Silhouette Sunset Quotes

We've searched our database for all the quotes and captions related to Silhouette Sunset. Here they are! All 28 of them:

Patrick started running after the sunset. And Sam immediately followed him. And I saw them in silhouette. Running after the sun.
Stephen Chbosky (The Perks of Being a Wallflower)
And then Patrick started running after the sunset. And Sam immediately followed him. And I saw them in silhouette. Running after the sun. Then, I started running. And everything was as good as it could be.
Stephen Chbosky (The Perks of Being a Wallflower)
The sun is setting in a burnt orange sky; the cliffs are black silhouettes; the sea, liquid silver.
Laura Treacy Bentley (The Silver Tattoo)
A slight breeze cooled the Hawaiian spring air, swaying the branches of palm trees, which cast black silhouettes against the purple and orange colors of the twilight sky.
Victoria Kahler (Capturing the Sunset)
He pointed toward the silhouettes on the side of the [bathrooms] instead--black cutout man, black cutout woman. The man had his legs apart, the woman had hers together. Pretty much the story of the human race in sign language.
Stephen King (Just After Sunset)
I looked up through a scatter of fluttering leaves silhouetted against the rosy autumn sunset.
Ben Carson (Gifted Hands: The Ben Carson Story)
And we were talking about things that seemed important at the time. And we were looking up that hill. And then Patrick started running after the sunset. And Sam immediately followed him. And I saw them in silhouette. Running after the sun. Then, I started running. And everything was as good as it could be.
Stephen Chbosky (The Perks of Being a Wallflower)
Here in this wild and beautiful spot amid the mountains, the dark woods, the rising mist, the new moon hanging above the silhouettes of the peaks, we waited, in spite of the night chill, until the last sunlight of the spring had ebbed from the sky.
Edwin Way Teale (North With the Spring: A Naturalist's Record of a 17,000-Mile Journey With the North American Spring (American Seasons, 1st Season))
Sunlight stretched across the Nebraska miles, burning fiery pink-gold through a bank of clouds on the horizon. It was almost sunset, and the land spread out, an expanse of never-ending cornfields broken only by the rising silhouette of a windmill or grain silo.
Becca Fitzpatrick (Dangerous Lies)
How beautiful it was, lying embowered in the twilight of the old trees; the tops of the loftiest sources came out in purple silhouette against the north-western sky of rose and amber; down behind it the Blair Water dreamed in silver; the Wind Woman had folded her misty bat-wings in a valley of sunset and stillness look at over the world like a blessing.
L.M. Montgomery (Emily of New Moon (Emily, #1))
The sun was soft honey and rose colored along the horizon; the old trees were deep black silhouettes against it, with long purple shadows sliding out from their earth-slippered feet.
Marti Healy (The Secret Child)
then Patrick started running after the sunset. And Sam immediately followed him. And I saw them in silhouette. Running after the sun. Then, I started running. And everything was as good as it could be.
Stephen Chbosky (The Perks of Being a Wallflower)
How beautiful it was, lying embowered in the twilight of the old trees; the tips of the loftiest spruces came out in purple silhouettes against the north-weatersn sky of rose and amber; down behind it the Blair Water dreamed in silver; the Wind Woman had folded her misty bat-wings in a valley of sunset and stillness that lay over the world like a blessing. Emily felt sure that everything would be all right.
L.M. Montgomery (Emily of New Moon (Emily, #1))
It is tragic what people do just to be accepted. I once met an angel who cut off her wings and chose to walk whit all the petty humans. My heart laments for the world, because what a sight it would be to behold, watching her hazy silhouette gently flying into the crimson sunset skies.
Yash Pandit
Sometimes all you need is a little bit of Sunshine. I have learnt that Life is not about the walk that we have taken but the company, the experiences we have gathered. I have learnt that in each and every unknown path of our journey we get to know more of our own selves. I have learnt that Forgiveness comes from Love and knowledge that everyone has a story that we cannot fathom. I have learnt that Darkness only comes to lead us to Light while moulding our grey shades in the best silhouette of our soul. I have learnt that all it takes is a little word of encouragement or a pat on a shoulder to let a person know how valued that person truly is. I have learnt that most special moments and bonds can come with a time frame and as long as we have them we need to live that to its fullness and then just let that be. I have learnt that making connections isn't difficult but the easiest way to connect to one's own self. I have learnt that silence has so much more clutched up than words could ever open. I have learnt that sunsets are as beautiful as sunrises, nights are as dreamy as morns. I have learnt that sometimes Life takes a complete different turn to what we plan or expect but when seen from a distance that turn actually looks just the one meant to take us to our destination, where our souls embrace every walk taken so far to know, to accept all that we are. I have learnt that in a world where we could be anything, I chose to be Love. I have learnt that sometimes Love is not what we wait for or what we expect others to shower us with but what we embody and shower others with for Love is the Dream of a Dreamer, the Melody of a Music, the Sunshine of a Sun. And sometimes all you need is a little bit of Sunshine.
