“
Love is a snowmobile racing across the tundra and then suddenly it flips over, pinning you underneath. At night, the ice weasels come.
”
”
Matt Groening (The Big Book of Hell)
“
I knew I would hate my best memory because it would prove that people could fake love or that love could end or worst of all, love was not powerful enough to change a life.
”
”
Mona Simpson
“
If you're thinking bout me, text 143 that means I Love You
”
”
Cody R. Simpson
“
A sonnet might look dinky, but it was somehow big enough to accommodate love, war, death, and O.J. Simpson. You could fit the whole world in there if you shoved hard enough.
”
”
Anne Fadiman (Ex Libris: Confessions of a Common Reader)
“
We do not measure the value of a person by their outward appearance, rank, or creed, rather by the sum of the agápe in their heart. Your value in the cosmos is greater than precious metals or jewels, humans have to potential to take us all into a period of great enlightenment, or to our ruin. The choice is yours.
”
”
Guy T. Simpson Jr.
“
The first five years of a child's life create their future. Teach them about love, about God, and about how special and loved they are. Create a successful and happy future for them. OM
”
”
Deb Simpson (Pink Place: A lyrical journey to the safe place and inner drive deep inside every child!)
“
He sank to his knees, absolutely full of despair and sadness. For a long time, droplets of blood continued to fall into his lap.
”
”
Phillip W. Simpson (Rapture (Rapture Trilogy, #1))
“
Do not write. I am sad, and want my light put out.
Summers in your absence are as dark as a room.
I have closed my arms again. They must do without.
To knock at my heart is like knocking at a tomb.
Do not write!
Do not write. Let us learn to die, as best we may.
Did I love you? Ask God. Ask yourself. Do you know?
To hear that you love me, when you are far away,
Is like hearing from heaven and never to go.
Do not write!
Do not write. I fear you. I fear to remember,
For memory holds the voice I have often heard.
To the one who cannot drink, do not show water,
The beloved one's picture in the handwritten word.
Do not write!
Do not write those gentle words that I dare not see,
It seems that your voice is spreading them on my heart,
Across your smile, on fire, they appear to me,
It seems that a kiss is printing them on my heart.
Do not write!
”
”
Louis Simpson
“
Pour your scotch on the rocks
and drink your misery down.
Go home and make love to her
and picture me, picture me.
Yeah, picture me!
”
”
Jessica Simpson
“
Divine love loves that it may bless and do good. You ought to love not because it pleases you, but because it blesses them.
”
”
A.B. Simpson (The A.B. Simpson Collection: 32 Classic Works)
“
The skillset you need to survive is not the same skillset you need to love and be loved
”
”
Leanne Betasamosake Simpson (Islands of Decolonial Love: Stories & Songs)
“
there are a couple of problems with being twenty-two but you don't know about them yet, because you can only find out about the problems sometime after you are no longer twenty-two. anyway, one of the problems with being twenty-two is you start to get afraid that maybe you're horrible at everything, mostly because you're not really good at anything yet, so you decide to stay the course with biology until a sign appears, even though being stoned drunk all the time doesn't register as a sign.
”
”
Leanne Betasamosake Simpson (Islands of Decolonial Love: Stories & Songs)
“
The ideal way to live would be always to treat each day, each encounter with loved ones, as one's last. Only thus could one avoid the endless self-reproach, self-recrimination, with which so many flagellate themselves after a sudden loss.
”
”
Dorothy Simpson (Puppet For A Corpse (Inspector Thanet, #3))
“
God’s jewels are often sent us in rough packages and by dark liveried servants, but within we find the very treasures of the King’s palace and the Bridegroom’s Love.
”
”
A.B. Simpson (Days of Heaven Upon Earth)
“
Do what you love, especially if your sharing the word
”
”
Ann Simpson
“
I want the love that cannot help but love; Loving, like God, for very sake of love.
”
”
A.B. Simpson
“
I was like a lot of women who get their wish: I loved being a mom, I just didn't love being me.
”
”
Jessica Simpson (Open Book)
“
No task will seem trying, and no sinner unattractive, to one whose heart has been thus possessed with the Savior’s heart of love.
”
”
A.B. Simpson (The A.B. Simpson Collection: 32 Classic Works)
“
This is a love story too. And, like a lot of love stories, it doesn't have a happy ending.
”
”
O.J. Simpson (If I Did It: Confessions of the Killer)
“
Still, I've heard it said that all stories are basically love stories, and
my story is no exception. This is a love story, too. And, like a lot of
love stories, it doesn't have a happy ending.
”
”
O.J. Simpson (If I Did It: Confessions of the Killer)
“
she never asked for recognition, because she wasn't doing it to be recognized. she did it because it filled her up.
she just carefully planted those seeds.
she just kept picking up those pieces.
she just kept visiting those old ones.
she just kept speaking her language and sitting with her mother.
she just kept on lighting that seventh fire every time it went out.
she just kept making things a little bit better, until they were.
”
”
Leanne Betasamosake Simpson (Islands of Decolonial Love: Stories & Songs)
“
The top landing of any Bedford Park building’s stairwell felt so much safer. Lying there, flat on a bed of marble, using my backpack for a pillow, whole lives played out beneath me: the smell of food cooking; lovers’ arguments; dishes clanking; TVs blasting at top volume; my old shows, The Simpsons and Jeopardy!; rap music—all carrying me back to University Avenue. Mostly, though, I heard families: children calling out for mothers, husbands speaking their wives’ names, sending me reminders of the way love stretched between a handful of people fills a space, transforms it into a home.
”
”
Liz Murray (Breaking Night)
“
Who was I if I had no one to blame for my life but myself?
”
”
Jessica Simpson (Open Book)
“
There was no way she could be around this much hotness and not have a reaction. Darn worthless underwear. When would they make some to absorb when needed.
”
”
Serena Simpson (Aran (Love Me Harder #1))
“
They believe if employees are treated right and well compensated, they will be loyal to the company. A loyal employee is worth his or her weight in gold.
”
”
Serena Simpson (Aran (Love Me Harder #1))
“
Having a soul means having the capacity to love something more than yourself.
”
”
David Simpson (Inhuman (Post-Human, #5))
“
copy: “I loved her against reason, against promise, against peace, against hope, against happiness, against all discouragement that could be.
”
”
Jessica Simpson (Open Book)
“
You have no idea how hard it is to live out a great romance.
-Wallace Simpson
”
”
Gill Paul (Royal Love Stories: The tales behind the real-life romances of Europe's kings and queens)
“
I wanted to see who I was, without using another person’s love for me as a measurement of my value.
