Sicily Love Quotes

I collect church collapses, recreationally. Did you see the recent one in Sicily? Marvelous! The facade fell on sixty-five grandmothers at a special mass. Was that evil? If so, who did it? If he's up there, he just loves it, Officer Starling. Typhoid and swans - it all comes from the same place.

I hate and detest Sicily in so far as I love it, and in so far as it does not respond to the kind of love I would like to have for it.

Cooking is about surrender.

Some people are born empty. All manner of good deeds and patience and loving kindness can't even begin to fill them up.

Yet nothing about dying was easy. Not for him nor for me. It was labor, as much labor as coming into this world.

Pain is part of life. That much I knew. If I could just teach her how to be resilient, how to love big, how to fear less. How to weather hurt, either at the hands of others or even the hurts she might unknowingly inflict on herself. I wanted her to know that love can come in many forms. That sometimes it can look like letting go, but it can also look like never letting go. That one day she might have to love someone in ways the world wasn’t ready for. That reaching for that kind of love would bring with it struggle, but in the end, it could be grander than her wildest imaginings.

He soothed the places I hadn't known needed soothing, seemed perfectly willing to embrace the parts of me that were wanton, unsettled, unfinished, and contradictory. Together we had engaged life as two forks eating off one plate. Ready to listen, to love, to look into the darkness and see a thin filament of the moon.

For over twenty-five centuries we’ve been bearing the weight of superb and heterogeneous civilizations, all from outside, none made by ourselves, none that we could call our own. This violence of landscape, this cruelty of climate, this continual tension in everything, and even these monuments of the past, magnificent yet incomprehensible because not built by us and yet standing round us like lovely mute ghosts; all those rulers who landed by main force from every direction who were at once obeyed, soon detested, and always misunderstood, their only expressions works of art we couldn't understand and taxes which we understood only too well and which they spent elsewhere: all these things have formed our character, which is thus conditioned by events outside our control as well as by a terrifying insularity of mind.

We had to begin at an ending and make a new beginning.

Tell the truth, all Sicilians prefer smelling the shit of their villages to the best perfumes in Paris. What am I doing here? I could have escaped to Brazil like some others. Ah, we love where we are born, we Sicilians, but Sicily does not love us.

But I had learned that identity is prismatic, that belonging requires claiming.

Ah, we love where we are born, we Sicilians, but Sicily does not love us.

want you to know love someday. Another love. Your love is too beautiful not to share.” He said it with ease, not a trace of distress or ambivalence. As if it were the most natural thing for a husband to say to a wife. “I want you to live your life.

He was kryptonite sprinkled on pizza, my personal weakness

Fennel is a delicious thing that can sprout up among the weeds along the road of life. As Saro had said, "It's there to make you know that you are alive.

I remember that the afternoon light was another passenger in the car, witnessing two lives in motion.

The connection you are creating here is like a flower. It requires soil and sun, things that, thanks to God, are given freely. But it is you, all of us, who has to water the flower to make it grow. Without water, all relations remain small. They can’t open, and eventually they die.

I had begun to appreciate that in her world, nothing was rushed - love, grief, joy, or a pot on the stove.

In Sicily where food is love and the street is a stage street food is more than a cheap meal it's Communion.

We're all who we are endlessly.

I have an endless thirst of love, the love of your body and soul.

The connection you are creating here is like a flower. It requires soil and sun. things that, thanks to God, are given freely. But it is you, all of us, who has to water the flower to make it grow, Without water, all relations remain small. They can't open, and eventually die

She's a woman. Like a chameleon does, a woman quietly blends into all the parts of her life. Sometimes you can hardly tell she's there, she's so quiet going on about her business. Feed the baby. Muck the stables. Make soup from stones. Make a sheet into a dress. She doesn't count on destiny for anything. She knows its her own hands, her own arms, her own thighs and breasts that have to do the work. Destiny is bigger in men's lives. Destiny is a welcome guest in a man's house. She barely knocks and he's there to open the door. "Yes, yes. You do it," he says to destiny and lumbers back to his chair.

There are many people, maybe even thousands, that you can love. But there are few people," he continued, his words measured, "maybe only one or two on the plant, that you can love and live with in peace. The peace part is the key.

What if my own life was like a flower? Something I had to continually tend to and nurture. Sicily was the water and sun that fortified me to stand stronger in my life after loss. And maybe my leaving a rock at the cemetery, as an act of remembrance, had additional meaning. Maybe it was a symbol of the lasting permanence of Saro's love. His love, life, illness, and death had taught me so much but it was the undergirding of his love that was my salvation in loss.

