Sinister Smile Quotes

For long the two enemies looked at one another, Hook shuddering slightly, and Peter with the strange smile upon his face. "So, Pan," said Hook at last, "this is all your doing." "Ay, James Hook," came the stern answer, "it is all my doing." "Proud and insolent youth," said Hook, "prepare to meet thy doom." "Dark and sinister man," Peter answered, "have at thee.

Edward smiled, I smiled, even Bernardo smiled. Olaf just looked sinister.

An ad that pretends to be art is -- at absolute best -- like somebody who smiles warmly at you only because he wants something from you. This is dishonest, but what's sinister is the cumulative effect that such dishonesty has on us: since it offers a perfect facsimile or simulacrum of goodwill without goodwill's real spirit, it messes with our heads and eventually starts upping our defenses even in cases of genuine smiles and real art and true goodwill. It makes us feel confused and lonely and impotent and angry and scared. It causes despair.

When he stepped past her, a smile flickered at the edges of his lips. There was darkness at the corners, something evil just underneath the surface, sinister. He turned and grinned at her, monstrous but beatific, holding out his hand, darkness gone. Maybe she’d just imagined it. She took his hand.

But the Duke of Clermont was smiling and cheerful, and he’d thrown it out there as if it were merely one more fact to be recounted. The weather is lovely. The streets are paved with cobblestone. Your tits are magnificent.

He knew he tended toward gloom. It made him consider blood poisoning and heart attacks when someone else might see a touch of indigestion. Those carefully considered worst-case scenarios made him a good doctor, but they also made him feel like a dark little raincloud. When Lydia Charingford was around, though, he felt like a smiling dark little raincloud.

He snorted. “Are you lying to me, Miss Marshall?” “Of course I am.” She smiled at him. “I thought it would put you at ease.

Marylou was watching Dean as she had watched him clear across the country and back, out of the corner of her eye--with a sullen, sad air, as though she wanted to cut off his head and hide it in her closet, an envious and rueful love of him so amazingly himself, all raging and sniffy and crazy-wayed, a smile of tender dotage but also sinister envy that frightened me about her, a love she knew would never bear fruit because when she looked at his hangjawed bony face with its male self-containment and absentmindedness she knew he was too mad.

She smiled sinisterly. Light mist started to slowly swirl around us. All I could see was her, the tall rocks and the white wall. She beckoned to me. I took a step and another. I was now ankle deep into the water. The mysterious girl smiled like a predator.

I steal one glance over my shoulder as soon as we are far from the foreboding luminance of the neon glow, and it is there that my stomach leaps into my throat. Squatting just shy of the light and partially concealed by the shade of an alley is a sinister silhouette beneath a crimson cowl, beaming a demonic smile which spans from cheek to swollen cheek.

I'm not difficult," Violet said. "I'm simple. I like good books and clever conversation and being left alone much of the time. How does that make me difficult? I make sense? I don't talk about my feelings, of course, but then, I don't want to." She shrugged. "So that's reasonable." Sebastian smiled despite himself, a smile that felt bitter even to him. "God, no. Not feelings. Heaven forbid that you have anything so messy." "I have feelings." She spoke stiffly. "I just don't talk about them. What's the point? Talking never changes them.

My lady,” Tyrion said. “You are lovely, make no mistake, but … I cannot do this. My father be damned. We will wait. The turn of a moon, a year, a season, however long it takes. Until you have come to know me better, and perhaps to trust me a little.” His smile might have been meant to be reassuring, but without a nose it only made him look more grotesque and sinister.

Unluckily,” he said, without breaking into a smile, “you are right. There are several sad, gaping holes in my logic. I don’t suppose you’re interested in marrying a failed logician with necromantic tendencies, by any chance?” Free took a deep breath. It didn’t seem to calm the whirl of her head. “That’s…a proposal of marriage? I just want to clarify matters. You see, it could also be a madman’s babble, and I want to be certain.

Miss Charingford.” The words seemed unwillingly wrested from his chest. “Yes?” “You are only the eleventh prettiest woman in all of Leicester until you open your mouth.” Her mouth dropped open. To insult her, atop all the other horrible, awful, impolite, unacceptable things that he’d said? “Thank you so much for those kind words, Grantham,” she snapped out. “I’m glad to know that my mannerisms so sink me.” But this time, he didn’t smile at her; his eyes didn’t sparkle with that familiar mischief. “Once you speak,” he said, “you have no equal.

He stood in the doorway of her office. He was, as always, the consummate scoundrel. He leaned against the doorframe, smiling—almost smirking—at her, as if he knew how rapidly her heart had started beating. If that was how they were going to do this… She simply raised an eyebrow in his direction. “Oh,” she said with a sniff. “It’s you.” “You’re not fooling anyone,” he said. She could feel the corner of her mouth twitch up. Last time she’d seen him, he’d kissed her so thoroughly she had not yet recovered. “I’m not?” “I heard it most distinctly,” he told her. “You might have said ‘It’s you,’ but there was a distinct exclamation mark at the end. In fact, I think there were two.” “Oh, dear.” Free looked down, fluttering her eyelashes demurely. “Is my punctuation showing once more?” His eyes darkened and he took a step into her office. “Don’t hide it on my account,” he growled. “You have the most damnably beautiful punctuation that I have ever seen.

Miss Marshall looked up at that moment and made his decision for him. She looked at him and then her whole face lit up. He almost staggered back under the force of her smile. It made him feel…reckless. A man couldn’t disappoint a smile like that.

How many lovers?” He could have given her a straight answer. Dozens. Or, more specifically: Thirty-seven. Thirty-seven, if you counted mutual versions of the conduct he’d just engaged in, and Sebastian did.But what he finally said was, “Too many. And not enough.” Her face was in shadow. He couldn’t tell if she was disgusted by him, or if this was just a matter of idle curiosity for her. She exhaled. “How many would be enough?” He smiled sadly. “One more, Violet.” He looked over at her—at her arms folded around herself, at her head, turned from his, as if that would be enough to distract him from the ferocity of his want. “I’ve only ever wanted one more.

My golf swing is like a James Cagney smile. It curves with sincerity, but it's also slightly sinister.

No one fucks with you but us,” he warned with a sinister smile.

Well, aren't you a spicy little thing." Said Silas as he gave an appreciative look at Tori. "If you think I'm spicy now, you should see me when I have Mexican. I'm a regular jalépeno." She explained with hands proudly placed on her hips, sporting a sinister smile aimed at the Frenchman. He and the guys laughed while I rolled my eyes. Praying we wouldn't get fired for her wicked tongue.

And while people claimed to be creeped out, their smiles suggested that none of this was truly scary. It was like going to see a horror movie with a big group of friends: it was fun to be frightened, but when you were part of a large, noisy group, you knew nothing sinister was going to happen.

Real writers never show their teeth. Charlatans, in contrast, flash that sinister crescent when they smile. Check it out. Find photos of all the writers you respect, and you'll see that their teeth remain a permanently occult mystery.

Jonas had never been able to manage that sort of small conversation. The labyrinthine rules attached to kind words usually left him bemused. And Miss Charingford was so good at it. He could have watched her make people smile for hours.

