Sipping My Tea Quotes

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Who would then deny that when I am sipping tea in my tearoom I am swallowing the whole universe with it and that this very moment of my lifting the bowl to my lips is eternity itself transcending time and space?
D.T. Suzuki (Zen and Japanese Culture)
A cat purring on your lap while you sip hot tea, is there anything better? Oh, and you’re floating in a zero gravity environment.
Jarod Kintz (Who Moved My Choose?: An Amazing Way to Deal With Change by Deciding to Let Indecision Into Your Life)
I gestured my frustration. “I don’t know. She’s much better already. She wasn’t talking half an hour ago. Look at her now.” We all turned, finding Ceri sobbing quietly and drinking her tea in small reverent sips as the pixy girls hovered over her. Three were plating her long, fair hair and another was singing to her. Okay,” I said as we turned back. “Bad example.
Kim Harrison (Every Which Way But Dead (The Hollows, #3))
I was performing my ritual of sipping tea, shooting flirtatious glances and planning murder
Mingmei Yip (Peach Blossom Pavilion)
Nim handed me a mug of tea. I took a sip and it was just how I like it, strong and sweet. If you added psychotic and emotionally unavailable to that, it would also cover my taste in women.
Alexis Hall (Shadows & Dreams (Kate Kane, Paranormal Investigator, #2))
She raised her hand to cut me off. "I am aware of your epistolary flirtation. Which is all well and good--as long as it's well and good. Before I ask you some questions, perhaps you would like some tea?" "That would depend on what kind of tea you were offering." "So diffident! Suppose it was Earl Grey." I shook my head. "Tastes like pencil shavings." "Lady Grey." "I don't drink beverages named after beheaded monarchs. It seems so tacky." "Chamomile?" "Might as well sip butterfly wings." "Green tea?" "You can't be serious." The old woman nodded her approval. "I wasn't." "Because you know when a cow chews grass? And he or she chews and chews and chews? Well, green tea tastes like French-kissing that cow after it's done chewing all that grass." "Would you like some mint tea?" "Only under duress." "English breakfast." I clapped my hands. "Now you're talking!
David Levithan (Dash & Lily's Book of Dares (Dash & Lily, #1))
I take a few quick sips. "This is really good." And I mean it. I have never tasted tea like this. It is smooth, pungent, and instantly addicting. "This is from Grand Auntie," my mother explains. "She told me 'If I buy the cheap tea, then I am saying that my whole life has not been worth something better.' A few years ago she bought it for herself. One hundred dollars a pound." "You're kidding." I take another sip. It tastes even better.
Amy Tan (The Kitchen God's Wife)
it is to be savored like a seabreeze-whispered dream...in the mysterious blue minutes before dawn like a secret infatuation.... like slow languorous sips of green tea... like a lingering glimpse a self-wrapped paradise like his name upon my lips.
Sanober Khan (Turquoise Silence)
What I crave more than anything today is to sit at an outdoor cafe on a cool autumn day. I just want to feel that end-of-the-year breeze as I sip a cup of green tea and take my time with a piece of pumpkin pie. I would slump in my chair and allow my mind to roam wherever it chose. Nothing else in the world epitomizes absolute freedom to me more than that thought. I could be alone or with a friend I know so well that we wouldn't have to speak. Sometimes I wake up in the morning thinking about pumpkin pie.
Damien Echols (Life After Death)
I want to build you a house with my bare hands and carry you over the threshold. I want too cook for you every evening and bring you tea in bed in the mornings. I want to read with you in front of an open fire, sipping a glass of wine. I want to drive you to the beach and lie next to you in the sun. I may not be a man of means, bit I want to take care of you as best I can.
Catherine Sanderson (Petite Anglaise)
I waited for him to pick up the thread again—and when he didn't, we sat there peacefully, while I sipped my cooling tea (Lapsang Souchong, smoky and peculiar) and felt the strangeness of my life, and where I was.
Donna Tartt (The Goldfinch)
I couldn't find my cup of tea. So probably, I've been simply taking a sip from everyone else's cup. May be it shouldn't matter as long as there is tea to drink. Or should it?
Sanhita Baruah
He turned to her. “Didn’t you see the lightning strike the steeple?” She recovered with a sip of tea, then smiled sweetly. “I was listening too devotedly to the sermon.” “Claptrap last week,” Lady D announced. “I think the priest is getting old.” Gareth opened his mouth, but before he could say a word, his grandmother’s cane swung around in a remarkably steady horizontal arc. “Don’t,” she warned, “make a comment beginning with the words, ‘Coming from you…’” “I wouldn’t dream of it,” he demurred. “Of course you would,” she stated. “You wouldn’t be my grandson if you wouldn’t.” She turned to Hyacinth. “Don’t you agree?” To her credit, Hyacinth folded her hands in her lap and said, “Surely there is no right answer to that question.” “Smart girl,” Lady D said approvingly. “I learn from the master.” Lady Danbury beamed.
Julia Quinn (It's in His Kiss (Bridgertons, #7))
islam. is still in my life. we are old soulmates. who could not work out the knots against skin. who could not believe in each other. while believing in ourselves. who could not make each other happy. without. making each other a sadness. who were born to each other. and never fell in love. but we still sip tea. share our hands. touch hearts. every now and then.
Nayyirah Waheed (Nejma)
Still she speaks to me as if I am her judge, or confessor. I felt so lonely hearing her stories, because I know they are about her and her issues and her judges and have nothing to do with me. I nod, sip my tea, thinking about how hard it is to truly connect with another human being.
Suzanne Scanlon (Promising Young Women)
Am I witch? I don't know. That's what they call me. They say it's because I follow the rhythms of the earth, honor the seasons, dance under the moon and seek the ancient herbal wisdom of our ancestors. "Folk Lore, poppycock, myths," they say as they sneer at the rosemary in my cup, the comfrey brewing on the stove and turmeric stains on my hands. "Western medicine and science have replaced all that nonsense," they say. They make witches out to be evil and then call me a witch because I am seeking the knowledge & ancient wisdom that the world seems hell bent on forgetting. Well, they can call me what they like, but I know I am not evil. This is what I know: I am an intuitive woman who instinctively knows that this sacred earth holds healing that western medicine will never be able to replace. I will be here holding space. I will be their witch. So, here I am- A kitchen witch sipping her Rosemary tea, mixing up her herbal potion, dancing under the moon, and fighting for the knowledge & wisdom of our grandmothers to not be forgotten.
Brooke Hampton
Did you mean what you said? You will pursue this?' Brisbane sipped at his tea. 'I suppose. I have a few other matters that I must bring to conclusion, but nothing that cannot wait. And I have no other clients questioning either my integrity or my courage at present.
Deanna Raybourn (Silent in the Grave (Lady Julia Grey, #1))
Syn checked the lorina's feeder in the kitchen. "Where are the mongrels?" Nykyrian took a sip of tea before he answered. "They were confused by all the people. Last I saw of them, they were hiding out in my bed." Darling frowned. "They don't bite, do they?" Nykyrian scoffed. "I'm the only thing that bites in this house." -Syn, Nykyrian, & Darling
Sherrilyn Kenyon (Born of Night (The League: Nemesis Rising, #1))
At length the Turk turned to Larry: 'You write, I believe?' he said with complete lack of interest. Larry's eyes glittered. Mother, seeing the danger signs, rushed in quickly before he could reply. 'Yes, yes' she smiled, 'he writes away, day after day. Always tapping at the typewriter' 'I always feel that I could write superbly if I tried' remarked the Turk. 'Really?' said Mother. 'Yes, well, it's a gift I suppose, like so many things.' 'He swims well' remarked Margo, 'and he goes out terribly far' 'I have no fear' said the Turk modestly. 'I am a superb swimmer, so I have no fear. When I ride the horse, I have no fear, for I ride superbly. I can sail the boat magnificently in the typhoon without fear' He sipped his tea delicately, regarding our awestruck faces with approval. 'You see' he went on, in case we had missed the point, 'you see, I am not a fearful man.
Gerald Durrell (My Family and Other Animals (Corfu Trilogy, #1))
He put the good old cup of tea softly on the table by my bed, and I took a refreshing sip. Just right, as usual. Not too hot, not too sweet, not to weak, not too strong, not too much milk, and not a drop spilled in the saucer. A most amazing cove, Jeeves. So dashed competent in every respect.
P.G. Wodehouse (The Jeeves Omnibus - Vol 1)
I cannot feel like a duchess in my mother’s sitting room.” “What do you feel like, then?” “Hmmm.” She took a sip of her tea. “Just Daphne Bridgerton, I suppose. It’s difficult to shed the surname in this clan. In spirit, that is.” “I hope that is a compliment,” Lady Bridgerton remarked. Daphne just smiled at her mother. “I shall never escape you, I’m afraid.” She turned to Gareth. “There is nothing like one’s family to make one feel like one has never grown up.
Julia Quinn (It's in His Kiss (Bridgertons, #7))
Here. Tea.” Reagan hands me a steaming mug. One sip tells me it’s not just tea. “You spiked the drink of an injured person,” I state flatly, the alcohol burning in my throat. “Who does that?” “It’s better than what a lame horse gets,
K.A. Tucker
There is good a cup of tea is when you are feeling low. Thin, and plenty of milk, and brown sugar in the crystal, in a big cup so that when your mouth is used to the heat you can drink instead of sipping. Every part of you inside you that seems to have gone to sleep comes lively again. A good friend of mine is a cup of tea, indeed. When
Richard Llewellyn (How Green Was My Valley)
Sipping tea with glee beneath a gooseberry tree. I wish Alice were here. Oh, my dear, do not fear, she will be.