When you started this engagement farce I thought I was going to hate every minute of it. Instead I loved every minute of it. I loved every minute of being with you. You’re bright, sexy, funny, confident, sexy, strong, warm—did I say sexy?

I love you, Taylor Carmichael Corretti. I love you for better and for worse—preferably worse, by the way.” His eyes glittered into hers. “I love a bad girl. Think about it—if I marry you we can spend the rest of our lives shocking people.

Nonetheless, I love you." "Forever?" "In Sicily they say that eternal love lasts for two years. Fortunately, I am not Sicilian." "Greek men love themselves and their mothers forever. Their wives they love for six months. Fortunately I am a woman.

We are all the children of God, just look at our hands.” He held up his hand, palm facing my dad. “But notice, each finger is different. One is short, one is long, one is crooked. They each do different things. But we are all part of the same family.

Instructions for Dad. I don't want to go into a fridge at an undertaker's. I want you to keep me at home until the funeral. Please can someone sit with me in case I got lonely? I promise not to scare you. I want to be buried in my butterfly dress, my lilac bra and knicker set and my black zip boots (all still in the suitcase that I packed for Sicily). I also want to wear the bracelet Adam gave me. Don't put make-up on me. It looks stupid on dead people. I do NOT want to be cremated. Cremations pollute the atmosphere with dioxins,k hydrochloric acid, hydrofluoric acid, sulphur dioxide and carbon dioxide. They also have those spooky curtains in crematoriums. I want a biodegradable willow coffin and a woodland burial. The people at the Natural Death Centre helped me pick a site not for from where we live, and they'll help you with all the arrangements. I want a native tree planted on or near my grave. I'd like an oak, but I don't mind a sweet chestnut or even a willow. I want a wooden plaque with my name on. I want wild plants and flowers growing on my grave. I want the service to be simple. Tell Zoey to bring Lauren (if she's born by then). Invite Philippa and her husband Andy (if he wants to come), also James from the hospital (though he might be busy). I don't want anyone who doesn't know my saying anything about me. THe Natural Death Centre people will stay with you, but should also stay out of it. I want the people I love to get up and speak about me, and even if you cry it'll be OK. I want you to say honest things. Say I was a monster if you like, say how I made you all run around after me. If you can think of anything good, say that too! Write it down first, because apparently people often forget what they mean to say at funerals. Don't under any circumstances read that poem by Auden. It's been done to death (ha, ha) and it's too sad. Get someone to read Sonnet 12 by Shakespeare. Music- "Blackbird" by the Beatles. "Plainsong" by The Cure. "Live Like You Were Dying" by Tim McGraw. "All the Trees of the Field Will Clap Their Hands" by Sufian Stevens. There may not be time for all of them, but make sure you play the last one. Zoey helped me choose them and she's got them all on her iPod (it's got speakers if you need to borrow it). Afterwards, go to a pub for lunch. I've got £260 in my savings account and I really want you to use it for that. Really, I mean it-lunch is on me. Make sure you have pudding-sticky toffee, chocolate fudge cake, ice-cream sundae, something really bad for you. Get drunk too if you like (but don't scare Cal). Spend all the money. And after that, when days have gone by, keep an eye out for me. I might write on the steam in the mirror when you're having a bath, or play with the leaves on the apple tree when you're out in the garden. I might slip into a dream. Visit my grave when you can, but don't kick yourself if you can't, or if you move house and it's suddenly too far away. It looks pretty there in the summer (check out the website). You could bring a picnic and sit with me. I'd like that. OK. That's it. I love you. Tessa xxx

Standing on the top of this Monte d'Ora watching the sun come radiantly alive, Turi Guiliano was filled with youthful glee that he had escaped his enemies. He would never obey another human being again. He would choose who should live and who should die, and there was no doubt in his mind that all he would do would be for the glory and freedom of Sicily, for good and not for evil. That he would only strike for the cause of justice, to help the poor. that he would win every battle, that he would win the love of the oppressed. He was twenty years old.

It requires gentle hands but also strong intentions.

In relationship, real partnerships, the love is only as good as the friendship.

But what I loved most was that her kitchen showed me how one ingredient can be made into many different dishes.

The hot air was pregnant with jasmine and eucalyptus.

Saro's love, his life and his loss had forged me, softening me to life and strengthening me in the broken places.

