Sicilian Quotes

Fool!" cried the hunchback. "You fell victim to one of the classic blunders. The most famous is 'Never get involved in a land war in Asia,' but only slightly less well known is this: 'Never go in against a Sicilian when death is on the line.

I call my accent Frenglian. A wee bit of French mixed with English and Sicilian." She emitted a small chuckle at her new made-up word.

Never go in against a Sicilian when death is on the line.

See?" Fezzik pointed then. Far down, at the very bottom of the mountain path, the man in black could be seen running. "Inigo is beaten." Inconceivable!" exploded the Sicilian. Fezzik never dared disagree with the hunchback. "I'm so stupid," Fezzik nodded. "Inigo has not lost to the man in black, he has defeated him. And to prove it he has put on all the man in black's clothes and masks and hoods and boots and gained eighty pounds.

She told me she met the love of her life,” Zohra says at last, still staring out the window. “You read poems about it, you hear stories about it, you hear Sicilians talk about being struck by lightning. We know there’s no love of your life. Love isn’t terrifying like that. It’s walking the fucking dog so the other one can sleep in, it’s doing taxes, it’s cleaning the bathroom without hard feelings. It’s having an ally in life. It’s not fire, it’s not lightning. It’s what she always had with me. Isn’t it? But what if she’s right, Arthur? What if the Sicilians are right? That it’s this earth-shattering thing she felt? Something I’ve never felt. Have you?

Life is Beautiful

Montalbano felt moved. This was real friendship, Sicilian friendship, the kind based on intuition, on what was left unsaid. With a true friend, one never needs to ask, because the other understands on his own accordingly.

I'm half Sicilian and half African. Both sides believe in retribution. The only pussy here is yours, Commander.

My dear Guiliano," he said, "how is it that you and Don Croce do not join together to rule Sicily? He has the wisdom of age, you have the idealism of youth.

In the darkest hour of winter, when the starlings had all flown away, Gretel Samuelson fell in love. It happened the way things are never supposed to happen in real life, like a sledgehammer, like a bolt from out of the blue. One minute she was a seventeen year-old senior in high school waiting for a Sicilian pizza to go; the next one she was someone whose whole world had exploded, leaving her adrift in the Milky Way, so far from earth she was walking on stars.

There are always a few bored audience members at an opera, especially by the time act four comes along. Those particular eyes would be wandering around the hall, searching for something, anything, interesting to watch. Those eyes would land on the little demon downstage right, unless they were distracted. Right on cue, a large stage lamp broke free of its clamp in the rigging and swung on its cable into the back canvas. [...] On his way though the lobby minutes later, Artemis was highly amuse to overhear several audience members gushing over the unorthodox direction of the opera's final scene. The exploding lamp, muse one buff, was doubtless a metaphor for Norma's own falling star. But no, argued a second. The lamp was obviously a modernistic interpretation of the burning stake that Norma was about to face. Or perhaps, thought Artemis as he pushed through the crowd to find a light Sicilian mist falling on his forehead, the exploding lamp was simply an exploding lamp.

A man’s first duty is to keep himself alive. Then comes what everyone calls honor.

...what is written on paper affects history. But not life. Life is a different history.

You may think novelists always have fixed plans to which they work, so that the future predicted by Chapter One is always inexorably the actuality of Chapter Thirteen. But novelists write for countless different reasons: for money, for fame, for reviewers, for parents, for friends, for loved ones; for vanity, for pride, for curiosity, for amusement: as skilled furniture makers enjoy making furniture, as drunkards like drinking, as judges like judging, as Sicilians like emptying a shotgun into an enemy's back. I could fill a book with reasons, and they would all be true, though not true of all. Only one same reason is shared by all of us: we wish to create worlds as real as, but other than the world that is. Or was. This is why we cannot plan. We know a world is an organism, not a machine. We also know that a genuinely created world must be independent of its creator; a planned world (a world that fully reveals its planning) is a dead world. It is only when our characters and events begin to disobey us that they begin to live.

I understand completely what you are trying to do," the Sicilian said finally, "and I want it quite clear that I resent your behavior. You are trying to kidnap what I have rightfully stolen, and I think it quite ungentlemanly.

He's gaining on us," the Turk said. "That is also inconceivable," the Sicilian said. "Before I stole this boat we're in, I made many inquiries as to what was the fastest ship on all of Florin Channel and everyone agreed it was this one." "You're right," the Turk agreed, staring back. "He isn't gaining on us. He's just getting closer, that's all.

When we are children, when we are young, it is natural to love our friends, to be generous to them, to forgive their faults.. But as we grow old and have to earn our bread, friendship does not endure so easily. We must always be on our guard. Our elders no longer look after us, we are no longer content with those simple pleasures of children. Pride grows in us – we wish to become great or powerful or rich, or simply to guard ourself against misfortune.