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
He put the good old cup of tea softly on the table by my bed, and I took a refreshing sip. Just right, as usual. Not too hot, not too sweet, not too weak,
P.G. Wodehouse (The Inimitable Jeeves)
Those children are right," he would have said. "They stole nothing from you, my dear. These things don't belong to you here, you now. They belonged to her, that other you, so long ago." Oh, thought Mrs. Bentley. And then, as though an ancient phonograph record had been set hissing under a steel needle, she remembered a conversation she had once had with Mr. Bentley--Mr. Bentley, so prim, a pink carnation in his whisk-broomed lapel, saying, "My dear, you never will understand time, will you? You've always trying to be the things you were, instead of the person you are tonight. Why do you save those ticket stubs and theater programs? They'll only hurt you later. Throw them away, my dear." But Mrs. Bentley had stubbornly kept them. "It won't work," Mr. Bentley continued, sipping his tea. "No matter how hard you try to be what you once were, you can only be what you are here and now. Time hypnotizes. When you're nine, you think you've always been nine years old and will always be. When you're thirty, it seems you've always been balanced there on that bright rim of middle life. And then when you turn seventy, you are always and forever seventy. You're in the present, you're trapped in a young now or an old now, but there is no other now to be seen." It had been one of the few, but gentle, disputes of their quiet marriage. He had never approved of her bric-a-brackery. "Be what you are, bury what you are not," he had said. "Ticket stubs are trickery. Saving things is a magic trick, with mirrors." If he were alive tonight, what would he say? "You're saving cocoons." That's what he'd say. "Corsets, in a way, you can never fit again. So why save them? You can't really prove you were ever young. Pictures? No, they lie. You're not the picture." "Affidavits?" No, my dear, you are not the dates, or the ink, or the paper. You're not these trunks of junk and dust. You're only you, here, now--the present you." Mrs. Bentley nodded at the memory, breathing easier. "Yes, I see. I see." The gold-feruled cane lay silently on the moonlit rug. "In the morning," she said to it, "I will do something final about this, and settle down to being only me, and nobody else from any other year. Yes, that's what I'll do." She slept . . .
Ray Bradbury (Dandelion Wine)
That said, my biggest discovery has nothing to do with books at all.” He took another leisurely sip from his teacup. “I’ve discovered that my wife truly makes a wonderful cup of tea.
Sōsuke Natsukawa (The Cat Who Saved Books (The Cat Who..., #1))
She smiled as she poured tea into his cup. “I hope you find your rooms comfortable?” “Quite.” He took a too-hasty sip of tea and scalded his tongue. “The view is to your liking?” He had a view of a brick wall. “Indeed.” She fluttered her eyelashes at him over the rim of her teacup. “And the bed. Is it soft and… yielding?” He nearly choked on the bite of cake he’d just taken. “Or do you prefer a firmer bed?” she asked sweetly. “One that refuses to yield too soon?” “I think”—he narrowed his eyes at her—“whatever mattress I have on the bed you gave me is perfect. But tell me, my lady, what sort of mattress do you prefer? All soft goose down or one that’s a bit… harder?” It was very fast, but he saw it: Her gaze flashed down to the juncture of his thighs and then up again. If there hadn’t been anything to see there before, there certainly was now. “Oh, I like a nice stiff mattress,” she purred. “Well warmed and ready for a long ride.
Elizabeth Hoyt (Thief of Shadows (Maiden Lane, #4))
I’m a dork, I know. A tomboy dork. Growing up, I was the girl watching ants build their homes while most of my friends were playing dolls. I created tangible mud pies while they sipped imaginary tea.
Chris Genovese (Redgrave: An Erotic Horror)
He didn't call me for a few weeks. This was customary within our friendship, confide and retreat, but I wondered. I wondered if perhaps our last conversation had been an overture. Not the conversation, exactly, but the silences within it. There had been many dark pits of tea-sipping silence; looking back, I could imagine placing my hand on his hand while kneeling in one of these dark pits. And in such a pit could one even be sure what one was doing? One might seek solace in a friend and literally go inside this friend to get the solace; and the friend, being old and familiar, might give especially good solace.
Miranda July (No One Belongs Here More Than You)
After dessert we sipped on strong cups of tea, one of the luxuries we can afford to take for granted here in the trade routes. "Delightful," she said. "If only for a little cream." "Don't speak to me of cream, Captain. I dream about milk at least twice a week. I run naked with milk running in rivulets from the corners of my mouth. I even miss humble parsley--zounds, how I've taken that weed for granted! And butter, I'll not describe my butter dreams, they're too depraved." Mabbot chuckled. "We must leave something for dreams.
Eli Brown (Cinnamon and Gunpowder)
Suppose that you and I were sitting in a quiet room overlooking a garden, chatting and sipping at our cups of green tea while we talked about something that had happened a long while ago, and I said to you, “That afternoon when I met so-and-so . . . was the very best afternoon of my life, and also the very worst afternoon.
Arthur Golden (Memoirs of a Geisha)
They want to make me feel better about dying. To make me feel better about dying gives them a purpose." You pause. "But I'm fine about dying. And they just can't accept that. It takes away their purpose." You sip your tea and flinch. "And I'm buggered if I'm going to waste what's left of my time pretending to be terrified just to fit into someone else's picture of how things should be. I'd rather watch reruns of Dalziel and Pascoe on UK Gold.
Sarah Pinborough (The Language of Dying)
What he confessed was this. He had not been serving God, after all, when he followed Allen Dulles. He had been on a satanic quest. These were some of James Jesus Angleton’s dying words. He delivered them between fits of calamitous coughing—lung-scraping seizures that still failed to break him of his cigarette habit—and soothing sips of tea. “Fundamentally, the founding fathers of U.S. intelligence were liars,” Angleton told Trento in an emotionless voice. “The better you lied and the more you betrayed, the more likely you would be promoted. . . . Outside of their duplicity, the only thing they had in common was a desire for absolute power. I did things that, in looking back on my life, I regret. But I was part of it and loved being in it.” He invoked the names of the high eminences who had run the CIA in his day—Dulles, Helms, Wisner. These men were “the grand masters,” he said. “If you were in a room with them, you were in a room full of people that you had to believe would deservedly end up in hell.” Angleton took another slow sip from his steaming cup. “I guess I will see them there soon.
David Talbot (The Devil's Chessboard: Allen Dulles, the CIA, and the Rise of America's Secret Government)
I’m mesmerized by lipstick prints on coffee cups. By the lines of lips against white pottery. By the color chosen by the woman who sat and sipped and lived life. By the mark she leaves behind. Some people read tea leaves and others can tell your future through the lines on your palm. I think I’d like to read lipstick marks on coffee mugs. To learn how to differentiate yearning from satiation. To know the curve of a deep-rooted joy or the line of bottomless grief. To be able to say, this deep blue red you chose and how firmly you planted your lips, this speaks of love on the horizon. But, darling, you must be sure to stand in your own truth. That barely-there nude that circles the entire rim? You are exploding into lightness and possibilities beyond what you currently know. The way the gloss only shows when the light hits it and the coffee has sloshed all over the saucer? people need to take the time to see you whole but my god, you’re glorious and messy and wonderful and free. The deep purple bruise almost etched in a single spot and most of the cup left unconsumed? Oh love. Let me hold the depth of your ache. It is true. He’s not coming back. I know you already know this, but do you also know this is not the end? Love. This is not the end. I imagine that I can know entire stories by these marks on discarded mugs. Imagine that I know something intimate and true of the woman who left them. That I could take those mugs home one day and an entire novel worth of characters would pour out, just like that.
Jeanette LeBlanc
Extraordinary—that Willowdale Academy and Calvin Coolidge High School should both be institutions of learning! The contrast is stunning. I had a leisurely tea with the Chairman of the English Department. I saw several faculty members sitting around in offices and lounges, sipping tea, reading, smoking. Through the large casement windows bare trees rubbed cozy branches. (One of my students had written wistfully of a dream-school that would have "windows with trees in them"!) Old leather chairs, book-lined walls, air of cultivated casualness, sound of well-bred laughter.
Bel Kaufman (Up the Down Staircase)
I’m not stubborn.” I pulled my gaze from the window to look at her and took a long sip of my tea. “And my tits don’t touch my belly button.” My tea spewed from my mouth, and I sputtered at her words. She simply grinned. “We can both lie to ourselves, but that doesn’t make the truth any less real.
Holly Renee (A Kingdom of Blood and Betrayal (Stars and Shadows, #2))
Will you pour out tea, Miss Brent?' The el­der wom­an replied: 'No, you do it, dear. That tea-​pot is so heavy. And I have lost two skeins of my grey knitting-​wool. So an­noy­ing.' Ve­ra moved to the tea-​ta­ble. There was a cheer­ful rat­tle and clink of chi­na. Nor­mal­ity returned. Tea! Blessed or­di­nary everyday af­ter­noon tea! Philip Lom­bard made a cheery re­mark. Blore re­spond­ed. Dr. Arm­strong told a hu­mor­ous sto­ry. Mr. Jus­tice War­grave, who or­di­nar­ily hat­ed tea, sipped ap­prov­ing­ly. In­to this re­laxed at­mo­sphere came Rogers. And Rogers was up­set. He said ner­vous­ly and at ran­dom: 'Ex­cuse me, sir, but does any one know what's become of the bath­room cur­tain?' Lom­bard's head went up with a jerk. 'The bath­room cur­tain? What the dev­il do you mean, Rogers?' 'It's gone, sir, clean van­ished. I was go­ing round draw­ing all the cur­tai­ns and the one in the lav -​ bath­room wasn't there any longer.' Mr. Jus­tice War­grave asked: 'Was it there this morn­ing?' 'Oh, yes, sir.' Blore said: 'What kind of a cur­tain was it?' 'Scar­let oil­silk, sir. It went with the scar­let tiles.' Lom­bard said: 'And it's gone?' 'Gone, Sir.' They stared at each oth­er. Blore said heav­ily: 'Well - af­ter all-​what of it? It's mad - ​but so's everything else. Any­way, it doesn't matter. You can't kill any­body with an oil­silk cur­tain. For­get about it.' Rogers said: 'Yes, sir, thank you, sir.' He went out, shut­ting the door.
Agatha Christie (And Then There Were None)
I put it all to rest; my mind, my body, and all those nasty, gnawing fears. With each sip of tea, I become whole, one again, with me.
Dharlene Marie Fahl
Usually, the coldest of days and nights were my favorite. The perfect time to curl up before a roaring fire and sip tea with a book or guzzle wine with a lover.
Ella Fields (A King so Cold (Royals, #1))
She arched her eyebrows before taking a sip of coffee. “You do realize that boys like Micah are only after one thing.” I spat out my tea, horrified. “Mom!” “Money,” she said.
