“
His habit of reading isolated him: it became such a need that after being in company for some time he grew tired and restless; he was vain of the wider knowledge he had acquired from the perusal of so many books, his mind was alert, and he had not the skill to hide his contempt for his companions' stupidity. They complained that he was conceited; and, since he excelled only in matters which to them were unimportant, they asked satirically what he had to be conceited about. He was developing a sense of humour, and found that he had a knack of saying bitter things, which caught people on the raw; he said them because they amused him, hardly realising how much they hurt, and was much offended when he found that his victims regarded him with active dislike. The humiliations he suffered when he first went to school had caused in him a shrinking from his fellows which he could never entirely overcome; he remained shy and silent. But though he did everything to alienate the sympathy of other boys he longed with all his heart for the popularity which to some was so easily accorded. These from his distance he admired extravagantly; and though he was inclined to be more sarcastic with them than with others, though he made little jokes at their expense, he would have given anything to change places with them.
”
”
W. Somerset Maugham (Of Human Bondage)
“
Go see old virgins! Now ask a strange boy out, you shy, Retarded thing!
”
”
Maureen Johnson (13 Little Blue Envelopes (Little Blue Envelope, #1))
“
It was easy to read him as shy or uncertain, she thought, but he really wasn’t either. Noah was. But Adam was just quiet. He wasn’t lost for words; he was observing.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
Straight guys only feel three ways about girls . . . First, either they love you, and they show it by writing a song about you, like Gabriel, and asking you out, and everything is nice and fun like it should be. Second, they love you, but they’re scared of their passion for you because it’s so strong, like your boy Christopher, so they stuff it way, way down and ignore you, or do stupid things like make fun of you because they don’t know how to express it any other way, because they’re immature little babies and are too shy to, say, write a song about you. Or third, there’s something wrong with them, and they start out nice and loving and then turn around and do stupid things like sleep with other girls behind your back, like Justin Bay. But we’ll never figure out what went wrong with them, and neither will they, so it’s not worth thinking about. Okay? That’s it. The end.”
Lulu Collins
”
”
Meg Cabot (Airhead (Airhead, #1))
“
You're so bloody cute,” he whispered, his voice all low and yummy.
Blood whooshed through my body. A Kai buzz. Oh, he was totally using the bedroom eyes...all heavy lidded and seductive. I don't even think he was trying. I suddenly felt shy. Even from the other side of the country, this boy was dangerous.
”
”
Wendy Higgins (Sweet Reckoning (Sweet, #3))
“
Chronicler shook his head and Bast gave a frustrated sigh. "How about plays? Have you seen The Ghost and the Goosegirl or The Ha'penny King?"
Chronicler frowned. "Is that the one where the king sells his crown to an orphan boy?"
Bast nodded. "And the boy becomes a better king than the original. The goosegirl dresses like a countess and everyone is stunned by her grace and charm." He hesitated, struggling to find the words he wanted. "You see, there's a fundamental connection between seeming and being. Every Fae child knows this, but you mortals never seem to see. We understand how dangerous a mask can be. We all become what we pretend to be."
Chronicler relaxed a bit, sensing familiar ground. "That's basic psychology. You dress a beggar in fine clothes, people treat him like a noble, and he lives up to their expectations."
"That's only the smallest piece of it," Bast said. "The truth is deeper than that. It's..." Bast floundered for a moment. "It's like everyone tells a story about themselves inside their own head. Always. All the time. That story makes you what you are. We build ourselves out of that story."
Frowning, Chronicler opened his mouth, but Bast held up a hand to stop him. "No, listen. I've got it now. You meet a girl: shy, unassuming. If you tell her she's beautiful, she'll think you're sweet, but she won't believe you. She knows that beauty lies in your beholding." Bast gave a grudging shrug. "And sometimes that's enough."
His eyes brightened. "But there's a better way. You show her she is beautiful. You make mirrors of your eyes, prayers of your hands against her body. It is hard, very hard, but when she truly believes you..." Bast gestured excitedly. "Suddenly the story she tells herself in her own head changes. She transforms. She isn't seen as beautiful. She is beautiful, seen."
"What the hell is that supposed to mean?" Chronicler snapped. "You're just spouting nonsense now."
"I'm spouting too much sense for you to understand," Bast said testily. "But you're close enough to see my point.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
Suddenly I register that St. Clair is shorter than Josh. Much shorter. It’s odd I didn’t notice earlier, but he doesn’t carry himself like a short guy. Most are shy or defensive, or some messed-up combination of the two, but St. Clair is confident and friendly and—
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Who was your first kiss?” Heat rushed into my face. I flattered myself by thinking maybe he wanted to kiss me. I wished he wanted to kiss me. “I haven’t …” Squeezing my eyes closed, I began again. “I haven’t been kissed. Yet.” “Why?” I rolled my eyes at his innocence.
“You obviously know I’m not like other girls. I’m shy and I don’t spend time with boys. My father is strict and—” “That’s not why.” He thought he knew me so well.
“Fine. You tell me why I haven’t been kissed.”
I regretted the words and my tone instantly. What if he told me what I already knew? That I was lacking. Not interesting or pretty enough. “You were waiting.
”
”
Gwen Hayes (Falling Under (Falling Under, #1))
“
And girls do want boys who are interesting. Girls want the shy geeks who know everything and have big hands and good teeth and say sweet things.
”
”
Christina Lauren (Love and Other Words)
“
Nature Boy
There was a boy
A very strange enchanted boy
They say he wandered very far, very far
Over land and sea
A little shy
And sad of eye
But very wise
Was he
And then one day
A magic day he passed my way
And while we spoke of many things, fools and kings
This he said to me
“The greatest thing
You’ll ever learn
Is just to love
And be loved
In return
”
”
Nat King Cole
“
My eyes widened in disbelief," Wow,I never took you as a one night stand, player type of guy, Reece."
"No, idiot."Reece snapped. "I mean, I've never even been with a girl. Ever."
And with that, I died and went to happy land, with rainbow unicorns and—
Wait. Hold up.
"But that means that your first kiss..."
I trailed, not being able to believe this.
"Was with you." Reece finished, looking away, shy all of a sudden
”
”
Slim_Shady (The Bad Boy, Cupid & Me)
“
It’s brave to cry over what you’ve lost. It means you feel it, it means it meant something, and it means you don’t shy away from those emotions even when they hurt the most.
”
”
Caroline Peckham (Savage Fae (Ruthless Boys of the Zodiac, #2))
“
Hey, pal," Matthew whispered. He was the only person who could get away with calling Ronan pal. Matthew Lynch was a bear of a boy, square and solid and earnest. His head was covered with soft, golden curls completely unlike any of his other family members. And in his case, the perfect Lynch teeth were framed by an easy, dimpled smile. He had two brands of smile: the one that was preceded by a shy dip of his chin, a dimple, and then BAM, smile. And the one that teased for a moment before BAM, an infectious laugh. Females of all ages called him adorable. Males of all ages called him buddy. Matthew failed at many more things than either of his older brothers, but unlike Declan or Ronan, he always tried his hardest.
Ronan had dreamt one thousand nightmares about something happening to him.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
Uriah looked better than he did an hour ago--he washed the blood from his mouth, and some of the color returned to his face. I'm struck, suddenly, by how handsome he is-- all his features are proportionate, his eyes dark and lively, his skin bronze-brown. And he has probably always been handsome. Only boys who have been handsome from a young age have that arrogance in their smile. Not like Tobias, who is almost shy when he smiles like he is surprised you bothered to look at him from the first place.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
Halt waited a minute or two but there was no sound except for the jingling of harness and the creaking of leather from their saddles. Finally, the former Ranger could bear it no longer.
What?”
The question seemed to explode out of him, with a greater degree of violence than he had intended. Taken by surprise, Horace’s bay shied in fright and danced several paces away.
Horace turned an aggrieved look on his mentor as he calmed the horse and brought it back under control.
What?” he asked Halt, and the smaller man made a gesture of exasperation.
That’s what I want to know,” he said irritably. “What?”
Horace peered at him. The look was too obviously the sort of look that you give someone who seems to have taken leave of his senses. It did little to improve Halt’s rapidly growing temper.
What?” said Horace, now totally puzzled.
Don’t keep parroting at me!” Halt fumed. “Stop repeating what I say! I asked you ‘what,’ so don’t ask me ‘what’ back, understand?”
Horace considered the question for a second or two, then, in his deliberate way, he replied: “No.”
Halt took a deep breath, his eyebrows contracted into a deep V, and beneath them his eyes with anger but before he could speak, Horace forestalled him.
What ‘what’ are you asking me?” he said. Then, thinking how to make the question clearer, he added, “Or to put it another way, why are you asking ‘what’?”
Controlling himself with enormous restraint, and making no secret of the fact, Halt said, very precisely: “You were about to ask me a question.”
Horace frowned. “I was?”
Halt nodded. “You were. I saw you take a breath to ask it.”
I see,” Horace said. “And what was it about?”
For just a second or two, Halt was speechless. He opened his mouth, closed it again, then finally found the strength to speak.
That is what I was asking you,” he said. “When I said ‘what,’ I was asking you what you were about to ask me.”
I wasn’t about to ask you ‘what,’” Horace replied, and Halt glared at him suspiciously. It occurred to him that Horace could be indulging himself in a gigantic leg pull, that he was secretly laughing at Halt. This, Halt could have told him, was not a good career move. Rangers were not people who took kindly to being laughed at. He studied the boy’s open face and guileless blue eyes and decided that his suspicion was ill-founded.
Then what, if I may use that word once more, were you about to ask me?”
Horace drew a breath once more, then hesitated. “I forget,” he said. “What were we talking about?
”
”
John Flanagan (The Battle for Skandia (Ranger's Apprentice, #4))
“
...of the few young men and boys at the fort, now that she was too old for racing and climbing trees with them, she felt both shy and critical...
”
”
Elizabeth George Speare (Calico Captive)
“
The world is made up of
too many girls
wondering
if they are pretty
and too many boys
too shy to tell them.
”
”
Atticus .
“
Then Magnus had met Alec. He had felt drawn to him in a way he couldn’t have explained or anticipated: He had wanted to see Alec smile, to see him be happy. He had watched Alec turn from a shy boy with secrets to a proud man who faced the world openly and unafraid. Alec had given him the gift of faith, a faith that Magnus was strong enough to make not just Alec happy, but a whole family happy. And in their happiness, Magnus had felt himself not just free, but surrounded by an unimaginable glory.
Some might have called it the presence of God.
Magnus just thought of it as Alexander Gideon Lightwood.
”
”
Cassandra Clare (Queen of Air and Darkness (The Dark Artifices, #3))
“
Dogs could mellow a wild boy, or open up a shy one.
”
”
Greg Bear (The Forge of God (Forge of God, #1))
“
This,’ Malorie says, placing a bloodied hand on the Girl’s head, ‘this is Olympia.’ The Girl looks at Malorie quickly. She blushes. She smiles. She likes it. ‘And this,’ Malorie says, pressing the Boy to her body, ‘is Tom.’ He grins, shy and happy.
”
”
Josh Malerman (Bird Box)
“
And as a few strokes on the nose will make a puppy head shy, so a few rebuffs will make a boy shy all over. But whereas a puppy will cringe away or roll on its back, groveling, a little boy may cover his shyness with nonchalance, with bravado, or with secrecy. And once a boy has suffered rejection, he will find rejection even where it does not exist—or, worse, will draw it forth from people simply by expecting it.
”
”
John Steinbeck (East of Eden)
“
Slender Youth. A tour companion who may be either a lost prince or a girl/princess in disguise. In the latter case it is tactful to pretend you think she is a boy. She/he will be ignorant, hasty and shy, and will need hauling out of trouble quite a lot. But she/he will grow up in the course of the Tour. In fact she/he will be the only Companion who will change in any way. Quite often, she/he will soon exhibit a very useful talent for magic and end up by hauling everyone else out of trouble. But this will not be until midway through your second brochure.
”
”
Diana Wynne Jones (The Tough Guide to Fantasyland)
“
And I admire that. A lot. The more I’m around her, the more obvious it becomes that there’s a lot more to her than a shy smile and a pretty face.
”
”
M. Leighton (Down to You (The Bad Boys, #1))
“
Now go. Hang out with your friends and be immature. Responsible," I added hurriedly, "but immature."
He made a face. "Do those two go hand in hand?"
"If your immaturity can lead to consequences, then it's irresponsible."
Cole grunted. "You should write that shi- stuff down."
"I heard the "shit" in there, baby boy, and I'm stealing the last PopTart as punishment."
"Harsh, Jo." He shook his head, backing off with a smile. "Harsh.
”
”
Samantha Young (Down London Road (On Dublin Street, #2))
“
Don't go getting all shy on me now, Lana," he drawled, squeezing my sides with his hands
”
”
Abbi Glines (The Vincent Brothers (The Vincent Boys, #2))
“
My best discovery of the night? Olivia is hiding a dirty girl beneath that shy, quietly sexy exterior.
And I’m going to set her free.
”
”
M. Leighton (Down to You (The Bad Boys, #1))
“
And it's a wonderful thing to be a boy, to go roaming where grown-ups can't catch you, and to chase rats and kill birds and shy stones and cheek carters and shout dirty words. It's a kind of a strong, rank feeling, a feeling of knowing everything and fearing nothing, and it's all bound up with breaking rules and killing things.
”
”
George Orwell (Coming up for Air)
“
It was easy to read him as shy or uncertain, she thought, but he really wasn’t either.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
Never mind that to me, the face of Afghanistan is that of a boy with a thin-boned frame, a shaved head, and low-set ears, a boy with a Chinese doll face perpetually lit by a harelipped smile.
Never mind any of those things. Because history isn't easy to overcome. Neither is religion.
In the end, I was a Pashtun and he was a Hazara, I was Sunni and he was Shi'a, and nothing was ever going to change that. Nothing.
”
”
Khaled Hosseini (The Kite Runner)
“
Look at the four-spaced year
That imitates four seasons of our lives;
First Spring, that delicate season, bright with flowers,
Quickening, yet shy, and like a milk-fed child,
Its way unsteady while the countryman
Delights in promise of another year.
Green meadows wake to bloom, frail shoots and grasses,
And then Spring turns to Summer's hardiness,
The boy to manhood. There's no time of year
Of greater richness, warmth, and love of living,
New strength untried. And after Summer, Autumn,
First flushes gone, the temperate season here
Midway between quick youth and growing age,
And grey hair glinting when the head turns toward us,
Then senile Winter, bald or with white hair,
Terror in palsy as he walks alone.
”
”
Ovid (Ovid's Metamorphoses: Books 1-5)
“
Mary Lou wore the ring faithfully. She studied the coy girls the ones who pretended not to get the dirty joke that made Mary Lou stifle a laugh. The ones who practiced the shy downward glance who pretended giggly outrage when a boy made a suggestive remark who waited to be seen and never made the first move. The ones who called other girls sluts and judged with ease. The good girls.