You have an unusual voice,' he says. 'Raspy. Quite fetching, really.' 'I damaged my vocal cords a long time ago,' I inform him. 'Screaming.' Oak steps between us, and I am grateful for the reprieve. 'What a fine gentleman you make, Jack.' Jack turns to the prince, his sinister smile dropped back into place. 'Oak and Wren, Wren and Oak. Delightful. Named for woodland creatures, but neither of you so simple.' He glances at Tiernan and Hyacinthe. 'Not nearly as simple as these two.

No. When I was a girl, I wanted to be a pirate.” That brought up an all-too-pleasant image—Miss Marshall, the rich, dark red of her hair unbound and flying defiantly in the wind aboard a ship’s deck. She’d wear a loose white shirt and pantaloons. He would definitely surrender. “I am less shocked than you might imagine,” Edward heard himself say. “Entirely unshocked.” She smiled in pleasure. “A bloodthirsty cutthroat profession? Good thing you gave that up. It would never have suited you.” Her expression of pleasure dimmed. “You’d have succeeded too easily,” Edward continued, “and now you’d be sitting, bored as sin, atop a heap of gold too large to spend in one lifetime. Still, though, wouldn’t it solve ever so many problems if you married a lord? James Delacey could never touch you again if you did.

By the by,” Stephen said, “what is the difference between a viscount and a stallion?” Miss Marshall shook her head. “What is it?” Stephen gave her a broad smile. “The first is a horse’s arse. The second is an entire horse.” She buried her head in her hands. “No. You cannot distract me with terrible jokes. You are supposed to be looking up facts. Shoo!” But Stephen didn’t stop. “What’s the difference between a marquess and a paperweight?” “I’m sure you’ll tell me.” “One of them can’t do anything unless a servant helps it along. The other one holds down papers.

Don’t test me, little Irina.” He stalks toward the doorway, but stops with his back to me. “Touch Artur Voskoboynikov again and I’ll gut him at your feet.” He turns to give me a sinister smile. “You.” He points with his vicious knife. “You belong to me. Even if I never use you. You are mine.

Three quarters of respectable England hates you." "Half," Sebastian replied with a smile. "It's really only half. Judging by my correspondence, it may be as little as forty-eight percent. And of those, only a small number want to cause me bodily harm. The rest just wish to have me gagged or thrown in prison.

Old Azureus's manner of welcoming people was a silent rhapsody. Ecstatically beaming, slowly, tenderly, he would take your hand between his soft palms, hold it thus as if it were a long sought treasure or a sparrow all fluff and heart, in moist silence, peering at you the while with his beaming wrinkles rather than with his eyes, and then, very slowly, the silvery smile would start to dissolve, the tender old hands would gradually release their hold, a blank expression replace the fervent light of his pale fragile face, and he would leave you as if he had made a mistake, as if after all you were not the loved one - the loved one whom, the next moment, he would espy in another corner, and again the smile would dawn, again the hands would enfold the sparrow, again it would all dissolve.

Mumbling some more, John made a speedy escape. Had he even said goodbye to Celia? Corrado wasn't sure. He wasn't sure of anything except for the look in her eyes as she leaned across the table toward him, her smile turning sinister. "Oh, we're close." "How close?" He hardly recognized his own voice, the demanding tone as the question forced its way from his lips. "Very close," she whispered seductively. "So very, very close." His jaw clenched, his eyes narrowing as his body instinctively seemed to follow her lead, moving toward her, his voice dangerously low. "You're lying." "Am I?" "You are," he insisted. "Tell me you're lying. Tell me that pesky little boy hasn't gotten close to you. Tell me he hasn't… that he hasn't touched you. Tell me he hasn't—" "What if he has?" "I'll kill him." "Why?

Spring had come early that year, with warm quick rains and sudden frothing of pink peach blossoms and dogwood dappling with white stars the dark river swamp and far-off hills. Already the plowing was nearly finished, and the bloody glory of the sunset colored the fresh-cut furrows of red Georgia clay to even redder hues. The moist hungry earth, waiting upturned for the cotton seeds, showed pinkish on the sandy tops of furrows, vermilion and scarlet and maroon where shadows lay along the sides of the trenches. The whitewashed brick plantation house seemed an island set in a wild red sea, a sea of spiraling, curving, crescent billows petrified suddenly at the moment when the pink-tipped waves were breaking into surf. For here were no long, straight furrows, such as could be seen in the yellow clay fields of the flat middle Georgia country or in the lush black earth of the coastal plantations. The rolling foothill country of north Georgia was plowed in a million curves to keep the rich earth from washing down into the river bottoms. It was a savagely red land, blood-colored after rains, brick dust in droughts, the best cotton land in the world. It was a pleasant land of white houses, peaceful plowed fields and sluggish yellow rivers, but a land of contrasts, of brightest sun glare and densest shade. The plantation clearings and miles of cotton fields smiled up to a warm sun, placid, complacent. At their edges rose the virgin forests, dark and cool even in the hottest noons, mysterious, a little sinister, the soughing pines seeming to wait with an age-old patience, to threaten with soft sighs: "Be careful! Be careful! We had you once. We can take you back again.

I shall get nothing from these fools,' he muttered; 'and I am very much afraid of being here between a drunkard and a coward. Here's an envious fellow making himself boozy on wine when he ought to be nursing his wrath, and here is a fool who sees the woman he loves stolen from under his nose and takes on like a big baby. Yet this Catalan has eyes that glisten like those of the vengeful Spaniards, Sicilians, and Calabrians, and the other has fists big enough to crush an ox at one blow. Unquestionably, Edmond's star is in the ascendant, and he will marry the splendid girl--he will captain, too, and laugh at us all, unless'--a sinister smile passed over Danglars' lips--'unless I take a hand in the affair,' he added.

Destroy smiled at her in a sinister way, “You are wise to fear us, human, but I will not hurt you — much. Only if you like it…” he grinned, showing all his teeth, fangs almost as large as Carnage’s.

He smiles. The smile is not sinister or predatory. It's merely a smile, a formal kind of smile, friendly but a little distant, as if I'm a kitten in a window. One he's looking at but doesn't intend to buy. I

His habitual melancholy was changing day by day into something more sinister. There were moments when he would desecrate the crumbling and mournful mask of his face with a smile more horrible than the darkest lineaments of pain. Across the stoniness of his eyes a strange light would pass for a moment, as though the moon were flaring on the gristle, and his lips would open and the gash of his mouth would widen in a dead, climbing curve

This fucking city is full of nothing but thugs, money grubbing porn-bitches, and hustlers. I’m calling the police.” Ex fumed as he struggled to pull his cell from his pocket. If Syn weren't so damn angry it would’ve been funny as shit the way the man’s jaw dropped when God and Day both pulled their gold badges out from under their shirts. Day smiled that sinister grin and kneeled in front of them, speaking in an official tone, “911, what is your emergency?

most of the portraits of Niyazov all over Turkmenistan showed him smiling, though he never looked less reliable, or less amused, than when he was smiling. His smile – and this may be true of all political leaders – was his most sinister feature.

