Silver Lining Love Quotes

He is beauty, inside and out. He is the silver lining in a world of darkness. He is my light.

I don't want to stay in the bad place, where no one believes in silver linings or love or happy endings.

The only way to beat my crazy was by doing something even crazier. Thank you. I love you. I knew it from the moment I saw you. I'm sorry it took me so long to catch up.

I still love you in my own fucked-up way.

Let me tell ya. You gotta pay attention to signs. When life reaches out with a moment like this it's a sin if you don't reach back... I'm telling you.

So then I thought, I'd like you to have something to remember me by, you know, if you ever meet some veela when you're off doing whatever you're doing.' I think dating opportunities are going to be pretty thin on the ground, to be honest.' There's a silver lining I've been looking for,' she whispered, and then she was kissing him as she never kissed him before, and Harry was kissing her back, and it was a blissful oblivion, better than firewhiskey; she was the only real thing in the world, Ginny, the feel of her, one hand on her back, the other in her long sweet-smelling hair...

And I still love you in my own fucked-up way. I miss you, I really do. Can we still be friends?

Maybe you will never be able to forgive me, but I wanted you to know I had the best intentions-and I still love you in my own fucked-up way.

Take bread away from me, if you wish, take air away, but do not take from me your laughter. Do not take away the rose, the lance flower that you pluck, the water that suddenly bursts forth in joy, the sudden wave of silver born in you. My struggle is harsh and I come back with eyes tired at times from having seen the unchanging earth, but when your laughter enters it rises to the sky seeking me and it opens for me all the doors of life. My love, in the darkest hour your laughter opens, and if suddenly you see my blood staining the stones of the street, laugh, because your laughter will be for my hands like a fresh sword. Next to the sea in the autumn, your laughter must raise its foamy cascade, and in the spring, love, I want your laughter like the flower I was waiting for, the blue flower, the rose of my echoing country. Laugh at the night, at the day, at the moon, laugh at the twisted streets of the island, laugh at this clumsy fool who loves you, but when I open my eyes and close them, when my steps go, when my steps return, deny me bread, air, light, spring, but never your laughter.

Come live with me, and be my love, And we will some new pleasures prove Of golden sands, and crystal brooks, With silken lines, and silver hooks.

Can I see it?" She knew what he meant, and had held up her hands before her. Ribbons and plumes and flowers of red and gold fire danced through his room, bright and glorious and elegant. Chaol's eyes had been lined with silver when the flames winked out. "it's lovely," he said at last.

Nothing in my life would mean anything if you weren't here to share it. There'd be no reason to get up in the morning without you to light the sun with your smile.

When I read the actual story-how Gatsby loves Daisy so much but can't ever be with her no matter how hard he tries-I feel like ripping the book in half and calling up Fitzgerald and telling him his book is all wrong, even though I know Fitzgerald is probably deceased. Especially when Gatsby is shot dead in his swimming pool the first time he goes for a swim all summer, Daisy doesn't even go to his funeral, Nick and Jordan part ways, and Daisy ends up sticking with racist Tom, whose need for sex basically murders an innocent woman, you can tell Fitzgerald never took the time to look up at clouds during sunset, because there's no silver lining at the end of that book, let me tell you.

Even if you cannot always see that silver lining on your clouds, God can, for He is the very source of the light you seek. He does love you, and He knows your fears. He hears your prayers. He is your Heavenly Father, and surely He matches with His own the tears His children shed.

Clary shut her eyes. You didn't say no to an angel, no matter what it had in mind. Her heart pounding, she sat floating in the darkness behind her eyelids, resolutely trying not to think of Jace. But his face appear against the blank screen of her closed eyelids anyway - not smiling at her but looking sidelong, and she could see the scar at his temple, the uneven curl at the corner of his mouth, and the silver line on his throat where Simon had bitten him - all the marks and flaws and imperfections that made up the person she loved most in the world. Jace. A bright light lit her vision to scarlet, and she fell back against the sand, wondering if she was going to pass out - or maybe she was dying - but she didn't want to die, not now that she could see Jace's face so clearly in front of her. She could almost hear his voice, too, saying her name, the way he'd whispered it at Renwick's, over and over again. Clary. Clary. Clary. "Clary," Jace said. "Open your eyes.

The world will break your heart ten times till Sunday,that's guaranteed

Every cloud has a silver lining. The edge of light that shines brightest holds a sliver of hope for a bright today & an even better tomorrow.

I’m a screwed-up person who no longer knows how to communicate with the people I love. But I meant everything I told you in my letter. If I were your Nikki, I would have come back to you on Christmas Day, but I’m not Nikki. I know. And I’m sorry.

Your mother is risking a lot, because she believes in you.

But if there's a silver lining here (and you're not sure there is one), it's the assurance that what you had, whatever it was, had weight. It made an impact.

I love your freckles,” he murmurs from behind me, the pad of his finger tracing lines across the expanse of my back. “They remind me of all the constellations. Like I could draw lines between them, and pictures would appear.

I still loved him. I never stopped loving him, and never stopped hoping that he would fall back in love with me as well.

I love you, Louise Downe McCord. You drive me absolutely crazy sometimes, and this is one of those times, but I love you.

I think I fell in love with you that amazing night on the kitchen floor. Or maybe it was the evening you stepped up and set my arm." Testing things, he reached for her hand, and, to his joy, she glared, but she let him take it. "Or maybe the night I knew I loved you was when I kissed you under the mistletoe on Christmas Eve. It's hard to say because I look at you now and it seems to me there's never been a time when I didn't love you.

I don’t know why you’re crying… but I hope it’s because you’re as in love with me half as much as I am in love with you.

Tiffany and I are great friends, and I appreciate all that she is doing for me now. But she is not you. I still love you, Nikki. And you can’t control or alter true love.

Somehow I know that Nikki will never love me as much-no matter how much I improve my character.

Even sorrow has its silver lining, as the emotion that pours forth reminds us of our capacity to love, and to be loved.

I still believe you fell into my life for a reason.

Life changes so quickly. Not long ago I was mourning the death of my parents and wondering if I could make it through another day. Now I have been handed eternity. And not on a silver platter, either, but down a path lined with pain and bloodshed. But I will walk it with my kindred. With this boy I love. Together we will do something worthy and good. We will give our lives for others. Over and over again. I don't have answers to all the questions that lie before me. But Vincent and I have time to figure them out. All the time in the world.

Love conquers all... Every cloud has a silver lining... Faith can move mountains... Love will always find a way... Everything happens for a reason... Where there is life, there is hope. ...Hmph...They gotta tell ya somethin'.

If there was one silver lining to this whole mess, it was the reminder of my family’s greatness. I had a lovely visit with my mother that

The tsar was holding her hands against his chest, the ring on his finger gleaming pale silver like the tears running in silver lines down his cheeks; he was gazing down at her with eyes shining jewel-green, as though she were the most beautiful thing in the world.

Tell me what you're thinking.' I wind my arms around his neck. 'I was thinking you are exactly as I predicted the first time you took me in my room.' 'Oh yeah?' He draws back, curiosity sparking in his eyes. 'And what exactly was that?' 'A very dangerous addiction.' My gaze skims over the silver line of his scar, the thick lashes so many women would kill for, and over the bump in his nose to that perfectly sculped mouth. I've already told him that I love him, so it's not like I'm keeping secrets over here. Hell, compared to him, I'm an open book. 'Impossible to sate.' His eyes darken. 'I'm going to keep you,' he promises, just like he did last night. Or was it this morning? 'You're mine, Violet.' I lift my chin. 'Only if you're mine.' 'I've been yours for longer than you could ever imagine.

There were no hateful voices in her head. Only the knowledge that her friends lay behind her, behind the line she'd drawn in the earth, and she would not cede that line to these males. She would not fail her friends. She had no room for fear in her heart. Only calm. Determination. And love.

It was not the sorrowful, lovely piece she had once played for Dorian, and it was not the light, dancing melodies she'd played for sport; it was not the complex and clever pieces she had played for Nehemia and Chaol. This piece was a celebration—a reaffirmation of life, of glory, of the pain and beauty in breathing. Perhaps that was why she'd gone to hear it performed every year, after so much killing and torture and punishment: as a reminder of that she was, of what she struggled to keep. Up and up it built, the sound breaking from the pianoforte like the heart-song of a god, until Rowan drifted over to stand beside the instrument, until she whispered to him, “Now,” and the crescendo shattered into the world, note after note after note. The music crashed around them, roaring through the emptiness of the theater. The hollow silence that had been inside her for so many months now overflowed with sound. She brought the piece home to its final explosive, triumphant chord. When she looked up, panting slightly, Rowan's eyes were lined with silver, his throat bobbing. Somehow, after all this time, her warrior-prince still managed to surprise her. He seemed to struggle for words, but he finally breathed, “Show me—show me how you did that.” So she obliged him.

