Since Childhood Friends Quotes

You think these recent events are everything. You think Aaron fell in love with your friend of several months, a rebel girl named Juliette. You don't know. You don't know. You don't know that Aaron has been in love with Ella for the better part of his entire life. They've known each other since childhood...…..The reason he had to keep wiping their memories was because it didn't matter how many times he reset the story or remade the introductions - Aaron always fell in love with her. Every time. - Delalieu

Language is my whore, my mistress, my wife, my pen-friend, my check-out girl. Language is a complimentary moist lemon-scented cleansing square or handy freshen-up wipette. Language is the breath of God, the dew on a fresh apple, it's the soft rain of dust that falls into a shaft of morning sun when you pull from an old bookshelf a forgotten volume of erotic diaries; language is the faint scent of urine on a pair of boxer shorts, it's a half-remembered childhood birthday party, a creak on the stair, a spluttering match held to a frosted pane, the warm wet, trusting touch of a leaking nappy, the hulk of a charred Panzer, the underside of a granite boulder, the first downy growth on the upper lip of a Mediterranean girl, cobwebs long since overrun by an old Wellington boot.

He loved her. Jay Heaton, her best friend since childhood was in love with her. He didn't say it but she knew that it was true. And the part that really freaked her out, the part that caught her completely off guard, is that he wasn't alone. Because even though she'd been denying it for a long, long time, it had always been there... waiting beneath the surface of their friendship. And now that it was out there was no going back. And it was so weird to even be thinking it but...... she was in love with him too.

He sat staring at the door for a long time. He wasn’t wearing a hat, which meant he had to just be himself. The true him, the one that knew this pain. They’d ridden together on many a dusty path. This pain had been his invisible friend since childhood. The pain of knowing what he really was. The pain of being worthless.

But since a person's deepest fantasies were formed by their more or less screwed up childhoods, it made sense that anything based on them would end up in betrayal.

I, Tiberius Claudius Drusus Nero Germanicus This-that-and-the-other (for I shall not trouble you yet with all my titles) who was once, and not so long ago either, known to my friends and relatives and associates as "Claudius the Idiot", or "That Claudius", or "Claudius the Stammerer", or "Clau-Clau-Claudius" or at best as "Poor Uncle Claudius", am now about to write this strange history of my life; starting from my earliest childhood and continuing year by year until I reach the fateful point of change where, some eight years ago, at the age of fifty-one, I suddenly found myself caught in what I may call the "golden predicament" from which I have never since become disentangled.

our lives, thanks to their finitude, are inevitably full of activities that we’re doing for the very last time. Just as there will be a final occasion on which I pick up my son—a thought that appalls me, but one that’s hard to deny, since I surely won’t be doing it when he’s thirty—there will be a last time that you visit your childhood home, or swim in the ocean, or make love, or have a deep conversation with a certain close friend. Yet usually there’ll be no way to know, in the moment itself, that you’re doing it for the last time. Harris’s point is that we should therefore try to treat every such experience with the reverence we’d show if it were the final instance of it. And indeed there’s a sense in which every moment of life is a “last time.” It arrives; you’ll never get it again—and once it’s passed, your remaining supply of moments will be one smaller than before. To treat all these moments solely as stepping-stones to some future moment is to demonstrate a level of obliviousness to our real situation that would be jaw-dropping if it weren’t for the fact that we all do it, all the time.

I don’t know that they always fell in love, exactly. Paris seldom let them spend that much time alone. But they were always drawn together. It was obvious, every time he put them in the same room, they were like”—Delalieu claps his hands—“magnets.” “You don’t understand, you don’t understand, you don’t understand,” he cries, shaking his head. “You think these recent events are everything. You think Aaron fell in love with your friend of several months, a rebel girl named Juliette. You don’t know. You don’t know. You don’t know that Aaron has been in love with Ella for the better part of his entire life. They’ve known each other since childhood.

I never rebel so much against France as not to regard Paris with a friendly eye; she has had my heart since my childhood.... I love her tenderly, even to her warts and her spots. I am French only by this great city: the glory of France, and one of the noblest ornaments of the world.

The problem is, it's just not enough to live according to the rules. Sure, you manage to live according to the rules. Sometimes it's tight, extremely tight, but on the whole you manage it. Your tax papers are up to date. Your bills paid on time. You never go out without your identity card (and the special little wallet for your Visa!). Yet you haven’t any friends. The rules are complex, multiform. There’s the shopping that needs doing out of working hours, the automatic dispensers where money has to be got (and where you so often have to wait). Above all there are the different payments you must make to the organizations that run different aspects of your life. You can fall ill into the bargain, which involves costs, and more formalities. Nevertheless, some free time remains. What’s to be done? How do you use your time? In dedicating yourself to helping people? But basically other people don’t interest you. Listening to records? That used to be a solution, but as the years go by you have to say that music moves you less and less. Taken in its widest sense, a spot of do-it-yourself can be a way out. But the fact is that nothing can halt the ever-increasing recurrence of those moments when your total isolation, the sensation of an all-consuming emptiness, the foreboding that your existence is nearing a painful and definitive end all combine to plunge you into a state of real suffering. And yet you haven’t always wanted to die. You have had a life. There have been moments when you were having a life. Of course you don't remember too much about it; but there are photographs to prove it. This was probably happening round about the time of your adolescence, or just after. How great your appetite for life was, then! Existence seemed so rich in new possibilities. You might become a pop singer, go off to Venezuela. More surprising still, you have had a childhood. Observe, now, a child of seven, playing with his little soldiers on the living room carpet. I want you to observe him closely. Since the divorce he no longer has a father. Only rarely does he see his mother, who occupies an important post in a cosmetics firm. And yet he plays with his little soldiers and the interest he takes in these representations of the world and of war seems very keen. He already lacks a bit of affection, that's for sure, but what an air he has of being interested in the world! You too, you took an interest in the world. That was long ago. I want you to cast your mind back to then. The domain of the rules was no longer enough for you; you were unable to live any longer in the domain of the rules; so you had to enter into the domain of the struggle. I ask you to go back to that precise moment. It was long ago, no? Cast your mind back: the water was cold.

Being in a foreign country means walking a tightrope high above the ground without the net afforded a person by the country where he has family, colleagues, and friends, and where he can easily say what he has to say in a language he has known since childhood.

I've retrained myself since childhood into a kind of diligent goodwill toward life. Life and I became friends some years ago - not the sort of exciting friendship I longed for as a child, but a kindly truce, a pleasure in coming home

I may have been able to keep myself distracted the last eight years, but the second my eyes locked with hers tonight, I was reminded of a truth I’d forgotten— she may not always be mine, but I will always be hers. It’s been 2,942 days since we last kissed, and I’ve belonged to her for all of them.

For every woman you know who has been given substandard treatment by her parents, used by her friend or boyfriend, abused by her husband, discriminated by her employers and ridiculed by society, I know a man who has been burdened with family responsibility since childhood, humiliated by his girlfriend, bullied by his employers, pushed by society and harassed by his wife. Everybody is fighting their own battle.

You think these recent events are everything. You think Aaron fell in love with your friend of several months, a rebel girl named Juliette. You don't know. You don't know. You don't know that Aaron has been in love with Ella for the better part of his entire life. They've known each other since childhood...….. The reason he had to keep wiping their memories was because it didn't matter how many times he reset the story or remade the introductions - Aaron always fell in love with her. Every time. - Delalieu

That poem was not by me. It is among the things which quite overpower me; I have never been able to read it without tears coming to my eyes; it sounds like a voice for which I have been waiting and waiting since childhood. The poem is by my friend Lou... She is as shrewd as an eagle and brave as a lion, and yet still a very girlish child, who perhaps will not live long.

What good is war, Blood Shrike?" The sadness etched into his face feels ancient, the sorrow of a Soul Catcher instead of the friend I've known since childhood. "How many have died because of a king's greed or a commander's pride? How much pain exists in the world because we cannot get past what has been done to us, because we insist on inflicting pain right back

My Childhood Home I See Again by Abraham Lincoln My childhood home I see again, And sadden with the view; And still, as memory crowds my brain, There's pleasure in it too. O Memory! thou midway world 'Twixt earth and paradise, Where things decayed and loved ones lost In dreamy shadows rise, And, freed from all that's earthly vile, Seem hallowed, pure, and bright, Like scenes in some enchanted isle All bathed in liquid light. As dusky mountains please the eye When twilight chases day; As bugle-notes that, passing by, In distance die away; As leaving some grand waterfall, We, lingering, list its roar-- So memory will hallow all We've known, but know no more. Near twenty years have passed away Since here I bid farewell To woods and fields, and scenes of play, And playmates loved so well. Where many were, but few remain Of old familiar things; But seeing them, to mind again The lost and absent brings. The friends I left that parting day, How changed, as time has sped! Young childhood grown, strong manhood gray, And half of all are dead. I hear the loved survivors tell How nought from death could save, Till every sound appears a knell, And every spot a grave. I range the fields with pensive tread, And pace the hollow rooms, And feel (companion of the dead) I'm living in the tombs.

I’m an old man, now. I’ve been alone since my 17th birthday. I’d wanted to marry, have a bunch of kids, and maybe be a grandpa. The big family around the Thanksgiving table, laughing and pouring wine and cracking jokes and harmlessly teasing the missus—I wanted that. I wanted to do something good with my life—something right. I didn’t want what happened to Danny, my best childhood friend, to be the only mark I’d ever make in this world. But I thought it best not to fancy such hopes and dreams: a family, love. I’d been cursed by my best friend, and I thought it right not to inflict that curse on anyone who’d be foolish enough to love me.