”
”
Jessica Simpson (Open Book)
“
These stories depressed me. Love ruined people's lives, the way our parents said drugs could.
”
”
Mona Simpson (Casebook)
“
He found he was popular, known for a loose style and an appealing willingness to digress. “We spend most of our time talking about Twin Peaks and The Simpsons so they think I am an okay caballero,” he told Markson.
”
”
D.T. Max (Every Love Story Is a Ghost Story: A Life of David Foster Wallace)
“
A circle has no end, no beginning, and can hold within itself all the love and devotion shared between mates. Let the rings you exchange now guide you in your life together and show you the way to everlasting love.
”
”
Stacie Simpson (Releasing the Dragon (Myths and Legends #1))
“
And so love and sacrifice is the law of Christ. “Bear ye one another’s burdens, and so fulfill the law of Christ.” The law of Christ is the bearing of others’ burdens, the sharing of others’ griefs, sacrificing yourself for another.
”
”
A.B. Simpson (The A.B. Simpson Collection: 32 Classic Works)
“
One year before the Rapture "...that proves how marvellous God's love is, even for the most miserable human beings, being that demons can never take a human figure in a perfect form, and so the most stupid people are able to discover them." Nicholas Remy, Daemonolatreiae libri tres, 1595.
”
”
Phillip W. Simpson (Rapture (Rapture Trilogy, #1))
“
I know not where we go from here. I do not think this is the end, but a new beginning, a new chapter in our tale. Told by minstrels who reveal not their sources. I know not if we have achieved victory this day. But I will forever know that I was honored to call each and everyone of you my brother.
”
”
Guy T. Simpson Jr.
“
And so we find Fussell living alone in a flat unfurnished except for an exercise machine and 'A cardboard cut-out of Arnold with loin cloth and sword as Conan the Barbarian'. Thus the heterosexual bodybuilder's relationship to homosexuality is revealed as a sad kind of insubstantial shadow of it, a kind of mourning, a ghostly kind of love.
”
”
Mark Simpson (Male Impersonators: Men Performing Masculinity)
“
broad leaves are born
we relearn fragile green
waves of wind
light harvested into food
sun making breath
river washing land
lake suffocating ice
trees bleeding sweet
i’ve only ever seen you
hitchhiking into dreams
or running from the headlights
but today
here you are
just sleeping. sitting. eating
hours of still
armfuls of nothing.
”
”
Leanne Betasamosake Simpson (Islands of Decolonial Love: Stories & Songs)
“
The typical metrosexual is a young man with money to spend, living in or within easy reach of a metropolis — because that’s where all the best shops, clubs, gyms and hairdressers are. He might be officially gay, straight or bisexual, but this is utterly immaterial because he has clearly taken himself as his own love object and pleasure as his sexual preference.
”
”
Mark Simpson
“
Stained-glass windows glowed faintly in the moonlight streaming through, illuminating the sculpture of Christ on the cross that hung above the altar.
It was the most beautiful thing he had ever seen.
Then the sculpture seemed to move, and Christ’s body twisted on the cross to look directly at him. ...Jesus, the son of God and his saviour, seemed be smiling at him.
”
”
Phillip W. Simpson (Rapture (Rapture Trilogy, #1))
“
Someone has beautifully analyzed the fruit of the Spirit in Gal. 5: 22, and shown that all the graces there mentioned are but various forms of love itself. The apostle is not speaking of different fruits, but of one fruit, the fruit of the Spirit, and the various words that follow are but phrases and descriptions of the one fruit, which is love itself. Joy, which is first mentioned, is love on wings; peace, which follows, is love folding its wings, and nestling under the wings of God; longsuffering is love enduring; gentleness is love in society; goodness is love in activity, faith is love confiding; meekness is love stooping; temperance is true self-love, and the proper regard for our own real interests, which is as much the duty of love, as regard for the interests of others.
”
”
A.B. Simpson (The A.B. Simpson Collection: 32 Classic Works)
“
I took all this criticism very personally, thinking I was bringing about America’s moral decay. So I decided to write children’s books. This was a stretch for me, because I hate children. But, Dr. Seuss hated children. So did Hans Christian Andersen. Lewis Carroll loved children in a way that’s illegal in forty-eight states. (I mentioned this in a lecture, and someone asked, “What are the two states where it’s okay?” That’s how I met R. Kelly.)
”
”
Mike Reiss (Springfield Confidential: Jokes, Secrets, and Outright Lies from a Lifetime Writing for The Simpsons)
“
Hancock: I was talking about Olive, my sweetheart.
Sid : And a load of old rubbish it was too.
Hancock: Oh well of course, I wouldn't expect you to understand. How could a man like you hope to understand the sensitive world of two children who discover the wonders of innocent love for the first time.
Sid: 'Innocent love'. If I'd been your old man I'd have given you a thump round the earhole and kicked you up to bed.
Hancock: I don't think I've such a crude man in my life.
”
”
Ray Galton (Hancock's Half Hour)
“
The Worst Man in Australia Australians love The Simpsons, except, naturally, the episode where the family goes there. That episode was condemned in the Australian parliament, which is a Hooters, by the way. They didn’t object to us saying the Australian penal system involved kicking offenders with a giant boot, or that their prime minister’s office was an inner tube in a pond. Nope. What they didn’t like was our cast’s attempt at doing an Australian accent. Mind you, the true Australian accent is semi-incomprehensible
”
”
Mike Reiss (Springfield Confidential: Jokes, Secrets, and Outright Lies from a Lifetime Writing for The Simpsons)
“
It won't work. You see, he is a liar and a thief. And he's been one for too long. He can't retire now. In addition to which. He has become, I'm afraid, a hack.'
'He may be all those things but she knows he's not.'
'What gives her that curious idea?'
'She's been with him constantly for the last few days. She's seen him shaking with terror, exhausted, ready to quit. She's watched him pull himself together again and she's also seen him be warm and tender. And funny. Not famous-international-wit funny but really funny.'
'Do you think she's an idiot? Do you think she doesn't know what kind of man he is? Or what he needs?'
'And what he needs is L-O-V-E? Uh-uh it's too late. He is 43 years old. Or will be this October. He's been married twice, both times disastrously and there have been too many years of... too much dough, too much bad writing and too much whiskey. He's got nothing left inside to give. Even if he could, which he can't.'
'But that's not true. You can, you have. I just know it.'
