Simply Amazing Quotes

When it's over, I want to say: all my life I was a bride married to amazement. I was the bridegroom, taking the world into my arms. When it is over, I don't want to wonder if I have made of my life something particular, and real. I don't want to find myself sighing and frightened, or full of argument. I don't want to end up simply having visited this world.

Were you in love with him?' 'Yes,' I say, simply. James and I put each other through the kind of reckless passions Gwendolyn once talked about, joy and anger and desire and despair. After all that, was it really so strange? I am no longer baffled or amazed or embarrassed by it. 'Yes, I was.' It's not the whole truth. The whole truth is, I'm in love with him still.

Some things just couldn't be protectd from storms. Some things simply needed to be broken off...Once old thing were broken off, amazingly beautiful thing could grow in their place.

The circus arrives without warning. No announcements precede it. It is simply there, when yesterday it was not. Within the black-and-white striped canvas tents is an utterly unique experience full of breathtaking amazements. It is called Le Cirque des Rêves, and it is only open at night.

It's the most wonderful and terrible thing that can ever happen to you," she said simply. "You know that you've found something amazing, and you want to hold on to it forever; and every second after you have it, you fear the moment you might lose it." I sighed softly. She was absolutely right. Love was beautiful fear.

To be oneself, simply oneself, is so amazing and utterly unique an experience that it's hard to convince oneself so singular a thing happens to everybody.

It was the most amazing feeling in the world. to know that something right happened, and to know that it had happened not through luck or command but simply because it was right.

And when the event, the big change in your life, is simply an insight—isn't that a strange thing? That absolutely nothing changes except that you see things differently and you're less fearful and less anxious and generally stronger as a result: isn't it amazing that a completely invisible thing in your head can feel realer than anything you've experienced before? You see things more clearly and you know that you're seeing them more clearly. And it comes to you that this is what it means to love life, this is all anybody who talks seriously about God is ever talking about. Moments like this.

I used many times to touch my own chest and feel, under its asthmatic quiver, the engine of the heart and lungs and blood and feel amazed at what I sensed was the enormity of the power I possessed. Not magical power, but real power. The power simply to go on, the power to endure, that is power enough, but I felt I had also the power to create, to add, to delight, to amaze and to transform.

I have known friendship love, parental love, romantic love, family love and unrequited love in my life time, but the only love that made a difference was self love. You don't need confirmation from the world or another person that you matter. You simply do matter. When you finally believe that truth and live it then you can do amazing things with your life!

To this day, I am amazed at how many of my problems - most of which had nothing to do with drinking, I believed - have become manageable or have simply disappeared since I quit drinking.

It's amazing how lies grow. You start with a small one that seems easy to cover, then you get boxed in and tell another one. Then another. People believe you at first, then they act upon your lies, and you catch yourself wishing you'd simply told the truth.

I am simply looking for a companion with whom to spend my days, a companion who will cherish as much as I the stupidity of living in the moment, and spend every dull, amazing second with me.

In the weeks that followed, we amazed ourselves. Our habits slid apart easily...And our very few intimacies were simply discontinued. Where did they go, those things we did? Were they recycled? Did some new couple in China do them? Were a Swedish man and woman foot to foot at this very moment?

Shigure Sohma: So anyway I was wondering if you could stop by the house and take a look at Tohru's cut. That is if it isn't a problem. Hatori Sohma: No problem. I'll stop by the house this evening. Shigure Sohma: Hmmm What's this Hatori I don't think I ever heard you sound so eager to come over. Could it be you have a secret crush on Tohru [long silence from the other end of the phone] Shigure Sohma: [shouts] I knew it You naughty naughty man you Hatori Sohma: No I was simply too amazed by your stupidity to say anything.

But deep down she said to herself, Franz maybe strong, but his strength is directed outward; when it comes to the people he lives with, the people he's loves, he's weak. Franz's weakness is called goodness. Franz would never give Sabina orders. He would never command her, as Tomas had, to lay the mirror on the floor and walk back and forth on it naked. Not that he lacks sensuality; he simply lacks the strength to give orders. There are things that can be accomplished only by violence. Physical love is unthinkable without violence.

Pretending to be normal is draining and requires amazing amounts of energy and Xanax. In fact, I should probably charge money to all the normal people to simply not go to your social functions and ruin them

I’m interested in women as a whole, not simply as three holes.

Hey, it’s okay. I’m nervous, too.” I stared at him in amazement. “You’re nervous…why?” “Because it’s you,” he said simply.

When Death Comes When death comes like the hungry bear in autumn; when death comes and takes all the bright coins from his purse to buy me, and snaps the purse shut; when death comes like the measle-pox when death comes like an iceberg between the shoulder blades, I want to step through the door full of curiosity, wondering: what is it going to be like, that cottage of darkness? And therefore I look upon everything as a brotherhood and a sisterhood, and I look upon time as no more than an idea, and I consider eternity as another possibility, and I think of each life as a flower, as common as a field daisy, and as singular, and each name a comfortable music in the mouth, tending, as all music does, toward silence, and each body a lion of courage, and something precious to the earth. When it's over, I want to say all my life I was a bride married to amazement. I was the bridegroom, taking the world into my arms. When it's over, I don't want to wonder if I have made of my life something particular, and real. I don't want to find myself sighing and frightened, or full of argument. I don't want to end up simply having visited this world

There were moments - when Jeopardy came on, in the car during radio trivia challenges, or for practically any question I couldn't answer in any subject - that Rogerson simply amazed me. I started to seek out facts, just to stump him, but it never worked. He was that sharp. "In physics," I sprung on him as we sat in the Taco Bell drive-through, "what does the capital letter W stand for?" "Energy," he said, handing me my burrito. Sitting in front of my parents' house as he kissed me goodnight: "Which two planets are almost identical in size?" "Duh," he said, smoothing my hair back, "Venus and Earth." "Rogerson," I asked him sweetly as we sat watching a video in the pool house, "where would I find the pelagic zone?" "In the open sea," he said. "Now shut up and eat your Junior Mints.

This, then, is the ultimate, that is only, consolation: simply that someone shares some of your own feelings and has made of these a work of art which you have the insight, sensitivity, and — like it or not — peculiar set of experiences to appreciate. Amazing thing to say, the consolation of horror in art is that it actually intensifies our panic, loudens it on the sounding-board of our horror-hollowed hearts, turns terror up full blast, all the while reaching for that perfect and deafening amplitude at which we may dance to the bizarre music of our own misery.

There would be little reason to lie down at night without the possibility of seeing things bigger and more amazing than the average day might bright about. Why pick up a pen or type on a keyboard if there's no imagination or wonder left to behold? I would hate to be in the position of hoping for nothing simply because my brain can no longer dream.

She says, "Were you love in him?" "Yes" I say, simply. After all that, was it so strange? I am no longer baffled, or amazed, or embarrassed by it. "Yes I was" It wasn't the whole truth. The whole truth is, I am in love with him still.

As Aristotle put it, the beginning of philosophy is wonder. I am simply amazed to find myself living on a ball of rock that swings around an immense spherical fire. I am more amazed that I am a maze—a complex wiggliness, an arabesque of tubes, filaments, cells, fibers, and films that are various kinds of palpitation in this stream of liquid energy.