Long black hair and deep clean blue eyes and skin pale white and lips blood red she's small and thin and worn and damaged. She is standing there. What are you doing here? I was taking a walk and I saw you and I followed you. What do you want. I want you to stop. I breathe hard, stare hard, tense and coiled. There is still more tree for me to destroy I want that fucking tree. She smiles and she steps towards me, toward toward toward me, and she opens he r arms and I'm breathing hard staring hard tense and coiled she puts her arms around me with one hand not he back of my head and she pulls me into her arms and she holds me and she speaks. It's okay. I breathe hard, close my eyes, let myself be held. It's okay. Her voice calms me and her arms warm me and her smell lightens me and I can feel her heart beat and my heart slows and I stop shaking an the Fury melts into her safety an she holds me and she says. Okay. Okay. Okay. Something else comes and it makes me feel weak and scared and fragile and I don't want to be hurt and this feeling is the feeling I have when I know I can be hurt and hurt deeper and more terribly than anything physical and I always fight it and control it and stop it but her voice calms me and her arms warm me and her smell lightens me and I can feel her heart beat and if she let me go right now I would fall and the need and confusion and fear and regret and horror and shame and weakness and fragility are exposed to the soft strength of her open arms and her simple word okay and I start to cry. I start to cry. I want to cry. It comes in waves. THe waves roll deep and from deep the deep within me and I hold her and she holds me tighter and i let her and I let it and I let this and I have not felt this way this vulnerability or allowed myself to feel this way this vulnerability since I was ten years old and I don't know why I haven't and I don't know why I am now and I only know that I am and that it is scary terrifying frightening worse and better than anything I've ever felt crying in her arms just crying in her ams just crying. She guides me to the ground, but she doesn't let me go. THe Gates are open and thirteen years of addiction, violence, hell and their accompaniments are manifesting themselves in dense tears and heavy sobs and a shortness of breath and a profound sense of loss. THe loss inhabits, fills and overwhelms me. It is the loss of a childhood of being a Teeenager of normalcy of happiness of love of trust anon reason of God of Family of friends of future of potential of dignity of humanity of sanity f myself of everything everything everything. I lost everything and I am lost reduced to a mass of mourning, sadness, grief, anguish and heartache. I am lost. I have lost. Everything. Everything. It's wet and Lilly cradles me like a broken Child. My face and her shoulder and her shirt and her hair are wet with my tears. I slow down and I start to breathe slowly and deeply and her hair smells clean and I open my eyes because I want to see it an it is all that I can see. It is jet black almost blue and radiant with moisture. I want to touch it and I reach with one of my hands and I run my hand from the crown along her neck and her back to the base of her rib and it is a thin perfect sheer and I let it slowly drop from the tips of my fingers and when it is gone I miss it. I do it again and again and she lets me do it and she doesn't speak she just cradles me because I am broken. I am broken. Broken. THere is noise and voices and Lilly pulls me in tighter and tighter and I know I pull her in tighter and tighter and I can feel her heart beating and I know she can feel my heart beating and they are speaking our hearts are speaking a language wordless old unknowable and true and we're pulling and holding and the noise is closer and the voices louder and Lilly whispers. You're okay. You're okay. You're okay.

Iwait in the shadows. I’m used to the shadows. The shadows have been my friends since the systematic destruction of my childhood.

I have a lot of friends who are positive life isn't worth living without True Love Forever. They're always on the prowl and sulk against the gods when they go to a party and don't fall in love. Women, especially, engage themselves in ghastly self-inflicted tortures for which they've been primed since childhood. After all, historically it's always been dreadful for women, and the logic given them was "It's going to be dreadful so you may as well learn to enjoy it.

You’re my best friend’s kid sister, Ang. I’ve known you since you were eight.” He ducked his head, dragged his hands through his hair with all the frustration winding through him. “Christ, if your brother finds out, he’ll have my hide.

I wonder what it would be like to have something like that. Someone whom you could trust and call your friend since childhood. I have many good women whom I trust and call friends. But they are all recent finds. I don't have anything I've held on to since I was little.

One reason it is vital to respond to an infant's needs is trhat the baby feels it is the cause of its own neglect, although this is not a conscious thought. Such narcissistic feelings pave the road to an infant's psychological and physical growth; since the baby senses no boundaries between herself and her mother, she "believes" that her cries cause the mother to tend to her. And if the mother does not tend to her, the baby believes that she created her own rejection by not being lovable, not worthy of care. It's a belief that haunts one's life.

You could defend Ren’s codes. But you didn’t,” Yuan replies. “You wanted an excuse to talk about your source.” “But you said I don’t need defense from Ren Agnello.” Pico uses all its logic. “You said he passes the definitions of ‘friend’ and ‘trustworthy’ and ...” Pico begins a list of keywords. Yuan ignores the keywords. The thin lines on his forehead deepen, the wrinkles near his eyes tighten, and the frown in between his brows grows visible. These days, the word Source is coming frequently, ever since that man asked to meet. Don’t meet him. That monster has an agenda. Ren. Yuan’s CRAB forwards the text to his mind. So, he silences it. Why after two decades? Ren. It smells fishy. Ren. Just because he's a childhood buddy, you'll run to him? Ren. Maybe I didn’t see the Apocalypse with you, but I'm your war comrade, too. Ren. The texts stay unread in his CRAB.

Rather than look back on childhood, I always looked sideways on childhood. If to look back is tinted with a honeyed cinematography of nostalgia, to look sideways at childhood is tainted with a sicklier haze of envy, an envy that ate at me when I stayed for dinner with my white friend’s family or watched the parade of commercials and T.V. shows that made it clear what a child looked like and what kind of family they should grow up in. The scholar Kathyrn Bond Stockton writes, "The queer child grew up sideways, because queer life often defied the linear chronology of marriage and children". Stockton also describes children of color as growing sideways since their youth is likewise outside the model of an enshrined white child. But for myself it is more accurate to say that i looked sideways at childhood… to look sideways has another connotation - giving side eyes telegraphs doubt, suspicion, and even contempt.

Though she wonders now if friends was ever the right word for the women she met at university. She never managed to match her speech to the cadence of theirs, never quite correctly timed a joke or a laugh. It’s a feeling she’s had since childhood: that she is somehow separate, closed off from everyone else.

Inside each man, though he did not know it, nor ever considered it, was the image of the woman he someday must love. Whether she was composed of all the music he had ever heard or all the trees he had ever seen or all the friends of his childhood, certainly no one could tell. Whether the eyes were his mother's, and the chin that of a girl cousin swimming in a summer lake twenty-five years ago, this was unknowable also. But most men carried this image, like a locket, like a pearl-cameo, in their head a lifetime, taking it out only rarely, taking it never, after marriage, afraid then to compare it to the reality. And most men never saw the woman they would love anywhere, in the dark theatre, in a book, or passing on the street. They saw her only after midnight when the city was asleep and the pillow was cool under their heads. And she was a composite of all dreams and all women and every moonlit night since the calendar began

My friend Naomi described [depression and anxiety] this way: "Since my early childhood, I have faced a constant battle with feelings of hopelessness, darkness, loneliness, and fear and the sense that I am broken or defective. I did everything to hide my pain and to never give the impression that I was anything but thriving and strong.

No, that was not right either. We were not in a house at all, but in the forest. We had snuck away with each other to an evergreen forest, two daughters of the shtetl, friends since childhood. We had snuck away in the dark of night so that we could have the whole forest floor to ourselves to make love. We had just fucked. We had fucked each other in our skirts. We had fucked each other in mutual desire and now we were lying on the forest floor curled up together, two girls in pine needles, under starlight. This was the definition of holy. Tell the village matchmaker not to bother with us. Here in the forest there was no potato smell, no porgroms. Only the scent of evergreens.

He closed his eyes. This bed was a wedding gift from friends he had not seen in years. He tried to remember their names, but they were gone. In it, or on it, his marriage had begun and, six years later, ended. He recognized a musical creak when he moved his legs, he smelled Julie on the sheets and banked-up pillows, her perfume and the close, soapy essence that characterized her newly washed linen. Here he had taken part in the longest, most revealing, and, later, most desolate conversations of his life. He had had the best sex ever here, and the worst wakeful nights. He had done more reading here than in any other single place - he remembered Anna Karenina and Daniel Deronda in one week of illness. He had never lost his temper so thoroughly anywhere else, nor had been so tender, protective, comforting, nor, since early childhood, been so cared for himself. Here his daughter had been conceived and born. On this side of the bed. Deep in the mattress were the traces of pee from her early-morning visits. She used to climb between then, sleep a little, then wake them with her chatter, her insistence on the day beginning. As they clung to their last fragments of dreams, she demanded the impossible: stories, poems, songs, invented catechisms, physical combat, tickling. Nearly all evidence of her existence, apart from photographs, they had destroyed or given away. All the worst and the best things that had ever happened to him had happened here. This was where he belonged. Beyond all immediate considerations, like the fact that his marriage was more or less finished, there was his right to lie here now in the marriage bed.

He had thought he knew Dumbledore quite well, but ever since reading this obituary he had been forced to recognize that he had barely known him at all. Never once had he imagined Dumbledore’s childhood or youth; it was as though he had sprung into being as Harry had known him, venerable and silver-haired and old. The idea of a teenage Dumbledore was simply odd, like trying to imagine a stupid Hermione or a friendly Blast-Ended Skrewt.

I was amongst them – the first female pilot who had got admission to the Sturmoviks…Since my childhood I’d been lucky enough to meet good people. Wherever I studied, wherever I worked I would meet loyal friends, kind-hearted tutors. I was trained at the factory school by the old craftsman Goubanov, I was assisted by the engineer Aliev, who was the shift boss, in my transfer to the most important sector of operations – the tunnel. I was trained by the superb instructor Miroevskiy in the aeroclub, the secretary of the Ulyanovsk District Comsomol Committee gave me a hand at a very hard moment of my life, then there was Maria Borek from Leningrad, the Secretary of the Smolensk District Comsomol Committee, the Commissar of the Smolensk aeroclub…Was it really possible to count all those who had warmed my soul with their sympathy and human kindness and helped me to realize my dream!

Inside each man, though he did not know it, nor ever considered it, was the image of the woman he someday must love. Whether she was composed of all the music he had ever heard or all the trees he had ever seen or all the friends of his childhood, certainly no one could tell. Whether the eyes were his mother's, and the chin that of a girl cousin swimming in a summer lake twenty-five years ago, this was unknowable also. But most men carried this image, like a locket, like a pearl-cameo, in their head a lifetime, taking it out only rarely, taking it never, after marriage, afraid then to compare it to the reality. And most men never saw the woman they would love anywhere, in the dark theatre, in a book, or passing on the street. They saw her only after midnight when the city was asleep and the pillow was cool under their heads. And she was a composite of all dreams and all women and every moonlit night since the calendar began.

Yevgeny Dvoskin – Brighton Beach mobster who became one of Russia’s most notorious ‘shadow bankers’ after moving back to Moscow with his uncle, Ivankov, joining forces with the Russian security services to funnel tens of billions of dollars in ‘black cash’ into the West. Felix Sater – Dvoskin’s best friend since childhood. Became a key business partner of the Trump Organization, developing a string of properties for Trump, all the while retaining high-level contacts in Russian intelligence.

You think these recent events are everything. You think Aaron fell in love with your friend of several months, a rebel girl named Juliette. You don't know. You don't know. You don't know that Aaron has been in love with Ella for the better part of his entire life. They've known each other since childhood...…..The reason he had to keep wiping their memories was because it didn't matter how many times he reset the story or remade the introductions - Aaron always fell in love with her. Every time.

This looks wonderful, girls," Mama said. "Your father is going to be so surprised. You know how much he loves your krumkaker." "Crumbs cake-r." Anna tried hard to say the word, but she never could. "Crumb cake?" Mama and Elsa laughed. "Krumkaker," Mama said, the word rolling off her tongue smoothly. "I've been using this recipe since I was your age. I used to bake these with my best friend." "That's where you learned to bake with love," Anna said. "Yes, I did," Mama agreed, fixing Anna's right pigtail.

