Signature Style Quotes

It's akin to style, what I'm talking about, but it isn't style alone. It is the writer's particular and unmistakable signature on everything he writes. It is his world and no other. This is one of the things that distinguishes one writer from another. Not talent. There's plenty of that around. But a writer who has some special way of looking at things and who gives artistic expression to that way of looking: that writer may be around for a time.

The signature item is an attitude. It is the gun in your holster that makes you feel well dressed and invincible.

The way we were first loved and the ways we have been loved ever since form our definition of what love means to us. Some people really feel loved when someone gives them a gift. Others experience it when people stand up for them. Still others feel loved when someone goes the extra mile to help them. If our mother showed love by holding us in our pain or joy, without engulfing or controlling us, that will be the behavior that always feels like love to us. We feel love now as we first received it; we give love the way others gave it to us. Thus, since love is unique to each person, we read and write love, receive and give it, in the style designed by our past experience. Yet, like good handwriting, our unique signature can be read by others.

you’re going to have to make sure that you are constantly updating your knowledge and providing information and insight that people can’t find easily anywhere else. Moreover, you’ll have to do it in a unique and memorable signature style.

Good. But why written in three styles of script?” To which Nancy had replied: “Because I’m not grown-up enough to be one person with one kind of signature.

The story of the rapper and the story of the hustler are like rap itself, two kinds of rhythm working together, having a conversation with each other, doing more together than they could do apart. It's been said that the thing that makes rap special, that makes it different both from pop music and from written poetry, is that it's built around two kinds of rhythm. The first kind of rhythm is the meter. In poetry, the meter is abstract, but in rap, the meter is something you literally hear: it's the beat. The beat in a song never stops, it never varies. No matter what other sounds are on the track, even if it's a Timbaland production with all kinds of offbeat fills and electronics, a rap song is usually built bar by bar, four-beat measure by four-beat measure. It's like time itself, ticking off relentlessly in a rhythm that never varies and never stops. When you think about it like that, you realize the beat is everywhere, you just have to tap into it. You can bang it out on a project wall or an 808 drum machine or just use your hands. You can beatbox it with your mouth. But the beat is only one half of a rap song's rhythm. The other is the flow. When a rapper jumps on a beat, he adds his own rhythm. Sometimes you stay in the pocket of the beat and just let the rhymes land on the square so that the beat and flow become one. But sometimes the flow cops up the beat, breaks the beat into smaller units, forces in multiple syllables and repeated sounds and internal rhymes, or hangs a drunken leg over the last bap and keeps going, sneaks out of that bitch. The flow isn't like time, it's like life. It's like a heartbeat or the way you breathe, it can jump, speed up, slow down, stop, or pound right through like a machine. If the beat is time, flow is what we do with that time, how we live through it. The beat is everywhere, but every life has to find its own flow. Just like beats and flows work together, rapping and hustling, for me at least, live through each other. Those early raps were beautiful in their way and a whole generation of us felt represented for the first time when we heard them. But there's a reason the culture evolved beyond that playful, partying lyrical style. Even when we recognized the voices, and recognized the style, and even personally knew the cats who were on the records, the content didn't always reflect the lives we were leading. There was a distance between what was becoming rap's signature style - the relentlessness, the swagger, the complex wordplay - and the substance of the songs. The culture had to go somewhere else to grow. It had to come home.

Eventually he begins to practice his new signature in the margins of the paper. He tries it in various styles, his hand unaccustomed to the angles of the N, the dotting of the two i's. He wonders how many times he has written his old name, at the top of how many tests and quizzes, how many homework assignments, how many yearbook inscriptions to friends. How many times does a person write his name in a lifetime - a million? Two million?

In this couple defects were multiplied, as if by a dangerous doubling; weakness fed upon itself without a counterstrength and they were trapped, defaults, mutually committed, left holes everywhere in their lives. When you read their letters to each other it is often necessary to consult the signature in order to be sure which one has done the writing. Their tone about themselves, their mood, is the fatal one of nostalgia--a passive, consuming, repetitive poetry. Sometimes one feels even its most felicitious and melodious moments are fixed, rigid in experession, and that their feelings have gradually merged with their manner, fallen under the domination of style. Even in their suffering, so deep and beyond relief, their tonal memory controls the words, shaping them into the Fitzgerald tune, always so regretful, regressive, and touched with a careful felicity.