Occasionally from the school bus windows she would see other wild girls on the edges of cornfields running without shoes hair unkempt. Their short skirts rode up flashing warning lights of flesh: backs of knees the curve of a calf a smooth plain of thigh. Sometimes it was just a girl waiting for a bus but in her eyes Mary Lou recognized the feral quality. That was a girl who wanted to race trains under a full moon a girl who liked the feel of silk stockings against her skin the whisper promise of a boy's neck under her lips who did not wait for life to choose her but wished to do the choosing herself. It made Mary Lou ache with everything she held back.
”
”
Libba Bray (Beauty Queens)
“
A Boy
Out of the noise of tired people working,
Harried with thoughts of war and lists of dead,
His beauty met me like a fresh wind blowing,
Clean boyish beauty and high-held head.
Eyes that told secrets, lips that would not tell them,
Fearless and shy the young unwearied eyes--
Men die by millions now, because God blunders,
Yet to have made this boy he must be wise.
”
”
Sara Teasdale (Flame and Shadow)
“
It didn't help matters that I was shy and wore glasses. I was never one to stand out in the crowd. I liked to stay in corners. And I was happiest when I was alone reading. That and the good grades I got in school had doomed any chance of being popular with my peers. So it was a foregone conclusion that boys like Hardy were never going to take notice of me.
”
”
Lisa Kleypas (Sugar Daddy (Travises, #1))
“
The boy was gentle in disposition, refined and elegant, noble in his bearing with a light grin curving the corners of his lips.
”
”
Mò Xiāng Tóng Xiù (Grandmaster of Demonic Cultivation: Mo Dao Zu Shi (Novel) Vol. 1)
“
Wei Wuxian didn’t care. He chuckled aloud. “He can ignore me all he wants. It’s not like he’s even that pretty.” But then when he thought about it, yes, the boy was indeed that pretty. So he nonchalantly tossed that pouty feeling to the back of his mind.
”
”
Mò Xiāng Tóng Xiù (Grandmaster of Demonic Cultivation: Mo Dao Zu Shi (Novel) Vol. 1)
“
He’d been an odd one, that boy with the camera. Such a distinctive physique: pale skin so taut on his skeleton, holding himself with a shy hunch, not ugly as such but certainly not handsome, with a demeanor eager to cause no trouble, to attract no attention.
”
”
Ali Shaw (The Girl With Glass Feet)
“
Am I making something worth while?
I’m not sure.
I write and I sing and I hear words from time to time about my life and choices making ways, into other lives, other hearts,
but am I making something worth while?
I’m not sure.
There was a boy last night who I never spoke to because I was too drunk and still shy, but mostly lonely, and I couldn’t find anything lightly to say,
so I simply walked away
but still wondered what he did with his life
because he didn’t even speak to me
or look at me
but still made me wonder who he was
and I walked away asking
Am I making something worth while?
I am not sure.
I am a complicated person with a simple life
and I am the reason for everything that ever happened to me.
”
”
Charlotte Eriksson (Another Vagabond Lost To Love: Berlin Stories on Leaving & Arriving)
“
I mean, stories are just words on paper. Nothing substantial.
”
”
Emma Dalton (Bad Boys Don’t Fall For Shy Girls (Invisible Girls Club, #3))
“
He's kinda shy. Maybe I should ask him out."
"I think it's more traditional for you to trick him into asking you out. That way he feels more manly.
”
”
Pete Hautman (What Boys Really Want)
“
Pam (from The Office) is not intimidating, like one of those women who wears makeup and tailored clothes, and has a good job that she enjoys, and confidence, and an adult woman's sexuality. There's nothing scary about Pam, because there's no mystery; she's just like the boys who like her; mousy and shy. The ultimate emo-boy fantasy is to meet a nerdy, cute girl just like him, and nobody else will realize she's pretty. And she'll melt when she sees his record collection because it's just like hers....and she'll never want to go out to a party for which he'll be forced to comb his hair, or buy grown-up shoes or tie a tie, or demonstrate a hearty handshake, or make eye contact, or relate to people who work in different fields, or to basically act like a man.
”
”
Julie Klausner (I Don't Care About Your Band: Lessons Learned from Indie Rockers, Trust Funders, Pornographers, Felons, Faux-Sensitive Hipsters, and Other Guys I've Dated)
“
Come on then, shy boy, before your balls start receding back into your body too,” I told him. That had him snapping his eyes open to glare at me, his face scrunched up. “Hopefully my hand doesn’t slip.” “Hopefully I don’t lose my balance and my foot goes up your ass—” “Okay! All right! Let’s start you two,” Coach Lee hollered, and I didn’t need to look at her to know she was shaking her head.
”
”
Mariana Zapata (From Lukov with Love)
“
In one hallway, the floor gleaming parquet and the ceiling festooned with golden cherubs, there was a boy in a grumpy cat mask and biker boots, not involved in any sexual activity, legs crossed and leaning against the wall. As a bevy of faeries passed the boy, giggling and groping, the boy scooted away.
Alec remembered being younger, and how overwhelming large groups of people had seemed. He came over and leaned against the wall beside the boy. He saw the boy texting, PARTIES WERE INVENTED TO ANNOY ME. THEY FEATURE MY LEAST FAVORITE THING: PEOPLE, ALL INTENT ON MY LEAST FAVORITE ACTIVITY: SOCIAL INTERACTION.
“I don’t really like parties either,” Alec said sympathetically.
“No hablo italiano,” the boy mumbled without looking up.
“Er,” said Alec. “This conversation is happening in English.”
“No hablo ingles,” he said without missing a beat.
“Oh, come on. Really?”
“Worth a shot,” said the boy.
Alec considered going away. The boy wrote another text to a contact he had saved as RF. Alec could not help but notice that the conversation was entirely one-sided, the boy sending text after text with no response. The last text read VENICE SMELLS LIKE A TOILET. AS A NEW YORKER, I DO NOT SAY THIS LIGHTLY.
The weird coincidence emboldened Alec to try again.
“I get shy when there are strangers too,” Alec told the kid.
“I’m not shy,” the boy sneered. “I just hate everyone around me and everything that is happening.”
“Well.” Alec shrugged. “Those feel like similar things sometimes.”
The boy lifted his curly head, pushing the grumpy cat mask off his face, and froze. Alec froze too, at the twin shock of fangs and familiarity. This was a vampire, and Alec knew him.
“Raphael?” he asked. “Raphael Santiago?”
He wondered what the second-in-command of the New York clan was doing here. Downworlders might be flooding in from all over the world, but Raphael had never struck Alec as a party animal.
Of course, he was not exactly coming off as a party animal now.
“Oh no, it’s you,” said Raphael. “The twelve-year-old idiot.”
Alec was not keen on vampires. They were, after all, people who had died. Alec had seen too much death to want reminders of it.
He understood that they were immortal, but there was no need to show off about it.
“We just fought a war together. I was with you in the graveyard when Simon came back as a vampire. You’ve seen me multiple times since I was twelve.”
“The thought of you at twelve haunts me,” Raphael said darkly.
“Okay,” Alec said, humoring him. “So have you seen a guy called Mori Shu anywhere around here?”
“I am trying not to make eye contact with anyone here,” said Raphael. “And I’m not a snitch for Shadowhunters. Or a fan of talking to people, of any kind, in any place.”
Alec rolled his eyes.
”
”
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
“
For his part, Fred McFeely always made sure his grandson knew, directly and sincerely, how much he enjoyed his company. "Freddy, you make my day very special," McFeely frequently told the shy little boy, reminding him of his importance to the adults in his life.
”
”
Maxwell King (The Good Neighbor: The Life and Work of Fred Rogers)
“
One of the positives to being visibly damaged is that people can sometimes forget you’re there, even when they’re interfacing with you. You almost get to eavesdrop. It’s almost like they’re like: If nobody’s really in there, there’s nothing to be shy about. That’s why bullshit often tends to drop away around damaged listeners, deep beliefs revealed, diary-type private reveries indulged out loud; and, listening, the beaming and brady-kinetic boy gets to forge an interpersonal connection he knows only he can truly feel, here.
”
”
David Foster Wallace (Infinite Jest)
“
He was a nice boy, a friendly boy, and very shy, and it made him bitter.
”
”
Ernest Hemingway (The Sun Also Rises)
“
She was always acting cold and distant with boys to cover up the fact that she was shy inside and didn't know quite how to act.
”
”
Winifred E. Wise (The Wishing Year)
“
Han…Hanguang-jun, Wei-qianbei!” Wei Wuxian propped his arms on the donkey’s head. “Sizhui, my boy. I’m eloping with your clan’s Hanguang-jun. What are you following us for? Aren’t you scared of being yelled at by Lan-lao-xiansheng?
”
”
Mò Xiāng Tóng Xiù (Grandmaster of Demonic Cultivation: Mo Dao Zu Shi (Novel) Vol. 5)
“
I run down to meet Floriana who is breathless from her hike. She stops in the road, the last light at her back. Prickles of rain cling to her unkerchiefed, loosened hair, capturing in her the flickering russet frame of it. Topaz almonds are her eyes, lit tonight from some new, old place, from some exquisitely secret oubliette, which she must often forget she possesses. We talk for a minute and Barlozzo passes us by like a boy too shy to speak to two girls at once.
”
”
Marlena de Blasi (A Thousand Days In Tuscany: A Bittersweet Adventure)
“
Stop being the shy boy that wants to do everything right and responsibly. I’m sick of your honorable intentions Eli. In fifty years, when I’m old in my bed I want to wake up when the sun shines in my window and know that the person lying beside me was the right choice. I don’t want to look at someone else and always wish it was you.” ~ Maggie Parsons from Epitaphs from the Afterlife
”
”
Autumn Rosen
“
Wes gives him a shy smile and then takes a deep breath. He looks nervous, the poor sweetie. Wes doesn’t enjoy attention unless he has a hockey stick in his hand. “I’ll be fine,” he says, his voice gravelly. “Can’t wait to be married to you.” “Tomorrow we’ll be on our way to the beach,” Jamie whispers. “Can’t wait for that either,” Wes agrees.
”
”
Sarina Bowen (Good Boy (WAGs, #1))
“
You know, you’re an interesting girl, Lara Jean. You seem shy and kind of babyish at first, but you’re actually very confident. That was a compliment, by the way.”
“Thanks,” I say. If someone is giving you a compliment, I don’t think they should have to tell you they’re giving you one; it should probably be obvious to the person receiving it.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
Thanks.” He wraps his arm around me, tucking me against his body. I lower my head on his shoulder as we watch the waterfall. The only place I want to be right now is here, my body pressed close to his in front of this amazing sight.
”
”
Emma Dalton (Bad Boys Don’t Fall For Shy Girls (Invisible Girls Club, #3))
“
But, being that I have always been rather awkward and shy around girls, especially those I liked, whenever I tried talking to them, it’s hardly any wonder that I never got very far. I would simply start to stammer and stutter even before I could properly say hello. In fact, it’s of my opinion that, to them, I must have come across seeming a bit retarded.
”
”
Andrew James Pritchard (Sukiyaki)
“
wasn’t shy. I could be as outspoken and verbose as anyone when I was with people I trusted. But I was cautious. I had good reason to be.
”
”
Chloe Walsh (Binding 13 (Boys of Tommen, #1))
“
She shied away from the gazes of boys and girls, bound her hair in brambles, braceleted her arms in vines, filled her mouth with chestnut honey to say away, keep away; I have forgotten how to kiss, how to be kissed, and do not want to remember.
”
”
Amal El-Mohtar (The Honey Month)
“
Although she seems sweet and innocent and shy, at times she seems ready to participate in a much more intimate and dangerous game. I know I shouldn’t be thinking about games or misery or anything else concerning Olivia Townsend.
But damn if I’m not!
”
”
M. Leighton (Down to You (The Bad Boys, #1))
“
Please, I know you understand heartbreak. Stop Luc from marrying Marisol. Save my heart from breaking again.”
“Now, that was a pathetic speech.” Two slow claps followed the indolent voice, which sounded just a few feet away.
Evangeline spun around, all the blood draining from her face. She didn’t expect to see him—the young man who’d been tearing his clothes in the back of the church. Although it was difficult to believe this was the same person. She had thought that boy was in agony, but he must have ripped away his pain along with the sleeves of his jacket, which now hung in tatters over a striped black-and-white shirt that was only halfway tucked into his breeches.
He sat on the dais steps, lazily leaning against one of the pillars with his long, lean legs stretched out before him. His hair was golden and messy, his too-bright blue eyes were bloodshot, and his mouth twitched at the corner as if he didn’t enjoy much, but he found pleasure in the brief bit of pain he’d just inflicted upon her. He looked bored and rich and cruel.
“Would you like me to stand up and turn around so that you can take in the rest of me?” he taunted.
The color instantly returned to Evangeline’s cheeks. “We’re in a church.”
“What does that have to do with anything?” In one elegant move, the young man reached into the inner pocket of his ripped burgundy coat, pulled out a pure white apple, and took one bite. Dark red juice dripped from the fruit to his long, pale fingers and then onto the pristine marble steps.
“Don’t do that!” Evangeline hadn’t meant to yell. Although she wasn’t shy with strangers, she generally avoided quarrelling with them. But she couldn’t seem to help it with this crass young man. “You’re being disrespectful.”
“And you’re praying to an immortal who kills every girl he kisses. You really think he deserves any reverence?” The awful young man punctuated his words with another wide bite of his apple.
”
”
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
“
Ian nodded. Do not question her, he told himself. Not when she is in a state like this.
Still, it was a pity to attack them with such force. Especially the girl, Amy. He'd never met anyone like her. Shy. Gentle. With an exciting edge of hostility. So unlike the girls back home, who flung themselves at him so often that his chauffeurs traveled with first-aid kits.
Doesn't she know better? Isn't she smart enough to stop the hunt?
It was the boy and the au pair. He was a pint-sized hothead. She was a collection of piercings and piggishness. If only Amy and Dan had stayed trapped in the cave in Seoul, at least long enough to get discouraged. Why did they antagonize Mother?
They don't know what it's like to live with her.
"Right you are," Ian said. "They're asking for it. Heaven forbid they listen to the brains of the outfit."
"And that would be–?" Isabel asked.
Ian looked away. "Well, the sister, I'd say. Amy."
He felt a smile inching across his face.
"Ian?" His mother grabbed his wrist. "If you are having the inkling of a shadow of a thought..."
"Mother!" Ian could feel the blood rushing to his face. "How could you suspect for a moment...?
”
”
Peter Lerangis (The Viper's Nest (The 39 Clues, #7))
“
I am still waiting to find the boys intimidating. Often, I find my own girls more intimidating than them. Until I became the bridge between us all, I thought that I was a shy person, a sort of trembling leaf. Now I know that I am not a leaf, but a strong branch. I connect the blossom to the bark. Thanks to the girls’ weak hearts, I have realised my own bravery. Perhaps it’s just that I don’t give to swooning as easily as the others. These days the girls let themselves crumble when the boys come around. I’m hoping that I’m just late developing, and in a month or two, I’ll start to crumble as well. I can’t stand being on the outside of what everyone else is feeling.
”
”
Chloe Michelle Howarth (Sunburn)
“
I dreamed I stood upon a little hill,
And at my feet there lay a ground, that seemed
Like a waste garden, flowering at its will
With buds and blossoms. There were pools that dreamed
Black and unruffled; there were white lilies
A few, and crocuses, and violets
Purple or pale, snake-like fritillaries
Scarce seen for the rank grass, and through green nets
Blue eyes of shy peryenche winked in the sun.