He reached out and took her hand, wrapping it tightly in both of his. “Look, Vi, I don’t know exactly how to say this, but I don’t want anything bad to happen to you. I don’t think I could handle it if something, or someone, hurt you.” The tone of his voice was still immovable and stubborn, despite the sweet sentiment lurking behind it. He squeezed her hand, though . . . firmly, as if emphasizing his point. “I know it’s selfish, and I don’t really care if it is, but I’m not gonna stand by and let you put yourself in danger, even if it is to catch a killer.” He eased up on her throbbing fingers, and his voice got all husky and rough again. “I can’t lose you,” he explained, shrugging as if those weren’t the most wonderful words she’d ever heard before. “Not now that I finally have you.” She felt years pricking in her eyes, and she blinked hard to try to stop them from coming. She was completely overwhelmed by what she’d just figured out . . . she’d realized it even before he finished talked. She knew what it was that he wasn’t saying while he lectured her about safety. He loved her. Jay Heaton, her best friend since childhood, was in love with her. He didn’t say it, but she knew that it was true. And the part that really freaked her out, the part of it that caught her completely off guard, was that he wasn’t in it alone. Because even though she’d been denying it for a long, long time, it had always been there . . . waiting just beneath the surface of their friendship. And now that it was out, there was no going back. And it was so weird to even be thinking it, but . . . . . . she was in love with him too.

She was suddenly self-conscious of the fact that she and Jay were on the bed together, even though they'd been there, together like that, hundreds, maybe even thousands, of times before. And it had never bothered her then, when they were still just friends; but somehow with her father just a few feet away, especially right after they'd been making out, she felt like they were doing something wrong. "We're fine, Dad!" she called back, trying to sound cool and composed. And then she glared at Jay for his part in making her shout to begin with. They listened to the sound of her father walking away, and Violet noticed that even his footsteps were soft and unobtrusive. There was a long silence once they were alone again. Words that needed to be said, and maybe some that didn't, were like invisible fireworks exploding in the empty space between them. Jay was the first to give in. He reached out and took her hand, wrapping it tightly in both of his. "Look, Vi, I don't know exactly how to say this, but I don't want anything bad to happen to you. I don't think I could handle it if something, or someone, hurt you." The tone of his voice was still immovable and stubborn, despite the sweet sentiment lurking behind it. He squeezed her hand, though...firmly, as if emphasizing his point. "I know it's selfish, and I don't really care if it is, but I'm not gonna stand by and let you put yourself in danger, even if it is to catch a killer." He eased up on her throbbing fingers, and his voice got all husky and rough again. "I can't lose you," he explained, shrugging as if those weren't the most wonderful words she'd ever heard before. "Not now that I finally have you." She felt tears prickling in her eyes, and she blinked hard to try to stop them from coming. She was completely overwhelmed by what she'd just figured out...she'd realized it even before he'd finished talking. She knew what it was that he wasn't saying while he lectured her about safety. He loved her. Jay Heaton, her best friend since childhood, was in love with her. He didn't say it, but she knew that it was true. And the part that really freaked her out, the part of it that caught her completely off guard, was that he wasn't in it alone. Because even though she'd been denying it for a long long time, it had always been there...waiting just beneath the surface of their friendship. And now that it was out, there was no going back. And it was so weird to even be thinking it, but... ...she was in love with him too.

Contrary to her sister-in-law Janie’s claims, Celia hadn’t been in love with Kyle Gilchrist since her childhood—she’d simply loved to annoy him. ... Armed with childish logic, Celia made it her mission to get under Kyle’s skin as often as possible. She’d drawn hearts emblazoned with her name on every one of his school notebooks. He’d retaliated by stringing up her My Little Pony collection from a tree. She’d pushed him into the stock tank. He’d held her down and tickled her until she peed her pants. She’d put a snapping turtle in his gym bag. He’d tied her to the tire swing and spun her until she puked. All harmless pranks that demanded retaliation.

Tukum is at times forgetful about his pigs, being readily distracted by other children, dragonflies, puddles of water, and wild foods. Nevertheless, Tukem is a very proud little boy, and since his nami lives Lukigin, where his mother has already gone, he has decided to go away for good. This morning he put on his thin neck the cowrie collar with its brief string of shells which is his sole belonging, he smeared his body with pig grease until it shone, in order to make a fine impression at Lukigin....Then he set off alone on the long journey in the sun across the woods and fields, a small brown figure with a flat head and pot belly. His back was turned on Wuperainma, his pigs and his friends, his childhood, and he clutched a frail stick in his hand.

It's almost like he's trying to protect me. He hasn't done this since fifth grade, when the most popular, richest, and prettiest girl (seriously, where is the justice in the world?) in the year below us, Minami Vu, made fun of my overalls. "Those are so last year," she'd sneered, with her perfect button nose pointing up in the air. Her mother is a venture capitalist, and Minami always wears the latest styles before they even started trending on Instagram. I'd been proud of my green corduroy overalls. Hell, I didn't even know overalls had a year. But Jack loudly commented, "I like overalls. They look good on you, Ellie." Then he'd shifted in front of me, facing the girl, and she flushed all red. The following week, she wore the exact same green corduroy overalls to school. For some reason, he never complimented her on them.

If the queen catches you in here again, Princess, she'll sentence you to do the dishes right alongside me! she heard another voice ring out. No one was there, but Snow knew the voice. It was Mrs. Kindred, the cook who had survived her aunt's dismissals over the years. When Snow's mother was alive, she'd encouraged her daughter to be friendly with those who helped them in the castle, and Mrs. Kindred had always been Snow's favorite person to chat with. She could see herself sitting on a chair, no more than six or seven, watching Mrs. Kindred chop onions, carrots, and leeks and throw them all into a giant pot of broth. She and Mrs. Kindred only stole a few moments together most days now- she suspected her aunt must have forbidden the cook from talking to her, what with how Mrs. Kindred always quickly sent Snow on her way- but back then she had always peppered the cook with questions. ("How do you cut the carrots so small? Why do leeks have sand in them? What spices are you going to add? How do you know how much to put in?") On one such occasion, she'd been such a distraction that Mrs. Kindred had finally picked her up, holding her high on her broad chest, and let her stir the pot herself. Eventually, she taught her how to dice and chop, too, since Snow wouldn't stop talking. By suppertime, young Snow had convinced herself she'd made the whole meal. She had been proud, too, carrying the dishes out to the dining table that night.

When someone is judging you, it's unlikely that their judgment is actually about you. As I see it, we're all carrying around a bunch of suitcases. We have our insecurities suitcase. We have our stress suitcase. We have our guilt and our worries suitcases. Some suitcases we might have been carrying since our childhood, stories we were told about who we are that aren't even true. They're fiction that we were handed, picked up, believed, and still carry. Sometimes a person comes along with one of their suitcases, with their issues all packed up and ready to go, and they try to hand it to us. Do not pick up that suitcase! Do not pick it up! Because if you pick up their suitcase, you will be up all night, worrying if what they said about you is true, stressing yourself out, questioning yourself, getting bitter, and feeding your insecurities. Over a suitcase that never belonged to you in the first place. So if people keep trying to hand off their suitcases to you like you're a bellhop, you might need to break up with them the same way you would break off an unhealthy relationship with an emotionally abusive boyfriend. And as you go through life, trying to figure out how to ferry around those suitcases that do belong to you (and we all have our own stuff . . . the stuffiest of stuffs!), don't try to hand those off to someone else as a way to try to get rid of your pain. Instead, sit down with a friend or a great therapist and have a big, nonjudgmental "let's unpack these suitcases together" session.

We are born with a powerful energy that is distinctly human. We can call it willpower, assertiveness, or even aggression, but it is mixed with our intelligence and cleverness. It was revealed to us in its purest state in childhood. This energy made us bold and adventurous, not only physically but mentally, wanting to explore ideas and soak up knowledge. It made us actively search for friends with whom we could explore together. It also made us rather relentless when it came to solving problems or getting what we wanted. (Children can often be bold in what they ask for.) It made us open to the world and to new experiences. And if we felt frustrated and helpless for long enough periods of time, this same energy could make us unusually combative. As we get older and we encounter mounting frustrations, resistance from others, and feelings of impatience for power, some among us may become chronically aggressive. But another phenomenon is even more common: we become uncomfortable with and even frightened of that assertive energy within, and our own potential for aggressive behavior. Being assertive and adventurous could lead to some failed action, making us feel exposed and vulnerable. If we express this energy too much, people may not like us. We could stir up conflict. Perhaps our parents induced in us as well some shame for our aggressive outbursts. In any event, we may come to view the aggressive part of the self as dangerous. But since this energy cannot disappear, it turns inward, and we create what the great English psychoanalyst Ronald Fairbairn called the internal saboteur.

With a scowl, he turned from the window, but it was too late. The sight of Lady Celia crossing the courtyard dressed in some rich fabric had already stirred his blood. She never wore such fetching clothes; generally her lithe figure was shrouded in smocks to protect her workaday gowns from powder smudges while she practiced her target shooting. But this morning, in that lemon-colored gown, with her hair finely arranged and a jeweled bracelet on her delicate wrist, she was summer on a dreary winter day, sunshine in the bleak of night, music in the still silence of a deserted concert hall. And he was a fool. "I can see how you might find her maddening," Masters said in a low voice. Jackson stiffened. "Your wife?" he said, deliberately being obtuse. "Lady Celia." Hell and blazes. He'd obviously let his feelings show. He'd spent his childhood learning to keep them hidden so the other children wouldn't see how their epithets wounded him, and he'd refined that talent as an investigator who knew the value of an unemotional demeanor. He drew on that talent as he faced the barrister. "Anyone would find her maddening. She's reckless and spoiled and liable to give her husband grief at every turn." When she wasn't tempting him to madness. Masters raised an eyebrow. "Yet you often watch her. Have you any interest there?" Jackson forced a shrug. "Certainly not. You'll have to find another way to inherit your new bride's fortune." He'd hoped to prick Masters's pride and thus change the subject, but Masters laughed. "You, marry my sister-in-law? That, I'd like to see. Aside from the fact that her grandmother would never approve, Lady Celia hates you." She did indeed. The chit had taken an instant dislike to him when he'd interfered in an impromptu shooting match she'd been participating in with her brother and his friends at a public park. That should have set him on his guard right then. A pity it hadn't. Because even if she didn't despise him and weren't miles above him in rank, she'd never make him a good wife. She was young and indulged, not the sort of female to make do on a Bow Street Runner's salary. But she'll be an heiress once she marries. He gritted his teeth. That only made matters worse. She would assume he was marrying her for her inheritance. So would everyone else. And his pride chafed at that. Dirty bastard. Son of shame. Whoreson. Love-brat. He'd been called them all as a boy. Later, as he'd moved up at Bow Street, those who resented his rapid advancement had called him a baseborn upstart. He wasn't about to add money-grubbing fortune hunter to the list. "Besides," Masters went on, "you may not realize this, since you haven't been around much these past few weeks, but Minerva claims that Celia has her eye on three very eligible potential suitors." Jackson's startled gaze shot to him. Suitors? The word who was on his lips when the door opened and Stoneville entered. The rest of the family followed, leaving Jackson to force a smile and exchange pleasantries as they settled into seats about the table, but his mind kept running over Masters's words. Lady Celia had suitors. Eligible ones. Good-that was good. He needn't worry about himself around her anymore. She was now out of his reach, thank God. Not that she was ever in his reach, but- "Have you got any news?" Stoneville asked. Jackson started. "Yes." He took a steadying breath and forced his mine to the matter at hand.

