, and beard, he looks a bit like a wise old wizard. Or he would, if Gandalf had been a mean old bastard with a devil’s smile.
Rosie Talbot (Sixteen Souls)
Inside the loops I become linked to the dead soul, I lose myself to their memories and I'm helpless to save myself, let alone anyone else.
Rosie Talbot (Sixteen Souls (Sixteen Souls, #1))
I reckon there’s as much magic in the world as you let in.
Rosie Talbot (Sixteen Souls (Sixteen Souls, #1))
Two people die in the same time and place. One sacrifices their life for the other. The saved soul wakes up changed— a seer.
Rosie Talbot (Sixteen Souls)
New date idea,” I say, cheerful. “It’s a bit out there, but how do you feel about breaking into a mortuary?” There’s a laugh in Sam’s voice as he replies. “I thought you’d never ask.
Rosie Talbot (Twelve Bones (Sixteen Souls, #2))
That’s the kind of love that beats evil in the movies. It marches against armies, connects people over eons, shattering time and defeating death until it stands at the end of the universe, defiant and blazing.
Rosie Talbot (Twelve Bones (Sixteen Souls, #2))
If I imagine my soul, as I do when I pray, it's shaped like Stapafel. No change of place or religion can alter that. I lived beneath Stapafel from the hour I was born until I was sixteen. I've never seen it since, but that doesn't matter. My soul is in the likeness of a jagged peak with a rock like a man standing on its summit, and snags of rock shaped like trolls along its spine. Screes defend it, although it's not quite inaccessible if you know the way up.
Margaret Elphinstone
A sixteen-year-old girl at her homecoming dance was gang-raped and left for dead because the Democrats need more voters. We could save a lot of soul-searching about “our” violent culture if journalists didn’t hide the fact that gang rapes are generally committed by people who are not from our culture.
Ann Coulter (¡Adios, America!: The Left's Plan to Turn Our Country into a Third World Hellhole)
Later in 1776, Paine accompanied the Continental army in its retreat from New Jersey to Philadelphia.   During this time, Paine began a new series of pamphlets.   Eventually, these sixteen pamphlets became The American Crisis.   In them, Paine comments on the American war effort and urges the colonists to keep fighting.    This pamphlet, the first in the series, is perhaps the most famous.   The pamphlet was read to George Washington’s troops in December 1776.   Days later, these same troops crossed the Delaware River and attacked the British encampment in Trenton, New Jersey.   The pamphlet opens with a familiar line: “These are the times that try men’s souls.
Thomas Paine (The Crisis, #1 (Annotated with an Introduction and Summary))
I haven’t always seen ghosts. My early childhood was blissfully specter-free until I got sick when I was younger. The meningitis was swift and savage, taking both my legs below the knee. Then it killed me. Somehow the doctors brought me back—“God’s own miracle,” according to my nan. The world I came back to is a lot more crowded than the one I left.
Rosie Talbot (Sixteen Souls)
If my typical man wishes to live fully and completely he must, in his mind, arrange a day within a day. And this inner day, a Chinese box in a larger Chinese box, must begin at 6 p.m. and end at 10 a.m. It is a day of sixteen hours; and during all these sixteen hours he has nothing whatever to do but cultivate his body and his soul and his fellow men.
Arnold Bennett (How to Live on 24 Hours a Day)
Fuck, how I could ruin this man. If he were anyone else, I might even try—but the sixteen-year-old buried deep inside me is begging me not to. She still clings to the hope that one day, we’ll be whole again. That the stains on our soul might disappear if enough time passes. But I know better; the darkness in us is a quicksand, seeking out others to devour.
Sav R. Miller (Vipers and Virtuosos (Monsters & Muses, #2))
And under the cicadas, deeper down that the longest taproot, between and beneath the rounded black rocks and slanting slabs of sandstone in the earth, ground water is creeping. Ground water seeps and slides, across and down, across and down, leaking from here to there, minutely at a rate of a mile a year. What a tug of waters goes on! There are flings and pulls in every direction at every moment. The world is a wild wrestle under the grass; earth shall be moved. What else is going on right this minute while ground water creeps under my feet? The galaxy is careening in a slow, muffled widening. If a million solar systems are born every hour, then surely hundreds burst into being as I shift my weight to the other elbow. The sun’s surface is now exploding; other stars implode and vanish, heavy and black, out of sight. Meteorites are arcing to earth invisibly all day long. On the planet, the winds are blowing: the polar easterlies, the westerlies, the northeast and southeast trades. Somewhere, someone under full sail is becalmed, in the horse latitudes, in the doldrums; in the northland, a trapper is maddened, crazed, by the eerie scent of the chinook, the sweater, a wind that can melt two feet of snow in a day. The pampero blows, and the tramontane, and the Boro, sirocco, levanter, mistral. Lick a finger; feel the now. Spring is seeping north, towards me and away from me, at sixteen miles a day. Along estuary banks of tidal rivers all over the world, snails in black clusters like currants are gliding up and down the stems of reed and sedge, migrating every moment with the dip and swing of tides. Behind me, Tinker Mountain is eroding one thousandth of an inch a year. The sharks I saw are roving up and down the coast. If the sharks cease roving, if they still their twist and rest for a moment, they die. They need new water pushed into their gills; they need dance. Somewhere east of me, on another continent, it is sunset, and starlings in breathtaking bands are winding high in the sky to their evening roost. The mantis egg cases are tied to the mock-orange hedge; within each case, within each egg, cells elongate, narrow, and split; cells bubble and curve inward, align, harden or hollow or stretch. And where are you now?