Her signature style is hyperrealism, an attempt to capture everything a photograph might and then much more: what the mind knows about a scene that the scene itself does not reveal; what the heart feels about the subject before it; how the past lives in the present and how the future looms real but unrevealed; what any moment on the Earth might mean, if it means anything at all.

That became the signature Ice-T style - rhymes that were "topical" and "vividly optical." To me it was street-level journalism, real-life observations told in poetry. That's the vision I tried to bring to all my recordings.

He also came to like the idea of having a uniform for himself, because of both its daily convenience (the rationale he claimed) and its ability to convey a signature style. "So I asked Issey to make me some of his black turtlenecks that I liked, and he made like a hundred of them." Jobs noticed my surprise when he told this story, so he gestured to them stacked up in a closet. "That's what I wear," he said. "I have enough to last for the rest of my life.

Don’t all writers have a hidden nerve, call it a secret chamber, something irreducibly theirs, which stirs their prose and makes it tick and turn this way or that, that identifies them, like a signature, though it lurks far deeper than their style, or their voice, or other telltale antics?

I cannot understand your total disconnection with the truth of things,” Murchison said. “An artist’s style is his truth, his honesty. Has another man the right to copy it, in the same way that a man copies another man’s signature? And for the same purpose, to draw on his reputation, his bank account? A reputation already built by a man’s talent?

In an artistic sense, cool came to refer to someone with a signature artistic style so integral as to exude an authentic mode-of-being in the world: Miles, Bogart, Brando, Eastwood, Greco, Elvis, Lady Day, Sinatra. Such a person created something from nothing and gave the world some new artistic or psychological 'equipment for living,' to use a phrase of Kenneth Burke's. A signature style is yours and can only be carried by you: it cannot be abstracted except through dilution and commodification since it reflects an individual's complex personal experience. In this sense, cool was 'making a dollar out of fifteen cents,' to pull another phrase from the Africa-American vernacular. Lester Young was once at a bar when a tenor saxophone solo floated out of the jukebox. 'That's me,' he said happily. As he listened his mood collapsed - he realized it was one of his many imitators. 'No, that's not me,' he said sadly. To steal someone else's sound or style and capitalize on it has always been un-cool, the pretense of posers.

..:Sometimes when cooking, I haven't had all the ingredients required to fulfill the recipe which I might be working on at the time. But one thing I have learned is that, without them, we can learn to improvise. And most of the time, by improvising, some chefs have created the greatest plates ever. Regardless what you might be going through right now in your life, learn to improvise and make the best with what you now have. Add your own taste and style to all you do. Follow the recipes if you can, but do be original. Put your own signature to things:..

LANKES: ….This is how I figure it. When this war is over — one way or another, it will be over some day — well, then, when the war is over, the pillboxes will still be here. These things were made to last. And then my time will come. The centuries […] start coming and going, one after another like nothing at all. But the pillboxes stay put just like the Pyramids stay put. And one fine day one of those archaeologist fellows comes along. And he says to himself: what an artistic void there was between the First and Seventh World Wars! Dull drab concrete; here and there, over a pillbox entrance, you find some clumsy amateurish in squiggles in the old-home style. And that’s all. Then he discovers Dora Five, Six, Seven; he sees my Structural Oblique Formations, and he says to himself, Say, take a look at that, Very, very interesting, magic, menacing, and yet shot through with spirituality. In these works a genius, perhaps the only genius of the twentieth century, has expressed himself clearly, resolutely, and for all time. I wonder, says our archaeologist to himself, I wonder if it’s got a name? A signature to tell us who the master was? Well, sir, if you look closely, sir, and hold your head on a slant, you’ll see between those Oblique Formations… BEBRA: My glasses. Help me, Lankes. LANKES: All right, here’s what it says: Herbert Lankes, anno nineteen hundred and forty-four. Title: BARBARIC, MYSTICAL, BORED. BEBRA: You have given our century its name.

A sous-chef with dreams of her own restaurant empire may have mastered the art of classical French sauce making, but not yet have developed the signature cooking style she imagines as the cornerstone of her own chain of restaurants. She gauges her progress not only by whether she is moving toward her aspirations, but also by her improving skills. Our chef may not yet have the stature of Chef Auguste Escoffier or Emeril Lagasse, but she can remember a time when she could not name the five French mother sauces, let alone execute them. She's made progress. Appreciating the skills she has developed is a marker along the path toward her culinary aspirations. The sense of accomplishment that accompanies improved skills is one of the rewards we reap when we dedicate ourselves to mastery.