Ginger Li (XOXO, Olivia (East Beach High #3))
My name is Violette Toussaint. I was a level-crossing keeper, now I’m a cemetery keeper. I savor life, I sip at it, like jasmine tea sweetened with honey. And
Valérie Perrin (Fresh Water for Flowers)
Tea, tea, tea - what? What?' I said. It wasn't what I had meant to say. My idea had been to be a good deal more formal, and so on. Still, it covered the situation. I poured her out a cup. She sipped it and put the cup down with a shudder. 'Do you mean to say, young man,' she said, frostily, ' that you expect me to drink this stuff?' 'Rather! Bucks you up, you know.' 'What do you mean by the expression "Bucks you up"?' 'Well, makes you full of beans, you know. Makes you fizz.' 'I don't understand a word you say. You're English, aren't you?' I admitted it. She didn't say a word. And she did it in a way that made it worse than if she had spoken for hours. Somehow it was brought home to me that she didn't like Englishmen, and that if she had had to meet an Englishman I was the one she'd have chosen last. Conversation languished once more after that. Then I tried again. I was becoming more convinced every moment that you can't make a real lively salon with a couple of people, especially if one of them lets it go a word at a time.
P.G. Wodehouse
In shame, I sipped my tea and nibbled at my biscuit. I had never had tea with milk in it before or a biscuit of such rocklike cheerlessness. It tasted like something you would give a budgie to strengthen its beak.
Bill Bryson (Notes from a Small Island)
Misery is the work of the mind," Nuharoo said as she took a sip of her tea. "Master it and you will feel nothing but happiness. The beauty of my nails has not been damaged, because they stayed inside the protectors.
Anchee Min (Empress Orchid (Empress Orchid, #1))
He pulls just an inch away, releasing with a sweet suction my bottom lip. “Your mouth is hot and tastes like honey.” I show him the tea that I’ve been holding out of the way. “I see,” he twinkles at me and takes the travel mug, helping himself to a long sip. He leans back in, and I guess what he’s doing just in time. His feeding me the hot sip of honeyed tea should be weird, but as usual, he’s so committed to the moment that I just enjoy the sweetness, the intimacy.
Mary Ann Rivers (The Story Guy)
For another hour after that, sipping my cooling tea, I sat over it, turning the pages. And an interesting thing happened: all the previously obscure passages became entirely comprehensible, as though they had been flooded with light; and there, at night, under the lamplight in the depth of the countryside I realised what real knowledge was. ‘One can gain a lot of experience in a country practice,’ I thought as I fell asleep, ‘but even so one must go on and on reading, reading … more and more …
Mikhail Bulgakov (A Country Doctor's Notebook)
ONE All the best things in my life have started with a Dolly Parton song. Including my friendship with Ellen Dryver. The song that sealed the deal was “Dumb Blonde” from her 1967 debut album, Hello, I’m Dolly. During the summer before first grade, my aunt Lucy bonded with Mrs. Dryver over their mutual devotion to Dolly. While they sipped sweet tea in the dining room, Ellen and I would sit on the couch watching cartoons, unsure of what to make of each other. But then one afternoon that song came on over Mrs. Dryver’s stereo. Ellen tapped her foot as I hummed along, and before Dolly had even hit the chorus, we were spinning in circles and singing at the top of our lungs. Thankfully, our love for each other and Dolly ended up running deeper than one song. I
Julie Murphy (Dumplin' (Dumplin', #1))
I sip my tea. ‘I’m sorry about the rush.’ Smile. Nod. Be polite. Be proper Aileana, because proper Aileana apologises even when she doesn’t have to. She’s bland and dull and nice. I just have to survive the day without killing anyone. Miss Forsynth pats my hand. ‘Oh, my dear, I do understand. After all, Lord Galloway is quite handsome, isn’t he? I can see why the hurry is necessary.’ She eyes me knowingly. Good heavens. I put down my damned teacup before I break it. Derrick snickers at me. ‘No wonder you go out for a slaughter every night.
Elizabeth May (The Falconer (The Falconer, #1))
Fortune-teller tea. Give it a sip!" The liquid was pink and smelled of strawberries, but when Maddie drank it, the flavor was deep and a little bitter, followed by a sudden burst of sweetness. Her father returned. "Well?" he asked. "It started out as black licorice and then melted into butterscotch," she said. "Oh, my girl, the tea is telling you that this is the year to keep your ear to the ground and listen for surprises. Change is coming!" Maddie's stomach was full of thoughts and her head full of butterflies. She checked her watch again. She couldn't wait for it all to begin.
Shannon Hale (Once Upon a Time: A Story Collection (Ever After High))
Watching Joel sip his iced tea and listen to stories of my childhood, the ones my mom told at all of the family gatherings, I felt my heart warm. He’d been there too. And as she spoke in scattered memory he was probably filling in the small details that had been lost and forgotten in time by everyone else.
Shawn Maravel (Severance (Volition, #2))
fishing, my philosophy is that men will treat women like one of these two things: a sports fish or a keeper. How we meet, how the conversation goes, how the relationship develops, and the demands you make on a man will all determine whether you’ll be treated like a sports fish—a throwback—or a keeper, the kind of woman a man can envision settling down with. And the way we separate the two is very simple, as I explain next. A SPORTS FISH . . . Doesn’t have any rules, requirements, respect for herself, or guidelines, and we men can pick up her scent a mile away. She’s the party girl who takes a sip of her Long Island iced tea or a shot of her Patrón, then announces to her suitor that she just wants to “date and see how it goes,” and she’s the conservatively dressed woman at the office who is a master at networking, but clueless about how to approach men. She has no plans for any ongoing relationships, is not expecting anything in particular from a man, and sets absolutely not nary one condition or restriction on anyone standing before her—she makes it very clear that she’s just along for whatever is getting ready to happen. For sure, as soon as she lets a man know through words and action that he can treat her just any old kind of way, he will do just
Steve Harvey (Act Like a Lady, Think Like a Man, Expanded Edition: What Men Really Think About Love, Relationships, Intimacy, and Commitment)
It was after one o’clock when I went back to my room. In a pool of light on the desk in my study lay Döderlein open at the page headed ‘Dangers of Version’. For another hour after that, sipping my cooling tea, I sat over it, turning the pages. And an interesting thing happened: all the previously obscure passages became entirely comprehensible, as though they had been flooded with light; and there, at night, under the lamplight in the depth of the countryside I realised what real knowledge was. ‘One can gain a lot of experience in a country practice,’ I thought as I fell asleep, ‘but even so one must go on and on reading, reading … more and more …
Mikhail Bulgakov (A Country Doctor's Notebook)
You’d better marry her before she reaches eighteen and the spell wears off,” I said. “Spell?” “Yes. The one that’s hiding her fangs and pincers from plain sight.” “I don’t find them especially hidden,” he said mildly. “Then perhaps you’re a pair.” His brows lifted. “Now, that’s the cruelest thing you’ve said so far.” Mrs. Fredericks cleared off, and Chloe took her place before the piano. A beam of sunlight was just beginning its slide into the chamber, capturing her in light. She was a glowing girl with a glowing face, and Joplin at her fingertips. “Give me time,” I muttered, dropping my gaze to my plate. “I’ll come up with something worse.” “No doubt.” Armand pulled a flask from his jacket and shook it in front of my nose. “Whiskey. Conveniently the same color as tea. Are you game, waif?” I glanced around, but no one was looking. I lifted my cup, drained it to the dregs, and set it before him. He was right. It did look like tea. But it tasted like vile burning fire, all the way down my throat. “Sip it,” he hissed, as I began to cough. His voice lifted over my sputtering. “Dear me, Miss Jones, I do beg your pardon. The tea’s rather hot; I should have mentioned it.” “Quite all right,” I gasped, as the whiskey swirled an evil amber in my teacup. Chloe’s song grew bouncier, with lyrics about a girl with strawberries in a wagon. Several of the men had begun to cluster near, drawn to her soprano or perchance her bosom. Two were vying to turn the pages of her music. She had to crane her head to keep Armand in view. He sent her another smile from his chair, lifting his cup in salute. “I’m going to kiss you, Eleanore,” he said quietly, still looking at her. “Not now. Later.” His eyes cut back to mine. “I thought it fair to tell you first.” I stilled. “If you think you can do so without me biting your lip, feel free to try.” His gaze shone wicked blue. “I don’t mind if you bite.” “Biting your lip off, I should have said.” “Ah. Let’s see how it goes, shall we?
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
Rain tapped and dripped at the skylight, casting watery shadows that streamed down the wall. Too shy to say anything, I waited for him to pick up the thread again- and when he didn't, we sat there peacefully, while I sipped my cooling tea (Lapsang Souchong, smoky and peculiar) and felt the strangeness of my life, and where I was.
Donna Tartt (The Goldfinch)
Tell me the story," said Fenchurch firmly. "You arrived at the station." "I was about twenty minutes early. I'd got the time of the train wrong." "Get on with it." Fenchurch laughed. "So I bought a newspaper, to do the crossword, and went to the buffet to get a cup of coffee." "You do the crossword?" "Yes." "Which one?" "The Guardian usually." "I think it tries to be too cute. I prefer The Times. Did you solve it?" "What?" "The crossword in the Guardian." "I haven't had a chance to look at it yet," said Arthur, "I'm still trying to buy the coffee." "All right then. Buy the coffee." "I'm buying it. I am also," said Arthur, "buying some biscuits." "What sort?" "Rich Tea." "Good Choice." "I like them. Laden with all these new possessions, I go and sit at a table. And don't ask me what the table was like because this was some time ago and I can't remember. It was probably round." "All right." "So let me give you the layout. Me sitting at the table. On my left, the newspaper. On my right, the cup of coffee. In the middle of the table, the packet of biscuits." "I see it perfectly." "What you don't see," said Arthur, "because I haven't mentioned him yet, is the guy sitting at the table already. He is sitting there opposite me." "What's he look like?" "Perfectly ordinary. Briefcase. Business suit. He didn't look," said Arthur, "as if he was about to do anything weird." "Ah. I know the type. What did he do?" "He did this. He leaned across the table, picked up the packet of biscuits, tore it open, took one out, and..." "What?" "Ate it." "What?" "He ate it." Fenchurch looked at him in astonishment. "What on earth did you do?" "Well, in the circumstances I did what any red-blooded Englishman would do. I was compelled," said Arthur, "to ignore it." "What? Why?" "Well, it's not the sort of thing you're trained for is it? I searched my soul, and discovered that there was nothing anywhere in my upbringing, experience or even primal instincts to tell me how to react to someone who has quite simply, calmly, sitting right there in front of me, stolen one of my biscuits." "Well, you could..." Fenchurch thought about it. "I must say I'm not sure what I would have done either. So what happened?" "I stared furiously at the crossword," said Arthur. "Couldn't do a single clue, took a sip of coffee, it was too hot to drink, so there was nothing for it. I braced myself. I took a biscuit, trying very hard not to notice," he added, "that the packet was already mysteriously open..." "But you're fighting back, taking a tough line." "After my fashion, yes. I ate a biscuit. I ate it very deliberately and visibly, so that he would have no doubt as to what it was I was doing. When I eat a biscuit," Arthur said, "it stays eaten." "So what did he do?" "Took another one. Honestly," insisted Arthur, "this is exactly what happened. He took another biscuit, he ate it. Clear as daylight. Certain as we are sitting on the ground." Fenchurch stirred uncomfortably. "And the problem was," said Arthur, "that having not said anything the first time, it was somehow even more difficult to broach the subject a second time around. What do you say? "Excuse me...I couldn't help noticing, er..." Doesn't work. No, I ignored it with, if anything, even more vigor than previously." "My man..." "Stared at the crossword, again, still couldn't budge a bit of it, so showing some of the spirit that Henry V did on St. Crispin's Day..." "What?" "I went into the breach again. I took," said Arthur, "another biscuit. And for an instant our eyes met." "Like this?" "Yes, well, no, not quite like that. But they met. Just for an instant. And we both looked away. But I am here to tell you," said Arthur, "that there was a little electricity in the air. There was a little tension building up over the table. At about this time." "I can imagine.
