Signs Are Everywhere Quotes

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America is the wealthiest nation on Earth, but its people are mainly poor, and poor Americans are urged to hate themselves. To quote the American humorist Kin Hubbard, 'It ain’t no disgrace to be poor, but it might as well be.' It is in fact a crime for an American to be poor, even though America is a nation of poor. Every other nation has folk traditions of men who were poor but extremely wise and virtuous, and therefore more estimable than anyone with power and gold. No such tales are told by the American poor. They mock themselves and glorify their betters. The meanest eating or drinking establishment, owned by a man who is himself poor, is very likely to have a sign on its wall asking this cruel question: 'if you’re so smart, why ain’t you rich?' There will also be an American flag no larger than a child’s hand – glued to a lollipop stick and flying from the cash register. Americans, like human beings everywhere, believe many things that are obviously untrue. Their most destructive untruth is that it is very easy for any American to make money. They will not acknowledge how in fact hard money is to come by, and, therefore, those who have no money blame and blame and blame themselves. This inward blame has been a treasure for the rich and powerful, who have had to do less for their poor, publicly and privately, than any other ruling class since, say Napoleonic times. Many novelties have come from America. The most startling of these, a thing without precedent, is a mass of undignified poor. They do not love one another because they do not love themselves.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
She couldn’t have been more than twelve years old. In her hands was a sign that said RED-HEADS RULE! with a little crown painted in the corner and tiny stars everywhere. I knew I was the only redhead in the competition, and I noticed that her hair and mine were very nearly the same shade.
Kiera Cass (The Selection (The Selection, #1))
I think that's Justin Bieber. Standing in front of a line up of Lay's potato chips, Qhuinn looked overhead to the speaker inset into the ceiling tiles. Yup, I'm right, and I hate that I know that. Next to him John Matthew signed, How do you know? The little shit is everywhere. I swear, that kid is proof the Antichrist is coming. Maybe it's already here. Would explain Miley Cyrus.
J.R. Ward (Lover at Last (Black Dagger Brotherhood, #11))
I came back knowing this was what I signed up for. To see you every day and not be able to touch you. Kiss you. Claim you.” … “I came back despite knowing the torture I’d have to go through because I can’t stay away from you. Even when you’re not there, you’re everywhere. In my head, in my lungs, in my fucking soul.
Ana Huang (Twisted Games (Twisted, #2))
People were standing up everywhere shouting, "This is me! This is me!" Every time you looked at them they stood up and told you who they were, and the truth of it was that they had no more idea who or what they were than he had. They believed their flashing signs, too. They ought to be standing up and shouting, "This isn't me! This isn't me!" They would if they had any decency. "This isn't me!" Then you might know how to proceed through the flashing bullshit of this world.
Philip Roth (American Pastoral)
American humorist Kin Hubbard said , "It ain't no disgrace to be poor, but it might as well be". The meanest eating or drinking establishment, owned by a man who is himself poor, is very likely to have a sign on its wall asking this cruel question: "If you're so smart, why ain't you rich?" Americans, like human beings everywhere, believe many things that are obviously untrue... Their most destructive untruth is that it is very easy for any American to make money. They will not acknowledge how in fact hard money is to come by, and, therefore, those who have no money blame and blame and blame themselves. This inward blame has been a treasure for the rich and powerful, who have had to do less for their poor, publicly and privately, than any other ruling class since, say, Napoleonic times. Many novelties have come from America. The most startling of these, a thing without precedent is a mass of undignified poor. They do not love one another because they do not love themselves.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
The more the media peddled fear, the more the people lost the ability to believe in one another. For every new ill that befell them, the media created an explanation, and the explanation always had a face and a name. The people came to fear even their closest neighbors. At the level of the individual, the community, and the nation, people sought signs of others’ ill intentions; and everywhere they looked, they found them, for this is what looking does.
Bernard Beckett (Genesis)
There's this feeling August has had everywhere she's ever lived, like she's not really there. Like it's all happening in a dream. She walks down the street, and it's like she's floating a few inches off the pavement, never rooted down. She touches things, a canister of sugar at a coffee shop, or the post of a street sign warm from the afternoon sun, and it feels like she hasn't touched anything at all, like it's all a place she lives in concept. She's just out here, shoes untied, hair a mess, no idea where she's going, scraping her knees and not bleeding.
Casey McQuiston (One Last Stop)
At that moment, when I had the TV sound off, I was in a 382 mood; I had just dialed it. So although I heard the emptiness intellectually, I didn't feel it. My first reaction consisted of being grateful that we could afford a Penfield mood organ. But then I realized how unhealthy it was, sensing the absence of life, not just in this building but everywhere, and not reacting—do you see? I guess you don't. But that used to be considered a sign of mental illness; they called it 'absence of appropriate affect.' So I left the TV sound off and I sat down at my mood organ and I experimented. And I finally found a setting for despair. So I put it on my schedule for twice a month; I think that's a reasonable amount of time to feel hopeless about everything, about staying here on Earth after everybody who's smart has emigrated, don't you think?
Philip K. Dick (Do Androids Dream of Electric Sheep?)
But then I realized how unhealthy it was, sensing the absence of life, not just in this building but everywhere, and not reacting—do you see? I guess you don’t. But that used to be considered a sign of mental illness; they called it ‘absence of appropriate affect.
Philip K. Dick (Do Androids Dream of Electric Sheep?)
Some molecules - ammonia, carbon dioxide, water - show up everywhere in the universe, whether life is present or not. But others pop up especially in the presence of life itself. Among the biomarkers in Earth's atmosphere are ozone-destroying chlorofluorocarbons from aerosol sprays, vapor from mineral solvents, escaped coolants from refrigerators and air conditioners, and smog from the burning of fossil fuels. No other way to read that list: sure signs of the absence of intelligence.
Neil deGrasse Tyson (Space Chronicles: Facing the Ultimate Frontier)
When everything hurries everywhere, nothing goes anywhere.
Dejan Stojanovic (The Sign and Its Children)
She's missing," he said, in that same worried tone. He cast his hands out and looked around the empty practice field, as if he somehow expected to see her appear there. "Nobody's seen her since midmorning yesterday. I've looked everywhere for her, but there's no sign." Missing?" Will repeated, not quite understanding. "Missing where?" Horace looked up at him with a sudden flare of asperity. "If we knew that, she wouldn't be missing would she?" Will put up his hands in a peacmaking gesture. You're right!" he said. "I didn't realize. I've been a little tied up trying to get these archers organized. Surley somebody must seen her last night. Her room servants for example?
John Flanagan (The Battle for Skandia (Ranger's Apprentice, #4))
She wasn't the kind who cared about signs, she moved through the world as if she had a right to be there - anywhere, everywhere. Like a woman in a book, like a girl in a song.
Tony Parsons (Stories We Could Tell)
All these years I thought a piece of my life was missing. But it was there all along. It was there when I sat beside you in your car and you began to drive. It was there when I sang backwards and you laughed or I made a picnic and you ate every crumb. It was there when you told me you liked my brown suit, when you opened the door for me, when you asked once if I would like to take the long road home. It came later in my garden. When I looked at the sun and saw it glow on my hands. When a rosebud appeared where there had not been one before. It was in the people who stopped and talked of this and that over the garden wall. And just when I thought my life was done, it came time and time again at the hospice. It has been everywhere, my happiness – when my mother sang for me to dance, when my father took my hand to keep me safe – but it was such a small, plain thing that I mistook it for something ordinary and failed to see. We expect our happiness to come with a sign and bells, but it doesn’t.
Rachel Joyce (The Love Song of Miss Queenie Hennessy (Harold Fry, #2))
The Jesus freaks were the worst. While the ‘Suicide Solution’ case was going through the courts they followed me around everywhere. They would picket my shows with signs that read, ‘The Anti-Christ Is Here’. And they’d always be chanting: ‘Put Satan behind you! Put Jesus in front of you!’ One time, I made my own sign – a smiley face with the words ‘Have a Nice Day’ – and went out and joined them. They didn’t even notice. Then, just as the gig was about to start, I put down the sign, said, ‘See ya, guys,’ and went back to my dressing room.
Ozzy Osbourne (I Am Ozzy)
You can get lost in you own mind, like you gone to another country. All you thoughts in another language and you can't read the signs even though they everywhere all around you.
Nicola Yoon (The Sun Is Also a Star)
You create silent enemies by revealing how much God had blessed you. There are people who are unhappy about your success and your big dreams are just too heavy for them to bear, so they will try to break you into pieces. Extinguishers of dreams are everywhere, and you can decode them by their nosy attitude towards your affairs. That is why its pertinent to keep few friends, talk less about yourself, and focus on other things pretending as if you don't exist. It doesn't make you faded or out of life, but the chances of getting your prospects destroyed will be very slim.
Michael Bassey Johnson (The Infinity Sign)
After that hard winter, one could not get enough of the nimble air. Every morning I wakened with a fresh consciousness that winter was over. There were none of the signs of spring for which I used to watch in Virginia, no budding woods or blooming gardens. There was only—spring itself; the throb of it, the light restlessness, the vital essence of it everywhere: in the sky, in the swift clouds, in the pale sunshine, and in the warm, high wind—rising suddenly, sinking suddenly, impulsive and playful like a big puppy that pawed you and then lay down to be petted. If I had been tossed down blindfold on that red prairie, I should have known that it was spring.
Willa Cather (My Ántonia (Great Plains Trilogy, #3))
No sign of her anywhere here. Signs of her everywhere here.
Celeste Ng (Our Missing Hearts)
I tramp the perpetual journey My signs are a rain-proof coat, good shoes, and a staff cut from the woods, No friend of mine takes his ease in my chair, I have no chair, no philosophy, I lead no man to a dinner-table, library, exchange, But each man and each woman of you I lead upon a knoll, My left hand hooking you round the waist, My right hand pointing to landscapes of continents and the public road. Not I, not any one else can travel that road for you, You must travel it for yourself. It is not far, it is within reach, Perhaps you have been on it since you were born and did not know, Perhaps it is everywhere on water and on land. Shoulder your duds dear son, and I will mine, and let us hasten forth, Wonderful cities and free nations we shall fetch as we go. If you tire, give me both burdens, and rest the chuff of your hand on my hip, And in due time you shall repay the same service to me, For after we start we never lie by again. This day before dawn I ascended a hill and look'd at the crowded heaven, And I said to my spirit When we become the enfolders of those orbs, and the pleasure and knowledge of every thing in them, shall we be fill'd and satisfied then? And my spirit said No, we but level that lift to pass and continue beyond. You are also asking me questions and I hear you, I answer that I cannot answer, you must find out for yourself. Sit a while dear son, Here are biscuits to eat and here is milk to drink, But as soon as you sleep and renew yourself in sweet clothes, I kiss you with a good-by kiss and open the gate for your egress hence. Long enough have you dream'd contemptible dreams, Now I wash the gum from your eyes, You must habit yourself to the dazzle of the light and of every moment of your life. Long have you timidly waded holding a plank by the shore, Now I will you to be a bold swimmer, To jump off in the midst of the sea, rise again, nod to me, shout, and laughingly dash with your hair.
Walt Whitman (Song of Myself)
The little that he had said, thus far, had been sufficient to convince me that I was speaking to a gentleman. He had what I may venture to describe as the unsought self-possession, which is a sure sign of good breeding, not in England only, but everywhere else in the civilized world.
Wilkie Collins (The Moonstone)
What if this was a sign? Maybe I’m not supposed to be an Outsider. He surprised her by taking her hand and threading his fingers through hers. “You already are an Outsider. You fit everywhere. You just don’t see it yet.” She stared at their hands. He’d never done that before. Roar gave her a droll look. “It’s just odd having you lay your hand on my arm all the time,” he said, responding to her thoughts. Yes, but this feels intimate. Don’t you think it does? I don’t mean that I think we’re being too intimate. I guess I do. Roar, sometimes it’s really hard to get used to this. Roar flashed a grin. “Aria, this isn’t intimate. If I were being intimate with you, trust me, you’d know.” She rolled her eyes. Next time you say something like that, you should toss a red rose and then leave with a swish of your cape.
Veronica Rossi (Through the Ever Night (Under the Never Sky, #2))
You do me proud, Captain. But, dear, I want to say one thing and then I'm done; for you don't need much advice of mine after my good man has spoken. I read somewhere that every inch of rope in the British Navy has a strand of red in it, so wherever a bit of it is found it is known. That is the text of my little sermon to you. Virtue, which means honour, honesty, courage, and all that makes character, is the red thread that marks a good man wherever he is. Keep that always and everywhere, so that even if wrecked by misfortune, that sign shall still be found and recognized. Yours is a rough life, and your mates not all we could wish, but you can be a gentleman in the true sense of the word; and no matter what happens to your body, keep your soul clean, your heart true to those who love you, and do your duty to the end.
Louisa May Alcott (Jo's Boys)
Traveling across the United States, it's easy to see why Americans are often thought of as stupid. At the San Diego Zoo, right near the primate habitats, there's a display featuring half a dozen life-size gorillas made out of bronze. Posted nearby is a sign reading CAUTION: GORILLA STATUES MAY BE HOT. Everywhere you turn, the obvious is being stated. CANNON MAY BE LOUD. MOVING SIDEWALK ABOUT TO END. To people who don't run around suing one another, such signs suggest a crippling lack of intelligence. Place bronze statues beneath the southern California sun, and of course they're going to get hot. Cannons are supposed to be loud, that's their claim to fame, and - like it or not - the moving sidewalk is bound to end sooner or later. It's hard trying to explain a country whose motto has become You can't claim I didn't warn you. What can you say about the family who is suing the railroad after their drunk son was killed walking on the tracks? This pretty much sums up my trip to Texas.
David Sedaris
People say to me so often, 'Jane how can you be so peaceful when everywhere around you people want books signed, people are asking these questions and yet you seem peaceful,' and I always answer that it is the peace of the forest that I carry inside.
Jane Goodall
The newspapers kept stroking my fear. New surveys provided awful statistics on just about everything. Evidence suggested that we were not doing well. Researchers gloomily agreed. Environment psychologists were interviewed. Damage had ‘unwittingly’ been done. There were ‘feared lapses’. There were ‘misconceptions’ about potential. Situations had ‘deteriorated’. Cruelty was on the rise and there was nothing anyone could do about it. The populace was confounded, yet didn’t care. Unpublished studies hinted that we were all paying a price. Scientists peered into data and concluded that we should all be very worried. No one knew what normal behavior was anymore, and some argued that this was a form of virtue. And no one argued back. No one challenged anything. Anxiety was soaking up most people’s days. Everyone had become preoccupied with horror. Madness was fluttering everywhere. There was fifty years of research supporting this data. There were diagrams illustrating all of these problems – circles and hexagons and squares, different sections colored in lime or lilac or gray. Most troubling were the fleeting signs that nothing could transform any of this into something positive. You couldn’t help being both afraid and fascinated. Reading these articles made you feel that the survival of mankind didn’t seem very important in the long run. We were doomed. We deserved it. I was so tired.
Bret Easton Ellis
Every given commodity fights for itself, cannot acknowledge the others, and attempts to impose itself everywhere as if it were the only one. The spectacle, then is the epic poem of this struggle, an epic which cannot be concluded by the fall of any Troy. The spectacle does not sign the praises of men and their weapons, but of commodities and their passions. In this blind struggle every commodity, pursuing its passion, unconsciously realizes something higher: the becoming-world of the commodity, which is also the becoming-commodity of the world. Thus, by means of a ruse of commodity logic, what's specific in the commodity wears itself out in the fight while the commodity-form moves toward its absolute realization.
Guy Debord (The Society of the Spectacle)
Sometimes the books were arranged under signs, but sometimes they were just anywhere and everywhere. After I understood people better, I realized that this incredible disorder was one of the things that they loved about Pembroke Books. They did not come there just to buy a book, plunk down some cash and scram. They hung around. They called it browsing, but it was more like excavation or mining. I was surprised they didn't come in with shovels. They dug for treasures with bare hands, up to their armpits sometimes, and when they hauled some literary nugget from a mound of dross, they were much happier than if they had just walked in and bought it. In that way, shopping at Pembroke was like reading: you never knew what you might encounter on the next page -- the next shelf, stack, or box --and that was part of the pleasure of it.
Sam Savage (Firmin)
Tamagotchis, the digital pet keychains, were everywhere that year. Marx had recently killed one that he had received as a holiday gift from a girlfriend. The girlfriend had taken it to be a sign of deeper flaws in Marx's character.
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
So although I heard the emptiness intellectually, I didn’t feel it. My first reaction consisted of being grateful that we could afford a Penfield mood organ. But then I realized how unhealthy it was, sensing the absence of life, not just in this building but everywhere, and not reacting—do you see? I guess you don’t. But that used to be considered a sign of mental illness; they called it ‘absence of appropriate affect.
Philip K. Dick (Do Androids Dream of Electric Sheep?)
Dangerous and indifferent ground: against its fixed mass the tragedies of people count for nothing although the signs of misadventure are everywhere. No past slaughter nor cruelty, no accident nor murder that occurs on the little ranches or at the isolate crossroads with their bare populations of three or seventeen, or in the reckless trailer courts of mining towns delays the flood of morning light. Fences, cattle, roads, refineries, mines, gravel pits, traffic lights, graffiti'd celebration of athletic victory on bridge overpass, crust of blood on the Wal-Mart loading dock, the sun-faded wreaths of plastic flowers marking death on the highway are ephemeral. Other cultures have camped here a while and disappeared. Only earth and sky matter. Only the endlessly repeated flood of morning light. You begin to see that God does not owe us much beyond that.
Annie Proulx
Signs, after all, were everywhere; it was just a question of knowing how to read them.
Chris Bohjalian (Hour of the Witch)
We’re going over my contract. I don’t have to sign the $50 million NDA like every single other person who’s even remotely involved, but I do have rules. Sodding rules. Everywhere I look, there are do’s, don’ts, musts, and for fuck’s sake nevers. Doesn’t anyone know how to have fun anymore?
Emma Chase (Royally Matched (Royally, #2))
Superstition is the need to view the world in terms of simple cause and effect. As I have already said, religious fundamentalism was on the rise, but that is not the type of superstition I am referring to. The superstition that held sway at the time was a belief in simple causes. Even the plainest of events is tied down by a thick tangle of permutation and possibility, but the human mind struggles with such complexity. In times of trouble, when the belief in simple gods breaks down, a cult of conspiracy arises. So it was back then. Unable to attribute misfortune to chance, unable to accept their ultimate insignificance within the greater scheme, the people looked for monsters in their midst. The more the media peddled fear, the more the people lost the ability to believe in one another. For every new ill that befell them, the media created an explanation, and the explanation always had a face and a name. The people came to fear even their closest neighbors. At the level of the individual, the community, and the nation, people sought signs of others’ ill intentions; and everywhere they looked, they found them, for this is what looking does. This was the true challenge the people of this time faced. The challenge of trusting one another. And they fell short
Bernard Beckett
Because I questioned myself and my sanity and what I was doing wrong in this situation. Because of course I feared that I might be overreacting, overemotional, oversensitive, weak, playing victim, crying wolf, blowing things out of proportion, making things up. Because generations of women have heard that they’re irrational, melodramatic, neurotic, hysterical, hormonal, psycho, fragile, and bossy. Because girls are coached out of the womb to be nonconfrontational, solicitous, deferential, demure, nurturing, to be tuned in to others, and to shrink and shut up. Because speaking up for myself was not how I learned English. Because I’m fluent in Apology, in Question Mark, in Giggle, in Bowing Down, in Self-Sacrifice. Because slightly more than half of the population is regularly told that what happens doesn’t or that it isn’t the big deal we’re making it into. Because your mothers, sisters, and daughters are routinely second-guessed, blown off, discredited, denigrated, besmirched, belittled, patronized, mocked, shamed, gaslit, insulted, bullied, harassed, threatened, punished, propositioned, and groped, and challenged on what they say. Because when a woman challenges a man, then the facts are automatically in dispute, as is the speaker, and the speaker’s license to speak. Because as women we are told to view and value ourselves in terms of how men view and value us, which is to say, for our sexuality and agreeability. Because it was drilled in until it turned subconscious and became unbearable need: don’t make it about you; put yourself second or last; disregard your feelings but not another’s; disbelieve your perceptions whenever the opportunity presents itself; run and rerun everything by yourself before verbalizing it—put it in perspective, interrogate it: Do you sound nuts? Does this make you look bad? Are you holding his interest? Are you being considerate? Fair? Sweet? Because stifling trauma is just good manners. Because when others serially talk down to you, assume authority over you, try to talk you out of your own feelings and tell you who you are; when you’re not taken seriously or listened to in countless daily interactions—then you may learn to accept it, to expect it, to agree with the critics and the haters and the beloveds, and to sign off on it with total silence. Because they’re coming from a good place. Because everywhere from late-night TV talk shows to thought-leading periodicals to Hollywood to Silicon Valley to Wall Street to Congress and the current administration, women are drastically underrepresented or absent, missing from the popular imagination and public heart. Because although I questioned myself, I didn’t question who controls the narrative, the show, the engineering, or the fantasy, nor to whom it’s catered. Because to mention certain things, like “patriarchy,” is to be dubbed a “feminazi,” which discourages its mention, and whatever goes unmentioned gets a pass, a pass that condones what it isn’t nice to mention, lest we come off as reactionary or shrill.