And there were curious flowers, before unknown,
Flowers that were stained with moonlight, or with shades
Of Nature's willful moods; and here a one
That had drunk in the transitory tone
Of one brief moment in a sunset; blades
Of grass that in an hundred springs had been
Slowly but exquisitely nurtured by the stars,
And watered with the scented dew long cupped
In lilies, that for rays of sun had seen
Only God's glory, for never a sunrise mars
The luminous air of Heaven. Beyond, abrupt,
A grey stone wall. o'ergrown with velvet moss
Uprose; and gazing I stood long, all mazed
To see a place so strange, so sweet, so fair.
And as I stood and marvelled, lo! across
The garden came a youth; one hand he raised
To shield him from the sun, his wind-tossed hair
Was twined with flowers, and in his hand he bore
A purple bunch of bursting grapes, his eyes
Were clear as crystal, naked all was he,
White as the snow on pathless mountains frore,
Red were his lips as red wine-spilith that dyes
A marble floor, his brow chalcedony.
And he came near me, with his lips uncurled
And kind, and caught my hand and kissed my mouth,
And gave me grapes to eat, and said, 'Sweet friend,
Come I will show thee shadows of the world
And images of life. See from the South
Comes the pale pageant that hath never an end.'
And lo! within the garden of my dream
I saw two walking on a shining plain
Of golden light. The one did joyous seem
And fair and blooming, and a sweet refrain
Came from his lips; he sang of pretty maids
And joyous love of comely girl and boy,
His eyes were bright, and 'mid the dancing blades
Of golden grass his feet did trip for joy;
And in his hand he held an ivory lute
With strings of gold that were as maidens' hair,
And sang with voice as tuneful as a flute,
And round his neck three chains of roses were.
But he that was his comrade walked aside;
He was full sad and sweet, and his large eyes
Were strange with wondrous brightness, staring wide
With gazing; and he sighed with many sighs
That moved me, and his cheeks were wan and white
Like pallid lilies, and his lips were red
Like poppies, and his hands he clenched tight,
And yet again unclenched, and his head
Was wreathed with moon-flowers pale as lips of death.
A purple robe he wore, o'erwrought in gold
With the device of a great snake, whose breath
Was fiery flame: which when I did behold
I fell a-weeping, and I cried, 'Sweet youth,
Tell me why, sad and sighing, thou dost rove
These pleasent realms? I pray thee speak me sooth
What is thy name?' He said, 'My name is Love.'
Then straight the first did turn himself to me
And cried, 'He lieth, for his name is Shame,
But I am Love, and I was wont to be
Alone in this fair garden, till he came
Unasked by night; I am true Love, I fill
The hearts of boy and girl with mutual flame.'
Then sighing, said the other, 'Have thy will,
I am the love that dare not speak its name.
”
”
Alfred Bruce Douglas
“
The death of a book is the death of a soul.
”
”
Emma Dalton (Bad Boys Don’t Fall For Shy Girls (Invisible Girls Club, #3))
“
His name was Adrian Finn, a tall, shy boy who initially kept his eyes down and his mind to himself.
”
”
Julian Barnes (The Sense of an Ending)
“
[he] was a quiet, self-effacing boy - like a shy guest at the party of his own life.
”
”
Arnaldur Indriðason
“
It's brave to cry over what you've lost. It means you feel it, it means it meant something, and it means you don't shy away from those emotions even when they hurt the most.
”
”
Caroline Peckham (Savage Fae (Ruthless Boys of the Zodiac, #2))
“
Nick turned out to be a shy boy, uncertain in groups and in new situations, but also very brave, determined to overcome his fear." - Will, as a parent describing his son
”
”
Lisa Goldstein (The Uncertain Places)
“
To Amalfitano, Jordi seemed a shy and formal boy. Rosa liked his silence, which she mistook for thoughtfulness when it was really just a symptom of the confusion raging in his head.
”
”
Roberto Bolaño (Woes of the True Policeman)
“
I have always liked women, but from the time I was very young, I have been shy around them. I don’t woo them. I don’t pursue them. Women either respond to you or they don’t, and if they don’t make the first move toward me, I am a bit reluctant to try again. But with Diane this time things were different. We always had a connection. She understood my read on things, and it felt comforting to have someone who got me. So I went after her. We hung out together, and after a couple of months we decided to get together. We found a tempo and a temperature that was right.
”
”
Al Pacino (Sonny Boy)
“
Girls had changed. They had liberated themselves from their corsets only to throw themselves at the tyranny of the "diet plan." They were all coltish legs, bound chests and smooth scalps. They no longer whispered behind their hands and hid behind shy glances. They joked and drank, smoked and swore with the boys. Waistlines had slipped, fabrics were thin and morals were thinner.
”
”
Kate Morton (The House at Riverton)
“
That said, I had always been one of those quiet boys who preferred dreams to the real world. I was, in addition, absurdly shy, and therefore often mistaken for a fool, which upset me deeply.
”
”
Sabahattin Ali (Madonna in a Fur Coat)
“
When they had arranged their blankets the boy lowered the lamp and stepped into the yard and pulled the door shut behind, leaving them in profound and absolute darkness.
No one moved. In that cold stable the shutting of the door may have evoked in some hearts other hostels and not of their choosing. The mare sniffed uneasily and the young colt stepped about. Then one by one they began to divest themselves of their outer clothes, the hide slickers and raw wool serapes and vests, and one by one they propagated about themselves a great crackling of sparks and each man was seen to wear a shroud of palest fire. Their arms aloft pulling at their clothes were luminous and each obscure soul was enveloped in audible shapes of light as if it had always been so. The mare at the far end of the stable snorted and shied at this luminosity in beings so endarkened and the little horse turned and hid his face in the web of his dam's flank.
”
”
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
“
Regardless of my flaws in knowing how to relate to him, there is something about this little boy that captivates me. Maybe it’s his willingness to listen or his eagerness to share. Maybe it’s the subtle way he asks every so often if I’m sure I’m not here for his dad. Maybe it’s that shy little smile he gives me as he bumps his shoulder against mine when he shows me a character he deems as “really cool” that has me actually enjoying my time with him.
”
”
K. Bromberg (Worth the Risk (Everyday Heroes, #3))
“
That old black coat he always wore to preach in was the one he put over her shoulders one evening when they were walking along the road together and he was throwing rocks at the fence posts the way a boy would do, still shy of her. But on a Sunday morning, with the sermon in front of him he'd spent the week on and knew so well he hardly need to look at it, he was a beautiful old man, and it pleased her more than almost anything that she knew the feel of that coat, the weight of it.
”
”
Marilynne Robinson
“
I’m so used to envisioning my perfect guy when I read my romance novels that I did it in real life, too. But you can’t fashion someone to be like you want in real life. People are the way they are, and you need to accept them for who they are.
”
”
Emma Dalton (Bad Boys Don’t Fall For Shy Girls (Invisible Girls Club, #3))
“
And did you ever wonder why you avoided boys like the plague up until now ? "
" I know exactly why. Because I'm shy and because - "
"Boys suck the brains out of girls. . ."
" And make them crazy!" I finish my father's warning with a sad smile.
”
”
K.A. Tucker (One Tiny Lie (Ten Tiny Breaths, #2))
“
This has always been my fantasy—to watch a horror movie with a guy and get so scared I bury my face in his chest and he comforts me. Oh my gosh. I’m in Zack’s arms. And he’s holding me close like he’s trying to protect me from the evils of that movie.
”
”
Emma Dalton (Bad Boys Don’t Fall For Shy Girls (Invisible Girls Club, #3))
“
This guy is a monster, Mike.” “Yeah he is, but he looks like anyone. He can fit in, and he knows how to talk to people. He’s not the standard profile of the shy boy killer. He’s not afraid to talk to women.” ”So he’s not Norman Bates,” Julia said.
”
”
Tobias Kloner (The Second Hand Diner: Book One of the Atticus Series)
“
When we entered a classroom we always tossed our caps on the floor, to free our hands; as soon as we crossed the threshold we would throw them under the bench so hard that they struck the wall and raised a cloud of dust; this was "the way it should be done."
But the new boy either failed to notice this maneuver or was too shy to perform it himself, for he was still holding his cap on his lap at the end of the prayer. It was a head-gear of composite nature, combining elements of the busby, the lancer cap, the round hat, the otter-skin cap and the cotton nightcap--one of those wretched things whose mute ugliness has great depths of expression, like an idiot's face. Egg-shaped and stiffened by whalebone, it began with three rounded bands, followed by alternating diamond-shaped patches of velvet and rabbit fur separated by a red stripe, and finally there was a kind of bag terminating in a cardboard-lined polygon covered with complicated braid. A network of gold wire was attached to the top of this polygon by a long, extremely thin cord, forming a kind of tassel. The cap was new; its visor was shiny.
"Stand up," said the teacher.
He stood up; his cap fell. The whole class began to laugh.
He bent down and picked it up. A boy beside him knocked it down again with his elbow; he picked it up once again.
"Will you please put your helmet away?" said the teacher, a witty man.
”
”
Gustave Flaubert (Madame Bovary)
“
There are many Beths in the world, shy and quiet, sitting in corners till needed, and living for others so cheerfully that no one sees the sacrifices till the little cricket on the hearth stops chirping, and the sweet, sunshiny presence vanishes, leaving silence and shadow behind
”
”
Louisa May Alcott (All the 4 Little Women Books: Little Women, Good Wives, Little Men, Jo's Boys)
“
You are not really dying,” he said, the oddest tone to his voice, “are you?”Jem nodded. “So they tell me.”“I am sorry,” Will said.“No,” Jem said softly. He drew his jacket aside and took a knife from the belt at his waist.“Don’t be ordinary like that. Don’t say you’re sorry. Say you’ll train with me.”
He held out the knife to Will, hilt rst. Charlotte held her breath, afraid to move. She feltas if she were watching something very important happen, though she could not have saidwhat.Will reached out and took the knife, his eyes never leaving Jem’s face. His fingers brushedthe other boy’s as he took the weapon from him. It was the rst time, Charlotte thought,that she had ever seen him touch any other person willingly.“I’ll train with you,” he said.
Jem, Will’s parabatai, treated her with the distant sweet kindness reserved for the littlesisters of one’s friends, but he would always side with Will. Kindly, but rmly, he put Willabove everything else in the world.Well, nearly everything. She had been most struck by Jem when she rst came to theInstitute—he had an unearthly, unusual beauty, with his silvery hair and eyes and delicate features. He looked like a prince in a fairy-tale book, and she might have considered developing an attachment to him, were it not so absolutely clear that he was entirely inlove with Tessa Gray. His eyes followed her where she went, and his voice changed when hespoke to her. Cecily had once heard her mother say in amusement that one of theirneighbors’ boys looked at a girl as if she were “the only star in the sky” and that was theway Jem looked at Tessa.Cecily didn’t resent it: Tessa was pleasant and kind to her, if a little shy, and with herface always stuck in a book, like Will. If that was the sort of girl Jem wanted, she and henever would have suited—and the longer she remained at the Institute, the more sherealized how awkward it would have made things with Will. He was ferociously protectiveof Jem, and he would have watched her constantly in case she ever distressed or hurt him inany way. No—she was far better out of the whole thing.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
As I was editing this chapter, a survey of more than thirty-five hundred Australian surgeons revealed a culture rife with bullying, discrimination, and sexual harassment, against women especially (although men weren’t untouched either). To give you a flavor of professional life as a woman in this field, female trainees and junior surgeons “reported feeling obliged to give their supervisors sexual favours to keep their jobs”; endured flagrantly illegal hostility toward the notion of combining career with motherhood; contended with “boys’ clubs”; and experienced entrenched sexism at all levels and “a culture of fear and reprisal, with known bullies in senior positions seen as untouchable.”68 I came back to this chapter on the very day that news broke in the state of Victoria, Australia, where I live, of a Victorian Equal Opportunity and Human Rights Commission report revealing that sexual discrimination and harassment is also shockingly prevalent in the Victorian Police, which unlawfully failed to provide an equal and safe working environment.69 I understand that attempts to identify the psychological factors that underlie sex inequalities in the workplace are well-meaning. And, of course, we shouldn’t shy away from naming (supposedly) politically unpalatable causes of those inequalities. But when you consider the women who enter and persist in highly competitive and risky occupations like surgery and policing—despite the odds stacked against them by largely unfettered sex discrimination and harassment—casual scholarly suggestions that women are relatively few in number, particularly in the higher echelons, because they’re less geared to compete in the workplace, start to seem almost offensive. Testosterone
”
”
Cordelia Fine (Testosterone Rex: Myths of Sex, Science, and Society)
“
You didn't even cry when Yu Ai betrayed you, but now you are crying over someone you don't even know?
Everything I experienced, whether they were setbacks or predicaments, were things I could endure. But this little boy... He probably never hurt anymore. The reason Heaven let him be born into this world should not be for him to suffer. Evertone has the right to live. No matter how hard life is, there should at least be hope for him to see a way out.
”
”
Meng Xi Shi (Thousand Autumns: Qian Qiu (Novel), Vol. 2)
“
Tears don’t make you weak, my little angel,” I said and more tears fell as I called her that name like it meant something to her. “It’s brave to cry over what you’ve lost. It means you feel it, it means it meant something, and it means you don’t shy away from those emotions even when they hurt the most.
”
”
Caroline Peckham (Savage Fae (Ruthless Boys of the Zodiac, #2))
“
Wil Wheaton once explained—in an interview with NPR—what he thought was the key to Stand by Me’s success: Rob Reiner found four young boys who basically were the characters we played. I was awkward and nerdy and shy and uncomfortable in my own skin and really, really sensitive; River was cool and really smart and passionate and even at that age kind of like a father figure to some of us; Jerry was one of the funniest people I had ever seen in my life, either before or since; and Corey was unbelievably angry and in an incredible amount of pain and had an absolutely terrible relationship with his parents. Wil was right.
”
”
Corey Feldman (Coreyography)
“
January?
The month is dumb.
It is fraudulent.
It does not cleanse itself.
The hens lay blood-stained eggs.
Do not lend your bread to anyone
lest it nevermore rise.
Do not eat lentils or your hair will fall out.
Do not rely on February
except when your cat has kittens,
throbbing into the snow.
Do not use knives and forks
unless there is a thaw,
like the yawn of a baby.
The sun in this month
begets a headache
like an angel slapping you in the face.
Earthquakes mean March.
The dragon will move,
and the earth will open like a wound.
There will be great rain or snow
so save some coal for your uncle.
The sun of this month cures all.
Therefore, old women say:
Let the sun of March shine on my daughter,
but let the sun of February shine on my daughter-in-law.
However, if you go to a party
dressed as the anti-Christ
you will be frozen to death by morning.
During the rainstorms of April
the oyster rises from the sea
and opens its shell —
rain enters it —
when it sinks the raindrops
become the pearl.
So take a picnic,
open your body,
and give birth to pearls.
June and July?
These are the months
we call Boiling Water.
There is sweat on the cat but the grape
marries herself to the sun.
Hesitate in August.
Be shy.