Every dark cloud may well have its silver lining, but I have come to learn that every silver lining has its dark consequences.

I am practicing being kind instead of right.

Moonlight silvered the long line of Lucy’s back as she sank to her knees—not submissively, as one conquered, but as a queen kneels at a coronation.

Sometimes life events break your heart. Even as you grieve, allow light to seep through the cracks, uplift, and illuminate a healing. Baby turtles emerge from the cracking of shells; new life can burst forth. Clear away all broken belongings as a metaphorical pathway fresh, loving experiences in uncharted waters.

Cynicism creates a numbness toward life. Cynicism begins with a wry assurance that everyone has an angle. Behind every silver lining is a cloud. The cynic is always observing, critiquing, but never engaging, loving, and hoping. ... To be cynical is to be distant. While offering a false intimacy of being "in the know," cynicism actually destroys intimacy. It leads to bitterness that can deaden and even destroy the spirit. ... Cynicism begins, oddly enough, with too much of the wrong kind of faith, with naive optimism or foolish confidence. At first glance, genuine faith and naive optimism appear identical since both foster confidence and hope.But the similarity is only surface deep.Genuine faith comes from knowing my heavenly Father loves, enjoys, and cares for me. Naive optimism is groundless. It is childlike trust without the loving Father. ... Optimism in the goodness of people collapses when it confronts the dark side of life. ... Shattered optimism sets us up for the fall into defeated weariness and, eventually, cynicism. You'd think it would just leave us less optimistic, but we humans don't do neutral well. We go from seeing the bright side of everything to seeing the dark side of everything. We feel betrayed by life. ... The movement from naive optimism to cynicism is the new American journey. In naive optimism we don't need to pray because everything is under control. In cynicism we can't pray because everything out of control, little is possible. With the Good Shepherd no longer leading us through the valley of the shadow of death, we need something to maintain our sanity. Cynicism's ironic stance is a weak attempt to maintain a lighthearted equilibrium in a world gone mad. ... Without the Good Shepherd, we are alone in a meaningless story. Weariness and fear leave us feeling overwhelmed, unable to move. Cynicism leaves us doubting, unable to dream. The combination shuts down our hearts, and we just show up for life, going through the motions.

There’s the silver lining I’ve been looking for,' she whispered, and then she was kissing him as she had never kissed him before, and Harry was kissing her back, and it was blissful oblivion, better than firewhisky; she was the only real thing in the world, Ginny, the feel of her, one hand at her back and one in her long, sweet-smelling hair —

All this time I thought God had forgotten me. That He had left me purposeless and broken. But He was here the whole time, and like Louie, I just had to find my way home.

Answered prayers come in many different forms, most of which we don’t recognize. This one, though, came exactly how I’d hoped.

We can't spend our whole lives worrying about how some random person perceives us.

If Terrell Owens is really depressed or mentally unstable, why do the people I love use it as an excuse to talk badly about him?

I do see why Nikki likes the novel, as it's written so well, but her liking it makes me worry now that Nikki doesn't really believe in silver linings. Because she says The Great Gatsby is the greatest novel ever written by an American, and yet it ends so sadly. One thing's for sure. Nikki is going to be very proud of me when I tell her I finally read her favorite book. Here's another surprise: I'm going to read all the novels on her American Literature class syllabus, just to make her proud. To let her know that I am really interested in what she loves.

A silver lining of being alone is being with someone you can trust, someone you respect and understand. You can let your guard down when you're by yourself. You can give yourself permission to live your authentic life, without apology. You can love yourself in a way that no one else can.

Aedion grinned, and ruffled her red-gold hair. “The battle won’t be pretty,” he said as Evangeline sipped her milk. “And you will likely throw up again. But just remember that this fear of yours? It means you have something worth fighting for—something you care so greatly for that losing it is the worst thing you can imagine.” He pointed to the frost-covered windows. “Those bastards out there on the plain? They have none of that.” He laid his hand on hers and squeezed gently. “They have nothing to fight for. And while we might not have their numbers, we do have something worth defending. And because of that, we can overcome our fear. We can fight against them, to the very end. For our friends, for our family ...” He squeezed her hand again at that. “For those we love ...” He dared to look up at Lysandra, whose green eyes were lined with silver. “For those we love, we can rise above that fear. Remember that tomorrow. Even if you throw up, even if you spend the whole night in the privy. Remember that we have something to fight for, and it will always triumph.

Te vivo?” Winter nods. “It’s Portuguese. My dad used to say it to my sister and me. Sadly, it’s some of the only Portuguese I know. It means ‘I live you’ or something along those lines.” “You mean I love you?” “No.” I scrub at my stubble and glance down at our daughter, who is now amusing herself by playing her favorite game of fetch with Peter and his miniature rubber chicken. “It means . . . I live you. Like I see you everywhere, you are in everything. Our connection is more than physical.

I have to admit that Emily is a cute kid, and I instantly understand why Ronnie has written me so many letters about his daughter-why he loves her so much. I start to think about having children with Nikki someday and I become so happy that I give little Emily a kiss on the forehead, as if she were Nikki's baby and I was her father. And then I kiss Emily's forehead again and again, until she giggles.

Sabbath still matters and we need the challenge it offers against impatience and idolatry. We need the practiced dependence it requires. And we need rest! We need God! And most of the time we are moving too fast to answer his call to be with him. This is the silver lining of the Sabbath cloud...the profound security of his presence...stopping long enough to remember how much he loves us. These help us to wait in larger ways.

To Juan at the Winter Solstice There is one story and one story only That will prove worth your telling, Whether as learned bard or gifted child; To it all lines or lesser gauds belong That startle with their shining Such common stories as they stray into. Is it of trees you tell, their months and virtues, Or strange beasts that beset you, Of birds that croak at you the Triple will? Or of the Zodiac and how slow it turns Below the Boreal Crown, Prison to all true kings that ever reigned? Water to water, ark again to ark, From woman back to woman: So each new victim treads unfalteringly The never altered circuit of his fate, Bringing twelve peers as witness Both to his starry rise and starry fall. Or is it of the Virgin's silver beauty, All fish below the thighs? She in her left hand bears a leafy quince; When, with her right hand she crooks a finger, smiling, How many the King hold back? Royally then he barters life for love. Or of the undying snake from chaos hatched, Whose coils contain the ocean, Into whose chops with naked sword he springs, Then in black water, tangled by the reeds, Battles three days and nights, To be spewed up beside her scalloped shore? Much snow if falling, winds roar hollowly, The owl hoots from the elder, Fear in your heart cries to the loving-cup: Sorrow to sorrow as the sparks fly upward. The log groans and confesses: There is one story and one story only. Dwell on her graciousness, dwell on her smiling, Do not forget what flowers The great boar trampled down in ivy time. Her brow was creamy as the crested wave, Her sea-blue eyes were wild But nothing promised that is not performed.

This will not be pleasant, this lunch, and you will both feel terrible afterward–it will not at all provide the closure either of you had hoped for–but if there's a silver lining here (and you're not sure there is one), it's the assurance that what you had, whatever it was, had weight. It made an impact. You can put to rest the fear that you were a blip in this other person's life, a footnote. What you did was important. You hurt somebody, and somebody hurt you.

(Poetry) helped me to find a silver lining in even the darkest emotions, experiences, observations and topics; find positivity even in the face of extreme negativity; find strength when I was being forced to feel weak; and find hope that my tomorrows would be brighter.

When I read the actual story - how Gatsby loves Daisy so much but can't ever be with her no matter how hard he tries - I feel like ripping the book in half and calling up Fitzgerald and telling him his book is all wrong, even though I know Fitzgerald is probably deceased.

It was another of Nostromo's triumphs, the greatest, the most enviable, the most sinister of all. In that true cry of undying passion that seemed to ring aloud from Punta Mala to Azuera and away to the bright line of the horizon, overhung by a big white cloud shining like a mass of solid silver, the genius of the magnificent Capataz de Cargadores dominated the dark gulf containing his conquests of treasure and love.

Gabriel Edward Mackie, born with soulful maturity and an intrinsic sense of empathy, gazed at life through a poetic contemplative lens relishing the plangent sounds of the wind dancing through the trees during a thunderstorm, inhaling the nutty scent of roasted peanuts at the ballpark, and firmly believing that if he stretched his arms high enough, he could touch his dreams. Driven by his keen curiosity, ability to find a silver lining in the darkest cloud, and vision, he spent boundless energy revering nature’s rarities like the spidery veins in between rose petals and a heron’s powder down feathers.