Annie Dillard (Pilgrim at Tinker Creek)
Be honest with yourself. You were at your lowest and broken down. You were unsure and lost hope. You were hiding your fears until you showed them on your sleeve. You felt like everything and everyone was the hammer and you were the nail as they were beating down on you, and it was never-ending. Their empty threats had you scared and you were always running because your weakness was exposed. You were their prey. You didn’t know who to believe because of their mixed signals. You might not see it now, but you are stronger than you can ever imagine. You cannot become comfortable in your pain. You have to let the pain that you feel turn you into a rose without thorns. There are sixteen pieces on the chessboard. The king is the most important piece, but the difference is that the queen is the most powerful piece! You are a queen, you can maneuver around your opponents; they do not have the power over your life, your mind or soul. You might think you’ve been a prisoner, but that is your past’. Look in the now and work your way to how you want your future to be. Exercise your thoughts into a pattern of letting go, and think positively about more of what you want than what you do not want. Queen! You are a queen! As a matter of fact, you are the queen! Act as if you know it! You are powerful, determined, strong, and you can make the biggest and most extravagant move and put it into action. Lights, camera, strike a pose and own it! It is yours to own! Yes, you loved and loved so much. You also lost as well, but you lost hurt, pain, agony, and confusion. You’ve lost interest in wanting to know answers to unanswered questions. You’ve lost the willingness to give a shit about what others think. You’ve surrendered to being fine, that you cannot change the things you have no control over. You’ve lost a lot, but you’ve gained closure. You are now balanced, centered, focused, and filled with peace surrounding you in your heart, mind, body, and soul. Your pride was hurt, but you would rather walk alone and be more willing to give and learn more about the queen you are. You lost yourself in the process, but the more you learn about the new you, the more you will be so much in love with yourself. The more you learn about the new you, the more you will know your worth. The more you learn about the new you, the happier you are going to be, and this time around you will be smiling inside and out! The dots are now connecting. You feel alive! You know now that all is not lost. Now that you’ve cut the cord it is time to give your heart a second chance at loving yourself. Silence your mind. Take a deep breath and close your eyes. As you open your eyes, look at your reflection in the mirror. Aren’t you beautiful, Queen? Embrace who you are. Smile, laugh, welcome the new you and say, “My world is just now beginning.
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
This is a story about memory. And this much can be remembered ... ... that the Death of the Discworld, for reasons of his own, once rescued a baby girl and took her to his home between the dimensions. He let her grow to become sixteen because he believed that older children were easier to deal with than younger children, and this shows that you can be an immortal anthropomorphic personification and still get things, as it were, dead wrong.
Terry Pratchett (Soul Music (Discworld, #16; Death, #3))
To be loved by a pure young girl, to be the first to reveal to her the strange mystery of love, is indeed a great happiness, but it is the simplest thing in the world. To take captive a heart which has had no experience of attack, is to enter an unfortified and ungarrisoned city. Education, family feeling, the sense of duty, the family, are strong sentinels, but there are no sentinels so vigilant as not to be deceived by a girl of sixteen to whom nature, by the voice of the man she loves, gives the first counsels of love, all the more ardent because they seem so pure. The more a girl believes in goodness, the more easily will she give way, if not to her lover, at least to love, for being without mistrust she is without force, and to win her love is a triumph that can be gained by any young man of five-and-twenty. See how young girls are watched and guarded! The walls of convents are not high enough, mothers have no locks strong enough, religion has no duties constant enough, to shut these charming birds in their cages, cages not even strewn with flowers. Then how surely must they desire the world which is hidden from them, how surely must they find it tempting, how surely must they listen to the first voice which comes to tell its secrets through their bars, and bless the hand which is the first to raise a corner of the mysterious veil! But to be really loved by a courtesan: that is a victory of infinitely greater difficulty. With them the body has worn out the soul, the senses have burned up the heart, dissipation has blunted the feelings. They have long known the words that we say to them, the means we use; they have sold the love that they inspire. They love by profession, and not by instinct. They are guarded better by their calculations than a virgin by her mother and her convent; and they have invented the word caprice for that unbartered love which they allow themselves from time to time, for a rest, for an excuse, for a consolation, like usurers, who cheat a thousand, and think they have bought their own redemption by once lending a sovereign to a poor devil who is dying of hunger without asking for interest or a receipt. Then, when God allows love to a courtesan, that love, which at first seems like a pardon, becomes for her almost without penitence. When a creature who has all her past to reproach herself with is taken all at once by a profound, sincere, irresistible love, of which she had never felt herself capable; when she has confessed her love, how absolutely the man whom she loves dominates her! How strong he feels with his cruel right to say: You do no more for love than you have done for money. They know not what proof to give. A child, says the fable, having often amused himself by crying "Help! a wolf!" in order to disturb the labourers in the field, was one day devoured by a Wolf, because those whom he had so often deceived no longer believed in his cries for help. It is the same with these unhappy women when they love seriously. They have lied so often that no one will believe them, and in the midst of their remorse they are devoured by their love.
Alexandre Dumas (La dame aux camélias)
Like most people, when I look back, the family house is held in time, or rather it is now outside of time, because it exists so clearly and it does not change, and it can only be entered through a door in the mind. I like it that pre-industrial societies, and religious cultures still, now, distinguish between two kinds of time – linear time, that is also cyclical because history repeats itself, even as it seems to progress, and real time, which is not subject to the clock or the calendar, and is where the soul used to live. This real time is reversible and redeemable. It is why, in religious rites of all kinds, something that happened once is re-enacted – Passover, Christmas, Easter, or, in the pagan record, Midsummer and the dying of the god. As we participate in the ritual, we step outside of linear time and enter real time. Time is only truly locked when we live in a mechanised world. Then we turn into clock-watchers and time-servers. Like the rest of life, time becomes uniform and standardised. When I left home at sixteen I bought a small rug. It was my roll-up world. Whatever room, whatever temporary place I had, I unrolled the rug. It was a map of myself. Invisible to others, but held in the rug, were all the places I had stayed – for a few weeks, for a few months. On the first night anywhere new I liked to lie in bed and look at the rug to remind myself that I had what I needed even though what I had was so little. Sometimes you have to live in precarious and temporary places. Unsuitable places. Wrong places. Sometimes the safe place won’t help you. Why did I leave home when I was sixteen? It was one of those important choices that will change the rest of your life. When I look back it feels like I was at the borders of common sense, and the sensible thing to do would have been to keep quiet, keep going, learn to lie better and leave later. I have noticed that doing the sensible thing is only a good idea when the decision is quite small. For the life-changing things, you must risk it. And here is the shock – when you risk it, when you do the right thing, when you arrive at the borders of common sense and cross into unknown territory, leaving behind you all the familiar smells and lights, then you do not experience great joy and huge energy. You are unhappy. Things get worse. It is a time of mourning. Loss. Fear. We bullet ourselves through with questions. And then we feel shot and wounded. And then all the cowards come out and say, ‘See, I told you so.’ In fact, they told you nothing.
