Side Gig Quotes

We slept beside them, fought beside them, bled beside them. We trusted them to watch our backs and save our asses – which they did, time and time again. And somewhere out there, between one gig and the next, something changed. We woke up one day and realized that home was no longer behind us. That our families were with us all along. We looked around at these miscreants, these motley crews, and knew in our hearts there was nowhere we’d rather be than by their side.

I don't have a bad side. Gig said pertly. "I believe in rehabilitation

World domination is just my side gig.

Writing this now, God, how I miss the cultural side of the eighties - the rhetoric, the raggedy clothes, the politics, gigs you were frightened to go into, Radio 1 when it had weird bits, Channel 4 when it was radical, the NME when it had writers, and the thrill of discovering underground music and new comedy for yourself.

I thought this director gig was just one of those side roads we take at times on the journey to our true purpose. Now I see that in God's economy, nothing is wasted

Believe me when I tell you that no matter how much time you spend at the office, it’s just a side gig.

And I am not frightened of dying Any time will do, I don't mind Why should I be frightened of dying? There's no reason for it, you've gotta go sometime If you can hear this whispering you are dying "The Great Gig in the Sky

Hello, sunshine,” said Jim’s voice. “I’m kind of busy.” I turned the file on its side and examined the doodle. Still nothing. “No shit,” he said. “Yeah. No gigs for me.” “That’s not why I’m calling.” I frowned at the phone and turned the file upside down. “I’m all ears.” “Someone wants to meet you,” he said. “Tell him to get in line,” I mumbled. The doodle almost looked like something. “I’m not joking.” “You never joke because you’re too damn busy proving that you’re a badass. Come on, black leather cloak? In mid-spring Atlanta? Besides I don’t have time to meet anybody.” Jim’s voice dropped low and he spoke each word very distinctly. “Think very carefully. Do you really want me to tell the man no?” Something about the way he said “the man” stopped me. I sat still and thought very hard about what kind of “man” would inspire Jim to use that voice. “What did I do to warrant the Beast Lord’s attention?” I asked dryly. “You’re sitting in the diviner’s office, aren’t you?” Touché. The Beast Lord was the Pack King, the lord of the shapechangers, and he ruled his brethren with an iron fist. Few ever saw him and the mention of his title was enough to make the loudest shapechanger shut up. In other words, he was precisely the kind of fellow my father and Greg had warned me to avoid. I ground my teeth, thinking of a way to weasel out of it.

Warren Buffet famously said, “The difference between successful people and really successful people is that really successful people say no to almost everything.” On a personal note, I applied this strategy in recent years, and it dramatically improved my happiness. Instead of accepting every offer that came my way, I said no to a bunch of things like public speaking gigs, side projects that were a distraction, people who didn’t add value to my life, and every business opportunity that didn’t perfectly align with my current goals.

Examine for a moment an ordinary mind on an ordinary day. The mind receives a myriad impressions - trivial, fantastic, evanescent, or engraved with the sharpness of steel. From all sides they come, an incessant show of innumerable atoms; and as they fall, as they shape themselves into the life of Monday or Tuesday, they accent falls differently from of old; the moment of importance came not here but there; so that, if a writer were a free man and not a slave, if he could write what he chose, not what he must, if he could base his work upon his own feeling and not upon convention, there would be no plot, no comedy, no tragedy, no love interest or catastrophe in the accepted style, and perhaps not a single button sewn on as the Bond Street tailors would have it. Life is not a series of gig lamps symmetrically arranged; life is a luminous halo, a semi-transparent envelope surrounding us from the beginning to the end.

In heist movies, there's always a montage of scenes where the caper crew rehearses for the big day. The greaser person practices maneuvering through a mock laser beam field made up of string. The driver races through obstacle courses, back alleys, and dark city streets. The hacker pounds on her keyboard, staring at screens full of code. The gadget person demonstrates all their clever toys. The key master practices opening a safe. The muscle finds a few security guards to knock unconscious and wrestles guard dogs to the ground. The inside person seduces or befriends the target and gets them to spill their secrets. And the leader organizes it all with the help of her second-in-command. At least, that's the way it works in the movies. In real life, with a bunch of newbs who are scraping by with low-paying jobs, inflexible hours, difficult bosses, and a bunch of side gigs to make ends meet, just organizing a rehearsal heist was one hell of a task.

even. By the time things were done, I was exhausted and depressed and just really, really unhappy. We all were. But it didn’t have to be that way. That experience taught me to take agency in my own professional narratives, and that endings don’t have to be failures, especially when you choose to end a project or shut down a business. Shortly after the restaurant closed, I started a food market as a small side project, and it ended up being wildly successful. I had more press and customers than I could handle. I had investors clamoring to get in on the action. But all I wanted to do was write. I didn’t want to run a food market, and since my name was all over it, I didn’t want to hand it off to anyone else, either. So I chose to close the market on my own terms, and I made sure that everyone knew it. It was such a positive contrast to the harsh experience of closing the restaurant. I’ve learned to envision the ideal end to any project before I begin it now—even the best gigs don’t last forever. Nor should they.