You were raised with a very special status in Tibet. You must have come to this recognition of oneness over time.” “Yes, I have grown in my wisdom from study and experience. When I first went to Peking, now Beijing, to meet Chinese leaders, and also in 1956 when I came to India and met some Indian leaders, there was too much formality, so I felt nervous. So now, when I meet people, I do it on a human-to-human level, no need for formality. I really hate formality. When we are born, there is no formality. When we die, there is no formality. When we enter hospital, there is no formality. So formality is just artificial. It just creates additional barriers. So irrespective of our beliefs, we are all the same human beings. We all want a happy life.” I couldn’t help wondering if the Dalai Lama’s dislike of formality had to do with having spent his childhood in a gilded cage. “Was it only when you went into exile,” I asked, “that the formality ended?” “Yes, that’s right. So sometimes I say, Since I became a refugee, I have been liberated from the prison of formality. So I became much closer to reality. That’s much better. I often tease my Japanese friends that there is too much formality in their cultural etiquette. Sometimes when we discuss something, they always respond like this.” The Dalai Lama vigorously nodded his head. “So whether they agree or disagree, I cannot tell. The worst thing is the formal lunches. I always tease them that the meal looks like decoration, not like food. Everything is very beautiful, but very small portions! I don’t care about formality, so I ask them, more rice, more rice. Too much formality, then you are left with a very little portion, which is maybe good for a bird.” He was scooping up the last bits of dessert.

Then one evening he reached the last chapter, and then the last page, the last verse. And there it was! That unforgivable and unfathomable misprint that had caused the owner of the books to order them to be pulped. Now Bosse handed a copy to each of them sitting round the table, and they thumbed through to the very last verse, and one by one burst out laughing. Bosse was happy enough to find the misprint. He had no interest in finding out how it got there. He had satisfied his curiosity, and in the process had read his first book since his schooldays, and even got a bit religious while he was at it. Not that Bosse allowed God to have any opinion about Bellringer Farm’s business enterprise, nor did he allow the Lord to be present when he filed his tax return, but – in other respects – Bosse now placed his life in the hands of the Father, the Son and the Holy Spirit. And surely none of them would worry about the fact that he set up his stall at markets on Saturdays and sold bibles with a tiny misprint in them? (‘Only ninety-nine crowns each! Jesus! What a bargain!’) But if Bosse had cared, and if, against all odds, he had managed to get to the bottom of it, then after what he had told his friends, he would have continued: A typesetter in a Rotterdam suburb had been through a personal crisis. Several years earlier, he had been recruited by Jehovah’s Witnesses but they had thrown him out when he discovered, and questioned rather too loudly, the fact that the congregation had predicted the return of Jesus on no less than fourteen occasions between 1799 and 1980 – and sensationally managed to get it wrong all fourteen times. Upon which, the typesetter had joined the Pentecostal Church; he liked their teachings about the Last Judgment, he could embrace the idea of God’s final victory over evil, the return of Jesus (without their actually naming a date) and how most of the people from the typesetter’s childhood including his own father, would burn in hell. But this new congregation sent him packing too. A whole month’s collections had gone astray while in the care of the typesetter. He had sworn by all that was holy that the disappearance had nothing to do with him. Besides, shouldn’t Christians forgive? And what choice did he have when his car broke down and he needed a new one to keep his job? As bitter as bile, the typesetter started the layout for that day’s jobs, which ironically happened to consist of printing two thousand bibles! And besides, it was an order from Sweden where as far as the typesetter knew, his father still lived after having abandoned his family when the typesetter was six years old. With tears in his eyes, the typesetter set the text of chapter upon chapter. When he came to the very last chapter – the Book of Revelation – he just lost it. How could Jesus ever want to come back to Earth? Here where Evil had once and for all conquered Good, so what was the point of anything? And the Bible… It was just a joke! So it came about that the typesetter with the shattered nerves made a little addition to the very last verse in the very last chapter in the Swedish bible that was just about to be printed. The typesetter didn’t remember much of his father’s tongue, but he could at least recall a nursery rhyme that was well suited in the context. Thus the bible’s last two verses plus the typesetter’s extra verse were printed as: 20. He who testifies to these things says, Surely I am coming quickly. Amen. Even so, come, Lord Jesus!21. The grace of our Lord Jesus Christ be with you all. Amen.22. And they all lived happily ever after.

She hadn’t lived since her childhood either. Why had she not contracted the mark back then and died with her mother? If this was to be the end, it should have come sooner. It might have spared her years of misery and loneliness. And she was so very alone. As she lay staring at the raftered ceiling, she knew more keenly than ever how alone she was. The rest of the staff, tucked safely away inside the inn or the stable loft, slept peacefully oblivious to her midnight turmoil. No one would come looking for her. No one would care when she died. In an instant, her panting breaths twisted into feeble laughter. She was alone, just as she always had been, and fighting against things she had no power to overcome. Everything had changed, but nothing had changed at all. The laughter grew in strength until she gasped, on the verge of hysterics. It didn’t matter whether she was alone or surrounded by scores of friends and loved ones. She would die either way. That naked truth infused her with a blissful, ludicrous peace. Death was the one constant of the deathmark, the one thing she could count on. For Nell, who had lived her whole life trying to protect herself, who had never been able to count on anyone or anything, that realization was most liberating. She would die. But she wasn’t dead yet. The events of her life fluttered through her mind—her distant, naïve childhood, the bleak orphanage, the years at Baker’s Inn. She had wasted time catering to fear. She had been timid, docile, no better than a mule. She had done everything in her power to protect herself from ridicule and punishment, but where had that caution brought her? Sentenced to death, with a million regrets piled on her shoulders. “No more.” She forced those words through her lips, determination etched between her brows. “I will fear no more.” Spoken aloud, the oath seemed binding. Death would come—she had no power to stop it—but until the day it collected her, she would live as she saw fit.

In other words, you'll pretend to be someone else in order to snag a husband." "Oh, for heaven's sake," she said defensively, "it's no different than what half the women in society do to catch a man. I don't want to waste my time in pointless flirtation when a little knowledge will improve my aim on the targets." He flashed her a condescending smile. "What is it?" she snapped. "Only you would approach courtship as a marksman approaches a shooting match." He licked the tip of his pencil. "So who are these hapless targets?" "The Earl of Devonmont, the Duke of Lyons, and Fernandez Valdez, the Viscount de Basto." His jaw dropped. "Are you insane?" "I know they're rather beyond my reach, but they seem to like my company-" "I daresay they do!" He strode up to her, strangely angry. "The earl is a rakehell with a notorious reputation for trying to get beneath the skirts of every woman he meets. The duke's father was mad, and it's said to run in his family, which is why most women steer clear of him. And Basto is a Portuguese idiot who's too old for you and clearly trawling for some sweet young thing to nurse him in his declining years." "How can you say such things? The only one you know personally is Lord Devonmont, and you barely know even him." "I don't have to. Their reputations tell me they're utterly unacceptable." Unacceptable? Three of the most eligible bachelors in London? Mr. Pinter was mad, not her. "Lord Devonmont is Gabe's wife's cousin. The duke of Gabe's best friend, whom I've known since childhood, and the viscount...well..." "Is an oily sort, from what I hear," he snapped. "No, he isn't. He's very pleasant to talk to." Really, this was the most ridiculous conversation. "Who the devil do you think I should marry, anyway?" That seemed to take him aback. He glanced away. "I don't know," he muttered. "But no...That is, you shouldn't..." He tugged at his cravat. "They're wrong for you, that's all." She'd flustered Mr. Pinter. How astonishing! He was never flustered. It made him look vulnerable and much less...stiff. She rather liked that. But she'd like it even better if she understood what had provoked it. "Why do you care whom I choose, as long as you're paid? I'm wiling to pay extra to ensure that you find out everything I want to know." Once more he turned into Proud Pinter. "It isn't a matter of payment, madam. I choose my own assignments, and this one isn't to my taste. Good day," Turning on his heel, he headed for the door. Oh, dear, she hadn't meant to run him off entirely.

But there were problems. After the movie came out I couldn’t go to a tournament without being surrounded by fans asking for autographs. Instead of focusing on chess positions, I was pulled into the image of myself as a celebrity. Since childhood I had treasured the sublime study of chess, the swim through ever-deepening layers of complexity. I could spend hours at a chessboard and stand up from the experience on fire with insight about chess, basketball, the ocean, psychology, love, art. The game was exhilarating and also spiritually calming. It centered me. Chess was my friend. Then, suddenly, the game became alien and disquieting. I recall one tournament in Las Vegas: I was a young International Master in a field of a thousand competitors including twenty-six strong Grandmasters from around the world. As an up-and-coming player, I had huge respect for the great sages around me. I had studied their masterpieces for hundreds of hours and was awed by the artistry of these men. Before first-round play began I was seated at my board, deep in thought about my opening preparation, when the public address system announced that the subject of Searching for Bobby Fischer was at the event. A tournament director placed a poster of the movie next to my table, and immediately a sea of fans surged around the ropes separating the top boards from the audience. As the games progressed, when I rose to clear my mind young girls gave me their phone numbers and asked me to autograph their stomachs or legs. This might sound like a dream for a seventeen-year-old boy, and I won’t deny enjoying the attention, but professionally it was a nightmare. My game began to unravel. I caught myself thinking about how I looked thinking instead of losing myself in thought. The Grandmasters, my elders, were ignored and scowled at me. Some of them treated me like a pariah. I had won eight national championships and had more fans, public support and recognition than I could dream of, but none of this was helping my search for excellence, let alone for happiness. At a young age I came to know that there is something profoundly hollow about the nature of fame. I had spent my life devoted to artistic growth and was used to the sweaty-palmed sense of contentment one gets after many hours of intense reflection. This peaceful feeling had nothing to do with external adulation, and I yearned for a return to that innocent, fertile time. I missed just being a student of the game, but there was no escaping the spotlight. I found myself dreading chess, miserable before leaving for tournaments. I played without inspiration and was invited to appear on television shows. I smiled.