Let your toes tremble in their sandals.
However, pick the grape
and eat with confidence.
The grape is the blood of God.
Watch out when holding a knife
or you will behead St. John the Baptist.
Touch the Cross in September,
knock on it three times
and say aloud the name of the Lord.
Put seven bowls of salt on the roof overnight and the next morning the damp one will foretell the month of rain.
Do not faint in September
or you will wake up in a dead city.
If someone dies in October
do not sweep the house for three days
or the rest of you will go.
Also do not step on a boy's head
for the devil will enter your ears
like music.
November?
Shave,
whether you have hair or not.
Hair is not good,
nothing is allowed to grow,
all is allowed to die.
Because nothing grows
you may be tempted to count the stars
but beware,
in November counting the stars
gives you boils.
Beware of tall people,
they will go mad.
Don't harm the turtle dove
because he is a great shoe
that has swallowed Christ's blood.
December?
On December fourth
water spurts out of the mouse.
Put herbs in its eyes and boil corn
and put the corn away for the night
so that the Lord may trample on it
and bring you luck.
For many days the Lord has been
shut up in the oven.
After that He is boiled,
but He never dies, never dies.
”
”
Anne Sexton
“
child guidance experts of the 1920s set about helping children to develop winning personalities. Until then, these professionals had worried mainly about sexually precocious girls and delinquent boys, but now psychologists, social workers, and doctors focused on the everyday child with the “maladjusted personality”—particularly shy children.
”
”
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
“
She looked into the pleading brown eyes and she saw none of the beauty of a shy boy's first love, of the adoration of an ideal come true or the wild happiness and tenderness that were sweeping through him like a flame. Scarlett was used to men asking her to marry them, men much more attractive than Charles Hamilton, and men who had more finesse than to propose at a barbecue when she had more important matters on her mind. She only saw a boy of twenty, red as a beet and looking very silly. She wished that she could tell him how silly he looked. But automatically, the words Ellen had taught her to say in such emergencies rose to her lips and casting down her eyes, from force of habit, she murmured: "Mr. Hamilton, I am not unaware of the honor you have bestowed on me in wanting me to become your wife, but this is all so sudden that I do not know what to say."
That was a neat way of smoothing a man's vanity and yet keeping him n the string, and Charles rose to it as though such bait were new and he the first to swallow it.
”
”
Margaret Mitchell (Gone with the Wind)
“
This is Harry.
As a boy, Harry was very, very shy.
Some people may have even said he was painfully shy. As if his shyness caused them pain and not the other way around.
There are many things that can cause a person to recede. To look away from other people’s eyes or to choose empty hallways over crowded ones. Some shy people try to reach out and try, and nothing seems to come back and then there just comes a point where they stop trying.
In Harry’s case he was slapped in the face and called names designed to isolate him, designed to deliver maximum damage. This because he came from a different country and didn’t know the right words to use or the right way to say them.
And so, Harry learned how to be still, to camouflage, to be the least.
Some people describe this as receding into a shell, where the stillness hardens and protects. But the eyes, even when they look down and away, are still watching, still looking for some way out or in; painfully shy.
Then in middle school, Harry found theater, where he forced himself to speak through other people’s words. And then dance, where he started to speak through the movements of his body. To be so still for so long when you’re young, means a lot of pent up energy and it was released there through work, endless work.
If someone carves into a sapling with a knife, the injury is as wide as the entire trunk. Though that mark will never fully heal, you can grow the tree around it, and as you grow, the scar gets smaller in proportion.
If you, right now, are in a shell, you should know that you’re are not alone and there are many, many people like you and that there is nothing wrong with you. It might even be necessary right now. It might keep you safe for a time. But once the danger is gone, or after it’s exhausted it’s use, you’ll find a way out.
You may need help, you may need to work really hard, you may need to find some ways to laugh at yourself, or find a passion, or a friend, but you will find it.
And, when you do, it will be so good to see you.
This is Harry.
As a boy, Harry was very, very shy.
”
”
Ze Frank
“
MOMENTS
I saw you first
You looked exactly
The same as before
Tall and awkward and shy
I walked towards you
My hands clammy
I felt cold inside
My insides were shaking
Cant run
This is it.
U saw me
Your face brightened
A smile painted on your face
I missed it
Your smile
It brought back the past
You walked
I walked
Nearer
It feels like in the
Movies
Two people
A boy and a girl
Meeting halfway
Hoping for a happy
Ever after
I stopped
Right before I reached you
I realized
This isn't like the movies
I turned
I told myself
Don’t smile
You reached me
Close
So close
I felt the urge
To touch you
Hug you
And maybe
Kiss you
There weren't Hellos
Only silent prayers
Smiling
You reached for my hand
Giving me something
You knew I love
It was awkward
You standing there
Me standing there
So close
Too close
Yet so far
I looked up to you
I tried to ask myself
Are you for real?
You smiled wider
Shy but happy
You left as fast
As you came back
It was for a second
I hated time
I wished it was
A little bit longer
With that,
I knew
I still want you.
”
”
Marianne Escobar
“
At eleven or twelve, girls think they look awful. They have ceased being children, at least in their estimation, but they have not yet developed into the young women they will become. At that age, there are great differences among them: some have begun to look and move like young women, others have boys’ bodies and move as if they were shy young men.
”
”
John Irving (Until I Find You)
“
Moreover, it was clear that a shy, sensitive boy like me was not fit to encounter the rough experience of a public school. Mr. Letherall had said so very decidedly.
”
”
George Eliot (The Lifted Veil)
“
Someone like me cares about others, but I guess you wouldn't know anything about that.
”
”
Nicole Heart (The Spunky Girl & Her Popular Player)
“
Sing for yourself and for the people who appreciate how wonderful you are.
”
”
Emma Dalton (Bad Boys Don’t Fall For Shy Girls (Invisible Girls Club, #3))
“
He's holding my hand! A boy is holding my hand! This is happening! I should let go. I should blush and act shy. Like a girl from the movies. But that's not what I do. I hold on.
”
”
G. Willow Wilson (Ms. Marvel, Vol. 3: Crushed)
“
That’s amazing. I love kids who like to read, you know? Kids are always so busy with their phones and devices, so I’m glad to see there’s hope for future book lovers like us.
”
”
Emma Dalton (Bad Boys Don’t Fall For Shy Girls (Invisible Girls Club, #3))
“
May Lacey, wisps of thin grey hair appearing from under her hat, her scarf still around her neck, sat opposite Nora in the back room and began to talk. After a while, the boys went upstairs; Conor, when Nora called him, was too shy to come down and say good night, but soon Donal came and sat in the room with them, carefully studying May Lacey, saying nothing.
”
”
Colm Tóibín (Nora Webster)
“
In the woodblock prints of the Genroku period one often finds the features of a pair of lovers to be surprisingly similar, with little to distinguish the man from the woman. The universal ideal of beauty in Greek sculpture likewise approaches a close resemblance between the male and female. Might this not be one of the secrets of love? Might it not be that through the innermost recesses of love there courses an unattainable longing in which both the man and the woman desire to become the exact image of the other? Might not this longing drive them on, leading at last to a tragic reaction in which they seek to attain the impossible by going to the opposite extreme? In short, since their mutual love cannot achieve a perfection of mutual identity, is there not a mental process whereby each of them tries instead to emphasize their points of dissimilarity—the man his manliness and the woman her womanliness—and uses this very revolt as a form of coquetry toward the other? Or if they do achieve a similarity, it unfortunately lasts for only a fleeting moment of illusion. Because, as the girl becomes more bold and the boy more shy, there comes an instant at which they pass each other going in opposite directions, overshooting their mark and passing on beyond to some point where the mark no longer exists.
”
”
Yukio Mishima (Confessions of a Mask)
“
Nature Boy
There was a boy
A very STRANGE ENCHANTED boy.
They say he wandered very far, very far,
Over land and sea.
A little SHY
And SAD of eye,
But very wise, VERY WISE was he...
Until one day,
ONE LUCKY day he passed my way,
And while we talked of many things
Fools and kings,
This he said to me:
"The greatest thing
YOU'LL ever learn
Is just to love
And be loved
In return.
”
”
Nat King Cole
“
He’s being shy.” “That’s okay, Max. I tend to have that effect on boys.” My eyes dart to Isaiah. "Case in point—my brother, who is frozen like a statue in the kitchen, silent but mesmerized.
”
”
Liz Tomforde (Caught Up (Windy City, #3))
“
When I see Peter at the bus the next morning, he’s standing around with all this lacrosse friends, and at first I feel shy and nervous, but then he sees me, and his face breaks into a grin. “C’mere, Covey,” he says, so I go to him and he throws my tote over his shoulder. In my ear he says, “You’re sitting with me, right?”
I nod.
As we make our way onto the bus, somebody wolf whistles. It seems like people are staring at us, and at first I think it’s just my imagination, but then I see Genevieve look right at me and whisper to Emily Nussbaum. It sends a chill down my spine.
“Genevieve keeps staring at me,” I whisper to Peter.
“It’s because you’re so adorably quirky,” he says, and he rests his hands on my shoulders and gives me a kiss on the cheek, and I forget all about Genevieve.
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
turned and grinned at the littlest, with big brown eyes and peeling nose, pink and brown patches of skin, tow head, husky voice; he catapulted back into a bank of dry seaweed on the afterdeck and the other little boys laughed; big, bright awake eyes, dancing, merry; curious, and shy too; patched faded overalls; lean and brown and agile; pokes and fisticuffs. Mice and squirrel and cocker spaniel faces.
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
Within a few months Mitch Bush, head veterinarian at the National Zoo, and David Wildt, a young reproductive physiologist working as a postdoctoral fellow in my laboratory at the National Cancer Institute, were on a plane bound for South Africa. Bush is a towering, bearded, giant of a man with a strong interest and acumen in exotic animal veterinary medicine, particularly the rapidly improving field of anesthetic pharmacology. Wildt is a slight and modest Midwestern farm boy, schooled in the reproductive physiology of barnyard animals. His boyish charm and polite shy demeanor mask a piercing curiosity and deep knowledge of all things reproductive. Bush and Wildt's expedition to the DeWildt cheetah breeding center outside Pretoria would ultimately change the way the conservation community viewed cheetahs forever.
”
”
Stephen J. O'Brien (Tears of the Cheetah: The Genetic Secrets of Our Animal Ancestors)
“
Welcome to love, my boy, welcome to love. Nix isn’t going to make this easy by a long shot, I can tell you that it will be more than worth it though. But I have a feeling neither are you, or any of the guys for that matter. The best thing you can do is follow his lead. Let him know you are still here and aren’t going anywhere. Show him that you love him, and always will. Don’t shy away, but don’t push too hard.
”
”
Sheri Lyn (Safe Haven (Safe Haven Series Book 1))
“
And as a few strokes on the nose will make a puppy head shy, so a few rebuffs will make a boy shy all over. But whereas a puppy will cringe away or roll on its back, groveling, a little boy may cover his shyness with nonchalance, with bravado, or with secrecy. And once a boy has suffered rejection, he will find rejection even where it does not exist--or, worse, will draw it forth from people simply by expecting it.
”
”
John Steinbeck (East of Eden)
“
Halfway to the house Stan stopped and turned to Jane.
He put his hands on her shoulders and drew her toward him.
"I'm glad we're going steady," he whispered.
"So am I."
In spite of the reassuring weight of his bracelet on her wrist, Jane suddenly felt shy. It seemed strange to be so close to Stan, to feel his crisp clean shirt against her cheek. She could not look up at him. Gently Stan lifted her face to his. "You're my girl," he whispered.
-Fifteen
”
”
Beverly Cleary
“
This seat taken?" My eyes grazing over the only other occupant, a guy with long glossy dark hair with his head bent over a book.
"It's all yours," he says. And when he lifts his head and smiles,my heart just about leaps from my chest.
It's the boy from my dreams.
The boy from the Rabbit Hole,the gas station,and the cave-sitting before me with those same amazing,icy-blue eues, those same alluring lips I've kissed multiple times-but only in slumber, never in waking life.
I scold my heart to settle,but it doesn't obey.
I admonish myself to sit,to act normal, casual-and I just barely succeed.
Stealing a series of surreptitious looks as I search through my backpack, taking in his square chin,wide generous lips,strong brow,defined cheekbones, and smooth brown skin-the exact same features as Cade.
"You're the new girl,right?" He abandons his book,tilting his head in a way that causes his hair to stream over his shoulder,so glossy and inviting it takes all of my will not to lean across the table and touch it.
I nod in reply,or at least I think I do.I can't be too sure.I'm too stricken by his gaze-the way it mirrors mine-trying to determine if he knows me, recognizes me,if he's surprised to find me here.Wishing Paloma had better prepared me-focused more on him and less on his brother.
I force my gaze from his.Bang my knee hard against the table as I swivel in my seat.Feeling so odd and unsettled,I wish I'd picked another place to sit, though it's pretty clear no other table would have me.
He buries his smile and returns to the book.Allowing a few minutes to pass,not nearly enough time for me to get a grip on myself,when he looks up and says, "Are you staring at me because you've seen my doppelganer roaming the halls,playing king of the cafeteria? Or because you need to borrow a pencil and you're too shy to ask?"
I clear the lump from my throat, push the words past my lips when I say, "No one's ever accused me of being shy." A statement that,while steeped in truth, stands at direct odds with the way I feel now,sitting so close to him. "So I guess it's your twin-or doppelganer,as you say." I keep my voice light, as though I'm not at all affected by his presence,but the trill note at the end gives me away.Every part of me now vibrating with the most intense surge of energy-like I've been plugged into the wall and switched on-and it's all I can do to keep from grabbing hold of his shirt, demanding to know if he dreamed the dreams too.
He nods,allowing an easy,cool smile to widen his lips. "We're identical," he says. "As I'm sure you've guessed. Though it's easy enough to tell us apart. For one thing,he keeps his hair short.For another-"
"The eyes-" I blurt,regretting the words the instant they're out.From the look on his face,he has no idea what I'm talking about. "Yours are...kinder." My cheeks burn so hot I force myself to look away,as words of reproach stampede my brain.
Why am I acting like such an inept loser? Why do I insist on embarrassing myself-in front of him-of all people?
I have to pull it together.I have to remember who I am-what I am-and what I was born to do.Which is basically to crush him and his kind-or,at the very least,to temper the damage they do.
”
”
Alyson Noel (Fated (Soul Seekers, #1))
“
Look you," Pandora told him in a businesslike tone, "marriage is not on the table."
Look you? Look you? Gabriel was simultaneously amused and outraged. Was she really speaking to him as if he were an errand boy?
"I've never wanted to marry," Pandora continued. "Anyone who knows me will tell you that. When I was little, I never liked the stories about princesses waiting to be rescued. I never wished on falling stars, or pulled the petals off daisies while reciting 'he loves me, he loves me not.' At my brother's wedding, they handed out slivers of wedding cake to all the unmarried girls and said if we put it under our pillows, we would dream of our future husbands. I ate my cake instead. Every crumb. I've made plans for my life that don't involve becoming anyone's wife."
"What plans?" Gabriel asked. How could a girl of her position, with her looks, make plans that didn't include the possibility of marriage?
"That's none of your business," she told him smartly.