Douglas Adams
Mr. MacPherson,” she murmured after clearing her throat. “We were just admiring your capable hands.” Oh, God, why had she said that? “Capable of lifting an enormous instrument.” Her cheeks burned. “That is, such a sizable instrument must be a strain.” Drat! It was happening again. She must stop. Must. Stop. Talking. “So much wood.” She couldn’t stop it. “But you’ve large hands and … handled yourself … quite well.” His mouth quirked and a brow twitched. But he simply nodded as though she hadn’t mortified herself before him yet again. She tried one last time to salvage a shred of dignity. “I’ll certainly know whom to call upon, should I require hands of superior size to position me properly for playing my own instrument.” Grandmama coughed on a sip of tea. Campbell blinked.
Elisa Braden (The Temptation of a Highlander (Midnight in Scotland, #3))
I'm called tea. As you bring your lips to the rim of your cup, I hope that you can find the same sense of peace and relaxation that I bring to your life. Whether you're facing a difficult decision, dealing with a tough situation, or just feeling overwhelmed by the world, I'm here to offer you a moment of comfort and calm. As you sip on me, let my warmth envelop you and soothe your soul. Let my aroma fill your senses and transport you to a place of tranquility. And as you take each comforting sip, let my magic work its way through your body, easing your mind and bringing a sense of calm to your day. Always take a moment to unwind with me. Sip me slowly. Savor every moment. Let my warmth bring you the peace and serenity you deserve. Together, we can make worldly problems disappear, at least for a little while!
Ajaz Ahmad Khawaja
I'm called tea, and as you bring your lips to the rim of your cup, I hope that you can find the same sense of peace and relaxation that I bring to your life. Whether you're facing a difficult decision, dealing with a tough situation, or just feeling overwhelmed by the world, I'm here to offer you a moment of comfort and calm. As you sip on me, let my warmth envelop you and soothe your soul. Let my aroma fill your senses and transport you to a place of tranquility. And as you take each comforting sip, let my magic work its way through your body, easing your mind and bringing a sense of calm to your day. Always take a moment to unwind with me. Sip me slowly, savor every moment, and let my warmth bring you the peace and serenity you deserve. Together, we can make worldly problems disappear, at least for a little while!
Ajaz Ahmad Khawaja
I know that it was around this time that I started having a recurring dream. In it, I find myself on the streets of some unnamed city, a neighborhood with trees, storefronts, light traffic. The day is pleasant and warm, with a soft breeze, and people are out shopping or walking their dogs or coming home from work. In one version I'm riding a bike, but most often I'm on foot, and I'm strolling along, without any thoughts in particular, when suddenly I realize that no one recognizes me. My security detail is gone. there's nowhere I have to be. My choices have no consequence. I wander into a corner store and buy a bottle of water or iced tea, making small talk with the person behind the counter. I settle down on a nearby bench, pop open the cap on my drink, take a sip, and just watch the world passing by. I feel like I've won the lottery.
Barack Obama (A Promised Land)
I watch Maya sipping her tea and I wonder how many women carry the memory of a child nobody knew but them. How many women grieve alone and in silence, without sympathy or ceremony, too afraid or ashamed to speak of their loss? And why should they feel ashamed, or afraid, or alone? Why are there so many others, when this is common, why isn't it something we talk about? And when it happened to my friend, why didn't I know what to do?
Hazel Hayes (Out of Love)
I've brought thee a sup o' tea, lass," he said. "Well you needn't, for you know I don't like it," she replied. "Drink it up, it'll pop thee off to sleep again." She accepted the tea. It pleased him to see her take it and sip it. "I'll back my life there's no sugar in," she said. "Yi - there's one big un," he replied, injured. "It's a wonder," she said sipping again. She had a winsome face when her hair was loose. He loved her to grumble at him in this manner.
D.H. Lawrence (Sons and Lovers)
I swallowed and pushed my plate away. There were no more strawberries, and I was full. “Have you heard it?” I asked, settling back in my chair with my coffee. “I’ve heard it.” Leaving a shallow wedge of waffle uneaten, Trent set his fork down and pushed it symbolically away. His hands went to his tea and he leaned back in his chair. I went to take a sip of coffee, freezing as I realized Trent had mirrored both my posture and my motion. Oh, crap. He likes me. Mirroring motions was classic in the body language of attraction.
Kim Harrison (Every Which Way But Dead (The Hollows, #3))
With nothing else to do, I sipped my tea and watched the sushi masters. With quick precise strokes, they transformed glistening blocks of fatty tuna and gray mullet into smooth neat rectangles. The morsels shone like jewels, the color, cut, and shape perfectly showcasing the seafood's freshness. The two men snatched handfuls of rice from a wide wooden bowl and shaped them into ovals as if preparing for a snowball fight. They say the most talented sushi masters can form their rice so that every grain points in the same direction.
Victoria Abbott Riccardi (Untangling My Chopsticks: A Culinary Sojourn in Kyoto)
Peter’s mom told me he was talking about transferring to UNC next year. She wanted me to break up with him before he messed up his life for me.” “Damn! Peter’s mom is kind of a bitch!” “She didn’t use those exact words, but that was the gist of it.” I take a sip of tea. “I wouldn’t want him to transfer for me either…My mom used to say not to go to college with a boyfriend, because you’ll lose out on a true freshman experience.” “Well, to be fair, your mom never met Peter Kavinsky. She didn’t have all the facts. If she had met him…” Trina lets out a low whistle. “She might’ve been singing a different tune.” Tears fill my eyes. “Honestly I regret breaking up with him and I wish I could take it all back!” She tips up my chin. “Then why don’t you?” “I don’t think he’ll ever forgive me for hurting him like that. He doesn’t let people in easily. I think I’m probably dead to him.” Trina tries to hide a smile. “I doubt that. Look, you’ll talk to him at the wedding tomorrow. When he sees you in that dress, all will be forgiven.” I sniffle. “I’m sure he’s not coming.” “I’m sure he is. You don’t plan a man’s bachelor party and then not show to the wedding. Not to mention the fact that he’s crazy about you.” “But what if I hurt him again?” She wraps both her hands around her mug of tea and takes a sip. “You can’t protect him from being hurt, babe, no matter what you do. Being vulnerable, letting people in, getting hurt…it’s all a part of being in love.” I take this in. “Trina, when did you figure out that you and my dad were the real thing?” “I don’t know…I think I just--decided.” “Decided on what?” “Decided on him. On us.” She smiles at me. “On all of it.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
The day before our final exercise had begun, the DS had made the briefing crystal clear. “Don’t give them anything or they will exploit it. Be smart. Stay focused despite the pain and fatigue. Slip up for a second and you fail. And no one is your friend, until you see me walk in wearing a white cross on my sleeve. Only then is the exercise over.” “The Red CROSS is not my white cross; a vicar’s CROSS is not my white cross…the offer of a hot-CROSS bun and a sip of tea is not my white cross. Do you understand?” He reiterated. “Don’t get caught out--not at this stage of Selection.
Bear Grylls (Mud, Sweat and Tears)
She brought the tea into the living room on a lacquered tray. The pot and cups were Japanese with unglazed rims. She poured. "Thanks," I said. "Well?" "Huh?" "Your family," she reminded. I sipped the tea. "This is really good. Really delicious." She raised her eyebrows. "That's what I thought. You're a good listener, Davy, and you can change the subject on a dime. You've hardly talked about yourself at all." "I talk... too much." "You talk about books, you talk about plays, you talk about movies, you talk about places, you talk about food, you talk about current events. You don't talk about yourself." I opened my mouth, then shut it again. I hadn't really thought about it. Sure, I didn't talk  about the jumping, but the rest? "Well, there's not much to say. Not like those stories of growing up with four brothers." She smiled. "It's not going to work. If you don't want to talk about it, that's fine. But I'm not going to be distracted again, nor fooled into talking about those idiots again." She poured more tea into my cup. I frowned. "Do I really do that?" "What? Not talk about yourself? Yes." "No, try and distract you." She stared at me. "You are fucking amazing. I've never seen someone so good at changing the subject." "I don't do it on purpose." She laughed. 
Steven Gould
I’d like to build a house there someday. One with a big plate-glass window in the front so I can sip my tea and watch the flowers grow.” Eden leaned into his side as she stepped around a hole dug by a ground squirrel or some other burrowing creature, and Levi couldn’t help but picture himself behind that same window, moving up behind Eden to touch his lips to the sensitive skin along her neck. She’d smile and ask about his day. He’d wrap his arms around her and say that the best part of it was coming home. Then perhaps a little girl with reddish curls and moss-green eyes would run into the room, call him Daddy, and latch on to his leg. He’d swing her high into the air and laugh at her delighted squeals.
Karen Witemeyer (To Win Her Heart)
The object of Zen discipline consists in acquiring a new viewpoint for looking into the essence of things. If you have been in the habit of thinking logically according to the rules of dualism, rid yourself of it and you may come around somewhat to the viewpoint of Zen. You and I are supposedly living in the same world, but who can tell that the thing we popularly call a stone that is lying before my window is the same to both of us? You and I sip a cup of tea. That act is apparently alike to us both, but who can tell what a wide gap there is subjectively between your drinking and my drinking? In your drinking there may be no Zen, while mine is brim-full of it. The reason for it is: you move in a logical circle and I am out of it.
