Sicily Summer Quotes

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Some people are born empty. All manner of good deeds and patience and loving kindness can't even begin to fill them up.
Marlena de Blasi (That Summer in Sicily: A Love Story)
All that summer and fall she painted, mornings, afternoons, evenings, then walked around the streets that were still echoing the music of the masters, and every stone, every pebble seemed to have a life and reason of its own and she somehow felt, though vaguely, a part of that reason. Some nights she would sit in the café with other young artists and poets and musicians and who knows what else, drinking wine and talking and laughing and discussing and arguing and life was exciting and tangible and crisp like the clear Mediterranean sunlight. Then as the grayness of winter slowly seeped down from the north the energy and inspiration seemed to ooze from her as paint from a tube and now when she looked at a bare canvas it was only a bare canvas, a piece of material stretched over a few pieces of wood, it was no longer a painting waiting to be painted. It was just, canvas. She went further south. Sicily. North Africa. Trying to follow the sun to the past, the very recent past, but all she found was herself.
Hubert Selby Jr. (Requiem for a Dream)
We're all who we are endlessly.
Marlena de Blasi (That Summer in Sicily: A Love Story)
She's a woman. Like a chameleon does, a woman quietly blends into all the parts of her life. Sometimes you can hardly tell she's there, she's so quiet going on about her business. Feed the baby. Muck the stables. Make soup from stones. Make a sheet into a dress. She doesn't count on destiny for anything. She knows its her own hands, her own arms, her own thighs and breasts that have to do the work. Destiny is bigger in men's lives. Destiny is a welcome guest in a man's house. She barely knocks and he's there to open the door. "Yes, yes. You do it," he says to destiny and lumbers back to his chair.
Marlena de Blasi (That Summer in Sicily: A Love Story)
Instructions for Dad. I don't want to go into a fridge at an undertaker's. I want you to keep me at home until the funeral. Please can someone sit with me in case I got lonely? I promise not to scare you. I want to be buried in my butterfly dress, my lilac bra and knicker set and my black zip boots (all still in the suitcase that I packed for Sicily). I also want to wear the bracelet Adam gave me. Don't put make-up on me. It looks stupid on dead people. I do NOT want to be cremated. Cremations pollute the atmosphere with dioxins,k hydrochloric acid, hydrofluoric acid, sulphur dioxide and carbon dioxide. They also have those spooky curtains in crematoriums. I want a biodegradable willow coffin and a woodland burial. The people at the Natural Death Centre helped me pick a site not for from where we live, and they'll help you with all the arrangements. I want a native tree planted on or near my grave. I'd like an oak, but I don't mind a sweet chestnut or even a willow. I want a wooden plaque with my name on. I want wild plants and flowers growing on my grave. I want the service to be simple. Tell Zoey to bring Lauren (if she's born by then). Invite Philippa and her husband Andy (if he wants to come), also James from the hospital (though he might be busy). I don't want anyone who doesn't know my saying anything about me. THe Natural Death Centre people will stay with you, but should also stay out of it. I want the people I love to get up and speak about me, and even if you cry it'll be OK. I want you to say honest things. Say I was a monster if you like, say how I made you all run around after me. If you can think of anything good, say that too! Write it down first, because apparently people often forget what they mean to say at funerals. Don't under any circumstances read that poem by Auden. It's been done to death (ha, ha) and it's too sad. Get someone to read Sonnet 12 by Shakespeare. Music- "Blackbird" by the Beatles. "Plainsong" by The Cure. "Live Like You Were Dying" by Tim McGraw. "All the Trees of the Field Will Clap Their Hands" by Sufian Stevens. There may not be time for all of them, but make sure you play the last one. Zoey helped me choose them and she's got them all on her iPod (it's got speakers if you need to borrow it). Afterwards, go to a pub for lunch. I've got £260 in my savings account and I really want you to use it for that. Really, I mean it-lunch is on me. Make sure you have pudding-sticky toffee, chocolate fudge cake, ice-cream sundae, something really bad for you. Get drunk too if you like (but don't scare Cal). Spend all the money. And after that, when days have gone by, keep an eye out for me. I might write on the steam in the mirror when you're having a bath, or play with the leaves on the apple tree when you're out in the garden. I might slip into a dream. Visit my grave when you can, but don't kick yourself if you can't, or if you move house and it's suddenly too far away. It looks pretty there in the summer (check out the website). You could bring a picnic and sit with me. I'd like that. OK. That's it. I love you. Tessa xxx
Jenny Downham
Maybe it started soon after his arrival during one of those grinding lunches when he sat next to me and it finally dawned on me that, despite a light tan acquired during his brief stay in Sicily earlier that summer, the color on the palms of his hands was the same as the pale, soft skin of his soles, of his throat, of the bottom of his forearms, which hadn’t really been exposed to much sun. Almost a light pink, as glistening and smooth as the underside of a lizard’s belly. Private, chaste, unfledged, like a blush on an athlete’s face or an instance of dawn on a stormy night. It told me things about him I never knew to ask.