"Understood," Gabriel assured her. "There's just one thing I'd like to ask: What the bloody hell were you doing at the ball in the first place, if you don't want to marry?"
"Because I thought it would be only slightly less boring than staying at home."
"Anyone as opposed to marriage as you claim to be has no business taking part in the Season."
"Not every girl who attends a ball wants to be Cinderella."
"If it's grouse season," Gabriel pointed out acidly, "and you're keeping company with a flock of grouse on a grouse-moor, it's a bit disingenuous to ask a sportsman to pretend you're not a grouse."
"Is that how men think of it? No wonder I hate balls." Pandora looked scornful. "I'm so sorry for intruding on your happy hunting grounds."
"I wasn't wife-hunting," he snapped. "I'm no more interested in marrying than you are."
"Then why were you at the ball?"
"To see a fireworks display!"
After a brief, electric silence, Pandora dropped her head swiftly. He saw her shoulders tremble, and for an alarming moment, he thought she had begun to cry. But then he heard a delicate snorting, snickering sound, and he realized she was... laughing?
"Well," she muttered, "it seems you succeeded."
Before Gabriel even realized what he was doing, he reached out to lift her chin with his fingers. She struggled to hold back her amusement, but it slipped out nonetheless. Droll, sneaky laughter, punctuated with vole-like squeaks, while sparks danced in her blue eyes like shy emerging stars. Her grin made him lightheaded.
Damn it.
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
Pushing Elsie back, I said, “I’m not the most special guy in the world. I’m no one’s perfect dream. I’m not sure I’ll ever do anything extraordinary with my life. I’ll always be that little bit awkward, and that little bit too shy. I’ll always blush and dip my head, but if you’ll let me, I’ll be the one that’s there for you. I’ll be happy knowing I’ve got you and you’ve got me. That’s enough for me, to be the one that you can lean on, to be the one to tell you you’re beautiful every day. And talk to. I’ll adore every sound that comes out of your mouth. I’ll be the one to love you like nothing you’ve ever seen, bella mia.” I blushed with embarrassment, but managed to rasp, “If you’ll just let me… If you want me.”
Elsie sobbed out a cry, tears tumbling down her rosy cheeks. “Levi. You are my dream realized, in every possible way. You are the most special person in my world. And I love that you blush—because I do too.” She wiped at her cheeks. “I love that you’re shy, and,” her breathing hitched, “I love that you love my voice. I love that I never have hide who I am, disguise how I sound. Because I’m tired of trying to please others.” She dipped her eyes and almost flattened me when she said, “You’re my kind of extraordinary. Levi Carillo, you’re the sweetest of souls.
”
”
Tillie Cole (Sweet Soul (Sweet Home, #4; Carillo Boys, #3))
“
I don’t mean to sound puffed up, but I think—I believe, anyway, that there were boys who might have wanted to court me if I’d given them any encouragement. But I was shy, and none of them seemed to have so great an advantage over books as to be worth the effort.
”
”
Rose Lerner (Sweet Disorder (Lively St. Lemeston, #1))
“
“Was one of those college boys with you your boyfriend?”
A slight bit of heat creeps onto my cheeks. Not from panic this time, but from...from... “No, I don’t have a boyfriend.”
And the answer makes me shy, and the shyness gives me the power to look away. To think he called me brave. I wish I was brave. I wish that every person I’d meet would think of me that way. Not as the coward I really am.
“Good. Those guys were losers. Stay clear of them.”
“You’re sort of bossy.” I’m teasing. Isaiah’s way too serious to find time to be bossy. But the main point is that he’s totally unlike my brothers, who demand everything from me by plain bullying.
“I’m not bossy,” he says and I get a little thrill that he’s playing along.
This isn’t me. In my day-to-day life, I could never find the courage to talk to guys, much less tease them, yet here I am. “No, I have four older brothers. Technically three older brothers and a twin, but Ethan claims he’s older by a minute. The point is I know what bossy is—and you’re it.”
“Think of it as strongly encouraged tips for survival.”
”
”
Katie McGarry (Crash into You (Pushing the Limits, #3))
“
On our particular mission, senior marines met with local school officials while the rest of us provided security or hung out with the schoolkids, playing soccer and passing out candy and school supplies. One very shy boy approached me and held out his hand. When I gave him a small eraser, his face briefly lit up with joy before he ran away to his family, holding his two-cent prize aloft in triumph. I have never seen such excitement on a child’s face. I don’t believe in epiphanies. I don’t believe in transformative moments, as transformation is harder than a moment. I’ve seen far too many people awash in a genuine desire to change only to lose their mettle when they realized just how difficult change actually is. But that moment, with that boy, was pretty close for me. For my entire life, I’d harbored resentment at the world. I was mad at my mother and father, mad that I rode the bus to school while other kids caught rides with friends, mad that my clothes didn’t come from Abercrombie, mad that my grandfather died, mad that we lived in a small house. That resentment didn’t vanish in an instant, but as I stood and surveyed the mass of children of a war-torn nation, their school without running water, and the overjoyed boy, I began to appreciate how lucky I was: born in the greatest country on earth, every modern convenience at my fingertips, supported by two loving hillbillies, and part of a family that, for all its quirks, loved me unconditionally. At that moment, I resolved to be the type of man who would smile when someone gave him an eraser. I haven’t quite made it there, but without that day in Iraq, I wouldn’t be trying. The
”
”
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
“
It was Day Three, Freshman Year, and I was a little bit lost in the school library,looking for a bathroom that wasn't full of blindingly shiny sophomores checking their lip gloss.
Day Three.Already pretty clear on the fact that I would be using secondary bathrooms for at least the next three years,until being a senior could pass for confidence.For the moment, I knew no one,and was too shy to talk to anyone. So that first sight of Edward: pale hair that looked like he'd just run his hands through it, paint-smeared white shirt,a half smile that was half wicked,and I was hooked.
Since, "Hi,I'm Ella.You look like someone I'd like to spend the rest of my life with," would have been totally insane, I opted for sitting quietly and staring.Until the bell rang and I had to rush to French class,completely forgetting to pee.
Edward Willing.Once I knew his name, the rest was easy.After all,we're living in the age of information. Wikipedia, iPhones, 4G ntworks, social networking that you can do from a thousand miles away.The upshot being that at any given time over the next two years, I could sit twenty feet from him in the library, not saying a word, and learn a lot about him.ENough, anyway, for me to become completely convinced that the Love at First Sight hadn't been a fluke.
It's pretty simple.Edward matched four and a half of my If My Prince Does, In Fact, Come Someday,It Would Be Great If He Could Meet These Five Criteria.
1. Interested in art. For me, it's charcoal. For Edward, oil paint and bronze. That's almost enough right there. Nice lips + artist= Ella's prince.
2. Not afraid of love. He wrote, "Love is one of two things worth dying for.I have yet to decide on the second."
3.Or of telling the truth. "How can I believe that other people say if I lie to them?"
4.Hot. Why not?I can dream.
5.Daring. Mountain climbing, cliff dying, defying the parents. Him, not me. I'm terrified of an embarrassing number of things, including heights, convertibles, moths, and those comedians everyone loves who stand onstage and yell insults at the audience.
5, subsection a. Daring enough to take a chance on me.Of course, in the end, that No. 5a is the biggie. And the problem. No matter how muuch I worshipped him,no matter how good a pair we might have been,it was never, ever going to happen. To be fair to Edward,it's not like he was given an opportunity to get to know me. I'm not stupid.I know there are a few basic truths when it comes to boys and me.
Truth: You have to talk to a boy-really talk,if you want him to see past the fact that you're not beautiful.
Truth: I'm not beautiful. Or much of a conversationalist.
Truth: I'm not entirely sure that the stuff behind the not-beautiful is going to be all that alluring, either.
And one written-in-stone, heartbreaking truth about this guy.
Truth:Edward Willing died in 1916.
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
Being a Negro means showing your best face to the white man every day. You know his wants, his needs, and watch him proper. But he don’t know your wants. He don’t know your needs or feelings or what’s inside you, for you ain’t equal to him in no measure. You just a nigger to him. A thing: like a dog or a shovel or a horse. Your needs and wants got no track, whether you is a girl or a boy, a woman or a man, or shy, or fat, or don’t eat biscuits, or can’t suffer the change of weather easily. What difference do it make? None to him, for you is living on the bottom rail.
”
”
James McBride (The Good Lord Bird)
“
Being a Negro means showing your best face to the white man every day. You know his wants, his needs, and watch him prosper. But he don't know your wants. He don't know your needs or feelings or what's inside you, for you ain't equal to him in no measure. You just a n****r to him. A thing: like a dog or a shovel or a horse. Your needs and wants got no track, whether you is a girl or a boy, a woman or a man, or shy, or fat, or don't eat biscuits, or can't suffer the change of weather easily. What difference do it make? None to him, for you is living on the bottom rail.
”
”
James McBride (The Good Lord Bird)
“
Hey, Willa?” “Hey, Luke,” I reply dryly, since the be quiet part obviously didn’t register. “Sometimes I wish you were my mom.” I blink at the boy, too stunned to speak, so he continues. “At that birthday party? Where I got held under the water? He told me that even my mom didn’t like me.” I want to push that kid into the water all over again. “Well, I don’t just like you, Luke.” My voice comes out thick with emotion, but I’m not so sure he picks up on it. “I love you.” “You do?” His smile is shy—tentative. “Yeah. And that kid is a major shithead.” His hand slaps over his mouth and his eyes go wide before he whispers, “He’s a total shithead and I love you too.
”
”
Elsie Silver (Heartless (Chestnut Springs, #2))
“
I’m left,” said Devon. “I’m all that’s left.” Visander remembered—kneeling by a sun-dappled stream, scooping up the refreshing water, sensing something behind him. Looking up, he had seen the shy creature watching, a young colt. Their eyes had met; startled, a flash of silver, and it was gone. “It can’t be.” A pale boy in a small, dirty room, dressed in crude human garments, wearing animal hide on his feet. Devon had drawn back, pressing himself into the opposite wall as if by instinct. Visander reached out to touch him. “My steed, I—” “Don’t,” said Devon. “I am not that young colt I was. I will not bend my head for your bridle, or take your bit between my teeth.
”
”
C.S. Pacat (Dark Heir (Dark Rise, #2))
“
After All This"
After all this love, after the birds rip like scissors
through the morning sky, after we leave, when the empty
bed appears like a collapsed galaxy, or the wake of
disturbed air behind a plane, after that, as the wind turns
to stone, as the leaves shriek, you are still breathing
inside my own breath. The lighthouse on the far point
still sweeps away the darkness with the brush of an arm.
The tides inside your heart still pull me towards you.
After all this, what are these words but mollusk shells
a child plays with? What could say more than the eloquence
of last night’s constellations? or the storm anchored by
its own flashes behind the far mountains? I remember
the way your body wavers under my touch like the northern
lights. After all this, I want the certainty of hidden roots
spreading in all directions from their tree. I want to hear
again the sky tangled in your voice. Some nights I can
hear the footsteps of the stars. How can these words
ever reveal the secret that waits in their sleeping light?
The words that walk through my mind say only what has
already passed. Beyond, the swallows are still knitting
the wind. After a while, the smokebush will turn to fire.
After a while, the thin moon will grow like a tear in a curtain.
Under it, a small boy kicks a ball against the wall of
a burned out house. He is too young to remember the war.
He hardly knows the emptiness that kindles around him.
He can speak the language of early birds outside our window.
Someday he will know this kind of love that changes
the color of the sky, and frees the earth from its moorings.
Sometimes I kiss your eyes to see beyond what I can imagine.
Sometimes I think I can speak the language of unborn stars.
I think the whole earth breathes with you. After all this,
these words are all I have to say what is impossible to think,
what shy dreams hide in the rafters of my heart, because
these words are only a form of touch, only tell you I have no life
that isn’t yours, and no death you couldn’t turn into a life.
”
”
Richard Jackson (Resonance)
“
Everything Rett had learned about being a man was so wrong. So completely wrong. Sometimes, being a man was surrendering everything to another, giving them absolute power over you, putting your fate entirely in their hands. And then accepting whatever decision came of it.
The coward, the boy, would shy from that and run away from it. The boy would be selfish and want to always make the decision, to control it, to be in the lead. Rett now saw himself doing that at every critical point in his life. He could play back every time he had done that in the past, but now he could see it through different eyes, and it was shameful to him.
The man knew when to surrender, to yield.
”
”
J.F. Smith (The Last Day Of Summer)
“
An example of the Peter Pan syndrome is used in Aldous Huxley's 1962 novel Island. In it, one of the characters talks about male "dangerous delinquents" and "power-loving troublemakers" who are "Peter Pans". These types of males were "boys who can't read, won't learn, don't get on with anyone, and finally turn to the more violent forms of delinquency." He uses Adolf Hitler as an archetype of this phenomenon:[15]
A Peter Pan if ever there was one. Hopeless at school. Incapable either of competing or co- operating. Envying all the normally successful boys—and, because he envied, hating them and, to make himself feel better, despising them as inferior beings. Then came the time for puberty. But Adolf was sexually backward. Other boys made advances to girls, and the girls responded. Adolf was too shy, too uncertain of his manhood. And all the time incapable of steady work, at home only in the compensatory Other World of his fancy. There, at the very least, he was Michelangelo. Here, unfortunately, he couldn't draw. His only gifts were hatred, low cunning, a set of indefatigable vocal cords and a talent for nonstop talking at the top of his voice from the depths of his Peter-Panic paranoia. Thirty or forty million deaths and heaven knows how many billions of dollars—that was the price the world had to pay for little Adolf's retarded maturation.
”
”
Aldous Huxley
“
When K & I returned to the gingerbread house after taking Nana home, I was beyond exhausted. But I couldn't sleep, not for a long time. I stayed awake. Thinking of boys, of myself, & of all the intersections in between.
...
Regardless, there were times when I was at least part boy. A femme boy deep down. Shy sweater fag, my cardigan on hand to comfort me in the cold world. Bookworm queer boy at heart, K told me on more than one occasion. Certain moods & I was the most enviable of drag princesses, eyelashes all a-flutter & my fingers tickling the air with each gesture. Sometimes I was full of flirtatious swagger, but that playful swag could turn fierce snarl for defense, if need be. Never, I promised myself one line I wouldn't cross, never would I be the mean kind of boy that laughed me back inside the store's red doors when I did no good at hot afternoon sour pissing contests. Of course, there were plenty of times I was such a fairy lady that I ceased to be even part boy.
Yes, Rob would have accused me of bringing the communal growl down for saying I'm part boy. And pre-Stonewall dykes would have wanted to call my game. What kind of dyke was I, anyway? Good question. Simple & complicated all at once, I wasn't a pigeon to be tucked away neatly into a hole. I didn't wear a fixed category without feeling pain. I was more, or less, or something different entirely.
”
”
Felicia Luna Lemus (Trace Elements of Random Tea Parties)
“
Aisling tumbled out, his gold eyes going wild about the room to take in all of them. His beak clicked as he worked it in silence. Then, as the breaking of ice may bring a cascade of water from winter’s falls, the griffin’s voice—no longer that small shrill copy of Taryn’s, but his own true voice—poured plaintively from him. “Mom!”