'No, you don't. It's lousy. In any case, the problem is you're not in love with the script. You're in love with me. And why shouldn't you be? When suddenly, waltzing into your life comes this charming and relatively handsome stranger. Me. Smooth as silk, with a highly practised line of chatter, specifically designed to knock relatively unsophisticated chicks like you Miss Simpson, right on their ears. Which I'm terribly afraid I've done. Well if it's the last decent thing I do in this world, and it very well may be, I'm going to fix that. I'm going to send you packing Miss Simpson before I cause you serious and irrevocable harm. You want the truth? Of course you don't. I'll give it to you anyway. I do not give one damn about anything.
”
”
Julien Duvivier
“
The really strange thing about this is that it was one of the Fog Facts.
That is, it was not a secret. It was known. But it was not known. That is, if you asked a knowledgeable journalist, or political analyst, or a historian, they knew about it. If you yourself went and checked the record, you could find it out. But if you asked the man in the street if President Scott, who loved to have his picture taken among the troops and driving armored vehicles and aboard naval vessels, if you asked if Scott had found a way to evade service in Vietnam, they wouldn't have a clue, and, unless they were anti-Scott already, they wouldn't believe it.
In the information age there is so much information that sorting and focus and giving the appropriate weight to anything have become incredibly difficult. Then some fact, or event, or factoid mysteriously captures the world's attention and there's a media frenzy. Like Clinton and Lewinsky. Like O. J. Simpson. And everybody in the world knows everything about it. On the flip side are the Fog Facts, important things that nobody seems able to focus on any more than the can focus on a single droplet in the mist. They are known, but not known.
”
”
Larry Beinhart (The Librarian)
“
To get to this point, to talking to you right here in this moment, I had to really feel. And I hadn’t been doing that. Up until a few years ago, I had been a feelings addict. Love, loss—whichever, whatever, as long as it was epic. I just needed enough noise to distract me from the pain I had been avoiding since childhood. The demons of traumatic abuse that refused to let me sleep at night—Tylenol PM at age twelve, red wine and Ambien as a grown, scared woman. Those same demons who perched on my shoulder, and when they saw a man as dark as them, leaned in to my ear to whisper, “Just give him all your light. See if it saves him. . . .
”
”
Jessica Simpson (Open Book)
“
I once saw a picture of the Constitution of the United States, very skillfully engraved in copper plate, so that when you looked at it closely it was nothing more than a piece of writing, but when you looked at it at a distance, it was the face of George Washington. The face shone out in the shading of the letters at a little distance, and I saw the person, not the words, nor the ideas; and I thought, “‘That is the way to look at the Scriptures and understand the thoughts of God, to see in them the face of love, shining through and through; not ideas, nor doctrines, but Jesus Himself as the Life and Source and sustaining Presence of all our life.
”
”
A.B. Simpson
“
I know he accused Nick of making me dependent on him for everything, which is the pot calling up the kettle to have a long talk about being black. My mom loved Nick, but right or wrong, my parents had spent my life making me think that I couldn’t do anything without them. At twenty-one years old, I was still very much a child. I didn’t know how to write a check, but, somehow, I was paying for everything. I knew that I was making money, but I didn’t think of myself as the family breadwinner. I just thought my money was their money. Honestly, what I knew for sure was that it stopped my family from having as many fights, so I felt lucky that I could be the one to help keep the peace.
”
”
Jessica Simpson (Open Book)
“
Hi, I’m Gale Norton,” she said. “Welcome to the White House.” “I’m Jessica,” I said, shaking her hand. I made a stab at small talk. “And what do you do?” “I’m the secretary of the interior,” she said. “Oh my gosh,” I said, waving my arm high to take in the room. “I love what you’ve done with the place. Everything is beautiful.” My dad pinched my arm, and she just walked away. I was trying to be nice and give a compliment, but that’s her Jessica Simpson story. Now I know the secretary of the interior manages federal land and national parks. Believe me, I beat myself up so much over that one that I could ace a test on it. At least I’d made it to the White House again. I couldn’t believe my good fortune.
”
”
Jessica Simpson (Open Book)
“
She can’t explain or quite understand what it is that is special about dancing with Harry. When he opens his arms to her, he is so sure, the way he holds her, not too hard, not too soft. Like coming home. Where she belongs. The way he moves her. They are a part of the music. Their bodies fit together, move like one person. Perfect. The way a man and a woman must feel, she thinks, when they are in love. He makes her feel beautiful, too, like when he assures her that someday she will be good enough to be a professional dancer. Harry must know, because he is the best dancer, the best teacher, a girl could have, patient and gentle. She is lucky that he believes in her. That is how she feels outside his door.
”
”
Alice Sherman Simpson (Ballroom)
“
member of the family recounted a few stories or read a poem. “His mind was never a captive of reality,” Laurene said. “He possessed an epic sense of possibility. He looked at things from the standpoint of perfection.” Mona Simpson, as befitting a novelist, had a finely crafted eulogy. “He was an intensely emotional man,” she recalled. “Even ill, his taste, his discrimination, and his judgment held. He went through sixty-seven nurses before finding kindred spirits.” She spoke of her brother’s love of work and noted that “even in the last year, he embarked upon projects and elicited promises from his friends at Apple to finish them.” She also, more personally, stressed his love of Laurene and all four of his children.
”
”
Walter Isaacson (Steve Jobs)
“
He’s coming off the bridge,” said Serge. “The rocks will start soon.” “Rocks?” “It’s local tradition, and another reason I love the Keys.” Serge stood and put on his sneakers. “It’s our version of when those people went out to the overpasses and waved at O. J. Simpson during the slow-motion chase. Except in the Keys, when there’s a high-speed pursuit on TV heading south, the locals line the road and wait for the car to come off the bridge to Key Largo. Last time was around Christmas.” “You’re right.” Coleman pointed at the TV again. “They’re lining the side of the road. They’re throwing rocks.” “And we’re at Mile Marker 105, so that gives us about three minutes.” Serge tightened the Velcro straps on his shoes. “Let’s go throw rocks.
”
”
Tim Dorsey (The Riptide Ultra-Glide (Serge Storms #16))
“
for every adult person you look up to in life there is trailing behind them an invisible chain gang of ghosts, all of which, as a child, you are generously spared from meeting. I know now, however, that these ghosts exist, and that other adults can see them. The lost loves, the hurt friends, the dead: they follow their owner forever. Perhaps this is why we feel so crowded around those people who we know have had hard times. Perhaps this is why we find so little to say. We suffer an odd brand of stage fright, I think, before all those dreadful eyes. And maybe that’s what my uncle had noticed about Mr. Simpson on the lawn that night of the fight. Maybe in my eyes, a child’s eyes, it was just the three of us squatting in the grass. But, to those two men, the lawn appeared to be full of bodies, full of the people they’d made mistakes with in life now tethered to them and ill-rested and serving no purpose but to remind them of the one awful thing: that life is made up, ever increasingly, of what you cannot change.
