Silent Auction Quotes

Kusha silently groans; envy is rude.

Taha, her sister, jumps from the first-floor balcony to the groomed lawn below. This girl is doing it again: practicing jumping from four-meters-height, definitely for her next Grade-Test. Sometimes, it annoys Kusha. The book How-To-Observe-Your-Self says it’s the envy for being two Grades lower than your younger sister. Kusha silently groans; envy is rude.

Tell me what you are looking at right now.” Malory smacked his lips — he was really the absolute worst human to speak to on the telephone — and considered. “I’m looking at, what does this seem to be? West of England Tumbler, I should think. Yes. Lovely example. You should see his muffs. Right next to him is a dreadful little Thuringen Field Pigeon. I’ve never had them but I’m quite certain they aren’t meant to have that hideous stallion neck. I have no idea what this one is. Let’s read the card. Anatolian Ringbeater. Of course. Oh, and here’s a German Beauty Homer.” “Oh, those are my favorite,” Gansey said. “I am a fan of a good German Beauty Homer.” “Gansey, don’t make light,” Malory said sternly. “Those things look like bloody puffins.” Adam’s body shook in silent convulsions of laughter. Gansey took a moment to catch his breath before asking, “And what’s that sound in the background?” “Let me take a gander,” Malory replied. There was a crackling sound, and then his voice, rather louder than before, said, “They’re auctioning off some birds.” “What sort? Please tell me German Beauty Homers.

Rumors exist of what those High-Grades can do: They kill with gaze; they voice the wind; they eat nothing; they’ve seen the source of the universe … Kusha heard in the Old City. She doesn’t have High-Grades or voice or killing gazes. But she has a gift—her prophetic alarms. Most people name it the sixth-sense. Those occasional sensations that come without warning. Then, she finds herself knowing things she isn’t supposed to know. Like now— It happens again. A prophetic alarm comes, and it comes with a silent scream in her head. As if hundreds of frozen needles have pierced her eyes and reached her brain, injecting information she never knew before. Kusha calls it alarms, not sixth-sense. Not even intuition. Intuition sounds High-Grade, something those evolved people may have. The book God-Particle-Or-Thought-Particle says: ‘Intuition is the passing thoughts downloaded from the universe.’ Kusha isn’t confident enough to believe it can happen to her. No way could she download anything as an unevolved, untouchable, Low-Grade.

Hermione swallowed. The wand twisted over her left side, and a spell was muttered. She thought of small fingers and toes. A boy with shaggy brown hair in her lap, pouting over a book. Something wrenched inside of her. Severing her. Her legs jerked, throat clicking on a silent gasp of pain. She stared at the ceiling as the older witch moved to her right side. Her fallopian tubes were being severed.

Paris-Plage: the operation would be perfect if an oil slick drifted in to pollute this pretty little beach. Then the illusion would be total: the beach attendants would be transformed into ecological clean-up agents; they would have stopped sunbathing stupid. WTC: no trace of the bodies of the 3,000 victims. It's as though they had been dropped into quicklime. All the images without the sound, silent, vitrified, pellicularized. The scrap metal and the rubble are auctioned off. The event has more or less vanished into thin air. The pope has reached the state of 'martyr', that is to say, of witness: witness to the possibility that the human race can live beyond death. Living experience of brain-death, of spirituality on a life-support system, of automatic piloting of the vital functions in their death throes. A great model for future generations

Above the list of children she read: Mister Jackson Henry Clark married Miss Julienne Maria Jacques, June 12, 1933. Not until that moment had she known her parents’ proper names. She sat there for a few minutes with the Bible open on the table. Her family before her. Time ensures children never know their parents young. Kya would never see the handsome Jake swagger into an Asheville soda fountain in early 1930, where he spotted Maria Jacques, a beauty with black curls and red lips, visiting from New Orleans. Over a milkshake he told her his family owned a plantation and that after high school he’d study to be a lawyer and live in a columned mansion. But when the Depression deepened, the bank auctioned the land out from under the Clarks’ feet, and his father took Jake from school. They moved down the road to a small pine cabin that once, not so long ago really, had been occupied by slaves. Jake worked the tobacco fields, stacking leaves with black men and women, babies strapped on their backs with colorful shawls. One night two years later, without saying good-bye, Jake left before dawn, taking with him as many fine clothes and family treasures—including his great-grandfather’s gold pocket watch and his grandmother’s diamond ring—as he could carry. He hitchhiked to New Orleans and found Maria living with her family in an elegant home near the waterfront. They were descendants of a French merchant, owners of a shoe factory. Jake pawned the heirlooms and entertained her in fine restaurants hung with red velvet curtains, telling her that he would buy her that columned mansion. As he knelt under a magnolia tree, she agreed to marry him, and they wed in 1933 in a small church ceremony, her family standing silent.