Roxane Gay (Not That Bad: Dispatches from Rape Culture)
Water everywhere, falling in thundering cataracts, singular drops, and draping sheets. Kellhus paused next to one of the shining braziers, peered beneath the bronze visage that loomed orange and scowling over his father, watched him lean back into absolute shadow. “You came to the world,” unseen lips said, “and you saw that Men were like children.” Lines of radiance danced across the intervening waters. “It is their nature to believe as their fathers believed,” the darkness continued. “To desire as they desired … Men are like wax poured into moulds: their souls are cast by their circumstances. Why are no Fanim children born to Inrithi parents? Why are no Inrithi children born to Fanim parents? Because these truths are made, cast by the particularities of circumstance. Rear an infant among Fanim and he will become Fanim. Rear him among Inrithi and he will become Inrithi … “Split him in two, and he would murder himself.” Without warning, the face re-emerged, water-garbled, white save the black sockets beneath his brow. The action seemed random, as though his father merely changed posture to relieve some vagrant ache, but it was not. Everything, Kellhus knew, had been premeditated. For all the changes wrought by thirty years in the Wilderness, his father remained Dûnyain … Which meant that Kellhus stood on conditioned ground. “But as obvious as this is,” the blurred face continued, “it escapes them. Because they cannot see what comes before them, they assume nothing comes before them. Nothing. They are numb to the hammers of circumstance, blind to their conditioning. What is branded into them, they think freely chosen. So they thoughtlessly cleave to their intuitions, and curse those who dare question. They make ignorance their foundation. They confuse their narrow conditioning for absolute truth.” He raised a cloth, pressed it into the pits of his eyes. When he withdrew it, two rose-coloured stains marked the pale fabric. The face slipped back into the impenetrable black. “And yet part of them fears. For even unbelievers share the depth of their conviction. Everywhere, all about them, they see examples of their own self-deception … ‘Me!’ everyone cries. ‘I am chosen!’ How could they not fear when they so resemble children stamping their feet in the dust? So they encircle themselves with yea-sayers, and look to the horizon for confirmation, for some higher sign that they are as central to the world as they are to themselves.” He waved his hand out, brought his palm to his bare breast. “And they pay with the coin of their devotion.
R. Scott Bakker (The Thousandfold Thought (The Prince of Nothing, #3))
One of the biggest things I miss is the internet used to be an escape from meatspace. Now "internet" is so ingrained everywhere there is no longer that sense of escape. People don't say "g2g" or "ttyl" anymore because they never sign off.
stained hanes (94,000 Wasps in a Trench Coat)
Toby is a musician, and the signs of his art are everywhere. In the instruments that lean against the walls. In the scribbled lines and notes scattered on tables- bars of half-remembered melodies mixed in with grocery lists and weekly to do's.
V.E. Schwab (The Invisible Life of Addie LaRue)
All these things - Factories, asylums, prisons, schools still exist and will no doubt continue to exist for an indefinite period as warning signs, to divert the reality of the domination of capital into an imaginary materiality. There have always been churches to hide the death of God, or to hide the fact that the God is everywhere, which amounts to the same thing.
Jean Baudrillard (Symbolic Exchange and Death)
History, lie of our lives, mire of our loins. Our sins, our souls. Hiss-tih-ree: the tip of the pen taking a trip of three steps (with one glide) down the chronicle to trap a slick, sibilant character. Hiss. (Ss.) Tih. Ree. He was a pig, a plain pig, in the morning, standing five feet ten on one hoof. He was a pig in slacks. He was a pig in school. He was a pig on the dotted line. But in my eyes it’s always the ones signing dotted lines that become pigs. Did this pig have a precursor? He did, indeed he did. In point of fact, dating all the way back to the Biblical Age. Oh where? About everywhere you look there's pigs giving that fancy ol’ snake a chase. Yeah, yeah, yeah, you can always count on a fuckin’ pretentious sarcastican for a fancy prose style.
Brian Celio (Catapult Soul)
As Umberto Eco might say: for communicating, language is perfect; there could be nothing better. And yet, language doesn’t say everything. The body speaks, objects speak, history speaks, individual or collective destinies speak, life and death speak to us constantly in a thousand different ways. Man is an interpreting machine and, with a little imagination, he sees signs everywhere
Laurent Binet (The Seventh Function of Language)
It has been everywhere, my happiness – when my mother sang for me to dance, when my father took my hand to keep me safe – but it was such a small, plain thing that I mistook it for something ordinary and failed to see. We expect our happiness to come with a sign and bells, but it
Anonymous
It has been everywhere, my happiness – when my mother sang for me to dance, when my father took my hand to keep me safe – but it was such a small, plain thing that I mistook it for something ordinary and failed to see. We expect our happiness to come with a sign and bells, but it doesn’t.
Rachel Joyce (The Love Song of Miss Queenie Hennessy (Harold Fry, #2))
We are constantly immersed in a network of signs and symbols whose meaning eludes us, but which, if only we could read them, would reveal every detail of our past and even predict our future. Like anticipatory echoes, they tingle in our consciousness, building in crescendo until the event they herald becomes fully manifest. Afterwards, they linger for a time before being drowned out by a new tide of signs rushing in upon us. Such signatures are everywhere...
Linda Lappin (Signatures in Stone)
Ruins and basilicas, palaces and colossi, set in the midst of a sordid present, where all that was living and warm-blooded seemed sunk in the deep degeneracy of a superstition divorced from reverence; the dimmer but yet eager titanic life gazing and struggling on walls and ceilings; the long vistas of white forms whose marble eyes seemed to hold the monotonous light of an alien world—all this vast wreck of ambitious ideals, sensuous and spiritual, mixed confusedly with the signs of breathing forgetfulness and degradation…the vastness of St. Peter’s the huge bronze canopy, the excited intention in the attitudes and garments of the prophets and evangelists in the mosaics above, and the red drapery which was being hung for Christmas spreading itself everywhere like a disease of the retina.
George Eliot (Middlemarch)
Everyone is searching for something. Some people pursue security, others pleasure or power. Yet others look for dreams, or they know not what. There are, however, those who know what they seek but cannot find it in the natural world. For these searchers many clues have been laid out by those who have gone before. The traces are everywhere, although only those with eyes to see or ears to hear perceive them. When the significance of these signs is seriously acted upon, Providence opens a door out of the natural into the supernatural to reveal a ladder from the transient to the Eternal. He who dares the ascent enters the Way of Kabbalah.
Z'ev Ben Shimon Halevi (Way of the Kabbalah)
He had not stopped looking into her eyes, and she showed no signs of faltering. He gave a deep sigh and recited: "O sweet treasures, discovered to my sorrow." She did not understand. "It is a verse by the grandfather of my great-great-grandmother," he explained. "He wrote three eclogues, two elegies, five songs, and forty sonnets. Most of them for a Portuguese lady of very ordinary charms who was never his, first because he was married, and then because she married another man and died before he did." "Was he a priest too?" "A soldier," he said. Something stirred in the heart of Sierva María, for she wanted to hear the verse again. He repeated it, and this time he continued, in an intense, well-articulated voice, until he had recited the last of the forty sonnets by the cavalier of amours and arms Don Garcilaso de la Vega, killed in his prime by a stone hurled in battle.When he had finished, Cayetano took Sierva María's hand and placed it over his heart. She felt the internal clamor of his suffering. "I am always in this state," he said. And without giving his panic an opportunity, he unburdened himself of the dark truth that did not permit him to live. He confessed that every moment was filled with thoughts of her, that everything he ate and drank tasted of her, that she was his life, always and everywhere, as only God had the right and power to be, and that the supreme joy of his heart would be to die with her. He continued to speak without looking at her, with the same fluidity and passion as when he recited poetry, until it seemed to him that Sierva María was sleeping. But she was awake, her eyes, like those of a startled deer, fixed on him. She almost did not dare to ask: "And now?" "And now nothing," he said. "It is enough for me that you know." He could not go on. Weeping in silence, he slipped his arm beneath her head to serve as a pillow, and she curled up at his side. And so they remained, not sleeping, not talking, until the roosters began to crow and he had to hurry to arrive in time for five-o'clock Mass. Before he left, Sierva María gave him the beautiful necklace of Oddúa: eighteen inches of mother-of-pearl and coral beads. Panic had been replaced by the yearning in his heart. Delaura knew no peace, he carried out his tasks in a haphazard way, he floated until the joyous hour when he escaped the hospital to see Sierva María. He would reach the cell gasping for breath, soaked by the perpetual rains, and she would wait for him with so much longing that only his smile allowed her to breathe again. One night she took the initiative with the verses she had learned after hearing them so often. 'When I stand and contemplate my fate and see the path along which you have led me," she recited. And asked with a certain slyness: "What's the rest of it?" "I reach my end, for artless I surrendered to one who is my undoing and my end," he said. She repeated the lines with the same tenderness, and so they continued until the end of the book, omitting verses, corrupting and twisting the sonnets to suit themselves, toying with them with the skill of masters. They fell asleep exhausted. At five the warder brought in breakfast, to the uproarious crowing of the roosters, and they awoke in alarm. Life stopped for them.
Gabriel García Márquez (Of Love and Other Demons)
I believe this movement will prevail. I don’t mean it will defeat, conquer, or create harm to someone else. Quite the opposite. I don’t tender the claim in an oracular sense. I mean that the thinking that informs the movement’s goals will reign. It will soon suffuse most institutions, but before then, it will change a sufficient number of people so as to begin the reversal of centuries of frenzied self-destructive behavior. Some say it is too late, but people never change when they are comfortable. Helen Keller threw aside the gnawing fears of chronic bad news when she declared, “I rejoice to live in such a splendidly disturbing time!” In such a time, history is suspended and thus unfinished. It will be the stroke of midnight for the rest of our lives. My hopefulness about the resilience of human nature is matched by the gravity of our environmental and social condition. If we squander all our attention on what is wrong, we will miss the prize: In the chaos engulfing the world, a hopeful future resides because the past is disintegrating before us. If that is difficult to believe, take a winter off and calculate what it requires to create a single springtime. It’s not too late for the world’s largest institutions and corporations to join in saving the planet, but cooperation must be on the planet’s terms. The “Help Wanted” signs are everywhere. All people and institutions including commerce, governments, schools, churches and cities, need to learn from life and reimagine the world from the bottom up, based on the first principles if justice and ecology. Ecological restoration is extraordinarily simple: You remove whatever prevents the system from healing itself. Social restoration is no different. We have the heart, knowledge, money and sense to optimize out social and ecological fabric. It is time for all that is harmful to leave. One million escorts are here to transform the nightmares of empire and the disgrace of war on people and place. We are the transgressors and we are the forgivers. “We” means all of us, everyone. There can be no green movement unless there is also a black, brown and copper movement. What is more harmful resides within is, the accumulated wounds of the past, the sorrow, shame, deceit, and ignominy shared by every culture, passed down to every person, as surely as DNA, as history of violence and greed. There is not question that the environmental movement is most critical to our survival. Our house is literally burning, and it is only logical that environmentalists expect the social justice movement to get on the environmental bus. But is actually the other way around; the only way we are going to put out this fire is to get on the social justice bus and heal our wounds, because in the end, there is only one bus. Armed with that growing realization, we can address all that is harmful externally. What will guide us is a living intelligence that creates miracles every second, carried forth by a movement with no name.
Paul Hawken
… signs of a life that we cannot explain are everywhere, vibrating by the side of the life of every day.
Maurice Maeterlinck (The Treasure of the Humble)
It was the stuff of fairy tales and escape literature everywhere.
Vivian Arend (Wolf Signs (Granite Lake Wolves, #1))
We are come not only past the century’s closing, he thought, the millennium’s turning, but to the end of something else. Era? Paradigm? Everywhere, the signs of closure.
William Gibson (Virtual Light (Bridge, #1))
There were traces of history everywhere—in street names, on inn signs, in old tracks and ancient hedgerows, buried walls and tumbled gravestones. Scratch the surface and it was there.
Nicola Cornick (House of Shadows)
You can get lost in your own mind like you’ve gone to another country. All your thoughts in another language and you can’t read the signs. Even though they’re everywhere. All around you.
Nicola Yoon (The Sun Is Also a Star)
If there's anything romcoms have taught us about spontaneous gifting, it's that the big expensive presents are often a sign of guilt. But not the small, sort of rubbish presents. It seems to me that a cheap bag of crisps says a whole lot more than a gold necklace. It says 'You occupy such a vast space in my mind, I think of you so constantly, that my day-to-day life throws up constant reminders of you.' That person is, subconsciously or not, considered in everything you do and everywhere you go. Even in somewhere as mundane as the supermarket snack aisle.
Ali Pantony (Almost Adults)
This is what I see and what troubles me. I look on all sides, and I see only darkness everywhere. Nature presents to me nothing which is not matter of doubt and concern. If I saw nothing there which revealed a Divinity, I would come to a negative conclusion; if I saw everywhere the signs of a Creator, I would remain peacefully in faith. But, seeing too much to deny and too little to be sure, I am in a state to be pitied; wherefore I have a hundred time wished that if a God maintains nature, she should testify to Him unequivocally, and that, if the signs she gives are deceptive, she should suppress them altogether; that she should say everything or nothing, that I might see which cause I ought to follow. Whereas in my present state, ignorant of what I am or of what I ought to do, I know neither my condition nor my duty. My heart inclines wholly to know where is the true good, in order to follow it; nothing would be too dear to me for eternity.
Blaise Pascal (Pensées)
NOTHING MAKES SENSE. Do not look for any sense in things. It is not there. It is you who ascribe it to what you live or get to know. A defeat or a victory is neither a message from the gods nor a trick of fate. Neither means anything — and, if they seem to, it is but an interpretation you yourself make of them —, inasmuch as things in themselves are only indifference and silence. So, do not waste your precious time in looking for signs everywhere around you. Try and interpret happenings, those which bleed and those which make you smile, as maturing experiences. Oh, yes, what is most important: live!
Camilo Gomes Jr.
One sets off to investigate you see, to develop the facility to really notice things so that, over time, and with enough practice, one becomes attuned to the earth’s embedded logos and can experience the enriching joy of moving about in deep and direct accordance with things. Yet invariably this vital process is abruptly thwarted by an idiotic overlay of literal designations and inane alerts so that the whole terrain is obscured and inaccessible until eventually it is all quite formidable. As if the earth were a colossal and elaborate deathtrap. How will I ever make myself at home here if there are always these meddlesome scaremongering signs everywhere I go.
Claire-Louise Bennett (Pond)
Standing in the courtyard with a glass eye; only half the world is intelligible. The stones are wet and mossy and in the crevices are black toads. A big door bars the entrance to the cellar; the steps are slippery and soiled with bat dung. The door bulges and sags, the hinges are falling off, but there is an enameled sign on it, in perfect condition, which says: “Be sure to close the door.” Why close the door? I can’t make it out. I look again at the sign but it is removed; in it’s place there is a pane of colored glass. I take out my artificial eye, spit on it and polish it with my handkerchief. A woman is sitting on a dais above an immense carven desk; she has a snake around her neck. The entire room is lined with books and strange fish swimming in colored globes; there are maps and charts on the wall, maps of Paris before the plague, maps of the antique world, of Knossos and Carthage, of Carthage before and after the salting. In the corner of the room I see an iron bedstead and on it a corpse is lying; the woman gets up wearily, removes the corpse from the bed and absent mindedly throws it out the window. She returns to the huge carven desk, takes a goldfish from the bowl and swallows it. Slowly the room begins to revolve and one by one the continents slide into the sea; only the woman is left, but her body is a mass of geography. I lean out the window and the Eiffle Tower is fizzing champagne; it is built entirely of numbers and shrouded in black lace. The sewers are gurgling furiously. There are nothing but roofs everywhere, laid out with execrable geometric cunning.
Henry Miller (Tropic of Cancer (Tropic, #1))
If we are cultivating fruit in an orchard, we wish that particular fruit to grow in its own way; we give it the soil it needs, the amount of moisture, the amount of care, but we do not treat the apple tree as we would the pear tree or the peach tree as we would the vineyard on the hillside. Each is allowed the freedom of its own kind and the result is the perfection of growth which can be accomplished in no other way. The time must come when the same freedom is allowed the individual; each in his own way must develop according to nature's purpose, the body must be but the channel for the expression of purpose, interest, emotion, labor. Everywhere freedom must be the sign of reason.
Robert Henri (The Art Spirit)
Malaise invades me as the crowd around me grows. The compromises I have made with stupidity under the pressure of circumstances rush to meet me, swimming towards me in hallucinating waves of faceless heads. Edvard Munch's famous painting, The Cry, evokes for me something I feel ten times a day. A man carried along by a crowd, which only he can see, suddenly screams out in an attempt to break the spell, to call himself back to himself, to get back inside his own skin. The tacit acknowledgments, fixed smiles, lifeless words, listlessness and humiliation sprinkled in his path suddenly surge into him, driving him out of his desires and his dreams and exploding the illusion of 'being together'. People touch without meeting; isolation accumulates but is never realized; emptiness overcomes us as the density of the crowd grows. The crowd drags me out of myself and installs thousands of little sacrifices in my empty presence. Everywhere neon signs are flashing out the dictum of Plotinus: All beings are together though each remains separate. But we only need to hold out our hands and touch one another, to raise our eyes and meet one another, and everything comes into focus, as if by magic.
Raoul Vaneigem
As if to proclaim his home a British Isle unto itself, Teabing had not only posted his signs in English, but he had installed his gate’s intercom entry system on the right-hand side of the truck—the passenger’s side everywhere in Europe except England.
Dan Brown (The Da Vinci Code (Robert Langdon, #2))
Around them the stubbled land was marked off by plaques and signs that explained to visitors what had happened here on a long-ago July day not unlike this one. But Peter already knew all they said and more. He looked around at the people with their noses tucked in brochures and guidebooks, and those trailing, sheeplike, after tour guides and park employees. He was used to feeling somewhat out of place most everywhere he went--at school or the barbershop, even at home, but here, where he knew everything, all the names and dates and facts, he somehow seemed to fit, and the knowledge of this welled up inside him. It was like he'd been born a blue flower in a field full of red ones and had only now been plunked down in a meadow so blue it might as well have been the ocean.
Jennifer E. Smith (You Are Here)
I emphasise it now; I had little-to-nothing in common with other people. Their values I did not comprehend, their ideals were to me a living horror. Call it ostentatious but I even sought to provide tangible proof of my withdrawal from the world. I posted a sign in the entrance to the building wherein I dwelt; a sign that indicated I had no wish to be disturbed by anyone, for any purpose whatsoever. As these convictions took hold of me and, as I denied, nay even repudiated, the hold that the current society of men possesses over its ranks, as I retreated into a hermitage of the imagination, disentangling my own concerns from those paramount to the age in which I happened to be born, an age with no claim to be more enlightened, significant or progressive than any other, I tried to make a stand for the spirit. Tyranny, in this land, I was told, was dead. But I contend that the replacement of one form of tyranny with another is still tyranny. The secret police now operate not via the use of brute force in dark underground cells; they operate instead by a process of open brainwashing that is impossible to avoid altogether. The torture cells are not secret; they are everywhere, and so ubiquitous that they are no longer seen for what they are. One may abandon television; one may abandon all forms of broadcast media, even the Internet, but the advertising hoardings in every street, on vehicles, inside transport centres, are still there. And they contain the same messages. Only the very rich can avoid their clutches utterly. Those who have obtained sufficient wealth may choose their own surroundings, free from the propaganda of a decayed futurity. And yet, and yet, in order to obtain such a position of freedom it is first necessary to have served the ideals of the tyranny slavishly, thereby validating it. ("The Tower")
Mark Samuels (Best New Horror 23 (The Mammoth Book of Best New Horror, #23))
On September 16, in defiance of the cease-fire, Ariel Sharon’s army circled the refugee camps of Sabra and Shatila, where Fatima and Falasteen slept defenselessly without Yousef. Israeli soldiers set up checkpoints, barring the exit of refugees, and allowed their Lebanese Phalange allies into the camp. Israeli soldiers, perched on rooftops, watched through their binoculars during the day and at night lit the sky with flares to guide the path of the Phalange, who went from shelter to shelter in the refugee camps. Two days later, the first western journalists entered the camp and bore witness. Robert Fisk wrote of it in Pity the Nation: They were everywhere, in the road, the laneways, in the back yards and broken rooms, beneath crumpled masonry and across the top of garbage tips. When we had seen a hundred bodies, we stopped counting. Down every alleyway, there were corpses—women, young men, babies and grandparents—lying together in lazy and terrible profusion where they had been knifed or machine-gunned to death. Each corridor through the rubble produced more bodies. The patients at the Palestinian hospital had disappeared after gunmen ordered the doctors to leave. Everywhere, we found signs of hastily dug mass graves. Even while we were there, amid the evidence of such savagery, we could see the Israelis watching us. From the top of the tower block to the west, we could see them staring at us through field-glasses, scanning back and forth across the streets of corpses, the lenses of the binoculars sometimes flashing in the sun as their gaze ranged through the camp. Loren Jenkins [of the Washington Post] cursed a lot. Jenkins immediately realized that the Israeli defense minister would have to bear some responsibility for this horror. “Sharon!” he shouted. “That fucker [Ariel] Sharon! This is Deir Yassin all over again.
Susan Abulhawa (Mornings in Jenin)
If we are afraid of being rejected by others, we see signs of imminent rejection everywhere. We know that buying into that fear will not liberate us, but the possibility of rejection is so fear-inducing that it seems like a violation of basic logic not to focus on it.
Steven C. Hayes (A Liberated Mind: How to Pivot Toward What Matters)
People don’t adopt their ideologies at random, or by soaking up whatever ideas are around them. People whose genes gave them brains that get a special pleasure from novelty, variety, and diversity, while simultaneously being less sensitive to signs of threat, are predisposed (but not predestined) to become liberals. They tend to develop certain “characteristic adaptations” and “life narratives” that make them resonate—unconsciously and intuitively—with the grand narratives told by political movements on the left (such as the liberal progress narrative). People whose genes give them brains with the opposite settings are predisposed, for the same reasons, to resonate with the grand narratives of the right (such as the Reagan narrative). Once people join a political team, they get ensnared in its moral matrix. They see confirmation of their grand narrative everywhere, and it’s difficult—perhaps impossible—to convince them that they are wrong if you argue with them from outside of their matrix. I suggested that liberals might have even more difficulty understanding conservatives than the other way around, because liberals often have difficulty understanding how the Loyalty, Authority, and Sanctity foundations have anything to do with morality. In particular, liberals often have difficulty seeing moral capital, which I defined as the resources that sustain a moral community.
Jonathan Haidt (The Righteous Mind: Why Good People Are Divided by Politics and Religion)
There’s feeling August has had everywhere she’s ever lived. Like she’s not really there. Like it’s all happening in a dream. She walks down the street and it’s like she’s floating a few inches off the pavement, never rooted down. She touches things. Like a canister of sugar at a coffee shop or the post of a street sign, warm from the afternoon sun and it feels like she hasn’t touched anything at all. Like it’s all a place she lives in concept. She’s just out there — shoes untied, hair a mess, no idea where she’s going — scrapping her knees and not bleeding.