When it over, I want to say:all my life I was a bride married to amazement. I was a bridegroom, taking the world into my arms. When it's over, I don't want to wonder if I have made of my life something particular,and real. I don't want to find myself sighing and frightened, or full of argument. I don't want to end up simply having visited this world. from "When the death comes

It is simply amazing, at that age, when you’re thirteen or fourteen, how you can take being loved for granted, how (even when you are wanted) you can feel utterly alone.

And when the event, the big change in your life, is simply an insight-- isn't that a strange thing? That absolutely nothing changes except that you see things differently and you're less fearful and less anxious and generally stronger as a result: isn't it amazing that a completely invisible thing in your head can feel realer than anything you've experienced before?

Even though its common knowledge these days, it never ceases to amaze me that all the richness of our mental life - all our feelings, our emotions, our thoughts, our ambitions, our love life, our religious sentiments and even what each of us regards us his own intimate private self - is simply the activity of these little specks of jelly in your head, in your brain. There is nothing else.

Whether I was a genius or not did not so much concern me as the fact that I simply did not want a part of anything. The animal-drive and energy of my fellow man amazed me: that a man could change tires all day long or drive an ice cream truck or run for Congress or cut into a man's guts in surgery or murder, this was all beyond me. I did not want to begin. I still don't. Any day I that I could cheat away from this system of living seemed a good victory for me.

Taken all together, it’s difficult to escape the verdict that William Wilberforce was simply the greatest social reformer in the history of the world.

He was taking control, rather than simply letting things happen to him. Then

All my life I have been a poor go-to-sleeper. People in trains, who lay their newspaper aside, fold their silly arms, and immediately, with an offensive familiarity of demeanour, start snoring, amaze me as much as the uninhibited chap who cozily defecates in the presence of a chatty tubber, or participates in huge demonstrations, or joins some union in order to dissolve in it. Sleep is the most moronic fraternity in the world, with the heaviest dues and the crudest rituals. It is a mental torture I find debasing. The strain and drain of composition often force me, alas, to swallow a strong pill that gives me an hour or two of frightful nightmares or even to accept the comic relief of a midday snooze, the way a senile rake might totter to the nearest euthanasium; but I simply cannot get used to the nightly betrayal of reason, humanity, genius. No matter how great my weariness, the wrench of parting with consciousness is unspeakably repulsive to me.

Being mindful of Aunt Kathy’s presence, I turned to reading the Bible while sitting in the living room. It was my way ofkeeping my aunt at bay. Yet, my facade didn’t sustain me for long. I got called to the dining table anyway. Next, I was told to follow Jerry’s instructions once we left the house. Then to my surprise, Aunt Kathy made breakfast for me anyway. Immediately, I was on high alert! “Oh hell, how do I get beyond this meal!” There I was staring at bread blackened on one side and too soggy to fall off the plate. The bacon was two inches thick and fried hard enough to be a shoe insert. The grits had settled to a pace. My eggs were a perfect substitute for popcorn. Even though I had no appetite, I had to gobble something down or risk being ridiculed by my aunt. Aunt Kathy made her own homemade peach preserves. It was extremely sweet and more concentrated than Playdough. I knew if she saw me using her sauce, she’d overlook the other items I left untouched. If lucky, thefermentation was potent enough to buzz me all day long. So, I made sure she’ll see me spreading that paste all over my charcoal toast. Of course, I made the yummy sound “yums” as I took bite after bite. Fortunately, Aunt Kathy fell hook, line, and sinker for my facade. “I seeyou love that jelly! But I’m not going to let you eat all my jam! People will pay lots of money for that good stuff!” “Yes Ma’am,” I said. Simply amazing! Being she had food she thought I liked, there was a limit.   But if I hated something then I had to be force-fed. As Aunt Kathy talked, I fumbled and moved my food around as she gave me directives for the day. “When school is over, make sure to wait on the steps for your brother.” “Yes Ma’am,” I said once again.

When it’s over, I want to say: all my life I was a bride married to amazement. I was a bridegroom, taking the world into my arms. When it’s over, I don’t want to wonder if I have made of my life something particular, and real. I don’t want to find myself sighing and frightened or full of argument. I don’t want to end up simply having visited this world.

At its Greek root, "to believe" simply means "to give one's heart to." Thus, if we can determine what it is we give our heart to, then we will know what it is we believe.

She took a second look at him, at his fancy tailored suit. Dark gray with pinstripes. Oh please, like she’d really believe he was a dom at all? “Gabrielle Anderson. Are you sure you’re Master Marcus?” “Why would you think I’m not Master Marcus?” he asked. Well, good grief. She waved a hand at him and kept the duh from slipping out. Just in case he really was Master Marcus. Maybe he hadn’t changed yet or something. “The suit? Where are your leathers or latex or…biker jacket or vest? And black? Did you forget to wear black?” He stared for a second, as if she’d turned into a drooling idiot, and then simply roared. Deep, full laughter—amazing coming from someone who looked like he should have a stick up his ass.

The more I write stories for young people, and the more young readers I meet, the more I'm struck by how much kids long to see themselves in stories. To see their identities and perspectives—their avatars—on the page. Not as issues to be addressed or as icons for social commentary, but simply as people who get to do cool things in amazing worlds. Yes, all the “issue” books are great and have a place in literature, but it's a different and wildly joyous gift to find yourself on the pages of an entertainment, experiencing the thrills and chills of a world more adventurous than our own. And when you see that as a writer, you quickly realize that you don't want to be the jerk who says to a young reader, “Sorry, kid. You don't get to exist in story; you're too different.” You don't want to be part of our present dystopia that tells kids that if they just stopped being who they are they could have a story written about them, too. That's the role of the bad guy in the dystopian stories, right? Given a choice, I'd rather be the storyteller who says every kid can have a chance to star.

I hope the amazed reader will be patient for a while—in order simply to read.

The real treasure offered by mindfulness—its most amazing gift—is that mindfulness provides us with the opportunity to respond rather than simply react. When

The trick is to maintain a kind of naïve amazement at each instant of experience - but, as Montaigne learned, one of the best techniques for doing this is to write about everything. Simply describing an object on your table, or the view from your window opens your eyes to how marvelous such ordinary things are. To look inside yourself is to open up an even more fantastical realm.

If Jesus had been an actual historical figure we have a thorny paradox. Either this Jesus was a remarkable individual who said and did a host of amazing, revolutionary things – but no one outside his fringe cult noticed for over a century. Or he didn’t – and yet shortly after his death, tiny communities of worshipers that cannot agree about the most basic facts of his life spring up, scattered all across the empire. The truth is inescapable: there simply could never have been a historical Jesus.

So for a moment the gunslinger merely stood inside the door, first amazed, then ironically amused. Here he was in a world which struck him dumb with fresh wonders seemingly at every step, a world where carriages flew trough the air and paper seemed as cheap as sand. And the newest wonder was simply that for these people, wonder had run out: here, in a place of miracles, he saw only dull faces and plodding bodies.