For the first time the Don showed annoyance. He poured another glass of anisette and drank it down. He pointed a finger at his son. "You want to learn," he said. "Now listen to me. A man's first duty is to keep himself alive. Then comes what everyone else calls honor. This dishonor, as you call it, I willingly take upon myself. I did it to save your life as you once took on dishonor to save mine. You would have never left Sicily alive without Don Croce's protection. So be it. Do you want to be a hero like Guiliano, a legend? And dead? I love him as the son of my dear friends, but I do not envy him his fame. You are alive and he is dead. Always remember that and live your life not be be a hero but to remain alive. With time, heroes seem a little foolish." Michael sighed. "Guiliano had no choice," he said. "We are more fortunate," the Don said. It was the first lesson Michael received from his father and the one he learned best. It was to color his future life, persuade him to make terrible decisions he could never have dreamed of making before. It changed his perception of honor and heroism. It helped him survive, but it made him unhappy. For despite the fact that his father did not envy Guiliano, Michael did.

I think New Mexico was the greatest experience from the outside world that I have ever had. It certainly changed me for ever. Curious as it may sound, it was New Mexico that liberated me from the present era of civilization, the great era of material and mechanical development. Months spent in holy Kandy, in Ceylon, the holy of holies of southern Buddhism, had not touched the great psyche of materialism and idealism which dominated me. And years, even in the exquisite beauty of Sicily, right among the old Greek paganism that still lives there, had not shattered the essential Christianity on which my character was established. Australia was a sort of dream or trance, like being under a spell, the self remaining unchanged, so long as the trance did not last too long. Tahiti, in a mere glimpse, repelled me: and so did California, after a stay of a few weeks. There seemed a strange brutality in the spirit of the western coast, and I felt: O, let me get away! But the moment I saw the brilliant, proud morning shine up over the deserts of Santa Fe, something stood still in my soul, and I started to attend. There was a certain magnificence in the high-up day, a certain eagle-like royalty, so different from the equally pure, equally pristine and lovely morning of Australia, which is so soft, so utterly pure in its softness, and betrayed by green parrot flying. But in the lovely morning of Australia one went into a dream. In the magnificent fierce morning of New Mexico one sprang awake, a new part of the soul woke up suddenly, and the old world gave way to a new.

As he drifted off, I made other promises, too, the kind of promises the living make to the dying when we have the sudden realization that we are all, in fact, “the dying.” That life is fleeting, capable of bending the other way at any moment. We reach hard for life.

I was witnessing another example of the way community functioned so tightly here, for better or for worse. Each of the women on this street will be called upon and expected to participate in the illness or death of the others. They held one another up, it was a custom as ancient and alive as the ruins of Sicily's Harrah temple.

When Sicily became part of the Kingdom of Naples, Palermo lost its capital status. It was never to regain it. It is now essentially a baroque city, beautiful though sadly dilapidated. But the setting – the Conca d’Oro or Shell of Gold – is as lovely as ever, and the Sicilian parliament still meets in King Roger’s old palace – so all, perhaps, is not lost.

Growing up in an Italian home I wasn't often hungry. Perhaps Italians know that hunger feels too much like sadness. They know that to love someone, to make them happy, means ensuring they are fed. Alex used to groan about how much food got eaten at our family dinners. He got heartburn from the thick, fatty salami and soft, warm polpette. He didn't understand our fawning over Nonna's secret pasta al forno recipe, stuffed with meatballs, cheese, pasta, and eggs. He couldn't believe we ate octopus and rabbit and, sometimes, mainly the older family members, pigs' feet. We fed him full of artichokes, macaroni, caponata made with capsicums and cauliflower and tomatoes while the cousins talked of breakfasts in Sicily- chocolate granita or gelato stuffed into brioche rolls.

They shared a platter of meze and dips and, for dessert, summer berries dipped in four kinds of melted chocolate. Lovers' food, Lara thought, watching Phil feed Katy a strawberry. When she was married, she had made special trips to obscure ethnic supermarkets for Vietnamese rice pancakes and soba noodles. She had bought extra-virgin olive oil online from a tiny estate in Sicily. She had discovered celeriac and plantains and Jerusalem artichokes. She had sautéed and ceviched and fricasseed and brûléed.

I remember once, in talking to Mr. Burne-Jones about modern science, his saying to me, ‘the more materialistic science becomes, the more angels shall I paint: their wings are my protest in favour of the immortality of the soul.’ But these are the intellectual speculations that underlie art. Where in the arts themselves are we to find that breadth of human sympathy which is the condition of all noble work; where in the arts are we to look for what Mazzini would call the social ideas as opposed to the merely personal ideas? By virtue of what claim do I demand for the artist the love and loyalty of the men and women of the world? I think I can answer that. Whatever spiritual message an artist brings to his aid is a matter for his own soul. He may bring judgment like Michael Angelo or peace like Angelico; he may come with mourning like the great Athenian or with mirth like the singer of Sicily; nor is it for us to do aught but accept his teaching, knowing that we cannot smite the bitter lips of Leopardi into laughter or burden with our discontent Goethe’s serene calm. But for warrant of its truth such message must have the flame of eloquence in the lips that speak it, splendour and glory in the vision that is its witness, being justified by one thing only - the flawless beauty and perfect form of its expression: this indeed being the social idea, being the meaning of joy in art. Not laughter where none should laugh, nor the calling of peace where there is no peace; not in painting the subject ever, but the pictorial charm only, the wonder of its colour, the satisfying beauty of its design.

