Side Seat Quotes

We've searched our database for all the quotes and captions related to Side Seat. Here they are! All 100 of them:

1) I love you not for whom you are, but who i am when i'm by your side. 2) No person deserves your tears, and who deserves them won't make you cry. 3) Just because someone doesn't love you as you wish, it doesn't mean you're not loved with all his/her being. 4) A true friend is the one, who hold your hand and touches your heart. 5) The worst way to miss someone is, to be seated by him/her and know you'll never have him/her. 6) Never stop smiling not even when you're sad, someone might fall in love with your smile. 7) You may only be a person in this world, but for someone you're the world. 8) Don't spend time with someone, who doesn't care spending it with you. 9) Maybe God wants you to meet many wrong people, before you meet the right one,so when it happens you'll be thankful. 10) Dont cry because it came to an end, smile because it happened. 11) There will always be people who'll hurt you, so you need to continue trusting, just be careful. 12) Become a better person and be sure to know who you are, before meeting someone new and hoping that person knows who you are. 13) Don't struggle so much, best things happen when not expected.
Gabriel García Márquez
Shotgun!" announced Clary as Jace came back around the side of the van. Alec grabbed for his bow, strapped across his back. "Where?" "She means she wants the front seat," said Jace, pushing wet hair out of his eyes.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
No homework. I got suspended,” Blue replied. “Get the fuck out,” Ronan said, but with admiration. “Sargent, you asshole.” Blue reluctantly allowed him to bump fists with her as Gansey eyed her meaningfully in the rearview mirror. Adam swivelled the other way in his seat – to the right, instead of to the left, so that he was peering around the far side of the headrest. It made him look as if he were hiding, but Blue knew it was just because it turned his hearing ear instead of his deaf ear towards them. “For what?” “Emptying another student’s backpack over his car. I don’t really want to talk about it.” “I do,” Ronan said. “Well, I don’t. I’m not proud of it.” Ronan patted her leg. “I’ll be proud for you.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
Shepley jogged around the front of the Charger, and then slid into the driver’s seat. “I’m still taking the official position that this is a bad idea.” “Noted.” “Then where?” “Steiner’s.” “The jewelry store?” “Yep.” “Why, Travis?” Shepley said, his voice more stern than before. “You’ll see.” He shook his head. “Are you trying to run her off?” “It’s going to happen, Shep. I just want to have it. For when the time is right.” “No time any time soon is right. I am so in love with America that it drives me crazy sometimes, but we’re not old enough for that shit, yet, Travis. And … what if she says no?” My teeth clenched at the thought. “I won’t ask her until I know she’s ready.” Shepley’s mouth pulled to the side. “Just when I think you can’t get any more insane, you do something else to remind me that you are far beyond bat shit crazy.” “Wait until you see the rock I’m getting.” Shepley craned his neck slowly in my direction. “You’ve already been over there shopping, haven’t you?” I smiled.
Jamie McGuire (Walking Disaster (Beautiful, #2))
And he don't know...that I dug my key into the side of his pretty little souped up 4 wheel drive, carved my name into his leather seats. I took a Louisville slugger to both headlights, slashed a hole in all 4 tires...Maybe, next time he'll think before he cheats.
Carrie Underwood
He fell to the seat, she by his side. There were no more words. The stars were beginning to shine. How was it that the birds sing, that the snow melts, that the rose opens, that May blooms, that the dawns whitens behind the black trees on the shivering summit of the hills? One kiss, and that was all. Both trembled, and they looked at each other in the darkness with brilliant eyes. They felt neither the cool night, nor the cold stone, nor the damp ground, nor the wet grass; they looked at each other, and their hearts were full of thought. They had clasped hands, without knowing it. She did not ask him; did not even think where and how he had managed to get into the garden. It seemed so natural to her that he should be there. From time to time Marius’ knee touched Cosette’s. A touch that thrilled. At times, Cosette faltered out a word. Her soul trembled on her lips like a drop of dew on a flower. Gradually, they began to talk. Overflow succeeded to silence, which is fullness. The night was serene and glorious above their heads. These two beings, pure as spirits, told each other everything, their dreams, their frenzies, their ecstasies, their chimeras, their despondencies, how they had adored each other from afar, how they had longed for each other, their despair when they had ceased to see each other. They had confided to each other in an intimacy of the ideal, which already, nothing could have increased, all that was most hidden and most mysterious in themselves. They told each other, with a candid faith in their illusions, all that love, youth and the remnant of childhood that was theirs, brought to mind. These two hearts poured themselves out to each other, so that at the end of an hour, it was the young man who had the young girl’s soul and the young girl who had the soul of the young man. They interpenetrated, they enchanted, they dazzled each other. When they had finished, when they had told each other everything, she laid her head on his shoulder, and asked him: "What is your name?" My name is Marius," he said. "And yours?" My name is Cosette.
Victor Hugo (Les Misérables)
All men live enveloped in whale-lines. All are born with halters round their necks; but it is only when caught in the swift, sudden turn of death, that mortals realize the silent, subtle, ever-present perils of life. And if you be a philosopher, though seated in the whale-boat, you would not at heart feel one whit more of terror, than though seated before your evening fire with a poker, and not a harpoon, by your side.
Herman Melville (Moby-Dick or, The Whale)
They, looking back, all the eastern side beheld Of Paradise, so late their happy seat, Waved over by that flaming brand, the gate With dreadful faces thronged and fiery arms: Some natural tears they dropped, but wiped them soon; The world was all before them, where to choose Their place of rest, and Providence their guide; They, hand in hand, with wandering steps and slow, Through Eden took their solitary way.
John Milton (Paradise Lost)
We're going to die. We're going to die..." "We're not going to die," he barks. "Do YOU want to drive?" My head shakes violently. "No way." "Then stop...side seat driving!
Julie Reece (Crux)
Vee lowered her lashes and smiled wickedly. "This class isn't going to teach me anything I don't already know." "Vee? As in virgin?" "Not so loud." She winked just as the bell rang, sending us both to our seats, which were side by side at our shared table.
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
If you are not in the arena getting your ass kicked on occasion, I am not interested in or open to your feedback. There are a million cheap seats in the world today filled with people who will never be brave with their own lives, but will spend every ounce of energy they have hurling advice and judgement at those of us trying to dare greatly. Their only contributions are criticism, cynicism, and fear-mongering. If you're criticizing from a place where you're not also putting yourself on the line, I'm not interested in your feedback.
Brené Brown
From daydreams on the road there was no waking. He plodded on. He could remember everything of her save her scent. Seated in a theatre with her beside him leaning forward listening to the music. Gold scrollwork and sconces and the tall columnar folds of the drapes at either side of the stage. She held his hand in her lap and he could feel the tops of her stockings through the thin stuff of her summer dress. Freeze this frame. Now call down your dark and your cold and be damned.
Cormac McCarthy (The Road)
Cricket walks several steps behind me. It's a careful distance. I wonder if he's looking at my butt. WHY DID I JUST THINK THAT? Now my butt feels COLOSSAL. Maybe he's looking at my legs. Is that better? Or worse? Do I want him looking at me? I hold on to the bottom of my dress as I climb into the backseat and crawl to the other side. I'm sure he's looking at my butt. He has to be. It's huge, and it's right there, and it's huge. No. I'm acting crazy. I glance over, and he smiles at me as he buckles his seat belt. My cheeks grow warm. WHAT IS WRONG WITH ME?
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
4. Religion. Your reason is now mature enough to examine this object. In the first place, divest yourself of all bias in favor of novelty & singularity of opinion... shake off all the fears & servile prejudices, under which weak minds are servilely crouched. Fix reason firmly in her seat, and call to her tribunal every fact, every opinion. Question with boldness even the existence of a God; because, if there be one, he must more approve of the homage of reason, than that of blindfolded fear. You will naturally examine first, the religion of your own country. Read the Bible, then as you would read Livy or Tacitus. The facts which are within the ordinary course of nature, you will believe on the authority of the writer, as you do those of the same kind in Livy and Tacitus. The testimony of the writer weighs in their favor, in one scale, and their not being against the laws of nature, does not weigh against them. But those facts in the Bible which contradict the laws of nature, must be examined with more care, and under a variety of faces. Here you must recur to the pretensions of the writer to inspiration from God. Examine upon what evidence his pretensions are founded, and whether that evidence is so strong, as that its falsehood would be more improbable than a change in the laws of nature, in the case he relates. For example in the book of Joshua we are told the sun stood still several hours. Were we to read that fact in Livy or Tacitus we should class it with their showers of blood, speaking of statues, beasts, &c. But it is said that the writer of that book was inspired. Examine therefore candidly what evidence there is of his having been inspired. The pretension is entitled to your inquiry, because millions believe it. On the other hand you are astronomer enough to know how contrary it is to the law of nature that a body revolving on its axis as the earth does, should have stopped, should not by that sudden stoppage have prostrated animals, trees, buildings, and should after a certain time have resumed its revolution, & that without a second general prostration. Is this arrest of the earth's motion, or the evidence which affirms it, most within the law of probabilities? You will next read the New Testament. It is the history of a personage called Jesus. Keep in your eye the opposite pretensions: 1, of those who say he was begotten by God, born of a virgin, suspended & reversed the laws of nature at will, & ascended bodily into heaven; and 2, of those who say he was a man of illegitimate birth, of a benevolent heart, enthusiastic mind, who set out without pretensions to divinity, ended in believing them, and was punished capitally for sedition, by being gibbeted, according to the Roman law, which punished the first commission of that offence by whipping, & the second by exile, or death in fureâ. ...Do not be frightened from this inquiry by any fear of its consequences. If it ends in a belief that there is no God, you will find incitements to virtue in the comfort and pleasantness you feel in its exercise, and the love of others which it will procure you... In fine, I repeat, you must lay aside all prejudice on both sides, and neither believe nor reject anything, because any other persons, or description of persons, have rejected or believed it... I forgot to observe, when speaking of the New Testament, that you should read all the histories of Christ, as well of those whom a council of ecclesiastics have decided for us, to be Pseudo-evangelists, as those they named Evangelists. Because these Pseudo-evangelists pretended to inspiration, as much as the others, and you are to judge their pretensions by your own reason, and not by the reason of those ecclesiastics. Most of these are lost... [Letter to his nephew, Peter Carr, advising him in matters of religion, 1787]
Thomas Jefferson (Letters of Thomas Jefferson)
On the way out to the car, Philip turns to me. “How could you be so stupid? I shrug, stung in spite of myself. “I thought I grew out of it.” Philip pulls out his key fob and presses the remote to unlock his Mercedes. I slide into the passenger side, brushing coffee cups off the seat and onto the floor mat, where crumpled printouts from MapQuest soak up any spilled liquid. “I hope you mean sleepwalking,” Philip says, “since you obviously didn’t grow out of stupid.
Holly Black (White Cat (Curse Workers, #1))
Do you remember the summer we signed you up for camp? And the night before you left, you said you've changed your mind and wanted to stay home? I told you to to get a seat on the left side of the bus, so when you pulled away, you'd be able to look back and see me there waiting for you." I press her hand against my cheek, hard enough to leave a mark. "You get that same seat in Heaven. One where you can watch me, watching you.
Jodi Picoult (My Sister’s Keeper)
Her hands brushed Shane's, and he let go of the cards and took hold. And then somehow she was in his lap, and he was kissing her. Hadn't meant to do that but...well. She couldn't exactly be sorry about it, because he tasted amazing, and his lips were so soft and his hands were so strong... He leaned back, eyes half shut, and he was smiling. Shane didn't smile all that much, and it always left her breathless and tingling. There was a secrecy about it like he only ever smiled at her, and it just felt... perfect. 'Claire, you're being careful right?' He smoothed hair back from her face. 'Seriously. You'd tell me if you got into trouble?' 'No trouble,' She lied, thinking about Monica's not-so veiled threats, and that glimpse of Shane's dad seated across from Oliver in the coffee shop.'No trouble at all.' 'Good.' He kissed her again, then moved down her jawline to her neck, and, wow neck nibbles took her breath away. She closed her eyes and buried her fingers in his warm hair, trying to tell him through every touch how much she liked this, like him, loved... Her eyes came open, fast. She did not just think about that. Shane’s warm hands moved up her sides, thumbs grazing the sides of her breasts again, and he traced his fingers across the thin skin of her collarbone...down to where the neck of her T-shirt stopped him. Teasing. Pulling it down an inch, then two. And then, maddeningly, he let go and leaned back, lips damp. He licked them, watching her, and then gave her that slow crazy, sexy smile again. 'Go to bed' he said. 'Before I decide to come with.
