Simon Claw Quotes

Tania,” he whispers, “promise me you won’t forget me when I die.” “You won’t die, soldier,” she says. “You won’t die. Live! Live on, breathe on, claw onto life, and do not let go. Promise me you will live for me, and I promise you, when you’re done, I will be waiting for you.” She is sobbing. “Whenever you’re done, Alexander, I will be here, waiting for you.

A pen,” he says, his eyes scanning Simon’s brick-red face. “You have a pen?” Simon nods wildly, his hand clawing at his throat. I grab the pen off my desk and try to hand it to Nate, thinking he’s about to do an emergency tracheotomy or something. Nate just stares at me like I have two heads. “An epinephrine pen,” he says, searching for Simon’s backpack. “He’s having an allergic reaction.

What does she think it feels like, having everybody telling you you're strange, you're different, you don't go along with the crowd, you don't play what we like to play, you don't think what we think, what's wrong with you? As if it never occurs to them that there might be something wrong with them. It feels like claws ripping you to pieces. And if you don't believe you can rise from the fire, then you'll just shrivel up and die inside

Serpentfire can burn for a very long time if the bagic is strong," said Aldric. "It's hard to handle, that kind of fire, it seems to have a mind of its own, but it can be a good tool if you have nothing else. You never, ever want to use it unless you need it. I keep it around in case of dire circumstances. I hate to admit that anything Serpentine can be useful." Absentmindedly he picked up a Dragon's claw from a pile of them on the tabe, and used it to stratch his neck.

Jealousy is not contemptible real love has a beak and claws.

She is a Weyward. And she carries another Weyward inside her. She gathers herself together, every cell blazing, and thinks: Now. The window breaks, a waterfall of sharp sounds. The room grows dark with feathered bodies, shooting through the broken window, the fireplace. Beaks, claws, and eyes flashing. Feathers brushing her skin. Simon yells, his hand loosening on her throat. She sucks in the air, falling to her knees, one hand cradling her stomach. Something touches her foot, and she sees a dark tide of spiders spreading across the floor. Birds continue to stream through the window. Insects, too: the azure flicker of damselflies, moths with orange eyes on their wings. Tiny, gossamer mayflies. Bees in a ferocious golden swarm. She feels something sharp on her shoulder, its claws digging into her flesh. She looks up at blue-black feathers, streaked with white. A crow. The same crow that has watched over her since she arrived. Tears fill her eyes, and she knows in that moment that she is not alone in the cottage. Altha is there, in the spiders that dance across the floor. Violet is there, in the mayflies that glisten and undulate like some great silver snake. And all the other Weyward women, from the first of the line, are there, too. They have always been with her, and always will be.

Her fingers clawed uselessly at his clothes as her desire escalated to near madness. Simon invaded her in deep lunges, his rhythm insistent, until rapture shot and echoed through both of them, and their lungs pulled in drafts of air laden with the scent of clean, pressed linen, and their entwined limbs tightened as if to trap the sensation between them. “Damn,” Simon muttered a few minutes later, when he was able to catch his breath. “What?” Annabelle whispered, her head resting heavily against his coat lapel. “For the rest of my life, the smell of starch is going to make me hard.

He is tangled in Isabelle's arms, he is curtained by Isabelle's hair, he is touching Isabelle's body, he is lost in Isabelle, in her smell and her taste and the silk of her skin. He is onstage, the music pounding, the floor shaking, the audience cheering, his heart beating beating beating in time with the drumbeat. He is laughing with Clary, dancing with Clary, eating with Clary, running through the streets of Brooklyn with Clary, they are children together, they are one half of a whole, they hold hands and squeeze tight and pledge never to let go. He is going cold, stiff, the life draining out of him, he is below, in the dark, clawing his way to the light, fingernails scraping dirt, mouth filled with dirt, eyes clogged with dirt, he is straining, reaching, dragging himself up toward the sky, and when he reaches it, he opens his mouth wide but does not breathe, for he no longer needs to breathe, only to feed. And he is so very hungry. He is sinking his teeth into the neck of an angel's child, he is drinking the light. He is bearing a Mark, and it burns. He is raising his face to meet the gaze of an angel, he is flayed by the fury of angel fire, and yet still, impudent and bloodless, he lives. He is in a cage. He is in hell. He is bent over the broken body of a beautiful girl, he is praying to whatever god that will listen, please let her live, anything to let her live. He is giving away that which is most precious to him, and he is doing so willingly, so that his friends will survive. He is, again, with Isabelle, always with Isabelle, the holy flame of their love encompassing them both, and there is pain, and there is exquisite joy, and his veins burn with angel fire and he is the Simon he once was and the Simon he now will be, he endures and he is reborn, he is blood and flesh and a spark of the divine. He is Nephilim.