Jeanette Winterson
Darwin is associated, in the popular imagination, with bloody zero-sum competition, with Tennyson’s “nature, red in tooth and claw”—with the motto “survival of the fittest.” But this wasn’t actually his phrase. It was coined by a philosopher and sociologist named Herbert Spencer and his fellow “social Darwinists,” who were promoters of white and upper-class supremacy. For Darwin, says Keltner, “survival of the kindest” would have been a better moniker. Darwin was a gentle and melancholic soul, a doting husband and adoring father of ten, deeply in love with nature from earliest childhood. His father had wanted him to be a doctor, but when at age sixteen he witnessed his first surgery, performed in those days without anesthesia, he was so horrified that for the rest of his life he couldn’t stand the sight of blood. He retreated to the woodlands and studied beetles instead. Later, he described his encounter with a Brazilian forest as “a chaos of delight, out of which a world of future & more quiet pleasure will arise.
Susan Cain (Bittersweet: How Sorrow and Longing Make Us Whole)
Pen, you really shouldn’t use the same password for all your accounts. I’ve headed off three hackers in the last week who would’ve gotten into your PayPal, bank, and electric company accounts.” “What?” Penelope was obviously confused at the change in subject, but Cade merely relaxed back in his seat and kept his eyes on Beth as she fidgeted uncomfortably. “Using PenisGod isn’t a good username for things like Amazon and eBay. And you really need to delete your craigslist account because calling yourself a penis god is only attracting weirdos. You probably don’t even remember you had that old ad up when you were trying to sell your bicycle. Well, it’s one of the most clicked-on ads on the site for San Antonio. I’m not exaggerating either. You had four hundred and sixty-nine messages—and I’m not even going to comment on the sixty-nine thing. But three hundred and fourteen of those contained pictures of men’s dicks. Fifty-seven contained marriage proposals, most from overseas; twenty-seven were from women who were interested in a threesome with you, fifty-five were spam, people trying to get you to click on links or buy some crap product, and the remaining sixteen emails were religious in nature, telling you to repent for your soul.” “I should probably be pissed you got into my account, but I trust you, so I’m not. But it’s not penis god!” Penelope exclaimed huffily. “It’s Pen IS God.” Cade burst out laughing. “Seriously, sis? Penis god? Just wait until the guys hear this!
Susan Stoker (Shelter for Elizabeth (Badge of Honor: Texas Heroes, #5))
In Fleury’s day, however, the grass was cut and the graves well cared for. Besides, as you might expect, he was fond of graveyards; he enjoyed brooding in them and letting his heart respond to the abbreviated biographies he found engraved in their stones . . . so eloquent, so succinct! All the same, once he had spent an hour or two pondering by his mother’s grave he decided to call it a day because, after all, one does not want to overdo the lurking in graveyards. This decision was not a very sudden one. From the age of sixteen when he had first become interested in books, much to the distress of his father, he had paid little heed to physical and sporting matters. He had been of a melancholy and listless cast of mind, the victim of the beauty and sadness of the universe. In the course of the last two or three years, however, he had noticed that his sombre and tubercular manner was no longer having quite the effect it had once had, particularly on young ladies. They no longer found his pallor so interesting, they tended to become impatient with his melancholy. The effect, or lack of it, that you have on the opposite sex is important because it tells you whether or not you are in touch with the spirit of the times, of which the opposite sex is invariably the custodian. The truth was that the tide of sensitivity to beauty, of gentleness and melancholy, had gradually ebbed leaving Fleury floundering on a sandbank. Young ladies these days were more interested in the qualities of Tennyson’s “great, broad-shouldered, genial Englishman” than they were in pallid poets, as Fleury was dimly beginning to perceive. Louise Dunstaple’s preference for romping with jolly officers which had dismayed him on the day of the picnic had by no means been the first rebuff of this kind. Even Miriam sometimes asked him aloud why he was looking “hangdog” when once she would have remained silent, thinking “soulful”. All
J.G. Farrell (The Siege of Krishnapur)
I was sixteen back then, and I was going to a party with my girlfriend and Earl. Earl was driving, and his new squeeze was in the passenger seat. I was in the back, holding hands with mine. That was such a big thing at that age, clasping the hand of someone you loved. A heady declaration, the closing of a circuit, the joining of two souls. When you get older you don't seem to do it so much. Your hands are generally busy with other things, and every relationship goes through an accelerated evolution. Everyone you meet has an apartment, and either self-confidence or a desperate lack of it: Either tends to make you rush through the hand-holding stage. Sure, you may do it later, but it's not the same. It's like eating your appetizer after your dessert. When you're a grown-up, the only time you get to trace slowly through that delicious progression is when you're having an affair, which I guess is why so many people have affairs. A trip back in time, to when everything had weight, through the medium of unfaithfulness.