Wow," she said weakly. "That's even more amazing than I thought it would be." Alex's arms were still looped around her waist; it took a serious effort not to draw her back to him and start kissing her again. He managed to control himself and grinned. "You mean with me or just in general?" "In general," she said. "But I have a feeling it's especially amazing with you." She leaned back in his arms, studying him. Shaking her head with a slight smile, she reached out and stroked the line of his cheekbone. "Do you even realize how gorgeous you are?" What he realized was that he was happier than he'd ever been. He gazed at Willow, drinking in her face, feeling amazed that this was happening--that she was here with him and that she actually felt the same way. "Come here," he said softly. And pulling her toward him, he simply held her, cradling her against his chest.

Remember that every person who you come into contact to on any given day has a story that is probably far more amazing than you will imagine and no one is going to just offer up their entire life's worth of experiences to you because you want them to. It takes time to draw someone's story out from within them. It takes trust. It takes sincerity and dedication. Keep in mind that each and every interaction you have with all those people on a daily basis is a unique opportunity to develop any kind of relationship with that person that the two of you might want to be a part of. It doesn't matter how you meet them or what it is that you do with them. It can be as mundane as waving to them in the morning as they leave their driveway, or it can be as huge as saving someone's life in a moment of uncertainty and sacrifice. Each person has the potential to become a friend or a lover or to simply teach you something important and then slip back into the endless rush of other bodies moving about the planet around us. Don't pass these chances up too often, or you'll get lost in the tide yourself.

In Plaster I shall never get out of this! There are two of me now: This new absolutely white person and the old yellow one, And the white person is certainly the superior one. She doesn't need food, she is one of the real saints. 
At the beginning I hated her, she had no personality -- She lay in bed with me like a dead body 
And I was scared, because she was shaped just the way I was 
 Only much whiter and unbreakable and with no complaints. I couldn't sleep for a week, she was so cold. I blamed her for everything, but she didn't answer. 
I couldn't understand her stupid behavior! 
When I hit her she held still, like a true pacifist. 
Then I realized what she wanted was for me to love her: She began to warm up, and I saw her advantages. 

Without me, she wouldn't exist, so of course she was grateful. 
I gave her a soul, I bloomed out of her as a rose 
Blooms out of a vase of not very valuable porcelain, And it was I who attracted everybody's attention, 
Not her whiteness and beauty, as I had at first supposed. 
I patronized her a little, and she lapped it up -- 
You could tell almost at once she had a slave mentality. 

I didn't mind her waiting on me, and she adored it. 
In the morning she woke me early, reflecting the sun 
From her amazingly white torso, and I couldn't help but notice 
Her tidiness and her calmness and her patience: She humored my weakness like the best of nurses, 
Holding my bones in place so they would mend properly. In time our relationship grew more intense. 

She stopped fitting me so closely and seemed offish. 
I felt her criticizing me in spite of herself, 
As if my habits offended her in some way. She let in the drafts and became more and more absent-minded. 
And my skin itched and flaked away in soft pieces 
Simply because she looked after me so badly. Then I saw what the trouble was: she thought she was immortal. She wanted to leave me, she thought she was superior, 
And I'd been keeping her in the dark, and she was resentful -- Wasting her days waiting on a half-corpse! 
And secretly she began to hope I'd die. Then she could cover my mouth and eyes, cover me entirely, 
And wear my painted face the way a mummy-case Wears the face of a pharaoh, though it's made of mud and water. 

I wasn't in any position to get rid of her. She'd supported me for so long I was quite limp -- I had forgotten how to walk or sit, So I was careful not to upset her in any way 
Or brag ahead of time how I'd avenge myself. Living with her was like living with my own coffin: Yet I still depended on her, though I did it regretfully. I used to think we might make a go of it together -- 
After all, it was a kind of marriage, being so close. 
Now I see it must be one or the other of us. She may be a saint, and I may be ugly and hairy, 
But she'll soon find out that that doesn't matter a bit. I'm collecting my strength; one day I shall manage without her, 
And she'll perish with emptiness then, and begin to miss me. --written 26 Feburary 1961

I stared at him in amazement. "You faced down a dragon. You made him back off." Blitzen shrugged. "I don't like bullies." He pointed at my legs. "We might need to get you some new clothes, kid. Dark khakis would go with that shirt. Or grey denim." I understood why he wanted to change the subject. He didn't want to talk about how brave he'd been. He didn't see his actions as praiseworthy. It was simply a fact; you didn't mess with Blitzen's bestie.

A name is simply a noun used to distinguish one person from another. But it’s amazing how much baggage can be packed into a single noun. ~ Grayson van Court

It's amazing what we can do if we simply refuse to give up.

He famously defended fairy stories against those who said they told children that there were monsters; children already know that there are monsters, he said, and fairy stories teach them that monsters can be killed. We now know that the monsters may not simply have scales and sleep under a mountain. They may be in our own heads.

And, what's more, this 'precious' body, the very same that is hooted and honked at, demeaned both in daily life as well as in ever existing form of media, harrassed, molested, raped, and, if all that wasn't enough, is forever poked and prodded and weighed and constantly wrong for eating too much, eating too little, a million details which all point to the solitary girl, to EVERY solitary girl, and say: Destroy yourself Oh, and I certainly don't suffer from schizophrenia. I quite enjoy it. And so do I What's the big fucking deal? Lots of amazing people have committed suicide, and they turned out alright He cried when I left, which I find to be standard male behavior I do not have OCD OCD OCD "Simply put, if you are a Wayward Victorian Girl, I'll find you" "We had people fainting during the last tour, but I'm aiming for people to actually drop dead at this one." Hey, look at me! Look at me! Look at me! And...look at me. Will he think I'm sexy enough? Will he find me wholesome enough? Am I fuckable?

Thank you,” she said. He looked bemused. “For what?” “For everything. For being amazing in bed and endlessly patient, for sacrificing the Savage Club for me and bringing me all the way around the world simply because you were worried about me, even though it meant you were probably going to spend your holidays alone. For the way you always put your hand on the small of my back to guide me across the street and the way you let me be in charge of the television remote control and the way you have never, not once, judged me or mistrusted me or made me feel small or unwanted.” “Violet, sweetheart...” He blinked and she realized that he was close to tears. Her Martin. Mr. Uptight. Mr. Repressed.

SO THAT’S MY LIFE—or my life before I stopped sleeping—each day pretty much a repetition of the one before. I used to keep a diary, but if I forgot for two or three days, I’d lose track of what had happened on which day. Yesterday could have been the day before yesterday, or vice versa. I’d sometimes wonder what kind of life this was. Which is not to say that I found it empty. I was—very simply—amazed. At the lack of demarcation between the days. At the fact that I was part of such a life, a life that had swallowed me up so completely. At the fact that my demarcation between the days. At the fact that I was part of such a life, a life that had swallowed me up so completely.

If Nicholas Benedict truly had been able to see the future, his own would have startled him to sleep at once, for he would have seen that he was destined to do things far greater than he ever could have imagined – that wonderful and amazing people would one day be drawn to him like metal to a magnet; that together with Nicholas they would form a most unusual kind of family; and that together, during one of the world’s darkest, most dangerous hours, they would change the course of history… For now he was simply a little boy on a cot, trying to fight off sleep as he had done countless times before…

Writing is difficult. You do it all alone without encouragement and without any certainty that you'll ever be published or paid or even that you'll be able to finish the particular work you've begun. It isn't easy to persist amid all that. [...] Sometimes when I'm interviewed, the interviewer either compliments me on my 'talent', my 'gift' or asks me how I discovered it. [...] I used to struggle to answer this politely, to explain that I didn't believe much in writing talent. People who want to write either do it or they don't. At last I began to say that my most important talent - or habit - was persistence. Without it, I would have given up writing long before I finished my first novel. It's amazing what we can do if we simply refuse to give up.