The Desire To Paint" Unhappy perhaps is the man, but happy the artist, who is torn with this desire. I burn to paint a certain woman who has appeared to me so rarely, and so swiftly fled away, like some beautiful, regrettable thing the traveller must leave behind him in the night. It is already long since I saw her. She is beautiful, and more than beautiful: she is overpowering. The colour black preponderates in her; all that she inspires is nocturnal and profound. Her eyes are two caverns where mystery vaguely stirs and gleams; her glance illuminates like a ray of light; it is an explosion in the darkness. I would compare her to a black sun if one could conceive of a dark star overthrowing light and happiness. But it is the moon that she makes one dream of most readily; the moon, who has without doubt touched her with her own influence; not the white moon of the idylls, who resembles a cold bride, but the sinister and intoxicating moon suspended in the depths of a stormy night, among the driven clouds; not the discreet peaceful moon who visits the dreams of pure men, but the moon torn from the sky, conquered and revolted, that the witches of Thessaly hardly constrain to dance upon the terrified grass. Her small brow is the habitation of a tenacious will and the love of prey. And below this inquiet face, whose mobile nostrils breathe in the unknown and the impossible, glitters, with an unspeakable grace, the smile of a large mouth ; white, red, and delicious; a mouth that makes one dream of the miracle of some superb flower unclosing in a volcanic land. There are women who inspire one with the desire to woo them and win them; but she makes one wish to die slowly beneath her steady gaze.

Anjan was Batty because Bhattacharya had too many syllables. He’d told one man his first name; the fellow had blinked, and then had immediately dubbed him John. That’s who they thought he was: John Batty. These well-meaning English boys had taken his name as easily, and with as much jovial friendship, as their fathers had taken his country. And Emily had called him Bhattacharya. He’d fallen a little bit in love with her the moment she’d said his name as if it had value. His fist clenched, but he kept on smiling.

It’s a common misconception that places that have suffered psychic trauma must look sinister, too, with gaping windows, creaking doors, and walls twisted subtly out of shape. As with people, so with houses—a smiling, innocuous exterior can conceal the blackest heart, and

Standing this close to her, he could begin to see the difference. She was still looking down, still acting shy and quiet so that anyone more than three paces away would have no idea what she was saying. But there was a little more excitement in her hands. Her lips twitched, on the verge of smiling.

You’re annoying. You always act as if everything is so easy. ‘Well, Oliver, it seems to me that your choice is either to quit or continue,’” he mimicked, remembering his father’s advice when he’d been on the verge of leaving school. The other man only smiled. “I’m your father. It’s my job to annoy you.

Smiling is probably the simplest way to win friends and influence people and yet we use it so sparingly, we’ve almost forgotten the art of a beaming delivery. Light up a room with your smile and you’ll be seen as instantly likeable and approachable — unless you have a particularly sinister-looking grin.

She felt enthralled by him, enthralled by her own sexuality. He bared something in her that she hadn't even known was there before she married him. Something base, primal. Had it always been there, this fierce drive to feel? Or was it something that had been engendered by his touching her? Her touching him? She knew that she should be wary of this part of herself. Ladies were often exhorted to ignore any animal urges. To be polite. Formal. Cold. But the flames of her desire, meeting and burning higher with his compulsion, were intoxicating. It felt wonderful. Too good to ignore. Too good to give up. And when his fingers traced the wetness of her vulva, into the depths of her pleasure, she cried out, her eyes still caught with his. He smiled, crooked and sinister because of his scar, but a smile nonetheless. A smile that wasn't exactly nice or gentlemanly. But a smile that was all for her. Only her. No man- no one- had ever looked at her so before.

Huzzah." Free met his gaze with a flat stare. "Crime! Right now that crime is blackmail, but it won't be blackmail much longer." "No? How do you figure?" "With luck and a good amount of arsenic...?“ She gave him a smile of her own. "Soon it will be: 'Huzzah! Murder!' Now there's a cause that deserves my exclamation point.

He could have been married last year, but for his fascination with Lydia Charingford. The mornings when he tipped his hat to her on the street were always the brightest. He smiled when he saw her. He saw so little hope in the world, and she saw far too much. There were days he wanted to sit and watch her, to figure out where all that good cheer came from.

As happens in dreams, when a perfectly harmless object inspires us with fear and thereafter is frightening every time we dream of it (and even in real life retains disquieting overtones), so Dreyer's presence became for Franz a refined torture, an implacable menace. [ ... H]e could not help cringing when, with a banging of doors in a dramatic draft, Martha and Dreyer entered simultaneously from two different rooms as if on a too harshly lit stage. Then he snapped to attention and in this attitude felt himself ascending through the ceiling, through the roof, into the black-brown sky, while, in reality, drained and empty, he was shaking hands with Martha, with Dreyer. He dropped back on his feet out of that dark nonexistence, from those unknown and rather silly heights, to land firmly in the middle of the room (safe, safe!) when hearty Dreyer described a circle with his index finger and jabbed him in the navel; Franz mimicked a gasp and giggled; and as usual Martha was coldly radiant. His fear did not pass but only subsided temporarily: one incautious glance, one eloquent smile, and all would be revealed, and a disaster beyond imagination would shatter his career. Thereafter whenever he entered this house, he imagined that the disaster had happened—that Martha had been found out, or had confessed everything in a fit of insanity or religious self-immolation to her husband; and the drawing room chandelier invariably met him with a sinister refulgence.

He turned abruptly his great searching eyes from the sea to Stephen's face. --The aunt thinks you killed your mother, he said. That's why she won't let me have anything to do with you. --Someone killed her, Stephen said gloomily. --You could have knelt down, damn it, Kinch, when your dying mother asked you, Buck Mulligan said. I'm hyperborean as much as you. But to think of your mother begging you with her last breath to kneel down and pray for her. And you refused. There is something sinister in you . . . He broke off and lathered again lightly his farther cheek. A tolerant smile curled his lips. --But a lovely mummer, he murmured to himself. Kinch, the loveliest mummer of them all. He shaved evenly and with care, in silence, seriously. Stephen, an elbow rested on the jagged granite, leaned his palm against his brow and gazed at the fraying edge of his shiny black coat-sleeve. Pain, that was not yet the pain of love, fretted his heart. Silently, in a dream she had come to him after her death, her wasted body within its loose brown grave-clothes giving off an odour of wax and rosewood, her breath, that had bent upon him, mute, reproachful, a faint odour of wetted ashes.

The polished wood door is still carved with an enormous and sinister face, still flanked with lanterns, but sprites no longer fly in desperate circles within. A soft glow of magic emanates instead. 'My king,' the door says fondly, it's eyes opening. Cardan smiles in return. 'My door,' he says with a slight hitch in his voice, as though perhaps everything about returning here feel strange. 'Hail and welcome,' it says, and swings wide.

You saved my life. Thank you.” Gratch’s smile showed the full length of his bloody fangs. The sight made her gasp. Richard glanced up at the sinister-looking, grinning face. “Stop smiling, Gratch. You’re scaring her again.” His mouth turned down, his lips covering his prodigious, wickedly sharp fangs. His wrinkled features melted into a sulk. Gratch viewed himself as lovable, and seemed to think it only natural that everyone else would, too.

I stand in front of the polished wood door, lit by two lamps of trapped sprites who fly in desperate circles. They illuminate a carving of an enormous and sinister face. The knocker, a circle piercing its nose. Cardan reaches for it, and because I have grown up in Faerie, I am not entirely surprised in to a scream when the door's eyes open. 'My prince,' it says. 'My door,' he says in return, with a smile that conveys both affection and familiarity. It's bizarre to see his obnoxious charm used for something other than evil.