Pen realized it: Sometimes there is nothing to do but surrender yourself to wonder... You must stop measuring - over and over - the line between loving and being in love. You must offer yourself, whole, to the cobalt starfish (and the orange one and the pale pink one and the biscuit-colored one with the raised, chocolate-brown art deco design) and to the clear, clear water and to the sweep of shining sky and to the silver scattershot of leaping fish (an entire school skipping across the ocean like a stone.)

Staring into his eyes, she noticed a thin circle of gray around the green. A SILVER LINING, she thought.

Love became my superpower; if you choose to love, no matter what has been done to you, you will always win.

Thanos loves this ship. It's the best of his fleet. He'll be furious when he learns I've totaled it. Guess there's a silver lining to everything.

Gently, I caressed along the puckered, angry scar slanting in a long, jagged line across my lower abdomen to where it crossed the smooth, silvered scar running in a horizontal line just above my pelvis, wishing she could somehow find comfort in my touch. Chills shook my body as I ran my fingers over the still sensitive skin, and just like every night, the bitterness and anger I found myself feeling faded away into sadness as I lost myself in this tangible reminder of my child. I loved her, so much. Steam filled the room, and I eased myself into the water, allowing myself to drift back to Daniel. I missed him, almost more than I could bear. This was never supposed to have happened to us. We were supposed to make it…we should have made it.

Like Louie, I’ve been yelling and yelling, trying to get God to see how disappointed I am with this life He forced on me. How afraid I am to trust Him again. And He’s been patiently waiting, pushing me past boundaries, asking me to be vulnerable, testing me with new challenges, all to help me see that His way is better and perfect and it’s okay that it doesn’t always make sense.

He paused, wishing to embrace her, but feeling for the moment that he should not. Then, reaching into a waistcoat pocket, he took from it a thin gold locket, the size of a silver dollar, which he opened and handed to her. One interior face of it was lined with a photograph of Berenice as a girl of twelve, thin, delicate, supercilious, self-contained, distant, as she was to this hour.

As he reached the river, Oswald suddenly felt as if he were walking around in a painting. Then it dawned on him. Everywhere he looked was a painting! Everything was alive with color: the water, the sky, the boathouses that lined the rivermwith red tin roofs, silver tin roofs, and rusted orange tin roofs. Red boat in a yellow boathouse. Green, pink, blue, tan, yellow, and white boathouses. The wooden pilings sticking out of the water were a thousand different shades of graym and each individual piling was encrusted with hundreds of chalk-white barnacles and black woodpecker holes. Even the grain of the wood and the knots on each post differed from inch to inch and pole to pole.

Self love begins deep within you, you, and only you. Make celebrating your legacy a healthy act of self-love...and become your own pot of gold today; let God who is Love pour His Rainbow through your overhead clouds. - TraceyBond007.com

It is naive to think you know someone so well. To think that whatever time you have shared in knowing their habits, their history, their stories, their weaknesses, their strengths, their wounds, and deepest corners of their heart could ever sum them up-- is unjust. It is a shame to be unaware of the shifts and changes that happen every day, every moment, right before your eyes. The little crinkles around her eyes that get ever-so-slightly deeper and wiser. The silver linings of her hair. The wonders of time and how they show their presence in such ways. You may think that a flower is simply a flower. A flower that looks and smells just as simply as it always has. Or that the ocean is simply salt water and blue. The flower is always moving, changing, blossoming, and giving life to the birds and the bees. The ocean's tides rise and fall with the phases of the moon. The currents change direction. And depending on how the sun hits the water, the colors and shades of blue are in fact, infinite. Everything around you and everyone is always changing. Take time to smell the roses. Take time to watch the tide. Take time to see your love with new eyes. It would be a shame to miss it.

In The Garret Four little chests all in a row, Dim with dust, and worn by time, All fashioned and filled, long ago, By children now in their prime. Four little keys hung side by side, With faded ribbons, brave and gay When fastened there, with childish pride, Long ago, on a rainy day. Four little names, one on each lid, Carved out by a boyish hand, And underneath there lieth hid Histories of the happy band Once playing here, and pausing oft To hear the sweet refrain, That came and went on the roof aloft, In the falling summer rain. 'Meg' on the first lid, smooth and fair. I look in with loving eyes, For folded here, with well-known care, A goodly gathering lies, The record of a peaceful life-- Gifts to gentle child and girl, A bridal gown, lines to a wife, A tiny shoe, a baby curl. No toys in this first chest remain, For all are carried away, In their old age, to join again In another small Meg's play. Ah, happy mother! Well I know You hear, like a sweet refrain, Lullabies ever soft and low In the falling summer rain. 'Jo' on the next lid, scratched and worn, And within a motley store Of headless dolls, of schoolbooks torn, Birds and beasts that speak no more, Spoils brought home from the fairy ground Only trod by youthful feet, Dreams of a future never found, Memories of a past still sweet, Half-writ poems, stories wild, April letters, warm and cold, Diaries of a wilful child, Hints of a woman early old, A woman in a lonely home, Hearing, like a sad refrain-- 'Be worthy, love, and love will come,' In the falling summer rain. My Beth! the dust is always swept From the lid that bears your name, As if by loving eyes that wept, By careful hands that often came. Death canonized for us one saint, Ever less human than divine, And still we lay, with tender plaint, Relics in this household shrine-- The silver bell, so seldom rung, The little cap which last she wore, The fair, dead Catherine that hung By angels borne above her door. The songs she sang, without lament, In her prison-house of pain, Forever are they sweetly blent With the falling summer rain. Upon the last lid's polished field-- Legend now both fair and true A gallant knight bears on his shield, 'Amy' in letters gold and blue. Within lie snoods that bound her hair, Slippers that have danced their last, Faded flowers laid by with care, Fans whose airy toils are past, Gay valentines, all ardent flames, Trifles that have borne their part In girlish hopes and fears and shames, The record of a maiden heart Now learning fairer, truer spells, Hearing, like a blithe refrain, The silver sound of bridal bells In the falling summer rain. Four little chests all in a row, Dim with dust, and worn by time, Four women, taught by weal and woe To love and labor in their prime. Four sisters, parted for an hour, None lost, one only gone before, Made by love's immortal power, Nearest and dearest evermore. Oh, when these hidden stores of ours Lie open to the Father's sight, May they be rich in golden hours, Deeds that show fairer for the light, Lives whose brave music long shall ring, Like a spirit-stirring strain, Souls that shall gladly soar and sing In the long sunshine after rain

I walk the straight lines. I walk through the summer nights. I walk the silver rope of dreams. I walk through dawns of dawns. There’s not a lot that isn’t dying. I see people parading in front of each other like insects in a killing jar, watching each other die. I walk the straight lines through the Christ machines. Through the eyes of the throwaway people. Through the wards and the shores and the cracks in the skulls of the sidewalks. Through love’s howling vacancy. I am the freedom soil. I dig my own grave. I resurrect myself every night. I am all things to myself. I walk the straight lines. I walk the spider’s jailhouse. I walk the think line, the thin line, the white line and all the lines in between. I wish I could trade in my eyes.

Last Night’s Moon," “When will we next walk together under last night’s moon?” - Tu Fu March aspens, mist forest. Green rain pins down the sea, early evening cyanotype. Silver saltlines, weedy toques of low tide, pillow lava’s black spill indelible in the sand. Unbroken broken sea. — Rain sharpens marsh-hair birth-green of the spring firs. In the bog where the dead never disappear, where river birch drown, the surface strewn with reflection. This is the acid-soaked moss that eats bones, keeps flesh; the fermented ground where time stops and doesn’t; dissolves the skull, preserves the brain, wrinkled pearl in black mud. — In the autumn that made love necessary, we stood in rubber boots on the sphagnum raft and learned love is soil–stronger than peat or sea– melting what it holds. The past is not our own. Mole’s ribbon of earth, termite house, soaked sponge. It rises, keloids of rain on wood; spreads, milkweed galaxy, broken pod scattering the debris of attention. Where you are while your body is here, remembering in the cold spring afternoon. The past is a long bone. — Time is like the painter’s lie, no line around apple or along thigh, though the apple aches to its sweet edge, strains to its skin, the seam of density. Invisible line closest to touch. Lines of wet grass on my arm, your tongue’s wet line across my back. All the history in the bone-embedded hills of your body. Everything your mouth remembers. Your hands manipullate in the darkness, silver bromide of desire darkening skin with light. — Disoriented at great depths, confused by the noise of shipping routes, whales hover, small eyes squinting as they consult the magnetic map of the ocean floor. They strain, a thousand miles through cold channels; clicking thrums of distant loneliness bounce off seamounts and abyssal plains. They look up from perpetual dusk to rods of sunlight, a solar forest at the surface. Transfixed in the dark summer kitchen: feet bare on humid linoleum, cilia listening. Feral as the infrared aura of the snake’s prey, the bees’ pointillism, the infrasonic hum of the desert heard by the birds. The nighthawk spans the ceiling; swoops. Hot kitchen air vibrates. I look up to the pattern of stars under its wings.