The rich...should beg the poor to forgive us for the bread we bring them. Healthy people sometimes feel they need to beg forgiveness too, although there is no reason why. Maybe we simply ask forgiveness for not being born where these poor women have been born, knowing that if we lived here too, our fate might well have been the same.

Once I saw a prizefighter boxing a yokel. The fighter was swift and amazingly scientific. His body was one violent flow of rapid rhythmic action. He hit the yokel a hundred times while the yokel held up his arms in stunned surprise. But suddenly the yokel, rolling about in the gale of boxing gloves, struck one blow and knocked science, speed and footwork as cold as a Well-digger's posterior. The smart money hit the canvas. The long shot got the nod. The yokel had simply stepped inside of his opponent's sense of time.

Friends make everything easier. If you want to succeed at a challenge, involve your friends. They have an amazing capacity to lighten physical, emotional, and mental burdens by simply being there.

Here, on the borders of death, life follows an amazingly simply course, it is limited to what is most necessary, all else lies buried in gloomy sleep;—in that besides our primitiveness and our survival. Were we more subtly differentiated we must long since have gone mad, have deserted, or have fallen. As in a polar expedition, every expression of life must serve only the preservation of existence, and is absolutely focused on that. All else is banished because it would consume energies unnecessarily. That is the only way to save ourselves.

I think I'm losing control all over again. This is because I've registered two things above and beyond his hypnotic green eyes and rock star hot voice. 1. His perfectly square chin has one of those little divots dead center. 2. He's taller, and wider across the shoulders than I'd thought. My heart ramps into some sort of a private hailstorm. My list won't stop. 3. His hair is still shower damp. It's made up of little inky-black curls—an amazing amount of them. 4. The dumb eyes aren't simply green. They're like an exploded rainbow of greens and gold and browns. On closer inspection, he's…he's simply overall amazing and…I'll just say it again: HOLY. HOLY. WOW.

If every Christian family in the United States would simply commit to pray and ask God if HE wants to use them to bless a child without a family, well, we'd change the world. If we can get the church to think about adoption not in terms of the desires of adults but in terms of the needs of children, I think we'd see on a much grander scale how God sets the lonely in families.

This was a time of life, she understood, in which you might not know what you were, but that was all right. You judged people not on their success - almost no one they knew was successful at age twenty-two, and no one had a nice apartment, owned anything of value, dressed in expensive clothes, or had any interest in making money - but on their appeal. The time period between the ages of, roughly, twenty to thirty was often amazingly fertile. Great work might get done during this ten-year slice of time. Just out of college, they were geraing up, ambitious not in a calculating way, but simply eager, not yet tired.

The wild, unrestricted love of God is not simply an inspiring idea. When it imposes itself on mind and heart with the stark reality of ontological truth, it determines why and at what time you get up in the morning, how you pass your evenings, how you spend your weekends, what you read, and who you hang with; it affects what breaks your heart, what amazes you, and what makes your heart happy.

If you dream of something worth doing and then simply go to work on it . . . if you think of, detail by detail, what you have to do next, it is a wonderful dream even if the end is a long way off, for there are about five thousand steps to be taken before we realize it; and start making the first ten, and stay making twenty after, it is amazing how quickly you get through those five thousand steps.

It happens that over a long period you are promised a great success, in which from the very start you do not believe, so dissimilar is it from the rest of fate's offering, and if from time to time you do think of it, then you do so as it were to indulge your fantasy - but when, at last, on a very ordinary day with a west wind blowing, the news comes - simply, instantaneously and decisevely destroying any hope in it - then you are suddenly amazed to find that although you did not believe in it, you had been living with it all this time, not realizingt he constant, close presence of the dream, which had long since grown fat and independent, so that now you cannot get it out of your life without making a hole in that life.

What’s amazing is that things like hashtag design—these essentially ad hoc experiments in digital architecture—have shaped so much of our political discourse. Our world would be different if Anonymous hadn’t been the default username on 4chan, or if every social media platform didn’t center on the personal profile, or if YouTube algorithms didn’t show viewers increasingly extreme content to retain their attention, or if hashtags and retweets simply didn’t exist. It’s because of the hashtag, the retweet, and the profile that solidarity on the internet gets inextricably tangled up with visibility, identity, and self-promotion. It’s telling that the most mainstream gestures of solidarity are pure representation, like viral reposts or avatar photos with cause-related filters, and meanwhile the actual mechanisms through which political solidarity is enacted, like strikes and boycotts, still exist on the fringe.

It amazed me to see how quickly they got comfortable in the new apartment and settled into a routine, as if their lives had simply been excised and replaced elsewhere, intact, with just a dusting of grief they shook off before returning to the business of living. Maybe it was easier because the trauma of forced displacement was already well-known to them, and they understood how idleness and purposelessness could dull the mind, droop the eyelids, and seep too much sleep and despair into the day. They were experienced refugees, better equipped to handle recurring generational trauma.

Being an adult is only an illusion. When it comes down to it I’m not sure any of us ever really grow up. We simply grow taller and hairier. Sometimes, I still feel amazed that I am allowed to drive a car, or that I have not been found out for drinking in the pub. Beneath the veneer of adulthood, beneath the layers of experience we accrue as the years march stoically onwards, we are all still children, with scraped knees and snotty noses, who need our parents … and our friends.

I don’t understand hospital chaplains that try to rob my patients of their anger. Sometimes anger is a key motivator that gets people to take action. Anger can push a cancer patient to jump out of his hospital bed, walk down to the nurses station and scream, “I am getting the hell out of here!”. There is a misconception that God is simply sweet and passive. Actually, God can be quite cunning, manipulative and relentless with his children. What we consider as negative traits are actually helpful in molding us. He will use a negative emotion if needed to push people to do things that will change them for the better. He will allow people or situations to derail us if there is a chance that those interactions will push us forward. Personally, I don’t want a God that is going to send some church member to my deathbed with a plate of cookies and tell me to have faith. Actually, I rather have a God that screams, “Get the hell off your ass, stop feeling sorry for yourself. Walk down the hall with that Physical Therapist so you can get on with your life!" A little anger in a person can push them to do amazing things.

For many feverish years he was burdened with the sensation, an ancient one to be sure, that the incredible sprawl of human history was no more than a pathetically partial record of an infinitely vast and shadowed chronicle of universal metamorphoses. How much greater, then, was the feeling that his own pathetic history formed a practically invisible fragment of what itself was merely an obscure splinter of the infinite. Somehow he needed to excarcerate himself from the claustral dungeon cell of his life. In the end, however, he broke beneath the weight of his aspiration. And as the years passed, the only mystery which seemed worthy of his interest, and his amazement, was that unknown day which would inaugurate his personal eternity, that incredible day on which the sun simply would not rise, and forever would begin.

