Silhouette Love Quotes

Don't go far off, not even for a day, because I don't know how to say it - a day is long and I will be waiting for you, as in an empty station when the trains are parked off somewhere else, asleep. Don't leave me, even for an hour, because then the little drops of anguish will all run together, the smoke that roams looking for a home will drift into me, choking my lost heart. Oh, may your silhouette never dissolve on the beach, may your eyelids never flutter into the empty distance. Don't LEAVE me for a second, my dearest, because in that moment you'll have gone so far I'll wander mazily over all the earth, asking, will you come back? Will you leave me here, dying?

Just let me wait a little while longer, Under your window in the quite snow. Let me stand here and shiver, I’ll be stronger If I can see your light before I go. All through the weeks I’ve tried to keep my balance. Leaves fell, then rain, then shadows, I fell too. Easy restraint is not among my talents, Fall turned to Winter and I came to you. Kissed by the snow I contemplate your face. Oh, do not hide it in your pillow yet! Warm rooms would never lure me from this place, If only I could see your silhouette. Turn on your light, my sun, my summer love. Zero degrees down here, July above.

When she turned, she only saw one silhouette against the dark. Nezha had come alone. Unarmed. He always looked different in the moonlight. His skin shone paler, his features looked softer, resembling less the harsh visage of his father and more the lovely fragility of his mother. He looked younger. He looked like the boy she'd known at school

I’m wrapped in you. Melting in your silhouette and becoming one, a strange contour of love, flowing with the wind.

The Hour-Hand of Life --- Life consists of rare, isolated moments of the greatest significance, and of innumerably many intervals, during which at best the silhouettes of those moments hover about us. Love, springtime, every beautiful melody, mountains, the moon, the sea – all these speak completely to the heart but once, if in fact they ever do get a chance to speak completely. For many men do not have those moments at all, and are themselves intervals and intermissions in the symphony of real life.

In a nervous and slender-leaved mimosa grove at the back of their villa we found a perch on the ruins of a low stone wall. She trembled and twitched as I kissed the corner of her parted lips and the hot lobe of her ear. A cluster of stars palely glowed above us between the silhouettes of long thin leaves; that vibrant sky seemed as naked as she was under her light frock. I saw her face in the sky, strangely distinct, as if it emitted a faint radiance of its own. Her legs, her lovely live legs, were not too close together, and when my hand located what it sought, a dreamy and eerie expression, half-pleasure, half-pain, came over those childish features. She sat a little higher than I, and whenever in her solitary ecstasy she was led to kiss me, her head would bend with a sleepy, soft, drooping movement that was almost woeful, and her bare knees caught and compressed my wrist, and slackened again; and her quivering mouth, distorted by the acridity of some mysterious potion, with a sibilant intake of breath came near to my face. She would try to relieve the pain of love by first roughly rubbing her dry lips against mine; then my darling would draw away with a nervous toss of her hair, and then again come darkly near and let me feed on her open mouth, while with a generosity that was ready to offer her everything, my heart, my throat, my entrails, I gave her to hold in her awkward fist the scepter of my passion.

Life consists of rare, isolated moments of the greatest significance, and of innumerable many intervals, during which at best the silhouettes of those moments hover about us.

Outline of your frame My paper witness your silhouette Sipping in coffee My muse, my Juliet. Afternoon spent, In hungry desires Ending with a kiss On your coffee lips.

L'Heure Exquise La lune blanche Luit dans les bois ; De chaque branche Part une voix Sous la ramée... Ô bien-aimée. L’étang reflète, Profond miroir, La silhouette Du saule noir Où le vent pleure... Rêvons, c’est l’heure. Un vaste et tendre Apaisement Semble descendre Du firmament Que l’astre irise... C’est l’heure exquise.

Each time a person’s essence was captured, the copper pot glowed. Not once did the happy couples notice the pot as Joroku’s golden nails carved the intricate design. Just like when he cut the silhouette for Lyly and her friend, Patrick. They were too much in love to feel their souls bleed.

A silhouette stepped toward us, and another wave of pure power ripped through the throne room. "I'm only going to warn you once, Cronus," said a voice, dark and dangerous. "Get the hell away from my wife.

I believe that sometimes, the moment you say goodbye could be as painful as a lifetime worth of pain that you can experience while living with the memories of your loved ones. I couldn’t stop myself from hallucinating about all those things that could have happened, while you were walking away from me today. I stopped walking and turned my head, expecting for you to do the same. I stayed there, motionless, and waited – for you to turn once, to smile, or wave. But you didn’t. You just continued walking away from me, while I stayed there watching your silhouette becoming smaller, and smaller with time, until it disappeared completely. There was nothing else to wait. “What happened?” she asked me when I turned my head again towards the platform. “She let me go, finally,” was all I could say.

Smoke fills the room, gray and sylphlike, lovely in its deadly grace. It trails into the fire and forms what appear to be wings—black and magnificent. A man’s silhouette fills out the image, two arms reaching for me. Morpheus, or a mirage? My mind trips back to our dance across the starlit sky in Wonderland, how amazing it felt to be so free. What would it feel like to dance with him in the middle of a blazing inferno, surrounded by an endless power that breathes and grows at our will?

Promises are meant to be broken, that’s what people always say, but what if I want to keep mine? To this day, I’d sooner break my bones than go back on any of the words I said so dearly to you. We’re so young, God, we’re so young. Only sixteen with a pocketful of big dreams. The world is in our hands, that’s what people always say, but what if I’m afraid to carry it? What if I don’t want to be Atlas? You, my dear, are unshakeable. You hold your cards close to your chest. Courage finds a home in the space between your ribs. I’m too young to understand, that’s what people always say, but I am old enough to see. There’s a forest fire in your eyes that sets me alight. A bravery in your heart that beats in tune to mine. My darling, you’re something out of a story. Poetry doesn’t begin to do your soul justice. Change is inevitable, that’s what people always say, but what if that change is good? There’s a lightness to my steps there wasn’t before. There’s a brightness in my heart there wasn’t before. If you held me up to a candle, my silhouette would be covered in your name. Before you, I used to care what people always say your lovely heart led me astray in unexpected ways. Sometimes I think I’m going to burst into flames. From the spark you struck inside my chest. I wonder, how do you keep from setting yourself afire? But then comes the startling yet undeniable understanding. You are fireproof, lionheart and now I am, too.

I love how grown children will still name their mothers the most beautiful. It is as though, their eyes have met the cascading curves and golden silhouettes of every woman. Yet their souls still drum to the beat  of their mother's warmth and care.

3 A.M. isn't a time for sleep when the silhouette of you is breathing next to me.

God’s love for us often looks like suffering. It often looks like the silhouette of the cross, when in fact it is the sun beyond that silhouette, rising on the third day.

I've played Romeo for Juliet (But in depth) It's vignettes of silhouettes (And then read) And watched Russian roulette, yeah red Soviet Yet doing it simultaneously While dropping down shed oubliettes Turned around and took truth to the head that Love is the ugliest thing too beautiful for death

My father asked me once why I was so lazy, why I did not want the world. He asked me what I wanted, and though I did not answer then, because I did not know, and followed old conventions even to the altar, I know it now. It is long past time to answer the question—and I see you, old Arthur, old love, looking up to that silhouette on your porch—what do I want? After choosing the path people wanted, the man who would do, the easy way out of things—your eyes wide in surprise as you see me—after holding it all in my hands and refusing it, what do I want from life? And I say: "Less!

The lightness returned. That airless sensation of his body evaporating. Darline and Paris were fading, too. They were becoming distant longings, silhouettes, shadows fading on the ground. There are loves that outlive lovers.