Even though the Internet provided a tool for virtual and distant collaborations, another lesson of digital-age innovation is that, now as in the past, physical proximity is beneficial. There is something special, as evidenced at Bell Labs, about meetings in the flesh, which cannot be replicated digitally. The founders of Intel created a sprawling, team-oriented open workspace where employees from Noyce on down all rubbed against one another. It was a model that became common in Silicon Valley. Predictions that digital tools would allow workers to telecommute were never fully realized. One of Marissa Mayer’s first acts as CEO of Yahoo! was to discourage the practice of working from home, rightly pointing out that “people are more collaborative and innovative when they’re together.” When Steve Jobs designed a new headquarters for Pixar, he obsessed over ways to structure the atrium, and even where to locate the bathrooms, so that serendipitous personal encounters would occur. Among his last creations was the plan for Apple’s new signature headquarters, a circle with rings of open workspaces surrounding a central courtyard. Throughout history the best leadership has come from teams that combined people with complementary styles. That was the case with the founding of the United States. The leaders included an icon of rectitude, George Washington; brilliant thinkers such as Thomas Jefferson and James Madison; men of vision and passion, including Samuel and John Adams; and a sage conciliator, Benjamin Franklin. Likewise, the founders of the ARPANET included visionaries such as Licklider, crisp decision-making engineers such as Larry Roberts, politically adroit people handlers such as Bob Taylor, and collaborative oarsmen such as Steve Crocker and Vint Cerf. Another key to fielding a great team is pairing visionaries, who can generate ideas, with operating managers, who can execute them. Visions without execution are hallucinations.31 Robert Noyce and Gordon Moore were both visionaries, which is why it was important that their first hire at Intel was Andy Grove, who knew how to impose crisp management procedures, force people to focus, and get things done. Visionaries who lack such teams around them often go down in history as merely footnotes.

It's basty!" "There's definitely a soup underneath the crust. I see carrots. Gingko nuts. Mushrooms. And... Shark fin! Simmered until it's falling apart!" Aah! It's all too much! I-I don't care if I burn my mouth... I want to dive in right now! Mm! Mmmm! UWAAAAH! "Incredible! The shark fin melts into a soft wave of warm umami goodness on the tongue... ...with the crispy piecrust providing a delectably crunchy contrast!" "Mmm... this piecrust shows all the signs of the swordsmanship he stole from Eishi Tsukasa too." Instead of melting warm butter to mix into the flour, he grated cold butter into granules and blended them... ... to form small lumps that then became airy layers during the baking, making the crust crispier and lighter. A light, airy crust like that soaks up the broth, making it the perfect complement to this dish! "Judge Ohizumi, what's that "basty" thing you were talking about?" "It's a dish in a certain style of cooking that's preserved for centuries in Nagasaki- Shippoku cuisine." "Shippoku cuisine?" Centuries ago, when Japan was still closed off from the rest of the world, only the island of Dejima in Nagasaki was permitted to trade with the West. There, a new style of cooking that fused Japanese, Chinese and Western foods was born- Shippoku cuisine! One of its signature dishes is Basty, which is a soup covered with a lattice piecrust. *It's widely assumed that Basty originated from the Portuguese word "Pasta."* "Shippoku cuisine is already a hybrid of many vastly different cooking styles, making it a perfect choice for this theme!" "The lattice piecrust is French. Under it is a wonderfully savory Chinese shark fin soup. And the soup's rich chicken broth and the vegetables in it have all been thoroughly infused with powerfully aromatic spices... ... using distinctively Indian spice blends and techniques!" "Hm? Wait a minute. There's more than just shark fin and vegetables in this soup. This looks just like an Italian ravioli! I wonder what's in it? ?!" "Holy crap, look at it stretch!" "What is that?! Mozzarella?! A mochi pouch?!" "Nope! Neither! That's Dondurma. Or as some people call it... ... Turkish ice cream. A major ingredient in Dondurma is salep, a flour made from the root of certain orchids. It gives the dish a thick, sticky texture. The moist chewiness of ravioli pasta melds together with the sticky gumminess of the Dondurma... ... making for an addictively thick and chewy texture!