My delightful, my love, my life, I don’t understand anything: how can you not be with me? I’m so infinitely used to you that I now feel myself lost and empty: without you, my soul. You turn my life into something light, amazing, rainbowed—you put a glint of happiness on everything—always different: sometimes you can be smoky-pink, downy, sometimes dark, winged—and I don’t know when I love your eyes more—when they are open or shut. It’s eleven p.m. now: I’m trying with all the force of my soul to see you through space; my thoughts plead for a heavenly visa to Berlin via air . . . My sweet excitement . . . Today I can’t write about anything except my longing for you. I’m gloomy and fearful: silly thoughts are swarming—that you’ll stumble as you jump out of a carriage in the underground, or that someone will bump into you in the street . . . I don’t know how I’ll survive the week. My tenderness, my happiness, what words can I write for you? How strange that although my life’s work is moving a pen over paper, I don’t know how to tell you how I love, how I desire you. Such agitation—and such divine peace: melting clouds immersed in sunshine—mounds of happiness. And I am floating with you, in you, aflame and melting—and a whole life with you is like the movement of clouds, their airy, quiet falls, their lightness and smoothness, and the heavenly variety of outline and tint—my inexplicable love. I cannot express these cirrus-cumulus sensations. When you and I were at the cemetery last time, I felt it so piercingly and clearly: you know it all, you know what will happen after death—you know it absolutely simply and calmly—as a bird knows that, fluttering from a branch, it will fly and not fall down . . . And that’s why I am so happy with you, my lovely, my little one. And here’s more: you and I are so special; the miracles we know, no one knows, and no one loves the way we love. What are you doing now? For some reason I think you’re in the study: you’ve got up, walked to the door, you are pulling the door wings together and pausing for a moment—waiting to see if they’ll move apart again. I’m tired, I’m terribly tired, good night, my joy. Tomorrow I’ll write you about all kinds of everyday things. My love.

Reality is such pain. And for those of us who get fed up with that kind of reality, we simply choose to make a new one. We create little walls, and separate the trash from the stuff we like, and when that’s all done we keep the things we care about and kick the rest to the curb. You’d be amazed how well it works! A whole world made out of just moe, tsundere, and BL it’s the best discovery ever! If you ask me that really it the best way to separate reality, from fiction.

What’s it like to be in love?” May asked. Part of me ached. Why hadn’t she ever asked me? Then I remembered, as far as May knew, I’d never been in love. Lucy’s smile was sad. “It’s the most wonderful and terrible thing that can ever happen to you,” she said simply. “You know that you’ve found something amazing, and you want to hold on to it forever; and every second after you have it, you fear the moment you might lose it.” I sighed softly. She was absolutely right. Love is beautiful fear.

When death comes like the hungry bear in autumn; when death comes and takes all the bright coins from his purse to buy me, and snaps the purse shut; when death comes like the measle-pox when death comes like an iceberg between the shoulder blades, I want to step through the door full of curiosity, wondering: what is it going to be like, that cottage of darkness? And therefore I look upon everything as a brotherhood and a sisterhood, and I look upon time as no more than an idea, and I consider eternity as another possibility, and I think of each life as a flower, as common as a field daisy, and as singular, and each name a comfortable music in the mouth, tending, as all music does, toward silence, and each body a lion of courage, and something precious to the earth. When it’s over, I want to say all my life I was a bride married to amazement. I was the bridegroom, taking the world into my arms. When it’s over, I don’t want to wonder if I have made of my life something particular, and real. I don’t want to find myself sighing and frightened, or full of argument. I don’t want to end up simply having visited this world

I have a folder that’s labeled “The Folder of 24.” Inside it are letters from twenty-four people who were actively in the process of planning their suicide, but who stopped and got help—not because of what I wrote on my blog, but because of the amazing response from the community of people who read it and said, “Me too.” They were saved by the people who wrote about losing their mother or father or child to suicide and how they’d do anything to go back and convince them not to believe the lies mental illness tells you. They were saved by the people who offered up encouragement and songs and lyrics and poems and talismans and mantras that worked for them and that might work for a stranger in need. There are twenty-four people alive today who are still here because people were brave enough to talk about their struggles, or compassionate enough to convince others of their worth, or who simply said, “I don’t understand your illness, but I know that the world is better with you in it.

Shigure Sohma: So, anyway, I was wondering if you could stop by the house and take a look at Tohru's cut. That is, if it isn't a problem. Hatori Sohma: No problem. I'll stop by the house this evening. Shigure Sohma: Hmmm? What's this, Hatori? I don't think I ever heard you sound so eager to come over. Could it be you have a secret crush on Tohru? [long silence from the other end of the phone] Shigure Sohma: [shouts] I knew it! You naughty, naughty man, you! Hatori Sohma: No, I was simply too amazed by your stupidity to say anything.

Now, even when I make an outfit for myself, I wonder what other people will think. The truth is that I secretly love what seems to be my own individuality, and I hope I always will, but fully embodying it is another matter. I always want everyone to think I am a good girl. Whenever I am around a lot of people, it is amazing how obsequious I can be. I fib and chatter away, saying things I don't want to or mean in any way. I feel like it is to my advantage to do so. I hate it. I hope for a revolution in ethics and morals. Then, my obsequiousness and this need to plod through life according to others' expectations would simply dissolve. Oh,

I watch the beautiful performance with an ache in my chest. Then, just when I can’t stand the sadness anymore, a dancer floats out from the side of the stage. A dancer in ragged clothes, filthy and half starved. He’s not even in ballet shoes. He’s just barefoot as he glides out to take his place in the dance. The other dancers turn to him, and it’s clear that he is one of them. One of the lost ones. By the look on their faces, they weren’t expecting him. This is not part of the practiced show. He must have seen them onstage and joined in. Amazingly, the dance continues without a missed beat. The newcomer simply glides into place, and the final dancer who should have danced solo with her missing partner dances with the newcomer. It is full of joy, and the ballerina actually laughs. Her voice is clear and high, and it lifts us all.

The most amazing thing about the Christmas story is its relevance. It is at home in every age and fits into every mood of life. It is not simply a lovely tale once told, but eternally contemporary. It is the voice crying out in every wilderness. It is as meaningful in our time as in that long-ago night when shepherds followed the light of the star to the manger of Bethlehem.

The story of Jackie Robinson is a classic example of how whiteness obscures racism by rendering whites, white privilege, and racist institutions invisible. Robinson is often celebrated as the first African American to break the color line and play in major-league baseball. While Robinson was certainly an amazing baseball player, this story line depicts him as racially special, a black man who broke the color line himself. The subtext is that Robinson finally had what it took to play with whites, as if no black athlete before him was strong enough to compete at that level. Imagine if instead, the story went something like this: “Jackie Robinson, the first black man whites allowed to play major-league baseball.” This version makes a critical distinction because no matter how fantastic a player Robinson was, he simply could not play in the major leagues if whites—who controlled the institution—did not allow it. Were he to walk onto the field before being granted permission by white owners and policy makers, the police would have removed him.

The universe is not a miracle. It simply is, unguided and unsustained, manifesting the patterns of nature with scrupulous regularity. Over billions of years it has evolved naturally, from a state of low entropy toward increasing complexity, and it will eventually wind down to a featureless equilibrium. We are the miracle, we human beings. Not a break-the-laws-of-physics kind of miracle; a miracle in that it is wondrous and amazing how such complex, aware, creative, caring creatures could have arisen in perfect accordance with those laws. Our lives are finite, unpredictable, and immeasurably precious. Our emergence has brought meaning and mattering into the world.