I slide to the floor. I feel something warm on my neck, and under my cheek. Red. Blood is a strange color. Dark. From the corner of my eye, I see David slumped over in his chair. And my mother walking out from behind him. She is dressed in the same clothes she wore the last time I saw her, Abnegation gray, stained with her blood, with bare arms to show her tattoo. There are still bullet holes in her shirt; through them I can see her wounded skin, red but no longer bleeding, like she’s frozen in time. Her dull blond hair is tied back in a knot, but a few loose strands frame her face in gold. I know she can’t be alive, but I don’t know if I’m seeing her now because I’m delirious from the blood loss of if the death serum has addled my thoughts or if she is here in some other way. She kneels next to me and touches a cool hand to my cheek. “Hello, Beatrice,” she says, and she smiles. “Am I done yet?” I say, and I’m not sure if I actually say it or if I just think it and she hears it. “Yes,” she says, her eyes bright with tears. “My dear child, you’ve done so well.” “What about the others?” I choke on a sob as the image of Tobias comes into my mind, of how dark and how still his eyes were, how strong and warm his hand was, when we first stood face-to-face. “Tobias, Caleb, my friends?” “They’ll care for each other,” she says. “That’s what people do.” I smile and close my eyes. I feel a thread tugging me again, but this time I know that it isn’t some sinister force dragging me toward death. This time I know it’s my mother’s hand, drawing me into her arms. And I go gladly into her embrace. Can I be forgiven for all I’ve done to get here? I want to be. I can. I believe it.

It’s just that you’re trying to use my attraction to you to set me on edge.” She smiled at him. “It won’t work. I’ve been attracted to you since the moment I laid eyes on you, and it hasn’t made me stupid once.” “Did you expect me to deny it?” Free shrugged as complacently as she could. “You should read more of my newspaper. I published an excellent essay by Josephine Butler on this very subject. Men use sexuality as a tool to shut up women. We are not allowed to speak on matters that touch on sexual intercourse—even if they concern our own bodies and our own freedom—for fear of being labeled indelicate. Any time a man wishes to scare a woman into submission, he need only add the question of sexual attraction, leaving the virtuous woman with no choice but to blush and fall silent. You should know, Mr. Clark, that I don’t intend to fall silent. I have already been labeled indelicate; there is nothing you can add to that chorus.” "I've found that the best way to deal with the tactic is to speak of sexual attraction in terms of clear, unquestionable facts. The same men who try to make me feel uneasy by hinting at an attraction can never live up to their own innuendos.

She’s certain that I intend to lure Lilly into the debauched harem that I maintain in the opium dens of Paris.” He turned her toward the lane. “Be so good as to thwart me from this evil scheme. You can begin by distracting me with a walk to the post office.” She smiled, though it was slightly watery. “I see that it’s my Christian duty, when you put it so. I only hope I may not succumb to your wicked plot myself.” “Oh, I have far more sinister plans for you. I mean to entice you to a dish of tea in the public parlor at the Antlers. I will certainly set a chair for you, and possibly I may even speak French.

It was a savagely red land, blood-coloured after rains, brick dust in droughts, the best cotton land in the world. It was a pleasant land of white houses, peaceful plowed fields and sluggish yellow rivers, but a land of contrasts, of brightest sun glare and densest shade. The plantation clearings and miles of cotton fields smiled up to a warm sun, placid, complacent. At their edges rose the virgin forests, dark and cool even in the hottest noons, mysterious, a little sinister, the soughing pines seemed to wait with age-old patience, to threaten with soft sights: "Be careful! Be careful! We had you once. We can take you back again.

What do we have here?” Grant slurs at me. He seems different and it raises flags in my mind. His fingers wrap around a section of my hair and it scares me. His face is flushed red and his eyes are glassy and bright. I can smell the smoky scent of whiskey or scotch rolling off his tongue as he speaks and breathes heavily. “I’m lost and I need a ride home.” My voice wavers as I speak and I hate it. I fist my hands in the hem of my blazer. “I’ll get Albert for you, but first spend some time with me,” he slurs again, sounding like his tongue is too large for his mouth. As if sensing my attention, the tip of his tongue sneaks out and slides along his supple bottom lip. He smiles as he tastes the alcohol that’s staining his mouth. His eyes are bright and shiny and glazed over. He has a smirk on his face that shows off his dimple. It no longer reminds me of Whitt. It seems sinister and dangerous- promising something I’m not ready to experience. The feel of his fingers playing with my hair gives me goosebumps and I shiver as my scalp tightens, sucking up the pleasant attention. I do my first stupid-girl moment of my life. I shameless crush on a guy and let it turn my thoughts to mush. “Okay, if you promise to call Albert first.” I try to negotiate with him and he gives me a naughty smirk for agreeing. He backs me up with his physical presence. His front touches mine- chest-to-chest. His lips part and breathes the smoky, whiskey scent onto my chin. My back hits the door behind me with an audible thump. He reaches around me and I don’t wince. I anticipate him touching me and crave it. Instead, his hand twists the doorknob by my hip and I fall backwards. I’m pushed into a dark room until my legs connect with the edge of a bed. I can’t see anything, and the only sound is our combined breathing. I feel alive with caution. I’m aware of every hair, every nerve on my flesh. My senses are so in-tuned that I can feel my system pumping the blood through my veins nourishing my whole body.

As I inspected the engravings for sale, I noticed a very fine classical scene within which was written, FERREA VIRGA EST, UMBRATILIS MOTUS. Recognizing the Latin motto from the sundial at Delafosse, I asked the proprietor if he knew the meaning. "'The rod is of iron, the motion of shadow,'" he told me obligingly. "Thank you," I said with a smile , and returned to the engraving. It was a memento mori, an Italian scene in which the sundial was reminiscent of a tomb. On one side, a pair of young lovers basked idly in sunshine, while on the other they slept in sinister shadow. An ugly representation of Death approached them from behind the ornate tomb. They do not see what pursues them, I mused.

Letter You can see it already: chalks and ochers; Country crossed with a thousand furrow-lines; Ground-level rooftops hidden by the shrubbery; Sporadic haystacks standing on the grass; Smoky old rooftops tarnishing the landscape; A river (not Cayster or Ganges, though: A feeble Norman salt-infested watercourse); On the right, to the north, bizarre terrain All angular--you'd think a shovel did it. So that's the foreground. An old chapel adds Its antique spire, and gathers alongside it A few gnarled elms with grumpy silhouettes; Seemingly tired of all the frisky breezes, They carp at every gust that stirs them up. At one side of my house a big wheelbarrow Is rusting; and before me lies the vast Horizon, all its notches filled with ocean blue; Cocks and hens spread their gildings, and converse Beneath my window; and the rooftop attics, Now and then, toss me songs in dialect. In my lane dwells a patriarchal rope-maker; The old man makes his wheel run loud, and goes Retrograde, hemp wreathed tightly round the midriff. I like these waters where the wild gale scuds; All day the country tempts me to go strolling; The little village urchins, book in hand, Envy me, at the schoolmaster's (my lodging), As a big schoolboy sneaking a day off. The air is pure, the sky smiles; there's a constant Soft noise of children spelling things aloud. The waters flow; a linnet flies; and I say: "Thank you! Thank you, Almighty God!"--So, then, I live: Peacefully, hour by hour, with little fuss, I shed My days, and think of you, my lady fair! I hear the children chattering; and I see, at times, Sailing across the high seas in its pride, Over the gables of the tranquil village, Some winged ship which is traveling far away, Flying across the ocean, hounded by all the winds. Lately it slept in port beside the quay. Nothing has kept it from the jealous sea-surge: No tears of relatives, nor fears of wives, Nor reefs dimly reflected in the waters, Nor importunity of sinister birds.