Michael Marshall Smith (One of Us)
Unwashed and undernourished, having spent over four days on five different trains and four military jeeps, Alexander got off at Molotov on Friday, June 19, 1942. He arrived at noon and then sat on a wooden bench near the station. Alexander couldn’t bring himself to walk to Lazarevo. He could not bear the thought of her dying in Kobona, getting out of the collapsed city and then dying so close to salvation. He could not face it. And worse—he knew that he could not face himself if he found out that she did not make it. He could not face returning—returning to what? Alexander actually thought of getting on the next train and going back immediately. The courage to move forward was much more than the courage he needed to stand behind a Katyusha rocket launcher or a Zenith antiaircraft gun on Lake Ladoga and know that any of the Luftwaffe planes flying overhead could instantly bring about his death. He was not afraid of his own death. He was afraid of hers. The specter of her death took away his courage. If Tatiana was dead, it meant God was dead, and Alexander knew he could not survive an instant during war in a universe governed by chaos, not purpose. He would not live any longer than poor, hapless Grinkov, who had been cut down by a stray bullet as he headed back to the rear. War was the ultimate chaos, a pounding, soul-destroying snarl, ending in blown-apart men lying unburied on the cold earth. There was nothing more cosmically chaotic than war. But Tatiana was order. She was finite matter in infinite space. Tatiana was the standard-bearer for the flag of grace and valor that she carried forward with bounty and perfection in herself, the flag Alexander had followed sixteen hundred kilometers east to the Kama River, to the Ural Mountains, to Lazarevo. For two hours Alexander sat on the bench in unpaved, provincial, oak-lined Molotov. To go back was impossible. To go forward was unthinkable. Yet he had nowhere else to go. He crossed himself and stood up, gathering his belongings. When Alexander finally walked in the direction of Lazarevo, not knowing whether Tatiana was alive or dead, he felt he was a man walking to his own execution.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
It's hard to form a lasting connection when your permanent address is an eight-inch mailbox in the UPS store. Still,as I inch my way closer, I can't help the way my breath hitches, the way my insides thrum and swirl. And when he turns,flashing me that slow, languorous smile that's about to make him world famous,his eyes meeting mine when he says, "Hey,Daire-Happy Sweet Sixteen," I can't help but think of the millions of girls who would do just about anything to stand in my pointy blue babouches. I return the smile, flick a little wave of my hand, then bury it in the side pocket of the olive-green army jacket I always wear. Pretending not to notice the way his gaze roams over me, straying from my waist-length brown hair peeking out from my scarf, to the tie-dyed tank top that clings under my jacket,to the skinny dark denim jeans,all the way down to the brand-new slippers I wear on my feet. "Nice." He places his foot beside mine, providing me with a view of the his-and-hers version of the very same shoe. Laughing when he adds, "Maybe we can start a trend when we head back to the States.What do you think?" We. There is no we. I know it.He knows it.And it bugs me that he tries to pretend otherwise. The cameras stopped rolling hours ago, and yet here he is,still playing a role. Acting as though our brief, on-location hookup means something more. Acting like we won't really end long before our passports are stamped RETURN. And that's all it takes for those annoyingly soft girly feelings to vanish as quickly as a flame in the rain. Allowing the Daire I know,the Daire I've honed myself to be, to stand in her palce. "Doubtful." I smirk,kicking his shoe with mine.A little harder then necessary, but then again,he deserves it for thinking I'm lame enough to fall for his act. "So,what do you say-food? I'm dying for one of those beef brochettes,maybe even a sausage one too.Oh-and some fries would be good!" I make for the food stalls,but Vane has another idea. His hand reaches for mine,fingers entwining until they're laced nice and tight. "In a minute," he says,pulling me so close my hip bumps against his. "I thought we might do something special-in honor of your birthday and all.What do you think about matching tattoos?" I gape.Surely he's joking. "Yeah,you know,mehndi. Nothing permanent.Still,I thought it could be kinda cool." He arcs his left brow in his trademark Vane Wick wau,and I have to fight not to frown in return. Nothing permanent. That's my theme song-my mission statement,if you will. Still,mehndi's not quite the same as a press-on. It has its own life span. One that will linger long after Vane's studio-financed, private jet lifts him high into the sky and right out of my life. Though I don't mention any of that, instead I just say, "You know the director will kill you if you show up on set tomorrow covered in henna." Vane shrugs. Shrugs in a way I've seen too many times, on too many young actors before him.He's in full-on star-power mode.Think he's indispensable. That he's the only seventeen-year-old guy with a hint of talent,golden skin, wavy blond hair, and piercing blue eyes that can light up a screen and make the girls (and most of their moms) swoon. It's a dangerous way to see yourself-especially when you make your living in Hollywood. It's the kind of thinking that leads straight to multiple rehab stints, trashy reality TV shows, desperate ghostwritten memoirs, and low-budget movies that go straight to DVD.
Alyson Noel (Fated (Soul Seekers, #1))
In the very midst of this panic came the news that the steamer Central America, formerly the George Law, with six hundred passengers and about sixteen hundred thousand dollars of treasure, coming from Aspinwall, had foundered at sea, off the coast of Georgia, and that about sixty of the passengers had been providentially picked up by a Swedish bark, and brought into Savannah. The absolute loss of this treasure went to swell the confusion and panic of the day. A few days after, I was standing in the vestibule of the Metropolitan Hotel, and heard the captain of the Swedish bark tell his singular story of the rescue of these passengers. He was a short, sailor-like-looking man, with a strong German or Swedish accent. He said that he was sailing from some port in Honduras for Sweden, running down the Gulf Stream off Savannah. The weather had been heavy for some days, and, about nightfall, as he paced his deck, he observed a man-of-war hawk circle about his vessel, gradually lowering, until the bird was as it were aiming at him. He jerked out a belaying pin, struck at the bird, missed it, when the hawk again rose high in the air, and a second time began to descend, contract his circle, and make at him again. The second time he hit the bird, and struck it to the deck. . . . This strange fact made him uneasy, and he thought it betokened danger; he went to the binnacle, saw the course he was steering, and without any particular reason he ordered the steersman to alter the course one point to the east. After this it became quite dark, and he continued to promenade the deck, and had settled into a drowsy state, when as in a dream he thought he heard voices all round his ship. Waking up, he ran to the side of the ship, saw something struggling in the water, and heard clearly cries for help. Instantly heaving his ship to, and lowering all his boats, he managed to pick up sixty or more persons who were floating about on skylights, doors, spare, and whatever fragments remained of the Central America. Had he not changed the course of his vessel by reason of the mysterious conduct of that man-of-war hawk, not a soul would probably have survived the night.