Casey McQuiston (One Last Stop)
The more south we were, the more deep a sky it seemed, till, in the Valley of Mexico, I thought it held back an element too strong for life, and that the flamy brilliance of blue stood off this menace and sometimes, like a sheath or silk membrane, shoed the weight it held in sags. So when later he would fly high over the old craters on the plain, coaly bubbles of the underworld, dangerous red everywhere from the sun, and then coats of snow on the peak of the cones—gliding like a Satan—well, it was here the old priests, before the Spaniards, waited for Aldebaran to come into the middle of heaven to tell them whether or not life would go on for another cycle, and when they received their astronomical sign built their new fire inside the split and emptied chest of a human sacrifice. And also, hereabouts, worshipers disguised as gods and as gods in the disguise of birds, jumped from platforms fixed on long poles, and glided as they spun by the ropes—feathered serpents, and eagles too, the voladores, or fliers. There still are such plummeters, in market places, as there seem to be remnants or conversions or equivalents of all the old things. Instead of racks or pyramids of skulls still in their hair and raining down scraps of flesh there are corpses of dogs, rats, horses, asses, by the roads; the bones dug out of the rented graves are thrown on a pile when the lease is up; and there are the coffins looking like such a rough joke on the female form, sold in the open shops, black, white, gray, and in all sizes, with their heavy death fringes daubed in Sapolio silver on the black. Beggars in dog voices on the church steps enact the last feebleness for you with ancient Church Spanish, and show their old flails of stump and their sores. The burden carriers with the long lines, hemp lines they wind over their foreheads to hold the loads on their backs, lie in the garbage at siesta and give themselves the same exhibited neglect the dead are shown. Which is all to emphasize how openly death is received everywhere, in the beauty of the place, and how it is acknowledged that anyone may be roughly handled—the proudest—pinched, slapped, and set down, thrown down; for death throws even worse in men’s faces and makes it horrible and absurd that one never touched should be roughly dumped under, dumped upon.
Saul Bellow (The Adventures of Augie March)
Seattle. I’ve never seen a city so overrun with runaways, drug addicts, and bums. Pike Place Market: they’re everywhere. Pioneer Square: teeming with them. The flagship Nordstrom: have to step over them on your way in. The first Starbucks: one of them hogging the milk counter because he’s sprinkling free cinnamon on his head. Oh, and they all have pit bulls, many of them wearing handwritten signs with witticisms such as I BET YOU A DOLLAR YOU’LL READ THIS SIGN. Why does every beggar have a pit bull? Really, you don’t know? It’s because they’re badasses, and don’t you forget it. I was downtown early one morning and I noticed the streets were full of people pulling wheelie suitcases. And I thought, Wow, here’s a city full of go-getters. Then I realized, no, these are all homeless bums who have spent the night in doorways and are packing up before they get kicked out. Seattle is the only city where you step in shit and you pray, Please God, let this be dog shit. Anytime you express consternation as to how the U.S. city with more millionaires per capita than any other would allow itself to be overtaken by bums, the same reply always comes back. “Seattle is a compassionate city.” A guy named the Tuba Man, a beloved institution who’d play his tuba at Mariners games, was brutally murdered by a street gang near the Gates Foundation. The response? Not to crack down on gangs or anything. That wouldn’t be compassionate. Instead, the people in the neighborhood redoubled their efforts to “get to the root of gang violence.” They arranged a “Race for the Root,” to raise money for this dunderheaded effort. Of course, the “Race for the Root” was a triathlon, because God forbid you should ask one of these athletic do-gooders to partake in only one sport per Sunday.
Maria Semple (Where'd You Go, Bernadette)
Power itself has for a long time produced nothing but the signs of its resemblance. And at the same time, another figure of power comes into play: that of a collective demand for signs of power—a holy union that is reconstructed around its disappearance. The whole world adheres to it more or less in terror of the collapse of the political. And in the end the game of power becomes nothing but the critical obsession with power—obsession with its death, obsession with its survival, which increases as it disappears. When it has totally disappeared, we will logically be under the total hallucination of power—a haunting memory that is already in evidence everywhere, expressing at once the compulsion to get rid of it (no one wants it anymore, everyone unloads it on everyone else) and the panicked nostalgia over its loss. The melancholy of societies without power: this has already stirred up fascism, that overdose of a strong referential in a society that cannot terminate its mourning.
Jean Baudrillard (Simulacra and Simulation (The Body, In Theory: Histories of Cultural Materialism))
This, to be sure, is not the entire truth. For there were individuals in Germany who from the very beginning of the regime and without ever wavering were opposed to Hitler; no one knows how many there were of them—perhaps a hundred thousand, perhaps many more, perhaps many fewer—for their voices were never heard. They could be found everywhere, in all strata of society, among the simple people as well as among the educated, in all parties, perhaps even in the ranks of the N.S.D.A.P. Very few of them were known publicly, as were the aforementioned Reck-Malleczewen or the philosopher Karl Jaspers. Some of them were truly and deeply pious, like an artisan of whom I know, who preferred having his independent existence destroyed and becoming a simple worker in a factory to taking upon himself the “little formality” of entering the Nazi Party. A few still took an oath seriously and preferred, for example, to renounce an academic career rather than swear by Hitler’s name. A more numerous group were the workers, especially in Berlin, and Socialist intellectuals who tried to aid the Jews they knew. There were finally, the two peasant boys whose story is related in Günther Weisenborn’s Der lautlose Aufstand (1953), who were drafted into the S.S. at the end of the war and refused to sign; they were sentenced to death, and on the day of their execution they wrote in their last letter to their families: “We two would rather die than burden our conscience with such terrible things. We know what the S.S. must carry out.” The position of these people, who, practically speaking, did nothing, was altogether different from that of the conspirators. Their ability to tell right from wrong had remained intact, and they never suffered a “crisis of conscience.” There may also have been such persons among the members of the resistance, but they were hardly more numerous in the ranks of the conspirators than among the people at large. They were neither heroes nor saints, and they remained completely silent. Only on one occasion, in a single desperate gesture, did this wholly isolated and mute element manifest itself publicly: this was when the Scholls, two students at Munich University, brother and sister, under the influence of their teacher Kurt Huber distributed the famous leaflets in which Hitler was finally called what he was—a “mass murderer.
Hannah Arendt (Eichmann in Jerusalem: A Report on the Banality of Evil)
Everything Mrs. Richardson had put out of her mind from the hospital stay—everything she thought she’d forgotten—her body remembered on a cellular level: the rush of anxiety, the fear that permeated her thoughts of Izzy. The microscopic focus on each thing Izzy did, turning it this way and that, scrutinizing it for signs of weakness or disaster.
Celeste Ng (Little Fires Everywhere)
I didn’t know where to start. I got a job where I could travel. I think somewhere in the back of my mind I thought maybe I’d run into you somewhere or at least come across some sort of sign you’d been somewhere—something so that I could at least be sure you existed, that you weren’t some figment of my imagination. But everywhere I went, I could tell right away you weren’t there.
Erin Bartels (The Words Between Us)
When people call it that I always get pissed off because I always think depression sounds like you just get like really sad, you get quiet and melancholy and just like sit quietly by the window sighing or just lying around. A state of not caring about anything. A kind of blue kind of peaceful state.’ She seemed to the doctor decidedly more animated now, even as she seemed unable to meet his eyes. Her respiration had sped back up. The doctor recalled classic hyperventilatory episodes being characterized by carpopedal spasms, and reminded himself to monitor the patient’s hands and feet carefully during the interview for any signs of tetanic contraction, in which case the prescribed therapy would be I.V. calcium in a saline percentage he would need quickly to look up. ‘Well this’—she gestured at herself—‘isn’t a state. This is a feeling. I feel it all over. In my arms and legs.’ ‘That would include your carp—your hands and feet?’ ‘All over. My head, throat, butt. In my stomach. It’s all over everywhere. I don’t know what I could call it. It’s like I can’t get enough outside it to call it anything. It’s like horror more than sadness. It’s more like horror. It’s like something horrible is about to happen, the most horrible thing you can imagine—no, worse than you can imagine because there’s the feeling that there’s something you have to do right away to stop it but you don’t know what it is you have to do, and then it’s happening, too, the whole horrible time, it’s about to happen and also it’s happening, all at the same time.
David Foster Wallace (Infinite Jest)
The United States is also losing the rugged pioneering spirit that once defined it. In 1850, Herman Melville boasted that “we are the pioneers of the world, the advance-guard, sent on through the wilderness of untried things, to break a new path in the New World.”7 Today many of the descendants of these pioneers are too terrified of tripping up to set foot on any new path. The problem starts with school. In 2013, a school district in Maryland banned, among other things, pushing children on swings, bringing homemade food into school, and distributing birthday invitations on school grounds.8 It continues in college, where professors have provided their charges with “safe spaces” and “trigger warnings.” It extends to every aspect of daily life. McDonald’s prints warning signs on its cups of coffee pointing out that “this liquid may be hot.” Winston Churchill once said to his fellow countrymen, “We have not journeyed across the centuries, across the oceans, across the mountains, across the prairies, because we are made of sugar candy.”9 Today, thanks to a malign combination of litigation, regulation, and pedagogical fashion, sugar-candy people are everywhere.
Alan Greenspan (Capitalism in America: An Economic History of the United States)
No one will say it to my face, but it’s so obvious they think I actually murdered Gavin. As if I would actually want to hurt the guy I was in love with. Still, I see it in their eyes, the way they avoid crossing my path as if I’ll snap and go after them next. I hear it in their accusatory whispers that fill the hallways as I pass by. The signs that I’m generally considered guilty are everywhere.
Jen Naumann (Paranormal Keepers (Paranormal Keepers #1))
It’s not only this village, Mr. Baker. Just because you don’t experience prejudice in your everyday doesn’t stop it from existing for the rest of us.” SEE SOMETHING, SAY SOMETHING, the sign on the bus had read. And everywhere, really, wasn’t it? More and more lately. On buses. In newspapers. Billboards. Radio ads. Why, he’d even seen the words printed on a grocery bag of all places. “No,” he said slowly. “I don’t suppose it does.
T.J. Klune (The House in the Cerulean Sea)
Literature is as old as human language, and as new as tomorrow's sunrise. And literature is everywhere, not only in books, but in videos, television, radio, CDs, computers, newspapers, in all the media of communication where a story is told or an image created. It starts with words, and with speech. The first literature in any culture is oral. The classical Greek epics of Homer, the Asian narratives of Gilgamesh and the Bhagavad Gita, the earliest versions of the Bible and the Koran were all communicated orally, and passed on from generation to generation - with variations, additions, omissions and embellishments until they were set down in written form, in versions which have come down to us. In English, the first signs of oral literature tend to have three kinds of subject matter - religion, war, and the trials of daily life - all of which continue as themes of a great deal of writing.
Ronald Carter (The Routledge History of Literature in English: Britain and Ireland)
Technology is the new religion of urban China, and no longer just in the coastal cities. Having wasted decades, centuries almost, overcoming traditional objections to progress, and then wasted thirty years convulsing to a Maoist revolutionary tune, the Chinese have finally gotten themselves into a position where they can develop technology and begin to take on the world. Everywhere you see signs that say REVIVE THE NATION THROUGH SCIENCE AND EDUCATION.
Rob Gifford (China Road: A Journey into the Future of a Rising Power)
Light upon light upon light--- back and back we trace it to its Source, radiating light and sound---a voice, an echo guiding those who hear Love's desire unfold the universe's story, who come to this call like thirsty birds to water. Beloved, the One creates for us models, signs, symbols, parables everywhere we look to remind us of our Source. And the one behind all understands and embraces all--- the past and future journey of every thing from seed to star.
Neil Douglas-Klotz-Klotz (The Sufi Book of Life: 99 Pathways of the Heart for the Modern Dervish)
With apologies to the folks in Redmond, I’ll end on another Microsoft joke because it makes the point well (a point that applies everywhere, not just at Microsoft): A helicopter was flying around above Seattle when a malfunction disabled all of its electronic navigation and communications equipment. The clouds were so thick that the pilot couldn’t tell where he was. Finally, the pilot saw a tall building, flew toward it, circled, and held up a handwritten sign that said WHERE AM I? in large letters. People in the tall building quickly responded to the aircraft, drawing their own large sign: YOU ARE IN A HELICOPTER. The pilot smiled, looked at his map, determined the route to Sea-Tac Airport, and landed safely. After they were on the ground, the copilot asked the pilot how he had done it. “I knew it had to be the Microsoft building,” he said, “because they gave me a technically correct but completely useless answer.
William Poundstone (Are You Smart Enough to Work at Google?)
I'll take nine steps and look up. Whatever my eyes light on, that's my sign. I saw a crop duster plunging his little plane over a field of growing things, behind him a cloud of pesticides parachuting out. I couldn't decide what part of the scene I represented: the plants about to be rescued from the bugs or the bugs about to be murdered by the spray. There was an off chance I was really the airplane zipping over the earth creating rescue and doom everywhere I went.
Sue Monk Kidd (The Secret Life of Bees)
Everywhere I went, people asked about Mr. Boltzius, and they seemed to be very concerned about his recovery, which I was glad to hear. On the other hand, I was very upset about a vicious lie I heard about him which is making the rounds in Savannah. Nevertheless I remembered that this is what usually happened to Christ's true servants, namely, that they were reviled by the world which, for them, is a better sign than being praised, especially if it is done by evil people.
Hermann Heinrich Lemke
There is a progression from pictographic, writing the picture; to ideographic, writing the idea; and then logographic, writing the word. Chinese script began this transition between 4,500 and 8,000 years ago: signs that began as pictures came to represent meaningful units of sound. Because the basic unit was the word, thousands of distinct symbols were required. This is efficient in one way, inefficient in another. Chinese unifies an array of distinct spoken languages: people who cannot speak to one another can write to one another. It employs at least fifty thousand symbols, about six thousand commonly used and known to most literate Chinese. In swift diagrammatic strokes they encode multidimensional semantic relationships. One device is simple repetition: tree + tree + tree = forest; more abstractly, sun + moon = brightness and east + east = everywhere. The process of compounding creates surprises: grain + knife = profit; hand + eye = look.
James Gleick (The Information: A History, a Theory, a Flood)
Also there were people going round in such clumsy ways, stopping and starting, and hordes of schoolchildren like the ones I used to keep in order. Why so many of them and so idiotic with their yelps and yells and the redundancy, the sheer un-necessity of their existence, Everywhere an insult in your face. As the shops and their signs were an insult, and the noise of the cars with their stops and starts. Everywhere the proclaiming, this is life. As if we needed, more of life.
Alice Munro (Dear Life)
And yet, you know,” continued Lady Pole, scarcely attending to her, “battles have been fought at some time or other almost everywhere. I remember learning in my schoolroom how London was once the scene of a particularly fierce battle. The people were put to death in horrible ways and the city was burnt to the ground. We are surrounded by the shadows of violence and misery all the days of our life and it seems to me that it matters very little whether any material sign remains or not.
Susanna Clarke (Jonathan Strange & Mr Norrell)
Every inch of space was used. As the road narrowed, signs receded upwards and changed to the vertical. Businesses simply soared from ground level and hung out vaster, more fascinatingly illuminated shingles than competitors. We were still in a traffic tangle, but now the road curved. Shops crowded the pavements and became homelier. Vegetables, spices, grocery produce in boxes or hanging from shop lintels, meats adangle - as always, my ultimate ghastliness - and here and there among the crowds the alarming spectacle of an armed Sikh, shotgun aslant, casually sitting at a bank entrance. And markets everywhere. To the right, cramped streets sloped down to the harbor. To the left, as we meandered along the tramlines through sudden dense markets of hawkers' barrows, the streets turned abruptly into flights of steps careering upwards into a bluish mist of domestic smoke, clouds of washing on poles, and climbing. Hong Kong had the knack of building where others wouldn't dare.
Jonathan Gash (Jade Woman (Lovejoy, #12))
The Muskrat was still lying in his hammock and thinking. "Good afternoon, Uncle Muskrat!" said Moomintroll. "Do you know that things have begun to happen?" "Nothing new in any case," said the Muskrat. "Oh, yes," said Moomintroll. "Completely new. There are people in the forest making secret signs everywhere -- threats or warnings or something. When the silk-monkey and I came home a little while ago, somebody had arranged mamma's jam pears in a pattern that looked like a star with a tail.
Tove Jansson (Comet in Moominland (The Moomins, #2))
Virtue, which means honour, honesty, courage, and all that makes character, is the red thread that marks a good man wherever he is. Keep that always and everywhere, so that even if wrecked by misfortune, that sign shall still be found and recognized. Yours is a rough life, and your mates not all we could wish, but you can be a gentleman in the true sense of the word; and no matter what happens to your body, keep your soul clean, your heart true to those who love you, and do your duty to the end.
Louisa May Alcott (Jo's Boys (Little Women, #3))
he ancient Greek philosopher Empedocles said that two forces – love and hate – govern the universe. Love fuses things together. Hate splits them apart. In a foundation myth of ancient Egypt, the god Osiris was killed by his brother Set, and his body cut into many pieces and scattered across Egypt. His wife collected all of the dismembered parts together and then, with the help of Anubis, the god of embalming and funerary rites, and Thoth, the god of magic, she restored Osiris’s body to life. This is a creation myth based on fission – the god is torn apart – followed by fusion – the god is reassembled. Dr. Frankenstein, the modern Thoth, the scientific Thoth, fused body parts of dead criminals together then animated the creature. Human society is full of fusion forces that bring people together, and fission forces that break them apart. Fusion forces unite. Fission forces divide. We now live in a Fission Phase, with extreme polarization evident everywhere. There’s no sign of any Fusion Phase coming to the rescue any time soon.
Peter Brennan (Fusions Versus Fissions: Are You a Joiner or a Splitter?)
The dismembered limbs of dolls and puppets are strewn about everywhere. Posters, signs, billboards, and leaflets of various sorts are scattered around like playing cards, their bright words disarranged into nonsense. Countless other objects, devices, and leftover goods stock the room, more than one could possibly take notice of. But they are all, in some way, like those which have been described. One wonders, then, how they could add up to such an atmosphere of…isn’t repose the word? Yes, but a certain kind of repose: the repose of ruin.
Thomas Ligotti (Songs of a Dead Dreamer)
right.” Inspired by mid-century architectural lettering of New York City, Gotham celebrates the alphabet’s most basic form. These qualities made Gotham the most popular release of recent years. It’s used everywhere, in logos, in magazines, in the very things that inspired it: signs. Gotham’s simplicity is not merely geometric — like Avenir, it feels more natural than mechanical. In fact, its lowercase shares a lot with Avenir’s, despite being much larger. But Gotham’s essence is in the caps: broad, sturdy “block” letters of very consistent
Stephen Coles (The Anatomy of Type: A Graphic Guide to 100 Typefaces)
From east to west, in fact, her gaze swept slowly, without encountering a single obstacle, along a perfect curve. Beneath her, the blue-and-white terraces of the Arab town overlapped one another, splattered with the dark-red spots of the peppers drying in the sun. Not a soul could be seen, but from the inner courts, together with the aroma of roasting coffee, there rose laughing voices or incomprehensible stamping of feet. Father off, the palm grove, divided into uneven squares by clay walls, rustled its upper foliage in a wind that could not be felt up on the terace. Still farther off and all the way to the horizon extended the ocher-and-gray realm of stones, in which no life was visible. At some distance from the oasis, however, near the wadi that bordered the palm grove on the west could be seen broad black tents. All around them a flock of motionless dromedaries, tiny at the distance, formed against the gray ground the black signs of a strange handwriting, the meaning of which had to be deciphered. Above the desert, the silence was as vast as the space. Janine, leaning her whole body against the parapet, was speechless, unable to tear herself away from the void opening before her. Beside her, Marcel was getting restless. He was cold; he wanted to go back down. What was there to see here, after all? But she could not take her gaze from the horizon. Over yonder, still farther south, at that point where sky and earth met in a pure line - over yonder it suddenly seemed there was awaiting her something of which, though it had always been lacking, she had never been aware until now. In the advancing afternoon the light relaxed and softened; it was passing from the crystalline to the liquid. Simultaneously, in the heart of a woman brought there by pure chance a knot tightened by the years, habit, and boredom was slowly loosening. She was looking at the nomads' encampment. She had not even seen the men living in it' nothing was stirring among the black tents, and yet she could think only of them whose existence she had barely known until this day. Homeless, cut off from the world, they were a handful wandering over the vast territory she could see, which however was but a paltry part of an even greater expanse whose dizzying course stopped only thousands of miles farther south, where the first river finally waters the forest. Since the beginning of time, on the dry earth of this limitless land scraped to bone, a few men had been ceaselessly trudging, possessing nothing but serving no one, poverty-stricken but free lords of a strange kingdom. Janine did not know why this thought filled her with such a sweet, vast melancholy that it closed her eyes. She knew that this kingdom had been eternally promised her and yet that it would never be hers, never again, except in this fleeting moment perhaps when she opened her eyes again on the suddenly motionless sky and on its waves of steady light, while the voices rising from the Arab town suddenly fell silent. It seemed to her that the world's course had just stopped and that, from that moment on, no one would ever age any more or die. Everywhere, henceforth, life was suspended - except in her heart, where, at the same moment, someone was weeping with affliction and wonder.
Albert Camus
One who uses the morning prayer from A Manual of Eastern Orthodox Prayers will not only begin each day with the sign of the cross and an invocation of the Trinity, but will next say this: God, be merciful to me, a sinner. And then there follows a prayer to the Holy Spirit: O Heavenly King, O Comforter, the Spirit of truth, who are everywhere and fillest all things, the treasure of blessings, and giver of life, come and abide in us. In truth Orthodox fashion, the next sentence brings back the matter of sin: Cleanse us from all impurity, and of thy goodness save our souls.
Scot McKnight (Praying with the Church: Following Jesus Daily, Hourly, Today)
Seattle. I’ve never seen a city so overrun with runaways, drug addicts, and bums. Pike Place Market: they’re everywhere. Pioneer Square: teeming with them. The flagship Nordstrom: have to step over them on your way in. The first Starbucks: one of them hogging the milk counter because he’s sprinkling free cinnamon on his head. Oh, and they all have pit bulls, many of them wearing handwritten signs with witticisms such as I BET YOU A DOLLAR YOU’LL READ THIS SIGN. Why does every beggar have a pit bull? Really, you don’t know? It’s because they’re badasses, and don’t you forget it.