It’s simple,” Jane insisted. “I know just how to do it. Instead of just locking up the women who are suspected of being ill, we should lock up all the women. That way, the ones who are well can never get sick.” At the foot of the table, Whitting scratched his head. “But…how would men use their services?” “What do men have to do with it?” Jane asked. “Um.” Lord James looked down. “I take your point, Bradenton. This is…perhaps not the best conversation to be having at the moment.” “After all,” Jane continued, “if men were capable of infecting women, our government in its infinite wisdom would never choose to lock up only the women. That would be pointless, since without any constraint on men, the spread of contagion would never stop. It would also be unjust to confine women for the sin of being infected by men.” She smiled triumphantly. “And since our very good Marquess of Bradenton supports the Act, that could never be the case. He would never sign on to such manifest injustice.

Pointsman is the only one here maintaining his calm. He appears unruffled and strong. His lab coats have even begun lately to take on a Savile Row serenity, suppressed waist, flaring vents, finer material, rather rakishly notched lapels. In this parched and fallow time, he gushes affluence. After the baying has quieted down at last, he speaks, soothing: “There’s no danger.” “No danger?” screams Aaron Throwster, and the lot of them are off again muttering and growling. “Slothrop’s knocked out Dodson-Truck and the girl in one day!” “The whole thing’s falling apart, Pointsman!” “Since Sir Stephen came back, Fitzmaurice House has dropped out of our scheme, and there’ve been embarrassing inquires down from Duncan Sandys—“ “That’s the P.M.’s son-in-law, Pointsman, not good, not good!” “We’ve already begun to run into a deficit—“ “Funding,” IF you can keep your head, “is available, and will be coming in before long… certainly before we run into any serious trouble. Sir Stephen, far from being ‘knocked out,’ is quite happily at work at Fitzmaurice House, and is At Home there should any of you wish to confirm. Miss Borgesius is still active in the program, and Mr. Duncan Sandys is having all his questions answered. But best of all, we are budgeted well into fiscal ’46 before anything like a deficit begins to rear its head.” “Your Interested Parties again?” sez Rollo Groast. “Ah, I noticed Clive Mossmoon from Imperial Chemicals closeted with you day before yesterday,” Edwin Treacle mentions now. “Clive Mossmoon and I took an organic chemistry course or two together back at Manchester. Is ICI one of our, ah, sponsors, Pointsman?” “No,” smoothly, “Mossmoon, actually, is working out of Malet Street these days. I’m afraid we were up to nothing more sinister than a bit of routine coordination over the Schwarzkommando business.” “The hell you were. I happen to know Clive’s at ICI, managing some sort of polymer research.” They stare at each other. One is lying, or bluffing, or both are, or all of the above. But whatever it is Pointsman has a slight advantage. By facing squarely the extinction of his program, he has gained a great of bit of Wisdom: that if there is a life force operating in Nature, still there is nothing so analogous in a bureaucracy. Nothing so mystical. It all comes down, as it must, to the desires of men. Oh, and women too of course, bless their empty little heads. But survival depends on having strong enough desires—on knowing the System better than the other chap, and how to use it. It’s work, that’s all it is, and there’s no room for any extrahuman anxieties—they only weaken, effeminize the will: a man either indulges them, or fights to win, und so weiter. “I do wish ICI would finance part of this,” Pointsman smiles. “Lame, lame,” mutters the younger Dr. Groast. “What’s it matter?” cries Aaron Throwster. “If the old man gets moody at the wrong time this whole show can prang.” “Brigadier Pudding will not go back on any of his commitments,” Pointsman very steady, calm, “we have made arrangements with him. The details aren’t important.” They never are, in these meetings of his.

Dame Aline, somewhat younger than her husband, was a short, sturdily built woman with fair hair beneath a white lace coif, small square hands, a merry giggle. She had a mask of light freckles across her face that on feast days she hid beneath a powder of rice mixed with dried white rose-petal: a faint scent of rose hung about her even tonight, when she wore no powder. Her cheeks were full, making Hob think at first of a squirrel with acorns in its cheeks. He thought her plain, especially next to the ivory perfection of Lady Isabeau. As the evening wore on, though, she seemed more appealing to him, by reason of her blithe chatter, her delight in each jest, and above all the contrast she made with the dire ominous bulk of her husband. He sat beside her and cut her meat, as was polite: men cut for women, the younger for the elder, the lesser for the greater. When he had done, she placed her hand on his arm affectionately; she smiled in his face. Her rounded cheek, her easy laugh, lent her a childlike prettiness, and Hob wondered that she had no fear of the sinister castellan, who made even the tough-as-gristle sergeant Ranulf uneasy.

I’m walking you to your door,” he said, glancing at the lurking boy with palpable distaste. “For obvious reasons.” “It’s not that bad,” she protested. “They’re all mostly students.” “Well, that particular student”—he said with a nod toward the sinister-looking young man—“must be putting himself through college by dealing dope. And those two over there . . .” This time he nodded toward a giggling, swaying pair of young women in tight miniskirts and thigh-high boots. “Are probably hooking to pay their tuition.” Cleo peered at the girls in the gloomy light and gasped when she recognized them. They saw her at the same time and screeched in delight at the sight of her. “OMG! Cleo!” Coco screamed, and Cleo caught Dante involuntarily flinching at the sound of that high-pitched voice. “It’s so weird to find you waiting down here for us. It’s like you knew we were coming.” “She did know, remember?” Gigi reminded her in an only slightly less shrill voice. And Cleo hadn’t really known they were coming, since nothing definite had been arranged. “What the hell?” Dante muttered beneath his breath, and Cleo smiled at the consternation she could hear in his voice.

I scrambled off the water buffalo, biting back a wince as I struggled for some balance. Catching my breath, I backed away from Amar. In the shadows, the hood over his face glinted sinister. “Do not come near me!” I hissed. Amar halted. “Let me explain,” he began. “I understand that this is not--” I lunged for a stick and brandished it at him. “Who are you?” Amar laughed. “A stick? I’ve brought you to the Night Bazaar; do you really think a stick would protect you?” I gripped the stick harder. “Not that you need protection from me,” he added quickly. “Who are you?” “Amar.” “Where are you from?” “Akaran.” I gave him a hard look, but I wasn’t sure how much he could see through his covering. “What are you?” He drew himself up. “A raja and your husband.” There was no hesitation in his voice. “Why have you brought me here?” My voice shook. I couldn’t stop staring at the Night Bazaar. There it was. And here I was. Standing on the same plot of land shared with beings that--until now--had only existed in stories. “What do you want from me?” He stopped. The smile was gone from his lips. “I want your perspective and honesty,” he said, before adding in a softer voice, “I want to be humbled by you.