Rachel Caine (The Dead Girls' Dance (The Morganville Vampires, #2))
Ayden and Blake stared each other down. "Oh. My. God," Luna blurted from Ayden's back seat. "It's a love triangle." We all looked at her like she'd sprouted an alien from her head. "it's just like in a book. Two guys after one girl and-" I groaned. "That's ridiculous, Luna, this is not a love triangle." "Says the girl in the middle of a love triangle. Luna ignored my protests and prattled on. "Not one Hexy Boy but two. I've got to call Danica. Oooo," she squealed and clapped her hands,"We could have teams. Team Ayden and Team Blake. With T-shirt and buttons and-" "I could make a website," Lucian offered. "No!" My voice pitched with panic. "No teams. No shirts. No-" "I'll get you some headshots," Blake said, turning his profile towards Luna and Lucian. "I've been told the left is my best side. What do you think?" "Aurora's right," Ayden said. "This is buts. Blake you can follow us-" "Dude, you know no one would pick Team Ayden. You're just jealous." "That's not true. My team would be way bigger than yours." "Dare to dream, little man, dare to dream." "Care to make a wager on it?" "Absolutely." "Fine. How about-" "You two shut up!" I shoved myself out of the car.
A. Kirk (Demons at Deadnight (Divinicus Nex Chronicles, #1))
MURDERED The writing continued until the driver's side glass was clear, entirely swept clean by an invisible finger, until there were so many words that none of them could be read. Until it was only a window into an empty car with the memory of a burger on the passenger seat. 'Noah,' Gansey said, 'I'm so sorry.' Blue wiped away a tear. 'Me too.' Stepping forward, leaning over the hood of the car, Ronan pressed his fingers to the windshield, and while they watched, he wrote: REMEMBERED.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
I draw a line down the middle of a chalkboard, sketching a male symbol on one side and a female symbol on the other. Then I ask just the men: What steps do you guys take, on a daily basis, to prevent yourselves from being sexually assaulted? At first there is a kind of awkward silence as the men try to figure out if they've been asked a trick question. The silence gives way to a smattering of nervous laughter. Occasionally, a young a guy will raise his hand and say, 'I stay out of prison.' This is typically followed by another moment of laughter, before someone finally raises his hand and soberly states, 'Nothing. I don't think about it.' Then I ask women the same question. What steps do you take on a daily basis to prevent yourselves from being sexually assaulted? Women throughout the audience immediately start raising their hands. As the men sit in stunned silence, the women recount safety precautions they take as part of their daily routine. Here are some of their answers: Hold my keys as a potential weapon. Look in the back seat of the car before getting in. Carry a cell phone. Don't go jogging at night. Lock all the windows when I sleep, even on hot summer nights. Be careful not to drink too much. Don't put my drink down and come back to it; make sure I see it being poured. Own a big dog. Carry Mace or pepper spray. Have an unlisted phone number. Have a man's voice on my answering machine. Park in well-lit areas. Don't use parking garages. Don't get on elevators with only one man, or with a group of men. Vary my route home from work. Watch what I wear. Don't use highway rest areas. Use a home alarm system. Don't wear headphones when jogging. Avoid forests or wooded areas, even in the daytime. Don't take a first-floor apartment. Go out in groups. Own a firearm. Meet men on first dates in public places. Make sure to have a car or cab fare. Don't make eye contact with men on the street. Make assertive eye contact with men on the street.
Jackson Katz (The Macho Paradox: Why Some Men Hurt Women and How All Men Can Help (How to End Domestic Violence, Mental and Emotional Abuse, and Sexual Harassment))
So this is the young man who has intentions toward my little girl." Bobby shifted in his seat and crossed his legs. "It is not fun on this side of the table, is it, Robert?" Uncle Eddie huffed, and Kat had to remember that once upon a time her mother had been a dark-haired girl in that kitchen, and her dad had been the stray she'd brought home. She watched the two men looking at Hale as if they'd never before laid eyes on him. "He's better-looking than the last vagabond I had to take in," Eddie said, standing and carrying empty bowls to the sink. "I'll give him that.
Ally Carter (Perfect Scoundrels (Heist Society, #3))
Romulan or Vulcan?' the ushers asked each guest. Marion, who had been poised to say 'friends of the bride' had responded to the question with an open-mouthed stare, and Jay Omega answered, 'Klingon!" which got them seats in the back row of the Romulan side.
Sharyn McCrumb (Bimbos of the Death Sun (Jay Omega, #1))
Seated by her side in the narrow cabin, pressing cold compresses to her forehead and holding her while she vomited, he felt profoundly happy....
Isabel Allende
Matthew fought off the urge to take a seat in his lap. He closed one of his eyes and cocked his head to the side. “You’re really cute.” Tarrick chuckled. “Am I?” “Not like Hiroto cute, he’s adorable—” “I really am,” Hiroto said, his ears flicking about. “—or like Lady Rosaline cute, she’s beautiful—” “Why thank you, Matthew,” she said. “—but like…hot. Masculine.” Prescott groaned and stood. “I think it’s time we put the big vampire to bed before he makes too much of a fool of himself.” “No, no, let him talk, boss. This is gold,” Nellis said,
Jex Lane (Broken (Beautiful Monsters, #3))
I understand your position, Dave.  It’s a big story, and you worked hard to get it.  But if you don’t drop me at the Europa, I’ll blow your head off.  Imagine how big that story would be. There’s no need for these histrionics.  We’ll go to the Holiday Inn.  You can rest, shower, debrief.  You’ll be among friends. Last chance, Dave.  You can be the hero or the headline.  Your call. Let’s talk it out. No.  You talk too much. He started a new line of argument, but before the words passed his lips his brains passed them on the way out. A dirty reddish slime painted the windshield; it covered the dashboard and console. It poured and dripped from the ceiling to the seat.  The driver was covered on one side of his head and body.  The mess made the crowded taxi undrivable. -Also, someone crapped their pants.
John Payton Foden (Magenta)
The boy took his seat at one side of the fire, his men arrayed about him like the spikes on a porcupine's back, all bristling with spears.
Tony Debajo (In the Shadow of Ruin)
So long as our textbooks hide from us the roles that people of color have played in exploration, from at least 6000 BC to the twentieth century, they encourage us to look to Europe and its extensions as the seat of all knowledge and intelligence. So long as they say “discover,” they imply that whites are the only people who really matter. So long as they simply celebrate Columbus, rather than teach both sides of his exploit, they encourage us to identify with white Western exploitation rather than study it.
James W. Loewen (Lies My Teacher Told Me: Everything Your American History Textbook Got Wrong)
It occurs to me," said Hodge, "that the dilemmas of power are always the same." Clary glanced at him sideways. "What do you mean?" She sat on the window seat in the library, Hodge in his chair with Hugo on the armrest. The remains of breakfast—sticky jam, toast crumbs, and smears of butter—clung to a stack of plates on the low table that no one had seemed inclined to clear away. After breakfast they had scattered to prepare themselves, and Clary had been the first one back. This was hardly surprising, considering that all she had to do was pull on jeans and a shirt and run a brush through her hair, while everyone else had to arm themselves heavily. Having lost Jace's dagger in the hotel, the only remotely supernatural object she had on her was the witchlight stone in her pocket. "I was thinking of your Simon," Hodge said, "and of Alec and Jace, among others." She glanced out the window. It was raining, thick fat drops spattering against the panes. The sky was an impenetrable gray. "What do they have to do with each other?" "Where there is feeling that is not requited," said Hodge, "there is an imbalance of power. It is an imbalance that is easy to exploit, but it is not a wise course. Where there is love, there is often also hate. They can exist side by side." "Simon doesn't hate me." "He might grow to, over time, if he felt you were using him.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
I'll accept your apology on one condition." He folded his arms across his chest. "Anything?" "You trust me." I cocked my head to the side. "I trust you, Cam." "No, you don't." He walked over to my small table and pulled out a chair. "Have a seat." Sitting down, I tugged the hem of his shirt down as he headed back to the stove, putting the tiny skillet over the burner. "If you trusted me, you wouldn't have reacted the way you did," he simply said, cracking an egg. "And that's not me judging you or any of that kind of shit. You got to trust me that I'm not going to be an ass or freak out over that kind of stuff. You have to trust that I care enough about you.
Jennifer L. Armentrout (Wait for You (Wait for You, #1))
Come on over to the dark side, Katie. I’ll save you a seat next to me.
Tracey Garvis Graves (Heart-Shaped Hack (Kate and Ian, #1))
Not fair? Oh, I'm sorry I get this lovely laptop computing device when all you get is the ability to walk, control your hands, and know you'll survive until your eighteenth birthday." Then the kid was going, "Uh, I didn't mean..." But Tad wasn't done yet. While the whole class watched in horror, he put his hands through the metal support braces on the arms of his wheelchair and forced himself to stand up. Then he took a shaky little step to the side, gestured toward the chair, and said, "Why don't you take a turn with the laptop? You can even have my seat.
Jordan Sonnenblick (After Ever After)
<…>Tate fell silent. Ty didn't. "Since the day I was released, you knocked yourself out. You had my back, you took care of Lexie when we had our thing then you did what you could to help me sort that. It's important to me that you know I'm grateful. I've been tryin' to figure out how I can show how much but, keep thinkin' on it, nothin' comes to mind and I know why. I get it. You're a man who has everything so there is nothing I can hand you that you want or need. And I get that because I am now that same man. So the only thing I can give you are words and, my guess is, that'll be enough. If it isn't, you name it and it's yours." "Friends do what I did for friends," Tate returned. "No they don't, Tate. You did what you did for me because you're you. That's what I'm talkin' about." Tate ws silent a moment then he said, "Well then, you guessed right. Words are enough." Ty nodded. Tate tipped his head to the side and asked jokingly, "We done with the near-midnight in the middle of fuckin' nowhere heart-to-heart?" Ty didn't feel like joking and answered, "No." "Then what -?" "Love you, man," Ty interrupted quietly. "Learned the hard way not to delay in expressing that sentiment so I'm not gonna delay. You call me brother and I got one who's blood who don't mean shit to me and today, all this shit done, rejoicing and reflecting, it hit me that I got two who aren't blood but who do mean something. And you're one of those two." "Ty-" Tate murmured. "I will never forget, until I die, what you did for me and my wife and until that day I will never stop bein' grateful." "Fuck man," Tate whispered. "Now, do those words work so you get what you did mean to me?" Silence then, "Yeah, they work." "Good, then now we're done with our near-midnight, middle of fuckin' nowhere heart-to-heart," Ty declared, turned, opened the door to the Viper and started folding in. He stopped with his ass nearly to the seat and looked up over the door when Tate called his name. "I don't have a blood brother," Tate said. "But you should know there's a reason I call you that."<…>
Kristen Ashley (Lady Luck (Colorado Mountain, #3))
Well, I'm glad you're so amused," I said, running my fingers across the railing. Maxon hopped up to sit on the railing, looking very relaxed. "You're always amusing. Get used to it." Hmm. He was almost being funny. "So...about what you said...," he started tentatively. "Which part? The part about me calling you names or fighting with my mom or saying food was my motivation?" I rolled my eyes. He laughed once. "The part about me being good..." "Oh. What about it?" Those few sentences suddenly seemed more embarrassing than anything else I'd said. I ducked my head down and twisted a piece of my dress. "I appreciate you making things look authentic, but you didn't need to go that far." My head snapped up. How could he think that? "Maxon, that wasn't for the sake of the show. If you had asked me a month ago what my honest opinion of you was, it would have been very different. But now I know you, and I know the truth, and you are everything I said you were. And more." He was quiet, but there was a small smile on his face. "Thank you," he finally said. "Anytime." Maxon cleared his throat. "He'll be lucky, too." He got down from his makeshift seat and walked to my side of the balcony. "Huh?" "Your boyfriend. When he comes to his senses and begs you to take him back," Maxon said matter-of-factly. I had to laugh. No such thing would happen in y world. "he's not my boyfriend anymore. And he made it pretty clear he was gone with me." Even I could hear the tiny bit of hope in my voice. "Not possible. He'll have seen you on TV by now and fallen for you all over again. Though, in my opinion, you're still much too good for the dog." Maxon spoke almost as if he was bored, like he'd seen this happen a million times. "Speaking of which!" he said a bit louder. "If you don't want me to be in love with you, you're going to have to stop looking so lovely. First thing tomorrow I'm having your maids sew some potato sacks together for you." I hit his arm. "Shut up, Maxon." "I'm not kidding. You're too beautiful for your own good. Once you leave, we'll have to send some of the guards with you. You'll never survive on your own, poor thing." He said all this with mock pity. "I can't help it." I sighed. "One can never help being born into perfection." I fanned my face as if being so pretty was exhausting. "No, I don't suppose you can help it.