Maria Semple (Where'd You Go, Bernadette)
...the only category available to him [Andrew Haswell Green] in this bitter world of unequal wealth would be, at best, gentleman of four outs. Without money, his father said. Without credit. Without wit. That's three, Andrew said. Without manners. And in his father's eyes, as he concluded his assessment, were there not signs of a smile? Love was present, Andrew felt, but its shine was hard to find. He would go looking for it everywhere in the years to come. Love, love, love. As if it were a coin to be found in a field, or a park. As if it could be obtained without forfeiture.
Jonathan Lee (The Great Mistake)
At every turn, while he was investigating the background for his study of Thomas Nashe, he would encounter the Church — what Chesterton called (another book title) The Thing. It was everywhere. At one point, he later told me (and he was never very specific just when that point occurred), he decided that the thing had to be sorted out or he couldn't rest. Either it ws true, or it wasn't. Either the entire matter was true, all of it, exactly as the Church claimed, or it was the biggest hoax ever perpetrated on a gullible mankind. With that choice clearly delineated, he set out to find which was the case. What came next was not more study, but testing. The matter had to be tested — on its own terms: that is, by prayer. He told me that the principal prayer that he used was not some long or complex formula, but simply, "Lord, please, send me a sign." He reported that, almost immediately, not one but a deluge of signs arrived. And they continued to arrive unabated for a long time. As to just what the signs consisted in and what happened next, well, some things must remain private. The reader may deduce the rest from the fact of his conversion. ... -- Eric McLuhan, introduction
Marshall McLuhan (The Medium and the Light: Reflections on Religion)
Now, isn’t that neat.” Midwestern sarcasm, when it’s done correctly, can be a thing of rare beauty. It’s like performance art. Everywhere else in the world, you can identify sarcasm if you’re paying attention. Even if the hostility isn’t overt, you can read the signs. There’ll be slightly elongated syllables or a pitch that’s just a little off. It’s like a trombone player with a plunger head. There’s that slight “wah-wah” tone-bending to let you know not to take this too seriously. Midwestern sarcasm plays it straight and makes you listen more closely. You have to treat every conversation like a safecracker. Unless your ears have been trained to recognize it, you’ll miss the hint of a minor key. Sometimes you don’t realize what’s happened until hours later, when it’s 3:00 a.m. and you’re half-asleep, and it suddenly hits you. “Aw, crap, they didn’t mean any of that, did they?” Midwestern sarcasm becomes even more deadly when it’s combined with small-town isolationism. These women had been cheerleaders at our high school, they weren’t indie rock aficionados, and Wilco isn’t exactly a household name. So on the one hand, it wasn’t surprising that they hadn’t followed every turn in my career. It’s shocking that they even remembered I played music at all.
Jeff Tweedy (Let's Go (So We Can Get Back): A Memoir of Recording and Discording with Wilco, Etc.)
Why, the isolation that prevails everywhere, above all in our age—it has not fully developed, it has not reached its limit yet. For every one strives to keep his individuality as apart as possible, wishes to secure the greatest possible fullness of life for himself; but meantime all his efforts result not in attaining fullness of life but self-destruction, for instead of self-realization he ends by arriving at complete solitude. All mankind in our age have split up into units, they all keep apart, each in his own groove; each one holds aloof, hides himself and hides what he has, from the rest, and he ends by being repelled by others and repelling them. He heaps up riches by himself and thinks, ‘How strong I am now and how secure,’ and in his madness he does not understand that the more he heaps up, the more he sinks into self-destructive impotence. For he is accustomed to rely upon himself alone and to cut himself off from the whole; he has trained himself not to believe in the help of others, in men and in humanity, and only trembles for fear he should lose his money and the privileges that he has won for himself. Everywhere in these days men have, in their mockery, ceased to understand that the true security is to be found in social solidarity rather than in isolated individual effort. But this terrible individualism must inevitably have an end, and all will suddenly understand how unnaturally they are separated from one another. It will be the spirit of the time, and people will marvel that they have sat so long in darkness without seeing the light. And then the sign of the Son of Man will be seen in the heavens.... But, until then, we must keep the banner flying. Sometimes even if he has to do it alone, and his conduct seems to be crazy, a man must set an example, and so draw men's souls out of their solitude, and spur them to some act of brotherly love, that the great idea may not die.
Fyodor Dostoevsky (The Brothers Karamazov)
Preppy had been responsible for all the dicks that had been spray painted on stop signs and light poles throughout the town. “I use special paint, too. Shit’s never gonna come off. When I’m long gone my beautiful big black cocks will still be everywhere in this shit town.” “Oh you like big black cocks?” I asked, nudging him in his bony ribs with my elbow. “Only my own,” Preppy said, grabbing his dick through his khakis. King rolled his eyes. “You’re not fucking black, asshole.” “I am from the waist down, motherfucker, have you seen the size of my fucking cock?” Preppy reached for his belt. “Preppy, if you pull your fucking cock out again I’m
T.M. Frazier (King Series Bundle (King, #1-4))
Christopher’s anti-God campaign was based on a fundamental error reflected in the subtitle of his book: How Religion Poisons Everything. On the contrary, since religion, as practiced, is a human activity, the reverse is true. Human beings poison religion, imposing their prejudices, superstitions, and corruptions onto its rituals and texts, not the other way around. “Pascal Is a Fraud!” When I first became acquainted with Christopher’s crusade, I immediately thought of the seventeenth-century scientist and mathematician, Blaise Pascal. In addition to major contributions to scientific knowledge, Pascal produced exquisite reflections on religious themes: When I consider the short duration of my life, swallowed up in the eternity before and after, the space which I fill, and even can see, engulfed in the infinite immensity of spaces of which I am ignorant and which know me not, I am frightened and astonished at being here rather than there; for there is no reason why here rather than there, why now rather than then. Who has put me here?4 These are the questions that only a religious faith can attempt to answer. There is no science of the why of our existence, no scientific counsel or solace for our human longings, loneliness, and fear. Without a God to make sense of our existence, Pascal wrote, human life is intolerable: This is what I see and what troubles me. I look on all sides, and I see only darkness everywhere. Nature presents to me nothing which is not a matter of doubt and concern. If I saw nothing there that revealed a Divinity, I would come to a negative conclusion; if I saw everywhere the signs of a Creator, I would remain peacefully in faith. But seeing too much to deny and too little to be sure, I am in a state to be pitied. . . .5 To resolve this dilemma, Pascal devised his famous “wager,” which, simply stated, is that since we cannot know whether there is a God or not, it is better to wager that there is one, rather than that there is not.
David Horowitz (Dark Agenda: The War to Destroy Christian America)
Even the sex to which we belong - that small portion of destiny still remaining to us, that minimum of fatality and otherness - will be changeable at will. Not to mention cosmetic surgery as applied to green spaces, to nature in general, to genes, to events, to history (e.g. the French Revolution revised and corrected - given a facelift under the banner of human rights). Everything has to become postsynchable according to criteria of optimal convenience and compatibility. This inhuman formalization of face, speech, sex, body, will and public opinion is a tendency everywhere in evidence. Every last glimmer of fate and negativity has to be expunged in favour of something resembling the smile of a corpse in a funeral home, in favour of a general redemption of signs.
Jean Baudrillard (The Transparency of Evil: Essays in Extreme Phenomena)
The problem, however, is that you inevitably find, as I did, something still missing. In fact, the spirituality of most current discipleship models often only adds an additional protective layer against people growing up emotionally. When people have authentic spiritual experiences -- such as worship, prayer, Bible studies, and fellowship -- they mistakenly believe they are doing fine, even if their relational life is fractured and their interior world is disordered. Their apparent 'progress' then provides a spiritual reason for not doing the hard work of maturing. They are deceived. I know. I lived that way for almost seventeen years. Because of the spiritual growth in certain areas of my life and in those around me, I ignored the glaring signs of emotional immaturity that were everywhere in and around me.
Peter Scazzero (Emotionally Healthy Spirituality: It's Impossible to Be Spiritually Mature, While Remaining Emotionally Immature)
It is interesting that the rhetoric and some state initiatives of multiculturalism in the West are accompanied by the gathering strength of right wing politics....Everywhere in the West 'immigration,' a euphemistic expression for racist labor and citizenship policies, has become a major election platform....The media and some members of the Canadian intelligentsia speak in terms of the end of 'Canadian culture,' displaying signs of feeling threatened by these 'others,' who are portrayed as an invasive force. In the meantime, Western capital roves in a world without borders, with trade agreements such as GATT and NAFTA ensuring their legal predations, while labour from third world countries is both locked in their national spaces and locked out from Western countries, marked by a discourse of illegality and alienness.
Himani Bannerji
You do me proud, Captain. But, dear, I want to say one thing and then I'm done; for you don't need much advice of mine after my good man has spoken. I read somewhere that every inch of rope in the British Navy has a strand of red in it, so wherever a bit of it is found it is known. That is the text of my little sermon to you. Virtue, which means honour, honesty, courage, and all that makes character, is the red thread that marks a good man wherever he is. Keep that always and everywhere, so that even if wrecked by misfortune, that sign shall still be found and recognized. Yours is a rough life, and your mates not all we could wish, but you can be a gentleman in the true sense of the word; and no matter what happens to your body, keep your soul clean, your heart true to those who love you, and do your duty to the end.
Louisa May Alcott (Jo's Boys)
The most important feeling in the world is trust. The worse is betrayal. Without trust, there is no love. Without trust, there is betrayal. And betrayal is the ultimate consequence of selfishness and naiveness, both ramifications of egotism. Whenever you can't confront reality, you can't love and you can't protect yourself against the lack of it. Wisdom can help you, because wisdom consists in the ability to love oneself, confront reality and accept the mistakes of others. That requires courage, but courage without wisdom is foolishness in disguise. You must be wise to see through and remain calm. It is a never-ending goal, and as much as the intensity of the complexities you're faced with. More complexities require more wisdom. Peace can't be found without an action towards it, and solutions that justify it. An antagonistic solution would only present itself as one whenever wisdom has failed. An avatar must be immensely wise to live with himself but not ignorant enough to accept the masses when confronted with their ignorance. However, if you're just a mortal being struggling against endless challenges, pray to God for wisdom, for He will bring forth to your realm His most highly recommended masters and meaningful literature. If you find them, don't judge them by how they appear, look or are dressed. Don't judge them as well by when and where they appear to you. For the unwise does not have the right to judge the mysteries unveiling his own ignorance. And if you find a book in a trashcan, do not judge it as well by where you have found it. Salvation is everywhere. It is wise to believe that. We suffer more due to the immense signs we reject than those we accept.
Robin Sacredfire
In the space of a single year, a crumbling rural village had sprouted an army town, like a great parasitical growth. The former peacetime aspect of the place was barely discernible. The village pond was where the dragoons watered their horses, infantry exercised in the orchards, soldiers lay in the meadows sunning themselves. All the peacetime institutions collapsed, only what was needed for war remained. Hedges and fences were broken or simply torn down for easier access, and everywhere there were large signs giving directions to military traffic. While roofs caved in, and furniture was gradually used up as firewood, telephone lines and electricity cables were installed. Cellars were extended outwards and downwards to make bomb shelters for the residents; the removed earth was dumped in the gardens. The village no longer knew any demarcations or distinctions between thine and mine. pp. 36-37
Ernst Jünger (Storm of Steel)
The end of the world is seen, as Tennyson puts it, as the “far-off event” that allows Man to realize his true self, as pure Spirit, disencumbered of all fleshly and earthly ties. These ideas may appear deranged, but they continue to constitute a vital substrate of contemporary imaginaries. Signs of this substrate are everywhere around us: in the evangelical Christian idea of the “Rapture”; in the apocalyptic visions of ecofascists; in the dreams of those who yearn for a world “cleansed” of humanity; and in the fantasies of the billionaires who, having grown tired of this surly Earth and its sullen inhabitants, aspire to create a tamer version of it by terraforming some other planet.20 Their dream may be wrapped in futuristic cladding, but it is in fact nothing but an atavistic yearning to put in motion once again the processes of terraforming by which settler-colonials turned large parts of the Earth into “neo-Europes.
Amitav Ghosh (The Nutmeg's Curse: Parables for a Planet in Crisis)
So there’s this annual dance in a couple of weeks.” “The Winter Ball,” I interrupt. “There have been signs up everywhere.” “You want to go?” I think about it for a half second. “Will you dress up?” He nods. I move forward so my hands are flat on the towel and my face is much closer to his face. Something inside my chest warms up like a nice kind of heartburn and I say, “And will we slow dance?” He nods again. His bottom lip turns in toward his mouth for a second, just disappears and then comes back. Stretching out my spine so my lips are nearly touching his I say, “And will you press yourself against me and we’ll move really close together and then your hand will stretch out across the back of my head and your fingers will wrap into my hair and then . . .” He doesn’t nod. He just tilts his head down, moves his fingers into my hair, and his lips touch mine in a forever kiss. His lips are soft and hard all at once. His breath mixes with my breath. Everything inside of me whooshes out.
Carrie Jones (Captivate (Need, #2))
He kept his distance from the villa. It was too easy to slip in Kestrel’s presence. One day, Lirah came to the forge. Arin was sure that he was being called to serve as Kestrel’s escort somewhere. He felt an eager dread. “Enai would like to see you,” Lirah said. Arin set the hammer on the anvil. “Why?” His interactions with Enai had been limited, and he liked to keep them that way. The woman’s eyes were too keen. “She’s very sick.” Arin considered this, then nodded, following Lirah from the forge. When they entered the cottage, they could hear the sounds of sleep from beyond the open bedroom door. Enai coughed, and Arin heard fluid in her lungs. The coughing subsided, then gave way to ragged breath. “Someone should fetch a doctor,” Arin told Lirah. “Lady Kestrel has gone for one. She was very upset. She’ll return soon, I hope.” Haltingly, Lirah said, “I’d like to stay with you, but I have to get back to the house.” Arin barely noticed her touch his arm before leaving him. Reluctant to wake Enai, Arin studied the cottage. It was snug and well maintained. The floor didn’t creak. There were signs, everywhere, of comfort. Slippers. A stack of dry wood. Arin ran a hand along the smooth mantel of the fireplace until he touched a porcelain box. He opened it. Inside was a small braid of dark blond hair with a reddish tinge, looped in a circle and tied with golden wire. Although he knew he shouldn’t, Arin traced the braid with one fingertip. “That’s not yours,” a voice said. He snatched his hand away. He turned, his face hot. Through the open bedroom door, Arin saw Enai staring at him from where she lay. “I’m sorry.” He set the lid on the box. “I doubt it,” she muttered, and told him to come near. Arid did, slowly. He had the feeling he was not going to like this conversation. “You spend a lot of time with Kestrel,” Enai said. He shrugged. “I do what she asks.” Enai held his gaze. Despite himself, he looked away first. “Don’t hurt her,” the woman said. It was a sin to break a deathbed promise. Arin left without making one.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Fast-forward about twenty years: I was in Bora Bora on vacation. I was scuba diving, and thirty or so lemon sharks started hovering around me in the water. My first thought was, Wow, this is a lot more terrifying up close and personal than it is on Discovery Channel Shark Week. My next thought was, What do I do? I know the name lemon shark sounds sweet, but look it up. They are the ugliest, most terrifying sharks, and they get up to about ten feet long. That’s big enough to take off your head in a single bite. I hadn’t signed up for a shark encounter. In fact, they didn’t tell us much about what to expect down there, and there was no training session. It was more like, “Are you certified? Okay, just jump in.” After several minutes of being stalked by this pack of predators, I was overcome by a calmness. I remember feeling the sharks brush past my head and knock into my back. I couldn’t keep my eye on all of them--they were everywhere--so I just let it be. They didn’t bother me, and I didn’t bother them. Instead, the thing that freaked me out on the dive was a harmless little suckerfish that decided to hang out in my face. Every time I turned around, he was there, stalking me.
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
The windblast sent people to the ground. A thunderhead of smoke and ash came moving toward them. The light drained dead away, bright day gone. They ran and fell and tried to get up, men with toweled heads, a woman blinded by debris, a woman calling someone’s name. The only light was vestigial now, the light of what comes after, carried in the residue of smashed matter, in the ash ruins of what was various and human, hovering in the air above. He took one step and then the next, smoke blowing over him. He felt rubble underfoot and there was motion everywhere, people running, things flying past. He walked by the Easy Park sign, the Breakfast Special and Three Suits Cheap, and they went running past, losing shoes and money. He saw a woman with her hand in the air, like running to catch a bus. He went past a line of fire trucks and they stood empty now, headlights flashing. He could not find himself in the things he saw and heard. Two men ran by with a stretcher, someone facedown, smoke seeping out of his hair and clothes. He watched them move into the stunned distance. That’s where everything was, all around him, falling away, street signs, people, things he could not name. Then he saw a shirt come down out of the sky. He walked and saw it fall, arms waving like nothing in this life.
Don DeLillo (Falling Man)
Bluefur headed along the fern tunnel. Why wasn’t Goosefeather helping more? Why did ThunderClan seem to have the laziest, dumbest medicine cat? As she reached the end of the tunnel, she stopped. The medicine clearing was cool and green and empty. “Goosefeather!” Bluefur guessed he was sleeping in his den. Two eyes peered from the crack in the rock. Bluefur tensed. They were round and wild, and for a moment she thought a fox had got in. “Goosefeather?” she ventured shakily. The medicine cat padded out, his pelt ruffled. His eyes were still wild, but less startling in the daylight. “What is it?” “Featherwhisker sent me for herbs for my belly. I shared a bad mouse with Sweetpaw and Rosepaw last night.” “You as well?” He rolled his eyes. Bluefur nodded. “Evil omens everywhere.” Bluefur wondered if she’d heard the medicine cat correctly. He was muttering as he turned back into his den and still muttering as he came out and shoved a pawful of shredded leaves in front of her. “It was just a bad mouse,” she meowed, wondering why he was so upset. He leaned toward her, his breath stinky in her face. “Just a bad mouse?” he echoed. “Another warning, that’s what it was! I should have seen it coming. I should have noticed.” “How?” Bluefur backed away. “It didn’t taste bad.” She realized that his pelt wasn’t ruffled from sleep, but simply ungroomed. It clung to his frame as though the season were leaf-bare and he hadn’t eaten properly for a moon. She took another pace back. “It was just a bad mouse,” she repeated. He turned a disbelieving look on her. “How can you—you of all cats—ignore the signs?” he spat. “Me?” What did he mean? “You have a prophecy hanging over your head like a hawk. You’re fire, and only water can destroy you! You can’t ignore the signs.” “B-but…I’m just a warrior.” Was she supposed to have the insight of a medicine cat? That wasn’t fair. He should be giving her answers, not taunting her with the promise of a destiny she didn’t understand. She had wondered when Goosefeather would again speak to her about the prophecy, but now he was making even less sense than before. “Just a warrior?” His whiskers trembled. “Too many omens. Three cats poisoned, two only whiskers from StarClan, Leopardfoot nearly dead, her three kits hanging on to life like rabbits in a fox den.” He stared through her, seeming to forget she was there. “Why such a difficult birth for the Clan leader’s mate? The kits may not make it through another night. The tom is too weak to mew, let alone feed. I should help them, and yet how can I when the signs are clear?” What in the name of StarClan was he talking about? Forgetting the herbs, Bluefur backed out of the den. Only whiskers from StarClan.
Erin Hunter (Bluestar's Prophecy (Warriors Super Edition, #2))
For as soon as Christ says: 'This is my body,' his body is present through the Word and the power of the Holy Spirit. If the Word is not there, it is mere bread; but as soon as the words are added they bring with them that of which they speak. Moreover, we believe that Christ, according to his human nature, is put over all creatures [Eph. 1:22] and fills all things, as Paul says in Eph. 4[:10]. Not only according to his divine nature, but also according to his human nature, he is a lord of all things, has all things in his hand, and is present everywhere. If I am to follow the fanatics who say that this is not fitting, then I must deny Christ. We read of Stephen in Acts 7[:56] that he said: 'I see the heavens opened, and Jesus standing at the right hand of the Father.' How does he see Christ? He need not raise his eyes on high. Christ is around us and in us in all places. Those people understand nothing of this. They also say that he sits at the right hand of God, but what it means that Christ ascends to heaven and sits there, they do not know. It is not the same as when you climb up a ladder into the house. It means rather that he is above all creatures and in all and beyond all creatures. That he was taken up bodily, however, occurred as a sign of this. Therefore he now has all things before his eyes, more than I have you before my eyes, and he is closer to us than any creature is to another.
Martin Luther
What the postmodern world celebrates in its rejection of all absolutes and in its assumed right to define all reality privately is a sign of God's wrath (cf. Rom. 1:22). People may plead ignorance in this situation, but Paul says they are "without excuse" (Rom. 1:20). Later, he develops this in terms of internal consciousness. Even the Gentiles who are without the written moral law still show that what it requires "is written on their hearts" because their conscience is actively at work within them (Rom. 2:14- 15; cf. 1 Cor. 9:21). It is no small scandal what Paul has to say here. What is revealed to all people everywhere? It is not that God is loving, though he is. It is not that he is accepting, though sinners may find acceptance with him. It is not that we can find him on our own terms, though he should be sought (Acts 17:27). No, what is revealed is the fact that he is wrathful. It is true that this disclosure comes alongside the fact that the creation also bespeaks his glory and the greatness of his power. Yet the greatness of his power and his glory do not obscure the fact that God is alienated from human beings. Indeed, his glory is precisely the reason that he is alienated! There is, as a result, already a faint foretaste of final judgment as the consequences of sin visit their retribution upon the sinner. This is scandalous to a postmodern ear, but locked in that scandal is the key to meaning in the world, and in that meaning there is hope.
John Piper (The Supremacy of Christ in a Postmodern World)
228. Objection of atheists: “But we have no light.” 229. This is what I see and what troubles me. I look on all sides, and I see only darkness everywhere. Nature presents to me nothing which is not matter of doubt and concern. If I saw nothing there which revealed a Divinity, I would come to a negative conclusion; if I saw everywhere the signs of a Creator, I would remain peacefully in faith. But, seeing too much to deny and too little to be sure, I am in a state to be pitied; wherefore I have a hundred times wished that if a God maintains nature, she should testify to Him unequivocally, and that, if the signs she gives are deceptive, she should suppress them altogether; that she should say everything or nothing, that I might see which cause I ought to follow. Whereas in my present state, ignorant of what I am or of what I ought to do, I know neither my condition nor my duty. My heart inclines wholly to know, where is the true good, in order to follow it; nothing would be too dear to me for eternity. I envy those whom I see living in the faith with such carelessness, and who make such a bad use of a gift of which it seems to me I would make such a different use. 230. It is incomprehensible that God should exist, and it is incomprehensible that He should not exist, that the soul should be joined to the body, and that we should have no soul; that the world should be created, and that it should not be created, &c.; that original sin should be, and that it should not be.
