Sick And Admitted In Hospital Quotes

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What is my life for and what am I going to do with it? I don't know and I'm afraid. I can never read all the books I want; I can never be all the people I want and live all the lives I want. I can never train myself in all the skills I want. And why do I want? I want to live and feel all the shades, tones, and variations of mental and physical experience possible in my life. And I am horribly limited. Yet I am not a cretin: lame, blind and stupid. I am not a veteran, passing my legless, armless days in a wheelchair. I am not that mongoloidish old man shuffling out of the gates of the mental hospital. I have much to live for, yet unaccountably I am sick and sad. Perhaps you could trace my feeling back to my distaste at having to choose between alternatives. Perhaps that's why I want to be everyone - so no one can blame me for being I. So I won't have to take the responsibility for my own character development and philosophy. People are happy - - - if that means being content with your lot: feeling comfortable as the complacent round peg struggling in a round hole, with no awkward or painful edges - no space to wonder or question in. I am not content, because my lot is limiting, as are all others. People specialize; people become devoted to an idea; people "find themselves." But the very content that comes from finding yourself is overshadowed by the knowledge that by doing so you are admitting you are not only a grotesque, but a special kind of grotesque.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
Four hundred forty-six,” Cole whispered. “What?” she asked. He kept his head down in what seemed to be a prayer. “He counts. You’ve smiled at him four hundred and forty-six times as of a few minutes ago. He announces the number every time I see him.” “I’m ashamed to admit that I didn’t think you were real. Considering my line of work, I should have more faith in humanity.” Cole shook his head. “I think it was smile two hundred eighty-six that drove me the most crazy. It was the night train. Blake was so sick, feverish. Honestly, I was considering taking him to the hospital. But no. He didn’t want to miss a smile. He wouldn’t even let me drive him. Blake walked the whole way in the pouring rain for number two eighty-six.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
No more junk talk, no more lies. No more mornings in the hospital getting bad blood drained out of me. No more doctors trying to analyse what makes me a drug addict. No more futile attempts at trying to control my heroin use. No more defending myself when I know I am practically indefensible. No more police using me as practice. No more ODs, no more losses. No more trying to take an intellectual position on my heroin addiction when it takes more than it gives. No more dope-sick mornings, no more slow suicide, no more pain without end. No more AA. No more NA. No more mind control. No more being a victim, no more looking for reasons in childhood, in God in anything but what exists in HERE. No more admitting I am powerless. Down the dusty Los Angeles sidewalks, down the urine stained London back alleys … there goes the connection fading into the crowd like a 1960’s Polaroid. “Business…?” “Whachoo need…?” “Chiva…?
Tony O'Neill (Digging the Vein)
The implicit optimism of the [field service post card] is worth noting—the way it offers no provision for transmitting news like “I have lost my left leg” or “I have been admitted into hospital wounded and do not expect to recover.” Because it provided no way of saying “I am going up the line again,” its users had to improvise. Wilfred Owen had an understanding with his mother that when he used a double line to cross out “I am being sent down to the base,” he meant he was at the front again. Close to brilliant is the way the post card allows one to admit to no state of health between being “quite” well, on the one hand, and, on the other, being so sick that one is in hospital.
Paul Fussell (The Great War and Modern Memory)
Ah, I believe Schacht. Only too willingly; that’s to say, I think what he says is absolutely true, for the world is incomprehensibly crass, tyrannical, moody, and cruel to sickly and sensitive people. Well, Schacht will stay here for the time being. We laughed at him a bit, when he arrived, that can’t be helped either, Schacht is young and after all can’t be allowed to think there are special degrees, advantages, methods, and considerations for him. He has now had his first disappointment, and I’m convinced that he’ll have twenty disappointments, one after the other. Life with its savage laws is in any case for certain people a succession of discouragements and terrifying bad impressions. People like Schacht are born to feel and suffer a continuous sense of aversion. He would like to admit and welcome things, but he just can’t. Hardness and lack of compassion strike him with tenfold force, he just feels them more acutely. Poor Schacht. He’s a child and he should be able to revel in melodies and bed himself in kind, soft, carefree things. For him there should be secret splashings and birdsong. Pale and delicate evening clouds should waft him away in the kingdom of Ah, What’s Happening to Me? His hands are made for light gestures, not for work. Before him breezes should blow, and behind him sweet, friendly voices should be whispering. His eyes should be allowed to remain blissfully closed, and Schacht should be allowed to go quietly to sleep again, after being wakened in the morning in the warm, sensuous cushions. For him there is, at root, no proper activity, for every activity is for him, the way he is, improper, unnatural, and unsuitable. Compared with Schacht I’m the trueblue rawboned laborer. Ah, he’ll be crushed, and one day he’ll die in a hospital. or he’ll perish, ruined in body and soul, inside one of our modern prisons.