Worthy Andronicus, ill art thou repaid For that good hand thou sent’st the Emperor. Here are the heads of thy two noble sons, And here’s thy hand in scorn to thee sent back. Thy grief their sports! thy resolution mock'd, That woe is me to think upon thy woes More than remembrance of my father’s death. [Exit.] Marc. Now let hot Aetna cool in Sicily, And be my heart an ever-burning hell! These miseries are more than may be borne. To weep with them that weep doth ease some deal, But sorrow flouted at is double death. Luc. Ah, that this sight should make so deep a wound And yet detested life not shrink thereat! That ever death should let life bear his name, Where life hath no more interest but to breathe. [Lavinia kisses Titus.] Marc. Alas, poor heart, that kiss is comfortless As frozen water to a starvèd snake. Tit. When will this fearful slumber have an end? Marc. Now farewell, flatt’ry; die, Andronicus. Thou dost not slumber. See thy two sons’ heads, Thy warlike hand, thy mangled daughter here, Thy other banished son with this dear sight Struck pale and bloodless; and thy brother, I, Even like a stony image cold and numb. Ah, now no more will I control thy griefs. Rent off thy silver hair, thy other hand, Gnawing with thy teeth, and be this dismal sight The closing up of our most wretched eyes. Now is a time to storm. Why art thou still? Tit. Ha, ha, ha! Marc. Why dost thou laugh? It fits not with this hour. Tit. Why, I have not another tear to shed. Besides, this sorrow is an enemy And would usurp upon my wat’ry eyes And make them blind with tributary tears. Then which way shall I find Revenge’s cave? For these two heads do seem to speak to me And threat me I shall never come to bliss Till all these mischiefs be returned again Even in their throats that hath committed them. Come, let me see what task I have to do. You heavy people, circle me about That I may turn me to each one of you And swear unto my soul to right your wrongs. The vow is made. Come, brother, take a head, And in this hand the other will I bear. And, Lavinia, thou shalt be employed in these arms. Bear thou my hand, sweet wench, between thy teeth. As for thee, boy, go get thee from my sight. Thou art an exile, and thou must not stay. Hie to the Goths and raise an army there. And if you love me, as I think you do, Let’s kiss and part, for we have much to do. Exeunt.

By first light, immigrants haul crates of melons and buckets of ice over the narrow cobblestone streets. Old men sell salted capers and branches of wild oregano while the young ones build their fish stands, one silvery torqued body at a time, like an edible art installation. It's a startling scene: gruff young palermitani, foul-mouthed and wreathed in cigarette smoke, lovingly laying out each fish at just the right angle, burrowing its belly into the ice as if to mimic its swimming position in the ocean. Sicilian sun and soil and ingenuity have long produced some of Italy's most prized raw ingredients, and the colors of the market serve as a map of the island's agricultural prowess: the forest green pistachios of Bronte; the Crayola-bright lemons and oranges of Paternò; the famous pomodorini of Pachino, fiery orbs of magical tomato intensity.

But to kill men leads to nothing but killing more men. For one principle to triumph, another principle must be overthrown. The city of light of which Spartacus dreamed could only have been built on the ruins of eternal Rome, of its institutions and of its gods. Spartacus’ army marches to lay siege to a Rome paralyzed with fear at the prospect of having to pay for its crimes. At the decisive moment, however, within sight of the sacred walls, the army halts and wavers, as if it were retreating before the principles, the institutions, the city of the gods. When these had been destroyed, what could be put in their place except the brutal desire for justice, the wounded and exacerbated love that until this moment had kept these wretches on their feet.2 In any case, the army retreated without having fought, and then made the curious move of deciding to return to the place where the slave rebellion originated, to retrace the long road of its victories and to return to Sicily. It was as though these outcasts, forever alone and helpless before the great tasks that awaited them and too daunted to assail the heavens, returned to what was purest and most heartening in their history, to the land of their first awakening, where it was easy and right to die. Then began their defeat and martyrdom. Before the last battle, Spartacus crucified a Roman citizen to show his men the fate that was in store for them. During the battle, Spartacus himself tried with frenzied determination, the symbolism of which is obvious, to reach Crassus, who was commanding the Roman legions. He wanted to perish, but in single combat with the man who symbolized, at that moment, every Roman master; it was his dearest wish to die, but in absolute equality. He did not reach Crassus: principles wage war at a distance and the Roman general kept himself apart. Spartacus died, as he wished, but at the hands of mercenaries, slaves like himself, who killed their own freedom with his. In revenge for the one crucified citizen, Crassus crucified thousands of slaves. The six thousand crosses which, after such a just rebellion, staked out the road from Capua to Rome demonstrated to the servile crowd that there is no equality in the world of power and that the masters calculate, at a usurious rate, the price of their own blood.