You read poems about it, you hear stories about it, you hear Sicilians talk about being struck by lightning. We know there’s no love of your life. Love isn’t terrifying like that. It’s walking the fucking dog so the other one can sleep in, it’s doing taxes, it’s cleaning the bathroom without hard feelings. It’s having an ally in life. It’s not fire, it’s not lightning.

Tell the truth, all Sicilians prefer smelling the shit of their villages to the best perfumes in Paris. What am I doing here? I could have escaped to Brazil like some others. Ah, we love where we are born, we Sicilians, but Sicily does not love us.

How short a period often reverses the character of our sentiments, rendering that which yesterday we despised, today desirable.

In Sicily it doesn’t matter whether things are done well or done badly; the sin which we Sicilians never forgive is simply that of ‘doing’ at all.

Ah, we love where we are born, we Sicilians, but Sicily does not love us.

I mean, go figure. You prepare your home for an assault and you don’t take zombies into consideration. I’d fallen victim to one of the other classic blunders, along with not getting involved in a land war in Asia and never going in against a Sicilian when death was on the line.

To say my day sucked would be like saying the Sicilians were only mildly intimidating. FYI, they were terrifying. Many a man shit their pants in their presence and I was living in my own personal hell.

All Sicilian expression, even the most violent, is really wish fulfillment: our sensuality is a hankering for oblivion, our shooting and knifing a hankering for death; our laziness, our spiced and drugged sherbets, a hankering for voluptuous immobility, that is, for death again; our meditative air is that of a void wanting to scrutinize the enigmas of nirvana.

It was not intelligent to damage the ego of a young boy. You can, with some impunity, insult an older man who has already been humiliated by life itself and will not take to heart the small slights of another human being. But a young man thinks these offences mortal.

There's a proverb, a maxim, that runs, 'The dead man is dead; let's give a hand to the living.' Now, you say that to a man from the North, and he visualizes the scene of an accident with one dead and one injured man; it's reasonable to let the dead man be and to set about saving the injured man. But a Sicilian visualizes a murdered man and his murderer, and the living man who's to be helped is the murderer.

Tutti colpevoli, nessuno colpevole,’ as the Italian saying has it: ‘If everyone is guilty, no one is guilty.

The man who plays alone never loses.’ ” Guiliano

As bread is sweet to us,” he said, “so is the blood of the poor to the rich who drink it.” It

A belief in one's own virtue is far more dangerous than a belief in one's cunning.

Is it fair to call The Princess Bride a classic? The storybook story about pirates and princesses, giants and wizards, Cliffs of Insanity and Rodents of Unusual Size? It's certainly one of the most often quoted films in cinema history, with lines like: "Hello. My name is Inigo Montoya. You killed my father. Prepare to die." "Inconceivable?" "Anybody want a peanut?" "Have fun storming the castle." "Never get involved in a land war in Asia." "Life is pain, Highness. Anyone who says differently is selling something." "Rest well, and dream of large women." "I hate for people to die embarrassed." "Please consider me as an alternative to suicide." "This is true love. You think this happens every day?" "Get used to disappointment." "I'm not a witch. I'm your wife." "Mawidege. That bwessed awangement." "You seem a decent fellow. I hate to kill you."... You seem a decent fellow. I hate to die." "Death cannot stop true love. All it can do is delay it for a while." "Never go in against a Sicilian when death is on the line!" "There's a shortage of perfect breasts in this world. It would be a pity to damage yours." And of course... "As you wish.

A word?" the Sicilian said, raising his arms. His mile was more angelic than his face Buttercup halted. "Speak." "We are but poor circus performers," the Sicilian explained, "It is dark and we are lost. We were told there was a village nearby that might enjoy our skills." "You were misinformed," Buttercup told him, "There is no one, not for many miles." "Then there will be no one to hear you scream.

No one could be following us yet?” the Spaniard asked. “No one,” the Sicilian assured him. “It would be inconceivable.” “Absolutely inconceivable?” “Absolutely, totally, and, in all other ways, inconceivable,” the Sicilian reassured him. “Why do you ask?

he sells the souls in his keeping to the devil.

Roses and violets from summer gardens, sun-drenched Sicilian lemons squeezed of their juice and mingled with juniper from the frozen north. Saffron threads and gold leaf from the Indies waited to be turned into something magical. And contained deep within all of this was a smile that flooded him with warmth, a pair of blue eyes, and the scent of chocolate...

the Don never held a grudge that impaired his future profits.

[As Chevalley says,] 'Sicilians never want to improve for the simple reason that they think themselves perfect...

I feel like I have just sat down to a poison duel with a Sicilian,

Mafia,” in Arabic, means a place of sanctuary, and the word took its place in the Sicilian language when the Saracens ruled the country in the tenth century

The Japanese Mafia. Tell me something, Jason, you ever hear anyone describe our thing as 'The Sicilian Yakuza'? Huh?

There are still a lotta nice Sicilian boys in New Orleans. (A nonna's advice to a zitella.)