Meredith Etherington-Smith Meredith Etherington-Smith became an editor of Paris Vogue in London and GQ magazine in the United States during the 1970s. During the 1980s, she served as deputy and features editor of Harpers & Queen magazine and has since become a leading art critic. Currently, she is editor in chief of Christie’s magazine. She is also a noted artist biographer; her book on Salvador Dali, The Persistence of Memory, was an international bestseller and was translated into a dozen languages. Her drawing room that morning was much like any comfortable, slightly formal drawing room to be found in country houses throughout England: the paintings, hung on pale yellow walls, were better; the furniture, chintz-covered; the flowers, natural garden bouquets. It was charming. And so was she, as she swooped in from a room beyond. I had never seen pictures of her without any makeup, with just-washed hair and dressed in jeans and a white T-shirt. She looked more vital, more beautiful, than any photograph had ever managed to convey. She was, in a word, staggering; here was the most famous woman in the world up close, relaxed, funny, and warm. The tragic Diana, the royal Diana, the wronged Diana: a clever, interesting person who wasn’t afraid to say she didn’t know how an auction sale worked, and would it be possible to work with me on it? “Of course, ma’am,” I said. “It’s your sale, and if you would like, then we’ll work on it together to make the most money we can for your charities.” “So what do we do next?” she asked me. “First, I think you had better choose the clothes for sale.” The next time I saw her drawing room, Paul Burrell, her butler, had wheeled in rack after rack of jeweled, sequined, embroidered, and lacy dresses, almost all of which I recognized from photographs of the Princess at some state event or gala evening. The visible relics of a royal life that had ended. The Princess, in another pair of immaculately pressed jeans and a stripy shirt, looked so different from these formal meringues that it was almost laughable. I think at that point the germ of an idea entered my mind: that sometime, when I had gotten to know her better and she trusted me, I would like to see photographs of the “new” Princess Diana--a modern woman unencumbered by the protocol of royal dress. Eventually, this idea led to putting together the suite of pictures of this sea-change princess with Mario Testino. I didn’t want her to wear jewels; I wanted virtually no makeup and completely natural hair. “But Meredith, I always have people do my hair and makeup,” she explained. “Yes ma’am, but I think it is time for a change--I want Mario to capture your speed, and electricity, the real you and not the Princess.” She laughed and agreed, but she did turn up at the historic shoot laden with her turquoise leather jewel boxes. We never opened them. Hair and makeup took ten minutes, and she came out of the dressing room looking breathtaking. The pictures are famous now; they caused a sensation at the time. My favorite memory of Princess Diana is when I brought the work prints round to Kensington Palace for her to look at. She was so keen to see them that she raced down the stairs and grabbed them. She went silent for a moment or two as she looked at these vivid, radiant images. Then she turned to me and said, “But these are really me. I’ve been set free and these show it. Don’t you think,” she asked me, “that I look a bit like Marilyn Monroe in some of them?” And laughed.

their own stamps. Then how,” Macgowan’s face darkened, “did Donald come to have this Foochow local?” They were silent for a while as the taxi threaded its way among the pillars of Sixth Avenue. Then Ellery drawled: “By the way, how valuable is the Foochow?” “Valuable?” Macgowan repeated absently. “That depends. In all cases of rarities the price is a variable consideration, depending upon how much it has brought at its last sale. The famous British Guiana of 1856—the one-cent magenta listed by Scott’s as Number 13—which is in the possession of the Arthur Hind estate is worth $32,500.00, as I remember it—I may be wrong in my recollection, but it cost Hind that or somewhere around that. It’s catalogued at $50,000.00, which means nothing. It’s worth $32,500.00 because that’s approximately what Hind paid for it at the Ferrary auction in Paris. … This Foochow set me back a cool ten thousand.” “Ten thousand dollars!” Ellery whistled. “But you’d no idea what it had brought previously, since it’s not been generally known before. So how could you—” “That’s the figure Varjian set, and stuck to, and that’s the amount I made out my check for. It’s worth the money, although it’s a pretty stiff price. Since, as far as I know, it’s the only one of its kind in existence—and especially considering the peculiar nature of the error—I could probably turn it over for a profit today if I put it up at auction.” “Then you weren’t victimized, at any rate,” murmured Ellery. “Kirk didn’t try to soak you, if that’s any consolation. … Here we are.” As they were removing their coats in the foyer of the Kirk suite, they heard Donald Kirk’s voice from the salon.

Oh, the anxious, aging wives of his white business associates, fingers weighted down with diamonds, constantly tittering on about how busy they were with this committee meeting and that school event, all the while shedding pretty tears for dark-skinned children in distant countries. Charles loved being around them. They flattered him like concubines, wheedling checks for orphans in Burma or wells in Namibia, angling for ever-larger donations of cosmetics to put on the block at one of the endless silent auctions for their children's private schools. Nothing made him feel better than tossing off a check that elicited a breathy gasp of pleasure from one of the wives.

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