Taryn jerked around, her mouth dropping open.
Aisling bounded toward her and she swept him up into a tight embrace. He clutched at her shoulders with his talons, burying his head under her chin, and cried, “Mom! Yoo…rrrrr…oh…kay!”
“Great gods,” Antilles heard himself say and he shot Tonka a startled glance. “He cannot be speaking?!”
The horseman merely smiled. “And why not?” he murmured, resettling himself on his padded bolster. “For has he not been a miracle from the very first?”
“You’re talking,” Taryn cried, true delight painting itself over the grief that had seemed to mask her since the dawning of this terrible day. She was radiant once more, burning with a joy and a healing light all its own as she hugged her griffin close. “Oh, my fierce prince! My big boy!”
“Yoo…rrrr…Ai-sing,” whispered the griffin. His raptor’s eyes flicked to Antilles and his naked wings fluttered. “Tilly. Yoo…rrrr…sun-shy?”
Taryn giggled, her face pressed to fur.
“Aye, lad,” Antilles said, tossing his broken horn. “My sun and my moon and all my starry skies.
”
”
R. Lee Smith (The Wizard in the Woods (Lords of Arcadia, #2))
“
But she drew in a breath and asked with saccharine sweetness, “Trace, are you ready?”
No, he wasn’t ready. Somehow he had to regain control of this situation. Right now she had the upper hand, and that was untenable.
With the perfect plan in mind, Trace shook his head, but said with what he hoped sounded like indifference, “Quit stalling.”
And then he pulled out his cell phone.
This time, she was all but naked. What little material covered her proved mere decoration, like icing on a very sweet cake—a cake he wouldn’t mine eating, slowly, top to toes and everywhere in between.
Priss stood with her hands on her generous hips, her feet apart, shoulders back.
How such a small woman packed so many perfect curves, he didn’t know. But she managed it with flair. Boy, did she ever.
“Good enough.”
When she smiled at him, he lifted the cell phone and used it to take a picture.
Squawking, Priss leaped behind the curtain and her face went up in flames. “What do you think you’re doing?”
“Suddenly shy?” Content with her appalled tone and burning-red face, Trace looked down at the phone. Oh, yeah, that’d do. He pushed a few buttons, then put the cell phone away. “Don’t worry, honey. I emailed it to myself.” His smile felt like a leer. “No one else will see it.”
Unappeased by that promise, she glared at him. “You—!”
“Now, Priss. Modesty at this late date is more than suspicious. You wanted my approval.” He shrugged—and struggled to keep his attention on her face and off the curves that showed even beneath the curtain she clutched to her chin. “You’ve got it, with my admiration, too.
”
”
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
“
He really liked her—especially the way her femininity stimulated him. Alejandra was the type of girl that never let a boy entirely have her. If his lips tried to go for a random peck, she would turn the opposite way and smile a “no.” They would be seated at a restaurant and her peppy, shy voice would say, “Thank you for taking me here, but don’t expect anything.” He felt like he had her slippery heart in his hands, but never held it—instead her heart levitated, floating a few centimeters above his twitching fingertips, shining like a fickle disco ball, magnetized in the air by Alejandra’s masterfully crafted tension. She perfected this practice and learned it from her older sister. Except Alejandra felt that she was not as intelligent or gorgeous as other women, and that this prowess was all she had.
”
”
Kristian Ventura (A Happy Ghost)
“
As for the other experiences, the solitary ones, which people go through alone, in their bedrooms, in their offices, walking the fields and the streets of London, he had them; had left home, a mere boy, because of his mother; she lied; because he came down to tea for the fiftieth time with his hands unwashed; because he could see no future for a poet in Stroud; and so, making a confidant of his little sister, had gone to London leaving an absurd note behind him, such as great men have written, and the world has read later when the story of their struggles has become famous. London has swallowed up many millions of young men called Smith; thought nothing of fantastic Christian names like Septimus with which their parents have thought to distinguish them. Lodging off the Euston Road, there were experiences, again experiences, such as change a face in two years from a pink innocent oval to a face lean, contracted, hostile. But of all this what could the most observant of friends have said except what a gardener says when he opens the conservatory door in the morning and finds a new blossom on his plant: — It has flowered; flowered from vanity, ambition, idealism, passion, loneliness, courage, laziness, the usual seeds, which all muddled up (in a room off the Euston Road), made him shy, and stammering, made him anxious to improve himself, made him fall in love with Miss Isabel Pole, lecturing in the Waterloo Road upon Shakespeare. Was he not like Keats? she asked; and reflected how she might give him a taste of Antony and Cleopatra and the rest; lent him books; wrote him scraps of letters; and lit in him
”
”
Virginia Woolf (Complete Works of Virginia Woolf)
“
He could have laughed. His shy Stella making a scene! Although maybe he shouldn’t have been surprised. A woman protecting her home came from a place more primal than politics. Besides, in all the time he’d known her, she’d never spoken kindly of a Negro. It embarrassed him a little, to tell the truth. He respected the natural order of things but you didn’t have to be cruel about it. As a boy, he’d had a colored nanny named Wilma who was practically family. He still sent her a Christmas card each year. But Stella wouldn’t even hire colored help for the house—she claimed Mexicans worked harder. He never understood why she averted her gaze when an old Negro woman shuffled past on the sidewalk, why she was always so curt with the elevator operators. She was jumpy around Negroes, like a child who’d been bit by a dog
”
”
Brit Bennett (The Vanishing Half)
“
Hi, Sunshine,” he says quietly. Then he leans down and lightly kisses my forehead.
“Why do you call me that?” I ask softly as I snuggle closer to him. He says nothing but looks at me with the strangest expression. If I didn't know any better, I would say he was a little embarrassed. He gives me a small smile that tells me he's got a secret, and I watch as the secret smile suddenly morphs into that heartbreaking shy smile of his that I love. Oh, boy! Could he be any more adorable than he already is? I giggle softly at his reaction. “You're not going to tell me, are you?”
“Maybe someday,” he says quietly, still smiling at me. “
That's not fair,” I whisper, running my hand lightly over his arm.
He chuckles softly. “All's fair in love and nicknames,” he mutters quietly, and I stop breathing. Did he just say love?
”
”
Lashell Collins (Pierced By Love (Pierced #2))
“
Richard Feynman (1918–1988) was not only an extraordinary physicist, but also an extraordinary figure, a swash-buckling personality the likes of which theoretical physics has not seen before or hence. Occasionally theoretical physicists will while away an idle moment comparing the contributions of Feynman and Schwinger, both nice Jewish boys from New York and almost exact contemporaries. This senseless discussion serves no purpose, but it is a fact that while Julian Schwinger was a shy and retiring person (but rather warm and good-hearted behind his apparent remoteness), Dick Feynman was an extreme extrovert, the stuff of legends. With his bongo drums, showgirls, and other trappings of a carefully cultivated image enthusiastically nurtured by a legion of idolaters, he is surely the best-loved theoretical physicist next to Einstein.
”
”
Richard P. Feynman (QED: The Strange Theory of Light and Matter (Princeton Science Library))
“
...Lady Middleton had taken the wise precaution of bringing with her their eldest child, a fine little boy about six years old, by which means there was one subject always to be recurred to by the ladies in case of extremity, for they had to enquire his name and age, admire his beauty, and ask him questions which his mother answered for him, while he hung about her and held down his head, to the great surprise of her ladyship, who wondered at his being so shy before company, as he could make noise enough at home. On every formal visit a child ought to be of the party, by way of provision for discourse. In the present case it took up ten minutes to determine whether the boy were most like his father or mother, and in what particular he resembled either, for of course every body differed, and every body was astonished at the opinion of the others.
”
”
Jane Austen (Sense and Sensibility)
“
But why? You keep telling me it won’t work, but you haven’t explained why. Am I…too shy? Too weird? Not pretty or interesting enough?” His eyes widen. “Of course you’re interesting enough. You’re amazing and so special. And you’re the most beautiful girl I’ve ever met.” Tears prick my eyes. “Then why did you break my heart?” He bends forward, his chest rising and falling rapidly. “It’s just…you deserve so much better than me.
”
”
Emma Dalton (Bad Boys Don’t Fall For Shy Girls (Invisible Girls Club, #3))
“
I fancy my father thought me an odd child, and had little fondness for me; though he was very careful in fulfilling what he regarded as a parent's duties. But he was already past the middle of life, and I was not his only son. My mother had been his second wife, and he was five-and-forty when he married her. He was a firm, unbending, intensely orderly man, in root and stem a banker, but with a flourishing graft of the active landholder, aspiring to county influence: one of those people who are always like themselves from day to day, who are uninfluenced by the weather, and neither know melancholy nor high spirits. I held him in great awe, and appeared more timid and sensitive in his presence than at other times; a circumstance which, perhaps, helped to confirm him in the intention to educate me on a different plan from the prescriptive one with which he had complied in the case of my elder brother, already a tall youth at Eton. My brother was to be his representative and successor; he must go to Eton and Oxford, for the sake of making connexions, of course: my father was not a man to underrate the bearing of Latin satirists or Greek dramatists on the attainment of an aristocratic position. But intrinsically, he had slight esteem for "those dead but sceptred spirits"; having qualified himself for forming an independent opinion by reading Potter's Aeschylus, and dipping into Francis's Horace. To this negative view he added a positive one, derived from a recent connexion with mining speculations; namely, that scientific education was the really useful training for a younger son. Moreover, it was clear that a shy, sensitive boy like me was not fit to encounter the rough experience of a public school. Mr. Letherall had said so very decidedly. Mr. Letherall was a large man in spectacles, who one day took my small head between his large hands, and pressed it here and there in an exploratory, suspicious manner - then placed each of his great thumbs on my temples, and pushed me a little way from him, and stared at me with glittering spectacles. The contemplation appeared to displease him, for he frowned sternly, and said to my father, drawing his thumbs across my eyebrows -
'The deficiency is there, sir-there; and here,' he added, touching the upper sides of my head, 'here is the excess. That must be brought out, sir, and this must be laid to sleep.'
I was in a state of tremor, partly at the vague idea that I was the object of reprobation, partly in the agitation of my first hatred - hatred of this big, spectacled man, who pulled my head about as if he wanted to buy and cheapen it. ("The Lifted Veil")
”
”
George Eliot (The Lifted Veil (Fantasy and Horror Classics))
“
I don't know what kind of man I would have grown to be had I not served time at The Wilkinson Home for Boys. I don't know how those months and the events that occurred there shaped the person I became, how much they colored my motives or my actions. I don't know if they made me any braver or any weaker. I don't know if the illnesses I've suffered as an adult have been the result of those ruinous months. I'll never know if my distrust of most people and my unease when placed in group situations are byproducts of those days or simply the result of a shy personality.
I do know the dreams and nightmares I've had all these years are born of the nights spent in that cell at Wilkinson. That the scars I carry, both mental and physical, are gifts of a system that treated children as prey. The images that screen across my mind in the lonely hours are mine to bear alone, shared only by the silent community of sufferers who once lived as I did, in a world that was deaf to our screams.
”
”
Lorenzo Carcaterra (Sleepers)
“
The humiliations he suffered when first he went to school had caused in him a shrinking from his fellows which he could never entirely overcome; he remained shy and silent. But though he did everything to alienate the sympathy of other boys he longed with all his heart for the popularity which to some was so easily accorded. These from his distance he admired extravagantly; and though he was inclined to be more sarcastic with them than with others, though he made little jokes at their expense, he would have given anything to change places with them. Indeed he would gladly have changed places with the dullest boy in the school who was whole of limb. He took to a singular habit. He would imagine that he was some boy whom he had a particular fancy for; he would throw his soul, as it were, into the other's body, talk with his voice and laugh with his laugh; he would imagine himself doing all the things the other did. It was so vivid that he seemed for a moment really to be no longer himself. In this way he enjoyed many intervals of fantastic happiness. At
”
”
W. Somerset Maugham (Of Human Bondage)
“
I wondered what was going on in neuroscience that might bear upon the subject. This quickly led me to neuroscience’s most extraordinary figure, Edward O. Wilson. Wilson’s own life is a good argument for his thesis, which is that among humans, no less than among racehorses, inbred traits will trump upbringing and environment every time. In its bare outlines his childhood biography reads like a case history for the sort of boy who today winds up as the subject of a tabloid headline: DISSED DORK SNIPERS JOCKS. He was born in Alabama to a farmer’s daughter and a railroad engineer’s son who became an accountant and an alcoholic. His parents separated when Wilson was seven years old, and he was sent off to the Gulf Coast Military Academy. A chaotic childhood was to follow. His father worked for the federal Rural Electrification Administration, which kept reassigning him to different locations, from the Deep South to Washington, D.C., and back again, so that in eleven years Wilson attended fourteen different public schools. He grew up shy and introverted and liked the company only of other loners, preferably those who shared his enthusiasm for collecting insects. For years he was a skinny runt, and then for years after that he was a beanpole. But no matter what ectomorphic shape he took and no matter what school he went to, his life had one great center of gravity: He could be stuck anywhere on God’s green earth and he would always be the smartest person in his class. That remained true after he graduated with a bachelor’s degree and a master’s in biology from the University of Alabama and became a doctoral candidate and then a teacher of biology at Harvard for the next half century. He remained the best in his class every inch of the way. Seething Harvard savant after seething Harvard savant, including one Nobel laureate, has seen his reputation eclipsed by this terribly reserved, terribly polite Alabamian, Edward O. Wilson. Wilson’s field within the discipline of biology was zoology; and within zoology, entomology, the study of insects; and within entomology, myrmecology, the study of ants. Year after year he studied
”
”
Tom Wolfe (Hooking Up (Ceramic Transactions Book 104))
“
During the briefings their current hyper-conservative rules of engagement had been drilled into them. “And if you screw up,” the briefers added, “they will prosecute you.” Oh boy. Operation Hopeless had left our military planners gun-shy. Gun-shy. Haha. That was the right term, all right. To bring the point home, some of the marines had been armed with various “nonlethal technologies”—pepper sprays, flashbangs, and guns that shot a sticky foam in place of actual bullets—“to fill the gap between verbal warnings and deadly force,” went the official reasoning.
”
”
Brandon Webb (The Killing School: Inside the World's Deadliest Sniper Program)
“
We’d been together for a year when he lost his job in Chicago and I started noticing a change in him. Gone was his ever present smile when we were together; more often than not he would be withdrawn and seemed as if he was carrying the weight of the world on his shoulders. Then, he got a job offer from his Uncle in Dalton, Ohio. He needed a new mechanic and wanted to help Beau out. Beau begged me to go with him; said he loved me and couldn’t bear to live without me. My parents and my best friend, Kate, were dead against it. They had noticed the change in Beau. They’d never been happy with our relationship, so they weren’t shy at expressing their concerns about moving across a whole other state to live with my “bad boy” boyfriend, and were vehemently against me giving up nursing school to do so. In the end, Beau used the ace up his sleeve, something I didn’t see coming until it was too late. He blackmailed me into moving with him. We were lying in bed one night, having just made love, and I was stuck in the post-coital haze that had my mind thinking of fluffy bunnies and rainbows. He rolled over and brushed the hair out of my face. “I can’t leave you behind, so I’ve decided you’re coming with me, Mac. It’s you and me against the world. I can’t survive without you, baby.” And
”
”
B.J. Harvey (Temporary Bliss (Bliss, #1))
“
Knowledgeable observers report that dating has nearly disappeared from college campuses and among young adults generally. It has been replaced by something called “hanging out.” You young people apparently know what this is, but I will describe it for the benefit of those of us who are middle-aged or older and otherwise uninformed. Hanging out consists of numbers of young men and young women joining together in some group activity. It is very different from dating.