Debatrayee Banerjee
How beautiful it was, lying embowered in the twilight of the old trees; the tips of the loftiest spruces came out in purple silhouette against the north-western sky of rose an amber; down behind it the Blair Water dreamed in silver; the Wind Woman had folded her misty bat-wings in a valley of sunset and stillness lay over the world like a blessing.
L.M. Montgomery (Emily of New Moon (Emily, #1))
Then the air around us goes quiet again, and we rise, trembling, to our feet. My heart lurches as I take in the sight before us. There’s a whole host of dragons in the air now, soldiers astride them as they wing their way north. They’re like a flat, black swarm of mammoth insects, screeching at each other, wings whooshing. The brilliant orange sunset silhouettes their evil forms.
Laurie Forest (Wandfasted (The Black Witch Chronicles, #0.5))
Then he said something about how L.A. is dust and exhaust and the hot, dry wind that sets your nerves on edge and pushes fire up the hillsides in ragged lines like tears in the paper that separates us from hell, and it’s towering clouds of smoke, and it’s sunshine that won’t let up and cool ocean fog that gets unrolled at night over the whole basin like a clean white hospital sheet and peeled back again in the morning. It’s a crescent moon in a sky bruised green after the sunset has beaten the shit out of it. It’s a lazy hammock moon rising over power lines, over the skeletal silhouettes of pylons, over shaggy cypress trees and the spiky black lionfish shapes of palm-tree crowns on too-skinny trunks. It’s the Big One that’s coming to turn the city to rubble and set the rubble on fire but not today, hopefully not today. It’s the obviousness of pointing out that the freeway looks like a ruby bracelet stretched alongside a diamond one, looks like a river of lava flowing counter to a river of champagne bubbles. People talk about the sprawl, and, yeah, the city is a drunk, laughing bitch sprawled across the flats in a spangled dress, legs kicked up the canyons, skirt spread over the hills, and she’s shimmering, vibrating, ticklish with light. Don’t buy a star map. Don’t go driving around gawking because you’re already there, man. You’re in it. It’s all one big map of the stars.
Maggie Shipstead (Great Circle)
The bast, dispersing in shreds in the sunset whispered "Time has begun." The son, Adam, stripped naked, descended into the Old Testament of his native land and arrayed himself in bast; a wreath of roadside field grass he placed upon his brow, a staff, not a switch, he pulled from the ground, flourishing the birch branch like a sacred palm. On the road he stood like a guard. The dust-gray road ran into the sunset. And a crow perched there, perched and croaked, there where the celestial fire consumed the earth. There were blind men along the dust-gray road running into the twilight. Antique, crooken, they trailed along, lonely and sinister silhouettes, holding to one another and to their leader's cane. They were raising dust. One was beard-less, he kept squinting. Another, a little old man with a protruding lip, was whispering and praying. A third, covered with red hair, frowned. Their backs were bent, their heads bowed low, their arms extended to the staff. Strange it was to see this mute procession in the terrible twilight. They made their way immutable, primordial, blind. Oh, if only they could open their eyes, oh if only they were not blind! Russian Land, awake! And Adam, rude image of the returned king, lowered the birch branch to their white pupils. And on them he laid his hands, as, groaning and moaning they seated themselves in the dust and with trembling hands pushed chunks of black bread into their mouths. Their faces were ashen and menacing, lit with the pale light of deadly clouds. Lightning blazed, their blinded faces blazed. Oh, if only they opened their eyes, oh, if only they saw the light! Adam, Adam, you stand illumined by lightnings. Now you lay the gentle branch upon their faces. Adam, Adam, say, see, see! And he restores their sight. But the blind men turning their ashen faces and opening their white eyes did not see. And the wind whispered "Thou art behind the hill." From the clouds a fiery veil began to shimmer and died out. A little birch murmured, beseeching, and fell asleep. The dusk dispersed at the horizon and a bloody stump of the sunset stuck up. And spotted with brilliant coals glowing red, the bast streamed out from the sunset like a striped cloak. On the waxen image of Adam the field grass wreaths sighed fearfully giving a soft whistle and the green dewy clusters sprinkled forth fiery tears on the blind faces of the blind. He knew what he was doing, he was restoring their sight. ("Adam")
Andrei Bely (Silver Age of Russian Culture (An Anthology))
And then at last it happened—just after sunset on the third night, a dark spot flitted through the trees, so quick and small that I doubted my eyes, but then it came again, and dozens more with it. Thinking on it now, I am surprised I was not somewhat disappointed, for there was little to observe. In the dusk, especially to my inexperienced eyes, the bats could have been barn swallows or oversized moths. Yet for all that, it was marvelous—the nights of anticipation and then, in the sky above me, the fleeting silhouettes of their wings. That is the excitement. We catch only glimpses, a burst of movement, a flap of wings, yet it is life itself beating at shadow’s edge.