They could not speak. To be in Alexander’s arms, to smell him, to hear his breathing, his voice again… Shh, shh, he was still whispering and holding her, pulling off her hat, her hairnet, her hairpins, letting her black hair fall down. His hands were in it. His eyes were closed. Perhaps he was imagining her hair was not black but blonde again. The way Alexander was touching her now, she could tell that he was blind and had not yet learned to see—he was holding her in that impossible choke that had to do not quite with love or passion, but somehow with both and with neither. The embrace wasn’t an alloy, it was a conflagration of anguish and bitter relief and fear. Tatiana could tell Alexander would like to have spoken more, but he couldn’t, and so he sat on the hay with his legs open, while she kneeled in front of him, folded into his arms, and every once in a while from his shuddering body would come a Shh, shh… Not for her. Not for Tatiana. For himself. Continuing to hold her, Alexander lowered her onto the straw. His trembling limbs surrounded her. Tatiana was barely breathing, her own body convulsing. To rage, to quell— They didn’t know what to do—to undress? To stay clothed? She couldn’t move, nor want to. His lips were on her neck, her clavicles, he was clawing at her, ripping open her tunic, baring her breasts to his desperate gasping mouth. She wanted to whisper his name, to moan maybe. Tears kept trickling down her temples. He removed from himself and her only what was necessary. He didn’t so much enter her as break her open. Her mouth remained in a mute screaming O, her hands clutched him, not close enough, and through the whisper of grief, through the cry of desire, Tatiana felt that Alexander, in his complete abandon, was making love to her as if he were being pulled from the cross to which he was still attached by nails. His gripping her, his ferocious, unremitting movement was so intense that Tatiana felt consciousness yield to— Oh my God, Shura, please…she mouthed inaudibly. But it could not be any other way. Violent release came for Alexander at the expense of Tatiana’s momentary lapse of reason, as she cried out, her pleas carrying through the barn, to the basin, to the river, to the sky. He remained on top of her without moving, without pulling away. His body was shaking. He couldn’t be any closer. She held him closer still…And then… Shh, shh. That wasn’t Alexander. That was Tatiana. They both fell asleep. Still they hadn’t spoken.

But nothing is ever enough, have you noticed?” he said. “I can’t touch you enough. I can’t make you happy. I can’t say anything right to you. And you can’t take away from me a single thing I’ve fucked up along the way.” She became deflated. “You’re here, and you’re forgiven for everything,” she said quietly, sitting up and closing her eyes so she wouldn’t have to look at his tattooed arms and his scar-ribbon chest. “Tell me the truth,” Alexander said. “Don’t you sometimes think it’s harder—this—and other stuff like the magazines quizzes—harder for the two of us? That magazine quiz just points up the absurdity of us pretending we’re like normal people. Don’t you sometimes think it would be easier with your Edward Ludlow in New York? Or a Thelma? No history. No memories. Nothing to get over, nothing to claw back from.” “Would it be easier for you?” “Well, I wouldn’t hear you cry every night,” Alexander said. “I wouldn’t feel like such a failure every minute of my life.” “Oh my God! What are you talking about?” Tatiana yanked to get off him, but now it was Alexander who held her in place. “You know what I’m talking about,” he said, his eyes blazing. “I want amnesia! I want a fucking lobotomy. Could I please never think again? Look what’s happened to us, us, Tania. Don’t you remember how we used to be? Just look what’s happened.” His long winter’s night bled into Coconut Grove through all the fields and villages in three countries Alexander plundered through to get to the Bridge to Holy Cross, over the River Vistula, to get into the mountains, to escape to Germany, to save Pasha, to make his way to Tatiana. And he failed. Twenty escape attempts—two in Catowice, one ill-fated one in Colditz Castle, and seventeen desperate ones in Sachsenhausen, and he never got to her. He had somehow made all the wrong choices. Alexander knew it. Anthony knew it. With the son asleep, the parents had hours to mindlessly meander through the fields and rivers of Europe, through the streets of Leningrad. That was not to be wished upon. “Stop it,” Tatiana whispered. “Just stop it! You didn’t fail. You’re looking at it all twisted. You stayed alive, that was all, that was everything, and you know that. Why are you doing this?” “Why?” he said. “You want it out while sitting naked on top of my stomach with your hair down? Well, here it is. You don’t want it out? Then don’t ask me. Turn the light off, keep the braid in, get your”— Alexander stopped himself—“get off me, and say nothing.” Tatiana did none of those things. She didn’t want it out, what she wanted, desperately, was him to touch her. Though the aching in her heart from his words was unabated, the aching in her loins from her desire for him was also unabated.