For the benefit of some of you who are not middle-aged or older, I also may need to describe what dating is. Unlike hanging out, dating is not a team sport. Dating is pairing off to experience the kind of one-on-one association and temporary commitment that can lead to marriage in some rare and treasured cases. . . .
All of this made dating more difficult. And the more elaborate and expensive the date, the fewer the dates. As dates become fewer and more elaborate, this seems to create an expectation that a date implies seriousness or continuing commitment. That expectation discourages dating even more. . . .
Simple and more frequent dates allow both men and women to “shop around” in a way that allows extensive evaluation of the prospects. The old-fashioned date was a wonderful way to get acquainted with a member of the opposite sex. It encouraged conversation. It allowed you to see how you treat others and how you are treated in a one-on-one situation. It gave opportunities to learn how to initiate and sustain a mature relationship. None of that happens in hanging out.
My single brothers and sisters, follow the simple dating pattern and you don’t need to do your looking through Internet chat rooms or dating services—two alternatives that can be very dangerous or at least unnecessary or ineffective. . . .
Men, if you have returned from your mission and you are still following the boy-girl patterns you were counseled to follow when you were 15, it is time for you to grow up. Gather your courage and look for someone to pair off with. Start with a variety of dates with a variety of young women, and when that phase yields a good prospect, proceed to courtship. It’s marriage time. That is what the Lord intends for His young adult sons and daughters. Men have the initiative, and you men should get on with it. If you don’t know what a date is, perhaps this definition will help. I heard it from my 18-year-old granddaughter. A “date” must pass the test of three p’s: (1) planned ahead, (2) paid for, and (3) paired off.
Young women, resist too much hanging out, and encourage dates that are simple, inexpensive, and frequent. Don’t make it easy for young men to hang out in a setting where you women provide the food. Don’t subsidize freeloaders. An occasional group activity is OK, but when you see men who make hanging out their primary interaction with the opposite sex, I think you should lock the pantry and bolt the front door.
If you do this, you should also hang up a sign, “Will open for individual dates,” or something like that. And, young women, please make it easier for these shy males to ask for a simple, inexpensive date. Part of making it easier is to avoid implying that a date is something very serious. If we are to persuade young men to ask for dates more frequently, we must establish a mutual expectation that to go on a date is not to imply a continuing commitment. Finally, young women, if you turn down a date, be kind. Otherwise you may crush a nervous and shy questioner and destroy him as a potential dater, and that could hurt some other sister.
My single young friends, we counsel you to channel your associations with the opposite sex into dating patterns that have the potential to mature into marriage, not hanging-out patterns that only have the prospect to mature into team sports like touch football. Marriage is not a group activity—at least, not until the children come along in goodly numbers.
”
”
Dallin H. Oaks
“
She finds herself, by some miraculous feat, no longer standing in the old nursery but returned to the clearing in the woods. It is the 'green cathedral', the place she first kissed Jack all those weeks ago. The place where they laid out the stunned sparrowhawk, then watched it spring miraculously back to life.
All around, the smooth, grey trunks of ancient beech trees rise up from the walls of the room to tower over her, spreading their branches across the ceiling in a fan of tangled branches and leaves, paint and gold leaf cleverly combined to create the shimmering effect of a leafy canopy at its most dense and opulent. And yet it is not the clearing, not in any real or grounded sense, because instead of leaves, the trees taper up to a canopy of extraordinary feathers shimmering and spreading out like a peacock's tail across the ceiling, a hundred green, gold and sapphire eyes gazing down upon her. Jack's startling embellishments twist an otherwise literal interpretation of their woodland glade into a fantastical, dreamlike version of itself. Their green cathedral, more spectacular and beautiful than she could have ever imagined.
She moves closer to one of the trees and stretches out a hand, feeling instead of rough bark the smooth, cool surface of a wall. She can't help but smile. The trompe-l'oeil effect is dazzling and disorienting in equal measure. Even the window shutters and cornicing have been painted to maintain the illusion of the trees, while high above her head the glass dome set into the roof spills light as if it were the sun itself, pouring through the canopy of eyes. The only other light falls from the glass windowpanes above the window seat, still flanked by the old green velvet curtains, which somehow appear to blend seamlessly with the painted scene. The whole effect is eerie and unsettling. Lillian feels unbalanced, no longer sure what is real and what is not. It is like that book she read to Albie once- the one where the boy walks through the wardrobe into another world. That's what it feels like, she realizes: as if she has stepped into another realm, a place both fantastical and otherworldly.
It's not just the peacock-feather eyes that are staring at her. Her gaze finds other details: a shy muntjac deer peering out from the undergrowth, a squirrel, sitting high up in a tree holding a green nut between its paws, small birds flitting here and there. The tiniest details have been captured by Jack's brush: a silver spider's web, a creeping ladybird, a puffy white toadstool. The only thing missing is the sound of the leaf canopy rustling and the soft scuttle of insects moving across the forest floor.
”
”
Hannah Richell (The Peacock Summer)
“
The book of Proverbs says, “Direct your children onto the right path, and when they are older, they will not leave it.”17 This is not (despite what we wish) a warranty for a boy’s happiness. It does not mean, “If you do all the right things as a parent, your son will be happy when he grows up.” It does not mean that there is a simple formula for success. Because every boy is different, each one requires that we take a unique approach toward guiding him. Any great teacher will tell you that it’s foolish to instruct a quiet, reserved, or shy boy the same way you would discipline an outgoing, rambunctious, or aggressive boy. To nurture and discipline a boy effectively, we must see his unique heart and adapt our approach. Nurturing boys requires that our discipline be geared toward lovingly unveiling their strength and courage, according to how these characteristics are uniquely present. Whenever we discipline boys, we must do so in a way that addresses them as the unique, noble creatures they truly are—in ways that honor them and their masculinity. By disciplining our boys in ways that do not shame them, we honor their desire for strength, reinforce their sensitivity, and encourage them toward valor. If our boys are to stand a fair chance at life, they need to enter manhood believing that they are good men. If they don’t, they will be starting out behind the eight ball.
”
”
Stephen James (Wild Things: The Art of Nurturing Boys)
“
Once the wedding gift was out of the way, Marlboro Man and I had to check one last item off our list before we entered the Wedding Zone: premarital counseling. It was a requirement of the Episcopal church, these one-hour sessions with the semiretired interim priest who led our church at the time. Logically, I understood the reasoning behind the practice of premarital discussions with a man of the cloth. Before a church sanctions a marriage union, it wants to ensure the couple grasps the significance and gravity of the (hopefully) eternal commitment they’re making. It wants to give the couple things to think about, ideas to ponder, matters to get straight. It wants to make sure it’s not sending two young lovers into what could be an avoidable domestic catastrophe. Logically, I grasped the concept.
Practically, however, it was an uncomfortable hour of sitting across from a sweet minister who meant well and asked the right questions, but who had clearly run out of juice in the zest-for-marriage department. It was emotional drudgery for me; not only did I have to rethink obvious things I’d already thought about a thousand times, but I also had to watch Marlboro Man, a quiet, shy country boy, assimilate and answer questions put to him by a minister he’d only recently met on the subject of love, romance, and commitment, no less. Though he was polite and reverent, I felt for him. These were things cowboys rarely talked about with a third party.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Korie: Ray’s daughter, Rachel, and I were best friends, and they were going to Phil’s house for dinner one night. They invited me to go along. I still remembered Willie from camp, so needless to say, I was just dying to go. I begged my parents to let me go with them. They said yes! I even remember what I wore at Willie’s house-a black top with fluorescent green earrings. Don’t judge…it was the eighties.
When Rachel and I got to the Robertsons’ house, the first thing Phil said to us was: “Have you met my boys, Jason Silas and Willie Jess? They’ll make good husbands someday. They’re good hunters and fisherman.” I was so nervous. I couldn’t believe this was happening. The other thing I remember about walking in their home was that Phil and Kay had a sign on the door that said, “Honeymoon in progress.” Phil and Kay have never been shy about their honeymooning…another thing that shocked me about their family.
Once we had eaten, Willie took us back to his room, which was actually the laundry room. He made us laugh the whole time. He would stick his thumb in his mouth and pretend that he was blowing up his muscles. He did acupressure tricks and showed us our pressure points. This was all very impressive to a couple of fifth-grade girls.
After a while, I decided I was going to try to really impress Korie. I started punching the tiles on the ceiling of the laundry room, which was a trick one of my buddies taught me. I’d rear back and just punch my fist through the ceiling and busted tile would fall over onto the floor. I’m sure she was really impressed.
”
”
Willie Robertson (The Duck Commander Family)
“
Anne. It’s true that they seem younger than Claudia and me (they don’t care much about clothes or boys yet—although Kristy did just go to her first dance), and Mary Anne is unbelievably shy, and Kristy’s sort of a tomboy. But they’re my friends, and I belong with them. Which is more than I can say about certain traitors I left behind in New York. “All right, here’s one plan,” Kristy was saying. “It’s a school afternoon. Mrs. Newton realizes that it’s time to go to the hospital. She calls Mr. Newton or a cab or whatever, then calls us, and one of us goes to stay with Jamie.” “What if we’re all busy?” I asked. “Hmm,” said Kristy. “Maybe from now on, one of us should be free each afternoon so Mrs. Newton will be guaranteed a baby-sitter. It will be a special service for her, since the Newtons are such good customers.
”
”
Ann M. Martin (The Truth About Stacey (The Baby-Sitters Club, #3))
“
They streamed aboard over three gangways, they streamed in urged by faith and the hope of paradise, they streamed in with a continuous tramp and shuffle of bare feet, without a word, a murmur, or a look back; and when clear of confining rails spread on all sides over the deck, flowed forward and aft, overflowed down the yawning hatchways, filled the inner recesses of the ship—like water filling a cistern, like water flowing into crevices and crannies, like water rising silently even with the rim. Eight hundred men and women with faith and hopes, with affections and memories, they had collected there, coming from north and south and from the outskirts of the East, after treading the jungle paths, descending the rivers, coasting in praus along the shallows, crossing in small canoes from island to island, passing through suffering, meeting strange sights, beset by strange fears, upheld by one desire. They came from solitary huts in the wilderness, from populous campongs, from villages by the sea. At the call of an idea they had left their forests, their clearings, the protection of their rulers, their prosperity, their poverty, the surroundings of their youth and the graves of their fathers. They came covered with dust, with sweat, with grime, with rags—the strong men at the head of family parties, the lean old men pressing forward without hope of return; young boys with fearless eyes glancing curiously, shy little girls with tumbled long hair; the timid women muffled up and clasping to their breasts, wrapped in loose ends of soiled head-cloths, their sleeping babies, the unconscious pilgrims of an exacting belief. 'Look at dese cattle,' said the German skipper to his new chief mate.
”
”
Joseph Conrad (Lord Jim)
“
On that September Sunday, when the excited Paul went to meet Rimbaud, the worst began. Young Rimbaud, that great talent, that poetic genius whom all of Paris supposedly awaited, must have missed Paul at the train station because he arrived alone. To our astonishment, maman and I did not see any genius but rather an uncouth and unkempt boy in shabby, dirty attire, who spoke strangely with an Ardennes accent, if he spoke at all, for he hardly said anything. He had no luggage, which raised suspicion with my mother. A person without luggage was not to be trusted. But he had beautiful blue eyes that looked shy, or so I thought at the time. Meanwhile, those innocent eyes gazed at the world cunningly and maliciously, as it would soon become apparent. Behind that childlike, pretty face of a doll hid a corrupted monster that shattered our family happiness.
”
”
Dariusz Radziejewski (Adieu, Rimbaud!)
“
Before he could explain further, however, Rhys happened to catch sight of a slim, dark shape walking past the doorway. It was only a fleeting glimpse... but it was enough to send a jolt of awareness through him.
"You," he said in a voice that carried out into the hallway. "Whoever just passed by the door. Come here."
In the riveting silence, a young woman appeared at the threshold. Her features were delicately angular, her silver blue eyes round and wide-set. As she stood at the edge of the lamplight, her fair skin and pale blond hair seemed to hold their own radiance, an effect he'd seen in paintings of Old Testament angels.
"There's a grain about it," Rhys's father had always said when he'd wanted to describe something fine and polished and perfect, something of the highest quality. Oh, there was a grain about this woman. She was only medium height, but her extreme slenderness gave her the illusion of being taller. Her breasts were high and gently rounded beneath the high-necked dress, and for a pleasurable, disorienting moment Rhys remembered resting his head there as she had given him sips of orchid tea.
"Say something," he commanded gruffly.
The shy glow of her smile gilded the air. "I'm glad to see you in better health, Mr. Winterborne."
Helen's voice.
She was more beautiful than starlight, and just as unattainable. As he stared at her, Rhys was bitterly reminded of the upper-class ladies who had looked at him with contempt when he was a shop boy, holding their skirts back if he passed near them on the street, the way they would seek to avoid a filthy stray dog.
"Is there something I can do for you?" she asked.
Rhys shook his head, still unable to take his gaze from her. "I only wanted a face to go with the voice.
”
”
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
“
My interest in comics was scribbled over with a revived, energized passion for clothes, records, and music. I'd wandered in late to the punk party in 1978, when it was already over and the Sex Pistols were history.
I'd kept my distance during the first flush of the new paradigm, when the walls of the sixth-form common room shed their suburban-surreal Roger Dean Yes album covers and grew a fresh new skin of Sex Pistols pictures, Blondie pinups, Buzzcocks collages, Clash radical chic. As a committed outsider, I refused to jump on the bandwagon of this new musical fad,
which I'd written off as some kind of Nazi thing after seeing a photograph of Sid Vicious sporting a swastika armband. I hated the boys who'd cut their long hair and binned their crappy prog albums in an attempt to join in. I hated pretty much everybody without discrimination, in one way or another, and punk rockers were just something else to add to the shit list.
But as we all know, it's zealots who make the best converts. One Thursday night, I was sprawled on the settee with Top of the Pops on the telly when Poly Styrene and her band X-Ray Spex turned up to play their latest single: an exhilarating sherbet storm of raw punk psychedelia entitled "The Day the World Turned Day-Glo" By the time the last incandescent chorus played out, I was a punk. I had always been a punk. I would always be a punk. Punk brought it all together in one place for me: Michael Moorcock's Jerry Cornelius novels were punk. Peter Barnes's The Ruling Class, Dennis Potter, and The Prisoner were punk too. A Clockwork Orange was punk. Lindsay Anderson's If ... was punk. Monty Python was punk. Photographer Bob Carlos Clarke's fetish girls were punk. Comics were punk. Even Richmal Crompton's William books were punk. In fact, as it turned out, pretty much everything I liked was punk.