”
”
M.O. Walsh (My Sunshine Away)
“
It’s just time to marry, that’s all,” she said. “I’m so tired of dating! I’m so tired of keeping up a good front! I want to sit on the couch with a regular, normal husband and watch TV for a thousand years. It’s going to be like getting out of a girdle; that’s exactly how I picture it.” “What are you saying?” Maggie asked. She was almost afraid of the answer. “Are you telling me you don’t really love Max?” “Of course I love him,” Serena said. She blended the dots into her skin. “But I’ve loved other people as much. I loved Terry Simpson our sophomore year—remember him? But it wasn’t time to get married then, so Terry is not the one I’m marrying.” Maggie didn’t know what to think. Did everybody feel that way? Had the grownups been spreading fairy tales? “The minute I saw Eleanor,” her oldest brother had told her once, “I said, ‘That girl is going to be my wife someday.’ ” It hadn’t occurred to Maggie that he might simply have been ready for a wife, and therefore had his eye out for the likeliest prospect. So there again, Serena had managed to color Maggie’s view of things. “We’re not in the hands of fate after all,” she seemed to be saying. “Or if we are, we can wrest ourselves free anytime we care to.
”
”
Anne Tyler (Breathing Lessons)
“
There were three great comedians in my formative years—Bill Cosby, Bill Murray, and Richard Pryor—and they wrecked comedy for a generation. How? By never saying anything funny. You can quote a Steve Martin joke, or a Rodney Dangerfield line, but Pryor, Cosby, and Murray? The things they said were funny only when they said them. In Cosby’s case, it didn’t even need to be sentences: “The thing of the thing puts the milk in the toast, and ha, ha, ha!” It was gibberish and America loved it.
The problem was that they inspired a generation of comedians who tried coasting on personality—they were all attitude and no jokes. It was also a time when comedy stars didn’t seem to care. Bill Murray made some lousy movies; Richard Pryor and Eddie Murphy made even more; and any script that was too lame for these guys, Chevy Chase made. These were smart people—they had to know how bad these films were, but they just grabbed a paycheck and did them. Most of these comic actors started as writers—they could have written their own scripts, but they rarely bothered.
Then, at the end of a decade of lazy comedy and half-baked material, The Simpsons came along. We cared about jokes, and we worked endless hours to cram as many into a show as possible. I’m not sure we can take all the credit, but TV and movies started trying harder. Jokes were back. Shows like 30 Rock and Arrested Development demanded that you pay attention. These days, comedy stars like Seth Rogen, Amy Schumer, Kristen Wiig, Melissa McCarthy, and Jonah Hill actually write the comedies they star in.
”
”
Mike Reiss (Springfield Confidential: Jokes, Secrets, and Outright Lies from a Lifetime Writing for The Simpsons)
“
SCULLEY. Pepsi executive recruited by Jobs in 1983 to be Apple’s CEO, clashed with and ousted Jobs in 1985. JOANNE SCHIEBLE JANDALI SIMPSON. Wisconsin-born biological mother of Steve Jobs, whom she put up for adoption, and Mona Simpson, whom she raised. MONA SIMPSON. Biological full sister of Jobs; they discovered their relationship in 1986 and became close. She wrote novels loosely based on her mother Joanne (Anywhere but Here), Jobs and his daughter Lisa (A Regular Guy), and her father Abdulfattah Jandali (The Lost Father). ALVY RAY SMITH. A cofounder of Pixar who clashed with Jobs. BURRELL SMITH. Brilliant, troubled hardware designer on the original Mac team, afflicted with schizophrenia in the 1990s. AVADIS “AVIE” TEVANIAN. Worked with Jobs and Rubinstein at NeXT, became chief software engineer at Apple in 1997. JAMES VINCENT. A music-loving Brit, the younger partner with Lee Clow and Duncan Milner at the ad agency Apple hired. RON WAYNE. Met Jobs at Atari, became first partner with Jobs and Wozniak at fledgling Apple, but unwisely decided to forgo his equity stake. STEPHEN WOZNIAK. The star electronics geek at Homestead High; Jobs figured out how to package and market his amazing circuit boards and became his partner in founding Apple. DEL YOCAM. Early Apple employee who became the General Manager of the Apple II Group and later Apple’s Chief Operating Officer. INTRODUCTION How This Book Came to Be In the early summer of 2004, I got a phone call from Steve Jobs. He had been scattershot friendly to me over the years, with occasional bursts of intensity, especially when he was launching a new product that he wanted on the cover of Time or featured on CNN, places where I’d worked. But now that I was no longer at either of those places, I hadn’t heard from him much. We talked a bit about the Aspen Institute, which I had recently joined, and I invited him to speak at our summer campus in Colorado. He’d be happy to come, he said, but not to be onstage. He wanted instead to take a walk so that we could talk. That seemed a bit odd. I didn’t yet
”
”
Walter Isaacson (Steve Jobs)
“
Lord, make your home in the place you lead me. Take that place and fill it with your love. Make me at home wherever you lead me. May each place reflect a glory all your own.
”
”
Ray Simpson (40 Prayers from Celtic Christianity)
“
But for every adult person you look up to in life there is trailing behind them an invisible chain gang of ghosts, all of which, asa child you are generously spared from meeting. I know now, however, that these ghosts exist, and that other adults can see them. The lost loves, the hurt friends, the dead: they follow their owner forever. Perhaps this is why we feel so crowded around those people who we know have had hard times. Perhaps this is why we find so little to say. We suffer an odd brand of stage fright, I think, before all those dreadful eyes. And maybe that’s what my uncle had noticed about Mr. Simpson on the lawn that night of the fight. Maybe in my eyes, a child’s eye, it was just the three of us squatting in the grass. But, to those two men, the lawn appeared to be full of bodies, full of the people they’d made mistakes with in life now tethered to them and ill-rested and serving no purpose but to remind them of the one awful things: that life is made up, ever increasingly, of what you cannot change.