Becoming a woman felt a bit like becoming famous. For, from being benevolently generally ignored – the base-line existence of most children – a teenage girl is suddenly fascinating to others, and gets bombarded with questions: What size are you? Have you done it yet? Will you have sex with me? Have you got ID? Do you want to try a puff of this? Are you seeing anyone? Have you got protection? What’s your signature style? Can you walk in heels? Who are your heroes? Are you getting a Brazilian? What porn do you like? Do you want to get married? When are you going to have kids? Are you a feminist? Were you just flirting with that man? What do you want to do? WHO ARE YOU? All ridiculous questions to ask of a 13-year-old simply because she now needs a bra. They might as well have been asking my dog. I had absolutely no idea.

The young man’s thoughts returned to Katrina. I can instill love in her, but it will be just sexual passion with elements of submissive sacrifice. Outs don’t know how to do it otherwise. This is not true love! Although, for Katrina the suggested emotions will be indistinguishable from the true ones, and perhaps she will even be happy. But will I be happy? I will know that this is all a dastardly deception. That I turned a real human with a living soul into a bio-robot. I will destroy both my soul and hers. Isn’t that the intention of the emperor and Dark? If I kill, start torturing or process Katrina, then I will become similar to them. Turn another human into a submissive object, and then get sated with someone else’s body and emotions. This cannibalistic understanding of love is the signature style of outs. I must avoid this trap. But I love Katrina!

Her signature style is hyperrealism, an attempt to capture everything a photograph might and then much more:

his ass better than the running ones. Not that I’m staring or anything. Okay, I totally fucking am. His hair is styled in his signature

On the eve of America’s entrance into World War II, Walter Brennan embodied fundamental decency and democratic virtues that made him indispensable to Cooper’s signature Everyman roles. Brennan’s performance in Sergeant York (September 27, 1941) foreshadows the country’s emergence from isolationism into a reluctant, then confirmed internationalism. Although Brennan received an Academy Award nomination for his work in Sergeant York, his low-key style is barely mentioned in later accounts of the film, which focus on Gary Cooper as Alvin York, a backwoods Tennessee conscientious objector who overcomes religious objections to war to become the nation’s greatest war hero. Brennan’s Pastor Pile persuades York to fight for his principles, to abide by the law and register for the draft, and then to serve in the army after he is denied conscientious objector status.

HEROPANTI MOVIE REVIEW & RATING Movie Name: Heropanti Director: Sabbir Khan Producer: Sajid Nadiadwala Music Director: Sajid-Wajid, Manj Musik Cast: Tiger Shroff, Kirti Sanon, Sandeepa Dhar ‘Heropanti’, a love story is directed by Sabbir Khan and produced by Sajid Nadiadwala. It is the debut movie of Tiger Shroff (son of superstar Jackie Shroff) and Kirti Sanon, both starring in lead roles alongside Sandeepa Dhar featuring in a pivotal role. Overall it is a remake of Telugu movie ‘Parugu’ starring Allu Arjun. ‘Heropanti’ is all about another new gem in Bollywood industry. Big launch with hit songs. New faces- heroine as well as hero. Does it work? Let’s go through to know it… ‘Heropanti’ borrows half of its title from Sr. Shroff’s breakout film and is also having the signature tune from ‘Hero’ (1983) which is being played in the background repeatedly. The action movie is not as terrible as Salman and Akshay films. The newcomer Tiger Shroff has done amazing stunts in the film. The story is set in the land of Jattland in Harayana where Chaudhary (Prakash Raj), the Haryanvi goon is completely against love marriages. He has two daughters- Renu (Sandeepa Dhar) and Dimpi (Kirti Sanon). Chaudharyji’s elder daughter Renu’s marriage is held, but on the wedding night she elopes with her boyfriend Rakesh. Her step results in a frantic search for her across the village. Chaudharyji launches a manhunt to track them down and eliminate them. Now Haryanvi goon’s men suspects Rakesh’s friends and thinks that they may know where Renu is. So the goon decides to kidnap the buddies of his daughter’s lover. Bablu (Tiger Shroff) turns to be one of the buddies with ultra muscular head and shoulders model who falls in love with Chaudharyji’s younger daughter Dimpy (Kirti Sanon). The goons manage to trace Bablu who has actually helped Rakesh and Renu in escaping. Bablu, meanwhile in captivity, shares with his pals about his love interest. Bablu falls in love at first sight with the pretty younger daughter of Chaudharyji’s, Dimpy. He comes to know quite early that it is none other than the Harynavi goon Chaudharyji’s daughter. The movie tries to end up in a ‘Dilwale Dulhania Le Jayenge’ style where Bablu uses his superpowers and figures out to be with his love but without offending her father. launch pad for Shroff to show his acting and dancing skills. Plan to watch it, if nothing left to do. Tiger Shoff is a great action hero. When it comes to action, he is a star but comparatively his acting skills are zero. Kirti Sanon requires a little brushing up on her acting skills she reminds us somewhere of young Deepika Padukone who is surely going to have a good run in the industry someday. Verdict: It’s the most masala-less movie of this year with more action and less drama. But the movie is a perfect