William T. Sherman (The Memoirs Of General William T. Sherman)
The Sea Witch’s Lament To really see what the sea witch had to go through, you must first remember what happens when you get your heart broken for the very first time. People always minimise it, say you’ll get over it, say first loves don’t matter as much as last ones, but that first heartbreak, that’s the death of your innocence. And you’re blindly walking in the darkness that’s trying to absorb you. A darkness that you have no tools or weapons to navigate, that is what the end of first love feels like. Some of us come out of that darkness still mostly whole, and those are the lucky ones.   Because some of us never come back at all. “And this was the story with the sea witch, the incredible ample-bodied being who was larger than life as a child, living her life with laughter and magic and joy. She spent her days learning how to look after the forgotten sea creatures that the merpeople considered too ugly or terrifying to tend to. Pilot fish and barracudas and eels were her friends, for they knew it was her they could always look to. Unfortunately for the sea witch, love comes for every woman. Just when we are sure we are safe from its clutches, it moves its way inside our hearts and we give ourselves completely to it, surrender in every way possible. This is why it is said love is to women what war is to men.   Sixteen-year-old Sea Witch fell in love with the then seventeen-year-old Mer-Prince. And he fell too for this impossible, wonderful, darkly magical girl from a different tribe who he knew his family would never approve of. You would hope it would be that simple, that when two people give each other their hearts, the world falls away and lets them be, but that is rarely the case. Love is as complicated as the truth.   So when his father presented him with an ultimatum, with a choice to give up his future kingdom and Ursula, Triton chose his kingdom. A part of him was too cowardly and too haughty to live the way she did, simply and protecting everything the merpeople threw away. So the sea witch was left to wander this darkness alone. And she never ever came out of it. To save herself from destruction, she blindly grabbed at her only lifeline, that which armoured what was left of her ruined heart by choosing the destruction that her mother, the sea, had given to her in her blood. The sea witch was never born evil, she became that way because she couldn’t let loose her emotions. Instead, she buried them deep and let them fester and turn into poison. This, this is the damage not grieving properly for first love can do. It can consume and destroy and harden all the goodness inside of you.   In the sea witch’s story, she had no one to turn to. But you, my darling, have an army of all of the stars, to fill your grief-filled days with the comfort you can hold onto. You are not alone. With this endless universe above you that has given you the gift of existence. You are not alone.
Nikita Gill (Fierce Fairytales: Poems and Stories to Stir Your Soul)
The sense that I'd fled my Jewishness in Odessa added painful new pressure to the dilemma I would face at sixteen. That's when each Soviet citizen first got an internal passport - the single most crucial identity document. As a child of mixed ethnicities - Jewish mom, Russian dad - I'd be allowed to select either for Entry 5. This choice-to-come weighed like a stone on my nine-year-old soul. Would I pick difficult honor and side with the outcasts, thereby dramatically reducing my college and job opportunities? Or would I take the easy road of being 'Russian'? Our emigration rescued me from the dilemma, but the unmade choice haunts me to this day. What would I have done?
Anya von Bremzen (Mastering the Art of Soviet Cooking: A Memoir of Food and Longing)
Man as an individualised soul is essentially causal-bodied,” my guru explained. “That body is a matrix of the thirty-five ideas required by God as the basic or causal thought forces from which He later formed the subtle astral body of nineteen elements and the gross physical body of sixteen elements. “The nineteen elements of the astral body are mental, emotional, and lifetronic. The nineteen components are intelligence; ego; feeling; mind (sense-consciousness); five instruments of knowledge, the subtle counterparts of the senses of sight, hearing, smell, taste, touch; five instruments of action, the mental correspondence for the executive abilities to procreate, excrete, talk, walk, and exercise manual skill; and five instruments of life force, those empowered to perform the crystallising, assimilating, eliminating, metabolising, and circulating functions of the body. This subtle astral encasement of nineteen elements survives the death of the physical body, which is made of sixteen gross chemical elements. “God thought out different ideas within Himself and projected them into dreams. Lady Cosmic Dream thus sprang out decorated in all her colossal endless ornaments of relativity. “In thirty-five thought categories of the causal body, God elaborated all the complexities of man’s nineteen astral and sixteen physical counterparts. By condensation of vibratory forces, first subtle, then gross, He produced man’s astral body and finally his physical form. According to the law of relativity, by which the Prime Simplicity has become the bewildering manifold, the causal cosmos and causal body are different from the astral cosmos and astral body; the physical cosmos and physical body are likewise characteristically at variance with the other forms of creation. “The fleshly body is made of the fixed, objectified dreams of the Creator. The dualities are ever present on earth: disease and health, pain and pleasure, loss and gain.
Paramahansa Yogananda (Autobiography of a Yogi (Complete Edition))
Who could identify fragments 260 of ownerless flesh and bone? The poor man’s flattened carcase would vanish along with his soul.
Juvenal (The Sixteen Satires)
From the time I was sixteen years my husband surrounded me like a putrid fog, permeating every minute of every day and completely blocking the sun from entering my life. When my husband left us behind in Arizona and moved to Michigan for work I began to see him as he really was, nothing more than a small, evil, isolated creature. I made it my goal to keep my children pure, to keep them from ever becoming like their father.
Mia Odeh (Mia’s Odyssey: Taking Back My Soul)
Is it possible for a person, after such a childhood and adolescence, with a damaged body and soul, ever to feel completely free and happy — at all?
Melānija Vanaga (Suddenly, a Criminal: Sixteen Years in Siberia)
I don’t think he realizes I’m always having an internal breakdown over everything he does. It’s not normal to be this into someone, is it?
Rosie Talbot (Twelve Bones (Sixteen Souls, #2))
I really like his hands. I think I like them as much as he hates them. They really get to him – he thinks they’re too slender and delicate, which is why they’re usually shoved in his pockets – but to me they’re strong. An anchor to grasp when I feel like I’m spiralling.
Rosie Talbot (Twelve Bones (Sixteen Souls, #2))
The truth is, I can’t save him, just as he can’t protect me. Shit happens, life throws impossible things at us. We’re gonna bruise and hurt and somehow find the courage to keep going. Sam never needed my protection, only my support.
Rosie Talbot (Twelve Bones (Sixteen Souls, #2))
Tell my beloved James I ended mine afterlife in defence of noble friends,” Villiers wheezes, then frowns, looking down at the slashes in his doublet. He pats at the wound. Realizing the cuts don’t go deeper than the fabric, he rights himself. “Oh, tis but a scratch.
Rosie Talbot (Twelve Bones (Sixteen Souls, #2))
The look on his face is the kind of thing that people cross oceans for.
Rosie Talbot (Twelve Bones (Sixteen Souls, #2))
They haven’t found a new place yet, but Sam took the time to buy embroidered handkerchiefs. Why am I so surprised? The lad wears cravats and bowties most days. Honestly, that just makes me fall for him even harder.
Rosie Talbot (Twelve Bones (Sixteen Souls, #2))
He’s afraid of me dying and I’m afraid of him dying, and that might legit happen. Not in some distant future when we’re two old men winding each other up in an old folks’ home, but tomorrow. All it’d take is the wrong ghost, at the wrong time.
Rosie Talbot (Twelve Bones (Sixteen Souls, #2))
My fear creeps in, fresh panic, cold on my skin. I swallow it down. Yeah, I’m scared, that doesn’t make me weak.