I began to say that my most important talent—or habit—was persistence. Without it, I would have given up writing long before I finished my first novel. It’s amazing what we can do if we simply refuse to give up. I suspect that this is the most important thing I’ve said in all my interviews and talks as well as in this book. It’s a truth that applies to more than writing. It applies to anything that is important, but difficult, important, but frightening. We’re all capable of climbing so much higher than we usually permit ourselves to suppose. The word, again, is “persist”!

When the mere act of being in a D/s relationship or engaging in BDSM activities reaches a societal tipping point where it is no longer simply socially unacceptable, it becomes borderline criminal, an amazing thing will begin to happen. Some Warrior Princess Submissives will drop their stealth cloaks and step out of the shadows to defend the lifestyle and the Dominants that they love. They will do this, despite their intense fears and despite a whole host of other very real hardships that will ensue because they are, above all else, loyal to their Dominants. They will do it because they are righteous crusaders who aren't afraid to fight the good fight, no matter how unpopular or untenable their positions might seem. They will do it because they are the only ones who can.

Then he explains Chinese food in Manhattan to me: 'See the way it works is, there's one central location out on Long Island where all this stuff is made. Then it's piped into the city through a series of underground pipes that run parallel to the train and subway tracks. The restaurants then just pull a lever. One lever for General Tso's chicken, another for beef with broccoli sauce. It's like beer; it's on tap.' It's amazing how convincing he is when he says this. There's no pause in his description, nowhere for him to stop and think, to make this up as he goes along. It's as though he's simply repeating something he read in the Times yesterday. This makes me love him more than I did just five minutes ago.

In praise of mu husband's hair A woman is alone in labor, for it is an unfortunate fact that there is nobody who can have the baby for you. However, this account would be inadequate if I did not speak to the scent of my husband's hair. Besides the cut flowers he sacrifices his lunches to afford, the purchase of bags of licorice, the plumping of pillows, steaming of fish, searching out of chic maternity dresses, taking over of work, listening to complaints and simply worrying, there was my husband's hair. His hair has always amazed stylists in beauty salons. At his every first appointment they gather their colleagues around Michael's head. He owns glossy and springy hair, of an animal vitality and resilience that seems to me so like his personality. The Black Irish on Michael's mother's side of the family have changeable hair--his great-grandmother's hair went from black to gold in old age. Michael's went from golden-brown of childhood to a deepening chestnut that gleams Modoc black from his father under certain lights. When pushing each baby I throw my arm over Michael and lean my full weight. When the desperate part is over, the effort, I turn my face into the hair above his ear. It is as though I am entering a small and temporary refuge. How much I want to be little and unnecessary, to stay there, to leave my struggling body at the entrance. Leaves on a tree all winter that now, in your hand, crushed, give off a dry, true odor. The brass underside of a door knocker in your fingers and its faint metallic polish. Fresh potter's clay hardening on the wrist of a child. The slow blackening of Lent, timeless and lighted with hunger. All of these things enter into my mind when drawing into my entire face the scent of my husband's hair. When I am most alone and drowning and I think I cannot go on, it is breathing into his hair that draws me to the surface and restores my small courage.

After you die, you go to be "with Christ," but your body remains dead. Describing where and what you are in that interim period is difficult, and for the most part the New Testament writers don't try. Call it "heaven" if you like, but don't imagine that it's the end of all things. What is promised after that interim period is a new bodily life within God's new world. I am constantly amazed that many contemporary Christians find this confusing. It was second nature to the early church and to many subsequent Christian generations. It was what they believed and taught. If we have grown up believing and teaching something else, it's time we rubbed our eyes and read our texts again.

There are kinds of human problems which really do seem, as our tidy expressions would have it, to “come to a head” and “demand to be dealt with.” But there are also problems, often just as serious, which come to nothing that we can recognize or openly deal with. Some long-lived, insidious problems simply slip us off to one side of ourselves. Some gently rob us of just enough energy or faith so that days which once took place on a horizontal plane become an endless series of uphill slogs. And some—like high water working year after year at the roots of a riverside tree—quietly undercut our trust or our hope, our sense of place, or of humor, our ability to empathize, or to feel enthused, and we don’t sense impending danger, we don’t feel the damage at all, till one day, to our amazement, we find ourselves crashing to the ground.

[The Utopians] marvel that any mortal can take pleasure in the weak sparkle of a little gem or bright pebble, when he has a star, or the sun itself, to look at. They are amazed at the foolishness of any man who considers himself a nobler fellow because he wears clothing of specially fine wool. No matter how delicate the thread, they say, a sheep wore it once, and still was nothing but a sheep… They do not understand why a dunderhead with no more brains than a post, and who is as depraved as he is foolish, should command a great many wise and good people simply because he happens to have a great pile of gold.

When confronted by a ‘believer’ it is easy for me to contrast the views of the skeptic with those of the rationalist. I simply reach into my pocket and pull out my change. Holding a quarter aloft, I say, ‘This is a most remarkable coin, for it is heavier than all the sins of humanity committed since the beginning of the human race.’ I then hold up a nickel and say, ‘This coin is even more amazing, as it is brighter and shinier than the flames that proceeded from the Burning Bush discovered on Mt. Sinai by Moses.’ Then I raise a penny and state, ‘This portrait of President Lincoln is more realistic and true-to-life than any portrait of Satan ever painted.’ And finally, I hold out a bright, shiny dime and say, ‘And this dime is the most amazing of all because it is heavier and contains more precious metals than all the gold bricks in the streets of Heaven.’ I end with ‘Give to Caesar what is his, and hold the rest of it dear—for it is all you see and touch—and the Christian god can take care of all his things, for they amount to less than this 41 cents I hold here in my hand.

(Quoted in Dennis Okholm's Monk Habits for Everyday People) Settle down in your room at a moment when you have nothing else to do. Say "I am now with myself," and just sit with yourself. After an amazingly short time you will most likely feel bored. This teaches us one very useful thing. It gives us insight into the fact that if after ten minutes of being alone with ourselves we feel like that, it is no wonder that others should feel equally bored! Why is this so? It is so because we have so little to offer to our own selves as food for thought, for emotion and for life. If you watch your life carefully you will discover quite soon that we hardly ever live from within outwards; instead we respond to incitement, to excitement. In other words, we live by reflection, by reaction... We are completely empty, we do not act from within ourselves but accept as our life a life which is actually fed in from the outside; we are used to things happening which compel us to do other things. How seldom can we live simply by means of the depth and the richness we assume that there is within ourselves.

Hume emphasized that the expectation of one thing following another does not lie in the things themselves, but in our mind. And expectation, as we have seen, is associated with habit. Going back to the child again, it would not have stared in amazement if when one billiard ball struck the other, both had remained perfectly motionless. When we speak of the 'laws of nature' or of 'cause and effect,' we are actually speaking of what we expect, rather than what is 'reasonable.' The laws of nature are neither reasonable nor unreasonable, they simply are. The expectation that the white billiard ball will move when it is struck by the black billiard ball is therefore not innate. We are not born with a set of expectations as to what the world is like or how things in the world behave. The world is like it is, and it's something we get to know

Looking back at the recent history of the world, I find it amazing how far civilization has retrogressed so quickly. As recently as World War I—granted the rules were violated at times—we had a set of rules of warfare in which armies didn’t make war against civilians: Soldiers fought soldiers. Then came World War II and Hitler’s philosophy of total war, which meant the bombing not only of soldiers but of factories that produced their rifles, and, if surrounding communities were also hit, that was to be accepted; then, as the war progressed, it became common for the combatants simply to attack civilians as part of military strategy. By the time the 1980s rolled around, we were placing our entire faith in a weapon whose fundamental target was the civilian population.