the 10 Desires of Team Members: Make sure that people feel competent at what they are doing. Give them work that challenges their abilities but that is still within their grasp. Try to let people feel accepted by you and the group. Compliment them on their achievements (but only if you mean it). Make sure that their curiosity is addressed. Even though some activities can be boring, there should always be something new for them to investigate. Give people a chance at satisfying their honor. You must allow teams to make their own rules, which team members will follow happily (or sometimes grudgingly). Infuse the business with some idealism (purpose). You’re not just there to make money. You’re also making a (small) contribution to make the world a better place. (Note: Be careful with this one. It is often abused by top management in an attempt to obfuscate its real purpose, which is simply to make money.) Foster people’s independence (autonomy). Allow them to be different from other people, with their own tasks and responsibilities. And compliment them on their original and interesting hair style. Make sure that some level of order is maintained in the organization. People work better when they can rely on some (minimal) company rules and policies. Make sure that people have some power or influence over what’s happening around them. Listen to what they have to say and help them in making those things happen. Create the right environment for social contacts (relatedness) to emerge. There’s usually no need to venture into the romance area, but friendships can easily arise, provided that managers take care of a fertile context. Finally, it is important for people to feel that they have some status in the organization. They shouldn’t feel like dangling somewhere at the bottom of a big hierarchy.

Signature cocktails are part creative expression and part calling card, alluding to your style as much as your handshake or favorite perfume.

As she passed Nick’s Bar & Bistro, she felt a moment’s longing, wishing she could stop for a reassuring hug that she knew would be fast in coming. But even more than his comfort, a few hours sleep was in order. She parked outside the Inn, dragged her large suitcase out of the trunk and wheeled it into the lobby. When she stepped up to the check-in counter, a young woman smiled. “Ms. Braxton. Geoff let us know you were on your way. We’ve given you a room on the second floor. Room 204. Just need your signature and a credit card.” “Thanks so much. Everyone in this town is so welcoming.” She forced a smile. “Never seen anything like it.” “My name is Helen Watson,” the young girl replied. “I’m from Nebraska, and I’ve been here for two years. The friendliness is genuine, and it doesn’t get old.” As Jennie’s mother had said, the Inn was small, but charming—English Tudor in style both inside and out. The lobby had a tartan carpet, four plaid high back chairs next to a hearth and fireplace. The walls were decorated with hunting scenes and floral gardens. A small bar was tucked away in the far corner of the

Gregor would reference all kinds of books and articles, and instead of paraphrasing them, like any normal lazy person, he'd insist on going online and finding the exact line or quote from the secondary source, adding another five-minute silent section to the meeting, during which he wordlessly surfed online. Later I would realize this is Greg''s signature style. He likes to take in people past the point where they can be putting on a show to impress him.

Lenora was a Fosse girl. She had learned from the mater, the actual master himself. Fosse was a galvanizing choreographer, who fascinated and spoke directly to me for a range of reasons. The first was the fact that the most iconic aspects of his work were inspired by his imperfections. Because he was losing his hair, hats became an integral part of his pageantry. His shoulders were rounded, giving rise to his signature slouch. He didn't like his hands, so gloves made their way into his numbers. He was pigeon-toed and couldn't achieve the kind of turnout expected in ballet, so he developed a style in which the legs are turned in and the feet point at each other. I was intoxicated by the way he had spun his ‘flaws’ into stylistic gold. It felt like a message for me that my own ‘flaws’ and vulnerabilities might actually be arrows pointing straight to the heart of my power as a performer, and – dare I say – my artistry.