Kiera Cass (The Selection (The Selection, #1))
I grabbed the sides of my desk, as if I were about to pick it up and move it. Like a crazy person. Cole walked over and noticed how I was grabbing my desk. He raised an eyebrow. "I think when Mrs. Stone said to take our seats, she didn't mean literally take our seats.
Brodi Ashton (Evertrue (Everneath, #3))
Even from behind, I knew the seated man was Garth. I'd seen him in chair, saddle, and by a campfire. I'd known him running with his hounds, grooming his horses, leaning back to look at the stars from the branches of a pine tree, hunched with concentration whittling a doll, carrying Alice through a storm, and even sparring with a dragon. A woman will know a man from all sides after that.
Janet Lee Carey (Dragonswood (Wilde Island Chronicles, #2))
The youngest Merriville, bursting into the room some time later, found them seated side by side on the sofa. 'Buddle said I wasn't to disturb you, but I knew that was fudge,' he said scornfully. 'Cousin Alverstoke, there is someting I particularly wanted to ask you!' He broke off, perceiving suddenly, and with disfavour, that his Cousin Alverstoke had an arm round Frederica. Revolted by such a betrayal of unmanliness, he bent a disapproving look upon his idol and demanded: 'Why are you cuddling Frederica, sir?' 'Because we are going to be married,' replied his lordship calmly. 'It's obligatory, you know. One is expected to -er - cuddle the lady one is going to marry.' 'Oh!' said Felix. 'Well, I won't ask anyone to marry me , if that's what you have to do! I just say I never thought that you sir would have-' Again he broke off, as a thought struck him. 'Will that make her a - a She-Marquis? Oh, Jessamy, did you hear that? Frederica is going to be a She-Marquis!' 'What you mean is a Marchioness, you ignorant little ape!' replied his austere brother.
Georgette Heyer (Frederica)
But Maven isn't finished. He takes a step, not forward but to the side. In my direction. The full force of his gaze almost knocks me out of my seat. "And I want to die the way my mother did," he says plainly, as if asking for an extra blanket. Again I feel too stunned to think. All I can do is keep my jaw locked in place so my mouth won't gape open in shock. "Ripped apart by your fury," he pushes on, his eyes horrible, unforgettable, searing into me. The brand on my collarboen seems to burn. "And your hatred.
Victoria Aveyard (War Storm (Red Queen, #4))
I intend to play. We require a dealer." Michael’s gaze snapped to her as Langford sneered, “I will not play cards with a woman.” She took the seat at one side of the table. “I usually will not play cards with men who rob children of their inheritance, but tonight appears to be one for exceptions.” Cross looked to Michael. “She is incredible.” Possessiveness flared as he took his seat, eyes on his wife. “She is mine.
Sarah MacLean (A Rogue by Any Other Name (The Rules of Scoundrels, #1))
I bent down over my neighborhood, taking in the people there. At first, they'd just seemed arranged the same way they were everywhere else: in random formations, some in groups, some alone. Then, though, I saw the single figure at the back of my house, walking away from the back door. And another person, a girl, running through the side yard, where the hedge would have been, while someone else, with a badge and flashlight followed. There were three people under the basketball goal, one lying prone on the ground. I took a breath, then moved in closer. Two people were seated on the curb between Dave's and my houses: a few inches away two more walked up the narrow alley to Luna Blu's back door. A couple stood in the driveway, facing each other. And in that empty building, the old hotel, a tiny set of cellar doors had been added, flung open, a figure standing before them. Whether they were about to go down, or just coming up, was unclear, and the cellar itself was a dark square. But I knew what was down below. He'd put me everywhere. Every single place I'd been, with him or without, from the first time we'd met to the last conversation. It was all there, laid out as carefully, as real as the buildings and streets around it. I swallowed, hard, then reached forward, touching the girl running through the hedge. Not Liz Sweet. Not anyone, at that moment, not yet. But on her way to someone. To me.
Sarah Dessen (What Happened to Goodbye)
I can't believe you'd rather hold handle bars than a girl." He angled his head thoughtfully."I hadn't considered that." "Maybe you should." He hopped over,gingerly swinging his bad leg over to the other side and settled down behind me on the seat. "You got rules on how I can hold you?" "Nothing distracting while I'm driving," I tossed over my shoulder, meeting his gaze."We don't need another accident." "And when you're not driving?" "The Kate-have-a-good-time fund is getting low.Maybe you should think about making a deposit.
Rachel Hawthorne (Love on the Lifts)
Environmentalists generally object to battery-powered devices and for good reason: batteries require mined minerals, employ manufacturing processes that leak toxins into local ecosystems and leave behind an even-worse trail of side effects upon disposal. Though when it comes to the largest mass-produced battery-powered gadget ever created—the electric car—environmentalists cannot jump from their seats fast enough to applaud it.
Ozzie Zehner (Green Illusions)
Aidan,”… He held up his finger. “One second, babe. I gotta finish telling Pesh this story.” “But my water broke.” Without taking his eyes of Pesh, Aidan slid his glass of water over to her. “Here take mine.” If the situation hadn’t been dire, Megan would have laughed at how oblivious Aidan was. Pesh leaned forward in his seat. “Um, Aidan, I think-“ He didn’t get a chance to finish. Instead, water splashed across the side of Aidan’s face. He shot out of his chair before whirling around to Emma. “What the hell, Em?” “My. Water. Broke,” she muttered through gritted teeth. “Oh shit,” he replied.
Katie Ashley (The Pairing (The Proposition, #3))
Science fiction is a dialogue, a tennis match, in which the Idea is volleyed from one side of the net to the other. Ridiculous to say that someone 'stole' an idea: no, no, a thousand times no. The point is the volley, and how it's carried, and what statement is made by the answering 'statement.' In other words — if Burroughs initiates a time-gate and says it works randomly, and then Norton has time gates confounded with the Perilous Seat, the Siege Perilous of the Round Table, and locates it in a bar on a rainy night — do you see both the humor and the volley in the tennis match?
C.J. Cherryh
We rose from our chairs and bowed at each other, Japanese-style. The eight of them sat on the opposite side of the table to us, leaving the middle chair empty. All looking at us, no-one speaking a word. A long minute later, a very short, rather elderly lady – also dressed in funereal black – waddled in and seated herself in the empty chair in the middle of the row, directly facing us. She smiled; well, she attempted to twist her mouth. Too much effort. Her expression reverted to seriousness. Lin, sitting next to her, now spoke and introduced her as the Managing Director. She didn’t speak any English. Nor, it transpired, did any of the others – or if they did, we would never know, as either they weren’t brave enough to try or were inhibited by the business hierarchy. A scene that could have come out of Kafka.
Oliver Dowson (There's No Business Like International Business: Business Travel – But Not As You Know It)
Philip May is known in politics as a man who has taken a back seat and allowed his wife, Theresa, to shine.” Allowed. Now let us reverse it. Theresa May has allowed her husband to shine. Does it make sense? If Philip May were prime minister, perhaps we might hear that his wife had “supported” him from the background, or that she was “behind” him, or that she’d “stood by his side,” but we would never hear that she had “allowed” him to shine. “Allow” is a troubling word. “Allow” is about power.
Chimamanda Ngozi Adichie (Dear Ijeawele, or A Feminist Manifesto in Fifteen Suggestions)
I pounded through the houses, staggering down the hallways, falling down the steps. It was a hot streaky dawn full of insecticides, exhaust, flowers that could make you sick or fall in love. My battered Impala was still parked there on the side of the road and I wanted to lie down on the shredded seats and sleep and sleep. But I thought of the bones; I could hear them singing. They needed me to write their song.
Francesca Lia Block (The Rose and the Beast: Fairy Tales Retold)
We're free agents. We can do what we want." Free agents. When my mother used those words she'd wave her keys. "We're like two bachelorettes," she'd say as we backed out of the drive. The road she took was always by the sea. Floods never put her off. "It'll pass" she'd say when I braced myself in the seat. If a wave hit the car, she'd drive on, floating sometimes for seconds. The wipers could clear off the sand and small stones. Seaweed was the problem. Not the one with poppers. That landed with a thud and rolled like a body off the windscreens. No, the problem was the smaller stuff, bright green and fine that wrapped itself like a feather boa around the side mirror. Usually, with one hand, she could throw it off. But sometimes, it took both her hands as if it were a scarf around Isadora Duncan's neck.
Georgia Scott (American Girl: Memories That Made Me)
I don’t want to go home yet.” He twisted at the waist and patted the seat behind him. “Take a walk on the wild side with me.
J.M. Stewart (Her Knight in Black Leather)
In a society that is essentially designed to organize, direct, and gratify mass impulses, what is there to minister to the silent zones of man as an individual? Religion? Art? Nature? No, the church has turned religion into standardized public spectacle, and the museum has done the same for art. The Grand Canyon and Niagara Falls have been looked at so much that they've become effete, sucked empty by too many stupid eyes. What is there to minister to the silent zones of man as an individual? How about a cold chicken bone on a paper plate at midnight, how about a lurid lipstick lengthening or shortening at your command, how about a Styrofoam nest abandoned by a 'bird' you've never known, how about a pair of windshield wipers pursuing one another futilely while you drive home alone through a downpour, how about something beneath a seat touched by your shoe at the movies, how about worn pencils, cute forks, fat little radios, boxes of bow ties, and bubbles on the side of a bathtub? Yes, these are the things, these kite strings and olive oil cans and Valentine hearts stuffed with nougat, that form the bond between the autistic vision and the experiential world, it is to show these things in their true mysterious light that is the purpose of the moon.
Tom Robbins
While they waited, Ronan decided to finally take up the task of teaching Adam how to drive a stick shift. For several minutes, it seemed to be going well, as the BMW had an easy clutch, Ronan was brief and to the point with his instruction, and Adam was a quick study with no ego to get in the way. From a safe vantage point beside the building, Gansey and Noah huddled and watched as Adam began to make ever quicker circles around the parking lot. Every so often their hoots were audible through the open windows of the BMW. Then—it had to happen eventually—Adam stalled the car. It was a pretty magnificent beast, as far as stalls went, with lots of noise and death spasms on the part of the car. From the passenger seat, Ronan began to swear at Adam. It was a long, involved swear, using every forbidden word possible, often in compound-word form. As Adam stared at his lap, penitent, he mused that there was something musical about Ronan when he swore, a careful and loving precision to the way he fit the words together, a black-painted poetry. It was far less hateful sounding than when he didn’t swear. Ronan finished with, “For the love of . . . Parrish, take some care, this is not your mother’s 1971 Honda Civic.” Adam lifted his head and said, “They didn’t start making the Civic until ’73.” There was a flash of fangs from the passenger seat, but before Ronan truly had time to strike, they both heard Gansey call warmly, “Jane! I thought you’d never show up. Ronan is tutoring Adam in the ways of manual transmissions.” Blue, her hair pulled every which way by the wind, stuck her head in the driver’s side window. The scent of wildflowers accompanied her presence. As Adam catalogued the scent in the mental file of things that made Blue attractive, she said brightly, “Looks like it’s going well. Is that what that smell is?” Without replying, Ronan climbed out of the car and slammed the door. Noah appeared beside Blue. He looked joyful and adoring, like a Labrador retriever. Noah had decided almost immediately that he would do anything for Blue, a fact that would’ve needled Adam if it had been anyone other than Noah. Blue permitted Noah to pet the crazy tufts of her hair, something Adam would have also liked to do, but felt would mean something far different coming from him.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
Let go!” I insisted. He ignored me. I staggered along sideways across the wet sidewalk until we reached the Volvo. Then he finally freed me – I stumbled against the passenger door. “You are so pushy!” I grumbled “It’s open,” was all he responded. He got in the driver’s side. “I am perfectly capable of driving myself home!” I stood by the car, fuming. It was raining harder now, and I’d never put my hood up, so my hair was dripping down my back. He lowered the automatic window and leaned toward me across the seat. “Get in, Bella.” I didn’t answer. I was mentally calculating my chances of reaching the truck before he could catch me. I had to admit it, they weren’t good. “I’ll just drag you back,” he threatened, guessing my plan.