D.T. Suzuki (An Introduction to Zen Buddhism)
But my point, you see, is that death is misunderstood. The loss of one’s life is not the greatest loss. It is no loss at all. To others, perhaps, but not to oneself. From one’s own perspective, experience simply halts. From one’s own perspective, there is no loss. You see? Yet maybe this is a game of words, too, because it doesn’t make it any less frightening, does it.” She sips her tea. “What I really fear is time. That’s the devil: whipping us on when we’d rather loll, so the present sprints by, impossible to grasp, and all is suddenly past, a past that won’t hold still, that slides into these inauthentic tales. My past—it doesn’t feel real in the slightest. The person who inhabited it is not me. It’s as if the present me is constantly dissolving.
Tom Rachman (The Imperfectionists)
We have some great museums. You'd love the lake." "I don't know that I can enjoy any kind of water anymore." "Why not?" I already knew. "After that little girl, little Ann Nash, was left in the creek to drown." She paused to take a sip of her iced tea. "I knew her, you know." Amma whined and began fidgeting in her seat. "She wasn't drowned though," I said, knowing my correction would annoy her. "She was strangled. She just ended up in the creek." "And then the Keene girl. I was fond of both of them. Very fond." She stared away wistfully, and Alan put his hand over hers. Amma stood up, released a little scream the way an excited puppy might suddenly bark, and ran upstairs. "Poor thing," my mother said. "She's having nearly as hard a time as I am." "She actually saw the girls every day, so I'm sure she is," I said peevishly in spite of myself. "How did you know them?" "Wind Gap, I need not remind you, is a small town. They were sweet, beautiful little girls. Just beautiful." "But you didn't really know them." "I did know them. I knew them well." "How?" "Camille, please try not to do this. I've just told you that I am upset and unnerved, and instead of being comforting, you attack me." "So. You've sworn off all bodies of water in the future, then?" My mother emitted a quick, creaky sound. "You need to shut up now, Camille." She folded the napkin around the remains of her pear like a swaddling and left the room. Alan followed her with his manic whistling, like an old-time piano player lending drama to a silent movie.
Gillian Flynn (Sharp Objects)
Even so, I never thought I’d die at fifteen... I sipped my tea as that thought crossed my mind. Ah, delicious. “So, what happens next? Heaven or Hell, which way are you sending me?” “Oh, no. Perish the thought! This was all my fault, and I will gladly take responsibility for that. You’ll be resurrected in a moment, don’t you worry about that. But...” God stumbled over his words for a moment. I couldn’t help but wonder what was wrong. “I can certainly restore you to life, but I cannot simply place you back where you came from. There are rules about this kind of thing, you understand? Once again, allow me to profusely apologize for this situation... Now, to the point.” “Go on,” I said, encouragingly. “It is possible to grant you a life in a different world. A chance to begin anew, so to speak. Of course, I will understand if you don’t like the idea, but—” “Sounds good to me.
Patora Fuyuhara (In Another World With My Smartphone: Volume 1)
Lindon sat at a table, mug of hot tea in his hands. “Is it just me, or does this book feel shorter than the others?” “That’s the goal, isn’t it?” Eithan pointed out. He was leaning back in his chair, with his black armor hanging on a stand behind him. “Don’t you want a story to feel shorter than it is? To leave you wanting more?” “Couldn’t say I care if it is,” Yerin said. She rolled her empty mug across the table. “Tea’s not bad. Where’d you get it?” “Space.” Eithan turned back to Lindon. “I’m not usually one for measuring things precisely, but I get the feeling that this book will actually end up longer than the last one. Thanks to a little strategic addition.” “Really?” Lindon frowned and took another sip of tea. “You think this story is longer than the last one?” “If my calculations are correct, this book should have more words than the last by exactly…” Eithan counted to himself. “…one.
Will Wight (Dreadgod (Cradle, #11))
Is the missing object a lover’s token you shouldn’t have?” “Gracious!” She sat back, looking dismayed but not insulted. “Investigating must call for a vivid imagination, Mr. Hazlit.” “Hardly. Human nature seems to draw most people into the same predictable peccadilloes over and over. So which misstep have you taken? Do you need to locate the child’s father? Pay off his wife to keep her mouth shut? Those aren’t strictly investigatory matters, but I can see where the need for discretion… What?” “I should slap you.” The words weren’t offered with any particular animosity, more a tired acceptance. “You are a man, though, and allowances must be made.” “I beg your pardon.” “And well you should.” She sipped her tea then tipped her head back to regard him. “Despite the foul implications of your questions, Mr. Hazlit—questions I doubt you would have put to any of my sisters—I still need your help, and I still intend to retain you. I have committed no indiscretion; I have no ill-conceived child on the way; I need not go for a tour of the Continent to eschew my dependence on laudanum.” “So
Grace Burrowes (Lady Maggie's Secret Scandal (The Duke's Daughters, #2; Windham, #5))
I sipped my hot, sweet, milky tea, feeling myself settle, center. I couldn't possibly stay in a state of high emotion, and there was a lot to get through in the next few days or weeks. Right this minute, I could enjoy this table in a bakery in a small English village. The place was clearing out, and the chelsea bun beckoned. It was a coil of pastry laced with currants and a hint of lemon zest, quite sweet. I gave it the attention it deserved, since a person couldn't be pigging out on pastries and eggs and bacon all the time. Not me, anyway. Unlike my slender mother, I was built of rounder stuff, and I hadn't been able to walk as much as was my habit. In the meantime, the tea was excellent, served in a sturdy silver pot with a mug that didn't seem to match any other mug on the tables. The room smelled of yeast and coffee and cinnamon and the perfume of a woman who had walked by. Light classical music played quietly. From the kitchen came voices engaged in the production of all the goods in the case. A rich sense of well-being spread through me, and I realized that my leg didn't hurt at all.
Barbara O'Neal (The Art of Inheriting Secrets)
when expressing her own. Despite what happened in August, there is still something in her soft brown eyes—a cheerfulness and curiosity—that reminds me of the daughters I lost so many years ago. It’s what drew me to Rebecca in the first place. Every interaction with her since has made me wonder what my daughters would be doing now had they survived that long, horrid summer. She cups her tea in both hands and holds it to her lips, letting the steam curl around her cheeks, before taking a sip. “So what is this news you have for me?” Instead of answering Rebecca’s question, I once again look to the door, listen for a beat, then ask one of my own. “Do you happen to know where Isaac was last night?” “I don’t. In his study, I suppose. But I wasn’t feeling well, and I went to bed early. Why?” I can remember a time, when my sons were younger, when they loved throwing stones over the bridge into the river. They loved the splash and the noise. Being boys, they loved the disturbance that it caused. I study Rebecca’s face and take no pleasure in upsetting the still waters of her soul. “Joshua Burgess is dead. They found his body in the river this morning.” Rebecca shakes her head, as though unable to comprehend. “Was he…? Did…?” Whatever questions she means to ask won’t form. “It was not an accident. He didn’t drown,” I tell her. “He was hanged.” Rebecca goes completely still, except for her hands, which begin a frantic
Ariel Lawhon (The Frozen River)
I don’t know…is it just me, or…” He leans in closer, now he’s listening. “What?” I take a deep breath. “Is it…a little weird? I mean, first we were fake, and then we weren’t, and then we had a fight, and now here we are and you’re eating fried chicken. It’s like we did everything in the wrong order, and it’s good, but it’s…still kind of upside down.” And also were you trying to feel me up during the movie? “I guess it’s a little weird,” he admits. I sip my sweet tea, relieved that he doesn’t think I’m the weird one for bringing up all the weirdness. He grins at me. “Maybe what we need is a new contract.” I can’t tell if he’s joking or if he’s serious, so I play along. “What would go in the contract?” “Off the top of my head…I guess I’d have to call you every night before I went to bed. You’d agree to come to all my lacrosse games. Some practices, too. I’d have to come to your house for dinner. You’d have to come to parties with me.” I make a face at the parties part. “Let’s just do the things we want to do. Like before.” Suddenly I hear Margot’s voice in my head. “Let’s…let’s have fun.” He nods, and now he’s the one who looks relieved. “Yeah!” I like that he doesn’t take things too seriously. In other people that could be annoying, but not him. It’s one of his best qualities, I think. That and his face. I could stare at his face all day long. I sip sweet tea out of my straw and look at him. A contract might actually be good for us. It could help us to head problems off at the pass and keep us accountable. I think Margot would be proud of me for this.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Favorite painting...?" "Painting? Odalisque," I said. "Really.His non-nude nude. Interesting." It was,to me. Edward's most famous painting of Diana is Troie, where he painted her as Helen of Troy: naked except for the diamond bracelet and the occasional tendril of auburn hair. It had caused quite a stir at its exhibition. Apparently, Millicent Carnegie Biddle fainted on seeing it. It wasn't quite what she was used to viewing when she sat across from Mrs. Edward Willing every few weeks, sipping tea from Wedgewood china cups. Odalisque was more daring in its way, and infinitely more interesting to me. Most of the Post-Impressionist painters did an odalisque, or harem girl, reclining on a sofa or carpet, promising with their eyes that whatever it was that they did to men, they did it well. An odalisque was almost compulsory material.But unlike any of them,Edward had painted his subject-Diana-covered from neck to ankle in shimmery gauze.Covered,but still the ultimate object of desire. "Why that one?" Dr. Rothaus asked. "I don't know-" "Oh,please.Don't go all stupid teenager on me now.You know exactly why you like the painting.Humor me and articulate it." I felt myself beginning the ubiquitos shoulder dip. "Okay. Everyone is covering up something. I guess I think there's an interesting question there." "'What are they hiding?'" I shook my head. "'Does it make a difference?'" "Ah." One sharp corner of her mouth lifted. I would hesitate to call it a smile. "That is interesting.But your favorite Willing piece isn't a painting." "How-" "You hesitated when I asked. Let me guess...Ravaged Man?" "How-" "You're a young woman. And-" Dr. Rothaus levered herself off the desk-"you went through the 1899 file. I know the archive.