Nights with bright pivots, departure, matter, uniquely voice, uniquely naked each day. Upon your breasts of still current, upon your legs ofharshness and water, upon the permanence and pride of your naked hair, I want to lie, my love, the tears now cast into the raucous basket where they gather, I want to lie, my love, alone with a syllable of destroyed silver, alone with a tip of your snowy breast.   It is not now possible, at times, to win except by falling, it is not now possible, between two people, to tremble, to touch the river’s flower: man fibers come like needles, transactions, fragments, families of repulsive coral, tempests and hard passages through carpets of winter.   Between lips and lips there are cities of great ash and moist crest, drops of when and how, indefinite traffic: between lips and lips, as if along a coast of sand and glass, the wind passes.   That is why you are endless, gather me up as if you were all solemnity, all nocturnal like a zone, until you merge with the lines of time.   Advance in sweetness, come to my side until the digital leaves of the violins have become silent, until the moss takes root in the thunder, until from the throbbing of hand and hand the roots come down.

She climbed down the cliffs after tying her sweater loosely around her waist. Down below she could see nothing but jagged rocks and waves. She was creful, but I watched her feet more than the view she saw- I worried about her slipping. My mother's desire to reach those waves, touch her feet to another ocean on the other side of the country, was all she was thinking of- the pure baptismal goal of it. Whoosh and you can start over again. Or was life more like the horrible game in gym that has you running from one side of an enclosed space to another, picking up and setting down wooden blocks without end? She was thinking reach the waves, the waves, the waves, and I was watching her navigate the rocks, and when we heard her we did so together- looking up in shock. It was a baby on the beach. In among the rocks was a sandy cove, my mother now saw, and crawling across the sand on a blanket was a baby in knitted pink cap and singlet and boots. She was alone on the blanket with a stuffed white toy- my mother thought a lamb. With their backs to my mother as she descended were a group of adults-very official and frantic-looking- wearing black and navy with cool slants to their hats and boots. Then my wildlife photographer's eye saw the tripods and silver circles rimmed by wire, which, when a young man moved them left or right, bounced light off or on the baby on her blanket. My mother started laughing, but only one assistant turned to notice her up among the rocks; everyone else was too busy. This was an ad for something. I imagined, but what? New fresh infant girls to replace your own? As my mother laughed and I watched her face light up, I also saw it fall into strange lines. She saw the waves behind the girl child and how both beautiful and intoxicating they were- they could sweep up so softly and remove this gril from the beach. All the stylish people could chase after her, but she would drown in a moment- no one, not even a mother who had every nerve attuned to anticipate disaster, could have saved her if the waves leapt up, if life went on as usual and freak accidents peppered a calm shore.

You carried your infant daughter in one arm, and walked with me, a child six years of age, tired, trudging beside you. You left that nightmare behind. And you left behind other things, too. The elm trees that lined your street. The familiar scent of autumn. The baker's smile when he handed you the fresh bread, the song of the peddlers in the street, the sound of strangers around you talking, haggling, buying, singing, speaking, fighting in a language you understood. Your friends. Your career. Your home. Your dreams. Your family. Your memories. Pots, pans, the fine silver spoons and forks. Photographs. Heirlooms. Your favorite dresses. Your father's grave. The colorful wares of the markets at the new year. Streets you knew by name. Cab drivers who recited poetry. The halls of your old university. You left whatever you couldn't fit into a single suitcase behind you and closed the door of your home for the last time, the dishes washed, the beds made, the curtains drawn, thinking, "Perhaps, perhaps we will come back," and you shut the door, and left, without knowing if you'd ever find home again.

I love your freckles,” he murmurs from behind me, the pad of his finger tracing lines across the expanse of my back. “They remind me of all the constellations. Like I could draw lines between them, and pictures would appear.” It’s such an oddly worshipful thing to say. I wiggle my toes, hum softly, and tip my cheek against the bed to gaze back at him. “Right here, there are two so close together they almost look like one.” “Like binary stars,” I murmur. “What are binary stars?” His finger tenderly swipes across the spot he’s talking about. “It’s two stars that look like one to us when we see them in the sky. But really, they’re two. Stuck together by a gravitational pull, always orbiting one another.” “Kind of like the two of us, stuck together,” he muses.

But we all take turns, don’t we? Being the bystanders and the ones who suffer. What if we’re meant to be counterpoints to each other—not to diminish each other’s pain, not to overstate the silver linings of hardship, but instead to stand in witness to it, to help each other see that little bit of light and hope that keeps us going, that reminds us life is some hard shit, but the people who love us through it…they make it bearable?

Up before sunrise. Marjorie hated getting out of bed in the dark, but loved the payoff once she was dressed and rolling down the country roads in the first light, cruising and owning them almost alone. The countryside here used to be a lot more interesting, though. She remembered it in her girlhood - orchards, small ranches, farmhouses, each one of these houses a distinct personality... Money, she thought wryly, scanning the endless miles of grapevines, all identically wired and braced and drip-lined, mile after mile - money was such a powerful organizer. As the dawn light gained strength, and bathed the endless vines in tarnished silver, it struck her that there was, after all, something scary about money, that it could run loose in the world like a mythic monster, gobbling up houses and trees, serving strictly its own monstrous appetite. ("The Growlimb")

Ode to the Beloved’s Hips" Bells are they—shaped on the eighth day—silvered percussion in the morning—are the morning. Swing switch sway. Hold the day away a little longer, a little slower, a little easy. Call to me— I wanna rock, I-I wanna rock, I-I wanna rock right now—so to them I come—struck-dumb chime-blind, tolling with a throat full of Hosanna. How many hours bowed against this Infinity of Blessed Trinity? Communion of Pelvis, Sacrum, Femur. My mouth—terrible angel, ever-lasting novena, ecstatic devourer. O, the places I have laid them, knelt and scooped the amber—fast honey—from their openness— Ah Muzen Cab’s hidden Temple of Tulúm—licked smooth the sticky of her hip—heat-thrummed ossa coxae. Lambent slave to ilium and ischium—I never tire to shake this wild hive, split with thumb the sweet- dripped comb—hot hexagonal hole—dark diamond— to its nectar-dervished queen. Meanad tongue— come-drunk hum-tranced honey-puller—for her hips, I am—strummed-song and succubus. They are the sign: hip. And the cosign: a great book— the body’s Bible opened up to its Good News Gospel. Alleluias, Ave Marías, madre mías, ay yay yays, Ay Dios míos, and hip-hip-hooray. Cult of Coccyx. Culto de cadera. Oracle of Orgasm. Rorschach’s riddle: What do I see? Hips: Innominate bone. Wish bone. Orpheus bone. Transubstantiation bone—hips of bread, wine-whet thighs. Say the word and healed I shall be: Bone butterfly. Bone wings. Bone Ferris wheel. Bone basin bone throne bone lamp. Apparition in the bone grotto—6th mystery— slick rosary bead—Déme la gracia of a decade in this garden of carmine flower. Exile me to the enormous orchard of Alcinous—spiced fruit, laden-tree—Imparadise me. Because, God, I am guilty. I am sin-frenzied and full of teeth for pear upon apple upon fig. More than all that are your hips. They are a city. They are Kingdom— Troy, the hollowed horse, an army of desire— thirty soldiers in the belly, two in the mouth. Beloved, your hips are the war. At night your legs, love, are boulevards leading me beggared and hungry to your candy house, your baroque mansion. Even when I am late and the tables have been cleared, in the kitchen of your hips, let me eat cake. O, constellation of pelvic glide—every curve, a luster, a star. More infinite still, your hips are kosmic, are universe—galactic carousel of burning comets and Big Big Bangs. Millennium Falcon, let me be your Solo. O, hot planet, let me circumambulate. O, spiral galaxy, I am coming for your dark matter. Along las calles de tus muslos I wander— follow the parade of pulse like a drum line— descend into your Plaza del Toros— hands throbbing Miura bulls, dark Isleros. Your arched hips—ay, mi torera. Down the long corridor, your wet walls lead me like a traje de luces—all glitter, glowed. I am the animal born to rush your rich red muletas—each breath, each sigh, each groan, a hooked horn of want. My mouth at your inner thigh—here I must enter you—mi pobre Manolete—press and part you like a wound— make the crowd pounding in the grandstand of your iliac crest rise up in you and cheer.