Robert Walser (Jakob von Gunten)
It was a fascinating hint that flu might have a heritable component, but other studies failed to replicate the finding. Then in January 2011, in the midst of the annual flu season in France, a two-year-old girl was admitted to the intensive care unit of the Necker Hospital for Sick Children in Paris, suffering from ARDS (acute respiratory distress syndrome). Doctors saved her life, and one of them, Jean-Laurent Casanova, sequenced her genome. He wanted to know if it held the key to why an otherwise healthy child had nearly died of a disease that most children shrug off. It turned out that the girl had inherited a genetic defect that meant she was unable to produce interferon, that all-important first-line defence against viruses. As a result, her besieged immune system went straight to plan B: a massive inflammatory response similar to the one pathologists saw in 1918.
Laura Spinney (Pale Rider: The Spanish Flu of 1918 and How It Changed the World)
What is my life for and what am I going to do with it? I don’t know and I’m afraid. I can never read all the books I want; I can never be all the people I want and live all the lives I want. I can never train myself in all the skills I want. And why do I want? I want to live and feel all the shades, tones, and variations of mental and physical experience possible in my life. And I am horribly limited. Yet I am not a cretin: lame, blind and stupid. I am not a veteran, passing my legless, armless days in a wheelchair. I am not that mongoloidish old man shuffling out of the gates of the mental hospital. I have much to live for, yet unaccountably I am sick and sad. Perhaps you could trace my feeling back to my distaste at having to choose between alternatives. Perhaps that’s why I want to be everyone – so no one can blame me for being I. So I won’t have to take the responsibility for my own character development and philosophy. People are happy – – – if that means being content with your lot: feeling comfortable as the complacent round peg struggling in a round hole, with no awkward or painful edges – no space to wonder or question in. I am not content, because my lot is limiting, as are all others. People specialize; people become devoted to an idea; people “find themselves.” But the very content that comes from finding yourself is over-shadowed by the knowledge that by doing so you are admitting you are not only a grotesque, but a special kind of grotesque.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
Astrid felt a towering wave of disgust. She was furious with Sam. Furious with Little Pete. Mad at the whole world around her. Sickened by everyone and everything. And mostly, she admitted, sick of herself. So desperately sick of being Astrid the Genius. “Some genius,” she muttered. The town council, headed by that blond girl, what was her name? Oh right: Astrid. Astrid the Genius. Head of the town council that had let half the town burn to the ground. Down in the basement of town hall Dahra Baidoo handed out scarce ibuprofen and expired Tylenol to kids with burns, like that would pretty much fix anything, as they waited for Lana to go one by one, healing with her touch. Astrid could hear the cries of pain. There were several floors between her and the makeshift hospital. Not enough floors. Edilio staggered in. He was barely recognizable. He was black with soot, dirty, dusty, with ragged scratches and scrapes and clothing hanging in shreds. “I think we got it,” he said, and lay straight down on the floor. Astrid knelt by his head. “You have it contained?” But Edilio was beyond answering. He was unconscious. Done in. Howard appeared next, in only slightly better shape. Some time during the night and morning he’d lost his smirk. He glanced at Edilio, nodded like it made perfect sense, and sank heavily into a chair. “I don’t know what you pay that boy, but it’s not enough,” Howard said, jerking his chin at Edilio. “He doesn’t do it for pay,” Astrid said. “Yeah, well, he’s the reason the whole town didn’t burn. Him and Dekka and Orc and Jack. And Ellen, it was her idea.
Michael Grant (Lies (Gone, #3))
Block has a list of questions that she aims to cover with sick patients in the time before decisions have to be made: What do they understand their prognosis to be, what are their concerns about what lies ahead, what kinds of trade-offs are they willing to make, how do they want to spend their time if their health worsens, who do they want to make decisions if they can’t? A decade earlier, her seventy-four-year-old father, Jack Block, a professor emeritus of psychology at the University of California at Berkeley, was admitted to a San Francisco hospital with symptoms from what proved to be a mass growing in the spinal cord of his neck. She flew out to see him. The neurosurgeon said that the procedure to remove the mass carried a 20 percent chance of leaving him quadriplegic, paralyzed from the neck down. But without it he had a 100 percent chance of becoming quadriplegic. The evening before surgery, father and daughter chatted about friends and family, trying to keep their minds off what was to come, and then she left for the night. Halfway across the Bay Bridge, she recalled, “I realized, ‘Oh, my God, I don’t know what he really wants.’” He’d made her his health care proxy, but they had talked about such situations only superficially. So she turned the car around.
Atul Gawande (Being Mortal: Medicine and What Matters in the End)
At Ben Taub, people are admitted from the emergency room into the hospital wards based not on whether or not they’ve earned healthcare, but on the basis of one question: Sick or not sick?
Ricardo Nuila (The People's Hospital: Hope and Peril in American Medicine)
In Western society, he argues, the sick are sidelined, and stripped of their humanity. “Once you get admitted to a hospital,” he says, “you become a leukemia. You become a hypercholesterolemia. You become a diagnosis.” Whereas in Lourdes, he reckons, the sick are treated not as diseases but as people, equal to the most senior doctor. “It is normal in Lourdes to sing together, to pray together, to chat, to dance, to have beer.
Jo Marchant (Cure: A Journey into the Science of Mind Over Body)