I’d fallen victim to one of the other classic blunders, along with not getting involved in a land war in Asia and never going in against a Sicilian when death was on the line.

Sicilians never forget and they never forgive. This is a truth you must always keep in mind.

For the Sicilian believes that vengeance is the only true justice, and that it is always merciless.

That is Sicily,” the Don said. “There is always treachery within treachery.

a Sicilian grandma is a formidable opponent

Don Croce immediately led him into the garden, for like all Sicilians he ate his meals out of doors when he could.

Russell said something in Sicilian about stormy weather conditions that roughly translates into “You never can tell how things are going to work out. The weather’s in God’s hands.” I

Again it was like the English he so much admired, those people who could be so subtly rude that you basked in their insults for days before you realized they had mortally wounded you.

Tremblingly alive to a sense of delight, and unchilled by disappointment, the young heart welcomes every feeling, not simply painful, with a romantic expectation that it will expand into bliss.

It might be the white woman or man our son or daughter will marry and the white woman or man our grandson or granddaughter will marry, all of them wading into the future until one of our line claims to be Sicilian. Leave instructions: the granddaughter of our granddaughter shall be named Cicily.

I have always disbelieved that Sicilian saying about revenge being a dish best served cold. I feel that – don’t you? – when I see blinking, quivering octogenarian Nazi war criminals being led away in chains. Why not then? It’s too late now. I want to see them taken back in time and punished then.

The government in Rome with its legal forms demanded the truth. The priest in the confessional box commanded the truth under pain of everlasting hell. But truth was a source of power, a lever of control, why should anyone give it away?

Michael looked around the beautiful garden with its many colored flowers, fragrant lemon trees, the old statures of the gods dug from ancient ruins, other newer ones of holy saints, the rose-colored walls across the villa. It was a lovely setting for the examination of twelve murderous apostles.

truth was a source of power, a lever of control, why should anyone give it away?

they would never shame a statue of the Virgin Mary, but in the hot blood of vendetta they would shotgun the Pope himself for breaking omerta,

Always remember that and live your life not to be a hero but to remain alive. With time, heroes seem a little foolish.

Preparing the communal evening meal sometimes caused arguments. Every village in Sicily had a different recipe for squid and eels, disagreed on what herbs should be disbarred from the tomato sauce. And whether sausages should ever be baked.

Fortunately for all concerned save the sharks, it was around this time that the moon came out. "There she is," shouted the Sicilian, and like lightning the Spaniard turned the boat and as the boat drew close the Turk reached out a giant arm and then she was back in the safety of her murderers while all around them the sharks bumped each other in wild frustration.

The Sicilian people were very friendly. Once we drove the Germans out I got to see Catania, where every house had homemade spaghetti drying on the clothesline. After the war Russell Bufalino liked the fact that I went right through his town. My

Nonetheless, I love you." "Forever?" "In Sicily they say that eternal love lasts for two years. Fortunately, I am not Sicilian." "Greek men love themselves and their mothers forever. Their wives they love for six months. Fortunately I am a woman.

No philosophy is cheaper or more vulgar than that which traces all history to diversities of ethnological type and blend, and is ever presenting the venal Greek, the perfidious Sicilian, the proud and indolent Spaniard, the economical Swiss, the vain and vivacious Frenchman.

Standing on the top of this Monte d'Ora watching the sun come radiantly alive, Turi Guiliano was filled with youthful glee that he had escaped his enemies. He would never obey another human being again. He would choose who should live and who should die, and there was no doubt in his mind that all he would do would be for the glory and freedom of Sicily, for good and not for evil. That he would only strike for the cause of justice, to help the poor. that he would win every battle, that he would win the love of the oppressed. He was twenty years old.

He swirled his drink and stared off into the crowd, terribly satisfied. “Have you ever seen a face so weirdly symmetrical? Put our man Luca Catenacci on a poster for…Sicilian cologne. Those genes? With the whole Vitelli-Marzano thing you’ve got going?” He issued a low whistle. “Unstoppable.

As I walked over the loose fragments of stone, which lay scattered and surveyed the sublimity and grandeur of the ruins, I recurred, by a natural association of ideas, to the times when these walls stood proudly in their original splendor, when the halls were the scenes of hospitality and festive magnificence, and when they resounded with the voices of those whom death had long since swept from earth. "Thus," said I, "shall the present generation - he who now sink in misery - and he who now swim in pleasure, alike pass away and be forgotten.

Sweet, salt, bitter, piquant - Sicilian cuisine is all-embracing and pleasurably involves all the senses in a single dish. A gelato must also be like this. Sweet as a whispered promise, the pistachio ice cream salty as sea air, the chocolate ice cream faintly bitter and a little tart like a lover's goodbye the next morning.

Giancana was taken care of in his kitchen in the back of the head and then under the chin six times, Sicilian style, to signify he was careless with his mouth. It looked like it was done by some old friend that was close enough to him to be frying sausages in olive oil with him. Russell often said to me: “When in doubt have no doubt.