I took a cautious step inside, marveling at the sight before me. A vast conservatory awaited, or what 'once' was a conservatory. Sunlight beamed through the enormous glass roof. I realized that its position at the center of the house precluded its visibility from below. In awe, my heart beating wildly, I lingered in an arbor covered with bright pink bougainvillea, with a trunk so thick, it was larger than my waist. Most of it had died off, but a single healthy vine remained, and it burst with magenta blossoms. I could smell citrus warming in the sunlight, and I immediately noticed the source: an old potted lemon tree in the far corner. 'This must have been Lady Anna's.' I walked along the leaf-strewn pathway to a table that had clearly once showcased dozens of orchids. Now it was an orchid graveyard. Only their brown, shriveled stems remained, but I could imagine how they'd looked in their prime. I smiled when I picked up a tag from one of the pots. 'Lady Fiona Bixby. She must have given them her own names.' Perhaps there hadn't been anything sinister going on in the orchard, after all. Lady Anna was clearly a creative spirit, and maybe that played out in her gardens and the names she gave to her flowers and trees.

Dear troubles, my amigo Accolades to your valour and vigour in battling Me. Though each time you have lost the crusade, your persistent effort in drubbing me down with tiresome regularity, is remarkable. Sadly your trials have all been clunkers, and your lingering rage at being unceremoniously busted by snippy woman storm trooper inside me to boot is axiomatic. I know it’s not your fault, fighting me is not a cake walk. You can’t quash my acquaintance with the strategic moves you make, or the unreal-fleeting bonds you break. I am rather familiar with aimless, exasperated steps you take and that Duchenne smile you fake. I can, for sure, guess any rare cryptic word you say or sinister cat and mouse game you play. My dear old stinging Gordian’s Knot, I love the way you have always tailed me, but to your dismay I guess I was always ahead of the curve. My love, my darling, quandary little Catch-22, I suggest you kill me now, shoot me now, show no mercy bury me deep, deport me to hellhole, coz I have right to die. Hang me and close me in a gas chamber, entomb me and put my soul in a bottle, cap it tight and throw it in the deep sea. Get rid of me else if slightest of me comes back then my lovely, ‘stumbling hornets nest’, you are bound to fizzle out and evanesce into nothingness. Run, I say, run now and never return, you know I am kinda tried and tested………..

The fifth was a blond man wearing a navy peacoat and standing with his hands in his pockets. He did not smile or point or make faces. He was staring at Laura. After a few minutes during which the stranger’s gaze did not shift from the child, Bob became concerned. The guy was good looking and clean-cut but there was a hardness in his face, too, and some quality that could not be put into words but that made Bob think this was a man who had seen and done terrible things. He began to remember sensational tabloid stories of kidnappers, babies being sold on the black market. He told himself that he was paranoid, imagining a danger where none existed because, having lost Janet, he was now worried about losing his daughter as well. But the longer the blond man studied Laura, the more uneasy Bob became. As if sensing that uneasiness, the man looked up. They stared at each other. The stranger’s blue eyes were unusually bright, intense. Bob’s fear deepened. He held his daughter closer, as if the stranger might smash through the nursery window to seize her. He considered calling one of the crèche nurses and suggesting that she speak to the man, make inquiries about him. Then the stranger smiled. His was a broad, warm, genuine smile that transformed his face. In an instant he no longer looked sinister but friendly. He winked at Bob and mouthed one word through the thick glass: ‘Beautiful.’ Bob

Whether it honors them well or not, an essay’s fundamental obligations are supposed to be to the reader. The reader, on however unconscious a level, understands this, and thus tends to approach an essay with a relatively high level of openness and credulity. But a commercial is a very different animal. Advertisements have certain formal, legal obligations to truthfulness, but these are broad enough to allow for a great deal of rhetorical maneuvering in the fulfillment of an advertisement’s primary obligation, which is to serve the financial interests of its sponsor. Whatever attempts an advertisement makes to interest and appeal to its readers are not, finally, for the reader’s benefit. And the reader of an ad knows all this, too—that an ad’s appeal is by its very nature calculated—and this is part of why our state of receptivity is different, more guarded, when we get ready to read an ad. 38 In the case of Frank Conroy’s “essay,” Celebrity Cruises 39 is trying to position an ad in such a way that we come to it with the lowered guard and leading chin we properly reserve for coming to an essay, for something that is art (or that is at least trying to be art). An ad that pretends to be art is—at absolute best—like somebody who smiles warmly at you only because he wants something from you. This is dishonest, but what’s sinister is the cumulative effect that such dishonesty has on us: since it offers a perfect facsimile or simulacrum of goodwill without goodwill’s real spirit, it messes with our heads and eventually starts upping our defenses even in cases of genuine smiles and real art and true goodwill. It makes us feel confused and lonely and impotent and angry and scared. It causes despair.

He saw a man who was certainly Weston, to judge from his height and build and coloring and features. In that sense he was quite recognizable. But the terror was that he was also unrecognizable. He did not look like a sick man: but he looked very like a dead one. The face which he raised from torturing the frog had that terrible power which the face of a corpse sometimes has of simply rebuffing every conceivable human attitude one can adopt towards it. The expressionless mouth, the unwinking stare of the eyes, something heavy and inorganic in the very folds of the cheek, said clearly: “I have features as you have, but there is nothing in common between you and me.” It was this that kept Ransom speechless. What could you say—what appeal or threat could have any meaning—to that? And now, forcing its way up into consciousness, thrusting aside every mental habit and every longing not to believe, came the conviction that this, in fact, was not a man: that Weston’s body was kept, walking and undecaying, in Perelandra by some wholly different kind of life, and that Weston himself was gone. It looked at Ransom in silence and at last began to smile. We have all often spoken—Ransom himself had often spoken—of a devilish smile. Now he realized that he had never taken the words seriously. The smile was not bitter, nor raging, nor, in an ordinary sense, sinister; it was not even mocking. It seemed to summon Ransom, with a horrible naïveté of welcome, into the world of its own pleasures, as if all men were at one in those pleasures, as if they were the most natural thing in the world and no dispute could ever have occurred about them. It was not furtive, nor ashamed, it had nothing of the conspirator in it. It did not defy goodness, it ignored it to the point of annihilation. Ransom perceived that he had never before seen anything but halfhearted and uneasy attempts at evil. This creature was wholehearted. The extremity of its evil had passed beyond all struggle into some state which bore a horrible similarity to innocence. It was beyond vice as the Lady was beyond virtue.

Nicholas, dressed in black and trailing them like a sinister storm cloud, had a dry little preoccupied smile.

And Tom Cruise talks with us about how he went from homeless vampire to famous Hollywood actor." Darcy stretched her smile even further. "We'll be right back.

Now," he said, turning me to face him. "Let us dance, Elisabeth." The musicians struck up another song, one I didn't recognize. The tempo was slow and in a minor key, seductive and sinister. The Goblin King pulled me into his embrace. He pressed his hand to my lower back, pushing our hips close together. Our hands met palm to palm, fingers intertwined. He was not masked and neither was I. Our eyes met. Despite the closeness of our bodies, it was the touch of our eyes that made me blush. "Mein Herr," I demurred. "I don't think-" "You think too much, Elisabeth," he said. "Too much about propriety, too much about duty, too much about everything but music. For once, don't think." The Goblin King smiled. It was a wicked grin, one that made me feel unsafe and excited at the same time. "Don't think. Feel.

He dropped them with an impressive thump upon one of the little tables and favored both new pupils with a deliberately sinister smile. If this was to be anything like training young soldiers, young horses, or young hawks, the key was to take the initiative from the first moment, and keep it thereafter. He could be as hollow as a drum, so long as he was as loud.