Blaise Pascal (Pensées (Thoughts) [Translated by W. F. Trotter with an Introduction by Thomas S. Kepler])
The cessation of art is something that can only be accomplished when art disappears into its own excess. And that occasion, according to Baudrillard, has already happened. In fact, "art" disappeared a while back (When? Sometimes in the 70's, probably, when information technologies were electrified and became the dominant way in which Western cultures mediated its self-expressions), and its sublimations into the everyday order of simulation was overlooked. Too busy watching reruns of I dream of Jeannie or betwitched I suppose. What is called "art" now is itself a continuous rerun, a rerun of the image of its own disappearance. But said another way, which I'm sure some would rather it be said (though it makes no difference) art is everywhere one and the same with the image of the everyday, if not actually, then potentially. Under these circumstances, because art and the reality that is supposed to set off aesthetic properties have lost their operational difference, unmusic is everywhere Music is not. However, according to the logic of simulation, Music is everywhere so unmusic is nowhere. Yet being everywhere is the same as being nowhere, therefore Music is nowhere, which makes unmusic everywhere. But this is hyperreality and hyperreality trucks no difference between the real and the unreal (artifice), the musical and the unmusical. Thus unmusic eschews Adorno's dialectical impasse to the extent that it is total nonsense, a byproduct of the hyperreal that supervenes a discourse of contradictions and paradoxes where everything is coming up signs.
Eldritch Priest (Boring Formless Nonsense: Experimental Music and the Aesthetics of Failure)
I arrived at the house, after walking through those silent and deserted streets, in which the few who stood seemed occupied on some dark official business, and in which party slogans and symbols disfigured every building. The staircase of the apartment building was also deserted. Everywhere the same expectant silence hung in the air, as when an air raid has been announced, and the town hides from its imminent destruction. Outside the apartment, however, I encountered two policemen, who seized me as I rang the bell and demanded my papers. Dr Tomin came out, and an altercation ensued, during which I was pushed down the stairs. But the argument continued and I was able to push my way up again, past the guards and into the apartment. I found a room full of people, and the same expectant silence. I realized that there really was going to be an air raid, and that the air raid was me. In that room was a battered remnant of Prague’s intelligentsia – old professors in their shabby waistcoats; long-haired poets; fresh-faced students who had been denied admission to university for their parents’ political ‘crimes’; priests and religious in plain clothes; novelists and theologians; a would-be rabbi; and even a psychoanalyst. And in all of them I saw the same marks of suffering, tempered by hope; and the same eager desire for the sign that someone cared enough to help them. They all belonged, I discovered, to the same profession: that of stoker. Some stoked boilers in hospitals; others in apartment blocks; one stoked at a railway station, another in a school. Some stoked where there were no boilers to stoke, and these imaginary boilers came to be, for me, a fitting symbol of the communist economy.
Roger Scruton (How to Be a Conservative)
What is ADHD, anyway? For those still wondering what ADHD is, here’s the briefest summary I can muster: ADHD shows up in two areas of our brain function: working memory and executive functioning.[7] Working memory allows us to hold more than one thing in our brains at once. If you’ve ever run up the stairs, only to find yourself standing in your bedroom wondering what you came for, you’ve experienced a failure of working memory. Again, everyone experiences this from time to time. People with ADHD experience it nonstop, to the point where it impairs our ability to function normally. Working memory holds onto information until we’re able to use it.[8] In addition to forgetting why we opened the refrigerator, having a leaky working memory means we lose information before our brains can move it to long-term storage. We forget a lot of things before we have a chance to act on them or write them down. Our executive functions, on the other hand, give us the power to delay gratification, strategize, plan ahead, and identify and respond to others’ feelings.[9] That’s some list, isn’t it? In the same way a diabetic’s body cannot effectively regulate insulin, imagine your brain being unable to control these behaviors. This explains why ADHDers’ behavior so often defies norms and expectations for their age group — and this persists throughout their lifespan, not just grade school. ADHD isn’t a gift. It isn’t a sign of creativity or intelligence, nor is it a simple character flaw. And it’s more than eccentric distractibility, forgetfulness, and impulsivity. ADHD is a far-reaching disorder that touches every aspect of our lives. If we leave it unchecked, it will generate chaos at home, at work, and everywhere in between.
Jaclyn Paul (Order from Chaos: The Everyday Grind of Staying Organized with Adult ADHD)
America is the wealthiest nation on Earth, but its people are mainly poor, and poor Americans are urged to hate themselves. To quote the American humorist Kin Hubbard, 'It ain’t no disgrace to be poor, but it might as well be.' It is in fact a crime for an American to be poor, even though America is a nation of poor. Every other nation has folk traditions of men who were poor but extremely wise and virtuous, and therefore more estimable than anyone with power and gold. No such tales are told by the American poor. They mock themselves and glorify their betters. The meanest eating or drinking establishment, owned by a man who is himself poor, is very likely to have a sign on its wall asking this cruel question: 'if you’re so smart, why ain’t you rich?' There will also be an American flag no larger than a child’s hand – glued to a lollipop stick and flying from the cash register. America is the wealthiest nation on Earth, but its people are mainly poor, and poor Americans are urged to hate themselves To quote the American humorist Kin Hubbard, 'It ain't no disgrace to be poor, but might as well be.' It is in fact a crime for an American to be poor, even though America is a nation of poor. Every other nation has folk traditions of men who were poor but extremely wise and virtuous, and therefore more estimable than anyone with power and gold. No such tales are told by the American poor. They mock themselves and glorify their betters. The meanest eating or drinking establishment, owned by a man who is himself poor, is very likely to have a sign on its wall asking this cruel question: 'If you're so smart, why ain't You rich? ' There will also be an American flag no larger than a child's hand-glued to a lollipop stick and, flying from the cash register. Americans, like human beings everywhere, believe many things that are obviously untrue, the monograph went on. Their most destructive untruth is that it is very easy for any American to make money. They will not acknowledge how in fact hard money is to come by, and, therefore, those who have no money blame and blame and blame themselves. This inward blame has been a treasure for the rich and powerful, who have had to do less for their poor, publicly and privately, than any other ruling class since, say, Napoleonic times. Many novelties have come from America. The most startling of these, a thing without precedent, is a mass of undignified poor. They do not love one another because they do not love themselves. Once this is understood the disagreeable behavior of American enlisted men in German prisons ceases to be a mystery. Every other army in history, prosperous or not, has attempted to clothe even its lowliest soldiers so as to make them impressive to themselves and others as stylish experts in drinking and copulation and looting and sudden death. The American Army, however, sends its enlisted men out to fight and die in a modified business suit quite evidently made for another man, a sterilized but unpressed gift from a nose-holding charity which passes out clothing to drunks in the slums. When a dashingly-clad officer addresses such a frumpishly dressed bum, he scolds him, as an officer in an army must. But the officer's contempt is not, as in 'other armies, avuncular theatricality. It is a genuine expression of hatred for the poor, who have no one to blame for their misery but themselves. A prison administrator dealing with captured American enlisted men for the first time should be warned: Expect no brotherly love, even between brothers. There will be no cohesion between the individuals. Each will be a sulky child who often wishes he were dead.
Kurt Vonnegut Jr. (Breakfast of Champions)
If I understand anything at all about this great symbolist, it is this: that he regarded only subjective realities as realities, as “truths”—that he saw everything else, everything natural, temporal, spatial and historical, merely as signs, as materials for parables. The concept of “the Son of God” does not connote a concrete person in history, an isolated and definite individual, but an “eternal” fact, a psychological symbol set free from the concept of time. The same thing is true, and in the highest sense, of the God of this typical symbolist, of the “kingdom of God,” and of the “sonship of God.” Nothing could be more un-Christian than the crude ecclesiastical notions of God as a person, of a “kingdom of God” that is to come, of a “kingdom of heaven” beyond, and of a “son of God” as the second person of the Trinity. All this—if I may be forgiven the phrase—is like thrusting one’s fist into the eye (and what an eye!) of the Gospels: a disrespect for symbols amounting to world-historical cynicism.... But it is nevertheless obvious enough what is meant by the symbols “Father” and “Son”— not, of course, to every one—: the word “Son” expresses entrance into the feeling that there is a general transformation of all things (beatitude), and “Father” expresses that feeling itself —the sensation of eternity and of perfection.—I am ashamed to remind you of what the church has made of this symbolism: has it not set an Amphitryon story at the threshold of the Christian “faith”? And a dogma of “immaculate conception” for good measure?... And thereby it has robbed conception of its immaculateness— The “kingdom of heaven” is a state of the heart—not something to come “beyond the world” or “after death.” The whole idea of natural death is absent from the Gospels: death is not a bridge, not a passing; it is absent because it belongs to a quite different, a merely apparent world, useful only as a symbol. The “hour of death” is not a Christian idea —“hours,” time, the physical life and its crises have no existence for the bearer of “glad tidings.”... The “kingdom of God” is not something that men wait for: it had no yesterday and no day after tomorrow, it is not going to come at a “millennium”—it is an experience of the heart, it is everywhere and it is nowhere.... This “bearer of glad tidings” died as he lived and taught—not to “save mankind,” but to show mankind how to live. It was a way of life that he bequeathed to man: his demeanour before the judges, before the officers, before his accusers—his demeanour on the cross. He does not resist; he does not defend his rights; he makes no effort to ward off the most extreme penalty—more, he invites it.... And he prays, suffers and loves with those, in those, who do him evil.... Not to defend one’s self, not to show anger, not to lay blames.... On the contrary, to submit even to the Evil One—to love him.... 36. —We free spirits—we are the first to have the necessary prerequisite to understanding what nineteen centuries have misunderstood—that instinct and passion for integrity which makes war upon the “holy lie” even more than upon all other lies.... Mankind was unspeakably far from our benevolent and cautious neutrality, from that discipline of the spirit which alone makes possible the solution of such strange and subtle things: what men always sought, with shameless egoism, was their own advantage therein; they created the church out of denial of the Gospels.... That mankind should be on its knees before the very antithesis of what was the origin, the meaning and the law of the Gospels—that in the concept of the “church” the very things should be pronounced holy that the “bearer of glad tidings” regards as beneath him and behind him—it would be impossible to surpass this as a grand example of world- historical irony—
Nietszche
The young lady then placed her hands on Kode’s shoulder, letting her cheek rest on top of the pile. The smile on her face was more than a victory smile. It was a happy sign of contentment. Eena wondered. “When do you suppose those two will get married?” She whispered the question to Kira who still had a firm grip on her arm. “Kode get married?” The incredulity on Kira’s face matched her brother’s strong outburst. “Who the hell says I’m gettin’ hitched?” Niki pushed herself away from her boyfriend’s shoulder; her upper lip curled into a resentful scowl at the negative way he had voiced his query. Eena had never meant for them to overhear. She stumbled over a justification for the question. “It’s just that you’ve been together for a while, you know, like a couple. Close. I mean, you’re always together so…I just figured…” she let the notion trail off. Kode looked queasy. “We’re always together ‘cause she bloody follows me around everywhere I go like I’m some freakin’ tour guide!” “Fine!” Niki exclaimed, holding her palms like a defensive wall in front of her. “I’ll leave if that’s what you want. I don’t need you! There’s plenty of other guys who’d love to get their lips on me!” With that outburst, the pretty Mishmorat twirled her body around, setting off on foot with both fists seared into her hips. Kode let her take about four steps before he darted over and dragged her back. She didn’t put up much of a fight, but her beautiful burgundy eyes refused to look at him. “Ungrateful woman,” he murmured. “No one asked you to leave.” Niki continued to glare up at the cloudy sky. Kode sighed a long, perturbed sound. His next words were mumbled like they were torturous to have to speak out loud. “Come on, Niki, you know I don’t want you to go. Who the hell’s gonna keep me in line if you’re gone?” That made the pretty Mishmorat smile. She breathed in deeply and then dropped her gaze onto her man. His face was a goofy grimace, hers a smug grin of satisfaction. Kode threw an arm roughly around his girlfriend and pulled her close to him. He then turned to Eena, shrugging one shoulder. “She’ll probably break down and marry me this summer,” he said. “That’s what I’m thinkin’ anyway.” Niki’s head went back to rest on Kode’s shoulder, right where it had started.
Richelle E. Goodrich (Eena, The Tempter's Snare (The Harrowbethian Saga #5))
In order to refashion the world, it is necessary for people themselves to adopt a different mental attitude. Until man becomes brother unto man, there shall be no brotherhood of men. No kind of science or material advantage will ever induce people to share their property or their rights equitably. No one will ever have enough, people will always grumble, they will always envy and destroy one another. You ask when will all this come about. It will come about, but first there must be an end to the habit of self-imposed isolation of man.’ ‘What isolation?’ I asked him. ‘The kind that is prevalent everywhere now, especially in our age, and which has not yet come to an end, has not yet run its course. For everyone nowadays strives to dissociate himself as much as possible from others, everyone wants to savour the fullness of life for himself, but all his best efforts lead not to fullness of life but to total self-destruction, and instead of ending with a comprehensive evaluation of his being, he rushes headlong into complete isolation. For everyone has dissociated himself from everyone else in our age, everyone has disappeared into his own burrow, distanced himself from the next man, hidden himself and his possessions, the result being that he has abandoned people and has, in his turn, been abandoned. He piles up riches in solitude and thinks: ‘How powerful I am now, and how secure,’ and it never occurs to the poor devil that the more he accumulates, the further he sinks into suicidal impotence. For man has become used to relying on himself alone, and has dissociated himself from the whole; he has accustomed his soul to believe neither in human aid, nor in people, nor in humanity; he trembles only at the thought of losing his money* and the privileges he has acquired. Everywhere the human mind is beginning arrogantly to ignore the fact that man’s true security is to be attained not through the isolated efforts of the individual, but in a corporate human identity. But it is certain that this terrible isolation will come to an end, and everyone will realize at a stroke how unnatural it is for one man to cut himself off from another. This will indeed be the spirit of the times, and people will be surprised how long they have remained in darkness and not seen the light. It is then that the sign of the Son of man will appear in heaven…* But, nevertheless, until then man should hold the banner aloft and should from time to time, quite alone if necessary, set an example and rescue his soul from isolation in order to champion the bond of fraternal love, though he be taken for a holy fool. And he should do this in order that the great Idea should not die…
Fyodor Dostoevsky (The Karamazov Brothers)
In Separation, the second volume of his great trilogy on attachment, John Bowlby described what had been observed when ten small children in residential nurseries were reunited with their mothers after separations lasting from twelve days to twenty-one weeks. The separations were in every case due to family emergencies and the absence of other caregivers, and in no case due to any intent on the parents’ part to abandon the child. In the first few days following the mother's departure the children were anxious, looking everywhere for the missing parent. That phase was followed by apparent resignation, even depression on the part of the child, to be replaced by what seemed like the return of normalcy. The children would begin to play, react to caregivers, accept food and other nurturing. The true emotional cost of the trauma of loss became evident only when the mothers returned. On meeting the mother for the first time after the days or weeks away, every one of the ten children showed significant alienation. Two seemed not to recognize their mothers. The other eight turned away or even walked away from her. Most of them either cried or came close to tears; a number alternated between a tearful and an expressionless face. The withdrawal dynamic has been called “detachment” by John Bowlby. Such detachment has a defensive purpose. It has one meaning: so hurtful was it for me to experience your absence that to avoid such pain again, I will encase myself in a shell of hardened emotion, impervious to love — and therefore to pain. I never want to feel that hurt again. Bowlby also pointed out that the parent may be physically present but emotionally absent owing to stress, anxiety, depression, or preoccupation with other matters. From the point of view of the child, it hardly matters. His encoded reactions will be the same, because for him the real issue is not merely the parent's physical presence but her or his emotional accessibility. A child who suffers much insecurity in his relationship with his parents will adopt the invulnerability of defensive detachment as his primary way of being. When parents are the child's working attachment, their love and sense of responsibility will usually ensure that they do not force the child into adopting such desperate measures. Peers have no such awareness, no such compunctions, and no such responsibility. The threat of abandonment is ever present in peer-oriented interactions, and it is with emotional detachment that children automatically respond. No wonder, then, that cool is the governing ethic in peer culture, the ultimate virtue. Although the word cool has many meanings, it predominately connotes an air of invulnerability. Where peer orientation is intense, there is no sign of vulnerability in the talk, in the walk, in the dress, or in the attitudes.
Gabor Maté (Hold On to Your Kids: Why Parents Need to Matter More Than Peers)
329 Leisure and Idleness. - There is an Indian savagery, a savagery peculiar to the Indian blood, in the manner in which the Americans strive after gold: and the breathless hurry of their work- the characteristic vice of the New World-already begins to infect old Europe, and makes it savage also, spreading over it a strange lack of intellectuality. One is now ashamed of repose: even long reflection almost causes remorse of conscience. Thinking is done with a stop-watch, as dining is done with the eyes fixed on the financial newspaper; we live like men who are continually " afraid of letting opportunities slip." " Better do anything whatever, than nothing "-this principle also is a noose with which all culture and all higher taste may be strangled. And just as all form obviously disappears in this hurry of workers, so the sense for form itself, the ear and the eye for the melody of movement, also disappear. The proof of this is the clumsy perspicuity which is now everywhere demanded in all positions where a person would like to be sincere with his fellows, in intercourse with friends, women, relatives, children, teachers, pupils, leaders and princes,-one has no longer either time or energy for ceremonies, for roundabout courtesies, for any esprit in conversation, or for any otium whatever. For life in the hunt for gain continually compels a person to consume his intellect, even to exhaustion, in constant dissimulation, overreaching, or forestalling: the real virtue nowadays is to do something in a shorter time than another person. And so there are only rare hours of sincere intercourse permitted: in them, however, people are tired, and would not only like " to let themselves go," but to stretch their legs out wide in awkward style. The way people write their letters nowadays is quite in keeping with the age; their style and spirit will always be the true " sign of the times." If there be still enjoyment in society and in art, it is enjoyment such as over-worked slaves provide for themselves. Oh, this moderation in "joy" of our cultured and uncultured classes! Oh, this increasing suspiciousness of all enjoyment! Work is winning over more and more the good conscience to its side: the desire for enjoyment already calls itself " need of recreation," and even begins to be ashamed of itself. " One owes it to one's health," people say, when they are caught at a picnic. Indeed, it might soon go so far that one could not yield to the desire for the vita contemplativa (that is to say, excursions with thoughts and friends), without self-contempt and a bad conscience.-Well! Formerly it was the very reverse: it was "action" that suffered from a bad conscience. A man of good family concealed his work when need compelled him to labour. The slave laboured under the weight of the feeling that he did something contemptible :- the "doing" itself was something contemptible. "Only in otium and bellum is there nobility and honour:" so rang the voice of ancient prejudice !
Friedrich Nietzsche (The Gay Science with a Prelude in Rhymes and an Appendix of Songs)
College students were instructed to sit by themselves for up to fifteen minutes in a sparsely furnished, unadorned room and “entertain themselves with their thoughts.” They were allowed to think about whatever they liked, the only rules being that they should remain in their seat and stay awake. Before they entered the room they were obliged to surrender any means of distraction they had about their person, such as cell phones, books, or writing materials. Afterward, they were asked to rate the experience on various scales. Unsurprisingly, a majority reported that they found it difficult to concentrate and their minds had wandered, with around half saying they didn’t enjoy the experience. A subsequent experiment, however, revealed that many found being left alone in an empty room with nothing to occupy their minds so unpleasant (this is, after all, what makes solitary confinement such a harsh punishment in prisons) that they would rather give themselves electric shocks. In the first part of this experiment, the volunteers were asked to rate the unpleasantness of a shock delivered via electrodes attached to their ankle and say whether they would pay a small amount of money to avoid having to experience it again. In the second part, during which they were left alone with their thoughts for fifteen minutes, they were presented with the opportunity to zap themselves once again. Amazingly, among those who had said they would pay to avoid a repeat experience, 67 percent of the men (12 out of 18) and 25 percent of the women (6 out of 24) opted to shock themselves at least once. One of the women gave herself nine electric shocks. One of the men subjected himself to no fewer than 190 shocks, though he was considered exceptional—a statistical “outlier”—and his results were excluded from the final analysis. In their report for the journal Science, the researchers write, “What is striking is that simply being alone with their own thoughts for 15 minutes was apparently so aversive that it drove many participants to self-administer an electric shock that they had earlier said they would pay to avoid.” This goes a long way toward explaining why many people initially find it so hard to meditate, because to sit quietly with your eyes closed is to invite the mind to wander here, there, and everywhere. In a sense, that is the whole point: we are simply learning to notice when this has happened. So the frustrating realization that your thoughts have been straying—yet again—is a sign of progress rather than failure. Only by noticing the way thoughts ricochet about inside our heads like ball bearings in a pinball machine can we learn to observe them dispassionately and simply let them come to rest, resisting the urge to pull back the mental plunger and fire off more of them. One of the benefits of meditation is that one develops the ability to quiet the mind at will. “Without such training,” the psychologists conclude drily in their paper, “people prefer doing to thinking, even if what they are doing is so unpleasant they would normally pay to avoid it. The untutored mind does not like to be alone with itself.