The island of Sicily is the largest in the Mediterranean. It has also proved, over the centuries, to be the most unhappy. The stepping-stone between Europe and Africa, the gateway between the East and the West, the link between the Latin world and the Greek, at once a stronghold, observation-point and clearing-house, it has been fought over and occupied in turn by all the great powers that have at various times striven to extend their dominion across the Middle Sea. It has belonged to them all—and yet has properly been part of none; for the number and variety of its conquerors, while preventing the development of any strong national individuality of its own, have endowed it with a kaleidoscopic heritage of experience which can never allow it to become completely assimilated. Even today, despite the beauty of its landscape, the fertility of its fields and the perpetual benediction of its climate, there lingers everywhere some dark, brooding quality—some underlying sorrow of which poverty, Church influence, the Mafia and all the other popular modern scapegoats may be the manifestations but are certainly not the cause. It is the sorrow of long, unhappy experience, of opportunity lost and promise unfulfilled; the sorrow, perhaps, of a beautiful woman who has been raped too often and betrayed too often and is no longer fit for love or marriage. Phoenicians, Greeks, Carthaginians, Romans, Goths, Byzantines, Arabs, Normans, Germans, Spaniards, French—all have left their mark. Today, a century after being received into her Italian home, Sicily is probably less unhappy than she has been for many centuries; but though no longer lost she still seems lonely, seeking always an identity which she can never entirely find.

However, Martoglio, in defense of his poetry, claims that while the academicians have not made a fuss about his work, the people have consistently displayed affection for it, so much so that he can say that “there isn’t any town in Sicily where Centona10 has not brought people cheer Martoglio goes on to say that his poetry is a favorite of the Sicilian people wherever they may be, within Sicily, in war trenches and in foreign lands. The reason for this predilection is that Centona brings people the smells and sounds of Sicily, the passions that are always raging in their unhappy hearts, and the memories of their beloved and tragic land. And he concludes with a beautiful testimony to his poetry that says: as long as you leave on each street you pass of restless Sicily the scent and soul, you’ll always be assured of great success. While some readers may regard this as wishful thinking on the part of the poet, I can testify from personal experience that it is actually true. Sicilians love Martoglio and they love his poetry. One brief story will make the point: I was browsing one day in the Cavallotto bookstore in Catania looking through their Sicilian language poetry section and started a conversation with the store manager, Rosario Romeo. When I told him that I was working on a book about Nino Martoglio, he began to recite the “Lu cummattimentu tra Orlandu e Rinardu” from memory. He went through nearly the last 8 stanzas of the poem without faltering once, showing great appreciation for Martoglio’s cleverness by highlighting with shifts in tone and manner of reciting those parts he deemed most interesting. His wonderful performance, however, is not to be considered all that extraordinary. In fact, on several occasions, on learning of my interests in Sicilian literature, my interlocutors have begun reciting their favorite poems or excerpts of poems. As it happens, the poets most commonly found in such personal repertories are Giovanni Meli11 Micio Tempio12 and Nino Martoglio.

Martoglio was much loved in his adoptive city. The people of Catania identified with Martoglio’s characters in one way or another, they recognized their own weaknesses and ignorance in the people he created. In his poems they heard every day voices; they saw neighborhood women gossiping at their windows; they heard echoes of the street vendors’ voices, mothers calling children for supper, a lover urging his beloved to come out on her balcony. Martoglio is an embodiment of Sicily and Sicilian sensibilities. Pirandello was right when he said that Martoglio was, after Giovanni Meli, the most expressive poet of Sicily.

Martoglio embodies all his Sicily, the Sicily that loves and hates, that laughs and weeps and frets, using accents and a manner that here in Centona are incomparably expressed.

Into that malevolent place they walked, emerging with pathetic little bundles: a coat, a cap, perhaps a frayed pair of trousers. In the seam of a soiled shirt, one family found a hidden note. “I dream of the hills around Siena, and of my love whom I shall never see again,” the doomed man had written. “I shall become one gaping wound—like the winds, nothing.

I began to see that Saro was speaking directly to me. Each dish an edible love later. Succulent, bold. By the third and fourth courses I accepted that this chef who wore elf boots was making love to me and we haven’t even so much as kissed.