No one could be following us yet?” the Spaniard asked. “No one,” the Sicilian assured him. “It would be inconceivable.” “Absolutely inconceivable?” “Absolutely, totally, and, in all other ways, inconceivable,” the Sicilian reassured him. “Why do you ask?” “No reason,” the Spaniard replied. “It’s only that I just happened to look back and something’s there.

It’s the simplest things that can convey a message….

A belief in one’s own virtue is far more dangerous than a belief in one’s cunning.

in the hot blood of vendetta they would shotgun the Pope himself for breaking omerta, the ancient code of silence to any authority.

the origins of the mafia are closely related to the origins of an untrustworthy state – the Italian state.

the mafia kills in the way a state does; it does not murder, it executes.

Never go up against a Sicilian when death, is on the line.....ha ha ha ha ha ha ha ha ha ha ha..........(thump)

[As Garibaldi says,] 'Sleep, my dear Chevalley, sleep, that is what Sicilians want, and they will always hate anyone who tries to wake them...

Behold Lucius I am come, thy weeping and prayers hath mooved mee to succour thee. I am she that is the naturall mother of all things, mistresse and governesse of all the Elements, the initiall progeny of worlds, chiefe of powers divine, Queene of heaven! the principall of the Gods celestiall, the light of the goddesses: at my will the planets of the ayre, the wholesome winds of the Seas, and the silences of hell be diposed; my name, my divinity is adored throughout all the world in divers manners, in variable customes and in many names, for the Phrygians call me the mother of the Gods: the Athenians, Minerva: the Cyprians, Venus: the Candians, Diana: the Sicilians Proserpina: the Eleusians, Ceres: some Juno, other Bellona, other Hecate: and principally the Aethiopians which dwell in the Orient, and the Aegyptians which are excellent in all kind of ancient doctrine, and by their proper ceremonies accustome to worship mee, doe call mee Queene Isis. Behold I am come to take pitty of thy fortune and tribulation, behold I am present to favour and ayd thee, leave off thy weeping and lamentation, put away all thy sorrow, for behold the healthfull day which is ordained by my providence, therefore be ready to attend to my commandement. This day which shall come after this night, is dedicated to my service, by an eternall religion, my Priests and Ministers doe accustome after the tempests of the Sea, be ceased, to offer in my name a new ship as a first fruit of my Navigation.

He said to the cardinal, "I'm a peasant, not instructed in the ways of heaven. But I have never broken my word. And you, a Cardinal of the Catholic Church, with all your holy garments and crosses of Jesus, lied to me like a heathen Moor. Your sacred office alone will not save your life.

Long before Porphyry, the Sicilian-born Greek philosopher and root-cutter Empedocles spent time at Selinunte, as well as at many of the other temples in Sicily. Empedocles is credited as being responsible for the earliest doctrines of the four elements. He campaigned against animal sacrifices, worked with plants and roots and appears to have strong associations with the cult of Hekate during his life.

One encounters in the streets, late at night on the evenings of fetes, the most strange and bizarre passers-by. Do these nights of popular celebration cause ancient and forgotten avatars to stir in the depths of the human soul? This evening, in the movement of the sweaty and excited crowd, I am certain that I passed between the masks of the liberated Bythinians and encountered the courtesans of the Roman decadence. There emerged, this evening, from that swarming esplanade of Des Invalides - amid the crackle of fireworks, the shooting stars, the stink of frying, the hiccuping of drunkards and the reeking atmosphere of menageries - the wild effusions of one of Nero's festivals. It was like the odour of a May evening on the Basso-Porto of Naples. It was easy to believe that the faces in that crowd were Sicilian.

In the restaurant kitchen, August meant lobsters, blackberries, silver queen corn, and tomatoes, tomatoes, tomatoes. In honor of the last year of the restaurant, Fiona was creating a different tomato special for each day of the month. The first of August (two hundred and fifty covers on the book, eleven reservation wait list) was a roasted yellow tomato soup. The second of August (two hundred and fifty covers, seven reservation wait list) was tomato pie with a Gruyère crust. On the third of August, Ernie Otemeyer came in with his wife to celebrate his birthday and since Ernie liked food that went with his Bud Light, Fiona made a Sicilian pizza- a thick, doughy crust, a layer of fresh buffalo mozzarella, topped with a voluptuous tomato-basil sauce. One morning when she was working the phone, Adrienne stepped into the kitchen hoping to get a few minutes with Mario, and she found Fiona taking a bite out of red ripe tomato like it was an apple. Fiona held the tomato out. "I'd put this on the menu," she said. "But few would understand.