James Kingsland (Siddhartha's Brain: Unlocking the Ancient Science of Enlightenment)
To those who have looked at Rome with the quickening power of a knowledge which breathes a growing soul into all historic shapes, and traces out the suppressed transitions which unite all contrasts, Rome may still be the spiritual centre and interpreter of the world. But let them conceive one more historical contrast: the gigantic broken revelations of that Imperial and Papal city thrust abruptly on the notions of a girl who had been brought up in English and Swiss Puritanism, fed on meagre Protestant histories and on art chiefly of the hand-screen sort; a girl whose ardent nature turned all her small allowance of knowledge into principles, fusing her actions into their mould, and whose quick emotions gave the most abstract things the quality of a pleasure or a pain; a girl who had lately become a wife, and from the enthusiastic acceptance of untried duty found herself plunged in tumultuous preoccupation with her personal lot. The weight of unintelligible Rome might lie easily on bright nymphs to whom it formed a background for the brilliant picnic of Anglo-foreign society; but Dorothea had no such defence against deep impressions. Ruins and basilicas, palaces and colossi, set in the midst of a sordid present, where all that was living and warm-blooded seemed sunk in the deep degeneracy of a superstition divorced from reverence; the dimmer but yet eager Titanic life gazing and struggling on walls and ceilings; the long vistas of white forms whose marble eyes seemed to hold the monotonous light of an alien world: all this vast wreck of ambitious ideals, sensuous and spiritual, mixed confusedly with the signs of breathing forgetfulness and degradation, at first jarred her as with an electric shock, and then urged themselves on her with that ache belonging to a glut of confused ideas which check the flow of emotion. Forms both pale and glowing took possession of her young sense, and fixed themselves in her memory even when she was not thinking of them, preparing strange associations which remained through her after-years. Our moods are apt to bring with them images which succeed each other like the magic-lantern pictures of a doze; and in certain states of dull forlornness Dorothea all her life continued to see the vastness of St. Peter's, the huge bronze canopy, the excited intention in the attitudes and garments of the prophets and evangelists in the mosaics above, and the red drapery which was being hung for Christmas spreading itself everywhere like a disease of the retina. Not that this inward amazement of Dorothea's was anything very exceptional: many souls in their young nudity are tumbled out among incongruities and left to "find their feet" among them, while their elders go about their business. Nor can I suppose that when Mrs. Casaubon is discovered in a fit of weeping six weeks after her wedding, the situation will be regarded as tragic. Some discouragement, some faintness of heart at the new real future which replaces the imaginary, is not unusual, and we do not expect people to be deeply moved by what is not unusual. That element of tragedy which lies in the very fact of frequency, has not yet wrought itself into the coarse emotion of mankind; and perhaps our frames could hardly bear much of it. If we had a keen vision and feeling of all ordinary human life, it would be like hearing the grass grow and the squirrel's heart beat, and we should die of that roar which lies on the other side of silence. As it is, the quickest of us walk about well wadded with stupidity.
George Eliot (Middlemarch)
But Muslims now find themselves in a world shaped by western theories and western values. If we are to consider how Islamic communities conducted their affairs throughout the greater part of their history, it may be convenient to compare and contrast this way of life with the contemporary western model. Today the Muslims are urged to embrace democracy and are condemned for political corruption, while western scholars debate whether Islam can ever accommodate the democratic ideal. On the whole, they think not. Democracy, they believe, is a sign of political maturity and therefore of superiority. Western societies, since they are seen as democratic, exemplify this superiority. So there is one question that has to be pressed home: what, precisely, is meant by democracy? Let me put forward an imaginary Arab who knows nothing of western ways but would like to learn about them. He is aware that the literal meaning of the word democracy is "mob rule", but understands that this is not what westerners mean by it. He wonders how this meaning has, in practice, been modified and, since his questions are directed to an Englishman, he is not altogether surprised to be told that Britain is the exemplary democracy. He learns that the people—all except children, lunatics and peers of the realm—send their representatives to Parliament to speak for them. He is assured that these representatives never accept bribes to vote against their consciences or against the wishes of their constituents. He enquires further and is astonished to learn that the political parties employ what are known as Whips, who compel members to vote in accordance with the party line, even if this conflicts both with their consciences and with the views of the people who elected them. In this case it is not money but ambition for office that determines the way they vote. "But is this not corruption?" he asks naively. The Englishman is shocked. "But at least the party in power represents the vast majority of the electorate?" This time the Englishman is a little embarrassed. It is not quite like that. The governing party, which enjoys absolute power through its dominance in the House of Commons, represents only a minority of the electorate. "Are there no restraints on this power?" There used to be, he is told. In the past there was a balance between the Crown, the House of Lords and the Commons, but that was seen as an undemocratic system so it was gradually eroded. The "sovereignty" of the Lower House is now untrammelled (except, quite recently, by unelected officials in Brussels). "So this is what democracy means?" Our imaginary Arab is baffled. He investigates further and is told that, in the 1997 General Election, the British people spoke with one voice, loud and clear. A landslide victory gave the Leader of the Labour Party virtually dictatorial powers. Then he learns that the turn-out of electors was the lowest since the war. Even so, the Party received only forty-three per cent of the votes cast. He wonders if this can be the system which others wish to impose on his own country. He is aware that various freedoms, including freedom of the press, are essential components of a democratic society, but no one can tell him how these are to be guaranteed if the Ruler, supported by a supine—"disciplined"—House of Commons enjoys untrammelled authority. He knows a bit about rulers and the way in which they deal with dissent, and he suspects that human nature is much the same everywhere. Barriers to oppression soon fall when a political system eliminates all "checks and balances" and, however amiable the current Ruler may be, there is no certainty that his successors, inheriting all the tools of power, will be equally benign. He turns now to an American and learns, with some relief since he himself has experienced the oppression of absolutism, that the American system restrains the power of the President by that of the Congress and the Supreme Court; moreover, the electe
Anonymous
The first green leaf daring to live among the gloom felt like a trick, a delusion of her breaking mind. But then there was another and another. A canopy of gorgeous green. Everywhere she looked now, there was sunlight, snow-dusted trees, and chirping blue birds, and she was half-afraid she'd lost her mind. The flowers came next, in delirious shades of yellow and mind and mermaid teal. They lined a sloping road that let down in to a valley with an inn and a lake and an aged sign that read Welcome to the Hollow! ... ...finally they stopped at an inn that couldn't be real. It had to be part of a dream. The rooftop was covered in enormous cheery mushrooms with red caps that had tiny dragons dozing upon them. Then there were the flowers, so large they were the size of small children, with bright-coloured petals in every shade, which seemed to perk up as the two of them arrived.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
The first green leaf daring to live among the gloom felt like a trick, a delusion of her breaking mind. But then there was another and another. A canopy of gorgeous green. Everywhere she looked now, there was sunlight, snow-dusted trees, and chirping blue birds, and she was half-afraid she'd lost her mind. The flowers came next, in delirious shades of yellow and pink and mermaid teal. They lined a sloping road that let down in to a valley with an inn and a lake and an aged sign that read Welcome to the Hollow! ...finally they stopped at an inn that couldn't be real. It had to be part of a dream. The rooftop was covered in enormous cheery mushrooms with red caps that had tiny dragons dozing upon them. Then there were the flowers, so large they were the size of small children, with bright-coloured petals in every shade, which seemed to perk up as the two of them arrived.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
Our reading was powerful. Caleb came through so forcefully. All of the energy and passion that had marked his life on earth was still there, only amplified. He was brimming with love and excitement. “He wants me to explain to you what it feels like on the Other Side,” I told Eliza. “He says it feels like the most love you can ever possibly feel, multiplied by eight billion percent.” There was so much more—a steady stream of impressions and ideas. “Mommy, Daddy, it is amazing here,” Caleb said. “It’s like outer space, but better. I can be everywhere at once. I can be both dark and light. You wouldn’t believe how incredible it is. “I am home now,” Caleb told his mother. “And it’s your home, too, you just don’t remember it.
Laura Lynne Jackson (Signs: The Secret Language of the Universe)
Our reading was powerful. Caleb came through so forcefully. All of the energy and passion that had marked his life on earth was still there, only amplified. He was brimming with love and excitement. “He wants me to explain to you what it feels like on the Other Side,” I told Eliza. “He says it feels like the most love you can ever possibly feel, multiplied by eight billion percent.” There was so much more—a steady stream of impressions and ideas. “Mommy, Daddy, it is amazing here,” Caleb said. “It’s like outer space, but better. I can be everywhere at once. I can be both dark and light. You wouldn’t believe how incredible it is. “I am home now,” Caleb told his mother. “And it’s your home, too, you just don’t remember it.” Caleb’s message was very specific. He wanted his parents to know that their job had been to give him unconditional love, and that they’d done their job beautifully and completely. He said his time on earth was supposed to be brief, and that he was never meant to suffer, which he didn’t. He kept saying how dying was like falling asleep and waking up in the best dream ever. Most of all, he wanted his parents to know that he was okay—and that they would be okay, too, because they hadn’t lost him after all. He was still with them, and he always would be.
Laura Lynne Jackson (Signs: The Secret Language of the Universe)
Page 83: The Chinese hold equally strong prejudices about the Thai. With them, however, derogatory opinions are rarely expressed publicly, either in newspapers or by Chinese leaders. The typical Chinese meets any unpleasantness with a smile or a resigned shrug. Yet by associating with the Chinese one soon realizes the depth of their contempt and bitterness. The Thai are characterized as indolent if not outright lazy, untrustworthy, and slippery in business dealings. A Chinese merchant will rather employ an Indian as a watchman or chauffeur than hire a Thai. Almost universal is the belief among the Chinese immigrant group that Thai women are morally loose and therefore undesirable as wives. This is certainly an instance of a double standard for the signs of blatant promiscuity on the part of Chinese males are everywhere apparent. Scores of houses of prostitution are located in the Chinese districts of Bangkok, and virtually every Chinese hotel in the country doubles as a call house.
Richard J. Coughlin (Double Identity: The Chinese in Modern Thailand)
What was he, stripped of all the signs he flashed? People were standing up everywhere, shouting “This is me! This is me!” Every time you looked at them they stood up and told you who they were, and the truth of it was that they had no more idea of who or what they were than he had. They believed their flashing signs too. They ought to be standing up and shouting, “This isn’t me! This isn’t me!” They would if they had any decency. “This isn’t me!” Then you might know how to proceed through the flashing bullshit of this world.
Philip Roth (American Pastoral (The American Trilogy, #1))
Signs, they say, are everywhere if you care enough to look for them. Yet sometimes you need a person to point them out to you.
Ranjani Rao (Rewriting My Happily Ever After - A Memoir of Divorce and Discovery)
Message to Extraterrestrial Civilizations First Draft [Complete Text] Attention, you who have received this message! This message was sent out by a country that represents revolutionary justice on Earth! Before this, you may have already received other messages sent from the same direction. Those messages were sent by an imperialist superpower on this planet. That superpower is struggling against another superpower for world domination so that it can drag human history backwards. We hope you will not listen to their lies. Stand with justice, stand with the revolution! [Instructions from Central Leadership] >This is utter crap! It’s enough to put up big-character posters27 everywhere on the ground, but we should not send them into space. The Cultural Revolution leadership should no longer have any involvement with Red Coast. Such an important message must be composed carefully. It’s probably best to have it drafted by a special committee and then discussed and approved by a meeting of the Politburo. Signed: XXX Date: XX/XX/196X Second Draft [omitted] Third Draft [omitted] Fourth Draft [Complete Text] We extend our best wishes to you, inhabitants of another world. After reading the following message, you should have a basic understanding of civilization on Earth. By dint of long toil and creativity, the human race has built a splendid civilization, blossoming with a multitude of diverse cultures. We have also begun to understand the laws governing the natural world and the development of human societies. We cherish all that we have accomplished. But our world is still flawed. Hate exists, as does prejudice and war. Because of conflicts between the forces of production and the relations of production, wealth distribution is extremely uneven, and large portions of humanity live in poverty and misery. Human societies are working hard to resolve the difficulties and problems they face, striving to create a better future for Earth civilization. The country that sent this message is engaged in this effort. We are dedicated to building an ideal society, where the labor and value of every member of the human race are fully respected, where everyone’s material and spiritual needs are fully met, so that civilization on Earth may become more perfect. With the best of intentions, we look forward to establishing contact with other civilized societies in the universe. We look forward to working together with you to build a better life in this vast universe.
Liu Cixin (The Three-Body Problem (Remembrance of Earth’s Past, #1))
Message to Extraterrestrial Civilizations First Draft [Complete Text] Attention, you who have received this message! This message was sent out by a country that represents revolutionary justice on Earth! Before this, you may have already received other messages sent from the same direction. Those messages were sent by an imperialist superpower on this planet. That superpower is struggling against another superpower for world domination so that it can drag human history backwards. We hope you will not listen to their lies. Stand with justice, stand with the revolution! [Instructions from Central Leadership] This is utter crap! It’s enough to put up big-character posters everywhere on the ground, but we should not send them into space. The Cultural Revolution leadership should no longer have any involvement with Red Coast. Such an important message must be composed carefully. It’s probably best to have it drafted by a special committee and then discussed and approved by a meeting of the Politburo. Signed: XXX Date: XX/XX/196X Second Draft [omitted] Third Draft [omitted] Fourth Draft [Complete Text] We extend our best wishes to you, inhabitants of another world. After reading the following message, you should have a basic understanding of civilization on Earth. By dint of long toil and creativity, the human race has built a splendid civilization, blossoming with a multitude of diverse cultures. We have also begun to understand the laws governing the natural world and the development of human societies. We cherish all that we have accomplished. But our world is still flawed. Hate exists, as does prejudice and war. Because of conflicts between the forces of production and the relations of production, wealth distribution is extremely uneven, and large portions of humanity live in poverty and misery. Human societies are working hard to resolve the difficulties and problems they face, striving to create a better future for Earth civilization. The country that sent this message is engaged in this effort. We are dedicated to building an ideal society, where the labor and value of every member of the human race are fully respected, where everyone’s material and spiritual needs are fully met, so that civilization on Earth may become more perfect. With the best of intentions, we look forward to establishing contact with other civilized societies in the universe. We look forward to working together with you to build a better life in this vast universe.
Liu Cixin (The Three-Body Problem (Remembrance of Earth’s Past, #1))
I thought about the slippery dream of nationalism. We’ve always been clannish, but nationalism is surprisingly modern, growing from the Romanticism of the eighteenth century when an idea emerged that there was a national soul, akin here to ‘The Myanmar Spirit’. The spirit of a nation is tied to its art, literature and traditions, and to the mishmash of things we call culture. Nationalism helped mould identities and was crucial in spelling the end of colonialism and in reinforcing the right to self-governance. But it is, of course, a lie. Everywhere is, and always has been, multicultural.
Stephen Fabes (Signs of Life: To the Ends of the Earth with a Doctor)
So you know how to help me?” Lucy asks, desperate hope cracking through her calm. The doctor’s smile fades ever so slightly. “I’m afraid that the studies on these particular conditions are still quite new, but if what you have is the same as what I’ve seen before, well…there’s a possibility that you could have this condition for the rest of your life.” Lucy stills. “You mean there’s nothing we can do?” The doctor sets a comforting hand on Lucy’s knee. “We’ve made lots of progress with some treatments that help alleviate the symptoms—medications and diet changes you can try—but I just wanted you to be mentally and emotionally prepared for a bit of a long haul.” Lucy asks questions, and the doctor answers as best she can, and finally, after what feels like an eternity, the doctor leaves, shutting the door with a gentle click. Lucy and I sit in silence for several moments. I watch her face for any sign of emotion, but it’s blank. She stares at the wall, cupping George stonily to her chest. After a moment I ask, “Do you want to talk about it?” She sniffs. “I don’t know what there is to say.” “What are you feeling?” “Angry,” she says, planting a fierce kiss on George’s head and depositing him into his tank before turning back to me. “I mean… what the hell, Myra? Why does everything always have to be a fight?” Her eyes shine as she spits the words out. “For once, I thought I could be done with this. We’re finally here, at a hospital. Doctors are everywhere. I guess I hoped they’d have more answers, I’m angry that they don’t.” “It’s not fair at all.” I nod. “And it makes me so mad I could break something.” She laughs, but it turns into a sob, and she draws her knees up against her chest. “I’m also scared. Of hurting forever. Of not being able to do the things I dream of doing. Of not getting to live the life I want to.” She looks at me, tears dropping down her cheeks. “Of holding you back from the life you want.
Jessica S. Olson (A Forgery of Roses)
America is the wealthiest nation on Earth, but its people are mainly poor, and poor Americans are urged to hate themselves. To quote the American humorist Kin Hubbard, “It ain’t no disgrace to be poor, but it might as well be.” It is in fact a crime for an American to be poor, even though America is a nation of poor. Every other nation has folk traditions of men who were poor but extremely wise and virtuous, and therefore more estimable than anyone with power and gold. No such tales are told by the American poor. They mock themselves and glorify their betters. The meanest eating or drinking establishment, owned by a man who is himself poor, is very likely to have a sign on its wall asking this cruel question: “If you’re so smart, why ain’t you rich?” There will also be an American flag no larger than a child’s hand—glued to a lollipop stick and flying from the cash register. • • • The author of the monograph, a native of Schenectady, New York, was said by some to have had the highest I.Q. of all the war criminals who were made to face a death by hanging. So it goes. Americans, like human beings everywhere, believe many things that are obviously untrue, the monograph went on. Their most destructive untruth is that it is very easy for any American to make money. They will not acknowledge how in fact hard money is to come by, and, therefore, those who have no money blame and blame and blame themselves. This inward blame has been a treasure for the rich and powerful, who have had to do less for their poor, publicly and privately, than any other ruling class since, say, Napoleonic times. Many novelties have come from America. The most startling of these, a thing without precedent, is a mass of undignified poor. They do not love one another because they do not love themselves. Once this is understood, the disagreeable behavior of American enlisted men in German prisons ceases to be a mystery. • • • Howard W. Campbell, Jr., now discussed the uniform of the American enlisted in World War Two: Every other army in history, prosperous or not, has attempted to clothe even its lowliest soldiers so as to make them impressive to themselves and others as stylish experts in drinking and copulation and looting and sudden death. The American Army, however, sends its enlisted men out to fight and die in a modified business suit quite evidently made for another man, a sterilized but unpressed gift from a nose-holding charity which passes out clothing to drunks in the slums. When a dashingly-clad officer addresses such a frumpishly dressed bum, he scolds him, as an officer in any army must. But the officer’s contempt is not, as in other armies, avuncular theatricality. It is a genuine expression of hatred for the poor, who have no one to blame for their misery but themselves. A prison administrator dealing with captured American enlisted men for the first time should be warned: Expect no brotherly love, even
Kurt Vonnegut Jr. (Slaughterhouse-Five)
Even if we restrict ourselves to the comparatively limited conceptual repertoire for talking about such matters that early Wittgenstein makes available, we may already say this: in order to learn a first language, the potential speaker needs not only to learn to see the symbol in the sign, she needs the very idea of language to become actual in her. This formal aspect of what it is to be human—the linguistic capacity as such—is something that dawns with the learning of one’s first language, with one’s becoming the bearer of a linguistic practice. We touched above, in the reply to Sullivan, on how the Tractatus inherits and adapts yet a further feature of the Kantian enterprise of critique: it starts with the assumption not only that we already have the very faculty we seek to elucidate in philosophy, but also that the prosecution of the philosophical inquiry must everywhere involve the exercise of the very capacity it seeks to elucidate. The Tractatus does not seek to confer the power of language on us: we already have this and bring it to our encounter with the book. Hence, it does not seek to explain what language is (as it is sometimes put) from sideways-on—from a position outside language—but rather from the self-conscious perspective of someone who already, in seeking philosophical clarity about what language is, seeks clarity about herself qua linguistic being. Through its exercise, however, the book does seek to confer a heightened mastery of that capacity on us—a reflective self- understanding of its logic and its limits, and of the philosophical confusions that arise from misunderstandings thereof. This heightened mastery (like the general power itself) can be acquired only through forms of further exercise of that same capacity. What I just said about the Tractatus, at this level of methodological abstraction, is no less true of the method of the Philosophical Investigations. The author of the Tractatus, however, unlike later Wittgenstein, never pauses for even a moment to reflect upon what it means to learn to recognize the symbol in the sign through attending to contexts of significant use. Nevertheless, early Witt- genstein would certainly agree with his later self on this point: for the learner of language, light must gradually dawn over the whole—over sign and symbol together.
James Ferguson Conant (The Logical Alien: Conant and His Critics)
That afternoon, as I went to vote and then returned, that impoverished, rundown, ebulliently multiracial neighborhood was also an unbroken forest of pro-Trump signage. Trump’s name and his slogan “Make America Great Again” were everywhere. And Clinton? If you wanted to see any of her signs you had to walk uphill to a different part of town. That way lies one of Cumberland’s few well-to-do neighborhoods, where you won’t see friends tipping back beers on porches or mixed-race couples walking down the street holding hands. That’s where you found the Clinton campaign signs—“ I’m With Her”—on that pleasant November afternoon. They were with her. The workingclass people down the hill, struggling to get by after decades of increasingly bleak times in America’s flyover states, were with Trump.
John Michael Greer (The King in Orange: The Magical and Occult Roots of Political Power)
We are sinking under the weight of the taxpayer burdens to the tune of $46.7 billion dollars to fund just one executive order by the treasonous President Clinton, Executive Order 13166, that requires multi-lingualism everywhere and everyplace. This is the main reason why you see so many signs, descriptions on food products, etc. in Spanish. It was mandated by law.
J. Micha-el Thomas Hays (Rise of the New World Order: The Culling of Man)
Los Angeles was black, full dark no stars, hills everywhere. There were long stretches of road and sidewalks, on either side neon signs, overhead street-lamps, standing in protest to the overwhelming blackness of the night. The town's lighting seemed powerless against it. Houses were darkened, some hidden on back roads, behind gates and walled gardens. No one seemed to walk anywhere at night. And yet, the city seemed alive. Not like New York, not like a live wire, a town hopped up on electricity. Los Angeles was different, like a cobra in the grass, creeping, coiling onto itself in the night...
H.L. Sudler, Night as We Know It
Damaged children are all of the same tribe: I can look at any adult and recognize one instantly— we’re everywhere. Lost childhood lingers like tribal scars— in an off-kilter smile or a look in the eye— there’s always some sign.
Diana Abu-Jaber (Origin)
If I could make my neighbors up, I could love them in a minute. I could make them in my own image, looking back at me with deep gratitude for how authentically human I am being to them—and they to me!—reading poetry to each other, admiring pictures of each other’s grandchildren, and taking casseroles to each other when we are sick. But nine times out of ten these are not the neighbors I get. Instead, I get neighbors who cancel my vote, burn trash in their yard, and shoot guns so close to my house that I have to wear an orange vest when I walk to the mailbox. These neighbors I did not make up knock on my front door to offer me the latest issue of The Watchtower. They put things on their church signs that make me embarrassed for all Christians everywhere. They text while they drive, flipping me off when I pass their expensive pickup trucks on the right, in spite of the fish symbols on their shiny rear bumpers.