I began to see that Saro was speaking directly to me. Each dish an edible love letter. Succulent, bold. By the third and fourth courses I accepted that this chef who wore elf boots was making love to me and we haven’t even so much as kissed.

Saro, a chef, had always said he married an American, an African American woman, who had the culinary soul of an Italian. In his mind, I was Italian the way all people should be Italian: at the table. Which to him meant appreciating fresh food, forging memories and traditions while passing the bread and imbibing local wine.

Now I was seeing that he had resigned himself to play out this Sicilian family melodrama to its painful end. And the more that landed on me, the more I needed to meet these people. Ignorance was changeable. My love for him was not.

The magnitude of a volcano and its constancy in the face of so much human frailty fascinated me. There was something so primordial about it, something about the way its aliveness contrasted my grief.

In cheese making, the curing comes from the earth element salt. It requires pressure and the addition of time. But grief also involves pressure and time.

It is, without a doubt, the most delicious orange I've ever eaten. Notes of raspberry give it a tartness and complexity that leave the classic supermarket navel orange in the dust. "It's sunshine. It's bittersweet. It's perfect. My god," I say, gasping. "I think I just fell in love. I'm going to have a civil partnership with an orange." Leo, who has been fairly quiet for the last half hour, leans forward onto his elbows. "They're not for everyone," he says, taking a segment. "Very fleshy, delicately juicy, and not obscenely sweet." "Fleshy?" Luca says, tipping his glass toward us, playing with his mustache. "Delicately juicy?" I say, raising an eyebrow. I expect Leo to feel embarrassed, but instead he shoots Luca a cheeky grin, eyes buzzing with mischief. "Seriously, Olive," Luca says. "For me, the orange is so special to Sicily. We juice it, we ice it, we bake it, we zest it. It's an aperitif, a pasta dish, a dessert. It's the color of sunset on the outside, and a bleeding heart inside.

Sicily--- Oranges, pistachios, and/or aubergine. Sicilian food a product of immense, diverse history. Have sardines! Try the orange cake. You'll find it all over, but there used to be a good one in Taormina. I shake my head in amazement. Somehow, it feels like Dad had been quietly guiding me. Tuscany--- Wild boar is good but tomatoes are better. Nothing else! Please say something with Chiara's tomatoes. I want to help her. Farm is a century old and sells some obscure varieties. Tomato salads, tomato bread soup, panzanella. And here too, Leo and I had organically found the path my father laid out for us. The notes on Liguria are less specific, but when I read his scrawled handwriting, I smile to myself. Liguria--- Was thinking about beans, but basil a good opinion. Oh boy, I cannot wait to show that note to Leo. Basil a good option! Leo. I sit and write with an open heart, not shying away from treacly memories of cut oranges shared in the sea. Pushing my cynicism to the side and allowing the love I have for food, for Italy, for my father, to run from my heart down my veins to my fingers and onto the page.

The villagers and the farmers here tell the story of Demeter and Persephone with all the fresh wonder and anguish of a thing only just happened. They tell it in the same way they tell the story of Mary and Jesus. They believe the stories with equal fervor, resonant as they are of their own stories. Allegiance does not shift but only enlarges its endearment to hold both mothers—one with her crown of woven corn husks, the other shrouded in a rough woven veil. Why must we pray to only one? To us, they are the same. Le addolorate. Grieving women. In Sicily, the sacred and the profane are kin.

Loving someone Enough to Let them go is for cowards." Sicily Marshall, Chasing Mercury

Patton loved war; Monty loved himself.