Rosie Talbot (Twelve Bones (Sixteen Souls, #2))
I’ll love her every day for as long as I live, and then every day after. I’m glad my two families have finally had a chance to connect.
Rosie Talbot (Twelve Bones (Sixteen Souls, #2))
Yeah… Excessive property damage is definitely more of a supervillain thing. Actually, no, scrap that. I’ve seen all the Marvel movies, they trash everything.
Rosie Talbot (Twelve Bones (Sixteen Souls, #2))
I keep scrolling, finding more pictures of Sadie with the same lass. They seem close. She’s tagged. I hop over to her account, Jory Chambers. “Yeah, I don’t think they were roommates,” says Mitch, leaning over my shoulder.
Rosie Talbot (Twelve Bones (Sixteen Souls, #2))
For some reason I remember the first time I saw him, waxed jacket, dimples, the shock of white amongst his dark curls, and how he spun me off balance. My heart feels like it’s caught somewhere in my throat because now he’s the axis of everything.
Rosie Talbot (Twelve Bones (Sixteen Souls, #2))
I’m sixteen, how the hell am I supposed to know what I’m doing?
Majanka Verstraete (The Soul Thief (The Angel of Death Series Book 1))
Ah, yes, yes. Here it is. Kara Nightingale …age sixteen …hit by a bus …pretty nasty way of dying …so sorry about that …soul was already chosen to be a guardian …
C. Gockel (Gods and Mortals: Thirteen Urban Fantasy & Paranormal Novels)
The fact that nobody ever decides to leave and go back to their old life after that initial thirty day period is up. You can’t tell me the Kindred always know exactly which woman is going to be their soul mate for life when they pick a bride.” Kat shrugged and started cracking eggs into a large mixing bowl. “Maybe they brainwash you once you get up to their ship. Maybe it’s filled with all kinds of sex toys and pleasure rooms and it’s so good you just can’t say no.” “Or maybe they trick you into having sex in the first place—like they slip you a roofie,” Sophie said darkly. “And when you wake up it’s like, ‘Oh, sorry—we did the deed and now you’re mine for life. Hope you don’t mind moving to a galaxy far, far away and having sixteen pound alien babies the rest of your natural.” Liv
Evangeline Anderson (Claimed (Brides of the Kindred, #1))
The stallion was almost as tall as Storm, sixteen-two hands high. His face had the noble bearing of a classical Andalusian with wide-set, soulful eyes and a dark, sooty muzzle. He was a grey, but his dapples had long ago faded so he was as creamy white as parchment. His long mane was like gossamer silk and it tumbled and cascaded over his broad neck and down his powerful shoulders
Stacy Gregg (Angel and the Flying Stallions (Pony Club Secrets, #10))
that the Death of the Discworld, for reasons of his own, once rescued a baby girl and took her to his home between the dimensions. He let her grow to become sixteen because he believed that older children were easier to deal with than younger children, and this shows that you can be an immortal anthropomorphic personification and still get things, as it were, dead wrong .
Terry Pratchett (Soul Music (Discworld #16; Death, #3))
He’d read far too many books, that was Israel’s trouble. Books had spoilt him; they had curdled his brain, like cream left out on a summer’s afternoon, or eggs overbeaten with butter. He’d been a bookish child, right from the off, the youngest of four, the kind of child who seemed to start reading without anyone realising or noticing, who enjoyed books without his parents’ insistence, who raced through non-fiction at an early age and an extraordinary rate, who read Jack Kerouac before he was in his teens, and who by the age of sixteen had covered most of the great French and Russian authors, and who as a result had matured into an intelligent, shy, passionate, sensitive soul, full of dreams and ideas, a wide-ranging vocabulary, and just about no earthly good to anyone. His expectations were sky-high, and his grasp of reality was minimal.
Ian Sansom (The Case of the Missing Books (Mobile Library Mystery, #1))
Maybe they have magic bone rings, kind of like the Nazgul?” says Ollie. “You know, Ringwraiths.” Sitting back, I cross my arms. “How can a ghost wear a ring?” “Er … magic, obviously.” “What are these naz gool you speak of?” asks Marmaduke. “Fictional.” Sam downs his coffee. “We’re dealing with something real.
Rosie Talbot (Twelve Bones (Sixteen Souls, #2))
Until the last remnants of the last black holes,” Leonie whispers, her fingers tangled in his. He smiles at her. “The stars have nothing on us.
Rosie Talbot (Twelve Bones (Sixteen Souls, #2))
We were entering New York City now, via some highway that cut across the Bronx. Unfamiliar territory for me. I am a Manhattan boy; I know only the subways. Can’t even drive a car. Highways, autos, gas stations, tollbooths—artifacts out of a civilization with which I’ve had only the most peripheral contact. In high school, watching the kids from the suburbs pouring into the city on weekend dates, all of them driving, with golden-haired shikses next to them on the seat: not my world, not my world at all. Yet they were only sixteen, seventeen years old, the same as I. They seemed like demigods to me. They cruised the Strip from nine o’clock to half past one, then drove back to Larchmont, to Lawrence, to Upper Montclair, parking on some tranquil leafy street, scrambling with their dates into the back seat, white thighs flashing in the moonlight, the panties coming down, the zipper opening, the quick thrust, the grunts and groans. Whereas I was riding the subways, West Side I.R.T. That makes a difference in your sexual development. You can’t ball a girl in the subway. What about doing it standing up in an elevator, rising to the fifteenth floor on Riverside Drive? What about making it on the tarry roof of an apartment house, 250 feet above West End Avenue, bulling your way to climax while pigeons strut around you, criticizing your technique and clucking about the pimple on your ass? It’s another kind of life, growing up in Manhattan. Full of shortcomings and inconve-niences that wreck your adolescence. Whereas the lanky lads with the cars can frolic in four-wheeled motels. Of course, we who put up with the urban drawbacks develop compensating complexities. We have richer, more interesting souls, force-fed by adversity. I always separate the drivers from the nondrivers in drawing up my categories of people. The Olivers and the Timothys on the one hand, the Elis on the other. By rights Ned belongs with me, among the nondrivers, the thinkers, the bookish introverted tormented deprived subway riders. But he has a driver’s license. Yet one more example of his perverted nature.