The only institution in the Sicilian conscience that really counts is the family; counts, that is to say, more as a dramatic juridical contract or bond than as a natural association based on affection. The family is the Sicilians’ State. The State, as it is for us, is extraneous to them, merely a de facto entity based on force; an entity imposing taxes, military service, war, police. Within the family institution the Sicilian can cross the frontier of his own natural tragic solitude and fit into a communal life where relationships are governed by hair-splitting contractual ties. To ask him to cross the frontier between family and State would be too much. In imagination he may be carried away by the idea of the State and may even rise to being Prime Minister; but the precise and definite code of his rights and duties will remain within the family, whence the step towards victorious solitude is shorter.

the goddess knew that her daughter had been taken, and tore her hair into utter disorder, and repeatedly struck her breasts with the palms of both hands. With her daughter’s location a mystery still, she reproaches the whole earth as ungrateful, unworthy her gift of grain crops, and Sicily more than the others, where she has discovered the proof of her loss; and so it was here that her fierce hand shattered the earth-turning plows, here that the farmers and cattle perished alike, and here that she bade the plowed fields default on their trust by blighting the seeds in their keeping. Sicilian fertility, which had been everywhere famous, was given the lie when the crops died as they sprouted, now ruined by too much heat, and now by too heavy a rainfall; stars and winds harmed them, and the greedy birds devoured the seed as it was sown; the harvest of wheat was defeated by thorns and darnels and unappeasable grasses.

Apollodorus, the leading classical authority on Greek myths, records a tradition that the real scene of the poem was the Sicilian seaboard, and in 1896 Samuel Butler, the author of Erewhon, came independently to the same conclusion. He suggested that the poem, as we now have it, was composed at Drepanum, the modern Trapani, in Western Sicily, and that the authoress was the girl self-portrayed as Nausicaa. None of his classical contemporaries, for whom Homer was necessarily both blind and bearded, deigned to pay Butler’s theory the least attention; and since he had, as we now know, dated the poem some three hundred years too early and not explained how a Sicilian princess could have passed off her saga as Homer’s, his two books on the subject are generally dismissed as a good-humoured joke. Nevertheless, while working on an explanatory dictionary of Greek myths, I found Butler’s arguments for a Western Sicilian setting and for a female authorship irrefutable. I could not rest until I had written this novel. It re-creates, from internal and external evidence, the circumstances which induced Nausicaa to write the Odyssey, and suggest how, as an honorary Daughter of Homer, she managed to get it included in the official canon. Here is the story of a high-spirited and religious-minded Sicilian girl who saves her father’s throne from usurpation, herself from a distasteful marriage, and her two younger brothers from butchery by boldly making things happen, instead of sitting still and hoping for the best.

Wisdom or accident, at length, recall us from our error, and offers to us some object capable of producing a pleasing, yet lasting effect, which effect, therefore, we call happiness. Happiness has this essential difference from what is commonly called pleasure, that virtue forms its basis, and virtue being the offspring of reason, may be expected to produce uniformity of effect.

For the first time the Don showed annoyance. He poured another glass of anisette and drank it down. He pointed a finger at his son. "You want to learn," he said. "Now listen to me. A man's first duty is to keep himself alive. Then comes what everyone else calls honor. This dishonor, as you call it, I willingly take upon myself. I did it to save your life as you once took on dishonor to save mine. You would have never left Sicily alive without Don Croce's protection. So be it. Do you want to be a hero like Guiliano, a legend? And dead? I love him as the son of my dear friends, but I do not envy him his fame. You are alive and he is dead. Always remember that and live your life not be be a hero but to remain alive. With time, heroes seem a little foolish." Michael sighed. "Guiliano had no choice," he said. "We are more fortunate," the Don said. It was the first lesson Michael received from his father and the one he learned best. It was to color his future life, persuade him to make terrible decisions he could never have dreamed of making before. It changed his perception of honor and heroism. It helped him survive, but it made him unhappy. For despite the fact that his father did not envy Guiliano, Michael did.

We believed we were supposed to "cope" as best we could. As we talked, we realized the disability itself was not that big a deal for us. We had all learned to accept our physical limitations. What made life difficult was not the disability, but the lack of services and support, the lack of accessibility, the unfair and stereotypical ways in which we were treated, the pity doled out for us all our lives. Often, after a meeting, I wrote my thoughts down in a notebook. "It's not my fault that I'm disabled, yet I've been made to feel that it is," I wrote. "My polio never made me unhappy; people made me unhappy. Ever since I was a little girl, people have always made me feel I was no good because I was disabled. From Sicilian women and the nuns to the doctors who couldn't fix me, to my fellow students and prospective employers... and even my own parents." As I wrote, my tears fell and stained the pages - tears of anger, of relief and of new hope.