You’re insane,” I whispered. Bael’s eyes sparked with excitement, and his smile stretched wide enough to appear sinister. “All the best people are, don’t you know that?

I did say you were like your sister. Your beauty hides itself away, invisible until you decide someone is worthy of seeing it. And then you smile, and it shines.

survivors,” Tiberius said with a mocking smile. “Pietro Salviati, now a count, having succeeded to his father’s title, resides in New York with his American contessa, Beatrice. James MacIver—Sir James now, fourteenth baronet of that line—is a prominent MP and divides his time between London and his family seat in Glen Lyon in Scotland. His wife, the redoubtable Augusta,

A sinister smile lines the director’s lips.

It’s breathtaking but equally terrifying. The smile is nothing short of sinister, but fuck, it’s real.

And then, in an instant, his hand is snapping around my throat, gripping tight. I gasp, my eyes widening as his lip curls into a sinister smile. “I can put a collar around this pretty neck of yours instead. Then you wouldn’t have the option to say no. You would just be my good little girl that does whatever your master says. Would you like that better, baby?

You might as well have her come in,” Freddy muttered. “I can’t have her death on my hands. She’d make the most uncivil shade ever, and I refuse to have her haunting my hallway.” Free actually smiled at that—as if the thought of being an extremely rude ghost pleased her—and she came

Don’t answer, Marshall. Work it through your principles.” Bradenton smiled. “But in the end, we all know how this will work out. It’s one annoying girl against your entire future. Against the future of voting rights.

I'd held my job in the mailroom of a heartless corporation run by sinister men in dark suits for over three months now, and today at lunch my boss' boss had nodded and half-smiled in my direction. My future was looking bright.

What could have possessed her to sleep with Matthew Swift?” “I doubt there was much sleeping involved,” Annabelle replied, her eyes twinkling. Lillian gave her a slitted glare. “If you have the bad taste to be amused by this, Annabelle—” “Daisy was never interested in Lord Llandrindon,” Evie volunteered hastily, trying to prevent a quarrel. “She was only using him to provoke Mr. Swift.” “How do you know?” the other two asked at the same time. “Well, I-I…” Evie made a helpless gesture with her hands. “Last week I m-more or less inadvertently suggested that she try to make him jealous. And it worked.” Lillian’s throat worked violently before she could manage to speak. “Of all the asinine, sheep-headed, moronic—” “Why, Evie?” Annabelle asked in a considerably kinder tone. “Daisy and I overheard Mr. Swift t-talking to Lord Llandrindon. He was trying to convince Llandrindon to court her, and it became obvious that Mr. Swift wanted her for himself.” “I’ll bet he planned it,” Lillian snapped. “He must have known somehow that you would overhear. It was a devious and sinister plot, and you fell for it!” “I don’t think so,” Evie replied. Staring at Lillian’s crimson face, she asked apprehensively, “Are you going to shout at me?” Lillian shook her head and dropped her face in her hands. “I’d shriek like a banshee,” she said through the screen of her fingers, “if I thought it would do any good. But since I’m fairly certain Daisy has been intimate with that reptile, there is probably nothing anyone can do to save her now.” “She may not want to be saved,” Evie pointed out. “That’s because she’s gone stark raving mad,” came Lillian’s muffled growl. Annabelle nodded. “Obviously. Daisy has slept with a handsome, young, wealthy, intelligent man who is apparently in love with her. What in God’s name can she be thinking?” She smiled compassionately as she heard Lillian’s profane reply, and settled a gentle hand between her friend’s shoulders. “Dearest,” she murmured, “as you know, there was a time when it didn’t matter to me whether I married a man I loved or not…it seemed enough just to get my family out of the desperate situation we were in. But when I thought about what it would be like to share a bed with my husband…to spend the rest of my life with him…I knew Simon was the only choice.” She paused, and sudden tears glittered her eyes. Beautiful, self-possessed Annabelle, who hardly ever cried. “When I’m ill,” she continued in a husky voice, “when I’m afraid, when I need something, I know he will move heaven and earth to make everything all right. I trust him with every fiber of my being. And when I see the child we created, the two of us mingled forever in her…my God, how grateful I am that I married Simon. We’ve all been able to choose our own husbands, Lillian. You have to allow Daisy the same freedom.

Those carefully considered worst-case scenarios made him a good doctor, but they also made him feel like a dark little raincloud. When Lydia Charingford was around, though, he felt like a smiling dark little raincloud.

Many years ago I saw a short film sequence of a little girl. She was wearing a pretty dress as she skipped down a narrow cobbled lane. The people around smiled fondly as she passed. The grainy, black-and-white image did nothing to detract from the happy scene, and the light, summery music gave a feeling of well-being. The audience’s attention was focused entirely on the child. Then the identical film was shown again, but this time with sinister music playing. There was a gasp from the audience. For the first time, every person in the room noticed an unsmiling man standing at the mouth of a dark alley, smoking a cigarette and watching the girl. In spite of already knowing the ending, there was a sigh of relief when the child was reunited with her mother. Same film. Different music. For some people, life is like that. They filter out the positive and focus on the negative. They make assumptions about what somebody else is thinking, and believe only in the worst possible outcome. They are listening to a sinister tune. Is this you? If so, change the music, and focus on the positive. Listen to a happy tune, and see if the man skulking in the doorway disappears from view. “Human beings, by changing the inner attitudes of their minds, can change the outer aspects of their lives.” William James

Bradenton reminded him of an old farmer, walking the perimeter of his property every day, testing the fences and peering suspiciously at his neighbors, making sure that his side and their side were clearly delineated. It had taken Oliver years to learn his lesson: keep quiet and let men like Bradenton test the fences. It wouldn’t do them any good, and if you were careful, one day you’d be in a position to buy their whole damned farm. And so Oliver held his tongue and smiled.

RAYMOND Markey put down the phone. In front of his desk Reverend Sanders sat smiling. Such an eerie smile, Raymond thought. So genuinely jolly, friendly, gentle. Not sinister at all. What a mask it was. Incredible really—as incredible as the man himself. Markey knew Sanders’ history. Poor boy from the South. Father was a farmer who ran moonshine across state lines. Mother was a drunk. Sanders had conned, clawed, and blackmailed his way out of poverty, stampeding over anything that got in his way. He was shrewd. He knew how to manipulate people and consolidate a power base. His influence had started with the poor and uneducated and now stretched into some of Washington’s most powerful circles. Including mine, Markey thought. “Done,

What about Gloria Katz and Susan Milano?” Myron asked. “Where are they?” Cole smiled without mirth or humor. Myron saw the missing teeth and wondered if they were part of the disguise or something more sinister. “I’ll tell you about them another time,” he said. Myron

His voice was rough when he spoke again. “So beat me to flinders,” he said. “Win. Overmatch me, Minnie. And when we’re alone…” His fingers touched her chin lightly. “When we’re alone,” he whispered, “look up.” He could have tilted her chin, forcing her to do so. But his forefinger remained warm and steady on her face. He waited, and in the end, Minnie couldn’t help herself. She looked up. His eyes met hers with a warm greeting. “Hullo, Minnie.” He didn’t smile. He didn’t lean down to her. But when he whispered, “I wish you’d call me Robert,” his voice was almost a caress. “Robert.