Robert Silverberg (The Book of Skulls)
think the only way to avoid talking about your own loss is to do the project: focus on other people’s situations instead.’ Rachel sighed again. She couldn’t deny there was a certain logic to this. ‘And what about you?’ she asked. ‘I mean, asking to switch assignments won’t do you any favours in terms of your position here. This is a huge account and we both know you can bring it in – it would cement your celebrity status for good.’ Jack ignored her sarcasm. ‘I’m good at what I do. There’ll be plenty more chances for me to get this agency coveted, lucrative clients.’ Rachel pulled her hand out of his and crossed her arms. He was infuriatingly confident. ‘On the other hand …’ Jack said, ‘if we go ahead with Lighthouse, I’ll be with you, supporting you – and I’ll know the truth. And at least it sounds as if the content side of things won’t require too much soul-searching. It seems pretty clear Olivia Mason already knows what’s best when it comes to writing material for her new website.’ ‘True.’ Rachel stood up straighter and pulled her shoulders back a little. Jack was right: refusing to work on this account was guaranteed to raise questions about her past, not to mention her emotional stability. What kind of person was still this churned up about a bereavement – even a close one – after almost sixteen years? A loss they never breathed a word about, even to good friends? She decided to put those questions away for examination at some future, unspecified time. Then there was the risk that she’d mark herself out as difficult or unprofessional by refusing to do the work she’d been given. All things considered, it might be better to put her head down and get on with this. It would be a difficult few weeks, but ploughing on was probably preferable to publicly dredging up past pain. ‘Okay,’ Rachel said, subdued but certain. ‘Okay?’ ‘Yeah. I don’t think I have much choice here, do I? Sticking with the account seems like the lesser of two evils.’ ‘It’s going to be fine,’ Jack said bracingly. ‘And it’ll be over within a few weeks, just like the BHGH pitch. Once we get this done, we’ll be on to the next big thing – other people will be manning the account – and we never have to talk about any of this again if you don’t want to.’ Rachel nodded. Jack reached for her hand again, squeezing it and then letting go as they turned to walk back into the building. ‘Will you be all right?’ he asked as she headed towards the ladies. ‘I think so,’ she said. ‘And … I’m sorry I had a go at
Laura Starkey (Rachel Ryan's Resolutions)
The winter before he was sixteen, Pup sold his soul to the devil.
Ruth Rendell (The Killing Doll)
When you’re sixteen, sometimes you need the adults in the room to step in.
Patricia Briggs (Soul Taken (Mercy Thompson, #13))
And now I could hear the music think, as I had heard it then, the unspooling of the logic of being mortal—of dying, as my best friend had, when I was nine, and my beloved, when I was sixteen. I heard, again, what loving and being loved might sound like—or I heard what some comfort for the loss of that might sound like. I heard the body and soul of death—of love and death.
Sharon Olds (Arias)
In life's intricate game, every move shapes destiny's design, much like the pieces on a chessboard. At sixteen, victory seemed boundless; now, facing thirty, mortality's truth reveals itself. Were you sure of your end once, I was. To be buried hundreds yards from where I was born, A king may move a man, a father may claim a son, yet the soul's true journey lies within. Let virtue guide your path, for in the end, it is not titles or power that define us, but the purity of our intentions.
Unknown Jerusalem Era
Earlier this morning,' Bukka told him, 'I entertained our great and wise sage, Vidyasagar, the Ocean of Knowledge, and I suggested to him that his masterwork-in-progress, his inquiry into the Sixteen Systems of Philosophy, was reportedly of a brilliance so extraordinary that it would be a tragedy if it ended up incomplete, unfinished, because of the distractions of his work at court. I also took the liberty to mention that astrology was not my personal cup of tea, so that the daily morning horoscope readings demanded by my brother would no longer be required. I must say that on the whole he took it very well. He is a man of infinite grace, and when he let out a single wordless ejaculation—a 'ha!' so loud that it frightened the horses in the stables—I understood this to be part of his transcendent spiritual practice, a controlled exhalation from his body in which he expelled all that was now redundant. A letting-go. After that he took his leave and I believe he has retreated into his original cave of so long ago, near the perimeter of the Mandana complex, to begin a ninety-one-day program of meditation and soul renewal. I know that we will all be grateful for the fruits of this disciplined activity and for the rebirth of his spirit in an even more bountiful incarnation. He is the greatest of us all.' 'You fired him,' Haleya Kote dared to summarize.
Salman Rushdie (Victory City)
They say York is the most haunted city in Europe. Don't I know it.
Rosie Talbot (Twelve Bones (Sixteen Souls, #2))
Usually, the dead give me more trouble than the living.
Rosie Talbot (Twelve Bones (Sixteen Souls, #2))
We do not agree with the authors of the Declaration of Independence, that governments "derive their just powers from the consent of the governed." The women, the children, the negroes, and but few of the non-property holders were consulted, or consented to the Revolution, or the governments that ensued from its success. As to these, the new governments were self-elected despotisms, and the governing class self-elected despots. Those governments originated in force, and have been continued by force. All governments must originate in force, and be continued by force. The very term, government, implies that it is carried on against the consent of the governed. Fathers do not derive their authority, as heads of families, from the consent of wife and children, nor do they govern their families by their consent. They never take the vote of the family as to the labors to be performed, the moneys to be expended, or as to anything else. Masters dare not take the vote of slaves, as to their government. If they did, constant holiday, dissipation and extravagance would be the result. Captains of ships are not appointed by the consent of the crew, and never take their vote, even in "doubling Cape Horn." If they did, the crew would generally vote to get drunk, and the ship would never weather the cape. Not even in the most democratic countries are soldiers governed by their consent, nor is their vote taken on the eve of battle. They have some how lost (or never had) the "inalienable rights of life, liberty and the pursuit of happiness;" and, whether Americans or Russians, are forced into battle, without and often against their consent. The ancient republics were governed by a small class of adult male citizens, who assumed and exercised the government, without the consent of the governed. The South is governed just as those ancient republics were. In the county in which we live, there are eighteen thousand souls, and only twelve hundred voters. But we twelve hundred, the governors, never asked and never intend to ask the consent of the sixteen thousand eight hundred whom we govern. Were we to do so, we should soon have an "organized anarchy." The governments of Europe could not exist a week without the positive force of standing armies.