Eowyn Ivey (To the Bright Edge of the World)
The most powerful of my slides compared swing voters. One group of swing voters was “Closed and Agreeable.” Those people received an ad about guns that used language and images that reinforced the values of tradition and family. I pulled up an image of a man and a boy, in silhouette, duck hunting at sunset. The text read, “From father to son . . . since the birth of our nation.” It emphasized how guns could be shown as something people shared with those they loved. For example, my grandfather had taught me to shoot when I was a kid.
Brittany Kaiser (Targeted: The Cambridge Analytica Whistleblower's Inside Story of How Big Data, Trump, and Facebook Broke Democracy and How It Can Happen Again)
Ah, a crimson sunset above the silhouette of the ocean. It blazes with brilliance and arouses all the passion and yearning in the soul of the beholder. Many found themselves awash in its burst of colors while others never minded to stop and appreciate it because they were awash in lesser things. Sunset is always wiser than sunrise because it adds the experience of an entire day to your being. While you may prefer a cloudless blue sky and an easy, pleasant day, don’t forget that setting sun needs cloudy skies to manifest its grandest of all earthly spectacles and mundane days require arduous challenges to experience the true joy of life. it is incredible how at every sunset, the sky is a different shade, with no cloud ever in the same place. Each day is a new masterpiece, a new wonder, a new memory. Every sunset is an opportunity to reset, as it brings the promise of a new dawn.
Winston Ma
What’s your favorite part of the trip?” “I don’t have one.” “C’mon, there must’ve been something.” “I took a weekend trip to Caño Cristales. I liked seeing the different colors of the river. It was like a liquid rainbow.” Many of the students had spent their time traveling around Colombia on the weekends. No one had a car, but we could hop on a plane for fairly cheap and fly into different areas such as Bogotá, the country’s official capital city, or Cali, the salsa-dancing capital of the world. Amanda had even convinced me to fly with her to the seductive, sizzling city of Cartagena. We climbed the fortified walls that had once protected the city from pirate attacks and watched the sunset. The entire city had a Miami-style skyline and, after the sun went down, infatuation seemed to bloom into fever and take hold of the city. At night we could hear the clink of rum bottles and mojito glasses in cafés on almost every street as moonlight picked out the silhouettes of softly swaying couples. We walked for hours along the coastal city streets. Candle flames beckoned from the dimness of nearby baroque churches.
Kayla Cunningham
It was evening of the following day when they entered San Diego. The expriest turned off to find them a doctor but the kid wandered on through the raw mud streets and out past the houses of hide in their rows and across the gravel strand to the beach. Loose strands of ambercolored kelp lay in a rubbery wrack at the tideline. A dead seal. Beyond the inner bay part of a reef in a thin line like something foundered there on which the sea was teething. He squatted in the sand and watched the sun on the hammered face of the water. Out there island clouds emplaned upon a salmoncolored othersea. Seafowl in silhouette. Down-shore the dull surf boomed. There was a horse standing there staring out upon the darkening waters and a young colt that cavorted and trotted off and came back. He sat watching while the sun dipped hissing in the swells. The horse stood darkly against the sky. The surf boomed in the dark and the sea’s black hide heaved in the cobbled starlight and the long pale combers loped out of the night and broke along the beach. He rose and turned toward the lights of the town. The tidepools bright as smelterpots among the dark rocks where the phosphorescent seacrabs clambered back. Passing through the salt grass he looked back. The horse had not moved. A ship’s light winked in the swells. The colt stood against the horse with its head down and the horse was watching, out there past men’s knowing, where the stars are drowning and whales ferry their vast souls through the black and seamless sea.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
And sometimes if I want To imagine I’m a lamb (Or a whole flock Spreading out all over the hillside So I can be a lot of happy things at the same time), It’s only because I feel what I write at sunset, Or when a cloud passes its hand over the light And silence runs over the grass outside. When I sit and write poems Or, walking along the roads or pathways, I write poems on the paper in my thoughts, I feel a staff in my hand And see my silhouette On top of a knoll, Looking after my flock and seeing my ideas, Or looking after my ideas and seeing my flock, With a silly smile like someone who doesn’t understand what somebody’s saying But tries to pretend they do.