Lenora was a Fosse girl. She had learned from the master, the actual master himself. Fosse was a galvanizing choreographer, who fascinated and spoke directly to me for a range of reasons. The first was the fact that the most iconic aspects of his work were inspired by his imperfections. Because he was losing his hair, hats became an integral part of his pageantry. His shoulders were rounded, giving rise to his signature slouch. He didn't like his hands, so gloves made their way into his numbers. He was pigeon-toed and couldn't achieve the kind of turnout expected in ballet, so he developed a style in which the legs are turned in and the feet point at each other. I was intoxicated by the way he had spun his ‘flaws’ into stylistic gold. It felt like a message for me that my own ‘flaws’ and vulnerabilities might actually be arrows pointing straight to the heart of my power as a performer, and – dare I say – my artistry.

Mark lifted the pop-up tent and unveiled Duchess and Puddin' sharing one of Duchess Delights' signature dog treats. They were eating it Lady and the Tramp--- style, each with an end between their teeth, their mouths nearly touching. The dogs looked up at Mark, then ran in opposite directions, like two teenagers who had been caught kissing under the bleachers.

After a couple of hours she breathlessly put aside her palette knife and asked, ‘Did you ever experiment with your handwriting?’ I thought about this as Jacinta poured herself a glass of milk from a carton. ‘I suppose so. Once I wasn’t being forced to use joined up writing with a fountain pen any more. Why?’ ‘You sent me a few of my old exercise books from school after you cleared out Mum’s place a few years ago. Do you remember?’ I told her I didn’t. Maybe David had posted them to her. ‘When I was at primary school I wrote using the whole wide line. The capitals touched the top and everything was balloony, you know, round and chipper. But my handwriting in the later exercise books, I think I must have been fourteen or so, was completely truncated like inky footprints made by ants. I could hardly make out what I’d written. I don’t know how the teachers deciphered it. I still don’t quite know what comes naturally when I write. I don’t have a style. It changes. Sometimes it’s all swallowed up and at other times I write using tall, spindly letters. Maybe it’s the pen and paper I’m using. That makes a difference.’ ‘Yeah, it does,’ I agreed. ‘I hate thin-ruled paper.’ She took a gulp from her milk. The light was behind her. I couldn’t see her features. Her hair was pulled back into a low ponytail like the one she wore to school for years. I hated Mum. I hated Pete. I hated Gavin. I hated myself. Jacinta said, ‘When I paint I have a signature. It’s my own and I don’t have to be afraid.’ ‘I’m sorry, Jacinta. I’m so sorry. I didn’t know what to do.’ ‘I don’t blame you. But I thought you’d forgotten. Or forgiven. Or a bit of both.’ ‘A bit of both,’ I admitted. She was quiet, began to clean up. I didn’t help. I just watched. And eventually she turned back to me and said, ‘How’s Zoey?

The Ultimate Minimalist Wallets For Men: Functionality Meets Style? More than just a way of transporting essentials like money and ID, the simplest men’s wallets also are a chance to precise your taste and elegance. The perfect minimalist wallet may be a marriage of form and performance. It’s hard-wearing, ready to withstand everyday use, and has high-end design appeal. the perfect wallet is one that you simply can take enjoyment of whipping out at the top of a meal with a client or the in-laws. This one’s on me. Your wallet should complement your lifestyle. Perhaps you’re an on-the-go professional rushing from an office meeting to a cocktail bar. or even you’re a stay-at-home parent who takes pride in your fashion-forward accessories. No single wallet-owner is that the same. Your wallet should say something about your unique personality. Whether you’re seeking an attention-grabbing luxury accessory or something more understated and practical, there’s a wallet that’s got your name thereon. Here’s a variety of the simplest men’s wallets for each taste, style, and purpose. Here Is That The List Of Comfortable Wallets For Men Here, we'll introduce recommended men's outstandingly fashionable wallets. If you would like to be a trendy adult man, please ask it. 1- Stripe Point Bi-Fold Wallet (Paul Smith) "Paul Smith" may be a brand that's fashionable adult men, not just for wallets but also for accessories like clothes and watches. it's a basic series wallet that uses Paul Smith's signature "multi-striped pattern" as an accent. Italian calf leather with a supple texture is employed for the wallet body, and it's a typical model specification of a bi-fold wallet with 1 wallet, 2 coin purses, 4 cardholders. 2- Zippy Wallet Vertical (Louis Vuitton) "Louis Vuitton" may be a luxury brand that's so documented that it's called "the king of high brands" by people everywhere the planet . a trendy long wallet with a blue lining on the "Damier Graffiti", which is extremely fashionable adult men. With multiple pockets and compartments, it's excellent storage capacity. With a chic, simple and complicated design, and having a luxury brand wallet that everybody can understand, you'll feel better and your fashion is going to be dramatically improved. 3- Grange (porter) "Poker" is that the main brand of Yoshida & Co., Ltd., which is durable and highly functional. Yoshida & Co., Ltd. is now one of Japan's leading brands and is extremely popular not only in Japan but also overseas. The charm of this wallet is that the cow shoulder leather is made in Italy, which has been carefully tanned with time and energy. because of the time-consuming tanning process, it's soft and sturdy, and therefore the warm taste makes it comfortable to use. 4- Bellroy Note Sleeve The Note Sleeve is just the simplest all-around wallet in Bellroy’s collection. If you don’t want to spend plenty of your time (or money) researching the simplest wallet, you'll stop here. This one has everything you would like. And it's good too! This wallet will easily suit your cash, coins, and up to eleven cards during a slim profile. The Note Sleeve also has quick-access slots for your daily cards and a cargo area with a convenient pull-tab for the credit cards you employ less frequently.