Stephenie Meyer (Twilight (The Twilight Saga, #1))
Have you ever sat on a window seat, in the train of your memories while it's raining heavily? Rain has this ridiculous power of waking up all the angels and demons inside us at once, doesn't it? All of a sudden there is a war inside us, between both the sides. We can do nothing but clench our fists and watch our train derail and take a path we have never come across before. All we know at that point of time is that we are going to crash somewhere. Either our demons win or the angels, we are going to get wounded somewhere.
Akshay Vasu
She saw herself riding in the passenger seat, Sam behind the wheel. Like two of those little peg people in a toy car. Husband peg, wife peg, side by side. Facing the road and not looking at each other; for why would they need to, really, having gone beyond the visible surface long ago. No hope of admiring gazes anymore, no chance of unremitting adoration. Nothing left to show but their plain, true, homely, interior selves, which were actually much richer anyhow.
Anne Tyler (Ladder Of Years)
But...Well, have you ever done this with anyone else?" "Never." He pulls her down so that she is lying on the window seat. "Good." Willow is surprised that shy as she indeed is, she isn't embarrassed to be naked in front of him. Maybe this is because in every other important way she had already been. "Have you?" Guy lies down on his side next to her. "No!" "Good." He kisses her hair, her face, her neck.
Julia Hoban
All they do is warm their seats for their long tenures and eventually even their seats get dilapidated with the amount of money they hog in illegally and the only way it comes out is by tilting their huge pot-bellied frames to one side and emitting poisonous gases that not only depreciate their beloved seats but also the nation as a whole and then they shout ‘Global Warming.’ Hallelujah!
Faraaz Kazi
He opened his arm as I slid next to him. I settled against his side, letting out another deep sigh as his familiar heat and aura closed over me. I laid my head on his shoulder and was rewarded with the pressure of his cheek against the top of my head, a subtle caress. I shut my eyes. It seemed they were leaking again. I had thought I was done with crying. "I thought you were dead," I said for the hundredth time. "I keep thinking you'll vanish, and I'll wake up." "I told you, while you live, I live." He sounded calmer now, the tension leaving him. He settled back into the seat, and I leaned into him, grateful. "I would not abandon you, Dante.
Lilith Saintcrow (Dead Man Rising (Dante Valentine, #2))
It's easy to be cynical about death when you're young. When you are young, death is an anomaly. It's not real. It only affects other people. It's a bullet you'll dodge easily. It's why young people can go into battle: they really will live forever. They know. As you stick around, as you go around the Earth, you realize that life is an ever-narrowing conveyor belt. Slowly, inexorably, it takes us all along with it, and one by one we tumble off the side of the conveyor belt into darkness. . . They fall off the conveyor belt into the darkness, our friends, and we cannot talk to them anymore.
Neil Gaiman (The View from the Cheap Seats: Selected Nonfiction)
Dimitri held up a car seat with one hand, which was almost comical. “We can go whenever you’re ready. Lana gave us this and swears it’s easy to install.” Rose laughed at that. “Oh, this I’ve got to see, comrade. Dimitri Belikov, badass god, installing a baby’s car seat.” He smiled good-naturedly, and we scurried around, gathering up things. Sydney had to call Jackie back, and since my hands were full, she handed Declan off to Rose. “Just rock him,” I said, seeing her panic. Rose blanched but complied, earning laughter in return from Dimitri. “Rose Hathaway, notorious rebel, showing her maternal side.” She stuck her tongue out at him. “Enjoy it while you can, comrade. This is as close as you’ll ever get to it.
Richelle Mead (The Ruby Circle (Bloodlines, #6))
It’s interesting that Melburnians don’t tell jokes about Sydney. They tell jokes about their beloved footy. To wit: A man arriving for the Grand Final in Melbourne is surprised to find the seat beside his empty. Tickets for the Grand Final are sold out weeks in advance and empty seats unknown. So he says to the man on the other side of the seat: ‘Excuse me, do you know why there is no one in this seat?’ ‘It was my wife’s,’ answers the second man, a touch wistfully, ‘but I’m afraid she died.’ ‘Oh, that’s terrible. I’m so sorry.’ ‘Yes, she never missed a match.’ ‘But couldn’t you have given the ticket to a friend or relative?’ ‘Oh no. They’re all at the funeral.
Bill Bryson (In a Sunburned Country)
Ryodan finished filling the gas tank, opens the door, and gets back in. "Ow! If you sit on me one more time." I growl at him, "I'm going to kill you." "Good luck with that. Don't fucking move every time I get out. You're on my side of the seat again." "Watch out for my indent," I say crossly. "Hummer, Mac. Nothing causes indents. Except grenades." "I have several of those," Jada says. "Persist with your pointless bickering, I'll share one. Pin out." I ignore her. "I'm cramped. I need to stretch." "So, get out when I do." "I'm afraid you'll leave me behind since you can't see me." "I'd leave you behind if I could see you." "Christ, would the two of you just shut up?" Dageus growls. You've been at it for hours. I think I have a headache.
Karen Marie Moning (Burned (Fever, #7))
There are hermit souls that live withdrawn In the place of their self-content; There are souls like stars, that dwell apart, In a fellowless firmament; There are pioneer souls that blaze their paths Where highways never ran- But let me live by the side of the road And be a friend to man. - Let me live in a house by the side of the road, Where the race of men go by- The men who are good and the men who are bad, As good and as bad as I. I would not sit in the scorner's seat, Or hurl the cynic's ban- Let me live in a house by the side of the road And be a friend to man. - I see from my house by the side of the road, By the side of the highway of life, The men who press with the ardor of hope, The men who are faint with the strife. But I turn not away from their smiles nor their tears, Both parts of an infinite plan- Let me live in a house by the side of the road And be a friend to man. I know there are brook-gladdened meadows ahead And mountains of wearisome height; That the road passes on through the long afternoon And stretches away to the night. But still I rejoice when the travelers rejoice. And weep with the strangers that moan, Nor live in my house by the side of the road Like a man who dwells alone. - Let me live in my house by the side of the road- It's here the race of men go by. They are good, they are bad, they are weak, they are strong, Wise, foolish- so am I; Then why should I sit in the scorner's seat, Or hurl the cynic's ban? Let me live in my house by the side of the road And be a friend to man.
Sam Walter Foss
Settled on the carriage seat, Olivia drew in a deep breath, the first in what felt like five years. she knew it was wrong, what she was feeling. Because of widow of only a week shouldn't wish to dance a jig. But God help her, that's precisely what part of her wanted to do. Not on the grave of her recently deceased husband, of course-that would be considered rude. Just off to the side would suffice.
Tamera Alexander (To Whisper Her Name (Belle Meade Plantation, #1))
He lifted a single eyebrow as he adjusted his pants, zipping his fly. The sound made my back stiffen and I realized how close we’d just been to copulating in the back of a car. “I think you look good just like that.” I stared at him for two seconds before I smacked him on his infuriatingly well-muscled shoulder. “My shirt is ripped open and…” I frantically twisted in my seat and may have shrieked, “Where are my underwear?!” There was no amusement in his voice when he responded, “Someplace safe.” My eyes widened further and, I knew, my mouth hung open dumbly. I was about to lose my mind. “Give them back-” “You don’t need them-” “-to me right now-” “-and you should try new things-” “I am not leaving this limo while commando!” The passenger door on Quinn’s side opened and I yanked the skirt I was wearing back to my midcalf. I didn't miss his dark smile when it was clear that I was not likely to push the underwear issue further until we were in private. And, by then, it likely wouldn't matter.
Penny Reid (Neanderthal Seeks Human (Knitting in the City, #1))
'Shotgun!' he bellowed, startling them as he scrambled to the front, passenger-side door. Camael looked at him, an expression of confusion on his goateed face. 'What did you Say?' 'I said shotgun,' Gabriel [the dog] explained. 'It's what you're supposed to say when you want to ride in the front seat.' Aaron could not help but laugh. No matter how many conversations he had had with the animal, Gabriel's increased intelligence still managed to surprise him.
Thomas E. Sniegoski (The Fallen (The Fallen, #1))
Pull open the glass door, feel the rush of cool air, walk inside, get in line, and look around you, look at the kids working in the kitchen, at the customers in their seats, at the ads for the latest toys, study the backlit color photographs above the counter, think about where the food came from, about how and where it was made, about what is set in motion by every single fast food purchase, the ripple effect near and far, think about it. Then place your order. Or turn and walk out the door. It’s not too late. Even in this fast food nation, you can still have it your way.
Eric Schlosser (Fast Food Nation: The Dark Side of the All-American Meal)
Hard port!” She heard a man say from the backseat, of all places. Remy gasped, her startled eyes looked in the rearview mirror. Seeing a bearded man, she screamed, losing total control of the wheel. The other car came up fast and slammed into her right side, sending her into an uncontrolled spin. Her back pressed into the seat as the impact sent her head connecting with the driver’s window. Remy thought she saw a white hand reaching for her, and then she didn’t see anything at all.
Michael Phillip Cash (The After House)
The statesman received us with that old-fashioned courtesy for which he is remarkable, and seated us on the two luxuriant lounges on either side of the fireplace. Standing on the rug between us, with his slight, tall figure, his sharp features, thoughtful face, and curling hair prematurely tinged with gray, he seemed to represent that not too common type, a nobleman who is in truth noble.
Arthur Conan Doyle (The Memoirs of Sherlock Holmes (Sherlock Holmes, #4))
Cole and I spent the whole day together, wanting to be close, whether we were watching TV on the sofa or reading side by side. I wasn’t sure if it was the incident with Jake or the pregnancy, but either way I welcomed the contact. I felt more connected to Cole than ever. We were seated side by side on the couch as he worked on his laptop and I watched some guilty pleasure reality TV. “What
Megan O'Brien (Cole (The Ride, #1))
Attraction The whites of his eyes pull me like moons. He smiles. I believe his face. Already my body slips down in the chair: I recline on my side, offering peeled grapes. I can taste his tongue in my mouth whenever he speaks. I suspect he lies. But my body oils itself loose. When he gets up to fix a drink my legs like derricks hoist me off the seat. I am thirsty, it seams. Already I see the seduction far off in the distance like a large tree dwarfed by a rise in the road. I put away objections as quietly as quilts. Already I explain to myself how marriages are broken-- accidentally, like arms or legs.
Enid Shomer
I didn’t want to answer any weird questions about Ren. I knew he’d probably tell his side of the story when he became a man again, but I didn’t care. I kept my version of the trip factual, unemotional, and, more importantly, Renless. Mr. Kadam said we’d be stopping at a hotel soon, but he wanted to find a good place to leave Ren first. I demurred, “Of course,” and smiled a sickly sweet smile back at the attentive tiger. Mr. Kadam worried, “I hope our hotel won’t be too far away for him.” I patted Mr. Kadam’s arm and reassured him, “Oh, don’t worry about him. He’s very good at getting what he wants. I mean…taking care of his needs. I’m sure he’ll find his long night alone in the jungle extremely enlightening.” Mr. Kadam shot me a puzzled glance, but he eventually nodded and pulled over near a forested area. Ren got out of the Jeep, came around to my side of the car, and stared at me with icy blue eyes. I just turned my body away so I wouldn’t have to look at him. When Mr. Kadam got back in the Jeep, I peeked out my window again, but Ren was gone. I reminded myself that he deserved it an sat back against the seat with my arms folded over my chest and an intense expression on my face. Mr. Kadam spoke softly, “Kelsey, are you alright? You seem very…tense, since I last saw you.” I muttered under my breath, “You have no idea.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Again, the endless northern rain between us like a veil. Tonight, I know exactly where you are, which row, which seat. I stand at my back door. The light pollution blindfolds every star. I hold my hand out to the rain, simply to feel it, wet and literal. It spills and tumbles in my palm, a broken rosary. Devotion to you lets me see the concert hall, lit up, the other side of town, then see you leave there, one of hundreds in the dark, your black umbrella raised. If rain were words, could talk, somehow, against your skin, I’d say look up, let it utter on your face. Now hear my love for you. Now walk. - Bridgewater Hall
Carol Ann Duffy (Rapture)
He could tell when the bullying, the relentless sarcasm, the constant, all-encompassing vigilance had become too exhausting. When one of his people was fed up with staying awake at night anticipating his likes and dislikes, was sick of charting his mood swings, was tired of feeling demeaned and beaten down after being asked, for instance, to clean out the grease trap, was ready to burst into tears and quit, then suddenly Bigfoot would appear with court side seats for a play-off game, a restaurant warm-up jacket (given out only to Most Honored Veterans), or a present for the wife or girlfriend — something thoughtful like a Movado watch. He always waited until the last possible second, when you were ready to shave your head, climb a tower and start gunning down strangers, when you were ready to strip off your clothes and run barking into the street, to scream to the world that you'd never never never again work for that manipulative, Machiavellian psychopath. And he'd get you back on the team, often with a gesture as simple and inexpensive as a baseball cap or a T-shirt. The timing was what did it, that he knew. He knew just when to apply that well-timed pat on the back, the strangled and difficult-for-him 'Thank you for your good work' appreciation of your labors.