”
”
M.O. Walsh
“
and I use that term precisely. You can understand exactly one-half of what an Australian person says. Generally, it’s the first half: “You know, if I was running your Congress I’d langa danga langa danga danga.” But sometimes you can follow only the second half: “Langa danga langa danga and I woke up with a dead hooker covered in shrimp.” I’ve made six wonderful trips Down Under and have met only one local who didn’t love The Simpsons—he was my tour guide to the city of Cairns. What follows is a verbatim transcript from the long day we spent together:
”
”
Mike Reiss (Springfield Confidential: Jokes, Secrets, and Outright Lies from a Lifetime Writing for The Simpsons)
“
He also cut another bit we liked—a character named Gravy Wallace who loved gravy. That was it—Gravy Wallace loved gravy. Maybe the showrunner was right and it was stupid. But maybe Gravy could’ve been the next Disco Stu.
”
”
Mike Reiss (Springfield Confidential: Jokes, Secrets, and Outright Lies from a Lifetime Writing for The Simpsons)
“
It is a very solemn and awful thing to think how we can hinder God’s purposes of love for us. Oh, ye, who have been born of holy parentage; ye, whose childhood has been environed with every holy association and every godly influence; ye, who are the children of a mother’s prayers and a father’s faith; ye, whose early days have been overshadowed by the very wings of the Almighty, and whose inner consciousness has felt the touch of heaven and
”
”
A.B. Simpson (Danger Lines in the Deeper Life)
“
You need to be careful to stay out of Charlie’s line of sight,” Steve said to me. “I want Charlie focusing only on me. If he changes focus and starts attacking you, it’s going to be too difficult for me to control the situation.”
Right. Steve got no argument from me. Getting anywhere near those bone-crushing jaws was the furthest thing from my mind. I wasn’t keen on being down on the water with a huge saltwater crocodile trying to get me. I would have to totally rely on Steve to keep me safe.
We stepped into the dinghy, which was moored in Charlie’s enclosure, secured front and back with ropes. Charlie came over immediately to investigate. It didn’t take much to encourage him to have a go at Steve. Steve grabbed a top-jaw rope. He worked on roping Charlie while the cameras rolled.
Time and time again, Charlie hurled himself straight at Steve, a half ton of reptile flesh exploding up out of the water a few feet away from me. I tried to hang on precariously and keep the boat counterbalanced. I didn’t want Steve to lose his footing and topple in. Charlie was one angry crocodile. He would have loved nothing more than to get his teeth into Steve.
As Charlie used his powerful tail to propel himself out of the water, he arched his neck and opened his jaws wide, whipping his head back and forth, snapping and gnashing. Steve carefully threw the top-jaw rope, but he didn’t actually want to snag Charlie. Then he would have had to get the rope off without stressing the croc, and that would have been tricky.
The cameras rolled. Charlie lunged. I cowered. Steve continued to deftly toss the rope. Then, all of a sudden, Charlie swung at the rope instead of Steve, and the rope went right over Charlie’s top jaw. A perfect toss, provided that had been what Steve was trying to do. But it wasn’t. We had a roped croc on our hands that we really didn’t want.
Steve immediately let the rope go slack. Charlie had it snagged in his teeth. Because of Steve’s quick thinking and prompt maneuvering, the rope came clear. We breathed a collective sigh of relief.
Steve looked up at the cameras. “I think you’ve got it.”
John agreed. “I think we do, mate.”
The crew cheered. The shoot lasted several minutes, but in the boat, I wasn’t sure if it had been seconds or hours. Watching Steve work Charlie up close had been amazing--a huge, unpredictable animal with a complicated thought process, able to outwit its prey, an animal that had been on the planet for millions of years, yet Steve knew how to manipulate him and got some fantastic footage.
To the applause of the crew, Steve got us both out of the boat. He gave me a big hug. He was happy. This was what he loved best, being able to interact and work with wildlife. Never before had anything like it been filmed in any format, much less on thirty-five-millimeter film for a movie theater. We accomplished the shot with the insurance underwriters none the wiser.
Steve wanted to portray crocs as the powerful apex predators that they were, keeping everyone safe while he did it. Never once did he want it to appear as though he were dominating the crocodile, or showing off by being in close proximity to it. He wished for the crocodile to be the star of the show, not himself.
I was proud of him that day. The shoot represented Steve Irwin at his best, his true colors, and his desire to make people understand how amazing these animals are, to be witnessed by audiences in movie theaters all over the world. We filmed many more sequences with crocs, and each time Steve performed professionally and perfected the shots. He was definitely in his element.
With the live-croc footage behind us, the insurance people came on board, and we were finally able to sign a contract with MGM. We were to start filming in earnest. First stop: the Simpson Desert, with perentie lizards and fierce snakes.
”
”
Terri Irwin (Steve & Me)
“
Well, how else to explain… all of this? Or me, of course? Or us? Snocones, Pokémon, the Simpsons, the justice system in America, iPods.
”
”
James Patterson (Sundays at Tiffany's: What If Your Imaginary Friend from Childhood was Your One True Love?)
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At its most intense, the admissions process didn’t force kids to be Lisa Simpson; it turned them into Eddie Haskell. (“You look lovely in that new dress, Ms. Admissions Counselor.”) It guaranteed that teenagers would pursue life with a single ulterior motive, while pretending they weren’t. It coated their every undertaking in a thin lacquer of insincerity. Befriending people in hopes of a good rec letter; serving the community to advertise your big heart; studying hard just to puff up the GPA and climb the greasy poll of class rank—nothing was done for its own sake. Do good; do well; but make sure you can prove it on a college app. So
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Andrew Ferguson (Crazy U: One Dad's Crash Course in Getting His Kid Into College)
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Loss and betrayal, however, cause such excruciating pain that it is tempting to block the heart to prevent this misery from happening again. No love, no pain. Why keep the heart open? Sometimes it feels safer to just close the window and get on with life.
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Fay Simpson (The Lucid Body: A Guide for the Physical Actor)
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And, most important, I love you.
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Jessica Simpson (Open Book)
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The suffering of mental illness, whether for the afflicted or for their families, is typically marked by isolation. When people desperately need to experience the love and empathy of their fellow human beings and to know that their Creator has not abandoned them, many reach out and are shocked to touch the church's painfully cold shoulder.
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Amy Simpson (Troubled Minds: Mental Illness and the Church's Mission)
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Alfie is the goon in the team: think of Scooby-Doo with the brains of Homer Simpson. People often can’t believe he’s a collie because he is as smooth as a piglet and built like a lurcher with long legs and a deep chest. He is a true athlete and can run for miles and miles without tiring. Dog owners call it ‘having a good engine.’ He is obedient to the last – but sometimes ‘obedient’ can be another word for ‘stupid.’ If I ask him to lie down and get side-tracked, he will stay glued to the very spot until eventually I come looking for him ten minutes later. I would take sheep out the same gate every day for a week and on day seven Alfie would still need to be told what to do. But he is a great work dog and very honest, and no matter what situation he gets into he is always listening for my commands and has full faith that I will not see him wrong.