George Fitzhugh (Cannibals All! or, Slaves Without Masters)
The work Aquinas did in the next sixteen years changed the face of Western Christianity and philosophy.
Arthur Herman (The Cave and the Light: Plato Versus Aristotle, and the Struggle for the Soul of Western Civilization)
Other works in English by Naimy are: Memoirs of a Vagrant Soul, or Pitted Face, Till We Meet and his biography of Kahlil Gibran, who was for sixteen years his intimate friend and companion in New York.
Mikhail Naimy (The Book of Mirdad: The strange story of a monastery which was once called The Ark)
After the murder of my daughter and sixteen others, there should have been a deep look into what went wrong like there was after Columbine. There should have been a constructive debate about how to keep schools safe. And there should have been a lot of soul-searching. Instead, the media exploited this tragedy as an opportunity to pit Americans against one another for higher ratings. They made it all into a Twitter showdown between a few teenagers and the Republican Party over a policy issue that didn’t have anything to do with what happened. Short of banning guns altogether, nothing in the gun control agenda would have prevented 18–1958 from getting a gun because he looked totally clean on paper. But rather than try to figure out why a student who everyone was saying had committed plenty of crimes had nothing on his record, the media treated the question as a threat to their agenda and marginalized it as a “right-wing” thing.
Andrew Pollack (Why Meadow Died: The People and Policies That Created The Parkland Shooter and Endanger America's Students)
When I was sixteen, I was already on a path less travelled with several questions preoccupying my somewhat troubled soul.
Frank L. Douglas (Defining Moments of a Free Man from a Black Stream)
The church has never lacked valiant men. On August 15, 1714, the Romanian king Constantin Brincoveanu died a martyr’s death. During the twenty-five years of his reign, he had been a valiant defender of the Christian world against Islam. On Good Friday in 1714, he and his whole household were arrested by the Turkish sultan’s men and taken to Constantinople, where they were put in the notorious Yedikule prison. On his sixtieth birthday, King Brincoveanu was sentenced to death together with his four sons. Before the executioner raised his axe, the sultan said, “I will pardon you if you tell me where the wealth of your country is and if you will deny the Christian faith and convert to Islam.” King Brincoveanu replied: “I will never abandon the Christian faith. I was born in it, have lived in it, and will die in it. I have filled my country with churches, monasteries and hospitals. I will not worship in your mosques, neither I nor my children.” Then he turned to his sons and said: “My beloved, be strong in faith. We have lost all things. Let us not lose our souls as well.” The sultan ordered that the sons should die first. Young Constantin prayed and quietly put his head on the block. As he was beheaded, his father sighed and said, “God, Your will be done.” The next two sons followed. Then Matthew, who was only sixteen, wavered at the sight of the blood and hid himself near his mother. “Follow your brothers,” urged King Brincovaneau. “Do not deny Christ.” The youngster put his head on the block and said to the executioner, “Strike.” The king followed them. Kneeling, he prayed with many tears: “God, accept our sacrifice. For the blood of our martyrdom, I desire that the Romanian principates remain Christian. Amen.
Richard Wurmbrand (The Midnight Bride)
People share books they love. They want to spread to friends and family the goodness that they felt when reading the book or the ideas they found in the pages. In sharing a loved book, a reader is trying to share the same excitement, pleasure, chills, and thrills of reading that they themselves experienced. Why else share? Sharing a love of books and of one particular book is a good thing. But it is also a tricky maneuver, for both sides. The giver of the book is not exactly ripping open her soul for a free look, but when she hands over the book with the comment that it is one of her favorites, such an admission is very close to the baring of the soul. We are what we love to read, and when we admit to loving a book, we admit that the book represents some aspect of ourselves truly, whether it is that we are suckers for romance or pining for adventure or secretly fascinated by crime. On the other side of the offered book is the taker. If she is at all a sensitive being, she knows that the soul of the offering friend has been laid wide open and that she, the taker, had better not spit on her friend’s soul. I am not exaggerating. Sixteen
Nina Sankovitch (Tolstoy and the Purple Chair: My Year of Magical Reading)
four petal lotus in money center (muladhara); six petalled lotus in the family center (svadhisthana); ten petal lotus in the food center (manipura); twelve petalled lotus in the heart center (anahata); sixteen petalled lotus in the education center (vishuddha); two petalled lotus in the soul center (ajna); thousand petalled lotus in the cosmic body center (sahasrara).
Paramahamsa Hariharananda (Kriya Yoga: The Scientific Process of Soul Culture and the Essence of All Religions)
Feeling my stare burning into him, he twists his head until his gaze clashes with mine. I suck in a sharp breath, taken aback by the utter emptiness staring back at me. I’ve come across a lot of evil, rotten souls in my time. Souls I’m certain are burning in the depths of Hell. But this man… this man’s soul was forged in Hell. This… thing was never human. Not in this lifetime. A smile cocks on his saggy cheeks. He likes my attention. I may look like a demented, broken little doll, but underneath the makeup is a young girl. I think I’m in my twenties, but with the amount of makeup layered on my face, I could easily pass for sixteen. Sick, sick man. I smile at him, showing him my pretty smile. Mortis always says I have the smile of an angel. Demons love angels. They always want what they can never have. They love to taint what’s pure. Like picking up a white bunny with hands covered in blood. Angels are used and discarded to the side when they’ve served their purpose. Just like Lucifer with Eve. She didn’t eat an apple. Lucifer fucked her and ruined her for all men. And then tossed her aside because she could never be Lilith. The evil man responds in kind, his smile widening so big—even his wife takes notice. She glances at me, her gaze drifting away before snapping back to me, now wide with fear. Her rounded eyes bounce between me and her husband. She’s watching her husband prey on another woman, and instead of her burning up with jealously, she fears for me instead.
H.D. Carlton (Satan's Affair)
One of my exit points could have been then, but I couldn’t do that to my mom, so I lived on borrowed time as long as I could for her sake. But by the time I was sixteen, my time was running out, and honestly, I was ready to go because my life was very difficult,” Isaac said. “Still, I was very worried about my mom.
Charlie Bynar (Through the Darkness: A Story of Love from the Other Side)