If ever there was a more perfect picture of love, it was the silhouette of this couple standing at the window with the full moon behind them in a star filled sky.

I wanted to tell her secrets I hadn't even told myself yet.

There are just traces of me and not a shadow left… Without the traces of your iridescence to make my silhouette.

Glaring at the unicorn silhouette, she decided she hated coincidences. Or cosmic signs. Whichever it was. She felt as if the universe were laughing at her.

The dark silhouette of a forgotten rose in a forbidden garden of love; what kind of delicate fragrance of forgiveness it seems to tell my heart about.

Life consists of rare, isolated moments of the greatest significance, and of innumerably many intervals, during which at best the silhouettes of those moments hover about us. Love, springtime, every beautiful melody, mountains, the moon, the sea – all these speak completely to the heart but once, if in fact they ever do get a chance to speak completely. For many men do not have those moments at all, and are themselves intervals and intermissions in the symphony of real life.

Oh, may your silhouette not be broken in the sand, oh may your eyelids not fly in the absence: do not go for one minute, beloved, because in that minute you will have gone so far that I will cross all the earth asking if you will return or if you will leave me dying.

Then she elaborated: I don't think friendship or love need any reason. What matters is how long we are committed to the relationship. This is more important than any reason.

Some love stories never end.

Solitude makes me feel calm. The rain affects me differently. Books never make me feel lonely. I love hugging trees, and sleeping on grass. Can't help being addicted to coffee and writing. What about you?

She died." I had to prompt him. "Soon after?" "In the early hours of February the nineteenth, 1916." I tried to see the expression on his face, but it was too dark. "There was a typhoid epidemic. She was working in a hospital." "Poor girl." "All past. All under the sea." "You make it seem present." "I do not wish to make you sad." "The scent of lilac." "Old man's sentiment. Forgive me." There was a silence between us. He was staring into the night. The bat flitted so low that I saw its silhouette for a brief moment against the Milky Way. "Is this why you never married?" "The dead live." The blackness of the trees. I listened for footsteps, but none came. A suspension. "How do they live?" And yet again he let the silence come, as if the silence would answer my questions better than he could himself; but just when I had decided he would not answer, he spoke. "By love.

Now the evening's at its noon, its meridian. The outgoing tide has simmered down, and there's a lull-like the calm in the eye of a hurricane - before the reverse tide starts to set in. The last acts of the three-act plays are now on, and the after-theater eating places are beginning to fill up with early comers; Danny's and Lindy's - yes, and Horn & Hardart too. Everybody has got where they wanted to go - and that was out somewhere. Now everybody will want to get back where they came from - and that's home somewhere. Or as the coffee-grinder radio, always on the beam, put it at about this point: 'New York, New York, it's a helluva town, The Bronx is up, the Battery's down, And the people ride around in a hole in the ground. Now the incoming tide rolls in; the hours abruptly switch back to single digits again, and it's a little like the time you put your watch back on entering a different time zone. Now the buses knock off and the subway expresses turn into locals and the locals space themselves far apart; and as Johnny Carson's face hits millions of screens all at one and the same time, the incoming tide reaches its crest and pounds against the shore. There's a sudden splurge, a slew of taxis arriving at the hotel entrance one by one as regularly as though they were on a conveyor belt, emptying out and then going away again. Then this too dies down, and a deep still sets in. It's an around-the-clock town, but this is the stretch; from now until the garbage-grinding trucks come along and tear the dawn to shreds, it gets as quiet as it's ever going to get. This is the deep of the night, the dregs, the sediment at the bottom of the coffee cup. The blue hours; when guys' nerves get tauter and women's fears get greater. Now guys and girls make love, or kill each other or sometimes both. And as the windows on the 'Late Show' title silhouette light up one by one, the real ones all around go dark. And from now on the silence is broken only by the occasional forlorn hoot of a bogged-down drunk or the gutted-cat squeal of a too sharply swerved axle coming around a turn. Or as Billy Daniels sang it in Golden Boy: While the city sleeps, And the streets are clear, There's a life that's happening here. ("New York Blues")

How is it that men create such lovely silhouettes, such shadows of the corporeal, capturing things in their most wraith-like moment and yet they are not content with honing such divine talent? Instead, they opt to dissect the cadaver of that which cast the shadow.

She walked down the lawn and surveyed the world as they'd both seen it--the wild limbs of the leaning apple tree, the golden-brown evening sky, the black silhouettes of the mountains. The trunk and the branches of the tree had bent over the years, under the weight of the heavy fruit. One of the biggest branches had grown down from the canopy of the leaves, all the way to the ground and straight along the grass...the end of that same branch had begun growing up again, at a right angle, the wood bending toward the sky.

Her silhouette never has regrets.

It's like some part of me is always with you" she said. I looked at the sky and smiled.

Unknowingly it happens between you and me. There is a pull that happens between you and me. What is it between you and me? Something that you do to me. Something that I do to you.

...Would you like to know the view I have out of my window, since you love snow? So here you are: the broad whiteness of the Moldau, and along that whiteness, little black silhouettes of people cross from one shore to the other, like musical notes. For example, the figure of some boy is dragging behind him a D-sharp: a sledge. Across the river there are snowy roofs in a distant, lightweight sky... I walked around the cathedral along a slippery path between snowdrifts. The snow was light, dry: grab a handful, throw it up, and it disperses in the air like dust, as if flying back up. The sky darkened. In it appeared a thin golden moon: half of a broken halo. I walked along the edge of the fortress wall. Old Prague lay below in the thickening mist. The snowy roofs clustered together, cumbrous and dim. The houses seemed to have been piled anyhow, in a moment of terrible and fantastic carelessness. In this frozen storm of outlines, in this snowy semi-darkness, the streetlamps and windows were burning with a warm and sweet lustre, like well-licked punch lollipops. In just one place you could also see a little scarlet light, a drop of pomegranate juice. And in the fog of crooked walls and smoky corners I divined an ancient ghetto, mystical ruins, the alley of Alchemists...

Continuing up Rennes. Dodging little Saabs and Renaults. Loving walking here. Sun alternately streaming. Obliterating physiognomies. No longer nouns. But movement. Disappearing. Now heavily raining. Sitting out anyway. Over drain smelling of beer. Metro. Sewers. Fetid breath of Paris. Two cold coffees. Watching shadows lengthening. On la Gaite opposite. Where Colette once performing. Having walked in old boots across city. Drawing mole above lip. Rice-powdering delicious arms. Paris a drug. P saying on phone. Yes Paris a drug. A woman. And I waking this a.m. Thinking there must be some way. Of staying. Now my love’s silhouette of rooftops eclipsing. Into night. Cold heinous breath. Blowing on privates. Through grille underneath.

Here’s a handy list of warning signs of the worst people on the road. Some are tuned-out menaces, others are just assholes. Be alert, and if you see this on a vehicle close to you, get away now. STICK FIGURE FAMILY: I hereby decree that you are allowed to accelerate to ramming speed every time you see a minivan with a silhouette of the family and their names on the rear window. We get it, you didn’t pull out. Is that information you really think I’m interested in? I know you’re a parent. You’re driving a Plymouth Voyager with two hundred thousand miles on it; do you imagine I’m behind you thinking, “Who is that gay entrepreneur?” Even worse is the theme family. Oh, you’re into snowboarding? Oh, you’ve got cats? Oh, they’ve all got Mickey ears, they must really love Disney. You know what I love? Driving more than fifty-three miles an hour. How about a stick figure depiction of your family moving the fuck over and letting me get to work on time?