Melissa Jensen (The Fine Art of Truth or Dare)
HEART OF TEA DEVOTION Now stir the fire, and close the shutters fast, Let fall the curtains, wheel the sofa round, And, while the bubbling and loud hissing urn Throws up a steamy column and the cups That cheer but not inebriate, wait on each, So let us welcome peaceful ev ning in. WILLIAM COWPER Perhaps the idea of a tea party takes you back to childhood. Do you remember dressing up and putting on your best manners as you sipped pretend tea out of tiny cups and shared pretend delicacies with your friends, your parents, or your teddy bears? Were you lucky enough to know adults who cared enough to share tea parties with you? And are you lucky enough to have a little person with whom you could share a tea party today? Is there a little girl inside you who longs for a lovely time of childish imagination and "so big" manners? It could be that the mention of teatime brings quieter memories-cups of amber liquid sipped in peaceful solitude on a big porch, or friendly confidences shared over steaming cups. So many of my own special times of closeness-with my husband, my children, my friends-have begun with putting a kettle on to boil and pulling out a tea tray. But even if you don't care for tea-if you prefer coffee or cocoa or lemonade or ice water, or if you like chunky mugs better than gleaming silver or delicate china, or if you find the idea of traditional tea too formal and a bit intimidating-there's still room for you at the tea table, and I think you would love it there! I have shared tea with so many people-from business executives to book club ladies to five-year-old boys. And I have found that few can resist a tea party when it is served with the right spirit. You see, it's not tea itself that speaks to the soul with such a satisfying message-although I must confess that I adore the warmth and fragrance of a cup of Earl Grey or Red Zinger. And it's not the teacups themselves that bring such a message of beauty and serenity and friendship-although my teacups do bring much pleasure. It's not the tea, in other words, that makes teatime special, it's the spirit of the tea party. It's what happens when women or men or children make a place in their life for the
Emilie Barnes (The Tea Lover's Devotional)
From Life, Volume III, by Unspiek, Baron Bodissey: I am constantly startled and often amused by the diverse attitudes toward wealth to be found among the peoples of the Oikumene. Some societies equate affluence with criminal skill; for others wealth represents the gratitude of society for the performance of valuable services. My own concepts in this regard are easy and clear, and I am sure that the word ‘simplistic’ will be used by my critics. These folk are callow and turgid of intellect; I am reassured by their howls and yelps. For present purposes I exclude criminal wealth, the garnering of which needs no elaboration, and a gambler’s wealth which is tinsel. In regard, then, to wealth: Luxury and privilege are the perquisites of wealth. This would appear a notably bland remark, but is much larger than it seems. If one listens closely, he hears deep and far below the mournful chime of inevitability. To achieve wealth, one generally must thoroughly exploit at least three of the following five attributes: Luck. Toil, persistence, courage. Self-denial. Short-range intelligence: cunning, improvisational ability. Long-range intelligence: planning, the perception of trends. These attributes are common; anyone desiring privilege and luxury can gain the precursory wealth by making proper use of his native competence. In some societies poverty is considered a pathetic misfortune, or noble abnegation, hurriedly to be remedied by use of public funds. Other more stalwart societies think of poverty as a measure of the man himself. The critics respond: What an unutterable ass is this fellow Unspiek! I am reduced to making furious scratches and crotchets with my pen! — Lionel Wistofer, in The Monstrator I am poor; I admit it! Am I then a churl or a noddy? I deny it with all the vehemence of my soul! I take my bite of seed-cake and my sip of tea with the same relish as any paunchy plutocrat with bulging eyes and grease running from his mouth as he engulfs ortolans in brandy, Krokinole oysters, filet of Darango Five-Horn! My wealth is my shelf of books! My privileges are my dreams! — Sistie Fael, in The Outlook … He moves me to tooth-chattering wrath; he has inflicted upon me, personally, a barrage of sheer piffle, and maundering insult which cries out to the Heavens for atonement. I will thrust my fist down his loquacious maw; better, I will horsewhip him on the steps of his club. If he has no club, I hereby invite him to the broad and convenient steps of the Senior Quill-drivers, although I must say that the Inksters maintain a superior bar, and this shall be my choice since, after trouncing the old fool, I will undoubtedly ask him in for a drink. — McFarquhar Kenshaw, in The Gaean
Jack Vance (Demon Princes (Demon Princes #1-5))
You do have money, don’t you? You never paid your fare yesterday. It’s six pounds, eight. If you haven’t the coin, I’ll have no choice but to hold you for ransom once we reach Tortola.” Her fare. Sophia sipped her tea with relief. If Mr. Grayson was this concerned over six pounds, he surely had no idea he was harboring a runaway heiress with nearly one hundred times that amount strapped beneath her stays. She suppressed a nervous laugh. “Yes, of course I can pay my passage. You’ll have your money today, Mr. Grayson.” “Gray.” “Mr. Grayson,” she said, her voice and nerves growing thin, “I scarcely think that my moment of…of indisposition gives you leave to make such an intimate request, that I address you by your Christian name. I certainly shall not.” He clucked softly, wrapping the handkerchief around his fingers. With hypnotic tenderness, he reached out, drawing the fabric across her temple. “Now, sweetheart-surely my parents can be credited with greater imagination than you imply. Christening me ‘Gray Grayson’?” He chuckled low in his throat. “Everyone aboard this ship calls me Gray. Sorry to disappoint you, but it’s no particular privilege. There’s but one woman on earth permitted to address me by my Christian name.” “Your mother?” He grinned again. “No.” She blinked. “Oh, now don’t look so disappointed,” he said. “It’s my sister.” Sophia slanted her gaze to her lip, cursing herself for playing into his charm. If the sight of him drove the wits from her skull, the solution was plain. She mustn’t look. But then he pressed the handkerchief into her hand, covering her fingers with his own, and Sophia could not retrieve the small, defeated sigh that fell from her lips. His touch devastated her resolve completely. His hand was like the rest of him. Brute strength, neatly groomed. She heartily wished she’d thought to put on gloves. He leaned closer, his scent intruding through the pervasive smell of seawater-wholly masculine and faintly spicy, like pomade and rum. “And sweetheart, if I did make an intimate request of you”-his thumb swept boldly over the delicate skin of her wrist-“you’d know it.” Sophia sucked in her breath. “So call me Gray.” He released her hand abruptly. Disappointment-unbidden, imprudent, unthinkable emotion-cinched in Sophia’s chest. Distance from this man was precisely what she wished. Well, if not precisely what she wished, it was exactly what she needed. He looked at her as though he’d laid all her secrets bare, and her body as well. She pushed the tankard back at him, leaving him no choice but to take it from her hands. “I shall continue to address you as propriety demands, Mr. Grayson.” She cast him a sharp look. “And you certainly are not at liberty to call me ‘sweetheart.’” He donned an expression of wide-eyed innocence. “That isn’t what it stands for, then?” Teasing the handkerchief from her clenched fist, he ran his thumb over the embroidered monogram. S.H. “You see?” He traced each letter with the pad of his finger. “Sweet. Heart. I thought surely that must be it. Because I know your name is Jane Turner.” His lips curved in that insolent grin. “Unless…don’t tell me. It was a gift?
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
She tilts her head to the side after taking a sip of her tea, studying us. “You know, I can’t get over how beautiful you two are together. One of those couples you love to follow on Instagram, you know, the really cute ones that are so sickening in love that you can’t get enough of them.” Way to drop the love bomb, Mom. Jesus. Thankfully Emory doesn’t show any kind of hatred for the term but instead says, “Like Jennifer Lopez and A-Rod?” “Yes,” my mom answers with excitement. “Oh my gosh, I’m obsessed with watching their stories. The little videos they do together, I just can’t get enough of them. J-Rod,” my mom says dreamily. “Oh gosh, what would your couple name be?” She thinks about it for a second. “Emox . . . or Knemory. Oh I love Knemory. Sounds so poetic.” “Knemory does have a nice ring to it,” I add. “I don’t know, what about Emorox?” “Ohhh, that sounds like a name that belongs in The Game of Thrones.” Taking on a more masculine voice, my mom says, “Look out, Jon, Emorox is coming over the hill, with her fire-spitting dragons, Knemory and George.” “George?” Emory laughs out loud, covering her mouth. “Why George?” “Well, look at the names they have in that show? They’re all exotic names you’ve never heard before—Cersei, Gregor, Arya—and then in waltzes good old Jon Snow. It’s only fair that the dragons have a lemon in the bunch as well.” “Uh, Jon is anything but a lemon, Mom,” I defend. “He was raised from the dead.” My mom’s mouth drops, pure and utter shock in her face. “Jon Snow dies?” Shit. Emory elbows my stomach. “Where the hell is your GOT etiquette? You never talk about the facts of the show until the air is cleared about how far someone is in watching. You are one of those people who spoils everything for someone just catching up to the trend.” *Ahem* “I mean . . . uh . . . he doesn’t die.” “You just said he is raised from the dead,” my mom says. Feeling guilty, I reply, “Well, at least he’s still alive, right?” She slumps against the cushion of the couch and mutters, “Unbelievable.” “I’m sorry, Mrs. Gentry, that your son is a barbarian and broke your GOT trust.” Pressing her hand against her forehead, my mom says, “You know, I blame myself. I thought I taught him a shred of decorum, I guess not.” “Don’t blame yourself,” Emory coos. “You did everything right. It comes down to the hooligans he hangs out with. There’s only so much you can control after they leave the nest.” “You’re absolutely right,” my mom agrees and leans across the couch to smack me in the back of the head. “Hey,” I complain while rubbing the sore spot. I look between the two women in my life and I say, “I don’t like this ganging up on me shit.” “You wanted us to get along, right?” Emory asks. “Well, I happen to like your mom, especially since she complimented my bosom.” “Ah, I see.” I continue to look between the two of them. “You’re okay with my mom catching you with your shirt off now, moved past the embarrassment?” Emory’s eyes narrow. “With that kind of attitude, it might be the very last time you see me topless.” My mom raises her fist to the air, as if to say, “Girl Power.” And then she says, “You tell him, Emory. Don’t let him push you around.” “I wasn’t pushing her around—” “You keep that beautiful bosom under lock and key, and if you have a temptation to show anyone, just flash me.” “Mom, do you realize how wrong that is?” “Want to go to the bathroom right now, Mrs. Gentry?” “I would be delighted to.” They both stand but before they can make a move, I pull on Emory’s hand, bringing her back down to my lap. “No way in hell is that happening. Jesus, what is wrong with you?