Moreover, Nancy Sinatra was afflicted, as the overwhelming majority of Americans were, with monolingualism. Lana’s richer, more textured version of “Bang Bang” layered English with French and Vietnamese. Bang bang, je ne l’oublierai pas went the last line of the French version, which was echoed by Pham Duy’s Vietnamese version, We will never forget. In the pantheon of classic pop songs from Saigon, this tricolor rendition was one of the most memorable, masterfully weaving together love and violence in the enigmatic story of two lovers who, regardless of having known each other since childhood, or because of knowing each other since childhood, shoot each other down. Bang bang was the sound of memory’s pistol firing into our heads, for we could not forget love, we could not forget war, we could not forget lovers, we could not forget enemies, we could not forget home, and we could not forget Saigon. We could not forget the caramel flavor of iced coffee with coarse sugar; the bowls of noodle soup eaten while squatting on the sidewalk; the strumming of a friend’s guitar while we swayed on hammocks under coconut trees; the football matches played barefoot and shirtless in alleys, squares, parks, and meadows; the pearl chokers of morning mist draped around the mountains; the labial moistness of oysters shucked on a gritty beach; the whisper of a dewy lover saying the most seductive words in our language, anh oi; the rattle of rice being threshed; the workingmen who slept in their cyclos on the streets, kept warm only by the memories of their families; the refugees who slept on every sidewalk of every city; the slow burning of patient mosquito coils; the sweetness and firmness of a mango plucked fresh from its tree; the girls who refused to talk to us and who we only pined for more; the men who had died or disappeared; the streets and homes blown away by bombshells; the streams where we swam naked and laughing; the secret grove where we spied on the nymphs who bathed and splashed with the innocence of the birds; the shadows cast by candlelight on the walls of wattled huts; the atonal tinkle of cowbells on mud roads and country paths; the barking of a hungry dog in an abandoned village; the appetizing reek of the fresh durian one wept to eat; the sight and sound of orphans howling by the dead bodies of their mothers and fathers; the stickiness of one’s shirt by afternoon, the stickiness of one’s lover by the end of lovemaking, the stickiness of our situations; the frantic squealing of pigs running for their lives as villagers gave chase; the hills afire with sunset; the crowned head of dawn rising from the sheets of the sea; the hot grasp of our mother’s hand; and while the list could go on and on and on, the point was simply this: the most important thing we could never forget was that we could never forget.

A little deeper was a fear of falling in love without reservation, of committing herself to someone who might then be snatched from her. Or simply leave her. But if you never really fall in love, you can never really miss it. (She did not dwell on this sentiment, dimly aware that it did not ring quite true.) Also, if she never really fell in love with someone, she could never really betray him, as in her heart of hearts she felt that her mother had betrayed her long-dead father. She still missed him terribly. With Ken it seemed to be different. Or had her expectations been gradually compromised over the years? Unlike many other men she could think of, when challenged or stressed Ken displayed a gentler, more compassionate side. His tendency to compromise and his skill in scientific politics were part of the accoutrements of his job; but underneath she felt she had glimpsed something solid. She respected him for the way he had integrated science into the whole of his life, and for the courageous support for science that he had tried to inculcate into two administrations. They had, as discreetly as possible, been staying together, more or less, in her small apartment at Argus. Their conversations were a joy, with ideas flying back and forth like shuttlecocks. Sometimes they responded to each other’s uncompleted thoughts with almost perfect foreknowledge. He was a considerate and inventive lover. And anyway, she liked his pheromones. She was sometimes amazed at what she was able to do and say in his presence, because of their love. She came to admire him so much that his love for her affected her own self-esteem: She liked herself better because of him. And since he clearly felt the same, there was a kind of infinite regress of love and respect underlying their relationship. At least, that was how she described it to herself. In the presence of so many of her friends, she had felt an undercurrent of loneliness. With Ken, it was gone. She was comfortable describing to him her reveries, snatches of memories, childhood embarrassments. And he was not merely interested but fascinated. He would question her for hours about her childhood. His questions were always direct, sometimes probing, but without exception gentle. She began to understand why lovers talk baby talk to one another. There was no other socially acceptable circumstance in which the children inside her were permitted to come out. If the one-year-old, the five-year-old, the twelve-year-old, and the twenty-year-old all find compatible personalities in the beloved, there is a real chance to keep all of these sub-personas happy. Love ends their long loneliness. Perhaps the depth of love can be calibrated by the number of different selves that are actively involved in a given relationship. With her previous partners, it seemed, at most one of these selves was able to find a compatible opposite number; the other personas were grumpy hangers-on.

Moreover, Nancy Sinatra was afflicted, as the overwhelming majority of Americans were, with monolingualism. Lana’s richer, more textured version of “Bang Bang” layered English with French and Vietnamese. Bang bang, je ne l’oublierai pas went the last line of the French version, which was echoed by Pham Duy’s Vietnamese version, We will never forget. In the pantheon of classic pop songs from Saigon, this tricolor rendition was one of the most memorable, masterfully weaving together love and violence in the enigmatic story of two lovers who, regardless of having known each other since childhood, or because of knowing each other since childhood, shoot each other down. Bang bang was the sound of memory’s pistol firing into our heads, for we could not forget love, we could not forget war, we could not forget lovers, we could not forget enemies, we could not forget home, and we could not forget Saigon. We could not forget the caramel flavor of iced coffee with coarse sugar; the bowls of noodle soup eaten while squatting on the sidewalk; the strumming of a friend’s guitar while we swayed on hammocks under coconut trees; the football matches played barefoot and shirtless in alleys, squares, parks, and meadows; the pearl chokers of morning mist draped around the mountains; the labial moistness of oysters shucked on a gritty beach; the whisper of a dewy lover saying the most seductive words in our language, anh oi; the rattle of rice being threshed; the workingmen who slept in their cyclos on the streets, kept warm only by the memories of their families; the refugees who slept on every sidewalk of every city; the slow burning of patient mosquito coils; the sweetness and firmness of a mango plucked fresh from its tree; the girls who refused to talk to us and who we only pined for more; the men who had died or disappeared; the streets and homes blown away by bombshells; the streams where we swam naked and laughing; the secret grove where we spied on the nymphs who bathed and splashed with the innocence of the birds; the shadows cast by candlelight on the walls of wattled huts; the atonal tinkle of cowbells on mud roads and country paths; the barking of a hungry dog in an abandoned village; the appetizing reek of the fresh durian one wept to eat; the sight and sound of orphans howling by the dead bodies of their mothers and fathers; the stickiness of one’s shirt by afternoon, the stickiness of one’s lover by the end of lovemaking, the stickiness of our situations; the frantic squealing of pigs running for their lives as villagers gave chase; the hills afire with sunset; the crowned head of dawn rising from the sheets of the sea; the hot grasp of our mother’s hand; and while the list could go on and on and on, the point was simply this: the most important thing we could never forget was that we could never forget. When Lana was finished, the audience clapped, whistled, and stomped, but I sat silent and stunned as she bowed and gracefully withdrew, so disarmed I could not even applaud.

I remind my readers that I am addressing white people at the societal level. I have friends who are black and whom I love deeply. I do not have to suppress feelings of hatred and contempt as I sit with them; I see their humanity. But on the macro level, I also recognize the deep anti-black feelings that have been inculcated in me since childhood. These feelings surface immediately—in fact, before I can even think—when I conceptualize black people in general. The sentiments arise when I pass black strangers on the street, see stereotypical depictions of black people in the media, and hear the thinly veiled warnings and jokes passed between white people. These are the deeper feelings that I need to be willing to examine, for these feelings can and do seep out without my awareness and hurt those whom I love.

Fearful-Avoidant will: • Often demonstrate ongoing ambivalence in relationships—they constantly shift between being vulnerable with their partner and being distant. This behavior is consistent across all their relationships, regardless of whether they are romantic. • Generally express depth of processing—a tendency to overanalyze microexpressions, body language, and language for signs of betrayal. This occurs because they had an untrusting relationship with their caregivers in childhood. Living with a parent who is an addict or emotionally unwell are two examples of what may create this distrust. • Not trust naturally • Often feel as if betrayal is always on the horizon The core wounds for this attachment style revolve around feeling unworthy, being taken advantage of, and feeling unsafe. Why is the Fearful-Avoidant individual so unpredictable? Their core wounds and tumultuous behavior typically stem from some form of childhood abuse. However, this abuse is paired with one or both parents also being emotionally supportive at infrequent times. This combination creates an innate sense of distrust and confusion, and Fearful-Avoidants learn to expect betrayal while also craving love. It also becomes quite difficult for the Fearful-Avoidant to learn a strategy for attaching or bonding to caregivers because of the level of inconsistency. Moreover, since they perceived love as a chaotic entity from a young age, they tend to have immense internal conflict as adults. They simultaneously want to feel a sense of connection while subconsciously believing it to be a threat. This produces feelings of resentment or frustration that can be later projected onto relationships. Ultimately, the Fearful-Avoidant shows up in their relationships as a loving partner, and then will become frightened and pull away when they become vulnerable. To be in a successful relationship with a Fearful-Avoidant, the partner or friend must provide a deep connection in a consistent way. This means openness and respect for boundaries, paired with constant reassurance.

The core wounds for this attachment style revolve around feeling unworthy, being taken advantage of, and feeling unsafe. Why is the Fearful-Avoidant individual so unpredictable? Their core wounds and tumultuous behavior typically stem from some form of childhood abuse. However, this abuse is paired with one or both parents also being emotionally supportive at infrequent times. This combination creates an innate sense of distrust and confusion, and Fearful-Avoidants learn to expect betrayal while also craving love. It also becomes quite difficult for the Fearful-Avoidant to learn a strategy for attaching or bonding to caregivers because of the level of inconsistency. Moreover, since they perceived love as a chaotic entity from a young age, they tend to have immense internal conflict as adults. They simultaneously want to feel a sense of connection while subconsciously believing it to be a threat. This produces feelings of resentment or frustration that can be later projected onto relationships. Ultimately, the Fearful-Avoidant shows up in their relationships as a loving partner, and then will become frightened and pull away when they become vulnerable. To be in a successful relationship with a Fearful-Avoidant, the partner or friend must provide a deep connection in a consistent way. This means openness and respect for boundaries, paired with constant reassurance.