Tatiasha, my wife, I got cookies from you and Janie, anxious medical advice from Gordon Pasha (tell him you gave me a gallon of silver nitrate), some sharp sticks from Harry (nearly cried). I’m saddling up, I’m good to go. From you I got a letter that I could tell you wrote very late at night. It was filled with the sorts of things a wife of twenty-seven years should not write to her far-away and desperate husband, though this husband was glad and grateful to read and re-read them. Tom Richter saw the care package you sent with the preacher cookies and said, “Wow, man. You must still be doing something right.” I leveled a long look at him and said, “It’s good to know nothing’s changed in the army in twenty years.” Imagine what he might have said had he been privy to the fervent sentiments in your letter. No, I have not eaten any poison berries, or poison mushrooms, or poison anything. The U.S. Army feeds its men. Have you seen a C-ration? Franks and beans, beefsteak, crackers, fruit, cheese, peanut butter, coffee, cocoa, sacks of sugar(!). It’s enough to make a Soviet blockade girl cry. We’re going out on a little scoping mission early tomorrow morning. I’ll call when I come back. I tried to call you today, but the phone lines were jammed. It’s unbelievable. No wonder Ant only called once a year. I would’ve liked to hear your voice though: you know, one word from you before battle, that sort of thing . . . Preacher cookies, by the way, BIG success among war-weary soldiers. Say hi to the kids. Stop teaching Janie back flip dives. Do you remember what you’re supposed to do now? Kiss the palm of your hand and press it against your heart.   Alexander   P.S. I’m getting off the boat at Coconut Grove. It’s six and you’re not on the dock. I finish up, and start walking home, thinking you’re tied up making dinner, and then I see you and Ant hurrying down the promenade. He is running and you’re running after him. You’re wearing a yellow dress. He jumps on me, and you stop shyly, and I say to you, come on, tadpole, show me what you got, and you laugh and run and jump into my arms. Such a good memory. I love you, babe.

Do you doubt the love of God for you? And feel like His love is absent in your life? Knowing the quantum of love God has for us is essential to healthy living as God’s love is fundamental to our identity. Although many people, most especially religious men and women, believe that God loves them, they are unable to reap the benefits of his love. It is not simply cool to say God loves me but to know it, be rooted and grounded in it for it is by this that you will be able to rise above any and every circumstance life may throw your way.

At the edge of Saint-Michel is the Wildwood. The wolves who live there come out at night. They prowl fields and farms, hungry for hens and tender young lambs. But there is another sort of wolf, one that's far more treacherous. This is the wolf the old ones speak of. "Run if you see him," they tell their granddaughters. "His tongue is silver, but his teeth are sharp. If he gets hold of you, he'll eat you alive." Most of the village girls do what they're told, but occasionally one does not. She stands her ground, looks the wolf in the eye, and falls in love with him. People see her run to the woods at night. They see her the next morning with leaves in her hair and blood on her lips. This is not proper, they say. A girl should not love a wolf. So they decide to intervene. They come after the wolf with guns and swords. They hunt him down in the Wildwood. But the girl is with him and sees them coming. The people raise their rifles and take aim. The girl opens her mouth to scream, and as she does, the wolf jumps inside it. Quickly the girl swallows him whole, teeth and claws and fur. He curls up under her heart. The villagers lower their weapons and go home. The girl heaves a sigh of relief. She believes this arrangement will work. She thinks she can be satisfied with memories of the wolf’s golden eyes. She thinks the wolf will be happy with a warm place to sleep. But the girl soon realized she’s made a terrible mistake, for the wolf is a wild thing and wild things cannot be caged. He wants to get out, but the girl is all darkness inside and he cannot find his way. So he howls in her blood. He tears at her heart. The howling and gnawing –it drives the girl mad. She tries to cut him out, slicing lines in her flesh with a razor. She tries to burn him out, holding a candle flame to her skin. She tries to starve him out, refusing to eat until she’s nothing but skin over bones. Before long, the grave takes them both. A wolf lives in Isabelle. She tries hard to keep him down, but his hunger grows. He cracks her spine and devours her heart. Run home. Slam the door. Throw the bolt. It won’t help. The wolves in the woods have sharp teeth and long claws, but it’s the wolf inside who will tear you apart.

When the angels of the Bible spoke to human beings, did they speak in words? I don’t think so. I think the angels said nothing, but they were heard in the purest silence of the human spirit, and were understood beyond words. On a more human scale there are many things beyond. A mother watches her child leave home. Her heart is still. Her eyes are full of tears and prayer. That is beyond. An old man with wrinkled hands is carrying his grandchild. With startled eyes the baby regards his grandfather. The old man, with the knowledge of Time’s sadness in his heart, and with love in his eyes, looks down at the child. The meeting of their eyes. That is beyond. A famous writer, feeling his life coming to an end, writes these words: ‘My soul looks back and wonders – just how I got I got over.’ A young woman, standing on a shore, looks out into an immense azure sea rimmed with the silver line of the horizon. She looks out into the obscure heart of destiny, and is overwhelmed by a feeling both dark and oddly joyful. She may be thinking something like this: ‘My soul looks forward and wonders- just how am I to get across.’ That is beyond.

I fall in love with one special hat, but it happens to be on the head of the old Indian who is waiting on us. It is an old black hat, broken with white lines where it must have been crumpled and stepped on and kicked, and its brim droops like a hound's ear all along one side, but it is a wonderful hat, a magic hat. D'Artagnan wore a hat like that when he came up from Gascony, and Don Quixote wore a hat like that when he went home at last. Around the crown its owner has placed a thin silver band, as simply made as a wedding ring. They do look long-married, the old man and his black hat.

It’s a girl!” I was beaming. It was real. She was real. Inside of me was a little girl. One who would need guidance and love and self-esteem. A girl who would stand at my ankles and look up at me with reverence and admiration and expect that I would and could protect her from anything in the whole world. A delicate little lady who would one day ask me about life and death, and sex and love, and all of the scary things I had had to learn on my own. A little, sweet angel that would never have to question my love and support for her. A precious, innocent heart that was mine to care for and nurture. My little girl.

Now let me tell you something. I have seen a thousand sunsets and sunrises, on land where it floods forest and mountains with honey coloured light, at sea where it rises and sets like a blood orange in a multicoloured nest of cloud, slipping in and out of the vast ocean. I have seen a thousand moons: harvest moons like gold coins, winter moons as white as ice chips, new moons like baby swans’ feathers. I have seen seas as smooth as if painted, coloured like shot silk or blue as a kingfisher or transparent as glass or black and crumpled with foam, moving ponderously and murderously. I have felt winds straight from the South Pole, bleak and wailing like a lost child; winds as tender and warm as a lover’s breath; winds that carried the astringent smell of salt and the death of seaweeds; winds that carried the moist rich smell of a forest floor, the smell of a million flowers. Fierce winds that churned and moved the sea like yeast, or winds that made the waters lap at the shore like a kitten. I have known silence: the cold, earthy silence at the bottom of a newly dug well; the implacable stony silence of a deep cave; the hot, drugged midday silence when everything is hypnotised and stilled into silence by the eye of the sun; the silence when great music ends. I have heard summer cicadas cry so that the sound seems stitched into your bones. I have heard tree frogs in an orchestration as complicated as Bach singing in a forest lit by a million emerald fireflies. I have heard the Keas calling over grey glaciers that groaned to themselves like old people as they inched their way to the sea. I have heard the hoarse street vendor cries of the mating Fur seals as they sang to their sleek golden wives, the crisp staccato admonishment of the Rattlesnake, the cobweb squeak of the Bat and the belling roar of the Red deer knee-deep in purple heather. I have heard Wolves baying at a winter’s moon, Red howlers making the forest vibrate with their roaring cries. I have heard the squeak, purr and grunt of a hundred multi-coloured reef fishes. I have seen hummingbirds flashing like opals round a tree of scarlet blooms, humming like a top. I have seen flying fish, skittering like quicksilver across the blue waves, drawing silver lines on the surface with their tails. I have seen Spoonbills flying home to roost like a scarlet banner across the sky. I have seen Whales, black as tar, cushioned on a cornflower blue sea, creating a Versailles of fountain with their breath. I have watched butterflies emerge and sit, trembling, while the sun irons their wings smooth. I have watched Tigers, like flames, mating in the long grass. I have been dive-bombed by an angry Raven, black and glossy as the Devil’s hoof. I have lain in water warm as milk, soft as silk, while around me played a host of Dolphins. I have met a thousand animals and seen a thousand wonderful things. But— All this I did without you. This was my loss. All this I want to do with you. This will be my gain. All this I would gladly have forgone for the sake of one minute of your company, for your laugh, your voice, your eyes, hair, lips, body, and above all for your sweet, ever-surprising mind which is an enchanting quarry in which it is my privilege to delve.