Standing at the prow of the pitching deck of the trawler, unscrewing the top of his flask, Frank Fontaine asked himself: Am I after fish—or a wild goose? Sure, he always dreamed about a big-paying long con, but this one was threatening to go on indefinitely—and though it was afternoon and supposedly summer, it was cold as a son of a bitch out here. Made a witch’s tit seem like a hot toddy. Was it worth giving up Gorland—becoming Fontaine? A city under the sea. It was becoming an obsession. Fontaine looked up at the streaming charcoal-colored clouds, wondered if it was going to storm again. Just being on this damn tub was too much like work. Talking to the men who picked up the fish for Rapture’s food supply, Fontaine had confirmed that Ryan had indeed built some gigantic underwater habitat, a kind of free-market utopia—and Fontaine knew what happened with utopias. Look at the Soviets—all those fine words about the proletariat had turned into gulags and breadlines. But a “utopia” was pure opportunity for a man like him. When this undersea utopia fell apart, he’d be there, with a whole society to feast on. Long as he didn’t step too hard on Ryan’s toes, he could build up an organization, get away with a pile of loot. But he had to get down to Rapture first … The trawler lurched, and so did Fontaine’s stomach. A small craft was being lowered over the side of the platform ship—a thirty-foot gig. Men descended

I remember." I nod. Wanting to say: I remember everything-all of it-the question is: Do you? But instead, I stare down at my feet, smiling stupidly. Everything I do around him is stupid. Some Seeker I've turned out to be. Attempting to redeem myself,say something normal,not let on that I already know he's employed here-thanks to the raven who allowed me to spy on him earlier,I say, "So,I guess you hang out here a lot then?" He pushes a hand through his hair, as his eyes-the color of aquamarines-glide down the length of me.And damn if I can't feel their trajectory. It's like showering in a stream of warm, molten honey-dripping from the top of my forehead all the way down to my feet. "I guess you could say that," he says,voicelow and deep. "More than most, anyway." He waves a damp towel, tugs on the string of his apron, and I blush in reply. The sight of it reminding me of what I saw in the alleyway-watching him lean against the wall,his face so soft anddreamy I longed to touch him-kiss him-like I did in the dream. I study him closely,seeking traces of recognition, remembrance-some small token of evidence to assure me that, as odd as it seems,that kiss in the cave was as real as it felt-but coming up empty. "So,how long have you worked here?" I ask, returning to the topic at hand. My gaze drifting over the black V-necked T-shirt skimming the sinuous line of his body-telling myself it's all part of my reconnaissance,my need to gather as uch information as I can about him and his kin. But knowing that's not really it.The truth is,I like looking at him, being near him. "I guess you could say somewhere between too long and not long enough-depending on the state of my wallet." His laugh is good-natured and easy-the kid that starts at the belly and trips all the way up. "It's pretty much the only decent game in town." He shrugs. "One way or another,you end up working for the Richters,and believe me, this is one of the better gigs." I peer at him closely,remembering what Cade said when I was here via the raven. How he referred to him by another name. "You're not a Richter?" I ask,holding my breath in my cheeks.Despite what Paloma told me, I need to hear it from him,confirm that he doesn't identify with their clan. "I go by Whitefeather," he says,gaze steady and serious. "I was raised by my mom,didn't even know the Richters when I was a kid." Despite getting the answer I wanted, I frown in return. His being a Richter was a good reason to avoid him-without it,I'm out of excuses. "Is that okay?" He dips his head toward mine,his mouth tugging at the side. "You seem a little upset by the news." I shake my head,break free of my reverie, and say, "No-not at all. Believe me,it's more like a relief." I meet his gaze,seeing the way it narrows in question. "Guess I'm not a big fan of your brother," I add,watching as he throws his head back and laughs,the sight of that long,glorious column of neck forcing me to look away,it's too much to take. "If it makes you feel any better, most of the time I'd have to agree." He returns to me,the warmth of his gaze solely reponsible for the wave of comfort that flows through me.