For the time being, however, his bent was literary and religious rather than balletic. He loved, and what seventh grader doesn’t, the abstracter foxtrots and more metaphysical twists of a Dostoevsky, a Gide, a Mailer. He longed for the experience of some vivider pain than the mere daily hollowness knotted into his tight young belly, and no weekly stomp-and-holler of group therapy with other jejune eleven-year-olds was going to get him his stripes in the major leagues of suffering, crime, and resurrection. Only a bona-fide crime would do that, and of all the crimes available murder certainly carried the most prestige, as no less an authority than Loretta Couplard was ready to attest, Loretta Couplard being not only the director and co-owner of the Lowen School but the author, as well, of two nationally televised scripts, both about famous murders of the 20th Century. They’d even done a unit in social studies on the topic: A History of Crime in Urban America. The first of Loretta’s murders was a comedy involving Pauline Campbell, R.N., of Ann Arbor, Michigan, circa 1951, whose skull had been smashed by three drunken teenagers. They had meant to knock her unconscious so they could screw her, which was 1951 in a nutshell. The eighteen-year-olds, Bill Morey and Max Pell, got life; Dave Royal (Loretta’s hero) was a year younger and got off with twenty-two years. Her second murder was tragic in tone and consequently inspired more respect, though not among the critics, unfortunately. Possibly because her heroine, also a Pauline (Pauline Wichura), though more interesting and complicated had also been more famous in her own day and ever since. Which made the competition, one best-selling novel and a serious film biography, considerably stiffen Miss Wichura had been a welfare worker in Atlanta, Georgia, very much into environment and the population problem, this being the immediate pre-Regents period when anyone and everyone was legitimately starting to fret. Pauline decided to do something, viz., reduce the population herself and in the fairest way possible. So whenever any of the families she visited produced one child above the three she’d fixed, rather generously, as the upward limit, she found some unobtrusive way of thinning that family back to the preferred maximal size. Between 1989 and 1993 Pauline’s journals (Random House, 1994) record twenty-six murders, plus an additional fourteen failed attempts. In addition she had the highest welfare department record in the U.S. for abortions and sterilizations among the families whom she advised. “Which proves, I think,” Little Mister Kissy Lips had explained one day after school to his friend Jack, “that a murder doesn’t have to be of someone famous to be a form of idealism.” But of course idealism was only half the story: the other half was curiosity. And beyond idealism and curiosity there was probably even another half, the basic childhood need to grow up and kill someone.

You mean our most important ideas about life are ones we are not even aware of, and we’ve been carrying them around since childhood? Yes, and their impact can be very powerful. Often when we think we’re responding to actual people and events, we’re merely assigning them parts in the inner novel we’ve been writing all our lives. For example, if someone has felt deserted as a child by an important adult, and this becomes a key experience in his way of seeing the world, there are several ways he can continue to have that experience. One way is to seek out the kind of people who are likely to desert him as an adult—and we are all very clever about that. Another is to drive people away by his own behavior. Or he can imagine he is deserted by people who really haven’t mistreated him at all. Whatever way he chooses, he confirms his theory about what to expect from others, and this is very gratifying. Come on! That certainly doesn’t sound like any way to have fun. You’d be surprised. Being right is one of the most satisfying experiences in the world. Or let’s say, rather, that being wrong is one of the most unsettling experiences that can happen to anyone. It’s an awful blow to the ego to feel you’ve made a mistake. That’s why people don’t want to change. It would mean admitting they were wrong. A patient once burst out at me indignantly, “But that would mean I wasted the first forty years of my life!” Some people would rather go on making the same mistake for another forty years than admit it and cut their losses. People are very stubborn. Sometimes they secretly believe that if they keep on long enough with their misconceived behavior, they’ll make it right. That reality will give in to their views, rather than vice versa. They’re still trying to get their parents to give in. They haven’t given up their anger over what they didn’t get when they were five years old.

As a child, Les was often weighed down with responsibilities that rightfully belonged to his parents. Because he was forced to grow up too fast and too soon, Les was robbed of his childhood. While his friends were out playing ball, Les was home performing his parents’ duties. To keep the family together, Les had to become a miniature adult. He had little opportunity to be playful or carefree. Since his own needs were virtually ignored, he learned to cope with loneliness and emotional deprivation by denying that he even had needs. He was there to take care of others. He didn’t matter.

When I was a child everything had its value. A lot of things; flowers, friends even a small puppy, they all had a part in my life’s value. Hard times to me meant high feed or hay prices, or too little rain for the gardens. Everything was so natural it gave me a real feeling of belonging to the earth. To have the freedom to run, jump and shout at the top of our lungs made all of us appreciate private spaces.

our lives, thanks to their finitude, are inevitably full of activities that we’re doing for the very last time. Just as there will be a final occasion on which I pick up my son—a thought that appalls me, but one that’s hard to deny, since I surely won’t be doing it when he’s thirty—there will be a last time that you visit your childhood home, or swim in the ocean, or make love, or have a deep conversation with a certain close friend. Yet usually there’ll be no way to know, in the moment itself, that you’re doing it for the last time. Harris’s point is that we should therefore try to treat every such experience with the reverence we’d show if it were the final instance of it.

He was my childhood best friend. We grew up next to each other. He loved football as much as I did, and he was better at it than I was.” “Stop.” I found it impossible to believe that any living player could be better than Asher. Sorry, Vincent. Yet another, albeit silent, betrayal of my brother. But I’d worry about that later. “It’s true,” Asher said. “He was better compared to how I played back then, at least. But whereas I couldn’t wait to sign with a club, he refused. Said he wasn’t interested in playing professionally.” “Why?” “He was afraid. Football isn’t a steady career, and he didn’t want the pressures that came with it. He hated being in the spotlight. He was worried that if he failed, he’d do so publicly and humiliate himself. So instead of living his dream, he let me live it for him.” “He must be proud of your success.” Proud or bitter, but I chose to give him the benefit of the doubt. “We don’t exactly talk anymore.” Asher sounded distant. I sensed there was more to the story, so I remained quiet. I was right. “I signed with Holchester when I was seventeen. I was so damn excited. We went out to celebrate, but I left early because I had a meeting with Holchester’s manager the next morning. Teddy chose to stay, and I remember thinking, good for him. He needed to loosen up a bit, you know?” Asher’s laugh sounded hollow. “We went to a pub in a seedier part of town since it was the only one that didn’t ID us since we were underage. Teddy left maybe an hour after I did. He was on his way to the bus stop when he got mugged.” I sucked in a sharp breath, already dreading the conclusion to the story. “It must’ve been the liquid courage, but Teddy refused to give up his wallet. He got into a fight with the mugger, who stabbed him six times and ran away. Teddy didn’t even make it to the hospital.” I saw it coming, but that didn’t stop my lurch of shock. Stabbed six times. Jesus. “One minute, he was there. The next, he was gone. And all these years, I can’t help but think…would he be alive if I’d stayed with him? If I’d insisted he leave when I did?” Asher’s voice thickened. “He wouldn’t have been there in the first place if it weren’t for me.

Since he had no happy, sentimental memories of his childhood, he felt always at odds with the world

Evidently, it was Ramiz’ turn to be emotional. He surprised us, saying “If I were not so much in love with him, I wouldn’t care what he did or didn’t do!" I asked, "Are you lovers?" Ramiz could no longer withhold the truth. "I will confide in you. Remember when I mentioned my father punished me for playing with another boy in school? That boy was Ubaid. We have been friends since childhood. One day while playing we decided to go skinny-dipping in the pond. We thought no one was around to see us. “One thing led to another and we started fooling around, touching each other's penises. As I was about to suckle his member, I saw another boy scamper away. In a flash, our teacher appeared, threatening to tell our fathers what happened. I was terrified of my father’s anger. That’s when he began to whip me to get me to stop sexual games with other boys.” Ramiz told us that because of Hadrah Hakim's prominence in political, business and social arenas, the teacher didn’t tell on Ubaid, and the Hakim never knew what transpired.

Nowadays it often takes two parents working full-time to secure the same standard of living one wage earner could provide thirty or forty years ago. Deepening social stresses and the growing sense of economic insecurity even in the midst of relative wealth have all combined to create a milieu in which calm, connected parenting is increasingly difficult. Precisely when parents and other adults need to form stronger attachment bonds with their children than ever before, they have less time and energy to do so. Robert Bly notes that “in 1935 the average working man had forty hours a week free, including Saturday. By 1990, it was down to seventeen hours. The twenty-three lost hours of free time a week since 1935 are the very hours in which the father could be a nurturing father, and find some center in himself, and the very hours in which the mother could feel she actually has a husband.” These patterns characterize not only the early years of parenting but entire childhoods. Although many fathers today are more conscientious in taking a share of parenting responsibility, the stresses of modern life and the chronic lack of time subvert their best intentions. It is for economic reasons that parenting does not get the respect it should. That we live where we do rather than where our natural supporting cast is — friends, the extended family, our communities of origin — has come about for economic reasons, often beyond the control of individual parents, as, for example, when whole industries are shut down or relocated. It is for economic reasons that we build schools too large for connection to happen and that we have classes too large for children to receive individual attention.

What made you come back?” Kitty jerked at his sudden question. She sputtered for a moment then laughed. “What made me come back? What do you mean?” He shrugged with one shoulder, never moving his gaze away from her. “At Eliza’s and Thomas’s wedding last year you were convinced that returning to Boston and living with your aunt was the best course to take. But it appears you have changed your mind. So, what made you come back?” “Is that why you followed me? To ask me that?” Her face burned, but she feigned composure and looked at him with as much ease as she could marshal. “Boston is too dangerous, you know that.” “’Tis true, I am well aware of what Boston and its residents suffer. But I cannot believe that was the only reason you returned.” Training her mouth to reveal nothing more than a slight grin, she strained to keep her pulse quiet. She stepped toward the fire, resting her hand atop the chair, acting more casual than she felt. “If there were any other reason, do you think that I would share such information with you? Surely, Nathaniel, I cannot share all my secrets.” “Secrets? Well, now I am curious.” Kitty rubbed the lace on her gloves and emitted a warm, genuine laugh that eased the strain in her voice. She offered an impish smile. “I came back for several reasons, if you must know. As I mentioned, ‘twas for matters of safety that Henry Donaldson insisted I return as well as—”  “Donaldson?” Kitty peered over her shoulder, hiding the grin that surged at the undeniable question in Nathaniel’s eyes. Could he be... nay, not possible. She kept her focus. “Aye, Henry Donaldson. You remember him, do you not?” “Aye, of course. I just... I just hadn’t known he was still... around. He was always a good friend and I admire him, despite his poor choice of allegiances.” Nathaniel’s interested expression stayed lifted, but the light in his eyes went flat. “Are you... have you been seeing much of him of late?” “I have,” she said. “He’s a close friend and I admire him very much.” Nathaniel’s expression didn’t change, but his Adam’s apple bobbed and he cleared his throat. “I see.”  She once again toyed with the fabric of her gloves, unsure what else to do with her hands. Quickly focusing on the subject of their conversation, she stared back into the fire. “Henry said it was too dangerous for me to stay despite my protestations. With Father gone and Eliza here—and since our home was destroyed that December… well, my home is here now.” The scent of smoke wafting from the fireplace in front of her snatched the horrid vision from its hiding place in her mind. Instantly she witnessed anew the roaring flames that devoured her treasured childhood home, taking with it all her cherished memories and replacing them with ash. She turned to Nathaniel, his face drawn as if he too relived the tragedy. The bond they’d shared that night had forged a friendship that could never be shaken.  Nathaniel stepped forward, the look of tenderness so rich in his eyes it wound around her shoulders like a warm cloak. “I can well understand that, Kitty. Donaldson was right in advising you to return.” Then, as if the heaviness were too much, he shrugged and sighed with added gaiety to his tone. “Well, I will admit that Sandwich didn’t feel the same with you gone, that’s for certain.” She tipped her head with a smirk. “You pined for my return?”  “With the pains of an anguished soul.” “Lying is a sin, Nathaniel,” she teased. Nathaniel laughed, his broad smile exposing his straight teeth. “All right, if you want the truth I pined more for your cooking, and more specifically for your carrot pudding. Are you satisfied?” “I knew it.