Nights with bright pivots, departure, matter, uniquely voice, uniquely naked each day. Upon your breasts of still current, upon your legs ofharshness and water, upon the permanence and pride of your naked hair, I want to lie, my love, the tears now cast into the raucous basket where they gather, I want to lie, my love, alone with a syllable of destroyed silver, alone with a tip of your snowy breast.   It is not now possible, at times, to win except by falling, it is not now possible, between two people, to tremble, to touch the river’s flower: man fibers come like needles, transactions, fragments, families of repulsive coral, tempests and hard passages through carpets of winter.   Between lips and lips there are cities of great ash and moist crest, drops of when and how, indefinite traffic: between lips and lips, as if along a coast of sand and glass, the wind passes.   That is why you are endless, gather me up as if you were all solemnity, all nocturnal like a zone, until you merge with the lines of time.   Advance in sweetness, come to my side until the digital leaves of the violins have become silent, until the moss takes root in the thunder, until from the throbbing of hand and hand the roots come down.   VALS Yo toco el odio como pecho diurno, yo sin cesar, de ropa en ropa, vengo durmiendo lejos.

Finally, I have come to realise that an imperfect Life is actually the most perfect Life. I have come to see how Life is beautiful in all its colours, more so because the shades of grey bind them and paint them with even more radiance. A clear sky is always beautiful but what if we never have rain or storm? Sunshine is always wonderful but what if we never have the soothing dusk or the cold night to coil in our own misty self? Storms that come to jolt us often leave us with more courage as we sail along the gust to chase a silver lining. The scorching heat that chokes us often makes us wait more eagerly for that balm of rain. So is Life, in all those moments of sunset we have the hope of the following sunrise, and if we may wait and absorb all that crumbling ray of that sunset we would be able to paint our sunrise with even more crimson smile. Because just like a story, nothing in Life is really concrete without patience. We cannot skip pages of a book because each line contains just so much to seep in, and to have the story fully lived inside our heart and soul we have to keep reading until the very end to feel that sense of peaceful happiness, that always clutches us no matter how the ending is drafted. In the same manner, we have to keep walking through Life, as each and every step of ours leads us to the destination of our Life, the destination of peace, the destination of knowledge of self. The best part of this walk is that it is never a straight line, but is always filled with curves and turns, making us aware of our spirit, laughing loud at times while mourning deep at times. But that is what Life is all about, a bunch of imperfect moments to smile as perfect memories sailing through the potholes of Life, because a straight line even in the world of science means death, after all monotony of perfection is the most cold imperfection. So as we walk through difficult times, may we realise that this sunset is not forever's and that the winter often makes us more aware of the spring. As we drive through a dark night, may we halt for a moment and watch for the stars, the smile of the very stars of gratitude and love that is always there even in the darkest sky of the gloomiest night. As we sail along the ship of Life, may we remember that the winds often guide us to our destination and the storms only come to make our voyage even more adventurous, while the rain clears the cloud so that we may gaze at the full glory of the sky above, with a perfect smile through a voyage of imperfect moments of forever's shine. And so as we keep turning the pages of Life, may we remember to wear that Smile, through every leaf of Life, for Life is rooted in the blooming foliage of its imperfect perfection.

I know what you think you see,” she told him, as they turned a corner onto a residential street. “Really?” He regarded her mock-archly. “And what do I think I see, Ms. Parker?” “You see the pricey U of C education, the high-rise apartment off of Michigan Avenue, and then you hear that I grew up in Glenwood—” “—Don’t forget those fancy red high-heeled shoes. As long as we’re generalizing.” “—and you think you see somebody who grew up with a silver spoon in her mouth.” She raised an eyebrow. “Am I right?” He cocked his head in acknowledgement. “Okay, maybe I was thinking something along those lines. Tell me, then—what should I see instead?” “Someone who has worked very hard to get where she’s at

The question haunted me, and the real answer came, as answers often do, not in the canyon but at an unlikely time and in an unexpected place, flying over the canyon at thirty thousand feet on my way to be a grandmother. My mind on other things, intending only to glance out, the exquisite smallness and delicacy of the river took me completely by surprise. In the hazy light of early morning, the canyon lay shrouded, the river flecked with glints of silver, reduced to a thin line of memory, blurred by a sudden realization that clouded my vision. The astonishing sense of connection with that river and canyon caught me completely unaware, and in a breath I understood the intense, protective loyalty so many people feel for the Colorado River in the Grand Canyon. It has to do with truth and beauty and love of this earth, the artifacts of a lifetime and the descant of a canyon wren at dawn.

She laughed, a sound of pure joy, and she cried more, because that joy was a miracle. 'That's a sound I never thought to hear from you, girl,' Amren said beside her. The delicate female was regal in a gown of light grey, diamonds at her throat and wrists, her usual black bob silvered with the starlight. Nesta wiped away her tears, smearing the stardust upon her cheeks and not caring. For a long moment, her throat worked, trying to sort through all that sought to rise from her chest. Amren just held her stare, waiting. Nesta fell to one knee and bowed her head. 'I am sorry.' Amren made a sound of surprise, and Nesta knew others were watching, but she didn't care. She kept her head lowered and let the words flow from her heart. 'You gave me kindness, and respect, and your time, and I treated them like garbage. You told me the truth, and I did not want to hear it. I was jealous, and scared, and too proud to admit it. But losing your friendship is a loss I can't endure.' Amren said nothing, and Nesta lifted her head to find the female smiling, something like wonder on her face. Amren's eyes became lined with silver, a hint of how they had once been. 'I went poking about the House when we arrived an hour ago. I saw what you did to the place.' Nesta's brow furrowed. She hadn't changed anything. Amren grabbed Nesta under the shoulder, hauling her up. 'The House sings. I can hear it in the stone. And when I spoke to it, it answered. Granted, it gave me a pile of romance novels by the end of it, but... you caused this House to come alive, girl.' 'I didn't do anything.' 'You Made the House,' Amren said, smiling again, a slash of red and white in the glowing dark. 'When you arrived here, what did you wish for most?' Nesta considered, watching a few stars whiz past. 'A friend. Deep down, I wanted a friend.' 'So you Made one. Your power brought the House to life with a silent wish born from loneliness and desperate need.' 'But my power only creates terrible things. The House is good,' Nesta breathed. 'Is it?' Nesta considered. 'The darkness in the pit of the library- it's the heart of the House.' Amren nodded. 'And where is it now?' 'It hasn't made an appearance in weeks. But it's still there. I think it's just... being managed. Maybe it's the House's knowledge that I'm aware of it, and didn't judge it, makes it easier to keep in check.' Amren put a hand above Nesta's heart. 'That's the key, isn't it? To know the darkness will always remain, but how you choose to face it, handle it... that's the important part. To not let it consume. To focus upon the good, the things that fill you with wonder.' She gestured to the stars zooming past. 'The struggle with that darkness is worth it, just to see such things.' But Nesta's gaze had slid from the stars- finding a familiar face in the crowd, dancing with Mor. Laughing, his head thrown back. So beautiful she had no words for it. Amren chuckled gently. 'And worth it for that, too.' Nesta looked back at her friend. Amren smiled, and her face became as lovely as Cassian's, as the stars arching past. 'Welcome back to the Night Court, Nesta Archeron.