Tree' is the title of a dance, is the cadence of a song. The black silhouette is only a moment of stillness caught by the shutter of the eye. It is finely tuned to the harmonics of the air. It loves both the sun and the wind and is let turn towards its beloved and so become itself. This is the dance of all living things. This is why endangered peoples say if they have their dance they will never die.

Percy turns to me quickly, his eyes catching the light and reflecting a mischievous glint. I'm suddenly aware of my body in a way I wasn't a moment before, every twitch and blink, the way my shoulders sit inside this too-big coat, the bob of my throat as I swallow hard, every point of my silhouette that his gaze touches. Love may be a grand thing, but goddamn if it doesn't take up more than its fair share of space inside a man.

The house, she couldn't help noticing, was just the right size for her in her present form, but not proportionally; it was built for a rabbit's movements and habits. Doors were fatter, rounder, and shorter. There were lovely paintings of carrots and dill artfully arranged on the lettuce-print wallpaper along with the usual long-eared silhouettes. Lovely little velvet King Louis chairs were more like tuffets for resting on with all (four) of your legs pulled up under you.

The thought came to me that perhaps it is the loving that counts, not the being loved in return — that perhaps true loving can never know anything but happiness. For a moment I felt that I had discovered a great truth. And then I happened to catch sight of Miss Blossom’s silhouette and heard her say: “Well, you just hang on to that comforting bit of high-thinking, duckie, because you’re going to need it.” And in some strange, far-off way I knew that was true — yet it still made no difference. I fell asleep happier than I had ever been in my life.

In Wally’s bedroom Homer marveled at how the world was simultaneously being invented and destroyed. Nothing marvelous about that, Dr. Larch would have assured him. At St. Cloud’s, except for the irritation about sugar stamps and other aspects of the rationing, very little was changed by the war. (Or by what people once singled out as the Depression, thought Wilbur Larch.) We are an orphanage; we provide these services; we stay the same – if we’re allowed to stay the same, he thought. When he would almost despair, when the ether was too overpowering, when his own age seemed like the last obstacle and the vulnerability of his illegal enterprise was as apparent to him as the silhouettes of the fir trees against the sharp night skies of autumn, Wilbur Larch would save himself with this one thought: I love Homer Wells, and I have saved him from the war.

Sometimes all you need is a little bit of Sunshine. I have learnt that Life is not about the walk that we have taken but the company, the experiences we have gathered. I have learnt that in each and every unknown path of our journey we get to know more of our own selves. I have learnt that Forgiveness comes from Love and knowledge that everyone has a story that we cannot fathom. I have learnt that Darkness only comes to lead us to Light while moulding our grey shades in the best silhouette of our soul. I have learnt that all it takes is a little word of encouragement or a pat on a shoulder to let a person know how valued that person truly is. I have learnt that most special moments and bonds can come with a time frame and as long as we have them we need to live that to its fullness and then just let that be. I have learnt that making connections isn't difficult but the easiest way to connect to one's own self. I have learnt that silence has so much more clutched up than words could ever open. I have learnt that sunsets are as beautiful as sunrises, nights are as dreamy as morns. I have learnt that sometimes Life takes a complete different turn to what we plan or expect but when seen from a distance that turn actually looks just the one meant to take us to our destination, where our souls embrace every walk taken so far to know, to accept all that we are. I have learnt that in a world where we could be anything, I chose to be Love. I have learnt that sometimes Love is not what we wait for or what we expect others to shower us with but what we embody and shower others with for Love is the Dream of a Dreamer, the Melody of a Music, the Sunshine of a Sun. And sometimes all you need is a little bit of Sunshine.

Nina opened the book to the first painting and widened her eyes. It was of a dark forest with a hint of glowing blue light in the background. The trees stood like the silhouettes of soldiers in formation, awaiting commands. Nina couldn’t turn the page – this painting was luring her into an enchanted and mysterious world.

The shadow of your cheekbones Amidst the moonless sky The constellations shape your face The stars, your contoured lines Galactic eyes stare into mine Entranced, I trace your face Lost inside the orbit Of star-crossed, twisted fate Outlined in the exosphere The diamond studded abyss Your stellar silhouette Has left my soul eclipsed.

Before I leave, I glance over my shoulder and see him standing on the dark lawn, his silhouette illuminated by the light from the living room windows. Gratitude radiates out of him and into me, floods me with love. This, I think, is what it means to be selfless, to be good. How could I ever have thought of myself as helpless when I alone have the power to save him?

Plus tard, entre le rêve éveillé et la léthargie, elle sentit un courant d’air très frais derrière elle, avant qu’une douce chaleur irradie le long de son dos. Un bras fort se resserra autour de sa taille et elle se sentit lovée contre un torse ferme et agréablement chaud. Elle n’eut même pas à réfléchir pour reconnaître la silhouette de Tristan. Tout son être le reconnaissait.

Then Toraf opens the passenger side door…Wait. That’s not Toraf. I’ve never seen this man before, yet he’s eerily familiar. His silhouette sitting next to Galen was definitely classic Syrena male, but the glare from the sun had hidden his face. I’d naturally just assumed that where there’s a Galen, there’s a Toraf. Now that his face is in full view though, I see that this man looks like a slightly older version of Galen. Slightly older as in slightly more jaded. Other than that, he could be his twin brother. It may be because he’s wearing some of Galen’s clothes, a wrinkled brown polo shirt and plaid shorts. But he shares other things, too, besides clothes. He’s handsome like Galen, with the same strong jaw and the same eyebrow shape and the way he’s wearing the same expression on his face that Galen is-that he’s found what he’s been looking for. Only, the stranger’s expression clearly divulges that he’s been looking for a lot longer than Galen has-and this man is not looking at me. And that’s when I know just exactly who he is. That’s when I believe the look in Galen’s eyes. That he didn’t lie to me, that he loves me. Because this man has to be Grom. Mom confirms it with a half cry, half growl. “No. No. It can’t be.” Even if she weren’t handcuffed to Rachel right now, I’m not sure she’d actually be able to move. Disbelief has a special way of paralyzing you. With every step the man takes toward Rachel’s car, he shakes his head more vigorously. It’s like he’s deliberately taking his time, drinking in the moment, or maybe he just can’t believe this moment is actually happening. Yep, disbelief is a cruel hag.

Dear Muse, you are a saint. You give me strength in words So that they flow as droplets Over the lines of a page. But dear Muse, you are A double-edged sword. You cut me deep So that I can cut deep. You show me how much I can love But curse me with the power to hate. So exquisitely, so completely… Dripping like blood from a blade As you cut deeper, so deeper… Dear Muse, what have I become Only to feel pleasure From such divine pain?

Leda was very still, and very small, as Watt slid into the bed and curled around her. He listened to the ragged rise and fall of her breath. There was an excited nervousness spiking up and down her body, and Watt knew that he was the cause of it, and he realized he was glad. She turned around to face him, so they were both lying on their sides, twin silhouettes in the darkness. The only thing that separated them was a shaft of moonlight slicing through the open window. Still, Watt waited.

Which meant the monster had not murdered WIlliam. Someone else had squeezed the life from the boy. Someone else had carefully taken the pendant. Someone else had found Justine and planted the pendant on her when she was asleep. Someone else had engineered the sequence of events perfectly so that- I let out a choked sob of horror. Someone else had engineered the sequence of events perfectly so that he could have Justine's body. 'Victor,' I whispered. 'Yes, my love?" he answered, a dark silhouette in the doorway.