Ravenna produced an engraving of a monster early in the sixteenth century that had the sad head of the baby Christ who sensed his tragic destiny, a rhinoceros born in the middle of his head, wings instead of arms, and the genitalia of both sexes, reflecting early alchemy’s androgynyous ideal. The monster’s torso ends in feathers, a large eye in the knee and one huge claw in the place of feet. It was claimed to be a prophecy of the destruction of Italy by the French; yet the letter Y and the cross inscribed on the body promised ultimate peace and harmony. This sad-faced monster and others like it were used as anti-papal caricatures by Protestants, the repellant features, emblematic of the decadence of the Church. The distorted, incomprehensible bodies were also sources of steadier study and led to tentative investigations of primitive genetics, early questionings of gynecology and obsetrics.

Tell me she doesn’t have her hand in his back pocket. That is so lame.” “I don’t care,” I tell her, easing any worries she might have about me being upset. “If they want to date, all the more power to them.” She’s only doing it because she wants everything you had. It’s a competition thing with her. First taking your position on the squad, now putting her claws into Colin. Next thing you know she’ll want to change her name to Brittany.” “Very funny.” “You say that now,” she says, then moves in close and whispers, “it won’t be so funny if she wants Alex next.” “Now that’s not funny.

Power and shekels are no guarantee of personal satisfaction. As you attempt to claw your way to the top, do not lose sight of your psychological needs. Make choices that bring you satisfaction and joy. (…) If being top dog makes you happy, then have at it. Live your truth. For everyone else I say this: be wary of jeopardizing your peace of mind in the pursuit of status, money, or power. Needlepoint that!

Because it might make sense on paper, but even if it didn't, I'd still be begging her to move in with me. Because I want her, and the wanting her is sharper and bigger than anything else. Because the idea of her leaving me tonight sends something clawing through my chest, and the idea of her leaving me every time we fuck leaves me in nothing but tatters.

Matt caught me hard with a side punch, and he reeled in surprise just as much as I did. I blinked through the pain and looked back at him with a dumb expression. “The hell is your problem, Nick?” he growled. “Get your head in the game.” From the sidelines, I heard Eric howl for joy. He had a fist to his mouth, his ‘microphone’ as he pretended to be an announcer in a wrestling match. “And Nickie Boy takes a claw to the face by The Beast! How will he recover, folks? This. Is. Insaaaaaane!” To play along with the gag, I flopped down on the floor and pressed my hand to my heart. “I may actually be dead,” I said dryly, my voice a complete monotone. “Oh, look. I’m dying. Oh, no.

The Kai-lao girls were arrayed in a triangular formation, but they did not hold themselves as any warriors I knew. Each young woman was posed in strange, exaggerated ways, some balancing on one foot with arms raised, others crouched low and back with hands scrunched up in imitation of animal claws… I think. More so, they all dressed in identical uniforms save for the color, a literal rainbow. Each uniform… or maybe the girls themselves?... sported ears like a Terran feline with tails to match. Considering they twitched and moved, I could only guess they were natural. “Andrea Baker,” I said into the comms, “I misunderstand. You said when you spoke of ‘a cat fight,’ that it was a figure of speech? Perhaps you misspoke?” “Oh my God, Aylin,” Andrea laughed into the comms, “I really thought it was a joke, but I guess I was wrong. It really will be a cat fight!

But we pondered a lot about the personal life of the grown-ups. We knew how they made love, and we knew too how they tore at and clawed and trampled on one another afterwards, following an unchanging course that led from the chase to weariness and downfall. But it seemed to me the balance was in favor of the men, and that even in their fall there was still something of victory. They broke bones and wombs, then they left their own flesh and blood and misery as a crab leaves his pincers between your fingers.