Colby arrived the next day, with stitches down one lean cheek and a new prosthesis. He held it up as Cecily came out to the car to greet him. He held it up as Cecily came out to the car to greet him. “Nice, huh? Doesn’t it look more realistic than the last one?” “What happened to the last one?” she asked. “Got blown off. Don’t ask where,” he added darkly. “I know nothing,” she assured him. “Come on in. Leta made sandwiches.” Leta had only seen Colby once, on a visit with Tate. She was polite, but a little remote, and it showed. “She doesn’t like me,” Colby told Cecily when they were sitting on the steps later that evening. “She thinks I’m sleeping with you,” she said simply.” So does Tate.” “Why?” “Because I let him think I was,” she said bluntly. He gave her a hard look. “Bad move, Cecily.” “I won’t let him think I’m waiting around for him to notice me,” she said icily. “He’s already convinced that I’m in love with him, and that’s bad enough. I can’t have him know that I’m…well, what I am. I do have a little pride.” “I’m perfectly willing, if you’re serious,” he said matter-of-factly. His face broke into a grin, belying the solemnity of the words. “Or are you worried that I might not be able to handle it with one arm?” She burst out laughing and pressed affectionately against his side. “I adore you, I really do. But I had a bad experience in my teens. I’ve had therapy and all, but it’s still sort of traumatic for me to think about real intimacy.” “Even with Tate?” he probed gently. She wasn’t touching that line with a pole. “Tate doesn’t want me.” “You keep saying that, and he keeps making a liar of you.” “I don’t understand.” “He came to see me last night. Just after I spoke to you.” He ran his fingers down his damaged cheek. She caught her breath. “I thought you got that overseas!” “Tate wears a big silver turquoise ring on his middle right finger,” he reminded her. “It does a bit of damage when he hits people with it.” “He hit you? Why?” she exclaimed. “Because you told him we were sleeping together,” he said simply. “Honest to God, Cecily, I wish you’d tell me first when you plan to play games. I was caught off guard.” “What did he do after he hit you?” “I hit him, and one thing led to another. I don’t have a coffee table anymore. We won’t even discuss what he did to my best ashtry.” “I’m so sorry!” “Tate and I are pretty much matched in a fight,” he said. “Not that we’ve ever been in many. He hits harder than Pierce Hutton does in a temper.” He scowled down at her. “Are you sure Tate doesn’t want you? I can’t think of another reason he’d try to hammer my floor with my head.” “Big brother Tate, to the rescue,” she said miserably. She laughed bitterly. “He thinks you’re a bad risk.” “I am,” he said easily. “I like having you as my friend.” He smiled. “Me, too. There aren’t many people who stuck by me over the years, you know. When Maureen left me, I went crazy. I couldn’t live with the pain, so I found ways to numb it.” He shook his head. “I don’t think I came to my senses until you sent me to that psychologist over in Baltimore.” He glanced down at her. “Did you know she keeps snakes?” he added. “We all have our little quirks.

Linda's black figure detached itself upright on the light of the lantern with her arms raised above her head as though she were going to throw herself over. "It is I who loved you," she whispered, with a face as set and white as marble in the moonlight. "I! Only I! She will forget thee, killed miserably for her pretty face. I cannot understand. I cannot understand. But I shall never forget thee. Never!" She stood silent and still, collecting her strength to throw all her fidelity, her pain, bewilderment, and despair into one great cry. "Never! Gian' Battista!" Dr. Monygham, pulling round in the police-galley, heard the name pass over his head. It was another of Nostromo's triumphs, the greatest, the most enviable, the most sinister of all. In that true cry of undying passion that seemed to ring aloud from Punta Mala to Azuera and away to the bright line of the horizon, overhung by a big white cloud shining like a mass of solid silver, the genius of the magnificent Capataz de Cargadores dominated the dark gulf containing his conquests of treasure and love.

The farther back the bed, the older the child looked. The last few didn’t even look like children anymore, but petite senior citizens. Their faces were wrinkled and their hair was gray. “These must be the missing children!” Red gasped. “What’s happening to them?” Tootles asked. Red noticed that the walls were lined with empty coffins. She covered her mouth, and her eyes filled with tears. “Morina is draining their youth and beauty to make potions!” Red said. “She’s a monster!” Red and the Lost Boys stared around at the cursed children in disbelief. They wanted to free them from whatever enchantment was draining their life force, but they didn’t know how. They were too afraid to touch any of them. “Why are there empty beds?” Nibs asked. “Because they died,” said a voice that didn’t belong to Red or the Lost Boys. They looked around the basement to see where it was coming from. Propped up in the corner of the basement was a tall mirror with a silver frame, and to Red’s horror, Froggy was standing inside of it. “Charlie!” Red yelled, and ran to it. She placed both of her hands on the glass and Froggy put his webbed hands against hers. “Our dad’s a giant frog?” Nibs asked. “Hooray, our dad’s a frog!” “Red, who are these children?” Froggy asked. “And why are they calling me Dad?” “These are the Lost Boys of Neverland. I’ve adopted them for the time being—it’s a long story,” Red said. “Charlie, what are you doing inside a mirror?” “Morina put me in here so I would have to watch the children,” Froggy said sadly. “So how do we get you out?” Red asked. Froggy shook his head. “Magic mirrors are irreversible, my darling” he said. “I’m trapped just like the Evil Queen’s lover, but since the wishing spell doesn’t exist anymore, I’ll most likely be in here… forever.” Red fell to her knees and shook her head. She thought her heart was broken before, but it had shattered into so many pieces now, it might never heal again. “No…,” she whispered. “No, no, no…” Froggy became emotional at the sight of her. “I am so sorry, my love,” he cried. “You must take these children and leave before Morina gets back.” “I can’t leave you…,” Red cried. “There’s nothing we can do.” Froggy wept. “Morina wanted to separate us, and I’m afraid she has for good. The

I’ve had the best time! The spirit here is incredible. It’s competitive, to be sure, but everyone supports each other. I was getting advice from men I was about to go against right up to the very moment the competitions began.” “That’s wonderful,” Joanna said and handed him a mug of lemonade. “You look absolutely awful.” “I showered,” he replied, a bit defensively. “She means the bruises,” Kassandra said. She thought “awful” was going too far, for the truth was, he looked magnificent. He was a bit battered, however, as was to be expected. All the competitors were the same. “These are nothing,” he insisted, gesturing to the livid black-and-blue splotches with which he was adorned, and with the enthusiasm of a boy, added, “I won two silver bracelets. Here.” He handed one to each of them and beamed as they put them on. “Thank you,” Joanna said sweetly and leaned over to kiss his cheek. Kassandra stared at the bracelet, turning it round and round her wrist. In her quarters, there were chests fitted with silk-lined drawers that held precious jewels given to her because she was a princess. She wore them on occasion and enjoyed them. But never had she received anything so lovely as that simple silver bracelet won by sweat and skill in the Games. “It’s very nice,” she said, and felt his gaze even as she refused to meet it.

There was nothing in Nesta's head but screaming. Nothing in her heart but love and hatred and fury as she let go of everything inside her and the entire world exploded. The baying of her magic was a beast with no name. Avalanches cascaded down the cliffs in seas of glittering white. Trees bent and ruptured in the wake of the power that shattered from her. Distant seas drew back from their shores, then raced in waves toward them again. Glasses shook and shattered in Velaris, books tumbled off the shelves in Helion's thousand libraries, and the remnants of a run-down cottage in the human lands crumbled into a pile of rubble. But all Nesta saw was Briallyn. All she saw was the slack-jawed crone as Nesta leaped upon her, throwing her frail body to the rocky ground. All she knew was screaming as she clutched Briallyn's face, the Crown glowing blindingly white, and roared her fury to the mountains, to the stars, to the dark places between them. Gnarled hands turned young. A lined face became beautiful and lovely. White hair darkened to raven black. But Nesta bellowed and bellowed, letting her magic rage, unleashing every ember. Erasing the queen beneath her from existence. The young hands turned to ash. The pretty face dissolved into nothing. The dark hair withered into dust. Until all that was left of the queen was the Crown on the ground.