Language as a Prison The Philippines did have a written language before the Spanish colonists arrived, contrary to what many of those colonists subsequently claimed. However, it was a language that some theorists believe was mainly used as a mnemonic device for epic poems. There was simply no need for a European-style written language in a decentralized land of small seaside fishing villages that were largely self-sufficient. One theory regarding language is that it is primarily a useful tool born out of a need for control. In this theory written language was needed once top-down administration of small towns and villages came into being. Once there were bosses there arose a need for written language. The rise of the great metropolises of Ur and Babylon made a common written language an absolute necessity—but it was only a tool for the administrators. Administrators and rulers needed to keep records and know names— who had rented which plot of land, how many crops did they sell, how many fish did they catch, how many children do they have, how many water buffalo? More important, how much then do they owe me? In this account of the rise of written language, naming and accounting seem to be language's primary "civilizing" function. Language and number are also handy for keeping track of the movement of heavenly bodies, crop yields, and flood cycles. Naturally, a version of local oral languages was eventually translated into symbols as well, and nonadministrative words, the words of epic oral poets, sort of went along for the ride, according to this version. What's amazing to me is that if we accept this idea, then what may have begun as an instrument of social and economic control has now been internalized by us as a mark of being civilized. As if being controlled were, by inference, seen as a good thing, and to proudly wear the badge of this agent of control—to be able to read and write—makes us better, superior, more advanced. We have turned an object of our own oppression into something we now think of as virtuous. Perfect! We accept written language as something so essential to how we live and get along in the world that we feel and recognize its presence as an exclusively positive thing, a sign of enlightenment. We've come to love the chains that bind us, that control us, for we believe that they are us (161-2).

What the caterpillar calls the end of the world, the Master calls a butterfly.” —Richard David Bach The caterpillar believes it is dying because it's being sealed in a tomb. The Master knows that the caterpillar is not dying, and is simply transitioning (to something more). This points out that things are never over, that change is carrying us, (so often kicking and screaming), to higher states of being. I find it interesting that the caterpillar spends it's caterpillar existence crawling, (on a lone weed in the midst of an endless beautiful forest), surviving on bitter, poisonous leaves. Yet resists the changes to come. After the caterpillars "death"... And upon the butterflie's rebirth... The butterfly lives out it's butterfly existence experiencing all of the forest's wonders, being carried by the wind, landing on beauty, and drinking sweet nectar, all the while, being shielded from harm by the caterpillar's bitter and poisonous experiences of eating the weeds. Without the struggles of the caterpillar, the butterfly could never be. It is Truly wonderful how something as simple as caterpillars and butterflies can be such amazing reminders sent to us by a Loving Eternal Creator.

The wrath of God is simply the shadow side of the love of God for his wonderful creation and his amazing human creatures. Like a great artist appalled at the way his paintings have been defaced by the very people who were supposed to be looking after them, God’s implacable rejection of evil is the natural outflowing of his creative love. God’s anger against evil is itself the determination to put things right, to get rid of the corrupt attitudes and behaviors that have spoiled his world and his human creatures. It is because God loves the glorious world he has made and is utterly determined to put everything right that he is utterly opposed to everything that spoils or destroys that creation, especially the human creatures who were supposed to be the linchpins of his plan for how that creation would flourish. That’s why, as Paul’s argument progresses in this same letter, he frames its central passage not with God’s anger but with his powerful, rescuing love (Rom. 5:1–11; 8:31–39).

THE VOICE I know you can’t see me, But you are a part of me. Like that finger on your hand, Only bigger. Through you and with you, I am living and growing, Learning, Expanding, And having fun. If you think you’re alone, You’re wrong. I’m here in your eyes reading this with you. I’m there, Sitting in your seat with you, Experiencing your surroundings. You’re not alone. I’m not alone. Together we are one, Yet we’re separate and complete in ourselves. With me, We will continue to live together, Apart, And united. When you need something, I need it. When you fear something, I’ll fear it. When you dream of something, I’ll dream it. When you make something, I’ll make it. Because I’m connected to everything else there is, I can orchestrate great things for you without your knowledge. You call this coincidence or fate when you see it. It is neither. It is simply me making things as you and I want them to be. You think the future is already determined. It is not. It is how ever you and I make it. If it were already determined- I would be like a tape recorder, A hologram. I assure you I am neither. I am as real as the oxygen you’re breathing. You don’t have to believe me. I’ll still be here. You don’t have to say hi either. But it would be cool if you did. I love it actually when you do. We’re much like parent and child, Only closer, Because you are an actual piece of me. I can do anything through you- If only you will let me. If you are unwilling, Then I will simply work my magic through someone else. As long as you’re willing though and doing your part, I’ll work through you- And together we’ll live and excel in ways that will not only amaze you, But me as well. Let’s create!

Yes, Phebe was herself now, and it showed in the change that came over her at the first note of music. No longer shy and silent, no longer the image of a handsome girl, but a blooming woman, alive and full of the eloquence her art gave her, as she laid her hands softly together, fixed her eye on the light, and just poured out her song as simply and joyfully as the lark does soaring toward the sun. "My faith, Alec! that's the sort of voice that wins a man's heart out of his breast!" exclaimed Uncle Mac, wiping his eyes after one of the plaintive ballads that never grow old. "So it would!" answered Dr. Alec, delightedly. "So it has," added Archie to himself; and he was right: for just at that moment he fell in love with Phebe. He actually did, and could fix the time almost to a second: for at a quarter past nine, he thought merely thought her a very charming young person; at twenty minutes past, he considered her the loveliest woman he ever beheld; at five and twenty minutes past, she was an angel singing his soul away; and at half after nine he was a lost man, floating over a delicious sea to that temporary heaven on earth where lovers usually land after the first rapturous plunge. If anyone had mentioned this astonishing fact, nobody would have believed it; nevertheless, it was quite true: and sober, business-like Archie suddenly discovered a fund of romance at the bottom of his hitherto well-conducted heart that amazed him. He was not quite clear what had happened to him at first, and sat about in a dazed sort of way; seeing, hearing, knowing nothing but Phebe: while the unconscious idol found something wanting in the cordial praise so modestly received, because Mr. Archie never said a word.