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Emma Gray (One Girl and Her Dogs: Life, Love and Lambing in the Middle of Nowhere)
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Neve plonked the chicken down on the table, then stood there with arms folded. 'Give Max his presents, then I'll feed you,' she commanded.
The Tesco's bag was handed over and Max pulled out two bottles of Cava (which Neve knew were in a two for five pounds promotion), a small box of Quality Street and a pair of Homer Simpson socks.
'My God, have you no shame?
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Sarra Manning (You Don't Have to Say You Love Me)
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Black women - the world knows that we are strong because our strength is legendary. We are Harriet Tubman, Michelle Obama, and Rosa Parks. We are Oprah Winfrey, Nanny, and Mae Jameson. We are Shirley Chisholm, Portia Simpson and Maya Angelou. We have birthed a nation, rescued slaves, built empires, traveled to space and written our place in history. Survival is not enough; we were built to rise.
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Janet Autherine (The Heart and Soul of Black Women: Poems of Love, Struggle and Resilience)
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Step aside everyone! Sensitive love letters are my specialty. 'Dear Baby, Welcome to Dumpsville. Population: you.
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Homer Simpson (The Simpsons)
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In each hour of my workday, make me aware, Spirit of Life, of the Eye that beholds me, the Hand that holds me, the Heart that loves me, the Presence that enfolds me.
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Ray Simpson (Celtic Prayers for the Rhythm of Each Day)
“
From The Titanic Test:
I pulled him back down to me, this time for a slow-burn kiss, the kind designed to set your hair on fire and take all the oxygen out of your lungs. I didn’t want to talk. Didn’t want to think. Didn’t want to hear any high school crap. We were on the deck of one of the most famous ships in the world. He was a guy in a tuxedo. I was a girl in a glamorous gown. We’d danced the night away.
It was our movie moment.
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Ann K. Simpson (The Titanic Test: A Love Story)
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When you kiss me, I forget where I’m.
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Serena Simpson (Aran (Love Me Harder #1))
Serena Simpson (Hale (Love Me Harder #5))
Serena Simpson (Aran (Love Me Harder #1))
“
He sat down at the piano and flexed his fingers before he began to play. It was a slow piece that Amber loved to listen to on the radio; it spoke of the possibility of love after waiting a lifetime.
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Serena Simpson (Alexei (Love Me Harder #6))
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We think we aren’t worth loving, so it will take a long time for the right male to see our worth, even longer for him to love us. When it’s just there. When they love us, faults and all, we balk. It must be
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Serena Simpson (Sergey (Love Me Harder #3))
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Today is the autumnal equinox, when the hours of light and dark are in equal balance. This is a good day to take stock to make sure that we have a God-given equilibrium in our lives. This may seem a forlorn and frustrating task, until we realize that Christ, who is the perfect specimen of a balanced human being, can calm our agitated or overworked parts, heal our sick parts, and strengthen our weak parts. Gildas, who has been nicknamed the Jeremiah of the early British church because he was so critical of its lax members, believed in fasting and prayer—yet he was equally aware of the danger of going overboard and losing a sense of proportion. He wrote: There is no point in abstaining from bodily food if you do not have love in your heart. Those who do not fast much but who take great care to keep their heart pure (on which, as they know, their life ultimately depends) are better off than those who are vegetarian, or travel in carriages, and think they are therefore superior to everyone else. To these people death has entered through the window of their pride. Grant me the serenity— that comes from placing the different parts of my being under your harmonizing sway. Today may I grow in balance. SEPTEMBER
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Ray Simpson (The Celtic Book of Days: Ancient Wisdom for Each Day of the Year from the Celtic Followers of Christ)
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Our capacity for love is our greatest advantage. It’s what propels our species forward and guarantees that we won’t destroy ourselves.
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David Simpson (Inhuman (Post-Human, #5))
“
See, you do care about him! Sarah, what Nolan Walker needs is a good wife to encourage him, to see that he eats properly, make sure he gets his rest.” The picture Prissy had painted of Sarah as devoted wife, caring for Nolan, was a very appealing one. But she couldn’t dwell on it, because Prissy wasn’t done. “When are you going to get off your lofty perch and let yourself love him?” she went on. “That excuse that he’s a Yankee’s wearing a little thin by now, don’t you think?” Sarah stared at her as they had reached their little cottage and went in. She hung up her coat with a sigh, then took Prissy’s coat and hung it up, too. “Dr. Walker and I have become friends. But how can he and I be anything more if he’s not a believer? The Bible warns about being unequally yoked, you know.” Prissy groaned exasperatedly. “Sarah Matthews, if you gave that man the slightest bit of encouragement, he’d be sitting in the front pew every Sunday morning, and you know it.
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Laurie Kingery (The Doctor Takes a Wife (Brides of Simpson Creek, #2))
“
Oh, Nolan, he’s nothing like the sweet young man I loved before he went to war!” “Ssssh, sweetheart,” he soothed, still holding her and resting his face against her hair. “War has a way of changing men, and frequently not for the better. But it’s over now. You’re safe.” “But you heard him! He didn’t just threaten me, he threatened the whole town!” she wailed. “What are we going to do?” “We won’t have to do anything,” Nolan assured her. “Those were empty threats. Some men don’t take rejection very well, that’s all.
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Laurie Kingery (The Doctor Takes a Wife (Brides of Simpson Creek, #2))
“
So what are you going to wear?” Prissy asked. Sarah shrugged. “I don’t know…I suppose you have a suggestion, now that you’ve seen the entire contents of my wardrobe?” Prissy giggled. “I think you should wear that lovely red grenadine dress with the green piping. Very festive. And men like red dresses.” “I don’t give a fig what color Dr. Walker likes!” “Ah, but I said ‘men.’ You applied my generalization to Dr. Walker.