Russell had told me how Carlos Marcello liked to send to Sicily for war orphans with no families. They would get smuggled in from Canada, like through Windsor, right across the water from Detroit. The Sicilian war orphans would think they had to take care of a matter and then they could stay in America and maybe they’d be given a pizza parlor or something. They would go paint a house and then they would get in the getaway car and be taken somewhere and their house would get painted and nobody back in Sicily would miss them. Because they were orphans and had no family there would be no vendettas, which are very popular things in Sicily. Carlos

I shall get nothing from these fools,' he muttered; 'and I am very much afraid of being here between a drunkard and a coward. Here's an envious fellow making himself boozy on wine when he ought to be nursing his wrath, and here is a fool who sees the woman he loves stolen from under his nose and takes on like a big baby. Yet this Catalan has eyes that glisten like those of the vengeful Spaniards, Sicilians, and Calabrians, and the other has fists big enough to crush an ox at one blow. Unquestionably, Edmond's star is in the ascendant, and he will marry the splendid girl--he will captain, too, and laugh at us all, unless'--a sinister smile passed over Danglars' lips--'unless I take a hand in the affair,' he added.

For Villanelle, language is fluid. Most of the time she thinks in French, but every so often she awakes and knows that she’s been dreaming in Russian. At times, close to sleep, the blood roars in her ears, an unstoppable tide shot through with polyglot screams. On such occasions, alone in the Paris apartment, she anaesthetises herself with hours of web-surfing, usually in English. And now, she notes, she is mentally playing out scenarios in Sicilian-inflected Italian. She hasn’t sought out the language, but her head echoes with it. Is there any part of her that is still Oxana Vorontsova? Does she still exist, that little girl who lay night after night in urine-sodden sheets at the orphanage, planning her revenge? Or was there only ever Villanelle, evolution’s chosen instrument?

Her big green eyes drove all conventional greetings clean out of his mind. Oh, what the hell? he thought savagely, and bent his head to kiss her. ‘G-Giovanni!’ The suitcase fell uselessly from her hand and her fingertips went straight up to his shoulders, biting into the sensually scented leather with an abandon which gathered momentum with each thrust of his tongue as he kissed her with shameless abandon.

[Luchino] Visconti came from the Milanese branch of one of Europe’s oldest families, whose roots can be traced back to the early 13th century. He might have appeared as a character in one of his own films about the aristocracy, such as Senso or The Leopard – that’s the life he was born into. But at a certain point in the 1930s, his passion for theatre, opera and the cinema set him on a radically different path. (...) He has often been referred to as a great political artist, but that’s too limiting and frozen a description. His sense of European history was vast and he knew the lives of the rich and powerful first hand – but at a certain point he became drawn to understand the other side of life, that of the poor and powerless. He had a strong sense of the particular manner in which absolutely everyone, from the Sicilian fishermen in his neorealist classic La Terra Trema to the Venetian aristocrats in Senso, was affected by the grand movements of history.

We forget everything: the books we read, the temples of Japan, the tombs of Luxor, the airline queues, our own foolishness. And so we gradually return to identifying happiness with elsewhere: twin rooms overlooking a harbour, a hilltop church boasting the remains of the Sicilian martyr St Agatha, a palm-fringed bungalow with complimentary evening buffet service. We recover an appetite for packing, hoping and screaming. We will need to go back and learn the important lessons of the airport all over again soon.

A public service announcement from that era, designed to combat littering, featured an Indian man (the actor Iron Eyes Cody, who was actually Sicilian) in full dress walking through a modern United States covered in litter. In the final frame, he sheds a single tear. All of this fit with the hippie-themed back-to-the-land movement that romanticized Indigenous people as much as taking them seriously. It was also of a piece with earlier responses to Native Americans. After removing them from their land, preventing them from becoming a threat, Americans often claimed to admire the special virtues of Native peoples, who were supposed to possess a unique spirit. They named towns after them, states, later sports franchises. That iconic commercial with the “Crying Indian” played to the idea that Indigenous people have a spiritual connection to the land that others do not possess. The people who took their land did not appreciate it, or care for it properly. This was almost a half-hearted confession that what had happened was wrong. That didn’t mean the land would be given back to them, of course.

Why do we care about Lizzie Borden, or Judge Crater, or Lee Harvey Oswald, or the Little Big Horn? Mystery! Because of all that cannot be known. And what if we did know? What if it were proved—absolutely and purely—that Lizzie Borden took an ax? That Oswald acted alone? That Judge Crater fell into Sicilian hands? Nothing more would beckon, nothing would tantalize. The thing about Custer is this: no survivors. Hence, eternal doubt, which both frustrates and fascinates. It’s a standoff. The human desire for certainty collides with our love of enigma. And so I lose sleep over mute facts and frayed ends and missing witnesses. God knows I’ve tried. Reams of data, miles of magnetic tape, but none of it satisfies even my own primitive appetite for answers. So I toss and turn. I eat pints of ice cream at two in the morning. Would it help to announce the problem early on? To plead for understanding? To argue that solutions only demean the grandeur of human ignorance? To point out that absolute knowledge is absolute closure? To issue a reminder that death itself dissolves into uncertainty, and that out of such uncertainty arise great temples and tales of salvation? I prowl and smoke cigarettes. I review my notes. The truth is at once simple and baffling: John Wade was a pro. He did his magic, then walked away. Everything else is conjecture. No answers, yet mystery itself carries me on.