I probably should say that this is what makes you a good traveler in my opinion, but deep down I really think this is just universal, incontrovertible truth. There is the right way to travel, and the wrong way. And if there is one philanthropic deed that can come from this book, maybe it will be that I teach a few more people how to do it right. So, in short, my list of what makes a good traveler, which I recommend you use when interviewing your next potential trip partner: 1. You are open. You say yes to whatever comes your way, whether it’s shots of a putrid-smelling yak-butter tea or an offer for an Albanian toe-licking. (How else are you going to get the volcano dust off?) You say yes because it is the only way to really experience another place, and let it change you. Which, in my opinion, is the mark of a great trip. 2. You venture to the places where the tourists aren’t, in addition to hitting the “must-sees.” If you are exclusively visiting places where busloads of Chinese are following a woman with a flag and a bullhorn, you’re not doing it. 3. You are easygoing about sleeping/eating/comfort issues. You don’t change rooms three times, you’ll take an overnight bus if you must, you can go without meat in India and without vegan soy gluten-free tempeh butter in Bolivia, and you can shut the hell up about it. 4. You are aware of your travel companions, and of not being contrary to their desires/​needs/​schedules more often than necessary. If you find that you want to do things differently than your companions, you happily tell them to go on without you in a way that does not sound like you’re saying, “This is a test.” 5. You can figure it out. How to read a map, how to order when you can’t read the menu, how to find a bathroom, or a train, or a castle. 6. You know what the trip is going to cost, and can afford it. If you can’t afford the trip, you don’t go. Conversely, if your travel companions can’t afford what you can afford, you are willing to slum it in the name of camaraderie. P.S.: Attractive single people almost exclusively stay at dumps. If you’re looking for them, don’t go posh. 7. You are aware of cultural differences, and go out of your way to blend. You don’t wear booty shorts to the Western Wall on Shabbat. You do hike your bathing suit up your booty on the beach in Brazil. Basically, just be aware to show the culturally correct amount of booty. 8. You behave yourself when dealing with local hotel clerks/​train operators/​tour guides etc. Whether it’s for selfish gain, helping the reputation of Americans traveling abroad, or simply the spreading of good vibes, you will make nice even when faced with cultural frustrations and repeated smug “not possible”s. This was an especially important trait for an American traveling during the George W. years, when the world collectively thought we were all either mentally disabled or bent on world destruction. (One anecdote from that dark time: in Greece, I came back to my table at a café to find that Emma had let a nearby [handsome] Greek stranger pick my camera up off our table. He had then stuck it down the front of his pants for a photo. After he snapped it, he handed the camera back to me and said, “Show that to George Bush.” Which was obviously extra funny because of the word bush.) 9. This last rule is the most important to me: you are able to go with the flow in a spontaneous, non-uptight way if you stumble into something amazing that will bump some plan off the day’s schedule. So you missed the freakin’ waterfall—you got invited to a Bahamian family’s post-Christening barbecue where you danced with three generations of locals in a backyard under flower-strewn balconies. You won. Shut the hell up about the waterfall. Sally

The enemy of my soul didn't want me painting that day. To create meant that I would look a little bit like my Creator. To overcome the terrifying angst of the blank canvas meant I would forever have more compassion for other artists. You better believe as I placed the first blue and gray strokes onto the white emptiness before me, the "not good enough" statement was pulsing through my head in almost deafening tones... This parlaying lie is one of his favorite tactics to keep you disillusioned by disappointments. Walls go up, emotions run high, we get guarded, defensive, demotivated, and paralyzed by the endless ways we feel doomed to fail. This is when we quit. This is when we settle for the ease of facebook.... This is when we get a job to simply make money instead of pursuing our calling to make a difference. This is when we put the paintbrush down and don't even try. So there I was. Standing before my painted blue boat, making a choice of which voice to listen to. I'm convinced God was smiling. Pleased. Asking me to find delight in what is right. Wanting me to have compassion for myself by focusing on that part of my painting that expressed something beautiful. To just be eager to give that beauty to whoever dared to look at my boat. To create to love others. Not to beg them for validation. But the enemy was perverting all that. Perfection mocked my boat. The bow was too high, the details too elementary, the reflection on the water too abrupt, and the back of the boat too off-center. Disappointment demanded I hyper-focused on what didn't look quite right. It was my choice which narrative to hold on to: "Not good enough" or "Find delight in what is right." Each perspective swirled, begging me to declare it as truth. I was struggling to make peace with my painting creation, because I was struggling to make make peace with myself as God's creation. Anytime we feel not good enough we deny the powerful truth that we are a glorious work of God in progress. We are imperfect because we are unfinished. So, as unfinished creations, of course everything we attempt will have imperfections. Everything we accomplish will have imperfections. And that's when it hit me: I expect a perfection in me and in others that not even God Himself expects. If God is patient with the process, why can't I be? How many times have I let imperfections cause me to be too hard on myself and too harsh with others? I force myself to send a picture of my boat to at least 20 friends. I was determined to not not be held back by the enemy's accusations that my artwork wasn't good enough to be considered "real art". This wasn't for validation but rather confirmation that I could see the imperfections in my painting but not deem it worthless. I could see the imperfections in me and not deem myself worthless. It was an act of self-compassion. I now knew to stand before each painting with nothing but love, amazement, and delight. I refused to demand anything more from the artist. I just wanted to show up for every single piece she was so brave to put on display.. Might I just be courageous enough to stand before her work and require myself to find everything about it I love? Release my clenched fist and pouty disappointments, and trade my "live up" mentality for a "show up" one? It is so much more freeing to simply show up and be a finder of the good. Break from the secret disappointments. Let my brain venture down the tiny little opening of love.. And I realized what makes paintings so delightful. It's there imperfections. That's what makes it art. It's been touched by a human. It's been created by someone whose hands sweat and who can't possibly transfer divine perfection from what her eyes see to what her fingertips can create. It will be flawed.

While a 10x improvement is gargantuan, Teller has very specific reasons for aiming exactly that high. “You assume that going 10x bigger is going to be ten times harder,” he continues, “but often it’s literally easier to go bigger. Why should that be? It doesn’t feel intuitively right. But if you choose to make something 10 percent better, you are almost by definition signing up for the status quo—and trying to make it a little bit better. That means you start from the status quo, with all its existing assumptions, locked into the tools, technologies, and processes that you’re going to try to slightly improve. It means you’re putting yourself and your people into a smartness contest with everyone else in the world. Statistically, no matter the resources available, you’re not going to win. But if you sign up for moonshot thinking, if you sign up to make something 10x better, there is no chance of doing that with existing assumptions. You’re going to have to throw out the rule book. You’re going to have to perspective-shift and supplant all that smartness and resources with bravery and creativity.” This perspective shift is key. It encourages risk taking and enhances creativity while simultaneously guarding against the inevitable decline. Teller explains: “Even if you think you’re going to go ten times bigger, reality will eat into your 10x. It always does. There will be things that will be more expensive, some that are slower; others that you didn’t think were competitive will become competitive. If you shoot for 10x, you might only be at 2x by the time you’re done. But 2x is still amazing. On the other hand, if you only shoot for 2x [i.e., 200 percent], you’re only going to get 5 percent and it’s going to cost you the perspective shift that comes from aiming bigger.” Most critically here, this 10x strategy doesn’t hold true just for large corporations. “A start-up is simply a skunk works without the big company around it,” says Teller. “The upside is there’s no Borg to get sucked back into; the downside is you have no money. But that’s not a reason not to go after moonshots. I think the opposite is true. If you publicly state your big goal, if you vocally commit yourself to making more progress than is actually possible using normal methods, there’s no way back. In one fell swoop you’ve severed all ties between yourself and all the expert assumptions.” Thus entrepreneurs, by striving for truly huge goals, are tapping into the same creativity accelerant that Google uses to achieve such goals. That said, by itself, a willingness to take bigger risks