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Laurie Kingery (The Doctor Takes a Wife (Brides of Simpson Creek, #2))
“
If that were the test,” the A.I. replied, his voice shaking, partially in revulsion, and partially from the fear of the nothingness he was about to experience, “to see which creature could most efficiently abandon love, friendship, loyalty, and a respect for things greater than themselves, then I’d rather die now and return to oblivion. That isn’t a game I’d choose to win.” V-SINN
”
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David Simpson (Inhuman (Post-Human, #5))
“
Before the New Kingdom, the bestowal of “divine love” occurred by a “superior” deity upon a human, a subordination that extended down the chain of authority, passed from gods to royals, from royals to non-royal officials, from officials to their wives and relatives, etc.[538] In this regard, Doxey further relates: [Egyptologist] W.K. Simpson has studied the concept of divine love, asserting that prior to the New Kingdom, love was always bestowed by a superior upon a subordinate. Simpson’s view is certainly correct with regard to the love of gods. During the Middle Kingdom, humans always receive divine love; they are never described as “loving” a god.[539] On some occasions, such as when the king was “beloved by the people,” such love or mri could apparently be “reciprocated between superiors and subordinates” as well.[540] The clarification of the Middle and New Kingdoms indicates that this custom changed during the New Kingdom, with the use of the mry epithet becoming increasingly popular even as applied to deities. It is evident that, especially after the Hellenization of the Ptolemaic and Greco-Roman periods, various Egyptian deities became the objects of “divine love” and were themselves invoked as “beloved” or Mery. In reality, this ability to bestow mry upon even the “chief of all gods” is demonstrated as early as the New Kingdom in a hymn from the Papyrus Kairo CG 58038 (Boulaq 17), parts of which may date to the late Middle Kingdom,[541] such as the 18th Dynasty (1550-1292 BCE), and in which we find the combined god Amun-Re praised as “the good god beloved.”[542] Indeed, at P. Boulaq 17, 3.4, we find Amun-Re deemed Mry, as part of the epithet “Beloved of the Upper Egyptian and Lower Egyptian Crowns.”[543] Amun-Re is also called “beloved” in Budge’s rendering of the Book of the Dead created for the Egyptian princess and priestess Nesi-Khonsu (c. 1070-945 BCE).[544]
”
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D.M. Murdock (Christ in Egypt: The Horus-Jesus Connection)
“
But it isn’t the fun of DIY invention, urban exploration, physical danger, and civil disorder that the Z-Boys enjoyed in 1976. It is fun within serious limits, and for all of its thrills it is (by contrast) scripted. And rather obedient. The fact that there are public skateparks and high-performance skateboards signals progress: America has embraced this sport, as it did bicycles in the nineteenth century. Towns want to make skating safe and acceptable. The economy has more opportunity to grow. America is better off for all of this. Yet such government and commercial intervention in a sport that was born of radical liberty means that the fun itself has changed; it has become mediated. For the skaters who take pride in their flashy store-bought equipment have already missed the Z-Boys’ joke: Skating is a guerrilla activity. It’s the fun of beating, not supporting, the system. P. T. Barnum said it himself: all of business is humbug. How else could business turn a profit, if it didn’t trick you with advertising? If it didn’t hook you with its product? This particular brand of humbug was perfected in the late 1960s, when merchandise was developed and marketed and sold to make Americans feel like rebels. Now, as then, customers always pay for this privilege, and purveyors keep it safe (and generally clean) to curb their liability. They can’t afford customers taking real risks. Plus it’s bad for business to encourage real rebellion. And yet, marketers know Americans love fun—they have known this for centuries. And they know that Americans, especially kids, crave autonomy and participation, so they simulate the DIY experience at franchises like the Build-A-Bear “workshops,” where kids construct teddy bears from limited options, or “DIY” restaurants, where customers pay to grill their own steaks, fry their own pancakes, make their own Bloody Marys. These pay-to-play stores and restaurants are, in a sense, more active, more “fun,” than their traditional competition: that’s their big selling point. But in both cases (as Barnum knew) the joke is still on you: the personalized bear is a standardized mishmash, the personalized food is often inedible. As Las Vegas knows, the house always wins. In the history of radical American fun, pleasure comes from resistance, risk, and participation—the same virtues celebrated in the “Port Huron Statement” and the Digger Papers, in the flapper’s slang and the Pinkster Ode. In the history of commercial amusement, most pleasures for sale are by necessity passive. They curtail creativity and they limit participation (as they do, say, in a laser-tag arena) to a narrow range of calculated surprises, often amplified by dazzling technology. To this extent, TV and computer screens, from the tiny to the colossal, have become the scourge of American fun. The ubiquity of TV screens in public spaces (even in taxicabs and elevators) shows that such viewing isn’t amusement at all but rather an aggressive, ubiquitous distraction. Although a punky insurgency of heedless satire has stung the airwaves in recent decades—from equal-opportunity offenders like The Simpsons and South Park to Comedy Central’s rabble-rousing pundits, Jon Stewart and Stephen Colbert—the prevailing “fun” of commercial amusement puts minimal demands on citizens, besides their time and money. TV’s inherent ease seems to be its appeal, but it also sends a sobering, Jumbotron-sized message about the health of the public sphere.
”
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John Beckman (American Fun: Four Centuries of Joyous Revolt)
“
This is getting weird,” Lip said, flipping through some of the others. “Do you think these are code?” “Could be. Don’t know. Not our speed, though. We’re going to need to call in some favors to get them run.” Lip nodded. “That shouldn’t be a problem. We’ll use our go-to boy.” “Lawrence?” “He owes us.” Lawrence Simpson. He still worked at the NSA. Man was a lifer. And he owed them big. “They’ve got the Black Widow now,” Lip said. “I’d love to work with that baby.” The Black Widow. The NSA’s colossal Cray supercomputer. Thing could scan through millions of emails, phone calls, you name it, in seconds. It could find patterns, search for key words, and do it on a scale that was unfathomable. “Keep dreaming,” Marks said. Lip could get carried away. Like the NSA was going to let ‘em use that. Thing was needed for its job. Like spying on the world. First time on the job Marks was pretty blown away. Didn’t faze him in the least now, knowing that the NSA captured every bit of correspondence every day and every second from around the world. Phone calls, cell or land lines. Domestic and international. Emails. Text messages. Fuckin’ everything. It was all captured, scanned and stored. And Lip and he had a hand in helping with that. Still were helping. Information in motion. There were always new pipes that needed to be tapped, more splitters to put in place somewhere around the world. Dubai, Chóngqing, Bangalore… Marks and Lip, just two of your friendly cable box installers. No job too small or too far away. Marks eyed the walls again. In a micro sense this was almost like a snapshot of the soup. Random and nonsensical. Just a bunch of non-related groups lumped together. He examined some of the newspaper clippings. It was weird to see the paper content.