Barbara Brown Taylor (Holy Envy: Finding God in the Faith of Others)
The strategy of exorcizing the sexual body by wildly exaggerating the signs of sex, of exorcizing desire by its secret depolarization and the exaggeration of its mise en scene, is much more effective than that of good old repression, which , by contrast, used prohibition to create difference. Yet it is not clear who benefits from this strategy, as everyone suffers it without distinction. This travestied regime - in the broadest sense — has become the very basis of our institutions. You find it everywhere — in politics, architecture, theory, ideology and even in science. You even find it in our desperate quest for identity and difference. We no longer have the time to seek out an identity in the historical record, in memory , in a past, nor indeed in a project or a future. We have to have an instant memory which we can plug in to immediately - a kind of promotional identity which can be verified at every moment. What we look for today, where the body is concerned , is not so much health, which is a state of organic equilibrium, but fitness, which is an ephemeral , hygienic , promotional radiance of the body - much more a performance than an ideal state — which turns sickness into failure. In terms of fashion and appearance , we no longer pursue beauty or seductiveness, but the 'look' . Everyone is after their 'look'. Since you can no longer set any store by your own existence (we no longer look at each other - and seduction is at an end!), all that remains is to perform an appearing act, without bothering to be, or even to be seen. It is not: 'I exist, I'm here' , but 'I'm visible, I'm image — look , look!' This is not even narcissism. It's a depthless extraversion, a kind of promotional ingenuousness in which everyone becomes the impresario of his/her own appearance. The 'look ' is a kind of minimal, low-definition image, like the video image or, as McLuhan would say, a tactile image , which provokes neither attention nor admiration, as fashion still does, but is a pure special effect without any particular meaning . The look is not exactly fashion any more; it is a form of fashion which has passed beyond. It no longer subscribes to a logic of distinction and it is no longer a play of difference; it plays at difference without believing in it. It is indifference. Being oneself becomes an ephemeral performance , with no lasting effects, a disenchanted mannerism in a world without manners.
Jean Baudrillard (Screened Out)
Racetracks seem to reward innocence. If babies were permitted to wager, they'd ultimately win so much money that management everywhere would bar them. NO BABIES ALLOWED, says a big sign at Hialeah. At Belmont Park, it reads, BEAT IT, BABIES.
Bill Barich (Traveling Light: A Year of Wandering, from California to England and Tuscany and Back Again)
Legions of eight-year-old girls were pursuing both skaters everywhere. Too young to have learned “Thrilled to meet you!” or other adult forms of flattery, the little girls just studied Tara and Michelle with hard dolls’ eyes while waiting for their heroines to sign their autograph books.
David Remnick (The Only Game in Town: Sportswriting from The New Yorker)
With Barthes, signs no longer need to be signals: they have become clues. A seismic shift. They’re everywhere. From now on, semiology is ready to conquer the world.
Laurent Binet (The Seventh Function of Language)
One of the signs of this [screen] promiscuity is the compulsion of confinement which we see flourishing everywhere - whether it is like the confinement seen in Loft Story or that of an island, a gated community, a luxury ghetto, or any space where people recreate in an experimental nest or privileged zone - some sort of equivalent space of initiation where the laws of open society are abolished. It is no longer about protecting a symbolic territory but of closing oneself off with one’s own self-image, to live promiscuously with it as in a nest, in an incestuous complicity with it and with all the effects of transparency and feedback images which are those of a total screen, no longer having anything to do with others but via the relationship of image-to-image.
Jean Baudrillard (Telemorphosis (Univocal))
The people around him, his family, his friends, aroused a feeling of shame and rage within him. He had seen them on the road, them and people like them: he recalled the cars full of officers running away with their beautiful yellow trunks and their painted women, civil servants abandoning their posts, panic-stricken politicians dropping files of secret papers along the road, young girls, who had diligently wept the day the armistice was signed, being comforted in the arms of the Germans. “And to think that no one will know, that there will be such a conspiracy of lies that all this will be transformed into yet another glorious page in the history of France. We’ll do everything we can to find acts of devotion and heroism for the official records. Good God! To see what I’ve seen! Closed doors where you knock in vain to get a glass of water and refugees who pillaged houses; everywhere, everywhere you look, chaos, cowardice, vanity and ignorance! What a wonderful race we are!
Irène Némirovsky (Suite Française)
The signs were everywhere, it seemed. What it meant depended on which god you worshipped. The God of Denial, the God of Revenge, the God of Beauty, Prosperity, Youth. All shared the same name—God will lift you up. God will strike you down!—but it wasn’t possible that White Supremacist Jesus and Civil Rights Jesus were the same person, that splash a pregnant woman with blood Jesus and turn the other cheek Jesus were even the same species of deity.
Noah Hawley (Anthem)
and all the songs were in the language of the cardboard signs she saw everywhere she went. Please Help. Need Help. Help me. Trying to get home. Lost everything. Signs written in want, need, must, hungry, sick, lonely, scared. Songs for people who couldn’t escape the weight that pressed down on their backs like a mountain, crushed them to the ground, who couldn’t walk because they were too tired, who couldn’t run away because their feet were in chains, who couldn’t think of a solution because they were too hungry to think past their next meal.
Grady Hendrix (We Sold Our Souls)
Please Dear" Please, all I wanted was a change Lisa, I never wanted you to go that far away Then you had to go And leave me sitting all alone Oh baby, how I miss you so And I'm so damn tired of thinking She wiped the tears away A lifetime away And laid a goodbye on me At night I can still hear you saying Hang on to me, baby Hang on to me It ain't easy Please dear Could you save a seat in nirvana for me So we can go on forever Please dear Could you save a seat in nirvana for me Lisa, every time I turn around I see your face Please give me a sign that says you're o.k. Will you let me know That you'll me at the door And take me everywhere you go Up in the sky when I buy my ticket I have a hard time sleeping You're ringing your bell Reminds me of all the times of playing At night I can still hear you saying Hang on to me, baby Hang on to me It ain't easy Please dear Could you save a seat in nirvana for me So we can go on forever Please dear Could you save a seat in nirvana for me I never wanted to say goodbye I always wondered why It's another sleepless night Are you really, are you all right You're so far away Oh, I miss your face Faster Pussycat, Wake Me When It's Over (1989)
Faster Pussycat
i feel you like… a breath on the air, and in the light… like a memory. or a dream. or a sign of something, in a hope for somewhere, with a hold on anything… i feel you everywhere, i look for you in everything.
butterflies rising
The school stank of Lysol, and several times a day they all had to line up and wash their hands. Clean hands save lives was the message being hammered into them. When it came to spreading infection, they were informed, they themselves--school kids--were the biggest culprits. Even if you weren't sick yourself, you could shed germs and make other people sick. Cole was struck by the word shed. The idea that he could shed invisible germs the way Sadie shed dog hairs was awesome to him. He pictured the germs as strands of hair with legs like centipedes, invisible but crawling everywhere. Minibottles of sanitizer were distributed for use when soap and water weren't available. Everyone was supposed to receive a new bottle each day, but the supply ran out quickly--not just at school but all over. Among teachers this actually brought relief, because the white, slightly sticky lotion was so like something else that some kids couldn't resist. Gobs started appearing on chairs, on the backs of girls' jeans, or even in their hair, and one boy caused an uproar by squirting it all over his face. Never Sneeze into Your Hand, read signs posted everywhere. And: Keep Your Hands to Yourself (these signs had actually been there before but now had a double meaning). If you had to sneeze, you should do it into a tissue. If you didn't have a tissue, you should use the crook of your arm. "But that's vomitous," squealed Norris (one of the two whispering blondes). These rules were like a lot of other school rules: nobody paid much attention to them. Some school employees started wearing rubber gloves. Cafeteria servers, who already wore gloves, started wearing surgical masks as well. Cole lost his appetite. He couldn't stop thinking about hospitals. Flesh being cut open, flesh being sewn up. How could you tell if you had the flu? The symptoms were listed on the board in every room: Fever. Aches. Chills. Dry cough. What must you do if you had these symptoms? YOU MUST STAY HOME.
Sigrid Nunez (Salvation City)
Each time I visited the DPRK, I was shocked anew by their bastardization of the Korean language. Curses had taken root not only in their conversation and speeches but in their written language. They were everywhere—in poems, newspapers, in official Workers’ Party speeches, even in the lyrics of songs performed on this most hallowed day. It was like finding the words fuck and shit in a presidential speech or on the front page of the New York Times. Their spoken language was equally crude, no matter the occasion. For example, during the previous day’s speech, Lee Myung-bak and his administration were referred to as nom and paetguhri-dul (that bastard and his thugs). I was relieved that I did not hear my students speak Korean often enough to know whether they had inherited this legacy. Yet I would sometimes hear expressions that warmed my heart—archaic, innocent-sounding words that made me feel as though the entire country were a small village undisturbed by time. Instead of the prosaic soohwa, meaning sign language, North Koreans said “finger talk,” and instead of “developing photos” they said “images waking up,” which I found lovely and poetic.
Suki Kim (Without You, There Is No Us: My Time with the Sons of North Korea's Elite)
Individual experiences of the Kundalini process vary greatly, but the fundamental signs of the rising Kundalini that a person may experience include: • Feeling different, not fitting in • A deep dissatisfaction or a yearning for inner development • Inner sensations of light, sound, current, or heat • A heightened inner or outer awareness; increased sensitivity • Feelings of energy flowing or vibrating within • Special abilities, capacities, and talents • Non-ordinary phenomena; altered states • Spontaneous bodily movements or breathing patterns • Emotional fluctuations; psychological issues coming forward • Atypical sensations or sensitivities • An interest in spiritual growth or in metaphysics or the esoteric • Compassion and a desire to help others • A sense that something non-ordinary, transformative, or holy is happening within • Personal development, and optimally, spiritual transformation and realization CHAPTER 2 BENEFITS OF ASCENSION KUNDALINI And once the latent spirit is awoken, it bolts up the spine, creating other important changes. Maybe the most important of these is the opening of the chakras, the centers of energy that govern our energetic body. All seven must be open so that the Kundalini can rise. There are many people who have devoted their entire life to awakening their Kundalini through meditation practice and spiritual study. Everything takes so much time, really. If you are one who is attuned to the universal energy, the cycle of awakening Kundalini will be easier for you, rather than random. So, what are the rewards of awakening the Kundalini? • Increased intelligence and IQ capacity As you begin your awakening process, your mind becomes clearer, and your mental capacity deepens and enriches in potential. You will be able to multitask and plan more than ever before, and you may even see that your IQ number is actually increasing as your kundalini travels within. It will touch your third eye and crown chakra as shakti energy spins and moves through your chakras, opening these mental capacities as effortlessly as it acts on your heart and healing. • Greater sense of peace, bliss, and tranquility One of kundalini awakening's most commonly experienced benefits includes an increased sense of peace, bliss, tranquility, and confidence in the universe that you are exactly where you should be. Chalk it up to meditation or yoga or even being in nature, but it is also true that when your kundalini awakening begins and becomes sustained, you can find a deep and lasting peace even in moments beyond nature or meditation. You will begin to notice how that equilibrium remains in an inner space that you always and everywhere bring with you.
Adrian Satyam (Energy Healing: 6 in 1: Medicine for Body, Mind and Spirit. An extraordinary guide to Chakra and Quantum Healing, Kundalini and Third Eye Awakening, Reiki and Meditation and Mindfulness.)
Widow stood, staring at the gas station off in the distance, beyond a huge sign that listed the prices of gas by the gallon, by the octane, and with the little nine at the end of each price to signal to the customer, "Hey, we round up from this penny." It was an old trick that gas stations all over the world used. Widow had seen it everywhere. It was a trick that never really fooled anybody, but no one cared enough about it to complain. It seemed like gas stations were the only market in the world that marked prices with that little nine-tenths of a penny. Oil companies would do anything to make a buck.
Scott Blade (A Reason to Kill (Jack Widow, #3))
The depths of terror are inseparable from the extension of farce. The terror of the Good much more than of Evil, which only follows like a shadow. The parody of the sacred union is taking hold everywhere, under the sign of a full preventive war against the slightest infectious molecule - but also against the least anomaly, the least exception, the least singularity. The biting irony of this counter-terror, of white terror, is that it establishes a vast autoimmune syndrome, self-destruction through excess protection, which leads to crimes against humanity under the sign of the expulsion of Evil, crimes committed by humanity to get rid of itself completely, to cast itself out of an unlivable setting.
Jean Baudrillard (The Agony of Power)
Once the great and the good had the privilege of granting pardon. Today, they want to be pardoned in their turn. They take the view that, on the basis of human rights, they are entitled to the universal compassion that had until now been the prerogative of the poor and of victims (in fact we cannot pardon them enough and they deserve all our compassion, not for reasons of rights or morality, but quite simply because there is nothing worse than being in power). However this may be, they believe they must now stand before the moral tribunal of public opinion and even declare their corruption before it (more or less spontaneously!). They would even accuse themselves of crimes they did not commit in order to gain an artificial immunity as a by-product. But the cunning of the dominated is even subtler. If consists not in pardoning them (you do not pardon those in power), nor in inflicting any real punishment on them, but in passing over their little acts of embezzlement and this faked-up spectacle with a certain indifference. And this should leave the politicians very crestfallen, as it is the clear sign of their insignificance for everyone. Some of them have demanded to be judged and found guilty (though they are innocent, of course!). But the 'ordeal' the judges have put the politicians and the big industrialists through has in the end only restored legitimacy, recognition and an audience to people who had lost them. Hence the strange confusion that prevails in the political sphere. For there is in the fact of this universal compassion a deep disturbance of symbolic regulation. Everywhere today we see the tormentors (pretending to) take the victim's side, showing them compassion and compensating them (as in Charles Najman's film La memoire est-elle soluble dans l'eau ... ?). This may perhaps resolve things on the moral plane, but it aggravates them at the symbolic level.
Jean Baudrillard (The Intelligence of Evil or the Lucidity Pact (Talking Images))
It is very dangerous in my country, Ethiopia. Maybe I will move country. I was protesting for people everywhere who have no freedom. {Feyisa Lilesa, responding to questions about his protest sign at the Rio Olympic Games.]
Stephany Evans Steggall (A Time to Be Born: The Feyisa Lilesa Story)
Everywhere he looked there were “Whites Only” signs. Blacks could not go into many hotels, restaurants, and stores. Blacks could not even drink out of the same water fountains as whites. In many cities, blacks had to ride in the back of a bus. If they tried to sit in the front, they were thrown in jail. And if black people wanted to go to a movie theater, they had to sit way up in the balcony. These rules were called Jim Crow laws.
Bonnie Bader (Who Was Martin Luther King, Jr.? (Who Was?))
Everywhere, snobby people laughed nasally at things that were nowhere near funny by Summi’s standards. He looked for any sign of normality, for something that showed they weren’t all mean and self-centered. Then he found it. Across the room, a girl in a thin dress, definitely not the fanciest, but beautiful nonetheless, sneezed, crossing her arms. The boy next to her, one of the ones in a million-dollar suit, seemed to notice his freezing friend and offered her his very expensive jacket, which she slipped one gratefully, her face a soft pink blush. He kissed her head sweetly, wrapping an arm around her shoulders.
M17un4
Mark 16:20: “And they went forth, and preached everywhere, the Lord working with them, and confirming the word with signs following. Amen.
James Maloney (The Panoramic Seer: Bringing the Prophetic into the Healing Anointing)
Almost everywhere the missionaries travelled, entire families would come running out of their dusty village, entreating them with signs to come and pour the water on their heads. Others would plead on their knees for the Sacrament to be administered there and then. When the numbers grew too numerous to cope with individually, the missionaries formed the men and women into two separate columns behind a cross-bearer. As they filed passed the first priest, he briefly imposed on each the Oil of Catechumens. Holding lighted candles and singing a hymn, they would then converge on a second priest who stood beside the baptismal font. While the Sacrament of Baptism was being administered, the columns would slowly wind back to the first priest, who anointed them with chrism. Then the husbands and wives joined hands, and, pronouncing their marriage vows together, received the Sacrament of Matrimony.
Francis Johnston (Wonder of Guadalupe)
Sexual Immorality provides a very pleasurable ride to the grave. Her vehicles are all luxury, but they cannot seat many passengers. She parks her employees nearly everywhere, and makes you feel incredibly good. The temperatures are elating, and no body part is exempted from her stimulation. If you like to ride along public places, she will drive you, but if you prefer to ride along back streets, she will also take you there. She is very discerning of how to set atmospheres for the married, single, or whatever was your relationship status. I am the songstress so there is always music suitable to her deeds. Riding in her vehicles distracts most of her passengers from every covenant and promise they ever signed their name to. She is persistent, so if you do not ride with her when she first attempted to get you, she will ensure that you ride with her eventually. She welcomes her passengers to be accompanied by their toys, animals, family members, and whoever else will allow them the best thrill along their ride. However, the more the passengers she transports, the more likely to be left at the grave.
Stephen and Tiffany Domena
There were signs everywhere but none that I could read or even hope to decipher. These multi-lined symbols unhinged my familiar world.
Gerry Abbey (Cheers, Beers, and Eastern Promise)
. . . you may have had to suffer grief in all kinds of trials. These have come so that your faith . . . may be proved genuine and may result in praise, glory and honor when Jesus Christ is revealed. 1 PETER 1:6–7 NOVEMBER 23 You may say, “You don’t know the difficulties I have. There are so many problems. I have inner conflicts and all kinds of trouble. Yet you tell me not to be depressed.” But let me ask you: Would you want all those problems and troubles to be taken away from you? Who made this world? Some whimsical being? Some devilish individual? Or was it someone with wisdom? You know it was someone with wisdom because everywhere you find order and law; and wherever you find order and law, you are beholding signs of intelligence. This world was created by an intelligent God. He put you in it, and He put some trouble in it along with you. Why? Because He wants to make a great person out of you. If He didn’t care whether you ever amounted to anything, He wouldn’t have put any difficulty in your life.
Norman Vincent Peale (Positive Living Day by Day)
Like everywhere else in the world, the book stores of Britain are struggling with being pushed out of the market by online booksellers. The most popular book store chain in the UK is Waterstones. They are closing locations and cutting back as they lost business, but they aren't losing business as fast and as hard as the book stores in the US. There is one reason for this: sales. If you go into a book store in the UK, you will be greeted by tables covered with bestsellers and crime novels and other popular books, stacked high with signs saying “3 for £10”. Take heed, American booksellers: people buy more things when you lower the price sometimes. People love a special offer.
Alana Muir (An American Guide to Britishness)
and into the small Danish town of Solvang. Sure enough, there were windmills everywhere. She had never been to Europe, but she felt like she was there. The driver, who had the address, went through town and made a right turn on Alisal Road and drove about three blocks, and there was the sign, RANCHO ALISAL ESTATES. A
Fannie Flagg (The All-Girl Filling Station's Last Reunion)
Meeting God Within When people succeed in coming home to themselves and glimpsing their own inner beauty, something amazing happens: they are blessed with a real compassion for who they themselves are, in all their vulnerability. This compassion, in turn, carves out a space where they can welcome God into their hearts. It is as if they must first become aware of the marvel of themselves, and only then are they ready to get in touch with the wonder of God. Their new relationship with themselves ushers in a nourishing friendship with the One who has always been calling them. This journey inward does not take place overnight. Although the heart is only fifteen inches from the head, it can take us years to arrive at our emotional core. I used to imagine that God didn’t particularly like the world because it wasn’t spiritual enough. Only later it dawned on me that God had created the world in love, and had passionately left clues to this fact everywhere. The persons and events of my daily life were already signs of God. Had I paid compassionate attention to my longings and my joys, I would have heard in them the symphony of God’s own infinite joy. God was intimately involved in my life, but I was sadly ignorant of the riches inside me. To find God, I did not have to leave the world, but to come home to it—and to myself—and God would be there, waiting for me.
The Irish Jesuits (The Irish Province of the Society of Jesus) (Sacred Space: The Prayer Book 2015)
Beyond the deprivations, degradations, and tortures these prisoners endured, each man often recounts how he got to the camps Weller visited. These conflicts, and all they implied, would have been instantly recognizable to the 1945 public. Many of the Dutch and the British, the Australians and Canadians, were taken in the defeats of Singapore (130,000), Java (32,000), and Hong Kong (14,000). Many of the Americans got captured on Guam or Wake; or in the Philippines (75,000), to then endure the Bataan death march, on which one in four died. Some built the Siam-Burma railroad, which claimed yet another 15,000 lives, same ratio. Nearly everywhere, in a hurry, the Japanese won and the Allies lost. The United States saw its navy smashed at Pearl Harbor and its Pacific air forces wiped out in Manila, just before MacArthur got himself safely out to Australia. This litany of early military disasters added up to astonishing numbers. In a mere six months the Japanese, at a cost of only 15,000 of their own men (deaths and casualties), took 320,000 Allied soldiers out of the war, either as deaths, casualties, or prisoners; over half these were Asiatic. White prisoners, about 140,000 total over the course of the conflict, became slave labor across the growing Japanese empire. (Asiatic prisoners were often turned loose, as good propaganda among the subjugated peoples.) Japan had not signed the 1929 Geneva Conventions regarding treatment of prisoners of war, and a Japanese soldier would sooner be killed than captured: thus every enemy soldier who surrendered was a coward, a cur, a thing. Any notion of “inhumane treatment” toward a surrendered Chinese, much less a white man, was incomprehensible. White men were the foe, so their role was to work, then die. Whether their deaths proved painful did not matter to the Japanese. Unlike the Nazi POW camps, there were few escape attempts, for it was obvious to any Allied POW in Asia that a white face was an immediate giveaway even had he succeeded, and the Japanese made it clear that they would execute ten men for every man who escaped. Statistically it was seven times healthier to be a POW under the Nazis than under the Japanese. By war’s end, one out of every three white prisoners had died as their captives—“starved to death, worked to death, beaten to death, dead of loathsome epidemic diseases that the Japanese would not treat,” as Daws puts it. Another year of war and there would have been no POWs still alive. (A Japan War Ministry directive of August 1944 iterated that “the aim is to annihilate them all, and not to leave any traces.”)
George Weller (First Into Nagasaki: The Censored Eyewitness Dispatches on Post-Atomic Japan and Its Prisoners of War)
I turned round and round in the middle of the road—a broken toy—my wellies clop-clopping over the white line, and the creaking hinges of the pub sign goading me. My mind strobed with thoughts of a man’s face pressed into the pavement, a woman’s teeth grating against glass, virus or poison or plague, an empty dog lead, bodies like carrion, infection everywhere, Joni demanding answers, Mummy always comes back. Do something.