Anthony Bourdain (Kitchen Confidential: Adventures in the Culinary Underbelly)
PRETEND YOU ARE DRIVING a car in the middle of a thunderstorm and you happen upon three people on the side of the road. One of them is a frail old woman, who looks on the verge of collapse. Another is a friend who once saved your life. The other is the romantic interest of your dreams, and this is a once-in-a-lifetime opportunity to meet him or her. You have only one other seat in the car. Who do you pick up? There’s a good reason to choose any of the three. The old woman needs help. The friend deserves your payback. And clearly, a happy future with the man or woman of your dreams will have an enormous long-term impact on your life. So, who should you pick? The old woman, of course. Then, give the car keys to your friend, and stay behind with the romantic interest to wait for the bus!
Shane Snow (Smartcuts: The Breakthrough Power of Lateral Thinking)
My name is CRPS, or so they say But I actually go by; a few different names. I was once called causalgia, nearly 150 years ago And then I had a new name It was RSD, apparently so. I went by that name because the burn lived inside of me. Now I am called CRPS, because I have so much to say I struggle to be free. I don't have one symptom and this is where I change, I attack the home of where I live; with shooting/burning pains. Depression fills the mind of the body I belong, it starts to speak harsh to self, negativity growing strong. Then I start to annoy them; with the issues with sensitivity, You'd think the pain enough; but no, it wants to make you aware of its trembling disability. I silently make my move; but the screams are loud and clear, Because I enter your physical reality and you can't disappear. I confuse your thoughts; I contain apart of your memory, I cover your perspective, the fog makes it sometimes unbearable to see. I play with your temperature levels, I make you nervous all the time - I take away your independance and take away your pride. I stay with you by the day & I remind you by the night, I am an awful journey and you will struggle with this fight. Then there's a side to me; not many understand, I have the ability to heal and you can be my friend. Help yourself find the strength to fight me with all you have, because eventually I'll get tired of making you grow mad. It will take some time; remember I mainly live inside your brain, Curing me is hard work but I promise you, You can beat me if you feed love to my pain. Find the strength to carry on and feed the fears with light; hold on to the seat because, like I said, it's going to be a fight. But I hope to meet you, when your healthy and healed, & you will silenty say to me - I did this, I am cured is this real? That day could possibly come; closer than I want- After all I am a disease and im fighting for my spot. I won't deny from my medical angle, I am close to losing the " incurable " battle.
Nikki Rowe
Once she called to invite me to a concert of Liszt piano concertos. The soloist was a famous South American pianist. I cleared my schedule and went with her to the concert hall at Ueno Park. The performance was brilliant. The soloist's technique was outstanding, the music both delicate and deep, and the pianist's heated emotions were there for all to feel. Still, even with my eyes closed, the music didn't sweep me away. A thin curtain stood between myself and pianist, and no matter how much I might try, I couldn't get to the other side. When I told Shimamoto this after the concert, she agreed. "But what was wrong with the performance?" she asked. "I thought it was wonderful." "Don't you remember?" I said. "The record we used to listen to, at the end of the second movement there was this tiny scratch you could hear. Putchi! Putchi! Somehow, without that scratch, I can't get into the music!" Shimamoto laughed. "I wouldn't exactly call that art appreciation." "This has nothing to do with art. Let a bald vulture eat that up, for all I care. I don't care what anybody says; I like that scratch!" "Maybe you're right," she admitted. "But what's this about a bald vulture? Regular vultures I know about--they eat corpses. But bald vultures?" In the train on the way home, I explained the difference in great detail.The difference in where they are born, their call, their mating periods. "The bald vulture lives by devouring art. The regular vulture lives by devouring the corpses of unknown people. They're completely different." "You're a strange one!" She laughed. And there in the train seat, ever so slightly, she moved her shoulder to touch mine. The one and only time in the past two months our bodies touched.
Haruki Murakami (South of the Border, West of the Sun)
Do you know why the lotus is one of my favorite flowers?" I cocked my head to one side so I could see his expression. He shook his head. "This beautiful flower lives in the most vile, muddy water of swamps and bogs," I said and rubbed the smooth metal of the pendant between my fingers. He frowned. "No, seriously... the grosser the environment, the better," I said. "So let me get this straight. You like a flower that lives in disgusting places?" One of his eyebrows rose. "That ain't right." "No, I love this flower," I corrected. He glanced at me out of the corner of his eye, "Seriously?" "What?" You don't believe me?" "Sure, I believe you. It's just weird." "I'll tell you why, but only if you promise not to laugh," I said. He nodded. Taking a cleansing breath, I rested my head against the seat, closed my eyes, and took that scary first step. "This flower stays in the mud and muck all night long." I peeked at him without moving my head. His face had become set in the smooth lines of one who listens intently. "Then, at sunrise, it climbs toward the light and opens into a pristine bloom. After the sun goes down, the bloom sinks into the mire. Even though it spends the whole night underwater, the flower emerges every morning as beautiful as the day before." Smiling, I swiveled in my seat to face him. "I love this flower because it reminds me that we get second chances every day, no matter what muck life drags us through.
K.D. Wood (Unwilling (Unwilling #1))
As soon as the period of mourning for Dona Ester was over and the big house on the corner was finished, Esteban Trueba and Clara del Valle were married in a modest ceremony. Esteban gave his wife a set of diamond jewelry, which she thought beautiful. She packed it away in a shoe box and quickly forgot where she had put it. They spent their honeymoon in Italy and two days after they were on the boat. Esteban was as madly in love as an adolescent, despite the fact that the movement of the ship made Clara uncontrollably ill and the tight quarters gave her asthma. Seated by her side in the narrow cabin, pressing cold compress to her forehead and holding her while she vomited, he felt profoundly happy and desired her with unjust intensity considering the wretched state to which she was reduced. On the fourth day at sea, she woke up feeling better and they went out on deck to look at the sea. Seeing her with her wind-reddened nose, and laughing at the slightest provocation, Esteban swore that sooner or later she would come to love him as he needed to be loved, even if it meant he had to resort to extreme measures. He realized that Clara did not belong to him and that if she continued living in her world of apparitions, three-legged chairs that moved of their own volition, and cards that spelled out the future, she probably never would. Clara's impudent and nonchalant sensuality was also not enough for him. He wanted far more than her body; he wanted control over that undefined and luminous material that lay within her and that escaped him even in those moments when she appeared to be dying of pleasure. His hands felt very heavy, his feet very big, his voice very hard, his beard very scratchy, and his habits of rape and whoring very deeply ingrained, but even if he had to turn himself inside out like a glove, he was prepared to do everything in his power to seduce her.
Isabel Allende (The House of the Spirits)
Glossa Time goes by, time comes along, All is old and all is new; What is right and what is wrong, You must think and ask of you; Have no hope and have no fear, Waves that rise can never hold; If they urge or if they cheer, You remain aloof and cold. To our sight a lot will glisten, Many sounds will reach our ear; Who could take the time to listen And remember all we hear? Keep aside from all that patter, Seek yourself, far from the throng When with loud and idle clatter Time goes by, time comes along. Nor forget the tongue of reason Or its even scales depress When the moment, changing season, Wears the mask of happiness - It is born of reason's slumber And may last a wink as true: For the one who knows its number All is old and all is new. Be as to a play, spectator, As the world unfolds before: You will know the heart of matter Should they act two parts or four; When they cry or tear asunder From your seat enjoy along And you'll learn from art to wonder What is right and what is wrong. Past and future, ever blending, Are the twin sides of same page: New start will begin with ending When you know to learn from age; All that was or be tomorrow We have in the present, too; But what's vain and futile sorrow You must think and ask of you; For the living cannot sever From the means we've always had: Now, as years ago, and ever, Men are happy or are sad: Other masks, same play repeated; Diff'rent tongues, same words to hear; Of your dreams so often cheated, Have no hope and have no fear. Hope not when the villains cluster By success and glory drawn: Fools with perfect lack of luster Will outshine Hyperion! Fear it not, they'll push each other To reach higher in the fold, Do not side with them as brother, Waves that rise can never hold. Sounds of siren songs call steady Toward golden nets, astray; Life attracts you into eddies To change actors in the play; Steal aside from crowd and bustle, Do not look, seem not to hear From your path, away from hustle, If they urge or if they cheer; If they reach for you, go faster, Hold your tongue when slanders yell; Your advice they cannot master, Don't you know their measure well? Let them talk and let them chatter, Let all go past, young and old; Unattached to man or matter, You remain aloof and cold. You remain aloof and cold If they urge or if they cheer; Waves that rise can never hold, Have no hope and have no fear; You must think and ask of you What is right and what is wrong; All is old and all is new, Time goes by, time comes along.
Mihai Eminescu (Poems)
Some time later, after Noah had discreetly disappeared, Declan’s Volvo glided up, as quiet as the Pig was loud. Ronan said, “Move up, move up” to Blue until she scooted the passenger seat far enough for him to clamber behind it into the backseat. He hurriedly sprawled back in the seat, throwing one jean-covered leg over the top of Adam’s and laying his head in a posture of thoughtless abandon. By the time Declan arrived at the driver’s side window, Ronan looked as if he had been asleep for days. “Lucky I was able to get away,” Declan said. He peered into the car, eyes passing over Blue and snagging on Ronan in the backseat. His gaze followed his brother’s leg to where it rested on top of Adam’s, and his expression tightened. “Thanks, D,” Gansey said easily. With no effort, he pushed open the door, forcing Declan back without seeming to. He moved the conversation to the region of the front fender. It became a battle of genial smiles and deliberate hand gestures.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
Anna?" Someone knocks on my door, and it startles me out of my seat. No.Not someone. St. Clair. I'm wearing an old Mayfield Dairy T-shirt, complete with yellow-and-brown cow logo,and hot pink flannel pajama bottoms covered in giant strawberries. I am not even wearing a bra. "Anna,I know you're in there. I can see your light." "Hold on a sec!" I blurt. "I'll be right there." I grab my black hoodie and zip it up over the cow's face before wrenching open the door. "Hisorryaboutthat. Come in." I open the door wide but he stands there for a moment, just staring at me. I can't read the expression on his face. Then he breaks into a mischievous smile and brushes past me. "Nice strawberries." "Shut up." "No,I mean it. Cute." And even though he doesn't mean it like I-want-to-leave-my-girlfriend-and-start-dating-you cute,something flickers inside of me. The "force of strength and destruction" Tita de la Garza knew so well.St. Clair stands in the center of my room.He scratches his head, and his T-shirt lifts up on one side, exposing a slice of bare stomach. Foomp! My inner fire ignites. "It's really...er...clean," he says. Fizz. Flames extinguished.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
So,Batman,eh?" Effing St. Clair. I cross my arms and slouch into one of the plastic seats. I am so not in the mood for this.He takes the chair next to me and drapes a relaxed arm over the back of the empty seat on his other side. The man across from us is engrossed in his laptop,and I pretend to be engrossed in his laptop,too. Well,the back of it. St. Clair hums under his breath. When I don't respond,he sings quietly. "Jingle bells,Batman smells,Robin flew away..." "Yes,great,I get it.Ha ha. Stupid me." "What? It's just a Christmas song." He grins and continues a bit louder. "Batmobile lost a wheel,on the M1 motorway,hey!" "Wait." I frown. "What?" "What what?" "You're singing it wrong." "No,I'm not." He pauses. "How do you sing it?" I pat my coat,double-checking for my passport. Phew. Still there. "It's 'Jingle bells, Batman smells,Robin laid an egg'-" St. Clair snorts. "Laid an egg? Robin didn't lay an egg-" "'Batmobile lost a wheel,and the Joker got away.'" He stares at me for a moment,and then says with perfect conviction. "No." "Yes.I mean,seriously,what's up with the motorway thing?" "M1 motorway. Connects London to Leeds." I smirk. "Batman is American. He doesn't take the M1 motorway." "When he's on holiday he does." "Who says Batman has time to vacation?" "Why are we arguing about Batman?" He leans forward. "You're derailing us from the real topic.The fact that you, Anna Oliphant,slept in today." "Thanks." "You." He prods my leg with a finger. "Slept in." I focus on the guy's laptop again. "Yeah.You mentioned that." He flashes a crooked smile and shrugs, that full-bodied movement that turns him from English to French. "Hey, we made it,didn't we? No harm done." I yank out a book from my backpack, Your Movie Sucks, a collection of Roger Ebert's favorite reviews of bad movies. A visual cue for him to leave me alone. St. Clair takes the hint. He slumps and taps his feet on the ugly blue carpeting. I feel guilty for being so harsh. If it weren't for him,I would've missed the flight. St. Clair's fingers absentmindedly drum his stomach. His dark hair is extra messy this morning. I'm sure he didn't get up that much earlier than me,but,as usual, the bed-head is more attractive on him. With a painful twinge,I recall those other mornings together. Thanksgiving.Which we still haven't talked about.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
I melt and swell at the moment of landing when one wheel thuds on the runway but the plane leans to one side and hangs in the decision to right itself or roll. For this moment, nothing matters. Look up into the stars and you’re gone. Not your luggage. Nothing matters. Not your bad breath. The windows are dark outside and the turbine engines roar backward. The cabin hangs at the wrong angle under the roar of the turbines, and you will never have to file another expense account claim. Receipt required for items over twenty-five dollars. You will never have to get another haircut. A thud, and the second wheel hits the tarmac. The staccato of a hundred seat-belt buckles snapping open, and the single-use friend you almost died sitting next to says: I hope you make your connection. Yeah, me too. And this is how long your moment lasted. And life goes on.