Oh, little girl,” a sinister voice rang out in the hall behind me, and every hair on my body rose. “Have you finally come out to play with the rest of us?” A low growl built up in my captor’s chest, and my body started shaking uncontrollably. “I won’t bite . . . hard.” My captor pressed his body closer to mine, and after slowly moving his hand away from my mouth, moved close to whisper in my ear. I cringed back but couldn’t go far. “Don’t say anything.” “Where’d you go, you little bitch?” the voice said again, but this time the sinister tone was laced with hatred. When my captor pulled back, his face was murderous. Tears sprang to my eyes, but I somehow knew that I needed to listen to him. Suddenly his head turned to the side, and I froze . . . not wanting to see the man that voice belonged to. “Damn, bro, already claiming her?” “Leave,” my captor growled. “Now.” “No need to get touchy. I’ll wait for my go at her.” “I said get. The fuck. Out.” “I’m going . . . I’m going. You better keep an eye on your bitch. Because next time she’s alone, Marco might be the one to find her . . . and you know how bad Marco wants her.” “No one touches her.” His body was vibrating, and I looked up at his face to see the barely concealed rage. “For now,” the voice said in a mocking tone. “Possessive doesn’t suit you. You might want to be careful with that, you know how we all like a challenge.” With a deep laugh, I heard footsteps retreating from us. “I’ll be seeing you soon, sweetheart.” A few seconds passed before my captor looked back at me. His face was dark when he whispered, “Do not run from me again, understood?” Not waiting for me to respond, he pushed off me, grabbed my arm, and started walking out of the kitchen. I shrank into him when he suddenly stopped, and we came face-to-face with three men. “Look what we have here,” one of them said. “Told you I’d be seeing you soon, sweetheart,” another said, and I would have recognized that disturbing voice anywhere. “We need her.” The third spoke directly to my captor, his eyes never once looking at me. The man holding my arm pulled me behind him. A move the first two didn’t miss. “You’ve gotten by fine without her, Marco. I’m sure you’ll figure something out.” Moving me to his other side, and closer to the wall, he began walking again. Not four steps later, pain spread over my scalp, and a cry burst from my chest as I was yanked back by my hair. My captor’s arm moved around my waist as he put himself between Marco and me, and his other arm was straight in front of him with a gun pointed at Marco’s head. “Someone’s moody.” Marco never flinched. But a smile slowly crossed his face as he let my hair fall from his fingers. “You have beautiful hair. What a shame.” “No. One. Touches her,” my captor said low, his words full of warning. “Just fuck her and get that pent-up anger out of your system already,” he said to my captor, his smile never fading. Marco stepped back to the other two guys, his hands raising up in mock-surrender. “Until next time.” My

She smiled. He’d joked once that he feared her gown might be contagious, but it was her smile that was catching. It caught him now. He felt hooked by it, no desire to do anything except smile back at her.

Sometimes Jane wished she were good at diplomatic speeches. She wished she’d mastered coquettish looks and innocent smiles. But she hadn’t. She was singularly bad at those forms of persuasion. She was good at handing out money and opinions.

He stays in the shadows, refusing to let me see him, but I can almost imagine that sinister smile and the intensity in those aqua eyes.

You are sitting in my chair, my lord." She said the words very civilly, she thought. Although he quirked a brow and lowered his chin as if giving her one of those looks. Like really? In a way that wasn't a question. She was telling a fae king, a hawk fae king, and a guest of the dark fae, that he should be sitting in her seat? But she didn't stop there. "You may sit there if it pleases you." She pointed to Micala's seat since he was not at the meal. Her mother's mouth gaped and for once she didn't have an immediate rebuke ready for Ritasia. The king gave Ritasia such a sinister smile, she was afraid she might have gone a little too far with her first encounter with him. She quickly remembered her manners, curtseyed, though, because she wasn't wearing a gown, she thought she looked a little ridiculous, then looked back up at him.

sweet smile is half again as sinister as her sister’s razor. Beside her is an Olympic Knight, the Storm Knight

His smile, he knew, was now lopsided and somewhat sinister, as if one half of him were amused while the other unimpressed by the same joke.

Lucien is throwing a ball next Friday in honor of Charles's homecoming, and he wants you to be there." "Wants?" Juliet drawled, "Demands is more like it." "It's his way of thanking you for all you've done for Charles," Nerissa added.  "He wants to give you a magical, Cinderella night-at-the-ball as his way of expressing his gratitude for saving Charles's life." "But — but I can't attend, I — I don't even know how to dance!" "Then you will learn," said Nerissa, blithely. "And . . . I don't know the correct things to say to people, or how to address them properly . . . or — or . . . anything!" "We will teach you." "And I can't afford fancy new clothes, let alone a ball gown!" "Ah, but I can, and I would be very offended if you do not accept them as a small token of my appreciation for saving my brother's life," intoned a smoothly urbane, aristocratic voice.  Gasping, Amy whirled to see the duke of Blackheath standing in the doorway, an amused little smile playing about his otherwise severe face. Amy sank in a curtsey.  "Your Grace!" "My dear girl.  Are you giving my sister trouble?" "No, but I really can't go to a ball, I'll look the fool and I've got no business being there anyhow and —" "Do you want to go to the ball?" "Well of course, it'll be magical, wondrous, but I'll feel like a chicken amongst a flock of peacocks!" The duke folded his arms and leaned negligently against the door jamb, his black eyes holding her captive.  "Do you remember the conversation we had last night . . . about helping Charles?" That soft, suave tone was enough to make Amy's heart still.  "Well yes, but I don't see how this has anything to do with him . . ." "Of course you don't.  And so I will tell you.   Nerissa wants a new gown for the ball.  As a lady's maid, you will want some new clothes.  And I —" he gave a silky smile — "I will want Charles to ride alongside your coach to provide safe escort to and from London."  He smiled, but the gesture was just a little bit sinister.  "It would benefit him greatly to feel . . . useful, don't you think?" And Amy, standing there feeling nervous and dry-mouthed and very, very intimidated indeed, suddenly understood.  By sending the girls off to London and asking Charles to go along as protection, Lucien was setting things up so that Charles would have opportunity to regain some of his feelings of self-worth. She only hoped he wasn't lining up a highwayman to rob them, as well! She returned the duke's smile, suddenly feeling like a co-conspirator instead of a scared ninny.  "Yes, your Grace.  I quite understand." "Good.  I knew that you would.

King Osbert smiled. Max had learned to mask his reaction to the king's smile. It was far too sinister an expression for any man to wear.

grotesque creature arrived, scuttling across the ceiling, its features sharp among the shadow it was clearly made of. It was as big as a Dragon Shifter, its hulking form falling from the ceiling and landing with a thump at Lavinia’s side. I fought the urge to recoil as the shadows sank into the thing’s skin, a man slowly appearing from the darkness, his face a picture of handsome cruelty. A demonic smile curved his lips and a sinister emptiness stirred in his gaze. He was naked, his powerful body marked with scars of shadow which seemed to pulse like living veins against his tanned skin. “Hello, Father,” he purred, his voice a wicked seduction.

He upsets the order of society by empowering chaos, reminding those in power of the limits to their authority, undermining their laws, faith, and science in a sort of epistemological rewilding, and doing it with a sinister smile and perfect comic timing.

You’re a bonafide stalker, you know that?” Vance winks at me before his full lips form into a sinister smile.. “Wasn’t before today.