There is no old age like anxiety,” said one of the monks I met in India. “And there is no freedom from old age like the freedom from anxiety.” In desperate love, we always invent the characters of our partners, demanding that they be what we need of them, and then feeling devastated when they refuse to perform the role we created in the first place. Generally speaking, though, Americans have an inability to relax into sheer pleasure. Ours is an entertainment-seeking nation, but not necessarily a pleasure-seeking one. Americans spend billions to keep themselves amused with everything from porn to theme parks to wars, but that’s not exactly the same thing as quiet enjoyment. The beauty of doing nothing is the goal of all your work, the final accomplishment for which you are most highly congratulated. The more exquisitely and delightfully you can do nothing, the higher your life’s achievement. You don’t necessarily need to be rich in order to experience this, either. I am having a relationship with this pizza, almost an affair. Without seeing Sicily one cannot get a clear idea of what Italy is. “No town can live peacefully, whatever its laws,” Plato wrote, “when its citizens…do nothing but feast and drink and tire themselves out in the cares of love.” In a world of disorder and disaster and fraud, sometimes only beauty can be trusted. Only artistic excellence is incorruptible. Pleasure cannot be bargained down. And sometimes the meal is the only currency that is real. The idea that the appreciation of pleasure can be an anchor of one’s humanity. You should never give yourself a chance to fall apart because, when you do, it becomes a tendency and it happens over and over again. You must practice staying strong, instead. People think a soul mate is your perfect fit, and that’s what everyone wants. But a true soul mate is a mirror, the person who shows you everything that’s holding you back, the person who brings you to your own attention so you can change your life. A true soul mate is probably the most important person you’ll ever meet, because they tear down your walls and smack you awake. But to live with a soul mate forever? Nah. Too painful. Soul mates, they come into your life just to reveal another layer of yourself to you, and then they leave. They break your heart open so new light could get in, make you so desperate and out of control that you had to transform your life. The Zen masters always say that you cannot see your reflection in running water, only in still water. Your treasure—your perfection—is within you already. But to claim it, you must leave the busy commotion of the mind and abandon the desires of the ego and enter into the silence of the heart. Balinese families are always allowed to eat their own donations to the gods, since the offering is more metaphysical than literal. The way the Balinese see it, God takes what belongs to God—the gesture—while man takes what belongs to man—the food itself.) To meditate, only you must smile. Smile with face, smile with mind, and good energy will come to you and clean away dirty energy. Even smile in your liver. Practice tonight at hotel. Not to hurry, not to try too hard. Too serious, you make you sick. You can calling the good energy with a smile. The word paradise, by the way, which comes to us from the Persian, means literally “a walled garden.” The four virtues a person needs in order to be safe and happy in life: intelligence, friendship, strength and (I love this one) poetry. Happiness is the consequence of personal effort. You fight for it, strive for it, insist upon it, and sometimes even travel around the world looking for it. Once you have achieved a state of happiness, you must never become lax about maintaining it, you must make a mighty effort to keep swimming upward into that happiness forever, to stay afloat on top of it.

continuous quiver of love runs through Italian folklore. In speaking of the Sicilian tales, I mentioned the popularity of the Cupid and Psyche type found not only in Sicily but also in Tuscany and more or less everywhere.

She smiled, thinking of the way she’d proudly wear her kid-sized toolbelt, following him around. She had to wonder if he was still out there somewhere, tiling bathrooms himself. If he missed having her as his little helper. He’d always loved his job and the houses he worked on, so much.

One early morning last week, I walked through a terraced garden over the ocean, peeling a blood orange. It was a Taroco orange, or arancia rossa, brought from Sicily many years ago, its skin thin with a hint of blush, its flesh the color of a setting sun, its sweetness beyond that of any other orange." Pursing his lips in remembrance, he went on, his voice rich with reverence and wonder. "The salt air on my lips, combined with the sweet juice, inspired this new effort. Try it for me. I'd love to know what you think." Celina brought the dark chocolate-enrobed delicacy to her nose and inhaled, reveling in the juxtaposition of aromas. Biting into it, a complexity of flavors melted across her tongue. The intense aroma of blood orange with its singular sweetness... a bitter edge of dark chocolate with hints of tropical earthiness... a tart explosion of sea salt that intensified every flavor.

Sicilians love meatballs so much there is no food they have not shaped into balls.

Because of you, Aurora. My sweet fragolina. Your mamma had your father and you. She had the family she chose. And now you are here, a gift from above. You are here, my second chance.

Patton was being driven in a jeep. Just days before, the silver-haired Seventh Army commander had admitted to a fellow general that the two things he loved most in life were “fucking and fighting.

That she intended to swim alone, and had ridden alone to such a deserted place, puzzled him. Though the countryside around Rome was neither Sicily nor Calabria, it was not safe for an unaccompanied woman, it never had been, and it never would be. He turned almost blue with the thought that she might have—indeed, must have—met a lover on the road, in which case his triple race would have been for nothing, and his shame would drive him to emigrate to Argentina. He began to think about Argentina, and it was not unpleasant, but before he left he would stand by the stream that flowed into the sea and watch as Lia and her lover emerged from the dunes. What an exquisite look he would give them. His expression would be that of a spurned horseman on foot in a Budapest cafe, who, about to shoot himself in the head, would glance at the woman he loved, and smile. All was forgiven, if only because everything was so magnificently bittersweet.

Those like Brasini and those who are not like Brasini. Those who would take your face in their hands and kiss you like in the films and those who would never in ten million years take your face in their hands and kiss you like in the films. ...You are definitely a Brasini, sir. ...the Brasini theory,....