Chuck Palahniuk (Fight Club)
He closes the door with a determined click, and I hear him call to a flight attendant, and I sink down onto the toilet seat, resting my elbows on my knees and my head in my hands as I listen to him through the door. "I'm sorry to bother you but my wife," he says, and then pauses. With the last word he says, my heart begins to hammer. "The one who now got sick? She's started her... cycle? And I'm wondering if you keep any, or rather if you have... something? You see this all happened a bit fast and she packed in a hurry, and before that we were in Vegas. I have no idea why she came with me but I really really don't want to screw this up. And now she needs something. Can she, uh," he stutters, finally saying simply, "borrow quelque chose?" I cover my mouth as he continues to ramble, and I would given anything in this moment to see the expression of the flight attendant on the other side of this door. "I meant use," he continues. "Not to borrow because I don't think they work that way." I hear a woman's voice ask, "Do you know if she needs tampons or pads?" Oh God. Oh God. This can't be happening. "Um..." I hear him sigh and then say, "I have no idea but I'll give you a hundred dollars to end this conversation and give me both.
Christina Lauren (Sweet Filthy Boy (Wild Seasons, #1))
The road looked as if no one had traveled on it in months. "It's not much farther," the grandmother said and just as she said it, a horrible thought came to her. The thought was so embarrassing that she turned red in the face and her eyes dilated and her feet jumped up, upsetting her valise in the corner. The instant the valise moved, the newspaper top she had over the basket under it rose with a snarl and Pitty Sing, the cat, sprang onto Bailey's shoulder. The children were thrown to the floor and their mother, clutching the baby, was thrown out the door onto the ground; the old lady was thrown into the front seat. The car turned over once and landed right-side-up in a gulch off the side of the road. Bailey remained in the driver's seat with the cat gray-striped with a broad white face and an orange nose clinging to his neck like a caterpillar. As soon as the children saw they could move their arms and legs, they scrambled out of the car, shouting, "We've had an ACCIDENT!" The grandmother was curled up under the dashboard, hoping she was injured so that Bailey's wrath would not come down on her all at once. The horrible thought she had had before the accident was that the house she had remembered so vividly was not in Georgia but in Tennessee.
Flannery O'Connor (A Good Man Is Hard to Find and Other Stories)
I knew it!" he cried, jubilant. "I thought 'twas you, but there's more of you now. You should've seen the likes of her, boys," he said, turning towards the other convicts as he pointed at Kel. "We was all outlaws, livin' on the edges, and this bunch of pages stumbled into our camp. We chased 'em back in a canyon, and her -" he jabbed his finger at Kel - "she gutted ol' Breakbone Dell, and him the meanest dog-skinner you'd ever hope to meet. Stood there afoot, her and her spear, cool as meltwater with Breakbone ridin' down on her with that neck-cutter sword of his. First time she got 'im in the leg, second in the tripes, and he was done. Her and six lads held us all back, just them. There she was, eyes like stone and that bloody spear in her hand. Lady." He bowed deep. Kel looked at him, not sure what to say. Finally she asked, "What's your name, soldier?" "Me? Gilab Lofts - Gil. Lady. It's - it's good to see you well." He bowed again and returned to his seat, whispering with the men on either side of him. Kel waited for them to quiet once again before she said ruefully, "I'm not sure that being known for gutting a man is exactly a recommendation for a commander." "It is in the north!" cried someone. Several men laughed outright; others grinned.
Tamora Pierce (Lady Knight (Protector of the Small, #4))
Native Americans cured Cartier's men of scurvy near Montreal in 1535. They repaired Francis Drake's Golden Hind in California so he could complete his round-the-world voyage in 1579. Lewis and Clark's expedition to the Pacific Northwest was made possible by tribe after tribe of American Indians, with help from two Shoshone guides, Sacagawea and Toby, who served as interpreters. When Admiral Peary discovered the North Pole, the first person there was probably neither the European American Peary nor the African American Matthew Henson, his assistant, but their four Inuit guides, men and women on whom the entire expedition relied. Our histories fail to mention such assistance. They portray proud Western conquerors bestriding the world like the Colossus at Rhodes. So long as our textbooks hide from us the roles that people of color have played in exploration, from at least 6000 BC to to the twentieth century, they encourage us to look to Europe and its extensions as the seat of all knowledge and intelligence. So long as they say "discover," they imply that whites are the only people who really matter. So long as they simply celebrate Columbus, rather than teach both sides of his exploit, they encourage us to identify with white Western exploitation rather than study it.
James W. Loewen
Lucian attempted a wan smile, although he did not open his eyes. “You are the miracle my brother has named you in his thoughts.” “Has he named me a miracle?” Even her voice was soothing and tranquil to Gabriel’s ears. He wanted to touch her, bask forever in her beauty, in her serenity. After the chaos of a bleak, gray world filled with violence, she was a miracle. “Yes, and for once, he was right.” There was an edge of weariness to the beautiful pitch of Lucian’s voice and it alarmed Gabriel. He had never heard his invincible twin sound so utterly drained of strength. “I am right at all times,” Gabriel corrected, moving at once to his brother’s side. “It is a peculiar phenomenon Lucian finds difficult to live with, but all the same . . .” Lucian opened his eyes to regard his brother with an icy stare clearly meant to intimidate. “Francesca, my dear sister, you have tied yourself to one who has a much inflated opinion of himself. I do not remember a time when he was right about anything.” Gabriel moved to the couch, seating himself beside his brother. “Do not listen to him, my love, he practices his intimidating stare in the mirror on a daily basis. He thinks to silence me with his glare.
Christine Feehan (Dark Legend (Dark, #7))
We will need to stay over two nights in a hotel on our trip home.” Momentarily alarmed, I glanced at Ren. “Okay. Umm, I was thinking that maybe this time if you don’t mind, we could check out one of those bigger hotels. You know, something that has more people around. With elevators and rooms that lock. Or even better, a nice high-rise hotel in a big city. Far, far, far away from the jungle?” Mr. Kadam chuckled. “I’ll see what I can do.” I graced Mr. Kadam with a beatific smile. “Good! Could we please go now? I can’t wait to take a shower.” I opened the door to the passenger side then turned and hissed in a whisper aimed at Ren, “In my nice, upper-floor, inaccessible-to-tigers hotel room.” He just looked at me with his innocent, blue-eyed tiger face again. I smiled wickedly at him and hopped in the Jeep, slamming the door behind me. My tiger just calmly trotted over to the back where Mr. Kadam was loading the last of his supplies and leapt up into the back seat. He leaned in the front, and before I could push him away, he gave me a big, wet, slobbery tiger kiss right on my face. I sputtered, “Ren! That is so disgusting!” I used my T-shirt to swipe the tiger saliva from my nose and cheek and turned to yell at him some more. He was already lying down in the back seat with his mouth hanging open, as if he were laughing. Before I could really lay into him, Mr. Kadam, who was the happiest I’d ever seen him, got into the Jeep, and we started the bumpy journey back to a civilized road. Mr. Kadam wanted to ask me questions. I knew he was itching for information, but I was still fuming at Ren, so I lied. I asked him if he could hold off for a while so I could sleep. I yawned big for dramatic effect, and he immediately agreed to let me have some peace, which made me feel guilty. I really liked Mr. Kadam, and I hated lying to people. I excused my actions by mentally blaming Ren for this uncharacteristic behavior. Convincing myself that it was his fault was easy. I turned to the side and closed my eyes. I slept for a while, and when I woke up, Mr. Kadam handed me a soda, a sandwich, and a banana. I raised my eyebrow at the banana and thought of several good monkey jokes I could annoy Ren with, but I kept quiet for Mr. Kadam’s sake.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Brentwood stands on that fine and wealthy slope of country, one of the richest in Scotland, which lies between the Pentland Hills and the Firth. In clear weather you could see the blue gleam-like a bent bow, embracing the wealthy fields and scattered houses of the great estuary on one side of you; and on the other the blue heights, not gigantic like those we had been used to, but just high enough for all the glories of the atmosphere, the play of clouds, and sweet reflections, which give to a hilly country an interest and a charm which nothing else can emulate. Edinburgh, with its two lesser heights - the Castle and the Calton Hill - its spires and towers piercing through the smoke, and Arthur's Seat lying crouched behind, like a guardian no longer very needful, taking his repose beside the well-beloved charge, which is now, so to speak, able to take care of itself without him - lay at our right hand. From the lawn and drawing-room windows we could see all these varieties of landscape. The colour was sometimes a little chilly, but sometimes, also, as animated and full of vicissitude as a drama. I was never tired of it. Its colour and freshness revived the eyes which had grown weary of arid plains and blazing skies. It was always cheery, and fresh, and full of repose. ("The Open Door")
Mrs. Oliphant (The Gentlewomen of Evil: An Anthology of Rare Supernatural Stories from the Pens of Victorian Ladies)
At Padovani Beach the dance hall is open every day. And in that huge rectangular box with its entire side open to the sea, the poor young people of the neighborhood dance until evening. Often I used to await there a a moment of exceptional beauty. During the day the hall is protected by sloping wooden awnings. When the sun goes down they are raised. Then the hall is filled with an odd green light born of the double shell of the sky and the sea. When one is seated far from the windows, one sees only the sky and, silhouetted against it, the faces of the dancers passing in succession. Sometimes a waltz is being played, and against the green background the black profiles whirl obstinately like those cut-out silhouettes that are attached to a phonograph's turntable. Night comes rapidly after this, and with it the lights. But I am unable to relate the thrill and secrecy that subtle instant holds for me. I recall at least a magnificent tall girl who had danced all afternoon. She was wearing a jasmine garland on her right blue dress, wet with perspiration from the small of her back to her legs. She was laughing as she danced and throwing back her head. As she passed the tables, she left behind her a mingled scent of flowers and flesh. When evening came, I could no longer see her body pressed tight to her partner, but against her body alternating spots of white jasmine and black hair, and when she would throw back her swelling breast I would hear her laugh and see her partner's profile suddenly plunge forward. I owe to such evenings the idea I have of innocence. In any case, I learn not to separate these creatures bursting with violent energy from the sky where their desires whirl.