Meghan Quinn (The Locker Room (The Brentwood Boys, #1))
I have often tried in dreams to be the kind of imposing individual the Romantics imagined themselves to be, and whenever I have, I’ve always ended up laughing out loud at myself for even giving house-room to such an idea. After all, the homme fatal exists in the dreams of all ordinary men, and romanticism is merely the turning inside out of our normal daily selves. In the most secret part of their being, all men dream of ruling over a great empire, with all men their subjects, all women theirs for the asking, adored by all the people and (if they are inferior men) of all ages … Few are as accustomed to dreaming as I am and so are not lucid enough to laugh at the aesthetic possibility of nurturing such dreams. The most serious criticism of romanticism has not yet been made, namely, that it represents the inner truth of human nature, an externalization of what lies deepest in the human soul, but made concrete, visible, even possible, if being possible depends on something other than Fate, and its excesses, its absurdities, its various ploys for moving and seducing people, all stem from that. Even I who laugh at the seductive traps laid by the imagination often find myself imagining how wonderful it would be to be famous, how gratifying to be loved, how thrilling to be a success! And yet I can never manage to see myself in those exulted roles without hearing a guffaw from the other “I” I always keep as close to me as a street in the Baixa. Do I imagine myself famous? Only as a famous bookkeeper. Do I fancy myself raised up onto the thrones of celebrity? This fantasy only ever comes upon me in the office in Rua dos Douradores, and my colleagues inevitably ruin the effect. Do I hear the applause of the most variegated multitudes? That applause comes from the cheap fourth-floor room where I live and clashes horribly with the shabby furnishings, with the surrounding vulgarity, humiliating both me and the dream. I never even had any castles in Spain, like those Spaniards we Portuguese have always feared. My castles were built out of an incomplete deck of grubby playing cards; and they didn’t collapse of their own accord, but had to be demolished with a sweeping gesture of the hand, the impatient gesture of an elderly maid wanting to restore the tablecloth and reset the table, because teatime was calling like some fateful curse. Even that vision is of little worth, because I don’t have a house in the provinces or old aunts at whose table, at the end of a family gathering, I sit sipping a cup of tea that tastes to me of repose. My dream failed even in its metaphors and figurations. My empire didn’t even go as far as a pack of old playing cards. My victory didn’t even include a teapot or an ancient cat. I will die as I lived, among the bric-a-brac of my room, sold off by weight among the postscripts of things lost. May I at least take with me into the immense possibilities to be found in the abyss of everything the glory of my disillusion as if it were that of a great dream, the splendor of my unbelief like a flag of defeat — a flag held aloft by feeble hands, but dragged through the mud and blood of the weak and held on high as we sink into the shifting sands, whether in protest or defiance or despair no one knows … No one knows because no one knows anything, and the sands swallow up those with flags and those without … And the sands cover everything, my life, my prose, my eternity. I carry with me the knowledge of my defeat as if it were a flag of victory
Fernando Pessoa
I have often tried in dreams to be the kind of imposing individual the Romantics imagined themselves to be, and whenever I have, I’ve always ended up laughing out loud at myself for even giving house-room to such an idea. After all, the homme fatal exists in the dreams of all ordinary men, and romanticism is merely the turning inside out of our normal daily selves. In the most secret part of their being, all men dream of ruling over a great empire, with all men their subjects, all women theirs for the asking, adored by all the people and (if they are inferior men) of all ages … Few are as accustomed to dreaming as I am and so are not lucid enough to laugh at the aesthetic possibility of nurturing such dreams. The most serious criticism of romanticism has not yet been made, namely, that it represents the inner truth of human nature, an externalization of what lies deepest in the human soul, but made concrete, visible, even possible, if being possible depends on something other than Fate, and its excesses, its absurdities, its various ploys for moving and seducing people, all stem from that. Even I who laugh at the seductive traps laid by the imagination often find myself imagining how wonderful it would be to be famous, how gratifying to be loved, how thrilling to be a success! And yet I can never manage to see myself in those exulted roles without hearing a guffaw from the other “I” I always keep as close to me as a street in the Baixa. Do I imagine myself famous? Only as a famous bookkeeper. Do I fancy myself raised up onto the thrones of celebrity? This fantasy only ever comes upon me in the office in Rua dos Douradores, and my colleagues inevitably ruin the effect. Do I hear the applause of the most variegated multitudes? That applause comes from the cheap fourth-floor room where I live and clashes horribly with the shabby furnishings, with the surrounding vulgarity, humiliating both me and the dream. I never even had any castles in Spain, like those Spaniards we Portuguese have always feared. My castles were built out of an incomplete deck of grubby playing cards; and they didn’t collapse of their own accord, but had to be demolished with a sweeping gesture of the hand, the impatient gesture of an elderly maid wanting to restore the tablecloth and reset the table, because teatime was calling like some fateful curse. Even that vision is of little worth, because I don’t have a house in the provinces or old aunts at whose table, at the end of a family gathering, I sit sipping a cup of tea that tastes to me of repose. My dream failed even in its metaphors and figurations. My empire didn’t even go as far as a pack of old playing cards. My victory didn’t even include a teapot or an ancient cat. I will die as I lived, among the bric-a-brac of my room, sold off by weight among the postscripts of things lost. May I at least take with me into the immense possibilities to be found in the abyss of everything the glory of my disillusion as if it were that of a great dream, the splendor of my unbelief like a flag of defeat — a flag held aloft by feeble hands, but dragged through the mud and blood of the weak and held on high as we sink into the shifting sands, whether in protest or defiance or despair no one knows … No one knows because no one knows anything, and the sands swallow up those with flags and those without … And the sands cover everything, my life, my prose, my eternity. I carry with me the knowledge of my defeat as if it were a flag of victory
Fernando Pessoa
Richard looked up from his tea and cocked his head. “What are you thinking about?” Mansoor shook away his thoughts and focused on his prize. “I was thinking that maybe we should do dinner sometime. What do you think?” Richard’s light complexion flushed slightly as he took another sip of his tea. “What is it, my friend?” asked Mansoor, stroking his slick goatee carefully.
C.G. Cooper (Presidential Shift (Corps Justice, #4))
You poor, dear child,” Mrs. Wilkes said, after several restorative sips. “I can only begin to image the insults and humiliations you have been forced to endure, living among those…savages.” Tipsy, Livy wondered if she was referring to Lawson or the Gunns. “I can’t change what you have been through, but I can promise you this. You will never have to see the Gunns again. They were intolerably negligent in placing you in a situation where a savage could propose to make you his…his…wife.” Mrs. Wilkes mouth pursed, as if she’d gone for the snuff and mistakenly taken alum. She lay a hand over her heart. “You needn’t fear going back. You may stay with us for as long as you wish. I swear to you, there is nothing on heaven or earth that could ever persuade me to return you to that nest of vipers.” Mr. Wilkes came in carrying a shawl. “When I think of a child of her caliber being forced into such degraded association with those red instruments of Satan, it makes my blood boil.” He draped the shawl around Livy’s shoulders and patted her kindly. “Mr. Lawson may be a rascal,” Mr. Wilkes continued, “but we owe him a debt of gratitude for rescuing you. I cannot believe one of those creatures actually proposed marriage! To be honest, the mere thought of you with him makes me ill. You were fortunate, Deliverance. I mean to say, I am assuming that the savage did not actually act on his evil intentions?” Livy flinched at his words. Mrs. Wilkes looked sympathetic, but her eyes were bright with curiosity. Every grown person Livy’d been near lately seemed to have their minds stuck on Sodom and Gomorrah. They made her feel dirty. And they wanted to keep her here. To rescue her form Rising Hawk. From Rising Hawk! She looked into the fire. There were bright blue and white tiles the entire length of the hearth. A silver tea service sparkled on a walnut sideboard. This room, with its warm fire and pretty things, had seemed like a haven, peaceful and civilized, up to this moment. They watched her, her head down, studying the tabletop. Suddenly she stood up. “Mr. Wilkes, Mrs. Wilkes. You have both been so kind to me and Ephraim that I feel I owe you the truth.” She paused and put a corner of the shawl to her eyes. “The fact is, me and the Indian have been sinning together for, oh, I don’t know how long. And now here I am, a month gone already and nearly a widow before I’m married.” Mrs. Wilkes fainted with a loud thud. Livy took a certain satisfaction in the sound.
Betsy Urban (Waiting for Deliverance)
Have you met him, then? Don Ernesto of Rome? Rumor has it he can be quite a handful.” “As well as a mouthful, no doubt.” The fat woman threw her head back and cackled. “Bit of an odd one, though. He likes his women cold.” “I could be cold,” Hortensa said. She looked around the group, as if daring anyone to challenge this assertion. “So your husband tells us.” Donna Domacetti cackled again. “But I don’t mean cold as in cruel, Hortensa. I mean physically cold. Apparently he makes his favorite courtesan bathe in ice water before he lies with her.” “How unusual,” the dark-haired woman murmured. Cass had already forgotten her name. Isabella? No, Isabetta. “Does he not have to worry about the cold affecting his…size?” Isabetta asked. Cass almost choked on her tea. Her face turned bright red. This wasn’t what she imagined socializing with Donna Domacetti’s circle would be like. What if Agnese had come with her? Surely they wouldn’t have spoken so crassly in front of her aunt. Donna Domacetti chuckled. “Careful, ladies. An innocent sits among us.” Cass forced her lips into a small, closed-mouth smile. She wondered what these women would think of her if they knew of her trysts with Falco. Cass thought of the moment they had shared only last night. What might have happened if the world were only her and Falco, if he could have laid her back on one of her aunt’s marble benches and kissed her until sunrise? “It’s hard to imagine the niece of Agnese Querini being too innocent,” Isabetta said. She sipped her tea and then set the pale pink cup back on its saucer, a smear of blood-red lip stain marring the golden rim. Cass raised an eyebrow at the dark-haired woman. “What does that mean?” Donna Domacetti rubbed her chins with the back of her hand. “Nothing, my dear. Simply that your aunt is very wise in the ways of the world.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
Worries ate away at me even in my dreams.