Marcelina loved that miniscule, precise moment when the needle entered her face. It was silver; it was pure. It was the violence that healed, the violation that brought perfection. There was no pain, never any pain, only a sense of the most delicate of penetrations, like a mosquito exquisitely sipping blood, a precision piece of human technology slipping between the gross tissues and cells of her flesh. She could see the needle out of the corner of her eye; in the foreshortened reality of the ultra-close-up it was like the stem of a steel flower. The latex-gloved hand that held the syringe was as vast as the creating hand of God: Marcelina had watched it swim across her field of vision, seeking its spot, so close, so thrillingly, dangerously close to her naked eyeball. And then the gentle stab. Always she closed her eyes as the fingers applied pressure to the plunger. She wanted to feel the poison entering her flesh, imagine it whipping the bloated, slack, lazy cells into panic, the washes of immune response chemicals as they realized they were under toxic attack; the blessed inflammation, the swelling of the wrinkled, lined skin into smoothness, tightness, beauty, youth. Marcelina Hoffman was well on her way to becoming a Botox junkie. Such a simple treat; the beauty salon was on the same block as Canal Quatro. Marcelina had pioneered the lunch-hour face lift to such an extent that Lisandra had appropriated it as the premise for an entire series. Whore. But the joy began in the lobby with Luesa the receptionist in her high-collared white dress saying “Good afternoon, Senhora Hoffman,” and the smell of the beautiful chemicals and the scented candles, the lightness and smell of the beautiful chemicals and the scented candles, the lightness and brightness of the frosted glass panels and the bare wood floor and the cream-on-white cotton wall hangings, the New Age music that she scorned anywhere else (Tropicalismo hippy-shit) but here told her, “you’re wonderful, you’re special, you’re robed in light, the universe loves you, all you have to do is reach out your hand and take anything you desire.” Eyes closed, lying flat on the reclining chair, she felt her work-weary crow’s-feet smoothed away, the young, energizing tautness of her skin. Two years before she had been to New York on the Real Sex in the City production and had been struck by how the ianqui women styled themselves out of personal empowerment and not, as a carioca would have done, because it was her duty before a scrutinizing, judgmental city. An alien creed: thousand-dollar shoes but no pedicure. But she had brought back one mantra among her shopping bags, an enlightenment she had stolen from a Jennifer Aniston cosmetics ad. She whispered it to herself now, in the warm, jasmine-and vetiver-scented sanctuary as the botulin toxins diffused through her skin. Because I’m worth it.

Sometimes it takes a knock in life to make us sit up and grab life. And I had just undergone the mother of all knocks. But out of that despair, fear, and struggle came a silver lining--and I didn’t even know it yet. What I did know was that I needed something to give me back my hope. My sparkle. My life. I found that something in my Christian faith, in my family, and also in my dreams of adventure. My Christian faith says that I have nothing ever to fear or worry about. All is well. At that time, in and out of hospital, it reminded me that, despite the pain and despair, I was held and loved and blessed--my life was secure through Jesus Christ. That gift of grace has been so powerful to me ever since. My family said something very similar: “Bear, you are an idiot, but we love you anyway, forever and always.” That meant the world to me and gave me back some of the confidence that I was struggling to find again. Finally, I had my not insubstantial dreams of adventure. And those dreams were beginning to burn bright once more. You see, I figure that life is a gift. I was learning that more than anyone. My mum always taught me to be grateful for gifts. And as I slowly began to recover my strength and confidence, I realized that what mattered was doing something bold with that present. A gift buried under a tree is wasted. Alone one night in bed, I made a verbal, out-loud, conscious decision, that if I recovered well enough to be able to climb again, then I would get out there and follow those dreams to the max. Cliché? To me it was my only hope. I was choosing to live life with both arms open--I would grab life by the horns and ride it for all it was worth. Life doesn’t often give us second chances. But if it does, be bloody grateful. I vowed I would always be thankful to my father in heaven for having somehow helped me along this rocky road.

The pink?" she suggested, holding the shimmering rose-colored satin in front of Sara's half-clad figure. Sara held her breath in awe. She had never worn such a sumptuous creation. Silk roses adorned the sleeves and hem of the gown. The short-waisted bodice was finished with a stomacher of silver filigree and a row of satin bows. Lily shook her head thoughtfully. "Charming, but too innocent." Sara suppressed a disappointed sigh. She couldn't imagine anything more beautiful than the pink satin. Busily Monique discarded the gown and sorted through the others. "The peach. No man will be able to keep his eyes from her in that. Here, let us try it, chérie." Raising her arms, Sara let the dressmaker and her assistant Cora pull the gauzy peach-hued gown over her head. "I think it will have to be altered a great deal," Sara commented, her voice muffled beneath the delicate layers of fabric. The gowns had been fitted for Lily's lithe, compact lines. Sara was more amply endowed, with a generous bosom and curving hips, and a tiny, scoped-in waist... a figure style that had been fashionable thirty years ago. The current high-waisted Grecian mode was not particularly flattering to her. Monique settled the gown around Sara's feet and then began to yank the back of it together. "Oui, Lady Raiford has the form that fashion loves." Energetically, she hooked the tight bodice together. "But you, chérie, have the kind that men love. Draw in your breath, s'il vous plaît." Sara winced as her breasts were pushed upward until they nearly overflowed from the low-cut bodice. The hem of the unusually full skirt was bordered with three rows of graduated tulip-leaves. Sara could hardly believe the woman in the mirror was herself. The peach gown, with its transparent layers of silk and shockingly low neckline, had been designed to attract a man's attention. It was too loose at the waist, but her breasts rose from the shallow bodice in creamy splendor pushed together to form an enticing cleavage.

I see the good in you.” “Don’t harbor illusions about me. In marrying me, you’re going to have to make the best of a bad bargain. You don’t understand the situation you’re in.” “You’re right.” Beatrix arched in bliss as he massaged the muscles on either side of her spine. “Any woman would pity me, being in this situation.” “It’s one thing to spend an afternoon in bed with me,” Christopher said darkly. “It’s another to experience day-to-day life with a lunatic.” “I know all about living with lunatics. I’m a Hathaway.” Beatrix sighed in pleasure as his hands worked the tender places low on her back. Her body felt relaxed and tingly all over, her bruises and aches forgotten. Twisting to glance at him over her shoulder, she saw the austere lines of his face. She had an overwhelming urge to tease him, to make him play. “You missed a place,” she told him. “Where?” Levering herself upward, Beatrix turned and crawled to where Christopher knelt on the mattress. He had donned a velvet dressing robe, the front parting to reveal a tantalizing hint of sun-browned flesh. Linking her arms around his neck, she kissed him. “Inside,” she whispered. “That’s where I need soothing.” A reluctant smile lurked at the corners of his lips. “This balm is too strong for that.” “No it’s not. It feels lovely. Here, I’ll show you--” She pounced for the tin of balm and coated her fingertips with the stuff. The rich scent of clove oil spiced the air. “Just hold still--” “The devil I will.” His voice had thickened with amusement, and he reached for her wrist. Fleet as a ferret, Beatrix twisted to evade him. Rolling once, twice, she dove for the belt of his robe. “You put it all over me,” she accused, giggling. “Coward. Now it’s your turn.” “Not a chance.” He grabbed her, grappled with her, and she thrilled to the sound of his husky laugh. Somehow managing to clamber over him, she gasped at the feel of his aroused flesh. She wrestled with him until he flipped her over with ease, pinning her wrists. The robe had become loosened during their tussle, their naked flesh rubbing together. Sparkling silver eyes stared into blue. Already breathless with laughter, Beatrix became positively lightheaded as she saw the way he was looking at her. Lowering his head, he kissed and licked at her smile as if he could taste it.

Minny came ever day to make sure I was breathing, feed me food to keep me living. All I know is, I ain't saying it. And I know she ain't saying what she want a say either and it's a strange thing happening here cause nobody saying nothing and we still managing to have us a conversation. "Mama, it would really be so terrible if I never met a husband?" Write about what disturbs you, particularly if it bothers no one else. I stare at her, wishing the ceiling fan would fly from its post, crash down on both of us. I feel tears come up in my eyes, cause three years just ain't long enough. A hundred years ain't gone be long enough. Eugenia, just because this is a hospital doesn't mean I'm an invalid" "you kind. you smart. you important." See, I think if God had intended for white people and colored people to be this close together for so much of the day, he would've made us color-blind. Every time a Negro complained about the cost of living didn't mean she was begging for money. But the truth is, I don't care about voting. I don't care about eating at a counter with white people. What I care about is, if, in ten years, a white lady will call my girls dirty and accuse them of stealing the silver. when you little, you only get to ask two questions, what's your name and how old you is, so you better get em right. Mister Jonny knows about me. Miss Celia Knows Mister Jony know about me. But Mister Jonny doesn't know that Miss Celia knows he knows. "Yes ma'am. I tell her." In about a hundred years. How an awful day could turn even worse. It seems like at some point you'd just run out of awful. Lots of folks think if you talk back to your husband, you crossed the line. And that justifies punishment. She can take the most complicated things in life and wrap them up so small and simple, they'll fit right in your pocket. "Don't you let him cheapen you. If Stuart doesn't know how intelligent and kind I raised you to be, he can march straight on back to State Street. Frankly, I don't care much for Stuart. He doesn't know how lucky he was to have you." You tell her we love her, like she's our own family. "You a beautiful person, Minny." Mississippi is like my mother. I am allowed to complain about her all I want, but God help the person who raises an ill word about her around me unless she is their mother too. For the dishonesty upon which a society is founded makes every emotion suspect, makes it impossible to know whether what flowed between two people was honest feeling or pity or pragmatism