Even the most talented artists have flaws and limitations that no amount of training can overcome, just as even the most exceptional individuals have hang-ups and quirks that no amount of personal growth can erase. The artists we consider great are those who make their flaws and limitations somehow complement their strengths and contribute to their signature style.

Even with shaggy-dog hair, Mac’s red locks are ten times nicer than mine. My shade of red is more in the Ronald McDonald family. And when I don’t style it in my signature smooth, wavy curls, I look like those Chinese crested dogs that are always getting meme’d on the internet with something cruel. Poor dears.

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After the fashion brand Celine launched its Didion ad in 2015, featuring the eighty-year-old writer with her signature bob and dark glasses looking frail but, again, composed, her fragility graduated fully into mainstream branding. Elle magazine described her “minimalist” style as “at once fragile and strong,”1 and fashion blogs ran pieces celebrating Didion’s pull and influence over other women, as if it were her distinct, intrinsic ability to be wispy and smart, rather than something more wrought and deliberate, that compelled us all.

The lasagna filled a huge roasting pan, covered in thick browned cheese that was crispy in the corners. "Get me a corner piece, and I'll owe you one," Sanna whispered to Isaac, who sat closer to the pan. "I'll hold you to that." He scooped the darkest corner onto her plate with a wink that caused Sanna's heart to skip. She wished she could come up with a pithy response, but instead she turned her attention to the food, unable to find her words. The garlic bread was made from a local bakery's signature item, the giant Corsica loaf. It was slathered in sesame seeds and baked in olive oil so the bottom was crispy yet dripping. Mrs. Dibble had carved huge slices, coated each with garlic butter, then warmed it until the butter soaked in. The salad rounded it out, something light to balance all the heavy food so you could keep nibbling on lettuce to stretch the time at the table. "Sanna, why don't you pull out a few bottles of cider for dinner?" Einars said. Glad for distraction, Sanna brought out three large bottles she had in the fridge, all from the same batch- toasty brown. Not the most appetizing color, but it was the best match to go with a dinner like this one. It was a nearly still, unfiltered scrumpy style that was layered and complex, but not sweet and not dry. It wasn't acidic, so it didn't compete with the tomato sauce, and the subtle apple notes didn't confuse the palate with too many conflicting flavors. It was refreshing and smooth, a dark amber in color with bits of sediment floating around. She poured it into stemless glasses for each of the adults and enjoyed how the evening light got trapped, making the liquid glow when she held it up in a beam of evening summer sunlight.

Some writers have a bunch of talent; I don't know any writers who are without it. But a unique and exact way of looking at things, and finding the right context for expressing that way of looking, that's something else. . . Every great or even very good writer makes the world over according to his own specifications. It's akin to style, what I'm talking about, but it isn't style alone. It is the writer's particular and unmistakable signature on everything he writes. It is his world and no other. This is one of the things that distinguishes one writer from another. Not talent. There's plenty of that around. But a writer who has some special way of looking at things and who gives artistic expression to that way of looking: that writer may be around for a time.