is the strength of the songwriting. Dark Side contained strong, powerful songs. The overall idea that linked those songs together – the pressures of modern life – found a universal response, and continues to capture people’s imagination. The lyrics had depth, and had a resonance people could easily relate to, and were clear and simple enough for non-native-English speakers to understand, which must have been a factor in its international success. And the musical quality spearheaded by David’s guitar and voice and Rick’s keyboards established a fundamental Pink Floyd sound. We were comfortable with the music, which had had time to mature and gestate, and evolve through live performances – later on we had to stop previewing work live as the quality of the recording equipment being smuggled into gigs reached near-studio standards. The additional singers and Dick Parry’s sax gave the whole record an extra commercial sheen. In addition, the sonic quality of the album was state of the art – courtesy of the skills of Alan Parsons and Chris Thomas. This is particularly important, because at the time the album came out, hi-fi stereo equipment had only recently become a mainstream consumer item, an essential fashion accessory for the 1970s home. As a result, record buyers were particularly aware of the effects of stereo and able to appreciate any album that made the most of its possibilities. Dark Side had the good fortune to become one of the definitive test records that people could use to show off the quality of their hi-fi system. The packaging for the album by Storm and Po at Hipgnosis was clean, simple, and immediately striking, with a memorable icon in the shape of the prism.

Better?” James whispers, his rough jaw tickling my cheek. “So much better,” I whisper back, burrowing closer to him. “Do you have a side gig taming wild animals, by chance? Because if not, you’d be really good at it.

A couple of generations ago, a gathering like this would have been virtually unheard-of. Many landlords were part-timers: machinists or preachers or police officers who came to own property almost by accident (through inheritance, say) and saw real estate as a side gig.7 But the last forty years had witnessed the professionalization of property management. Since 1970, the number of people primarily employed as property managers had more than quadrupled.8 As more landlords began buying more property and thinking of themselves primarily as landlords (instead of people who happened to own the unit downstairs), professional associations proliferated, and with them support services, accreditations, training materials, and financial instruments. According to the Library of Congress, only three books offering apartment-management advice were published between 1951 and 1975. Between 1976 and 2014, the number rose to 215.9 Even if most landlords in a given city did not consider themselves “professionals,” housing had become a business.

No one is interested with your past, non-professional relationship with Agent Harris, Detective Garner.” I cut them off. Seriously, nobody wants to hear it (I know I do not), since it is probably a perfect fairy tale of a prodigy guy and prodigy girl, and together they catch bad guys while looking excessively beautiful at doing it. They look so majestic side by side, like prom king and queen from some cheesy coming-of-age movie where they dance flawlessly and sing like pro despite that it’s their first gig. Also, their eyes sparkle. It takes a long, sort-of out-of-sense explanation why eyes can figuratively sparkle, but it just does. You know in romantic comedy movie where the guy stares far away and then he is smiling when he finally makes a decision involving the only girl he wants to spend eternity with? And girl when she meets a boy band member? Yeah, that’s how they look at each other. Jemma looks at this guy like how girl looks at boy (ah, it even sounds sexist in my head), but not at me. She looks like me like I am a special case that she wants to solve. She looks at me like she's trying to find my eyes (which is, always there, I don't know why it is so hard for her to see a pair of black dots above my nose), and maybe I am a little bit irritated because this Harris guy breathes and just like that, you can see the grace in Garner--how big, mushy twinkie, of a person she really is. Also, I am definitely irritated because Jemma's ex is terrifyingly perfect, it's alarming, but then there's me. She's settling down with me. I feel insecure and I do not like that feeling. So, like a literal five years old child, I stroll between them, ruining their unexpected reunion (hey, doesn't anyone want to talk about how Harris tracked down all cases at JCPD so he can jump into whatever his ex is currently working on? This is not reunion, it's stalking) and offer him a handshake. At the time like this, I wish I had electricity running through my palm. I probably couldn’t end this Harris guy’s life, but at least I could give his perfect blond hair a ‘struck by lightning’ makeover. “Hi, Detective Irving. Homicide Unit. Strategic Expert. By the way, I’m good at combining them, you know.” I introduce myself. Which is true, I can be writing a mental note on how to eliminate this threat in my head for all he knows. “Strategy, and murder. I can mix them up.

flipping business counts as a business for tax purposes (even if you’re just doing it as a side gig). All of your profits will be taxed at ordinary rates and be subject to self-employment taxes.