You must watch and observe your friends and family around you. Offer love and support to those who may suffer from acute depression. Depression is one of the most common mental disorders affecting approximately 350 million people all over the world. No person can ever be immune to this mental problem. I have suffered from depression in my life. So, I know the signs pretty well. Approximately one in four women and one in ten men suffer from depression in their lifetime. We need to help and support those who may need it the most

silhouettes of your imagination splashes of a picture on a magazine Is there a mind behind the face? if you met your dream, would you think their human heart could be erased? So you say you love an icon, a hero you’ve never met And when you saw them for a moment even on t.v. it’s their image you can’t forget Remember when you had me there? tell me, if you had me now Would you try to be more amusing or would you ask me if i was teasing when i hold you in my arms on the silver screen / you didn’t know i was real / and now-i’m just a dream- Burnt - Here

O Lord, how many are Your works! In wisdom You have made them all.… —Psalm 104:24 (NAS) In her intriguing book What’s Your God Language? Dr. Myra Perrine explains how, in our relationship with Jesus, we know Him through our various “spiritual temperaments,” such as intellectual, activist, caregiver, traditionalist, and contemplative. I am drawn to naturalist, described as “loving God through experiencing Him outdoors.” Yesterday, on my bicycle, I passed a tom turkey and his hen in a sprouting cornfield. Suddenly, he fanned his feathers in a beautiful courting display. I thought how Jesus had given me His own show of love in surprising me with that wondrous sight. I walked by this same field one wintry day before dawn and heard an unexpected huff. I had startled a deer. It was glorious to hear that small, secret sound, almost as if we held a shared pleasure in the untouched morning. Visiting my daughter once when she lived well north of the Arctic Circle in Alaska, I can still see the dark silhouettes of the caribou and hear the midnight crunch of their hooves in the snow. I’d watched brilliant green northern lights flash across the sky and was reminded of the emerald rainbow around Christ’s heavenly throne (Revelation 4:3). On another Alaskan visit, a full moon setting appeared to slide into the volcanic slope of Mount Iliamna, crowning the snow-covered peak with a halo of pink in the emerging light. I erupted in praise to the triune God for the grandeur of creation. Traipsing down a dirt road in Minnesota, a bloom of tiny goldfinches lifted off yellow flowers growing there, looking like the petals had taken flight. I stopped, mesmerized, filled with the joy of Jesus. Jesus, today on Earth Day, I rejoice in the language of You. —Carol Knapp Digging Deeper: Pss 24:1, 145:5; Hb 2:14

I walked back into the bedroom. Amar was standing by the foot of the bed, playing lazily with the cuffs of his sleeves. I tensed. That foolish disappointment was gone. “Are you frightened?” he asked. Don’t cower. I straightened my back. I would’ve stared him in the eyes if I could. “Should I be?” “I should hope there are more frightening things than sharing a bed with me,” he said. He flourished a bow. “Did I not promise you that we would be equals? Your will is where I lay my head. I will not touch you without your permission.” I moved to the bed, taking stock of the unnecessary amount of cushions. I could feel Amar’s gaze on me and rather than tossing the cushions to the ground, I stacked them in the middle of the bed. Amar followed me and slid onto the opposite side. The fire in the diyas collapsed with the faintest of sighs. “A daunting fortress,” he said lazily, prodding one of the pillows. “Have you so little faith in me?” “Yes.” He laughed and the sound was unexpectedly…musical. “The dark is a lovely thing, is it not? It lets us speak in blindness. No scowls or smiles or stares clouding our words.” I lay in bed, my body taut. Amar continued: “I spoke no falsehoods in the Night Bazaar,” he said. “I would rip the stars from the sky if you wished it. Anything for you. But remember to trust me. Remember your promise.” I fell quiet for a moment. “I remember my promise.” After that, I said nothing. The air between us could have been whittled in steel. An hour passed before I ventured a glance at Amar. His face was turned from me, leaving only dark curls half visible in the light. Moonlight had limned his silhouette silver. The longer I stared at him, the more something sharp stirred within me and I was reminded of that strange ache in my head, where forgotten dreams jostled for remembrance.

Do you know where we are?” he whispered. “Surely that is Baker Street,” I answered, staring through the dim window. “Exactly. We are in Camden House, which stands opposite to our own old quarters.” “But why are we here?” “Because it commands so excellent a view of that picturesque pile. Might I trouble you, my dear Watson, to draw a little nearer to the window, taking every precaution not to show yourself, and then to look up at our old rooms--the starting-point of so many of your little fairy-tales? We will see if my three years of absence have entirely taken away my power to surprise you.” I crept forward and looked across at the familiar window. As my eyes fell upon it, I gave a gasp and a cry of amazement. The blind was down, and a strong light was burning in the room. The shadow of a man who was seated in a chair within was thrown in hard, black outline upon the luminous screen of the window. There was no mistaking the poise of the head, the squareness of the shoulders, the sharpness of the features. The face was turned half-round, and the effect was that of one of those black silhouettes which our grandparents loved to frame. It was a perfect reproduction of Holmes. So amazed was I that I threw out my hand to make sure that the man himself was standing beside me. He was quivering with silent laughter. “Well?” said he. “Good heavens!” I cried. “It is marvellous.” “I trust that age doth not wither nor custom stale my infinite variety,” said he, and I recognized in his voice the joy and pride which the artist takes in his own creation. “It really is rather like me, is it not?” “I should be prepared to swear that it was you.” “The credit of the execution is due to Monsieur Oscar Meunier, of Grenoble, who spent some days in doing the moulding. It is a bust in wax. The rest I arranged myself during my visit to Baker Street this afternoon.

These memories of former times do not awaken desire so much as sorrow - a vast, inapprehensible melancholy. Once we had such desires - but they return not. They are past, they belong to another world that is gone from us. In the barracks they called forth a rebellious, wild craving for their return; for then they were still bound to us, we belonged to them and they to us, even though we were already absent from them. They appeared in the soldiers' songs which we sang as we marched between the glow of the dawn and the black silhouettes of the forests to drill on the moor, they were a powerful remembrance that was in us and came from us. But here in the trenches they are completely lost to us. They arise no more; we are dead and they stand remote on the horizon, they are a mysterious reflection, an apparition, that haunts us, that we fear and love without hope. They are strong and our desire is strong - but they are unattainable, and we know it. And even if these scenes of our youth were given back to us we would hardly know what to do. The tender, secret influence that passed from them into us could not rise again. We might be amongst them and move in them; we might remember and love them and be stirred by the sight of them. But it would be like gazing at the photograph of a dead comrade; those are his features, it is his face, and the days we spent together take on a mournful life in the memory; but the man himself it is not. We could never regain the old intimacy with those scenes. It was not any recognition of their beauty and their significance that attracted us, but the communion, the feeling of a comradeship with the things and events of our existence, which cut us off and made the world of our parents a thing incomprehensible to us--for then we surrendered ourselves to events and were lost in them, and the least little thing was enough to carry us down the stream of eternity. Perhaps it was only the privilege of our youth, but as yet we recognised no limits and saw nowhere an end. We had that thrill of expectation in the blood which united us with the course of our days. To-day we would pass through the scenes of our youth like travellers. We are burnt up by hard facts; like tradesmen we understand distinctions, and like butchers, necessities. We are no longer untroubled--we are indifferent. We might exist there; but should we really live there? We are forlorn like children, and experienced like old men, we are crude and sorrowful and superficial - I believe we are lost.