Alberto Caeiro (The Keeper of Sheep)
His snowshoe paws are encased in chains as he hops on his hind legs. On his forehead was placed a wreath of thorns, crimson and blasphemous it was. His eyes were drenched in white, no colors can be discerned whatsoever in the reflection of his pupils, only a harrowing stillness of nothingness can be glimpsed through his gaze. He was the image of a ghostly figure, his silhouette swirling like the clouds in the loftiest mountains in eternal Paradise; a divine messenger before all animals and humanity. He wears shimmering chest armor resembling the scorching rays of the sunlight, with a fire crown of thorns burning on his forehead, which embodies the colors of the Earth's horizon, showcasing seventeen stars in its center. He had a voluminous, metallic beard, which was made of arctic sand from the Northern Winter lands - it was wizardly like - something out of a mythical folk tale that comes from a children's novel. His body glistens like the shattered fragments from the Moon, with his fur appearing like green moss surrounded by waterfalls flowing from each corner on his appearance - evolving into snowflakes, ice, as well as winter storms if you inflict your might at his anguish. He’s a supernatural being that all the Witches of the globe worshiped. He is greater, more superior, more virtuous than all deities people pray to on Earth. He’s the lunar father of all the Heavens and Earth, the All-father of all Animals and Mankind. When you see the Hare flying in the skies of the Universe, He’s bestowing the blessings of Sprout, Summer, Autumn, Winter. As the Hare Lunar King steps on the green grass, the mountains will begin to shake, the oceans will become huge typhoons, earthquakes will rumble across the nations as mankind annihilates each other in the guise of the Hare Lunar Emperor. However, the hare will grieve for all humankind, for he knows that the Earth is devoid of vengeance, so he must demolish it in preparation to reconstruct it from a pristine foundation. That future is nigh, that soon will arrive - it’s unfolding as I converse. The Lunar Rabbit King is coming back with his swarm of rabbits - mankind will not evade the menace of long ears - for their King will tell the sinister world with a voice of a thundering lion roar, ‘it is completed! go into the depths of your abysmal eternity, and enslave yourself as the locust of the earth in the fires of tribulation, for you will be tormented from sunrise to sunset, where sunlight is no more; forevermore.
Chains On The Rabbit, The Lunar God Of All, The Fall Of Mankind Fantasy Poem by D.L. Lewis
It is eerie and uncanny how Luca has the ability to read my mind. “Will you go back now to London, Violetta?” he asks, his black brows lifting, his expression concerned. “Italia has not been good to you. Maybe you think you should go home, where these bad things do not happen.” “Do you want me to go?” I ask, feeling very insecure. I couldn’t blame him, I realize with huge sadness. We’re in a real mess. Perhaps the best thing would be for me to go away and never come back. Luca’s lips tighten into a hard line. Slowly, he shakes his head. “It’s hard to know what’s best,” he says. “But I do not want you to go.” “I don’t want to go either,” I say in a whisper. He takes in a deep breath and lets it out again. We stand there silent, because we don’t know what more to say. I realize that shadows are stretching across the terrace. The air is milder, an evening breeze blowing softly. There’s a rustling sound from the cypress trees in the garden below, and we look over to see the first few bats emerging from the branches, circling slowly in the darkening sky. I think we’re both grateful to have something else to concentrate on. We walk across the terrace and lean on the stone balustrade, elbows almost but not quite touching. And we watch the black shapes rise and fall, the red streaks of sunset fading from the sky, and a clear white curve of moon rising slowly behind the dark silhouettes of the trees.
Lauren Henderson (Flirting in Italian (Flirting in Italian #1))
They have the place to themselves and for a while they simply sit and look out at the view, her body relaxing into his. The cloudless sky is a spectacular wash of graduated colors- navy highest above them, fading to lighter cyan closer to the earth, under-lit by the rosy blush of the sun hovering upon the horizon. There is a peace to the place, a certain stillness, nothing but the setting sun and the occasional silhouette of a soaring bird to distract from the awe-inspiring view.
Hannah Richell (The Peacock Summer)