André Aciman (Call Me by Your Name (Call Me by Your Name, #1))
And across the water, you would swear you could sniff it all; the cinnamon and the cloves, the frankincense and the honey and the licorice, the nutmeg and citrons, the myrrh and the rosewater from Persia in keg upon keg. You would think you could glimpse, heaped and glimmering, the sapphires and the emeralds and the gauzes woven with gold, the ostrich feathers and the elephant tusks, the gums and the ginger and the coral buttons mynheer Goswin the clerk of the Hanse might be wearing on his jacket next week. . . . The Flanders galleys put into harbor every night in their highly paid voyage from Venice, fanned down the Adriatic by the thick summer airs, drifting into Corfu and Otranto, nosing into and out of Sicily and round the heel of Italy as far as Naples; blowing handsomely across the western gulf to Majorca, and then to the north African coast, and up and round Spain and Portugal, dropping off the small, lucrative loads which were not needed for Bruges; taking on board a little olive oil, some candied orange peel, some scented leather, a trifle of plate and a parrot, some sugar loaves.
Dorothy Dunnett (Niccolò Rising (The House of Niccolò, #1))
October is one of the loveliest months in Sicily. It’s when summer opens its fist again, letting a little breeze into the house and allowing you to breathe again; when the light becomes as mellow as my Aunt Caterina’s limoncello and you take a sweater along in the evenings, just to be on the safe side;
Mario Giordano (Auntie Poldi and the Vineyards of Etna (An Auntie Poldi Adventure))
They shared a platter of meze and dips and, for dessert, summer berries dipped in four kinds of melted chocolate. Lovers' food, Lara thought, watching Phil feed Katy a strawberry. When she was married, she had made special trips to obscure ethnic supermarkets for Vietnamese rice pancakes and soba noodles. She had bought extra-virgin olive oil online from a tiny estate in Sicily. She had discovered celeriac and plantains and Jerusalem artichokes. She had sautéed and ceviched and fricasseed and brûléed.
Ella Griffin (The Flower Arrangement)
The villagers and the farmers here tell the story of Demeter and Persephone with all the fresh wonder and anguish of a thing only just happened. They tell it in the same way they tell the story of Mary and Jesus. They believe the stories with equal fervor, resonant as they are of their own stories. Allegiance does not shift but only enlarges its endearment to hold both mothers—one with her crown of woven corn husks, the other shrouded in a rough woven veil. Why must we pray to only one? To us, they are the same. Le addolorate. Grieving women. In Sicily, the sacred and the profane are kin.
Marlena de Blasi (That Summer in Sicily: A Love Story)
The results were convincing. During two summer months of 1943 in Sicily, the US Army had 21,482 hospital admissions for malaria compared to 17,375 battle casualties (wounded and dead). A public health poster had it right: “The malaria mosquito knocks out more men than the enemy.” Field testing of DDT began in Italy in August 1943; by 1945 new cases of malaria had declined by more than 80 percent, and DDT was also in use, in an indiscriminate but highly effective fashion, to stop the typhus epidemic in Naples.
Vaclav Smil (Invention and Innovation: A Brief History of Hype and Failure)
You’ve saved your money and bought a ticket to Fashion Week in Milan. All the world’s great clothing designers will be showing their startling and beautiful designs. You’ll be one of the first to see them! Or picture yourself in Rome. You’re at a performance of the opera Aïda, written by Italian composer Giuseppe Verdi. You’re seated amid eighteen-hundred-year-old ruins under a starry sky, listening to magnificent music. You’ve got your snowboard and warm clothing so you can glide down the slopes the world’s greatest skiers took during the 2006 Winter Olympics near Turin. Or perhaps it’s summer, and you’re going to explore the sea caves of Capri, off the coast of Naples. Later, you can take a look at the towering columns at Agrigento, among the temples the ancient Greeks built on the island of Sicily long before Italy existed. In any one of these places, you might be one of the millions of tourists who visit Italy every year. But alongside the tourists are Italians, also appreciative of the wonders of their own country.
Jean Blashfield Black (Italy (Enchantment of the World Second Series))
Climate Italy’s climate varies greatly from north to south. In the Alps, at the top of the boot, snow lingers on the highest peaks throughout the summer. The foot of the boot has hot, dry summers and mild winters. In summer, the temperature can easily reach 90 degrees Fahrenheit (32 degrees Celsius) or higher. This climate draws many northerners to the Mediterranean beaches in the winter. Rome, Italy’s capital, is in the middle of the boot. It’s average high temperature in January is about 52°F (11°C), and its average high temperature in July is 86°F (30°C). In 2003, Italy suffered a heat wave in which the temperature reached 100°F (38°C) or more throughout the summer. An estimated three thousand people, mostly elderly, died. Rain is the heaviest during the fall and winter months. The rainiest areas are in the north. The city of Udine, in the northeast, receives about 60 inches (150 centimeters) of rain a year, but only about 18 inches (46cm) fall on southern Sicily each year.
Jean Blashfield Black (Italy (Enchantment of the World Second Series))
Those like Brasini and those who are not like Brasini. Those who would take your face in their hands and kiss you like in the films and those who would never in ten million years take your face in their hands and kiss you like in the films. ...You are definitely a Brasini, sir. ...the Brasini theory,....
Marlena de Blasi (That Summer in Sicily: A Love Story)