Since he sent the roses earlier, he’d been nervous that she wouldn’t say it back. He was never one to put himself out there over a no female. Dey wasn’t just any female. She was his childhood friend, crush and now lover.

Since childhood I had treasured the sublime study of chess, the swim through ever-deepening layers of complexity. I could spend hours at a chessboard and stand up from the experience on fire with insight about chess, basketball, the ocean, psychology, love, art. The game was exhilarating and also spiritually calming. It centered me. Chess was my friend.

Aamir, recalling back to the idyllic days of his college youth, pictured himself once again sitting quietly on a familiar neighbourhood rooftop. He often enjoyed relaxing there, alone or with friends, while watching the colourful fluttering prayer flags on rooftop poles, especially in the warmth of an early evening breeze, as wispy clouds drifted against the jagged Himalayan backdrop. He has oft times wondered, ever since his childhood, if the prayers to the spirits of the dead, flying out from those slowly tattering rags, will ever really be answered. Perhaps it will be in another place, in another time, when we’re living another life that we shall finally know. Aamir had calmly thought at the time. He was that sort of philosophical guy.

My father was the son of immigrants. He had worked since childhood and held two jobs most of his adult life. In the evenings, he would often fall asleep in his chair, his feet in a basin of warm water, too exhausted to talk. Always he had worked for other people, on their terms, for their goals...All throughout my childhood, there was a game my father and I would play. He would talk about his house, the house he would someday own...I was almost twenty when he and Mom bought a little place on Long Island and he retired. For a while, his dream seemed complete. 'Are you enjoying yourselves?' I asked [when I'd visit]. 'Well,' Mom said, 'your father is afraid that someone will break in and take away everything we've worked for. He's still working because he wants to put in an alarm system.' My heart sank. I asked how much it would cost. My mother evaded me and said they would have it in just a little while. Months later, my father continued to look weary. Concerned, I asked when they would be taking their vacation. My father shook his head. 'Not this year -- we can't leave the house empty.' I suggested a house sitter. My father was horrified. 'Oh no,' he told me. 'You know how people are. Even your friends never take care of your things the way they would take care of their own.' They never took another vacation. In the end, my parents rarely left the house together, not even to go to the movies. There could be a fire or some other sort of vague and unnamed disaster. And my father worked odd jobs until he died. The house turned out to have far greater control over him than any of his former employers ever had. If we fear loss enough, in the end the things we possess will come to possess us.

Darling checked his temper as he saw the hurt in Maris’s eyes. “I know, Mari. I’m sorry.” The two of them had been through so much in their lives. Best friends since they’d started preschool together twenty-three years ago. Through thick and thin, brothers to the bitter end. That had been their childhood pledge to each other. Little had they known then how many times that bond would be tested. Never

November 30th What do you know? For once I favourably surprise myself. After I'd read Howard's exemplary "White Ship" on Friday night and spent yesterday idling about in Providence - woolgathering, I suppose - I've finally made up my mind to sit down and attempt to lick this novel into some kind of functional shape. The central character I'm thinking, is a young man in his early thirties. He's well educated, but if forced by economic circumstance to leave his home in somewhere like Milwaukee (on the principle of writing about somewhere that you know) to seek employment further east. I feel I should give him a name. I know that details of this sort could wait until much later in the process, but I don't feel able to flesh out his character sufficiently until I've at least worked out what he's called. There's been a twenty minute pause between the end of the foregoing sentence and the start of this one, but I think his first name should be Jonathan. Jonathan Randall is the name that comes to me, perhaps by way of Randall Carver. Yes, I think I like the sound of that. So, young Jonathan Randall realises that his yearnings for a literary life have to be put aside to spare his parents dwindling resources, and that he must make his own way in the world, through manual labour if needs be, in order to become the self-sufficient grownup he aspires to be. During an early scene, perhaps in a recounting of Jonathan's childhood, there should be some striking incident which foreshadows the supernatural or psychological weirdness that will dominate the later chapters. Thinking about this, it seems to me that this would be the ideal place to introduce the bridge motif I've toyed with earlier in these pages: since I'm quite fond of the opening paragraphs that I've already written, with that long description of America as a repository for all the world's religious or else occult visionaries, I think what I'll do is largely leave that as it is, to function as a kind of prologue and establish the requisite mood, and then open the novel proper with Jonathan and a school friend playing truant on a summer's afternoon at some remote and overgrown ravine or other, where there's a precarious and creaking bridge with fraying ropes and missing boards that joins the chasm's two sides. I could probably set up the story's major themes and ideas in the two companions' dialogue, albeit simply expressed in keeping with their age and limited experience. Perhaps they're talking in excited schoolboy tones about some local legend, ghost story or piece of folklore that's connected with the bridge or the ravine. This would provide a motive - the eternal boyish fascination with the ghoulish - for them having come to this ill-omened spot while playing hooky, and would also help establish Jonathan's obsession with folkloric subjects as explored in the remainder of the novel.

November 30th What do you know? For once I favourably surprise myself. After I'd read Howard's exemplary "White Ship" on Friday night and spent yesterday idling about in Providence - woolgathering, I suppose - I've finally made up my mind to sit down and attempt to lick this novel into some kind of functional shape. The central character I'm thinking, is a young man in his early thirties. He's well educated, but is forced by economic circumstance to leave his home in somewhere like Milwaukee (on the principle of writing about somewhere that you know) to seek employment further east. I feel I should give him a name. I know that details of this sort could wait until much later in the process, but I don't feel able to flesh out his character sufficiently until I've at least worked out what he's called. There's been a twenty minute pause between the end of the foregoing sentence and the start of this one, but I think his first name should be Jonathan. Jonathan Randall is the name that comes to me, perhaps by way of Randall Carver. Yes, I think I like the sound of that. So, young Jonathan Randall realises that his yearnings for a literary life have to be put aside to spare his parents' dwindling resources, and that he must make his own way in the world, through manual labour if needs be, in order to become the self-sufficient grownup he aspires to be. During an early scene, perhaps in a recounting of Jonathan's childhood, there should be some striking incident which foreshadows the supernatural or psychological weirdness that will dominate the later chapters. Thinking about this, it seems to me that this would be the ideal place to introduce the bridge motif I've toyed with earlier in these pages: since I'm quite fond of the opening paragraphs that I've already written, with that long description of America as a repository for all the world's religious or else occult visionaries, I think what I'll do is largely leave that as it is, to function as a kind of prologue and establish the requisite mood, and then open the novel proper with Jonathan and a school friend playing truant on a summer's afternoon at some remote and overgrown ravine or other, where there's a precarious and creaking bridge with fraying ropes and missing boards that joins the chasm's two sides. I could probably set up the story's major themes and ideas in the two companions' dialogue, albeit simply expressed in keeping with their age and limited experience. Perhaps they're talking in excited schoolboy tones about some local legend, ghost story or piece of folklore that's connected with the bridge or the ravine. This would provide a motive - the eternal boyish fascination with the ghoulish - for them having come to this ill-omened spot while playing hooky, and would also help establish Jonathan's obsession with folkloric subjects as explored in the remainder of the novel.

Harry finished reading but continued to gaze at the picture accompanying the obituary. Dumbledore was wearing his familiar, kindly smile, but as he peered over the top of his half-moon spectacles, he gave the impression, even in newsprint, of X-raying Harry, whose sadness mingled with a sense of humiliation. He had thought he knew Dumbledore quite well, but ever since reading this obituary he had been forced to recognize that he had barely known him at all. Never once had he imagined Dumbledore’s childhood or youth; it was as though he had sprung into being as Harry had known him, venerable and silver-haired and old. The idea of a teenage Dumbledore was simply odd, like trying to imagine a stupid Hermione or a friendly Blast-Ended Skrewt.

Alex sighed. He was amazed by all that had taken place. Amazed by all he had accomplished since that day in the Commons of Quill when he had been sentenced to die. Little did Alex know back then that he’d see his brother again. Little did he know that life was just about to begin, and that it hadn’t ended for him, after all. Little did he know, on the bus to the Death Farm, that the blue-eyed girl connected to him by a rusty chain would become his fierce friend. That Samheed, whom Alex never liked in school, would become one of his closest confidants. And that Meghan, Alex’s best friend from early childhood, would die fighting for a land no one in Quill could have dreamed up . . . except for a man named Mr. Today.

He said that it was strange it had taken us so long to meet: in fact it was almost exactly a year to the day day since we had been – albeit briefly – introduced by a mutual friend. Since then, he had asked the mutual friend several times for my number; he had attended parties and dinners where he had been told I would be present, only to find that I wasn’t there. He didn’t know why the mutual friend resisted putting him directly in touch with me, if it was anything so deliberate as resistance. But one way or another, he had been obstructed; until – again without knowing why – be had recently asked the mutual friend once more for my number and promptly been given it. I said that my current feelings of powerlessness had changed the way I looked at what happens and why, to the extent that I was beginning to see what other people called fate in the unfolding of events, as though living were merely an act of reading to find out what happens next. That idea – of one’s own life as something that had already been dictated – was strangely seductive, until you realised that it reduced other people to the moral status of characters and camouflaged their capacity to destroy. Yet the illusion of meaning recurred, much as you tried to resist it: like childhood, I said, which we treat as an explanatory text rather than merely as a formative experience of powerless. For a long time, I said, I believed that it was only though absolute passivity that you could learn to see what was really there. But my decision to create a disturbance by renovating my house had awoken a different reality, as though I had disturbed a beast sleeping in its lair. I had started to become, in effect, angry. I had started to desire power, because what I now realised was that other people had had it all along, that what I called fate was merely the reverberation of their will, a tale scripted not by some universal storyteller but by people who would elude justice for as long as their actions were met with resignation rather than outrage.

He said that it was strange it had taken us so long to meet: in fact it was almost exactly a year to the day since we had been – albeit briefly – introduced by a mutual friend. Since then, he had asked the mutual friend several times for my number; he had attended parties and dinners where he had been told I would be present, only to find that I wasn’t there. He didn’t know why the mutual friend resisted putting him directly in touch with me, if it was anything so deliberate as resistance. But one way or another, he had been obstructed; until – again without knowing why – be had recently asked the mutual friend once more for my number and promptly been given it. I said that my current feelings of powerlessness had changed the way I looked at what happens and why, to the extent that I was beginning to see what other people called fate in the unfolding of events, as though living were merely an act of reading to find out what happens next. That idea – of one’s own life as something that had already been dictated – was strangely seductive, until you realised that it reduced other people to the moral status of characters and camouflaged their capacity to destroy. Yet the illusion of meaning recurred, much as you tried to resist it: like childhood, I said, which we treat as an explanatory text rather than merely as a formative experience of powerless. For a long time, I said, I believed that it was only though absolute passivity that you could learn to see what was really there. But my decision to create a disturbance by renovating my house had awoken a different reality, as though I had disturbed a beast sleeping in its lair. I had started to become, in effect, angry. I had started to desire power, because what I now realised was that other people had had it all along, that what I called fate was merely the reverberation of their will, a tale scripted not by some universal storyteller but by people who would elude justice for as long as their actions were met with resignation rather than outrage.