And barbarians were inventors not only of philosophy, but almost of every art. The Egyptians were the first to introduce astrology among men. Similarly also the Chaldeans. The Egyptians first showed how to burn lamps, and divided the year into twelve months, prohibited intercourse with women in the temples, and enacted that no one should enter the temples from a woman without bathing. Again, they were the inventors of geometry. There are some who say that the Carians invented prognostication by the stars. The Phrygians were the first who attended to the flight of birds. And the Tuscans, neighbours of Italy, were adepts at the art of the Haruspex. The Isaurians and the Arabians invented augury, as the Telmesians divination by dreams. The Etruscans invented the trumpet, and the Phrygians the flute. For Olympus and Marsyas were Phrygians. And Cadmus, the inventor of letters among the Greeks, as Euphorus says, was a Phoenician; whence also Herodotus writes that they were called Phoenician letters. And they say that the Phoenicians and the Syrians first invented letters; and that Apis, an aboriginal inhabitant of Egypt, invented the healing art before Io came into Egypt. But afterwards they say that Asclepius improved the art. Atlas the Libyan was the first who built a ship and navigated the sea. Kelmis and Damnaneus, Idaean Dactyli, first discovered iron in Cyprus. Another Idaean discovered the tempering of brass; according to Hesiod, a Scythian. The Thracians first invented what is called a scimitar (arph), -- it is a curved sword, -- and were the first to use shields on horseback. Similarly also the Illyrians invented the shield (pelth). Besides, they say that the Tuscans invented the art of moulding clay; and that Itanus (he was a Samnite) first fashioned the oblong shield (qureos). Cadmus the Phoenician invented stonecutting, and discovered the gold mines on the Pangaean mountain. Further, another nation, the Cappadocians, first invented the instrument called the nabla, and the Assyrians in the same way the dichord. The Carthaginians were the first that constructed a triterme; and it was built by Bosporus, an aboriginal. Medea, the daughter of Æetas, a Colchian, first invented the dyeing of hair. Besides, the Noropes (they are a Paeonian race, and are now called the Norici) worked copper, and were the first that purified iron. Amycus the king of the Bebryci was the first inventor of boxing-gloves. In music, Olympus the Mysian practised the Lydian harmony; and the people called Troglodytes invented the sambuca, a musical instrument. It is said that the crooked pipe was invented by Satyrus the Phrygian; likewise also diatonic harmony by Hyagnis, a Phrygian too; and notes by Olympus, a Phrygian; as also the Phrygian harmony, and the half-Phrygian and the half-Lydian, by Marsyas, who belonged to the same region as those mentioned above. And the Doric was invented by Thamyris the Thracian. We have heard that the Persians were the first who fashioned the chariot, and bed, and footstool; and the Sidonians the first to construct a trireme. The Sicilians, close to Italy, were the first inventors of the phorminx, which is not much inferior to the lyre. And they invented castanets. In the time of Semiramis queen of the Assyrians, they relate that linen garments were invented. And Hellanicus says that Atossa queen of the Persians was the first who composed a letter. These things are reported by Seame of Mitylene, Theophrastus of Ephesus, Cydippus of Mantinea also Antiphanes, Aristodemus, and Aristotle and besides these, Philostephanus, and also Strato the Peripatetic, in his books Concerning Inventions. I have added a few details from them, in order to confirm the inventive and practically useful genius of the barbarians, by whom the Greeks profited in their studies. And if any one objects to the barbarous language, Anacharsis says, "All the Greeks speak Scythian to me." [...]

All aboard," the Sicilian said. (This was before trains, but the expression comes originally from carpenters loading lumber, and this was well after carpenters.) With that the Turk began to climb. It was at least a thousand feet and he was carrying the three, but he was not worried. When it came to power, nothing worried him. When it came to reading, he got knots in the middle of his stomach, and when it came to writing, he broke out in a cold sweat, and when addition was mentioned or, worse, long division, he always changed the subject right away. But strength had never been his enemy. He could take the kick of a horse on his chest and not fall backward. He could take a hundred-pound flour sack between his legs and scissor it open without thinking. He had once held an elephant aloft using only the muscles in his back. But his real might lay in his arms. There had never, not in a thousand years, been arms to match Fezzik's. (For that was his name.) The arms were not only Gargantuan and totally obedient and surprisingly quick, but they were also, and this is why he never worried, tireless. If you gave him an ax and told him to chop down a forest, his legs might give out from having to support so much weight for so long, or the ax might shatter from the punishment of killing so many trees, but Fezzik's arms would be as fresh tomorrow as today. And so, even with the Sicilian on his neck and the Princess around his shoulders and the Spaniard at his waist, Fezzik did not feel in the least bit put upon. He was actually quite happy, because it was only when he was requested to use his might that he felt he wasn't a bother to everybody.