”
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Dave Buschi (Proportionate Response)
“
Mona Simpson, rose to honor him at his memorial service, that’s not what she focused on. Yes, she talked about his work and his work ethic. But mostly she raised these as manifestations of his passions. “Steve worked at what he loved,” she said. What really moved him was love. “Love was his supreme virtue,” she said, “his god of gods. “When [his son] Reed was born, he began gushing and
”
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Arianna Huffington (Thrive: The Third Metric to Redefining Success and Creating a Life of Well-Being, Wisdom, and Wonder)
“
on the inside, a diamond is one of the toughest objects found in nature—just like you. You’re beautiful on the outside, but inside you’re an amazing combination of strength and love. And somehow I was lucky enough to earn your love. Allegra Simpson, will you marry me?” Allegra
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Kathleen Brooks (Fashioned for Power (Women of Power, #3))
“
if you feel sick just be sick. if you love someone just tell them.
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Chris (Simpsons Artist)
“
His warm voice was quickly replaced by one as cold as the ashes of lost love, the whites of his eyes suddenly darkened to a coal blackness, and his teeth became long and shark-like in their razor sharpness;
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David Simpson (Post-Human Omnibus)
“
Thel’s love-drenched eyes
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David Simpson (Post-Human Omnibus)
“
People want what isn’t given to them. And this is not sin, but hope. What if God didn’t put us here to accept, but to struggle? Isn’t love itself built of that precise impossible hope?
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Katy Simpson Smith (The Story of Land and Sea)
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People still love a well-delivered talk; the top professional speakers charge more per person than a Bruce Springsteen concert.
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Jay Heinrichs (Thank You for Arguing: What Aristotle, Lincoln, and Homer Simpson Can Teach Us About the Art of Persuasion)
“
Her fears must have shown on her face, for he reached out a hand and cupped her cheek. “Don’t worry, dear Sarah,” he said, in that flat downeast accent she was coming to love. “We doctors learn to doze in chairs, eyes closed, but with our ears attuned to any change. I’ll manage. Now go sleep—doctor’s orders.” She managed a weak smile at his words and left, sure she would never sleep a wink for worrying.
”
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Laurie Kingery (The Doctor Takes a Wife (Brides of Simpson Creek, #2))
“
Is this man bothering you, sweetheart?” Nolan said, coming forward and placing a proprietary hand on her shoulder. Sarah half turned and jumped, clearly startled. “Nolan! I’m glad you’re here. Please, just take me home.” Her face was flushed dully red with misery as she reached for his arm and took hold of it. He looked down into her eyes, hoping she read the love in them. “Of course.” Then he looked back at Holt, making sure the man wasn’t going for a gun. He wasn’t, but if looks could kill, Nolan knew he would have been sprawled on the floor. Clearly conscious of his enthralled audience, Holt’s face screwed itself into a mask of scorn as he looked him up and down. “This is the fellow you left me for? This Yankee swell in a frock coat? How could you, Sarah? Your ma an’ pa must be rollin’ in their graves, knowin’ their daughter’s cozy with a Yankee.” “That’s enough,” Nolan snapped. “The lady’s leaving, and you’re not to bother her further.” Holt cocked his head and drawled, “I declare, he talks funny.” A few of the onlookers chuckled. Nolan clenched his fists, but Sarah’s hand tightened on his wrist. “Please, let’s just go.” They turned and started for the door, but Holt wasn’t done. “You’ll be sorry, Sarah! This whole town’s gonna be sorry you threw me over!
”
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Laurie Kingery (The Doctor Takes a Wife (Brides of Simpson Creek, #2))
“
That’s my Sarah,” he said, extending an arm to tickle her nose with a vivid red Indian paintbrush blossom. “Always more concerned for others than herself. It’s one of the things I love about you.” She swatted playfully at the flower, capturing it, and tickling him back.
”
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Laurie Kingery (The Doctor Takes a Wife (Brides of Simpson Creek, #2))
“
I’m sorry, Jesse. I loved you, and I prayed every night during the war for your return, but now—” He straightened. “Loved me? You don’t love me any more? There’s someone else, isn’t there?” he demanded, his narrowed eyes twin smoldering fires. She looked away from his glare. She didn’t want to tell him about Nolan, didn’t want to hear his reaction to the news that his former fiancée was in love with one of the very Yankees he hated so much, especially since she and Nolan hadn’t even had the chance to explore their new feelings for one another yet. But she wouldn’t lie, not about the relationship that had come to mean so much to her. She just wouldn’t say any more than she had to. “Yes,” she said. “Yes, I’m sorry, there is. I wish you well, Jesse. And now I’d best be getting home.
”
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Laurie Kingery (The Doctor Takes a Wife (Brides of Simpson Creek, #2))
“
I’m here to make it up to you, Sarah. Run away with me, and we’ll get married, and I’ll introduce you to th’ boys. We’ll have a fine life—you’ll see. A couple of ’em are married, too, or they have lady friends here ’n’ there that ride along with us from time to time.” She couldn’t believe her ears. “You think I’d even consider leaving with you to live an outlaw’s life, always on the run?” “Aw, Sarah, we have a grand time, livin’ high off the hog. We’re free to do whatever we want, whenever we want. We eat the best food, drink the best wine—our ladies are drippin’ in jewelry and fancy clothes. But I’m willin’ to leave it all if you insist.” “‘Leave it all’?” “Sure. That’s how much I love you, sweetheart. If you don’t want to live free as a bird, I’ll come back and have that ranch with you. We’ll let Milly stay there, too, of course, but it ain’t fittin’ for no lady to be runnin’ a ranch anyway.” “I told you, Milly’s married now,” she managed to say, in the midst of the temper that was threatening to boil over into angry words. “I think her husband might take exception to that idea.” “We’ll buy him out, then,” he said grandly. “They can go find some other ranch. I know you always set great store by that old place.” She was conscious of the handful of other diners in the restaurant, and remembered again that her mother said ladies did not make a scene in public. She folded her hands in her lap and looked away. “I’m sorry, Jesse. I loved you, and I prayed every night during the war for your return, but now—” He straightened. “Loved me? You don’t love me any more? There’s someone else, isn’t there?” he demanded, his narrowed eyes twin smoldering fires. She looked away from his glare. She didn’t want to tell him about Nolan, didn’t want to hear his reaction to the news that his former fiancée was in love with one of the very Yankees he hated so much, especially since she and Nolan hadn’t even had the chance to explore their new feelings for one another yet. But she wouldn’t lie, not about the relationship that had come to mean so much to her. She just wouldn’t say any more than she had to. “Yes,” she said. “Yes, I’m sorry, there is. I wish you well, Jesse. And now I’d best be getting home.
”
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Laurie Kingery (The Doctor Takes a Wife (Brides of Simpson Creek, #2))
“
Still, I prayed that God would send me someone who longed for love like I did.
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Jessica Simpson (Open Book)