Sinatra Orange Quotes

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Kau tahu betapa aku mengagumi bunga kecombrangku. Nama aslinya Nicolaia Spesiosa tergolong famili Zingiberaceae. Entah mengapa orang-orang menyebutnya kecombrang, tapi aku suka dengan pilihan nama asli Indonesia itu. Kesannya kampungan, liar dan tak bisa diatur. Warna merah darah yang menyelimuti tubuhnya mengingatkan aku pada darah yang mengaliri dan terbenam di tubuhku. Bentuk bunga itu menyerupai lingga, runcing, kaku, tubuhnya dilengkapi dengan puluhan kelopak-kelopak pendek yang tumpul, mengelilingi ketinggian batang tubuh bunga itu. Kesegaran warna bunga itu sering membuatku ingin memotong nadiku. Aku ingin meneteskan darahku ke tubuh bunga kecombrang itu. Berharap dia mengerti keinginanku. Atau aku sedang berharap dia bisa membahagiakan aku? Jangan-jangan aku sedang jatuh cinta. Pada siapa? Frank Sinatra? Bunga kecombrang? Atau aku sedang dilanda kejenuhan. Kesepian.
Oka Rusmini (Tempurung)
Dean Martin, and Sammy Davis Jr. The cool kids of the 1960s invited the old man who had been cool before they knew cool was cool to join them in a musical romp that nobody took particularly seriously. Crosby enjoys himself. He has nothing at stake, since he’s not the star who has to carry the film. He’s very casual, and appears to be ad-libbing all his lines in the old Road tradition with a touch of W. C. Fields’s colorful vocabulary thrown in: “You gentlemen find my raiment repulsive?” he asks Sinatra and Martin when they object to his character’s lack of chic flash in clothing. Crosby plays a clever con man who disguises himself as square, and his outfits reflect a conservative vibe in the eyes of the cats who are looking him over. The inquiry leads into a number, “Style,” in which Sinatra and Martin put Crosby behind closet doors for a series of humorous outfit changes, to try to spruce him up. Crosby comes out in a plaid suit with knickers and then in yellow pants and an orange-striped shirt. Martin and Sinatra keep on singing—and hoping—while Crosby models a fez. He finally emerges with a straw hat, a cane, and a boutonniere in his tuxedo lapel, looking like a dude. In his own low-key way, taking his spot in the center, right between the other two, Crosby joins in the song and begins to take musical charge. Sinatra is clearly digging Crosby, the older man he always wanted to emulate.*17 Both Sinatra and Martin are perfectly willing to let Crosby be the focus. He’s earned it. He’s the original that the other two wanted to become. He was there when Sinatra and Martin were still kids. He’s Bing Crosby! The three men begin to do a kind of old man’s strut, singing and dancing perfectly together (“…his hat got a little more shiny…”). The audience is looking at the three dominant male singers of the era from 1940 to 1977. They’re having fun, showing everyone exactly not only what makes a pro, not only what makes a star, but what makes a legend. Three great talents, singing and dancing about style, which they’ve all clearly got plenty of: Frank Sinatra, Bing Crosby, and Dean Martin in Robin and the 7 Hoods
Jeanine Basinger (The Movie Musical!)