Whirlpools, tornadoes​ and​ dust​ devils​ all​ use​ the​ same​ physics.​ A downward force, followed​ by​ a​n​ obtuse​ angle, a​ side​ways​ movement and​ then​ a​ spinning vortex​ which​ tries to​ remain​ perpendicular to​ the​ ground​ or​ ocean/river​ bed. It's​ amazing​ what​ you​ can​ think​ about​ when​ a​ child​ is​ playing​ with​ a​ small​ plastic​ cone​ and​ trying​ to​ make​ it​ spin.

I always advise HS men to consider starting their business as a side business that they can build while remaining employed.  The side “gig” as it now seems to be called, is a great way to make the current situation more bearable, at least for a while, and possibly provide new and needed stimulation.  If you are also a high sensation seeker as well as an HSP, the need for novelty and new experiences is likely to be undeniable. “One of the huge mistakes people make is that they try to force an interest on themselves. You don’t choose your passions; your passions choose you.” -Jeff Bezos, Amazon founder

They always have one foot in the pre-multitudinal side of the two way mirror. The Pre-prismed, Unseparated, Infinite, Love-emanating, Conscious Oneness side. It’s a pretty good gig if you can get it. Playing in form without getting lost in it. Very low attrition rates. But for us planet-bound, mostly closed-apertured, Greater-Reality-impoverished lowlanders, most of us most of the time don’t have even a modicum of that access. It can be a rough road, and even when it’s not, even when life’s pretty good or better, we’re still mostly really cut off from Greater Reality, from our Greater Consciousness. It’s

They always have one foot in the pre-multitudinal side of the two way mirror. The Pre-prismed, Unseparated, Infinite, Love-emanating, Conscious Oneness side. It’s a pretty good gig if you can get it. Playing in form without getting lost in it. Very low attrition rates. But

could never get anything going in Toronto, never even got one gig with a band. So I moved instead towards acoustic music and immediately became very introspective and musically inward. That’s the beginning of that whole side of my music.

Iadmire dogs because they have life figured out. They are here to love and be loved, and that’s pretty much it. There are side jobs they attend to with gusto—eating, napping, barking at squirrels, maybe digging some holes in the yard—but loving others and being loved in return is the main gig, and they know it. They ignore most everything that gets us upset and remain laser-focused on why we’re all here. They’re role models, honestly, and they remind me of what’s important.

No one is better suited for solving crimes." Meg cocked her head to one side, her fiery-red ponytail swaying in the light breeze. "If you consider the scheming I did for Hades crime work, then maybe. But let's not get ahead of ourselves. This is one small gig." A gig that would barely pay the rent, but she couldn't be choosy. There wasn't a large market for women who'd recently been freed from the Underworld, and she needed to make money.

Successful is a relative term. You can be considered successful by your peers and not feel accomplished at all if you’re constantly comparing yourself to the world’s most influential people. If you’ve ever thought that your happiness levels would radically change with success, I can assure you with complete certainty that you’re wrong. Sure, you may experience some temporary spikes in happiness, but after a while, it will return back to its baseline level, just like always. Once upon a time, I found it baffling that people who seemingly had it all could ever be anything less than happy with their lives, but getting to the other side gave me a new perspective. If anything, more extreme highs make the lows that much harder to handle. And since past success doesn’t guarantee future success, chances are high that there will be lows.

Creative Takeaways Start a side project today and give yourself permission to fail. Is your main gig turning your hair grey? Take out an old idea, dust it off and play with it a while.

This is the flip side of the soul-sucking cubicle-dweller jobs we assume are where dreams go to die. All those books aimed at convincing you to go follow your passion are based on the assumption that if you do so, your life will automatically be more fulfilling. But then let's say you become an entrepreneur or hit the road with your band or land a gig writing guidebooks that takes you all over the world. You can still discover that--gasp!--it's not all it's cracked up to be. Being fulfilled is all about the day-to-day details, and if that involves schlepping your instrument from one gig to another in order to cobble together a living, it may be that there is no piece of chamber music beautiful enough to save you from your misery. And then you have to be smart enough to change course instead of clinging to some idea of yourself or the thing you wanted.

left brain - right brain: he's a pro; played my heart like a harp before I came to know. He got me strung so he could pluck my strings for the kicks; 'cause he's a polymath musician and I'm just a side gig

An automobile ties up capital with the purchase and entails significant additional annual costs in terms of fuel, parking, insurance, and repairs. Young people with college debts or “gig” jobs may not want the added burden of ownership. Compare the economics. Let’s say the average number of miles driven in a year in the United States is twelve thousand. Owning a car for that year would cost around $7,000, including the proportionate cost of car ownership, fuel, and other operating expenses. Given the average ride-hailing trip, $7,000 would equate to around six hundred separate trips per year, or twelve per week—almost two per day. Of course, on the other side of the ledger, there’s no residual value from Uber or Lyft rides, as there is when selling a used car. And no pride of ownership.