Style is not a cure-all, but it is important and must be married with substance and authenticity.

The goal of flavor creation is to reach the seven-year-old inside the forty-seven-year-old," Brian explains of their instant connection with customers. While other ice cream start-ups in the city- and there have been plenty launches since Ample Hills, including Oddfellows (2013), Morgenstern's (2014), and Ice & Vice (2015), to name a few- have found their success in offbeat flavors like avocado, extra virgin olive oil, red bean, and chorizo caramel, they aren't made in the same spirit of evoking the fun and play of childhood that Brian finds essential. It's a different brand of creativity. Even though it inevitably meant waiting in a long line, I loved being the one to go to Ample Hills to pick up a pint because it also meant sampling the flavors. Each one is sweet and creamy, über-rich, and totally original. They're loaded with so many ingredients you never tire of taste testing them. There's Ooey Gooey Butter Cake, a full-flavor vanilla that's studded with chunks of rich, dense Saint Louis-style cake; The Munchies, a salty-sweet pretzel-infused ice cream chock-full of Ritz crackers, potato chips, M&M's, and more pretzels; Nonna D's Oatmeal Lace is brown-sugar-and-cinnamon ice cream chunked with homemade oatmeal cookies; and their signature flavor, Salted Crack Caramel, which involves caramelizing large amounts of sugar on the stove top until it's nearly burnt, giving it a bitterness that distinguishes their version from all the other salted caramels out there.

Olive Garden Catering Menu (Updated for 2025) When it comes to catering for special occasions, Olive Garden has long been a favorite choice for its delicious Italian cuisine and family-style dining. Whether you’re planning a wedding, birthday, corporate event, or casual gathering, Olive Garden’s catering menu offers a variety of mouthwatering options to please every guest. Here’s an updated look at the Olive Garden catering menu for 2025, so you can plan your next event with ease. What’s New on the 2025 Olive Garden Catering Menu? Olive Garden has made some exciting updates to its catering menu for 2025. With a focus on fresh ingredients, diverse flavors, and convenience, they’ve added new dishes and enhanced classic favorites to ensure everyone leaves the table satisfied. Here are some of the standout additions: Family-Style Appetizers: Now featuring options like crispy calamari platters and stuffed mushrooms for a crowd. New Entrée Choices: Expanded options include Chicken Marsala, Shrimp Scampi, and a vegetarian-friendly Eggplant Parmigiana. Customizable Pasta Bar: Build your own pasta station with a variety of noodles, sauces, and protein add-ons, perfect for tailoring to guests’ preferences. Olive Garden Catering Menu Highlights The 2025 catering menu is designed to accommodate events of all sizes and includes: Appetizers: Start your meal with crowd-pleasers like Breadsticks with Alfredo Sauce, Spinach-Artichoke Dip, or a classic Antipasto Platter. Entrées: Chicken Alfredo Lasagna Classico Five Cheese Ziti al Forno Spaghetti with Meat Sauce Sides: Complement your main courses with options like Garlic Mashed Potatoes, Fresh Steamed Vegetables, and, of course, their signature Salad and Breadsticks. Desserts: Satisfy your sweet tooth with Tiramisu, Chocolate Lasagna, or Cannoli. Why Choose Olive Garden Catering? Olive Garden catering offers several advantages: Convenience: With delivery and setup services available, catering with Olive Garden is stress-free. Variety: Their extensive menu ensures there’s something for everyone, including vegetarians and gluten-sensitive diners. Affordability: Catering packages are reasonably priced and designed to serve groups of various sizes. How to Order Olive Garden Catering Browse the Menu: Visit their official website or contact your local Olive Garden for the latest catering options. Plan Ahead: Place your order at least 24-48 hours in advance to ensure availability. Customize Your Order: Tailor your selections to match your event’s theme or dietary preferences. Pick Up or Deliver: Choose whether you’ll pick up your order or have it delivered directly to your event. Final Thoughts Whether you’re hosting a small gathering or a large celebration, Olive Garden’s updated 2025 catering menu offers something for every occasion. With their commitment to quality, variety, and convenience, it’s no wonder Olive Garden remains a go-to choice for catering Italian cuisine. Explore the menu today and make your next event unforgettable with Olive Garden’s delicious offerings.