Albert Camus (Summer in Algiers)
I smile at my friends, but Mer and Rashmi and Josh are distracted, arguing about something that happened over dinner. St. Clair sees me and smiles back. "Good?" I nod.He looks pleased and ducks into the row after me. I always sit four rows up from the center, and we have perfectseats tonight.The chairs are classic red. The movie begins,and the title screen flashes up. "Ugh,we have to sit through the credits?" Rashmi asks. They roll first,like in all old films. I read them happily. I love credits. I love everything about movies. The theater is dark except for the flicker of blacks and whites and grays on-screen. Clark Gable pretends to sleep and places his hand in the center of an empty bus seat. After a moment of irritation,Claudette Colbert gingerly plucks it aside and sits down. Gable smiles to himself,and St. Clair laughs. It's odd,but I keep finding myself distracted. By the white of his teeth through the darkness.By a wavy bit of his hair that sticks straight out to the side. By the soft aroma of his laundry detergent. He nudges me to silently offer the armrest,but I decline and he takes it.His arm is close to mine,slightly elevated. I glance at his hands.Mine are tiny compared to his large,knuckly boy hands. And,suddenly,I want to touch him. Not a push,or a shove,or even a friendly hug. I want to feel the creases in his skin,connect his freckles with invisible lines,brush my fingers across the inside of his wrist. He shifts. I have the strangest feeling that he's as aware of me as I am of him. I can't concentrate. The characters on the screen are squabbling, but for the life of me, I don't know what about. How long have I not been paying attention? St. Clair coughs and shifts again. His leg brushes against mine.It stays there. I'm paralyzed. I should move it; it feels too unnatural.How can he not notice his leg is touching my leg? From the corner of my eye,I see the profile of his chin and nose,and-oh,dear God-the curve of his lips. There.He glanced at me. I know he did. I bore my eyes into the screen, trying my best to prove that I am Really Interested in this movie.St. Clair stiffens but doesn't move his leg.Is he holding his breath? I think he is.I'm holding mine. I exhale and cringe-it's so loud and unnatural. Again.Another glance. This time I turn, automatically,just as he's turning away. It's a dance,and now there's a feeling in the air like one of us should say something.Focus,Anna. Focus. "Do you like it?" I whisper. He pauses. "The film?" I'm thankful the shadows hide my blush. "I like it very much," he says. I risk a glance,and St. Clair stares back. Deeply.He has not looked at me like this before.I turn away first, then feel him turn a few beats later. I know he is smiling,and my heart races.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
One," said the recording secretary. "Jesus wept," answered Leon promptly. There was not a sound in the church. You could almost hear the butterflies pass. Father looked down and laid his lower lip in folds with his fingers, like he did sometimes when it wouldn't behave to suit him. "Two," said the secretary after just a breath of pause. Leon looked over the congregation easily and then fastened his eyes on Abram Saunders, the father of Absalom, and said reprovingly: "Give not sleep to thine eyes nor slumber to thine eyelids." Abram straightened up suddenly and blinked in astonishment, while father held fast to his lip. "Three," called the secretary hurriedly. Leon shifted his gaze to Betsy Alton, who hadn't spoken to her next door neighbour in five years. "Hatred stirreth up strife," he told her softly, "but love covereth all sins." Things were so quiet it seemed as if the air would snap. "Four." The mild blue eyes travelled back to the men's side and settled on Isaac Thomas, a man too lazy to plow and sow land his father had left him. They were not so mild, and the voice was touched with command: "Go to the ant, thou sluggard, consider her ways and be wise." Still that silence. "Five," said the secretary hurriedly, as if he wished it were over. Back came the eyes to the women's side and past all question looked straight at Hannah Dover. "As a jewel of gold in a swine's snout, so is a fair woman without discretion." "Six," said the secretary and looked appealingly at father, whose face was filled with dismay. Again Leon's eyes crossed the aisle and he looked directly at the man whom everybody in the community called "Stiff-necked Johnny." I think he was rather proud of it, he worked so hard to keep them doing it. "Lift not up your horn on high: speak not with a stiff neck," Leon commanded him. Toward the door some one tittered. "Seven," called the secretary hastily. Leon glanced around the room. "But how good and how pleasant it is for brethren to dwell together in unity," he announced in delighted tones as if he had found it out by himself. "Eight," called the secretary with something like a breath of relief. Our angel boy never had looked so angelic, and he was beaming on the Princess. "Thou art all fair, my love; there is no spot in thee," he told her. Laddie would thrash him for that. Instantly after, "Nine," he recited straight at Laddie: "I made a covenant with mine eyes; why then should I think upon a maid?" More than one giggled that time. "Ten!" came almost sharply. Leon looked scared for the first time. He actually seemed to shiver. Maybe he realized at last that it was a pretty serious thing he was doing. When he spoke he said these words in the most surprised voice you ever heard: "I was almost in all evil in the midst of the congregation and assembly." "Eleven." Perhaps these words are in the Bible. They are not there to read the way Leon repeated them, for he put a short pause after the first name, and he glanced toward our father: "Jesus Christ, the SAME, yesterday, and to-day, and forever!" Sure as you live my mother's shoulders shook. "Twelve." Suddenly Leon seemed to be forsaken. He surely shrank in size and appeared abused. "When my father and my mother forsake me, then the Lord will take me up," he announced, and looked as happy over the ending as he had seemed forlorn at the beginning. "Thirteen." "The Lord is on my side; I will not fear; what can man do unto me?" inquired Leon of every one in the church. Then he soberly made a bow and walked to his seat.
Gene Stratton-Porter (Laddie: A True Blue Story (Library of Indiana Classics))
Kate?” Anthony yelled again. He couldn’t see anyone; a dislodged bench was blocking the opening. “Can you hear me?” Still no response. “Try the other side,” came Edwina’s frantic voice. “The opening isn’t as crushed.” Anthony jumped to his feet and ran around the back of the carriage to the other side. The door had already come off its hinges, leaving a hole just large enough for him to stuff his upper body into. “Kate?” he called out, trying not to notice the sharp sound of panic in his voice. Every breath from his lips seemed overloud, reverberating in the tight space, reminding him that he wasn’t hearing the same sounds from Kate. And then, as he carefully moved a seat cushion that had turned sideways, he saw her. She was terrifyingly still, but her head didn’t appear to be stuck in an unnatural position, and he didn’t see any blood. That had to be a good sign. He didn’t know much of medicine, but he held on to that thought like a miracle. “You can’t die, Kate,” he said as his terrified fingers yanked away at the wreckage, desperate to open the hole until it was wide enough to pull her through. “Do you hear me? You can’t die!” A jagged piece of wood sliced open the back of his hand, but Anthony didn’t notice the blood running over his skin as he pulled on another broken beam. “You had better be breathing,” he warned, his voice shaking and precariously close to a sob. “This wasn’t supposed to be you. It was never supposed to be you. It isn’t your time. Do you understand me?” He tore away another broken piece of wood and reached through the newly widened hole to grasp her hand. His fingers found her pulse, which seemed steady enough to him, but it was still impossible to tell if she was bleeding, or had broken her back, or had hit her head, or had . . . His heart shuddered. There were so many ways to die. If a bee could bring down a man in his prime, surely a carriage accident could steal the life of one small woman. Anthony grabbed the last piece of wood that stood in his way and heaved, but it didn’t budge. “Don’t do this to me,” he muttered. “Not now. It isn’t her time. Do you hear me? It isn’t her time!” He felt something wet on his cheeks and dimly realized that it was tears. “It was supposed to be me,” he said, choking on the words. “It was always supposed to be me.” And then, just as he was preparing to give that last piece of wood another desperate yank, Kate’s fingers tightened like a claw around his wrist. His eyes flew to her face, just in time to see her eyes open wide and clear, with nary a blink. “What the devil,” she asked, sounding quite lucid and utterly awake, “are you talking about?” Relief flooded his chest so quickly it was almost painful. “Are you all right?” he asked, his voice wobbling on every syllable. She grimaced, then said, “I’ll be fine.” Anthony paused for the barest of seconds as he considered her choice of words. “But are you fine right now?” She let out a little cough, and he fancied he could hear her wince with pain. “I did something to my leg,” she admitted. “But I don’t think I’m bleeding.” “Are you faint? Dizzy? Weak?” She shook her head. “Just in pain. What are you doing here?” He smiled through his tears. “I came to find you.” “You did?” she whispered. He nodded. “I came to— That is to say, I realized . . .” He swallowed convulsively. He’d never dreamed that the day would come when he’d say these words to a woman, and they’d grown so big in his heart he could barely squeeze them out. “I love you, Kate,” he said chokingly. “It took me a while to figure it out, but I do, and I had to tell you. Today.” Her lips wobbled into a shaky smile as she motioned to the rest of her body with her chin. “You’ve bloody good timing.
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
Most people actually ignore things out of the ordinary. Or, worse, hope that someone else will take care of it. I remember being on the train in Chicago in a car with about a dozen other people. On the other side of the car, a man suddenly fell off his seat. Just… toppled over into the aisle. He started convulsing. There were three people between me and him. But nobody said anything. Nobody did anything. I stood up, “Sir?” I said, and started toward him. And that’s when everyone started to move. I called for someone at the back to push the operator alert button, to tell the train driver to call for an ambulance at the next stop. After I moved, there were suddenly three or four other people with me, coming to the man’s aid. But somebody had to move first. I stood in a crowded, standing-room only train on another day and watched a young woman standing near the door close her eyes and drop her papers and binder onto the floor. She was packed tight, surrounded by other people, and no one said anything. Her body began to go limp. “Are you OK!?” I said loudly, leaning toward her, and then other people were looking, and she was sagging, and the buzz started, and somebody called up from the front of the car that he was a doctor, and someone gave up their seat, and people moved, moved, moved. Somebody needs to be the person who says something is wrong. We can’t pretend we don’t see it. Because people have been murdered and assaulted on street corners where hundreds of people milled around, pretending everything was normal. But pretending it was normal didn’t make it so. Somebody has to point it out. Somebody has to get folks to move. Somebody has to act.