Their stillness is the reason why these memories of former times do not awaken desire so much as sorrow—a vast, inapprehensible melancholy. Once we had such desires—but they return not. They are past, they belong to another world that is gone from us. In the barracks they called forth a rebellious, wild craving for their return; for then they were still bound to us, we belonged to them and they to us, even though we were already absent from them. They appeared in the soldiers’ songs which we sang as we marched between the glow of the dawn and the black silhouettes of the forests to drill on the moor, they were a powerful remembrance that was in us and came from us. But here in the trenches they are completely lost to us. They arise no more; we are dead and they stand remote on the horizon, they are a mysterious reflection, an apparition, that haunts us, that we fear and love without hope. They are strong and our desire is strong—but they are unattainable, and we know it. And even if these scenes of our youth were given back to us we would hardly know what to do. The tender, secret influence that passed from them into us could not rise again. We might be amongst them and move in them; we might remember and love them and be stirred by the sight of them. But it would be like gazing at the photograph of a dead comrade; those are his features, it is his face, and the days we spent together take on a mournful life in the memory; but the man himself it is not. We could never regain the old intimacy with those scenes. It was not any recognition of their beauty and their significance that attracted us, but the communion, the feeling of a comradeship with the things and events of our existence, which cut us off and made the world of our parents a thing incomprehensible to us—for then we surrendered ourselves to events and were lost in them, and the least little thing was enough to carry us down the stream of eternity.

A story, I had learned, through my own constant knitting and reknitting of remembered words, can lead us back to ourselves, to our lost innocence, and in the shadow it casts over our present world, we begin to understand what we only intuited in our naivete--that while all else may vanish, love is our one eternity. It reflects itself in joy and grief, in my father's sudden knowledge that he would not live to protect me, and in his determination to leave behind a part of himself--his spirit, his humanity--to illuminate my path, give light to my darkened world. He carved his silhouette in the memory of the sky for me to return to again and again.

She didn’t think she would have bothered if she hadn’t been what people call “very beautiful except for.” This is a special group of citizens living under special laws. Nobody knows what to do with them. We mostly want to stare at them like the optical illusion of a vase made out of the silhouette of two people kissing. Now it is a vase … now it could only be two people kissing … oh, but it is so completely a vase. It is both! Can the world sustain such a contradiction? And this was even better, because as the illusion of prettiness and horribleness flipped back and forth, we flipped with it. We were uglier than her, then suddenly we were lucky not to be her, but then again, at this angle she was too lovely to bear. She was both, we were both, and the world continued to spin.

You’re so much stronger than I am,” said Altan. Then he let her go. She shook her head frantically. “No, I’m not, it’s you, I need you—”“Someone’s got to destroy that research facility, Rin.”He stepped away from her. Arms stretched forward, he walked towardthe fleet.“No,” Rin begged. “No!”Altan took off at a run.A hail of arrows erupted from the Federation force.At the same moment Altan lit up like a torch.He called the Phoenix and the Phoenix came; enveloping him, embracinghim, loving him, bringing him back into the fold.Altan was a silhouette in the light, a shadow of a man. She thought shesaw him look back toward her. She thought she saw him smile.She thought she heard a bird’s cackle.Rin saw in the flames the image of Mai’rinnen Tearza. She was weeping.The fire doesn’t give, the fire takes, and takes, and takes

Erin. “No matter what else has happened, you’re water and your element is welcome in our circle, but we don’t need any negative energy here—this is too important.” I nodded to the spiders. Erin’s gaze followed mine and she gasped. “What the hell is that?” I opened my mouth to evade her question, but my gut stopped me. I met Erin’s blue eyes. “I think it’s what’s left of Neferet. I know it’s evil and it doesn’t belong at our school. Will you help us kick it out?” “Spiders are disgusting,” she began, but her voice faltered as she glanced at Shaunee. She lifted her chin and cleared her throat. “Disgusting things should go.” Resolutely, she walked to Shaunee and paused. “This is my school, too.” I thought Erin’s voice sounded weird and kinda raspy. I hoped that meant that her emotions were unfreezing and that, maybe, she was coming back around to being the kid we used to know. Shaunee held out her hand. Erin took it. “I’m glad you’re here,” I heard Shaunee whisper. Erin said nothing. “Be discreet,” I told her. Erin nodded tightly. “Water, come to me.” I could smell the sea and spring rains. “Make them wet,” she continued. Water beaded the cages and a puddle began to form under them. A fist-sized clump of spiders lost their hold on the metal and splashed into the waiting wetness. “Stevie Rae.” I held my hand out to her. She took mine, then Erin’s, completing the circle. “Earth, come to me,” she said. The scents and sounds of a meadow surrounded us. “Don’t let this pollute our campus.” Ever so slightly, the earth beneath us trembled. More spiders tumbled from the cages and fell into the pooling water, making it churn. Finally, it was my turn. “Spirit, come to me. Support the elements in expelling this Darkness that does not belong at our school.” There was a whooshing sound and all of the spiders dropped from the cages, falling into the waiting pool of water. The water quivered and began to change form, elongating—expanding. I focused, feeling the indwelling of spirit, the element for which I had the greatest affinity, and in my mind I pictured the pool of spiders being thrown out of our campus, like someone had emptied a pot of disgusting toilet water. Keeping that image in mind, I commanded: “Now get out!” “Out!” Damien echoed. “Go!” Shaunee said. “Leave!” Erin said. “Bye-bye now!” Stevie Rae said. Then, just like in my imagination, the pool of spiders lifted up, like they were going to be hurled from the earth. But in the space of a single breath the dark image reformed again into a familiar silhouette—curvaceous, beautiful, deadly. Neferet! Her features weren’t fully formed, but I recognized her and the malicious energy she radiated. “No!” I shouted. “Spirit! Strengthen each of the elements with the power of our love and loyalty! Air! Fire! Water! Earth! I call on thee, so mote it be!” There was a terrible shriek, and the Neferet apparition rushed forward. It surged from our circle, breaking over Erin

Sovereign King of Detachment and Renunciation, Emperor of Death and Shipwreck, living dream that gradually wanders among the worlds ruins and wastes! Sovereign King of Despair amid splendours, grieving lord of palaces that don't satisfy, master of processions and pageants that never succeed in blotting out life! Sovereign King risen from the tombs, who came in the night by the light of the moon to tell your life to the living, royal page of lilies that have lost their petals, imperial herald of the coldness of ivory! Sovereign King Shepard of the Watches, knight errant of Anxieties traveling on moonlit roads without glory and without even a lady to serve, lord in the forest and on the slopes, a silent silhouette with visor drawn shut, passing through valleys, misunderstood in villages, ridiculed in towns, scorned in the cities! Sovereign King consecrated by Death to be her own, pale and absurd, forgotten and unrecognized, reigning amid worn-out velvets and tarnished marble on his throne at the limits of the Possible, surrounded by the shadows of his unreal court and guarded by the fantasy of his mysterious, solidierless army. (...) Your love for things dreamed was your contempt for things lived. Virgin King who disdained love, Shadow King who disdained light, Dream King who denied life! Amid the muffled racket of cymbals and drums, Darkness acclaims you Emperor!

... - the Age of Anxiety, dating from around August 1945, is twenty three years old this very month - and her daily life is in essence a sandbagging operation against its seas and their tides. But this is worry and it is a little different from anxirty: Particular rather than pervasive, it arrives unannounced, without anxiety's harbingers, dread and forboding, the fearful tea in which we steep awaiting oblivion. Instead, worry turns up on the door step, the overbearing, passive aggressive out-of-town relative who insists he "won't be any trouble" even as he displaces every known routine and custom of the house for days and weeks on end; as he expropriates the sofa, the bathroom, the contents of the liqour cabinet and cigarette carton, and monopolises the telephone and the ear of anyone within shouting distance. Worry displaces the entire mood, the entire ethos of the house - even if that mood hitherto consisted largely of anxiety - and replaces it with something more substantive, more real than mere mood. You would be mightily pleased to have ordinary anxiety back in residence, for under worry there is no peace whatsoever, not even the peace of cynicism, pessimism or despair. Even when the rest of the world is abed, worry is awake, plundering the kitchen cupboards, raiding the refrigerator, playing the hifi, watching the late show until the national anthem closes the broadcast day; then noisily treading the halls, standing in your bedroom door, wondering if by any chance you are still up (knowing that of course you are), breathing and casting its shadow upon you, the silhouette of its slope-shouldered hulk and towering black wings.