Jo Furniss (All the Little Children)
The enigma that had bothered me in Sydney was beginning to resolve itself. If Australians allowed themselves to be represented worldwide as a nation of beer-sodden boors and hysterical Amazons, it must be through sheer lack of imagination. Like most people everywhere they spent most of their time just getting by, but there was no collective dream or mythology that told them what it was they were supposed to be doing. In that respect they were far behind the Aborigines they had decimated and despised. Yet many signs indicated that the time might not be too far away, when Australians would agree on a better reason for living than to eat a pound of beef a day. When that day came, I thought this would become one of the world’s best places to be. The faces of the old men told me there had been something once that was lost and could be found again.
Ted Simon (Jupiters Travels: Four Years Around the World on a Triumph)
Mm, there was no need, but that s how the mind goes on working. The mind goes on creating troubles which are not needed at all. If some trouble is inevitable, it’s okay, it is understandable. But ninety-nine troubles are just creations, they can be avoided easily. Just to see the point.... If you ask how, you have already accepted the trouble. Just see the point, that this is futile, and in seeing it let it drop. Don’t try to drop it. If you are trying to drop it that means you have not understood it, hence the ’how’. How always arises out of non-understanding. A man of understanding has no how’s – he simply sees the thing: that this is a wall and he cannot go through it. If he tries he will hit his head and will be wounded, so he simply goes through the door. He does not ask how to go through the door and how not to go through the wall. There is no how, you simply see: this is the door and this is the wall.... Always read what is written on the door; sometimes it is pull, sometimes it is push!... You start doing things without reading! When it is written ’pull’ you may be pushing; it won’t open. Things are very simple – just a little observation and everywhere there are written signs inside you, everywhere there are hints. Just read rightly.
Osho (Let go!: A darshan diary)
but I would have rights to franchise copies of their operations everywhere else in the United States. The buildings would have to be exactly like the new one their architect had drawn up with the golden arches. The name, McDonald’s, would be on all of them, of course, and I was one hundred percent in favor of that. I had a feeling that it would be one of those promotable names that would catch the public fancy. I was for the contractual clauses that obligated me to follow their plans down to the last detail, too—even to signs and menus. But I should have been more cautious there. The agreement was that I could not deviate from their plans in my units unless the changes were spelled out in writing, signed by both brothers, and sent to me by registered mail. This seemingly innocuous requirement created massive problems for me.
Ray Kroc (Grinding It Out: The Making of McDonald's)
Humans are animals and like all animals we leave tracks as we walk: signs of passage made in snow, sand, mud, grass, dew, earth or moss. The language of hunting has a luminous word for such mark-making: 'foil'. A creature's 'foil' is its track. We easily forget that we are track-makers, though, because most of our journeys now occur on asphalt and concrete - and these are substances not easily impressed. 'Always, everywhere, people have walked, veining the earth with paths visible and invisible, symmetrical or meandering,' writes Thomas Clark in his enduring prose-poem 'In Praise of Walking'. It's true that, once you begin to notice them, you see that the landscape is still webbed with paths and footways - shadowing the modern-day road network, or meeting it at a slant or perpendicular. Pilgrim paths, green roads, drove roads, corpse roads, trods, leys, dykes, drongs, sarns, snickets - say the name of paths out loud and at speed and they become a poem or rite - holloways, bostles, shutes, driftways, lichways, ridings, halterpaths, cartways, carneys, causeways, herepaths.
Robert Macfarlane (The Old Ways: A Journey on Foot)
who can stand toe-to-toe with the best and brightest of the secular world, either in person or online, and swell Catholic hearts everywhere by making the faith appear not only plausible but more convincing, more humane, and ultimately more loving than its cultured despisers are. Here’s one clear sign of his success: In the English language, after Pope Francis, Barron is the most-followed Catholic figure on social media.
Robert Barron (To Light a Fire on the Earth: Proclaiming the Gospel in a Secular Age)
Democracy, it may be said everywhere, is here:—for sixty years now, ever since the grand or First French Revolution, that fact has been terribly announced to all the world; in message after message, some of them very terrible indeed; and now at last all the world ought really to believe it. That the world does believe it; that even Kings now as good as believe it, and know, or with just terror surmise, that they are but temporary phantasm Play-actors, and that Democracy is the grand, alarming, imminent and indisputable Reality: this, among the scandalous phases we witnessed in the last two years, is a phasis full of hope: a sign that we are advancing closer and closer to the very Problem itself, which it will behoove us to solve or die; that all fighting and campaigning and coalitioning in regard to the existence of the Problem, is hopeless and superfluous.
Thomas Carlyle (Latter-Day Pamphlets)
In that moment Paulette stepped outside anything that had ever hurt her before. Harve needed her more than she needed herself. But she had nothing to say. Nothing to offer him. She came up empty. “I may not have shot any of those babies in safety seats, but I took out my share o’ guys in a country I started thinking we had no right bein’ in. I could tell myself they’d signed up for it, knowing they might not go home, but that just didn’t cut it after a while.” … … “Oh, they were scumbags, alright. Other guys in my unit’d be ready to just level the kids too, cause they were getting in our way, but I said, Wait. Let me try goin’ in first. Let me come at ’em from the rear. “Other times I just lost myself in the righteous glory of cluster bombing the hell outa those bastards. “And for that one moment, in all the cheering and explosions it’s like all was right with the world. It was John Phillip Sousa at Disneyland. “But then you wake up a little. You just snuffed out future generations. Maybe bad guys can have good kids if you let ’em. We’ll never know now.” He was coming close to crying. “And then you see all those pieces; kid parts lying everywhere. “And their little faces. “If they even still had faces. “Once you finish throwing up, and then toss back a few at camp pub, your next job is to find something inside you that you can bury that under. “And then … what? Just go on living?” - From “The Gardens of Ailana
Edward Fahey (The Gardens of Ailana)
The greatest religion gives suffering to nobody,” reads a weather-beaten sign, quoting the Buddha, at Chele La pass, the highest motorable point in the country, near Paro. This maxim is everywhere evident. As a Bhutanese friend and I walked in the mountains one afternoon, he reflexively removed insects from the path and gently placed them in the verge, out of harm’s way. Early one morning in Thimphu, I saw a group of young schoolboys, in their spotless white-sleeved ghos, crouching over a mouse on the street, gently offering it food. In Bhutan, the horses that trudge up the steep trail to the Tiger’s Nest monastery are reserved for out-of-shape tourists; Bhutanese don’t consider horses beasts of burden and prefer not to make them suffer under heavy loads. Even harvesting honey is considered a sign of disrespect for the industrious bees; my young guide, Kezang, admonished me for buying a bottle of Bhutanese honey to take home. (Chastened, I left it there.) In
Madeline Drexler (A Splendid Isolation: Lessons on Happiness from the Kingdom of Bhutan)
person that understood what she was going through. Being able to open up and be completely honest with Alex had cleansed her of the crippling self-doubt she harboured for her feelings. The story Doctor Thorne had told her of the American woman, Andrea something, was playing over in her mind. She was running out of time. … As they grew older she would not be able to keep them safe. Danger was everywhere. The traffic lights at which she now waited could easily malfunction, meaning the cars hurtling down the hill could crash into the side of her Citroen. It had happened in Gornal two years ago and a little girl had been trapped in the wreckage for over an hour. A car horn sounded behind her. The lights were green. Jessica turned and headed past the garden centre on her left. Two little girls were laughing and running around the car park. They could easily run into the road and be killed. Only last month this stretch of road had claimed a teenage cyclist. She passed the national speed limit sign but kept
Angela Marsons (Evil Games (DI Kim Stone, #2))
A picture of Pushkin greeted me everywhere I looked. Even near the mysterious little brick booth with the “Inflammable!” sign. The similarity was confined to the sideburns. Their amplitude varied indiscriminately. I noticed long ago that our artists favour certain objects that place no restriction on the scale or the imagination. At the top of the list are Karl Marx’s beard and Lenin’s forehead…
Sergei Dovlatov (Pushkin Hills)
I tried to explain my longing for the vanished city. As the walls go on rising, the character of the place grows more and more obscure. The mood of a street or suburb, that unlikely blend of outlooks expressed by the houses and the people living in them, no longer brushes off on you as you pass. You think there is life behind one guarded façade or another, a mind behind the blank stare, but you cannot be sure. ‘It’s creepy,’ she said, ‘I absolutely agree. It’s like those people at Moyo who eat three courses without taking off their shades. You think they must be watching you, and so you watch them, which is the whole point.’ I take comfort in the debris strewn over the walls: the shadows of numbers pilfered for scrap, the unstrung lyres of electric fencing, the armed response signs, especially the old and weathered ones, which fade unevenly depending on how their colours stand up to the sun. Sometimes the names and numbers of the companies have bleached out entirely while the emblems of snarling dogs and charging elephants persist. All that remains on the oldest signs is two black pistols pointed at one another in a perpetual showdown. Their candour is admirable. They’re empty gestures, like snapped wires and dog-eared spikes. The company faded away years ago, but their boards are still everywhere saying, ‘Bang!’ I" (from "Double Negative" by Ivan Vladislavic, Teju Cole)
Ivan Vladislavić, Teju Cole
I can tell right away by looking at you what you want to eat," he says. "I can tell how many brothers and sisters you have." After divining my favorite color (blue) and my astrological sign (Aquarius), Nakamura pulls out an ivory stalk of takenoko, fresh young bamboo ubiquitous in Japan during the spring. "This came in this morning from Kagumi. It's so sweet that you can eat it raw." He peels off the outer layer, cuts a thin slice, and passes it across the counter. First, he scores an inch-thick bamboo steak with a ferocious santoku blade. Then he sears it in a dry sauté pan until the flesh softens and the natural sugars form a dark crust on the surface. While the bamboo cooks, he places two sacks of shirako, cod milt, under the broiler. ("Milt," by the way, is a euphemism for sperm. Cod sperm is everywhere in Japan in the winter and early spring, and despite the challenges its name might create for some, it's one of the most delicious things you can eat.) Nakamura brings it all together on a Meiji-era ceramic plate: caramelized bamboo brushed with soy, broiled cod milt topped with miso made from foraged mountain vegetables, and, for good measure, two lightly boiled fava beans. An edible postcard of spring. I take a bite, drop my chopsticks, and look up to find Nakamura staring right at me. "See, I told you I know what you want to eat." The rest of the dinner unfolds in a similar fashion: a little counter banter, a little product display, then back to transform my tastes and his ingredients into a cohesive unit. The hits keep coming: a staggering plate of sashimi filled with charbroiled tuna, surgically scored squid, thick circles of scallop, and tiny white shrimp blanketed in sea urchin: a lesson in the power of perfect product. A sparkling crab dashi topped with yuzu flowers: a meditation on the power of restraint. Warm mochi infused with cherry blossoms and topped with a crispy plank of broiled eel: a seasonal invention so delicious it defies explanation.
Matt Goulding (Rice, Noodle, Fish: Deep Travels Through Japan's Food Culture)
Significance of madness in the history of morality. — When in spite of that fearful pressure of ‘morality of custom’ under which all the communities of mankind have lived, many millennia before the beginnings of our calendar and also on the whole during the course of it up to the present day (we ourselves dwell in the little world of the exceptions and, so to speak, in the evil zone): — when, I say, in spite of this, new and deviate ideas, evaluations, drives again and again broke out, they did so accompanied by a dreadful attendant: almost everywhere it was madness which prepared the way for the new idea, which broke the spell of a venerated usage and superstition. Do you understand why it had to be madness which did this? Something in voice and bearing as uncanny and incalculable as the demonic moods of the weather and the sea and therefore worthy of a similar awe and observation? something that bore so visibly the sign of total unfreedom as the convulsions and froth of the epileptic, that seemed to mark the madman as the mask and speaking-trumpet of a divinity? Something that awoke in the bearer of a new idea himself reverence for and dread of himself and no longer pangs of conscience and drove him to become the prophet and martyr of his idea? — while it is constantly suggested to us today that, instead of his grain of salt, a grain of spice of madness is joined to genius, all earlier people found it much more likely that wherever there is madness there is also a grain of genius and wisdom — something ‘divine’, as one whispered to oneself. Or rather: as one said aloud forcefully enough. ‘It is through madness that the greatest good things have come to Greece’, Plato said, in concert with all ancient mankind.
Friedrich Nietzsche (Daybreak: Thoughts on the Prejudices of Morality)
Milo's planes were a familiar sight. They had freedom of passage everywhere, and one day Milo contracted with the American military authorities to bomb the German-held highway bridge at Orvieto and with the German military authorities to defend the highway bridge at Orvieto with antiaircraft fire against his own attack. His fee for attacking the bridge for America was the total cost of the operation plus six percent, and his fee from Germany for defending the bridge was the same cost-plus-six agreement augmented by a merit bonus of a thousand dollars for every American plane he shot down. The consummation of these deals represented an important victory for private enterprise, he pointed out, since the armies of both countries were socialized institutions. Once the contracts were signed, there seemed to be no point in using the resources of the syndicate to bomb and defend the bridge, inasmuch as both governments had ample men and materiel right there to do so and were perfectly happy to contribute them, and in the end Milo realized a fantastic profit from both halves of his project for doing nothing more than signing his name twice.
Joseph Heller (Catch 22)
giving place to merely mechanical organization. But you see signs of it everywhere.
Rabindranath Tagore (Nationalism: Rabindranath Tagore Reflects on Patriotism)
That winter remains in my mind as one great blizzard of verbiage. It started with the insolvency of the Employment and Workforce Commission. The Commission had been running through funds budgeted for unemployment benefits at an alarming rate, and nobody had noticed that it was about to run out completely. The Commission blamed the legislature, the legislature blamed the Commission, and the governor blamed the legislature and the Commission, but especially the Commission. The Commission, it turned out, would have to apply for federal money to avoid a shortfall, and for the application to be legal the governor would have to sign it. It was a perfect set-up for him. He refused to sign the application unless the Commission agreed to his demands, one of which was an independent audit. The Commission delayed. The deadline approached; if it were to pass, the Commission would be unable to issue unemployment checks. There was great outrage from the people known for great outrage. Everybody (well, everybody in the state’s media—but it felt like everybody everywhere) was talking about “playing chicken.” The governor was “playing chicken” with the Employment and Workforce Commission; there was a “game of chicken” going on between the state’s chief executive and its workforce agency. The governor was also said to be “holding the unemployed hostage” in his vainglorious attempt to get what he wanted from a government agency; sometimes he was said to be “holding the unemployed hostage to his libertarian ideology” or “holding a state agency hostage for political gain.” The State actually combined these two images in one of its editorials: “You do not play chicken with the lives of 77,000 laid-off citizens, holding them hostage for your own political purposes.” No, I supposed, you do not.
Barton Swaim (The Speechwriter: A Brief Education in Politics)
That something is everywhere and always amiss is part of the very stuff of creation. It is as though each clay form had baked into it, fired into it, a blue streak of nonbeing, a shaded emptiness like a bubble that not only shapes its very structure but that also causes it to list and ultimately explode. We could have planned things more mercifully, perhaps, but our plan would never get off the drawing board until we agreed to the very compromising terms that are the only ones that being offers. The world has signed a pact with the devil; it had to. It is a covenant to which every thing, even every hydrogen atom, is bound. The terms are clear: if you want to live, you have to die; you cannot have mountains and creeks without space, and space is a beauty married to a blind man. The blind man is Freedom, or Time, and he does not go anywhere without his great dog Death. The world came into being with the signing of the contract. A poet says, “the force that through the green fuse drives the flower/drives my green age.
Annie Dillard (Pilgrim at Tinker Creek)
His first sign that things were going wrong was a massive barrage of gunfire that seemed to come from everywhere at once.
James S.A. Corey (Cibola Burn (Expanse, #4))
I can see no greater sign of God’s glory than the trees around us in the Pacific Northwest. All you have to do is look outside to see God—there are trees everywhere.
Ned Hayes (The Eagle Tree)
MT: These texts are at one and the same time very beautiful and obscure; they need to be explicated, clarified. “What is hidden will be revealed.” Why must Revelation be hidden? RG: It's not that it must be hidden, actually it's not hidden at all. It's mankind that is blind. We're inside the closure of representation, everyone is in the fishbowl of his or her culture. In other words, mankind doesn't see what I was saying earlier, the principle of illusion that governs our viewpoint. Even after the Revelation, we still don't understand. MT: Does that mean that things are going to emerge gradually, but that at first they're incomprehensible? RG: They seem incomprehensible because mankind lives under the sign of Satan, lives a lie and lives in fear of the lie, in fear of liars. The reversal performed by the Passion has yet to occur. MT: Insofar as the Church itself has been mistaken for two thousand years and has been practicing a sacrificial reading of the Passion of the Christ, that reading is a way of hiding Revelation. RG: I'm not saying that the Church is mistaken. The reading that I'm proposing is in line with all the great dogmas, but it endows them with an anthropological underpinning that had gone unnoticed. MT: Why not just clean up our bad habits by sweeping them away once and for all in the year zero, making way for an era of love and infinite peace? RG: Because the world wouldn't have been able to take it! Since the sacrificial principle is the fundamental principle of the human order—up to a certain point human beings need to pour out their violence and tensions onto scapegoats—destroying it all at once is impossible. That's why Christianity is made in such a way as to allow for transitions. This is no doubt one of the reasons why it is at once so far from and so close to myth, and always susceptible to being interpreted a bit mythically. When Nietzsche says that Christianity is impossible, that it can only lead to absurdities, to outrageous, insane things, it can be said that he's superficially right, even if ultimately he's wrong. You can't get rid of the sacrificial principle by just flicking it away as if it were a piece of dust. History isn't finished. Every day very interesting things, changes in outlook, are happening right before our eyes. In the United States and everywhere, a lot of current cultural phenomena can be unified by describing them as the discovery of new victims, or rather as their concrete rehabilitation, for in truth we've known about them for a long time: women, children, the elderly, the insane, the physically and mentally handicapped, and so forth. For example, the question of abortion, which has great importance in American debates, is no longer formulated except in the following terms: “Who is the real victim? Is it the child or is it the mother?” You can no longer defend a given position, or indeed any of them, except by making it into a contribution to the anti-victimary crusade. MT
René Girard (When These Things Begin: Conversations with Michel Treguer (Studies in Violence, Mimesis & Culture))
I went straight back to my room, surprising Mora and one of her staff in the act of packing up my trunk. Apologizing, I hastily unlaced the traveling gown and reached for my riding gear. Mora gave me a slight smile as she curtsied. “That’s my job, my lady,” she said. “You needn’t apologize.” I grinned at her as I pulled on the tunic. “Maybe it’s not very courtly, but I feel bad when I make someone do a job twice.” Mora only smiled as she made a sign to the other servant, who reached for the traveling gown and began folding it up. I thrust my feet into my riding boots, smashed my fancy new riding hat onto my head, and dashed out again. The Marquis was waiting in the courtyard, standing between two fresh mares. I was relieved that he did not have that fleet-footed gray I remembered from the year before. On his offering me my pick, I grabbed the reins of the nearest mount and swung up into the saddle. The animal danced and sidled as I watched Bran and Nimiar come out of the inn hand in hand. They climbed into the coach, solicitously seen to by the innkeeper himself. The Marquis looked across at me. “Let’s go.” And he was off, with me right on his heels. At first all I was aware of was the cold rain on my chin and the exhilaration of speed. The road was paved, enabling the horses to dash along at the gallop, sending mud and water splashing. Before long I was soaked to the skin everywhere except my head, which was hot under my riding hat, and when we bolted down the road toward the Akaeriki, I had to laugh aloud at how strange life is! Last year at this very time I was running rain-sodden for my life in the opposite direction, chased by the very same man now racing neck and neck beside me. The thought caused me to look at him, though there was little to see beyond flying light hair under the broad-brimmed black hat and that long black cloak. He glanced over, saw me laughing, and I looked away again, urging my mount to greater efforts. At the same pace still, we reached the first staging point. Together we clattered into the innyard and swung down from the saddle. At once two plain-dressed young men came out of the inn, bowed, and handed Shevraeth a blackweave bag. It was obvious from their bearing that they were trained warriors, probably from Renselaeus. For a moment the Marquis stood conversing with them, a tall mud-splashed and anonymously dressed figure. Did anyone else know who he was? Or who I was? Or that we’d been enemies last year? Again laughter welled up inside me. When I saw stablehands bring forth two fresh mounts, I sprang forward, taking the reins of one, and mounted up. Then I waited until Shevraeth turned my way, stuck my tongue out at him, and rode out at the gallop, laughing all the way.
Sherwood Smith (Court Duel (Crown & Court, #2))
Pros: He was finally safe, on an island the ghouls couldn’t get to, and he had never been closer to Gaby. She finally accepted him as more than just a neighbor and a friend, and there were signs she was willing to be more, something he never could have expected just a few days ago. Cons: There were none. At least, none that he could see. It was hot on the island, but then it was hot everywhere. In Texas. In Louisiana. Where wasn’t it hot?
Sam Sisavath (The Gates of Byzantium (Purge of Babylon, #2))
Whatever was under his jacket broke and liquid went everywhere. He was cussing and carrying on, but I didn’t take the time to think about all that just then. As the fight ran out of him, I cuffed him and looked around. The cops, seated in their patrol car nearby, were just about doubled over laughing. I went over to see what was up. “That’s so and so, they told me. One of the biggest drug dealers in the city. We wish we could have beat him like you just did.” Apparently, Mr. Popo ignored all the signs and wandered into the training exercise figuring he’d carry on business as usual. There are idiots everywhere—but I guess that explains how he got into that line of work in the first place.
Chris Kyle (American Sniper: The Autobiography of the Most Lethal Sniper in U.S. Military History)
Mark 16:15-20 Jesus said to his disciples: “Go into the whole world and proclaim the gospel to every creature. Whoever believes and is baptized will be saved; whoever does not believe will be condemned. These signs will accompany those who believe: in my name they will drive out demons, they will speak new languages. They will pick up serpents with their hands, and if they drink any deadly thing, it will not harm them. They will lay hands on the sick, and they will recover.” So then the Lord Jesus, after he spoke to them, was taken up into heaven and took his seat at the right hand of God. But they went forth and preached everywhere, while the Lord worked with them and confirmed the word through accompanying signs.
Anonymous