Kameron Hurley
Dating yes. But she thinks we're, uh, more than dating." "Oh," he says, thoughtful. Then he grins. "Oh." The reason her lips are turning his favorite color is because Emma's mom thinks they've been dating and mating. The blush extends down her neck and disappears into her T-shirt. He should probably say something to make her feel more comfortable. But teasing her seems so much more fun. "Well then, the least she could do is give us some privacy-" "Ohmysweetgoodness!" She snatches her backpack from the seat and marches around her car to the driver's side. Before she can get the door unlocked, he plucks the key from her fingers and tucks it into his jeans' pocket. She moves to retrieve it, but stops when she realizes where she's about to go fishing. He's never seen her this red. He laughs. "Calm down, Emma. I'm just kidding. Don't leave." "Yeah, well, it's not funny. You should have seen her this morning. She almost cried. my mom doesn't cry." She crosses her arms again but relaxes against her door. "She cried? That's pretty insulting." She cracks a tiny grin. "Yeah, it's an insult to me. She thinks I would...would..." "More than date me?" She nods. He steps toward her and puts his hand beside her on the car, leaning in. A live current seems to shimmy up his spine. What are you doing? "But she should know that you don't even think of me like that. That it would never even cross your mind," he murmurs. She looks away, satisfying his unspoken question-it has crossed her mind. The same way it crosses his. How often? Does she feel the voltage between them, too? Who cares, idiot? She belongs to Grom. Or are you going to let a few sparks keep you from uniting the kingdoms? He pulls back, clenching his teeth. His pockets are the only safe place for his hands at the moment. "Why don't I meet her then? You think that would make her feel better?" "Um." She swipes her hair to the other side of her face. Her expression falls somewhere between shock and expectation. And she had every right to expect it-he's been entertaining the idea of kissing her for over two weeks now. She fidgets the door handle. "Yeah, it might. She won't let me go anywhere-especially with you-if she doesn't meet you first." "Should I be afraid?" She sighs. "Normally I would say no. But after this morning..." She shrugs. "How about I follow you to your house so you can drop off your car? Then she can interrogate me. When she sees how charming I am, she'll let you ride to the beach with me." She rolls her eyes. "Just don't be too charming. If you're too smooth, she'll never believe-just don't overdue it, okay?" "This is getting complicated," he says, unlocking her car. "Just remember, this is your idea and your fault. Now would be the time to back out." He chuckles and opens the door for her. "Don't lose me on the road.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Emma, I came out here to tell you that you don't have to mate with Grom." I raise a brow. "Uh, I was never going to mate with Grom." "What I mean is, Grom is mating with someone else who has the gift of Poseidon. Which means that-" "I don't have to mate with Grom," I finish for him. "That's what I just said." "I mean, I don't have to feel like I've let the entire species of Syrena go extinct because I won't mate with Grom." He grins. "Exactly." "But that doesn't change what I am-a Half-Breed. You still can't be with me, can you?" He rubs his thumb over my bottom lip, thoughtful. "The law forbids it right now. But I think if we give it time, we could get it overturned somehow. And I'm not going anywhere until I do." He turns us toward the SUV, stopping to retrieve my heels from the side of the road. He helps me in the passenger seat of the Escalade, then hands me my shoes. "Thank you," I tell him as he walks around to the driver's side. "It's a little late to blush," he says, strapping in. "I don't think I'll ever stop blushing." "I really hope not," he says, shutting his door. Taking my face into both hands, he pulls me to him again. His lips brush mine, but I want more. Sensing my intention, he puts his hand over mine and the seat belt I'm trying to unsnap. "Emma," he says against my lips. "I've missed you so much. But we can't. Not yet." I'm not trying to do that, I just want to get in a better position to accept his lips. Telling him so would just embarrass us both. But he says yet. What does that mean? That he wants to wait until he can get the law overturned? Or will he give it time, and if it doesn't work out, break Syrena law to be with me? For some reason, I don't want the answer bad enough to ask. Images of "that girl" flare up in my head. I don't want Galen to break his laws-it's a big part of why I love him so much. His loyalty to his people, his commitment to them. It's the kind of devotion almost nonexistent among humans. But I don't want to be "that girl" either. Syrena or not, I want to go to college. I want to experience the world above and below sea level. But it's not like any decisions need to be made right now, do they? I mean, life-changing decisions take time to make. Time and meditation. And physical space between my lips and his. I pull back. "Right. Sorry." He seizes a few tendrils of my hair and runs them along his face, grinning. "Not as sorry as I am. You'll have to help me keep my hands off you." I laugh, even as a charge runs through my veins. "Yeah. No." He laughs too and turns to start the car, then stops. Letting go of the keys, he says, "So. About breaking up." "Let me think about it some more," I tell him on the brink of giggling at his expression. "I'll see what I can do to help you make up your mind." We stay parked for another fifteen minutes. But at least we're not broken up anymore.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
You’d think someone as resourceful as Rachel would know whether or not Toraf was the identical twin of a known terrorist. But nooooo. So we wait by our guard in the corridor of the security office of LAX airport while about a dozen people work to verify our identity. My identity comes back fine and clean and boring. Toraf’s identity doesn’t come back for a few hours. Which is not cool, because he’s been puking in the trash can next to our bench seats and it’s got to be almost full by now. Because of the regional storms in Jersey, we’d had a rough takeoff. Coupled with the reaction Toraf had to the Dramamine-excitability, no less-it was all I could do to coax him out of the tiny bathroom to get him to sit still and not puke while doing so. His fingerprints could not be matched and his violet eyes were throwing them for a loop, since they physically verified that they aren’t contacts. A lady security officer asked us several times in several different ways why our tickets would be one-way to Hawaii if we lived in Jersey and only had a carry-on bag full of miscellaneous crap that you don’t really need. Where were we going? What were we doing? I’d told them we were going to Honolulu to pick a place to get married and weren’t in a hurry to come back, so we only purchased one-way tickets and blah blah blah. It’s a BS story and they know it, but sometimes BS stories can’t be proven false. Finally, I asked for an attorney, and since they hadn’t charged us with anything, and couldn’t charge us with anything, they decided to let us go. For crying out loud. I can’t decide if I’m relieved or nervous that Toraf’s seat is a couple of rows back on our flight to Honolulu. On the plus side, I don’t have to be bothered every time he goes to the bathroom to upchuck. Then again, I can’t keep my eye on him, either, in case he doesn’t know how to act or respond to nosy strangers who can’t mind their own business. I peek around my seat and roll my eyes. He’s seated next to two girls, about my age and obviously traveling together, and they’re trying nonstop to start a conversation with him. Poor, poor Toraf. It must be a hard-knock life to have inherited the exquisite Syrena features. It’s all he can do not to puke in their laps. A small part of me wishes that he would, so they’d shut up and leave him alone and I could maybe close my eyes for two seconds. From here I can hear him squirm in his seat, which is about four times too small for a built Syrena male. His shoulder and biceps protrude into the aisle, so he’s constantly getting bumped. Oy.
Anna Banks (Of Triton (The Syrena Legacy, #2))
When a man seats before his eyes the bronze face of his helmet and steps off from the line of departure, he divides himself, as he divides his ‘ticket,’ in two parts. One part he leaves behind. That part which takes delight in his children, which lifts his voice in the chorus, which clasps his wife to him in the sweet darkness of their bed. “That half of him, the best part, a man sets aside and leaves behind. He banishes from his heart all feelings of tenderness and mercy, all compassion and kindness, all thought or concept of the enemy as a man, a human being like himself. He marches into battle bearing only the second portion of himself, the baser measure, that half which knows slaughter and butchery and turns the blind eye to quarter. He could not fight at all if he did not do this.” The men listened, silent and solemn. Leonidas at that time was fifty-five years old. He had fought in more than two score battles, since he was twenty; wounds as ancient as thirty years stood forth, lurid upon his shoulders and calves, on his neck and across his steel-colored beard. “Then this man returns, alive, out of the slaughter. He hears his name called and comes forward to take his ticket. He reclaims that part of himself which he had earlier set aside. “This is a holy moment. A sacramental moment. A moment in which a man feels the gods as close as his own breath. “What unknowable mercy has spared us this day? What clemency of the divine has turned the enemy’s spear one handbreadth from our throat and driven it fatally into the breast of the beloved comrade at our side? Why are we still here above the earth, we who are no better, no braver, who reverenced heaven no more than these our brothers whom the gods have dispatched to hell? “When a man joins the two pieces of his ticket and sees them weld in union together, he feels that part of him, the part that knows love and mercy and compassion, come flooding back over him. This is what unstrings his knees. “What else can a man feel at that moment than the most grave and profound thanksgiving to the gods who, for reasons unknowable, have spared his life this day? Tomorrow their whim may alter. Next week, next year. But this day the sun still shines upon him, he feels its warmth upon his shoulders, he beholds about him the faces of his comrades whom he loves and he rejoices in their deliverance and his own.” Leonidas paused now, in the center of the space left open for him by the troops. “I have ordered pursuit of the foe ceased. I have commanded an end to the slaughter of these whom today we called our enemies. Let them return to their homes. Let them embrace their wives and children. Let them, like us, weep tears of salvation and burn thank-offerings to the gods. “Let no one of us forget or misapprehend the reason we fought other Greeks here today. Not to conquer or enslave them, our brothers, but to make them allies against a greater enemy. By persuasion, we hoped. By coercion, in the event. But no matter, they are our allies now and we will treat them as such from this moment. “The Persian!
Steven Pressfield (Gates of Fire)
Before she could say anything more, Sabella swung around at the sound of Noah’s Harley purring to life behind the garage. God. He was dressed in snug jeans and riding chaps. A snug dark T-shirt covered his upper body, conformed to it. And he was riding her way. “Is there anything sexier than a man in riding chaps riding a Harley?” Kira asked behind her. “It makes a woman simply want to melt.” And Sabella was melting. She watched as he pulled around the side of the garage then took the gravel road that led to the back of the house. The sound of the Harley purred closer, throbbing, building the excitement inside her. “I think it’s time for me to leave,” Kira said with a light laugh. “Don’t bother to see me out.” Sabella didn’t. She listened as the Harley drew into the graveled lot behind the house and moved to the back door. She opened it, stepping out on the back deck as he swung his legs over the cycle and strode toward her. That long-legged lean walk. It made her mouth water. Made her heart throb in her throat as hunger began to race through her. “The spa treated you well,” he announced as he paused at the bottom of the steps and stared back at her. “Feel like messing your hair up and going out this evening? We could have dinner in town. Ride around a little bit.” She hadn’t ridden on a motorcycle since she was a teenager. She glanced at the cycle, then back to Noah. “I’d need to change clothes.” His gaze flickered over her short jeans skirt, her T-shirt. “That would be a damned shame too,” he stated. “I have to say, Ms. Malone, you have some beautiful legs there.” No one had ever been as charming as Nathan. She remembered when they were dating, how he would just show up, out of the blue, driving that monster pickup of his and grinning like a rogue when he picked her up. He’d been the epitome of a bad boy, and he had been all hers. He was still all hers. “Bare legs and motorcycles don’t exactly go together,” she pointed out. He nodded soberly, though his eyes had a wicked glint to them. “This is a fact, beautiful. And pretty legs like that, we wouldn’t want to risk.” She leaned against the porch post and stared back at him. “I have a pickup, you know.” She propped one hand on her hip and stared back at him. “Really?” Was that avarice she saw glinting in his eyes, or for just the slightest second, pure, unadulterated joy at the mention of that damned pickup? He looked around. “I haven’t seen a pickup.” “It’s in the garage,” she told him carelessly. “A big black monster with bench seats. Four-by-four gas-guzzling alpha-male steel and chrome.” He grinned. He was so proud of that damned pickup. “Where did something so little come up with a truck that big?” he teased her then. She shrugged. “It belonged to my husband. Now, it belongs to me.” That last statement had his gaze sharpening. “You drive it?” “All the time,” she lied, tormenting him. “I don’t have to worry about pinging it now that my husband is gone. He didn’t like pings.” Did he swallow tighter? “It’s pinged then?” She snorted. “Not hardly. Do you want to drive the monster or question me about it? Or I could change into jeans and we could ride your cycle. Which is it?” Which was it? Noah stared back at her, barely able to contain his shock that she had kept the pickup. He knew for a fact there were times the payments on the house and garage had gone unpaid—his “death” benefits hadn’t been nearly enough—almost risking her loss of both during those first months of his “death.” Knowing she had held on to that damned truck filled him with more pleasure than he could express. Knowing she was going to let someone who wasn’t her husband drive it filled him with horror. The contradictor feelings clashed inside him, and he promised himself he was going to spank her for this.
Lora Leigh (Wild Card (Elite Ops, #1))
March 1898 What a strange dream I had last night! I wandered in the warm streets of a port, in the low quarter of some Barcelona or Marseille. The streets were noisome, with their freshly-heaped piles of ordure outside the doors, in the blue shadows of their high roofs. They all led down towards the sea. The gold-spangled sea, seeming as if it had been polished by the sun, could be seen at the end of each thoroughfare, bristling with yard-arms and luminous masts. The implacable blue of the sky shone brilliantly overhead as I wandered through the long, cool and sombre corridors in the emptiness of a deserted district: a quarter which might almost have been dead, abruptly abandoned by seamen and foreigners. I was alone, subjected to the stares of prostitutes seated at their windows or in the doorways, whose eyes seemed to ransack my very soul. They did not speak to me. Leaning on the sides of tall bay-windows or huddled in doorways, they were silent. Their breasts and arms were bare, bizarrely made up in pink, their eyebrows were darkened, they wore their hair in corkscrew-curls, decorated with paper flowers and metal birds. And they were all exactly alike! They might have been huge marionettes, or tall mannequin dolls left behind in panic - for I divined that some plague, some frightful epidemic brought from the Orient by sailors, had swept through the town and emptied it of its inhabitants. I was alone with these simulacra of love, abandoned by the men on the doorsteps of the brothels. I had already been wandering for hours without being able to find a way out of that miserable quarter, obsessed by the fixed and varnished eyes of all those automata, when I was seized by the sudden thought that all these girls were dead, plague-stricken and putrefied by cholera where they stood, in the solitude, beneath their carmine plaster masks... and my entrails were liquefied by cold. In spite of that harrowing chill, I was drawn closer to a motionless girl. I saw that she was indeed wearing a mask... and the girl in the next doorway was also masked... and all of them were horribly alike under their identical crude colouring... I was alone with the masks, with the masked corpses, worse than the masks... when, all of a sudden, I perceived that beneath the false faces of plaster and cardboard, the eyes of these dead women were alive. Their vitreous eyes were looking at me... I woke up with a cry, for in that moment I had recognised all the women. They all had the eyes of Kranile and Willie, of Willie the mime and Kranile the dancer. Every one of the dead women had Kranile's left eye and Willie's right eye... so that every one of them appeared to be squinting. Am I to be haunted by masks now?
Jean Lorrain (Monsieur De Phocas)