By first light, immigrants haul crates of melons and buckets of ice over the narrow cobblestone streets. Old men sell salted capers and branches of wild oregano while the young ones build their fish stands, one silvery torqued body at a time, like an edible art installation. It's a startling scene: gruff young palermitani, foul-mouthed and wreathed in cigarette smoke, lovingly laying out each fish at just the right angle, burrowing its belly into the ice as if to mimic its swimming position in the ocean. Sicilian sun and soil and ingenuity have long produced some of Italy's most prized raw ingredients, and the colors of the market serve as a map of the island's agricultural prowess: the forest green pistachios of Bronte; the Crayola-bright lemons and oranges of Paternò; the famous pomodorini of Pachino, fiery orbs of magical tomato intensity.

All of this could fall flat, feel too much like a caricature of a Sicilian trattoria, if the food itself weren't so damn good: arancini, saffron-scented rice fried into crunchy, greaseless golf balls; polpette di pesce spada, swordfish meatballs with a taste so deep and savory they might as well be made of dry-aged beef; and a superlative version of caponata di melanzane, that ubiquitous Sicilian starter of eggplant, capers, and various other vegetation, stewed into a sweet and savory jam that you will want to smear on everything. Everything around you screams Italy, but those flavors on the end of the fork? The sweet-and-sour tandem, the stain of saffron, the grains of rice: pure Africa. The pasta: even better. Chewy noodles tinted jet black with squid ink and tossed with sautéed rings and crispy legs of calamari- a sort of nose-to-tail homage to the island's cherished cephalopod. And Palermo's most famous dish, pasta con le sarde, a bulge of thick spaghetti strewn with wild fennel, capers, raisins, and, most critically, a half dozen plump sardines slow cooked until they melt into a briny ocean ragù. Sweet, salty, fatty, funky- Palermo in a single bite.

As I became older, I was given many masks to wear. I could be a laborer laying railroad tracks across the continent, with long hair in a queue to be pulled by pranksters; a gardener trimming the shrubs while secretly planting a bomb; a saboteur before the day of infamy at Pearl Harbor, signaling the Imperial Fleet; a kamikaze pilot donning his headband somberly, screaming 'Banzai' on my way to my death; a peasant with a broad-brimmed straw hat in a rice paddy on the other side of the world, stooped over to toil in the water; an obedient servant in the parlor, a houseboy too dignified for my own good; a washerman in the basement laundry, removing stains using an ancient secret; a tyrant intent on imposing my despotism on the democratic world, opposed by the free and the brave; a party cadre alongside many others, all of us clad in coordinated Mao jackets; a sniper camouflaged in the trees of the jungle, training my gunsights on G.I. Joe; a child running with a body burning from napalm, captured in an unforgettable photo; an enemy shot in the head or slaughtered by the villageful; one of the grooms in a mass wedding of couples, having met my mate the day before through our cult leader; an orphan in the last airlift out of a collapsed capital, ready to be adopted into the good life; a black belt martial artist breaking cinderblocks with his head, in an advertisement for Ginsu brand knives with the slogan 'but wait--there's more' as the commercial segued to show another free gift; a chef serving up dog stew, a trick on the unsuspecting diner; a bad driver swerving into the next lane, exactly as could be expected; a horny exchange student here for a year, eager to date the blonde cheerleader; a tourist visiting, clicking away with his camera, posing my family in front of the monuments and statues; a ping pong champion, wearing white tube socks pulled up too high and batting the ball with a wicked spin; a violin prodigy impressing the audience at Carnegie Hall, before taking a polite bow; a teen computer scientist, ready to make millions on an initial public offering before the company stock crashes; a gangster in sunglasses and a tight suit, embroiled in a turf war with the Sicilian mob; an urban greengrocer selling lunch by the pound, rudely returning change over the counter to the black patrons; a businessman with a briefcase of cash bribing a congressman, a corrupting influence on the electoral process; a salaryman on my way to work, crammed into the commuter train and loyal to the company; a shady doctor, trained in a foreign tradition with anatomical diagrams of the human body mapping the flow of life energy through a multitude of colored points; a calculus graduate student with thick glasses and a bad haircut, serving as a teaching assistant with an incomprehensible accent, scribbling on the chalkboard; an automobile enthusiast who customizes an imported car with a supercharged engine and Japanese decals in the rear window, cruising the boulevard looking for a drag race; a illegal alien crowded into the cargo hold of a smuggler's ship, defying death only to crowd into a New York City tenement and work as a slave in a sweatshop. My mother and my girl cousins were Madame Butterfly from the mail order bride catalog, dying in their service to the masculinity of the West, and the dragon lady in a kimono, taking vengeance for her sisters. They became the television newscaster, look-alikes with their flawlessly permed hair. Through these indelible images, I grew up. But when I looked in the mirror, I could not believe my own reflection because it was not like what I saw around me. Over the years, the world opened up. It has become a dizzying kaleidoscope of cultural fragments, arranged and rearranged without plan or order.