« Je connais son odeur. Ce petit grain de beauté dans son cou quand elle relève ses cheveux. Elle a la lèvre supérieure un peu plus charnue que l’inférieure. La courbe de son poignet, quand elle tient un stylo. C’est mal, c’est vraiment mal, mais je connais les contours de sa silhouette. J’y pense en me couchant, et puis je me lève, je vais bosser, et elle est là, et c’est insupportable. Je lui dis des trucs avec lesquels je sais qu’elle sera d’accord, juste pour l’entendre me répondre : « Hm-hm. » C’est sensuel comme la sensation de l’eau chaude sur mon dos, putain. Elle est mariée. Elle est brillante. Elle me fait confiance, et la seule chose que j’ai en tête c’est de l’amener dans mon bureau, la déshabiller, lui faire des choses inavouables. Et j’ai envie de le lui dire. J’ai envie de lui dire qu’elle est  lumineuse, elle brille d’un tel éclat dans mon esprit que ça m’empêche parfois de me concentrer. Parfois j’oublie pourquoi je suis entré dans la pièce. Je suis distrait. J’ai envie de la pousser contre un mur, et j’ai envie qu’elle se blottisse contre moi. J’ai envie de remonter le temps pour aller mettre un coup de poing à son stupide mari le jour où je l’ai rencontré, et ensuite repartir dans le futur pour lui en coller un autre. J’ai envie de lui acheter des fleurs, de la nourriture, des livres. J’ai envie de lui tenir la main, et de l’enfermer dans ma chambre. Elle est tout ce que j’ai toujours voulu, et je veux me l’injecter dans les veines, et à la fois ne plus jamais la revoir. Elle est unique, et ces sentiments, ils sont intolérables, putain. Ils étaient à moitié en sommeil tant qu’elle était absente, mais, maintenant elle est là, et je ne contrôle plus mon corps, comme un putain d’ado, et je ne sais pas quoi faire. Je ne sais pas quoi faire. Je ne peux rien faire, alors je vais juste… ne rien faire.  »

Reaching the bottom of the ladder, she turned around, but had only taken a few steps down the swaying passageway when her path was blocked by a large, formidable silhouette: Rohan stepped out of his cabin and stood waiting for her. He loomed in the darkness ahead as she approached, his angular face cast in shadow, his black shirt hanging open down his sculpted chest. Kate felt an instantaneous awareness of him in her most primal core, but she hesitated before the fevered intensity in his stare. "I-I thought you went to bed." "Can't sleep." She did not need to ask why. Who could sleep after the night he'd had? She stopped in front of him, wondering what to say. His hungry gaze stayed fixed on her, and something in his silvery eyes made her heart begin to pound. "What did you think of what my father said?" "I don't want to talk." As he reached out and cupped her cheek, Kate swallowed hard, but she hardly had to ask what he wanted to do. She could feel the heat of his need coming off him in waves. She drew in her breath as he ran his hand down from her cheek along the side of her neck. He threaded his fingers into her hair, moving closer as he drew her toward him. He bent his head and claimed her mouth, his lips, burning, silken, against hers; she quivered with temptation as he consumed her tongue. The fierce demand in his kiss threatened to overwhelm her. "I want you," he whispered, breathing heavily. His bold advance jarred her somewhat back to her senses. "You must be joking," she uttered, yanking away from him and trying to hide her mad desire behind a mask of self-possession. "I'm not your harlot anymore." "You said you love me. Prove it," he murmured. He captured her hand and brought her palm to his loins, making her feel the massive evidence of his sincerity. She bit her lower lip, striving to reason against passion. Letting her palm linger on his rigid shaft a heartbeat too long, she withdrew her touch, determined to get around him. "Rohan." "Sleep with me," he ordered in a whisper, too proud to beg, but then again, he'd never have to.

He was alone in the darkened hallway, her savior, when Emma reached the bottom of the narrow stairs. He halted at the sight of her, and she could see the startled wariness in his silhouette. She started toward him, ready to fling herself at his feet in gratitude. His hands reached out to catch her, stop her. Hard hands, pale in the gloom, hauling her to her feet. "Not that I couldn't find any number of things you could do in such a position," he drawled, "but this is a public place." She had no idea what he meant, but she flushed, anyway.

Hover through the Fog and Filthy Air Nursery school for demons Getting to know yourself through crime Brain music like a wounded ambulance praying in tongues Telepathic merchandise A rhapsodic interrogation of love Another haunted customer Soothing you to sleep and infesting your dreams with mechanical tarantulas Carnivorous mirage The night that hides inside the night you know The night that knows you The fierce bliss of the holy glint The lethal myth you carried all your life The voice within my voice the only one I listen to was never born Sometimes everything’s my child Emotions are deployed in glassy air Lots of wondering what to do in the empty lobby and the all night laundromat The diamond swimming in the noisy light A little origami holy ghost The rain goes on softly not wanting to know my side of the story Bloodstreams running with whispering stars A loose confederation of feral children without human language living in ruined cathedrals on the moon pledging allegiance to the buildings and how they appear the grey noise of the interstate new understandings of madness and terrible love half buried in leaves The trapeze artist of the abyss Her discipline Her ascetic silhouette The way we never see her face no matter how she twists

I didn't know it could be like this," she said later. Not later that night. But on a night a lot like that one. A night that ended with Beth in his arms, with her everywhere against him. Lincoln was almost asleep. "Like what?" he asked. "I didn't know love could leave the lights on all the time. Do you know what I mean?" "Not exactly," he said, finding a way to pull her closer. He could just make out her silhouette in the dark, her head lifted, her hair falling on his chest. "I thought it took more naps," she said, struggling to find the right words. "Or blinked. I didn't know it could go on and on and like this without falling off an edge. Like pi." "What kind of pie?" he murmured. "No, pi...," she said. "Lincoln? Are you asleep? "I didn't know someone could love me like this," she said. "Could love me and love me without... needing space." Lincoln wasn't asleep. He rolled on top of her. "There's no air in space," he said.

the door is a silhouette of eternity

Silhouettes A crow perches inside me. Actually, it is a whale. It is hard to tell by touch alone. Nothing I own ever looks me properly in the eye. Sometimes a loud caw at dusk feels like the largest mammal on Earth. A deep breath out the blowhole into my stomach. One second it swims and the next it is a small extension of a tree. This is a kind of beginning— a finger puppet show. The light dancing around my hands. Me dancing alone on a stem. A persimmon blooms. A boy learns a song and plants it in an orchard. Inside of me the large creatures change their shapes to fit. A blackbird. An organ. Animals with no names. I send them off into the world daily. Little sadness takes flight. Love is a brave child. These things take the shape of their containers. I don’t have to do anything to hold them.

~Infernal Serpent ~ Winds are venomous these days. Masked under a dark silhouette, their smile parades the fossil roots of deceit. Nibbling wings, of which they learnt to fly. Hands blemished red Have you slaughtered a rose lately? The face bleached in dismay tongue weakened. I ain't, the fear following you Like a cloud passing above your shadow. Run!! How far? There is no path across the desert. Fright of a nomad creates mirage in distance Standing in silence, I want to witness the snake shedding its skin again.