Blythe Baker (A Sip of Murder (Japanese Tea Garden, #1))
I have been here, ever since our eyes met but you never came to this place. I have been waiting here to see your smile once more, to feel your warmth, to see your eyes which are deep enough to drown anyone at any time but you never returned. You never thought of looking back at me. I waited here every day from the day you left with the false hope that you would return. I was known yet chose to remain ignorant for I didn't want to lose you before you could even be mine. Each day I used to watch over people, used to sip in your favourite coffee in your favourite cafeteria, used to write about your favourite topics, but it never worked out. You never returned. Everybody told me I was turning insane day by day coz I was locked in my room, for almost a month but I felt they were crazy coz daily I used to stroll around your favourite places. Everything was making sense to me, this waiting thing, this restlessness, this fetish but I was asked to come out of my Nuisance world. I didn't get it, why were they restricting me from finding you? Were they jealous of me? Envious of the fact that I would then be the happiest person in the entire world? But they said otherwise. They said I was obsessed with the idea of you and that they were really concerned for me. Leave everything aside why didn't you return? I faithfully still wait for you, to feel you, to feel myself again, to feel that liveliness which only came in me, when I was with you. I wish, I could show them what you mean to me and what you did to my heart but I think even then they won't understand coz love isn't everyone's cup of tea. I miss you, Hope you would return soon though now I am coming in terms with the reality that you won't please still, listen to my heart the way you used to or to years at least. Iloveyou
Shivangi Lavaniya
So,” says Aaliyah. “Was my brother right in his fears? Has meeting his mad sister caused you to regret your hasty decision to wed?” I smile, raise my teacup to my lips and sip. “Not yet,” I say. “There’s a very thin line between crazy and wise. I still haven’t decided which side you’re on.” She laughs. We’re sitting across from each other at the table in the sitting room, with a pot of tea and a plate of sticky sweet rolls between us.
Edward Ashton (Three Days in April)
She shakes her head again, chews and swallows. “Perhaps,” she says, and takes a sip of tea. “Tariq asked me not to speak to you of our faith, and I agreed that I would not. But he has left you here in my clutches, and we cannot speak clearly if you remain completely ignorant of all that is around you. And I cannot tolerate sharing my home with you if we cannot speak clearly.” She drains her cup, reaches for the pot and refills it. “What you hear now, it cannot be unheard. You understand this?” I nod. I’ve heard the sales pitches of missionaries before—Catholics, Jehovah’s Witnesses, Scientologists—they always think what they say will change your world, but I’ve never been able to figure out what they’re getting so worked up about.
Edward Ashton (Three Days in April)
For much of my life I was not acquainted with what may seem the obscure derivation of the adjective 'sincere.' It is from two Latin words, sine, without, and cera, wax. What a rare thing it is to be treated without wax. My desire is always to conduct relationships based upon honest regard. As I sipped the last drops of beef tea I tried to enumerate moments stripped of pretense and all I could come up with was those efforts of mine, with brother-in-law, when he grasped my hand in desperate gratitude, unknowing, and allowed me to really see him. As I relived those moments of extremity, a strange thought met me unawares. Were I not to know him, or someone, some person, at this radical depth, I fear my time on earth would be hideous. I was surprised to think this. But it crossed my mind that to know others on a superficial level only is a desperate hell and life is worth living only if the veneer is stripped away, the polish, the wax, and we see the true grain of the other no matter how far less than perfect, even ugly, even savage at the heart.
Louise Erdrich (Four Souls)
I straightened in my chair and took a sip of tea to buy time. I knew Memphis had wanted our relationship to remain a secret, but the idea of lying to my fathers just wasn’t an option anymore. “It’s Memphis Wheland.” Pops was quiet for a long time and it was finally my dad who said, “Isn’t that the man who saved Brennan’s life?” I
Sloane Kennedy (Vengeance (The Protectors, #5))
out and started again? Well, she hated cold tea, so she tipped it onto the grass, holding her breath. No complaint, so she began again. ‘Milk?’ Hannah studied him from under her hair. ‘Yes, please, just a small amount. Lapsang is a very delicate tea and too much milk kills the flavour.’ ‘I’ll need lots of milk then.’ Balancing the cup, saucer and spoon carefully, she offered it. ‘Thank you, Miss Hollis.’ ‘Hannah.’ She poured her own tea, wondering if it would taste like the ashtray it smelled like. With cup only in hand, she leaned against the back of the wooden chair then threw a leg over the side arm. ‘So, Miss Hollis, what brings you to Cornwall?’ ‘Call me Hannah. Miss Hollis makes me sound like some old school marm.’ ‘Is that a problem? Most old school marms, as you call them, of my acquaintance are delightful people.’ ‘Sure, but boring I bet.’ ‘Not at all.’ ‘Right. Not to you, maybe.’ Hannah braved a sip and winced. ‘Back to the question: what has brought you to Cornwall?’ ‘Bloody bad luck,’ she said, frowning at her tea. ‘No need to swear,’ he said. ‘I didn’t swear.’ ‘You did,’ he said. ‘What? Are you talking about bloody?’ she asked. ‘Yes. It is a curse.’ ‘No,’ she said. ‘Yes.’ ‘Well, maybe in the dark ages it was, but it isn’t now.’ She began to wonder if she’d walked through a time machine when she’d come through the gate earlier. It was a nice one, though. The orchard was beautifully laid out and the table and chairs were a lovely weathered blue. ‘Who advised you of this?’ he asked. Hannah sat up and put her empty cup on the table, not quite sure when she had drunk it. ‘Look, it’s a word that’s used every day.’ ‘Yes, but does that change its meaning?’ he asked. ‘No, but no one takes it like that any more.’ ‘Who is no one?’ he asked. ‘I mean no one who hasn’t lived in the dark ages.’ She looked at his wrinkled skin and tried to guess his age. ‘You mean anyone over the age of, say, sixty?’ he suggested. ‘Yeah, sort of.’ ‘Well, as I fit that category, could you refrain from using it?’ ‘Yeah, I guess. If it bothers you that much.’ ‘Thank you. Would you be kind enough to pour more tea?’ Old Tom leaned back into his chair. The sun wasn’t coming through the east window when Maddie opened her eyes for the second time that day; instead, she found Mark standing at the end of the bed with a tray. She blinked. When she last peered at the bedside clock, it had been eight a.m. and she’d thought that if she slept for another hour, she would begin to feel human. What a wasted day. What had Hannah been up to? Had she come into the room and seen her like this? Well, it was a lesson in what not to do in life. The end of last night, no, this morning, was more than fuzzy; in fact, she didn’t remember coming up to her room. The last clear memory was saying goodbye to Tamsin and Anthony. She and Mark had gone back into the kitchen and had another glass of wine or two. ‘Good evening,’ he said. ‘It’s not that late?’ ‘Almost time for a drink.’ He smiled. She winced. ‘Oh, don’t.’ ‘Would a bit of tea and toast help?’ ‘It might.’ Maddie eased herself onto her elbows and then slipped back down again. She was only wearing knickers. Mark’s eyes widened. ‘Could you hand me that shirt on the end of the bed?’ she asked. ‘Certainly.’ She wrestled with it under the duvet. ‘Sorry. I couldn’t find your pyjamas last night.’ ‘What?’ Maddie
Liz Fenwick (The Cornish House)
Each word he said was boring, but collectively, the melody of them lulled me. I tried to resist, but just the weight of him, in pounds and ounces, was a relief. Always being the heaviest person in the house had been exhausting. I sipped my tea and leaned back into the couch. When he left I would have to shift the weight back onto my own shoulders again, but that was a problem for later.
Miranda July (The First Bad Man)
Each word he said was boring, but collectively the melody of them lulled me. I tried to resist, but just the weight of him, in pounds and ounces, was a relief. Always being the heaviest person in the house had been exhausting. I sipped my tea and leaned back into the couch. When he left I would have to shift the weight back onto my own shoulders again, but that was a problem for later.
Miranda July (The First Bad Man)
Each word he said was boring, but collectively, the melody of them lulled me. I tried to resist, but just the weight of him, in pounds and ounces, was a relief. Always being the heaviest person in the house had been exhausting. I sipped my tea and leaned back into the couch. When he left I would have to shift the weight back onto my own shoulders again. But that was a problem for later.
Miranda July (The First Bad Man)
Maggie and Roma were both looking at me, smiling. “What?” I said. “I’d like to climb into your brain and look around,” Roma said. “I always picture it looking like a huge library with shelves full of all the things you know.” Maggie nodded with enthusiasm. “Like the British Museum Reading Room, the original one before they turned it into exhibition space.” “With that gorgeous domed ceiling,” Roma added. “My head’s not that big,” I said. Maggie took a sip of her tea. “It’s dimensionally transcendental.” I frowned at her. “It’s what?” “I can’t believe you don’t know that. Your brain is like a TARDIS, you know, from Doctor Who. On the outside it looks like a police call box from the sixties but it’s a lot bigger on the inside because the inside and the outside exist in separate dimensions.” Roma was nodding. “That would explain why you know so many things. Your brain is so much larger than an ordinary one.” Luckily
Sofie Kelly (Whiskers and Lies (Magical Cats #14))
I'm not sure we'll have much to your liking, other than the roasted vegetables. We Southerners are all about refined sugar and flours." "You don't eat sugar or flour?" Sam's eyebrows reached his hairline. "God, what else is there? I mean, don't get me wrong, I'm a carnivore through and through, but I couldn't live without breads and desserts." "Sam!" Poppy gave him a disapproving look. Maybe she could polish my brother, although I doubted it. Javier ladled several scoops of chicken and dumplings onto his plate. "I try to eat clean. But it's not as if I don't ever splurge. I love a grain-free veggie pizza with no cheese." The table gasped. "Veggie pizza with no cheese!" Meemaw looked appalled. "That's not pizza! What's the point without the cheese?" Javy passed the tureen to Betsy, who scowled at her grandmother. "It's still pizza, Meemaw. I might try that sometime." Alex choked on a sip of tea. I elbowed him as Betsy leaned around Javy to glare at her cousin. "I agree that on occasion, you gotta splurge." Alex laughed under his breath. "Cheese is your favorite food group, Bets." The idea of Betsy eating clean really seemed to tickle his funny bone. He was lucky she wasn't sitting closer to him. He'd pay later. Her knuckles were white as she gripped her knife. "And yours is beer foam." The table went silent.
Kate Young (Southern Sass and a Crispy Corpse (Marygene Brown Mystery, #2))
Don’t mind me,” I said, taking a sip of my tea. “I don’t understand half of what you two say anyway, and I wouldn’t repeat it if I did.
Laura Sebastian (Half Sick of Shadows)