For me, pain is an old companion. That friend I've known since childhood. The one that understands me deeply. People don't realize that pain is easier to usher in than joy. Simpler to hold on to than excitement. Not fleeting like happiness. And best of all, I can control it. Call on it whenever I want to feel something that won't skitter off whenever it wants. What other sensation is that easy to wield? That reliable?

Just as there will be a final occasion on which I pick up my son - a thought that surely appalls me but one that's hard to deny, since I surely won't be doing it when he's thirty - there will be a last time that you visit your childhood home, or swim in the ocean, or make love, or have a deep conversation with a certain close friend. Yet usually there'll be no way to know in the moment itself, that you're doing it for the last time.

At first, I did them because I owed it to Sergei. He had been killed because he worked for me, and I couldn’t let his killers get away with it. As with the theft of my childhood flute, but on an infinitely grander and more meaningful scale, I have been compelled to get justice. As the theft of my flute showed, this inclination toward justice is part of who I am. It’s in my nature. To reject it would have poisoned me from the inside. Then, as things escalated, it also became a fight for survival. Not only for myself and my family, but for my friends and colleagues, and all the people who were helping Sergei’s cause inside of Russia. But in the end, I’ve done these things because doing them is the right thing to do. For better or worse, I’ve been obsessed with this cause since the moment of Sergei’s death. This obsession has affected every facet of my life, and all of my relationships, even those with my own children. These effects haven’t always been for the better.

our lives, thanks to their finitude, are inevitably full of activities that we’re doing for the very last time.7 Just as there will be a final occasion on which I pick up my son – a thought that appals me, but one that’s hard to deny, since I surely won’t be doing it when he’s thirty – there will be a last time that you visit your childhood home, or swim in the sea, or make love, or have a deep conversation with a certain close friend. Yet usually there’ll be no way to know, in the moment itself, that you’re doing it for the last time.

There are almost no trees in Iceland, and the few that exist are all in the cemeteries; as if there were no dead without trees, as if there were no trees without the dead. They are not planted alongside the grave, as in idyllic Central Europe, but right in the center of it, to force a passerby to imagine the roots down below piercing the body. I am walking with Elvar D. in the Reykjavik cemetery; he stops at a grave whose tree is still quite small; barely a year ago his friend was buried; he starts reminiscing aloud about him: his private life was marked by some secret, probably a sexual one. "Because secrets excite such irritated curiosity, my wife, my daughters, the people around me, all insisted I tell them about it. To such an extent that my relations with my wife have been bad ever since. I couldn't forgive her aggressive curiosity, and she couldn't forgive my silence, which to her was evidence of how little I trusted her." He smiled, and then: "I divulged nothing," he said. "Because I had nothing to divulge. I had forbidden myself to want to know my friends secrets, and I didn't know them." I listened to him with fascination: since childhood I had heard it said that a friend is the person with whom you share your secrets and who even has the right, in the name of friendship, to insist on knowing them. For my Icelander, friendship is something else: it is standing guard at the door behind which your friend keeps his private life hidden; it is being the person who never opens that door; who allows no one else to open it.

Canford, graceful, pretty, vivacious, having been translated from childhood to womanhood between one season and the next. Now Daisy was performing the same miracle. She looked so like Miggy that it caught his heart; tall and slender, pale-skinned and delicate-boned. Her bright curls were the same coppery shade but her eyes were honey-brown – Patrick’s legacy – and set differently from Miggy’s green ones. She still loved to sail and row and swim but there was a dreaminess about her now, a secretive shyness, that touched him and evoked his natural protectiveness. He looked down over the creek to the mill and thought of Hattie. He was delighted that she had sold her cottage to her old friend Sarah who, to everyone’s relief, had long since abandoned her attitude of disapproval towards Miggy. It was a pity that people generally had to fall prey to their own weaknesses before they could understand or sympathise with others who had made mistakes but at least Sarah showed no tendencies to be hypocritical. Now, Hattie only had one cottage to worry about and, if all went according to plan, the other cottage would soon be occupied. Toby gave a great sigh of pleasure as he watched the heron, still

It is no secret that a story is a powerful way to convey a thought, feeling, or idea. Storytellers from Aesop to Jesus knew that using tales and parables made it easy for broad audiences to understand, recall, and even spread a kernel of wisdom. So where do strength and warmth fit in? There is a significant body of research demonstrating that our brains are wired for stories. We can tell our friends what happened in our favorite movies far more easily than we can reel off the five points of a strategic management plan, because the devices that make stories work—heroes and villains, plots and subplots—stick with us. That makes them the very best way to get in the circle: Everyone likes stories. We have all been listening to them since childhood, and doing it relaxes our critical faculties and lowers our guard. In that respect, sharing a story with others is an inherently warm experience.

The box of our mind is designed by involuntary influences (almost most of the times) of our parents, teachers, immediate friend circle, the society we live in or the religion we follow, since our childhood till we start to live independently financially.

The boy with grazes on his cheeks was snoring softly. Stella watched him as he slept. She lifted her eyes to the firmament. The skies were changing color. Billy followed her gaze. Since childhood, he was her confidante, her trusted friend.

Needham has announced that the former lands of Falconwell are to be included in the dowry of his eldest daughter." Shock rocked Bourne back on his heels. "Penelope?" "You know the lady?" "It's been years since I saw her last- nearly twenty of them." Sixteen. She had been there on the day he'd left Surrey for the last time, after his parents' burial, fifteen years old and slipped back to a new world with no family. She'd watched him climb into his carriage, and her serious blue gaze had not wavered in tracking his coach down the long drive away from Falconwell. She hadn't looked away until he had turned onto the main road. He knew because he'd watched her, too. She'd been his friend. When he had still believed in friends.

Why didn't you return it to Michael?" Needham sighed, throwing down his napkin and rising from the table, through with the conversation. "He was careless with it in the first place," he said simply before quitting the room, Lady Needham fast on his heels. It might have been sixteen years since she'd seen him last, but a part of her still considered Michael Lawler, Marquess of Bourne, a dear friend, and she did not like the way her father spoke of him, as though he were of little value and less import. But then, she really didn't know Michael- not the man. When she allowed herself to think of him, more often than she'd like to admit, he was not a twenty-one-year-old who had lost everything in a silly game of chance. No, in her thoughts, Michael remained her childhood friend- the first she'd ever made- twelve years old, leading her across the muddy landscape on one adventure or another, laughing at inopportune moments until she could not resist laughing with him, muddying his knees in the damp fields that stretched between their houses and throwing pebbles at her window on summer mornings before he headed off to fish in the lake that straddled Needham and Bourne lands. She supposed the lake was part of her dowry, now. Michael would have to ask permission to fish there. He would have to ask her husband permission to fish there. The idea would be laughable if it weren't so... wrong. And no one seemed to notice.

It was a beautiful sunny day in March, made more special after three continuous days of rain. The bright day was one of the reasons that Marvin’s spirits were high, and the other reason was his four-year-old niece, Rose. Of the five older members of the Kauffman family, Marvin was the one with whom Rose spent most of the day. The little girl was the closest person to Marvin, who always loved to spend time with the little girl. Rose would always bring a smile to his face and Marvin thought her the most precious blessing. He thought about Rose and a smile played on his lips again. “Look who is smiling to himself. You finally found your better half, bruder?” a familiar voice broke Marvin from his thoughts. He turned back, startled by the sudden remark. “Eric, you’re here!” Marvin exclaimed as he rushed toward his childhood best friend and gave him a boyish hug. Eric seemed equally excited. It was the first time the boys were meeting since Eric’s wedding. Marvin had missed his best friend after he went on his honeymoon, but even now that he

Carlos didn’t use the Moog synthesizer because she was transgender or because she was trying to “escape” or “transcend” her gender identity or her physical body. She had been a workaholic since childhood, and she has said those work habits were responses to fear, depression, and isolation that she experienced. She couldn’t disclose her gender identity to anyone out of fear of how they might respond, so she didn’t date, had few friends, and threw herself into work. The Moog might have been the recipient of the workaholic energy that resulted from her isolation and depression, but it was not a tool through which she channeled her gender identity to create music.

I made it to the checkout line before taking in the people around me. The cashier, about my age, was familiar in the way most people in a town this size were. We’d probably gone to school together, but I couldn’t be sure. She was taking her time ringing up the man in front of me, and my attention diverted to the other customers in line, stopping on the woman behind me. Her, I recognized. There was no mistaking the tall, icy blonde for anyone other than Mrs. Elena Kelly, my childhood best friend’s mom. I’d spent a lot of my days out on the Kelly ranch with Caleb, getting dirty and making trouble. His parents had been firm but not strict, and they had welcomed me into their home for countless dinners and sleepovers. Elena Kelly’s gaze swept over me, pausing for a moment. I nodded at her, my mouth curving into a half smile. “Good evening, Mrs. Kelly.” She cocked her head, taking me in. There was no flare of recognition, but it’d been more than a decade since she’d seen me. I pushed my sunglasses to the top of my head, giving her a better view.

Yvonne tried to reassure her that since her childhood friend, the studious Freddy, was already enrolled at Seattle University, the two of them could concoct some plot or other.

You think these recent events are everything. You think Aaron fell in love with your friend of several months, a rebel girl named Juliette. You don't know. You don't know. You don't know that Aaron has been in love with Ella for the better part of his entire life. They've known each other since childhood...…..The reason he had to keep wiping their memories was because it didn't matter how many times he reset the story or remade the introductions - Aaron always fell in love with her. Every time. - Delalieu

Thinking of that first night makes something in her stomach hurt. She can see herself clearly: impossibly young and shy, standing with her friends in a pub in London. Though she wonders now if ‘friends’ was ever the right word for the women she met at university. She never managed to match her speech to the cadence of theirs, never quite correctly timed a joke or a laugh. It’s a feeling she’s had since childhood: that she is somehow separate, closed off from everyone else.

What are you reading?” I look up. It’s Denise, standing nearby with her bicycle. We were friends at school but I haven’t seen her since school let out. “Nancy Drew. She’s a sleuth.” “I love Nancy Drew.” Denise lays her bike on the grass, and in the miraculous way of childhood friendships, this moment—or a moment like it, small and unremarkable—marks our first as best and lifelong friends.

What good is war, Blood Shrike?" The sadness etched into his face feels ancient, the sorrow of a Soul Catcher instead of the friend I've known since childhood. "How many have died because if a king's greed or a commander's pride? How much pain exists in the world because we cannot get past what has been done to us, because we insist on inflicting pain right back?