GIOVANNI VERGA was born in Catania, Sicily, in 1840, into a prosperous bourgeois family. He wrote many novels and short stories, and also a number of plays, mostly based on his own stories. While still a teenager he drafted the first of three historical romances, Amore e Patria (Love and Country), which remained largely unpublished. This was followed in 1859 by I Carbonari della montagna (The Carbonari in the Mountains), written while he was reading law at Catania University and published in 1861/2 using money intended for his studies.

Short story: The true and incredible tale of David Kirkpatrick, a Scottish ex-boy scout, and miner, serving in WW2 with 2nd Highland Light Infantry and the legendary elite corps 2nd SAS. A man who becomes a hero playing his bagpipe during a secret mission in Italy, March 1945, where he saved the lives of hundreds just playing during the attack. After he fought in North Africa, Greece, Albania, Sicily and being reported as an unruly soldier, (often drunk, insulting superiors and so on) in Tuscany, 23 march 1945 he joined as volunteer in the 2nd Special Air Service ( the British elite forces), for a secret mission behind enemy line in Italy. He parachuted in the Italian Apennines with his kilt on (so he becomes known as the 'mad piper' ) for a mission organized with British elite forces and an unruly group of Italian-Russian partisans (code name: 'Operation Tombola' organized from the British secret service SOE and 2nd SAS and the "Allied Battalion") against the Gothic Line german headquarter of the 51 German Mountains Corps in Albinea, Italy. The target of the anglo-partisan group's mission is to destroy the nazi HQ to prepare the big attack of the Allied Forces (US 5th Army, British 8th Army) to the German Gothic Line in North Italy at the beginning of April. It's the beginning of the liberation of Italy from the nazi fascist dictatorship. The Allied Battalion guided by major Roy Farran, captain Mike Lees Italian partisan Glauco Monducci, Gianni Ferrari, and the Russian Viktor Pirogov is an unruly brigade of great fighters of many nationalities. Among them also not just British, Italian, and Russian but also a dutch, a greek, one Austrian paratrooper who deserted the German Forces after has killed an SS, a german who deserted Hitler's Army being in love with an Italian taffeta's, two Jewish escaped from nazi reprisal and 3 Spanish anti-Franchise who fought fascism in the Spanish Civil War and then joined first the French Foreign Legion and the British Elite Forces. The day before the attack, Kirkpatrick is secretly guested in a house of Italian farmers, and he donated his white silk parachute to a lady so she could create her wedding dress for the Wedding with his love: an Italian partisan. During the terrible attack in the night of 27th March 1945, the sound of his bagpipe marks the beginning of the fight and tricked the nazi, avoiding a terrible reprisal against the civilian population of the Italian village of Albinea, saving in this way the life of hundreds The German HQ based in two historical villa's is destroyed and in flames, several enemy soldiers are killed, during the attack, the bagpipe of David played for more than 30 minutes and let the german believe that the "British are here", not also Italian and Russian partisan (in war for Hitler' order: for partisans attack to german forces for every german killed nazi were executing 10 local civilians in terrible and barbarian reprisal). During the night the bagpipe of David is also hit after 30 minutes of the fight and, three British soldiers of 2nd SAS are killed in the action in one of the two Villa. The morning later when Germans bring their bodies to the Church of Albinea, don Alberto Ugolotti, the local priest notes in his diary: "Asked if they were organizing a reprisal against the civilian population, they answered that it was a "military attack" and there would.

Papa had loved to sit out here among his grapes and chicken coops and tomato and pepper plants—to sit in the sun and sip his homemade wine and remember Sicily. .

Spring had come to the market as well. Everywhere there were young green things, the tips of asparagus, young leeks no bigger than scallions. There was crisp arugula, curled and tangled, and fresh green peas, plump in their pods. I had no idea what I wanted to make for dinner. This didn't pose a problem; on the contrary, it was an opportunity, a mini adventure. The season's new ingredients brought new ideas. The first baby tomatoes were coming in from Sicily. I bought a box of small red globes still on the vine and a red onion in my favorite childhood shade of royal purple. Maybe I would make a salsa for the dorade I'd picked up at the fishmonger. I imagined a bright confetti, the tomatoes mixed with freshly chopped coriander, maybe a sunny mango.

I think the sweetest tooth in the whole of Italy is to be found in Sicily. Whereas in the simplicity of the savory cooking there is always a sense of harking back to cucina povera-literally the cooking of poverty, when whatever ingredients you had needed to be used cleverly-when it comes to the pastry, no! Everyone goes crazy. It is a complete celebration of the Baroque, and the harking back is not to poor times, but to the arrival, with the Arabs, of sugarcane, which was planted all over the island and provided an alternative to honey as a sweetener, making possible all kinds of new confections, such as the almond paste that the Sicilians love.