Love is when you can understand each other's silences.

In a parallel universe you and I are for each other forever!

Love yourself unconditionally. Love yourself so much that you will grant your heart feelings of love and kindness for others.

All my memories still smell of you!

I move the sun to the west, and as the angle of the light shifts, the dewdrops on the seedlings in the field glisten like countless eyes suddenly popping open. I dim the sun so that dusk arrives earlier; then I stare at the silhouette of myself on the distant horizon, in front of the setting sun. I wave at the silhouette; the silhouette waves back. Looking at the shadow of myself, I feel young again. This is a lovely time, just right for remembering.

What’s your favorite part of the trip?” “I don’t have one.” “C’mon, there must’ve been something.” “I took a weekend trip to Caño Cristales. I liked seeing the different colors of the river. It was like a liquid rainbow.” Many of the students had spent their time traveling around Colombia on the weekends. No one had a car, but we could hop on a plane for fairly cheap and fly into different areas such as Bogotá, the country’s official capital city, or Cali, the salsa-dancing capital of the world. Amanda had even convinced me to fly with her to the seductive, sizzling city of Cartagena. We climbed the fortified walls that had once protected the city from pirate attacks and watched the sunset. The entire city had a Miami-style skyline and, after the sun went down, infatuation seemed to bloom into fever and take hold of the city. At night we could hear the clink of rum bottles and mojito glasses in cafés on almost every street as moonlight picked out the silhouettes of softly swaying couples. We walked for hours along the coastal city streets. Candle flames beckoned from the dimness of nearby baroque churches.

As though nature concealed a trap, Cathy had from the first a face of innocence. Her hair was gold and lovely; wide-set hazel eyes with upper lids that drooped made her look mysteriously sleepy. Her nose was delicate and thin, and her cheekbones high and wide, sweeping down to a small chin so that her face was heart-shaped. Her mouth was well shaped and well lipped but abnormally small-- what used to be called a rosebud. Her ears were very little, without lobes, and they pressed so close to her head that even with her hair combed up they made no silhouette. They were thin flaps sealed against her head.

Most of the Times, Life shows us how difficult this journey is, only at Times when the sun clears we see the Sunshine, but the rain often washes away the clouds and both the clouds and the rain dampen our weary hearts, only to let us see a glimpse of a distant rainbow, once in a while. I guess it's always about the Time, the guardian of this Journey that we have to wait and persevere, that we have to remain resilient in the resolve to walk ahead, to find some way to hold on to the voyage, to not let the ship sink in the hollows of a mirage, to just live. And that is what Life is about, perhaps to know that Gloom and Melancholy is a distinct part of our journey, and actually something that occupies the most part of our journey, and it doesn't have to be a deep Grief it can simply be the mundane sorrow of carrying on this existence knowing that Life is just a short frame holding dark colours as much as the bright ones, sometimes even more of those blackness only to bring out the whites a little bit more. And while all of this goes on, somewhere our heart would know that there is One who is beyond this frame of Life and the space of Time and Cosmos; who is always holding your hand giving you the breath to walk ahead. May be He doesn't take away the blackness but throughout stays firm in your path, holding your shadow and your soul ever so gently to make you become the Light that you could only possibly be by embracing all of your Soul's journey. He doesn't perhaps change the potholes in your way, but He does ensure that even when you tumble you don't end up falling and if you do fall, He makes sure that you rise all over again from the flames of Life's fire with the fury of a phoenix. He doesn't end your suffering but lets you see that throughout your pain He is partaking in an even greater portion of it, alongside you. Simple, He doesn't let you see that He is God, because He shares your Life as a companion, walking beside you hand in hand, to make you live all that your soul had contracted before this journey began and even when He is beyond Time, He lets Time be your friend in a journey that is bound in human flesh and guarded by the tick-tock of that guardian. So when I asked my Soul, what is that troubles me the most, I heard my Soul, Smile in a safe knowledge, when I have Him, need I let my troubles concern me? My heart knew, He has already tucked my mind in the tranquil world of Life's paint-brush and a rainbow is just around the corner. A distant yet distinct rainbow. A rainbow that is churned in Love, the love that only He can provide, the Love that is always lurking on the edges of those clouds and rain, in the silhouette of a rainbow forever promised on the other side of a thunderstorm. Love & Light, always - Debatrayee

He knew, pulling out of the driveway with tears tracking down his cheeks and the black silhouette still standing out on the porch in the early morning light, that he would always love him. He knew he would find a picture of them one day, when he was old and wrinkled and needed help getting up and down the stairs, and he would still love him. He would show someone the picture, and they would say, in that placating voice people used on old people: he sure was handsome . Yes, Adam would agree, he sure was . He hoped he could smile as he said it. Looking back on it all, he would wonder what it might have been like. 70 years totaled out to something around 25,000 mornings. 25,000 perfect mornings with warm skin and hot coffee, the early sun drenching them in gold. In a different life, he could have been the one to find Ronan’s first wrinkle, just a crinkle in the corners of his eyes.

Dipping my bare brush into your garish gold eyes, I draw your dreams close. They dance divinely within, sparking silhouettes alight. (Harboured Love)

Denim and doubt, cotton and caution, fell to the floor in a forgotten heap

He'd always lived off by himself in a hut, keeping a small garden and a hutch of rabbits. On some nights, his fellow pilots would see the red glow from a signal flare stuck in the ground, and Ball's dark silhouette as he played the violin in his pajamas. One of the reasons for his introspection was a woman. He'd fallen in love during his time off in England, but he refused to marry the girl until the war ended. It appears he didn't believe he'd survive; he once said to his father, Sir Albert Ball, that "no fighter pilot who fought seriously could hope to escape from the war alive.

I want what you're throwing away. I want someone in my life who loves me-warts and all. I want someone to smile at me first thing in the morning. I want someone to give a damn whether I come home in the evening.

Devil Like Me My heart and soul were never mine to own, what you care to die for? What you care to die for? We die alone, we'll all die young, what you care to die for? What you care to die from? Snow glistens on the ledge, whiskey on the bed, shake it out and light a cigarette Miss me when you, you wish you weren't right. Shake me all out if I'm wrong, for you, for you. Shake it all out when I'm gone, I, for you. Is the devil so bad if he cries in his sleep, while the earth turns, and his kids learned to say, fuck you they don't, love you. Does the devil get scared if she dies in her dreams, where the earth burns, she cries 'cause she's nothing like, is she like you? What you want from a devil like me, devil like me? You see the devil don't mean to be evil, he just regrettably forgets to exceed expectation. Holes riddled in your head, little bit of lead, shake it out and line silhouette Miss me when you, you wish weren't kind of glad. Shake me all out when you're done, for you, for you Shake it all out when I'm gone, I, for you Is the devil so bad if he cries in his sleep, while the earth turns, 'cause his kids learned to say, fuck you they don't, love you. Does the devil get scared if she dies in her dreams, while the earth burns, she cries 'cause she's nothing like, is she like you? What do you want from a devil like me, am I, like you?