Brian Wecht was born in New Jersey to an interfaith couple. His father ran an army-navy store and enjoyed going to Vegas to see Elvis and Sinatra. Brian loved school, especially math and science, but also loved jazz saxophone and piano. “A large part of my identity came from being a fat kid who was bullied through most of my childhood,” he said. “I remember just not having many friends.” Brian double majored in math and music and chose graduate school in jazz composition. But when his girlfriend moved to San Diego, he quit and enrolled in a theoretical physics program at UC San Diego. Six months later the relationship failed; six years later he earned a PhD. When he solved a longstanding open problem in string theory (“the exact superconformal R-symmetry of any 4d SCFT”), Brian became an international star and earned fellowships at MIT, Harvard, and the Institute for Advanced Study in Princeton, New Jersey. He secured an unimaginable job: a lifetime professorship in particle physics in London. He was set. Except. Brian never lost his interest in music. He met his wife while playing for an improv troupe. He started a comedic band with his friend Dan called Ninja Sex Party. “I was always afraid it was going to bite me in the ass during faculty interviews because I dressed up like a ninja and sang about dicks and boning.” By the time Brian got to London, the band’s videos were viral sensations. He cried on the phone with Dan: Should they try to turn their side gig into a living? Brian and his wife had a daughter by this point. The choice seemed absurd. “You can’t quit,” his physics adviser said. “You’re the only one of my students who got a job.” His wife was supportive but said she couldn’t decide for him. If I take the leap and it fails, he thought, I may be fucking up my entire future for this weird YouTube career. He also thought, If I don’t jump, I’ll look back when I’m seventy and say, “Fuck, I should have tried.” Finally, he decided: “I’d rather live with fear and failure than safety and regret.” Brian and his family moved to Los Angeles. When the band’s next album was released, Ninja Sex Party was featured on Conan, profiled in the Washington Post, and reached the top twenty-five on the Billboard charts. They went on a sold-out tour across the country, including the Brooklyn Bowl in Las Vegas.

who came to own property almost by accident (through inheritance, say) and saw real estate as a side gig.7 But the last forty years had witnessed the professionalization of property management.

Women under 30 who don’t have children have closed the pay gap with their male counterparts. Once women have kids, they go to 77 cents on the dollar relative to their male counterparts. Part of our ability to create the same career trajectory for women with kids is to create more options and flexibility around where they work from. Part of working from home is the ability to work at different hours than the rest of your team, allowing for family needs like caretaking, side gigs, or hobbies that contribute to a work-life balance. It may be time to unroll the yoga mat or dust off the drum set in the garage, instead of spending 225 hours, or 9 full days, a year commuting.

Real artists have day jobs, and night jobs, and afternoon jobs. Real artists make things other than art, and then they make time to make art because art is screaming to get out from inside them. Screaming, or begging, or gently whispering. Don’t ever let them tell you you’re not a success. Don’t ever let them tell you you’re not good enough. Don’t ever let them tell you you’re not the real deal. More important: don’t ever tell yourself any of these things. Believe me when I tell you that no matter how much time you spend at the office, it’s just a side gig.

There is more nobility in hard work than in pure luck (though every artist can use a bit of that). You’ll make better art after a day at the office than you will after a lifetime in an ivory tower. Real artists have day jobs, and night jobs, and afternoon jobs. Real artists make things other than art, and then they make time to make art because art is screaming to get out from inside them. Screaming, or begging, or gently whispering. Don’t ever let them tell you you’re not a success. Don’t ever let them tell you you’re not good enough. Don’t ever let them tell you you’re not the real deal. More important: don’t ever tell yourself any of these things. Believe me when I tell you that no matter how much time you spend at the office, it’s just a side gig. You are an artist, full-time, twenty-four hours a day, seven days a week. Now go make your art.