China, talking about restrooms is very important, especially when seconds count. Memorize these characters: (Nán) is male, (Nǚ) is female. Often they may be more prominently displayed than the words “Men” or “Women” or even the familiar gender-specific silhouettes we are accustomed to seeing. Not to worry, however, if you can’t read the Chinese characters for the two gender choices. The general rule of thumb in almost all of China is “men left, women right,” meaning that the men’s restroom will be on the left-hand side and women’s on the right. Only in the areas populated primarily by minority peoples is the opposite true. If you’re female, and at least half the human race is of that persuasion, then you have a special treat in store at some Chinese airport restrooms outside of the largest cities like Beijing and Shanghai. You may walk into one of the lovely modern stalls provided for you. Lulled into a sense of security and familiarity by such a modern-looking restroom so far from home, you don’t even think to check to see if there is any toilet paper in the stall. That’s because in America there are always several giant-sized rolls in industrial-looking acrylic dispensers.

They grew some of their own vegetables, but Semple was never in eighteen years allowed out into the truck gardens. Instead, he watched out the north window of the violent ward through the thick cyclone mesh and felt himself out there, going down the rows of corn, cutting suckers or tugging up the dark-leafed weeds, feeling the strain low in his back and hearing the dry rustle of stalks in the July wind; the sun reddening his neck and rills of sweat cutting lines through the dust on his cheeks; bent over, his hands green stained and sore, blistered and cut from the weeds and the sharp-edged corn plant leaves; feet hot and swollen in state-issue shoes cracked and dirty; but smelling it, the corn, the dirt, the hand-mashed weeds, the sticky white milk gumming and clotting his fingers; the smell on cloudy days when everything was heavy with the expectancy of rain and sullen with the summer heat, the smell denser then, making him straighten up, his nose high, waiting for it, for something, a man in silhouette against the background of corn, like all the other men in cornfields and gardens and on farms, even the men in cities between the buildings on crowded streets lifting their noses to the heavy clouds and feeling the expectancy of the rain, waiting for the first thick drops to sound against the corn, to strike his face. And then the gallop home through sheets of rain, ducking into doorways, newspapers over heads, laughter coming up out of the heart at this common happening, and men together, in doorways, cafeterias, kitchens, barns, tractor sheds, or even in the lee of haystacks, looking at each other happily with wet red faces because it was raining hard. Loving it and feeling joy from such a thing. He stood at the window and made it happen, even under a blue sky. And would, early in his eighteen years, turn front eh window expressing how he felt in snapping wild-eyed growls and grunts, his hands jerking out of control and his legs falling out from under him, thrashing between the beds, bumping along the floors, his contorted face frightening the other madmen into shrieks and fits and dribbles; happy, so happy inside that it all burst in one white hot uncontrollable surge; the two white-coated attendants coming with their stockings full of powdered soap rolled into fists to club him without marking him, knocking him into enough submission that they could drag him twitching still across the open floor and out to the restraining sheets.

They grew some of their own vegetables, but Semple was never in eighteen years allowed out into the truck gardens. Instead, he watched out the north window of the violent ward through the thick cyclone mesh and felt himself out there, going down the rows of corn, cutting suckers or tugging up the dark-leafed weeds, feeling the strain low in his back and hearing the dry rustle of stalks in the July wind; the sun reddening his neck and rills of sweat cutting lines through the dust on his cheeks; bent over, his hands green stained and sore, blistered and cut from the weeds and the sharp-edged corn plant leaves; feet hot and swollen in state-issue shoes cracked and dirty; but smelling it, the corn, the dirt, the hand-mashed weeds, the sticky white milk gumming and clotting his fingers; the smell on cloudy days when everything was heavy with the expectancy of rain and sullen with the summer heat, the smell denser then, making him straighten up, his nose high, waiting for it, for something, a man in silhouette against the background of corn, like all the other men in cornfields and gardens and on farms, even the men in cities between the buildings on crowded streets lifting their noses to the heavy clouds and feeling the expectancy of the rain, waiting for the first thick drops to sound against the corn, to strike his face. And then the gallop home through sheets of rain, ducking into doorways, newspapers over heads, laughter coming up out of the heart at this common happening, and men together, in doorways, cafeterias, kitchens, barns, tractor sheds, or even in the lee of haystacks, looking at each other happily with wet red faces because it was raining hard. Loving it and feeling joy from such a thing. He stood at the window and made it happen, even under a blue sky. And would, early in his eighteen years, turn from the window expressing how he felt in snapping wild-eyed growls and grunts, his hands jerking out of control and his legs falling out from under him, thrashing between the beds, bumping along the floors, his contorted face frightening the other madmen into shrieks and fits and dribbles; happy, so happy inside that it all burst in one white hot uncontrollable surge; the two white-coated attendants coming with their stockings full of powdered soap rolled into fists to club him without marking him, knocking him into enough submission that they could drag him twitching still across the open floor and out to the restraining sheets.

Patience drifted in the garden, her dress draping softly off one shoulder and her hair falling across her back like blood in the shadows. She saw his tall silhouette first as he stood at the screen. She stopped, her bare feet sparking against the gravel path. Henry saw the blue-green lights around her, his brain searching to name them. He settled on fireflies although he smelled brine and seaweed and wanted to say phosphorescence.

The Dawn of Understanding In the quiet of dawn, a young boy named Eli stands alone, his silhouette barely visible against the awakening sky. The world around him is waking up, but inside, Eli feels as if everything has come to a standstill. The questions that plague his mind are like a relentless storm, with no sign of clearing. Eli’s mother had been his rock, his guiding star, but her silent battle with her own demons was one she couldn’t win. Her departure from this world left a gaping wound in Eli’s heart, one that seemed impossible to heal. “Why?” he whispers to the open sky, the only witness to his solitary grief. Jacob, a passerby, finds Eli by chance—or perhaps by fate. He sees the young boy’s pain, a mirror to his own past struggles. Jacob had once stood at the precipice of despair, never considering the ripple effects his absence would cause. But now, looking into Eli’s eyes, he sees a reflection of what could have been—of what he almost left behind. Together, they sit beneath the vast expanse of the sky, two souls connected by shared sorrow. Jacob doesn’t have all the answers, but he offers what he can—a listening ear and a promise that the pain won’t last forever. “Her love is a bond that won’t sever,” he assures Eli, “She’s watching over you, now and forever.” As the sun rises, bringing warmth to the chill of the morning, Eli feels a glimmer of hope. The “why” that echoed in his heart begins to fade, replaced by a newfound resolve. They are here for a reason, not just to survive the storms, but to cherish each moment of calm they’re given. Eli and Jacob part ways, but the lesson remains. They are more than their sorrows, more than their fears—they are the sum of love that endures through the years. And as Eli walks back home, the first rays of sunlight touching his face, he carries with him the dawn of understanding.

...she graciously let the dress flow down her silhouette, draping her lithe form in its sumptuous embrace.

A story, I had learned, through my own constant knitting and reknitting of remembered words, can lead us back to ourselves, to our lost innocence, and in the shadow it casts over our present world, we begin to understand what we only intuited in our naivété - that while all else may vanish, love is our one eternity. It reflects itself in joy and grief, in my fathers sudden knowledge that he would not live to protect me, and in his determination to leave behind a part of himself - his spirit, his humanity - to illuminate my path, give light to my darkened world. He carved his silhouette in the memory of the sky for me to return to again and again.

A few friends are real treasures, without whom, life would become meaningless.

The most powerful of my slides compared swing voters. One group of swing voters was “Closed and Agreeable.” Those people received an ad about guns that used language and images that reinforced the values of tradition and family. I pulled up an image of a man and a boy, in silhouette, duck hunting at sunset. The text read, “From father to son . . . since the birth of our nation.” It emphasized how guns could be shown as something people shared with those they loved. For example, my grandfather had taught me to shoot when I was a kid.

Within seconds her dappled curvy silhouette moves towards me. Our bodies collide, skin on skin...

And I spent a wonderful summer, below the trees in the Godavari, writing my poetry.