The world started to make sense for the first time since Mosspark Primary. New and glorious constellations aligned in my inner firmament. I felt born again. The do-your-own-thing ethos had returned with a spit and a sneer in all those amateurish records I bought and treasured-even
though I had no record player. Singles by bands who could often barely play or sing but still wrote beautiful, furious songs and poured all their young hearts, experiences, and inspirations onto records they paid for with their dole money. If these glorious fuckups could do it, so could a fuckup like me. When Jilted John, the alter ego of actor and comedian Graham Fellows, made an appearance on Top of the Pops singing about bus stops, failed romance, and sexual identity crisis, I was enthralled by his shameless amateurism, his reduction of pop music's great themes to playground name calling, his deconstruction of the macho rock voice into the effeminate whimper of a softie from Sheffield.
This music reflected my experience of teenage life as a series of brutal setbacks and disappointments that could in the end be redeemed into art and music with humor, intelligence, and a modicum of talent. This, for me, was the real punk, the genuine anticool, and I felt empowered. The losers, the rejected, and the formerly voiceless were being offered an opportunity to show what they could do to enliven a stagnant culture. History was on our side, and I had nothing to lose. I was eighteen and still hadn't kissed a girl, but perhaps I had potential. I knew I had a lot to say, and punk threw me the lifeline of a creed and a vocabulary-a soundtrack to my mission as a comic artist, a rough validation. Ugly kids, shy kids, weird kids: It was okay to be different. In fact, it was mandatory.
”
”
Grant Morrison (Supergods: What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach Us About Being Human)
“
The Unknown Soldier
A tale to tell in bloody rhyme,
A story to last ’til the dawn of end’s time.
Of a loving boy who left dear home,
To bear his countries burdens; her honor to sow.
–A common boy, I say, who left kith and kin,
To battle der Kaiser and all that was therein.
The Arsenal of Democracy was his kind,
–To make the world safe–was their call and chime.
Trained he thus in the far army camps,
Drilled he often in the march and stamp.
Laughed he did with new found friends,
Lived they together for the noble end.
Greyish mottled images clipp’ed and hack´ed–
Black and white broke drum Ʀ…ɧ..λ..t…ʮ..m..ȿ
—marching armies off to ’ttack.
Images scratched, chopped, theatrical exaggerate,
Confetti parades, shouts of high praise
To where hell would sup and partake
with all bon hope as the transport do them take
Faded icons board the ship–
To steel them away collaged together
–joined in spirit and hip.
Timeworn humanity of once what was
To broker peace in eagles and doves.
Mortal clay in the earth but to grapple and smite
As warbirds ironed soar in heaven’s light.
All called all forward to divinities’ kept date,
Heroes all–all aces and fates.
Paris–Used to sing and play at some cards,
A common Joe everybody knew from own heart.
He could have been called ‘the kid’ by the ‘old man,’
But a common private now taking orders to stand.
Receiving letters from his shy sweet one,
Read them over and over until they faded to none.
Trained like hell with his Commander-in-Arms,
–To avoid the dangers of a most bloody harm.
Aye, this boy was mortal, true enough said,
He could be one of thousands alive but now surely dead.
How he sang and cried and ate the gruel of rations,
And grumbled as soldiers do at war’s great contagions.
Out–out to the battle this young did go,
To become a man; the world to show.
(An ocean away his mother cried so–
To return her boy safe as far as the heavens go).
Lay he down in trenched hole,
With balls bursting overhead upon the knoll.
Listened hardnfast to the “Sarge” bearing the news,
—“We’re going over soon—” was all he knew.
The whistle blew; up and over they went,
Charging the Hun, his life to be spent
(“Avoid the gas boys that’ll blister yer arse!!”).
Running through wires razored and deadened trees,
Fell he into a gouge to find in shelter of need
(They say he bayoneted one just as he–,
face to face in War’s Dance of trialed humanity).
A nameless sonnuvabitch shell then did untimely RiiiiiiiP
the field asunder in burrrstzʑ–and he tripped.
And on the field of battle’s blood did he die,
Faceless in a puddle as blurrs of ghosting men
shrieked as they were fleeing by–.
Perished he alone in the no man’s land,
Surrounded by an army of his brother’s teeming bands . . .
And a world away a mother sighed,
Listened to the rain and lay down and cried.
. . . Today lays the grave somber and white,
Guarded decades long in both the dark and the light.
Silent sentinels watch o’er and with him do walk,
Speak they neither; their duty talks.
Lone, stark sentries perform the unsmiling task,
–Guarding this one dead–at the nation’s bequest.
Cared over day and night in both rain or sun,
Present changing of the guard and their duty is done
(The changing of the guard ’tis poetry motioned
A Nation defining itself–telling of
rifles twirl-clicking under the intensest of devotions).
This poem–of The Unknown, taken thus,
Is rend eternal by Divinity’s Iron Trust.
How he, a common soldier, gained the estate
Of bearing his countries glory unto his unknown fate.
Here rests in honored glory a warrior known but to God,
Now rests he in peace from the conflict path he trod.
He is our friend, our family, brother, our mother’s son
–belongs he to us all,
For he has stood in our place–heeding God’s final call.
”
”
douglas m laurent
“
I close my eyes, groaning softly as I slowly work myself with my fingers. "You got undressed so fast. I'm impressed."
I move quicker, savoring the ache between my legs as it slowly intensifies. When I open my eyes, he leans so close to my face, I can feel the hot breath from his mouth coat my lips.
"I can do a lot of things quickly if I'm tempted. And you, Joelle..." He shudders as he works himself in his hand, his eyes never leaving mine. "Seeing you touch yourself is the ultimate temptation."
My mouth is on him instantly. With my free hand, I claw at his hair, and we kiss each other breathless. Soon we're moaning into each other's mouths. Max's hand is on my waist, and then he slides down to squeeze my ass.
Something inside me takes hold. I grab his hand and push it between my legs to take over.
"Please," I whine. "I know we can't have each other the way we want right now, but I just... I need you to touch me."
He nods at me, jaw clenched, like he's determined to take this task and run with it. And run with it he does. His massive hand works me into a tizzy, and soon all of the muscles in my body are tense with pleasure.
"Joelle," he rasps against my mouth. "I want you any way I can have you. Always."
Even though I'm lying down on my side, I'm dizzy with arousal. God, even just his words are enough to send me over the edge. I clutch his bulging arm as the ache inside me builds. When I burst, he's right there to absorb it all: my screams with his mouth, my thrashing body with his own.
When I finally come down, I set my sights on what's between his legs. I reach down and take my time with him, relishing his ragged breaths and growls, how his muscles go tense, how his eyes focus when he breaks apart, and how shy his gaze turns when he's finished.
I press a kiss to his lips, then lean up to grab napkins from the center console to help him clean up. When we're through, we're a sweaty, panting mess, and the inside of the car feels ten degrees warmer.
”
”
Sarah Echavarre Smith (The Boy With the Bookstore)
“
I always wondered why you stopped hanging out with us.”
Was I on five or six? “Peter! You made me lose my count again!”
“I have that effect on women.”
I roll my eyes at him and he grins back at me, but before he can say anything else, I yell, “Kitty! Get down here!”
“I’m working--”
“Peter’s here!” I know that will get her.
In five seconds flat, Kitty’s running into the kitchen. She skids to a stop, all of a sudden shy. “Why are you here?” she asks him.
“To pick up Lara Jean. Why aren’t you helping?”
“I was running an experiment. Wanna help me?”
I answer for him. “Sure, he’ll help you.” To Peter I say, “You’re distracting me. Go help Kitty.”
“I don’t know if you want my help, Katherine. See, I’m really distracting to women. I make them lose their count.” Peter winks at her and I make a gagging sound. “Why don’t you stay down here and help us bake?”
“Bo-ring!” Kitty turns tail and runs back up the stairs.
“Don’t you dare try to sprinkle or frost when it’s all over!” I yell. “You haven’t earned the right!
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
Okay, let's start over." I reached across the table, my hand outstretched. "I'm Stella Allesandro and I zone all the way out on my morning walks. I blame *NSYNC."
Cal laughed, but he didn't release my hand. "I'm Cal Hartshorn and I approach women by mowing them down to see if they like being underneath me."
A shocked laugh burst from my lips and I felt heat rising to my cheeks but I couldn't focus on the obvious innuendo he offered when there was more curious business at hand.
"Hold it right there," I said, leaning closer to peer at him.
"You can hold it anywhere you want it," he murmured.
"I'm sure." I held up a finger as my shoulders shook with silent laughter. "You keep them coming, Cal Hartshorn."
"I keep them coming like you wouldn't believe, Stella Allesandro," he replied. "Like you would not believe."
Laughing, I said, "Stop being obscene for a minute."
He had the balls to pull an appalled face. As if I was the one with all the bawdy comments here. "Obscene? I'm not obscene at all."
"You hide behind all your shy-boy awkwards but you're filthy.
”
”
Kate Canterbary (Before Girl (Vital Signs, #1))
“
History is storytelling,’” Yaw repeated. He walked down the aisles between the rows of seats, making sure to look each boy in the eye. Once he finished walking and stood in the back of the room, where the boys would have to crane their necks in order to see him, he asked, “Who would like to tell the story of how I got my scar?”
The students began to squirm, their limbs growing limp and wobbly. They looked at each other, coughed, looked away.
“Don’t be shy,” Yaw said, smiling now, nodding encouragingly. “Peter?” he asked. The boy who only seconds before had been so happy to speak began to plead with his eyes. The first day with a new class was always Yaw’s favorite.
“Mr. Agyekum, sah?” Peter said.
“What story have you heard? About my scar?” Yaw asked, smiling still, hoping, now to ease some of the child’s growing fear.
Peter cleared his throat and looked at the ground. “They say you were born of fire,” he started. “That this is why you are so smart. Because you were lit by fire.”
“Anyone else?”
Timidly, a boy named Edem raised his hand. “They say your mother was fighting evil spirits from Asamando.”
Then William: “I heard your father was so sad by the Asante loss that he cursed the gods, and the gods took vengeance.”
Another, named Thomas: “I heard you did it to yourself, so that you would have something to talk about on the first day of class.”
All the boys laughed, and Yaw had to stifle his own amusement. Word of his lesson had gotten around, he knew. The older boys told some of the younger ones what to expect from him.
Still, he continued, making his way back to the front of the room to look at his students, the bright boys from the uncertain Gold Coast, learning the white book from a scarred man.
“Whose story is correct?” Yaw asked them. They looked around at the boys who had spoken, as though trying to establish their allegiance by holding a gaze, casting a vote by sending a glance.
Finally, once the murmuring subsided, Peter raised his hand. “Mr. Agyekum, we cannot know which story is correct.” He looked at the rest of the class, slowly understanding. “We cannot know which story is correct because we were not there.”
Yaw nodded. He sat in his chair at the front of the room and looked at all the young men. “This is the problem of history. We cannot know that which we were not there to see and hear and experience for ourselves. We must rely upon the words of others. Those who were there in the olden days, they told stories to the children so that the children would know, so that the children could tell stories to their children. And so on, and so on. But now we come upon the problem of conflicting stories. Kojo Nyarko says that when the warriors came to his village their coats were red, but Kwame Adu says that they were blue. Whose story do we believe, then?”
The boys were silent. They stared at him, waiting.
“We believe the one who has the power. He is the one who gets to write the story. So when you study history, you must always ask yourself, Whose story am I missing? Whose voice was suppressed so that this voice could come forth? Once you have figured that out, you must find that story too. From there, you begin to get a clearer, yet still imperfect, picture.
”
”
Yaa Gyasi (Homegoing)
“
It did not occur to her to question whether Tara was worth marrying Frank. She knew it was worth it and she never gave the matter a second thought. She smiled up at him as she sipped the wine, knowing that her cheeks were more attractively pink than any of the dancers’. She moved her skirts for him to sit by her and waved her handkerchief idly so that the faint sweet smell of the cologne could reach his nose. She was proud of the cologne, for no other woman in the room was wearing any and Frank had noticed it. In a fit of daring he had whispered to her that she was as pink and fragrant as a rose. If only he were not so shy! He reminded her of a timid old brown field rabbit. If only he had the gallantry and ardor of the Tarleton boys or even the coarse impudence of Rhett Butler. But, if he possessed those qualities, he’d probably have sense enough to feel the desperation that lurked just beneath her demurely fluttering eyelids. As it was, he didn’t know enough about women even to suspect what she was up to. That was her good fortune but it did not increase her respect for him.
”
”
Margaret Mitchell (Gone with the Wind)
“
We shot The Local Stigmatic for a few weeks in Atlanta, with David Wheeler as our director, and a principal cast of myself, Paul Guilfoyle, Joe Maher, and Michael Higgins. When it was finished, we showed the film around to people we admired. We had a great dinner gathering of artists and literati in London. People like Tom Stoppard and David Hare, who all sat at a long table. Harold Pinter had seen the film twice at this point; he sat at the head of the table, and when he wanted to speak to everyone, he rang a little bell and the group fell silent. “Every once in a while,” he said, “we see something different. We come into contact with art in film.” I just sat there stunned. Heathcote was in the room, fiddling with a coin and not looking up at anyone, playing the role of the shy genius. He’d been described as a protégé of Pinter’s, but to actually be in the same room as his literary idol, I guess it all was just too much for him.
I ran the film once for Elaine May, the great actress and filmmaker, who told me, “I liked it very much. But don’t you ever show this to the public. You don’t know your fame. You don’t understand it, and you don’t understand how it registers. You must recognize it.” And she was right. You’re too well-known for this sort of thing. You have to be careful, because you’re going to startle people. Don’t put this in a theater.
I showed it to Jonas Mekas, the independent-film impresario of downtown Manhattan, who ran The Local Stigmatic at his Anthology Film Archives and told me, somewhat optimistically, that I was going to win an Oscar for it. I kept calling Andrew Sarris, the film critic for The Village Voice, to come and see it. And he said, “Stop bothering me, Al. I’ve seen it three times already. I’ve told you what I think. Just show the thing already.” I was trying to get the confidence to screen it for wider audiences. I never did.
I’ve come to realize that when I do my own things, nobody goes. Those avant-garde influences that I was brought up with never left my brain. When I’m left on my own, that’s just what seems to come out. It’s a drawback. People come in with expectations, and they leave angry. The Local Stigmatic is such a specific distillation of me and my take on this subject. It’s 150 proof, which can be a little strong for some people.
”
”
Al Pacino (Sonny Boy)
“
Jones, along with the US military attaché in Indonesia, took Subandrio’s advice. He emphasized to Washington that the United States should support the Indonesian military as a more effective, long-term anticommunist strategy. The country of Indonesia couldn’t be simply broken into pieces to slow down the advance of global socialism, so this was a way that the US could work within existing conditions. This strategic shift would begin soon, and would prove very fruitful. But behind the scenes, the CIA boys dreamed up wild schemes. On the softer side, a CIA front called the Congress for Cultural Freedom, which funded literary magazines and fine arts around the world, published and distributed books in Indonesia, such as George Orwell’s Animal Farm and the famous anticommunist collection The God That Failed.33 And the CIA discussed simply murdering Sukarno. The Agency went so far as to identify the “asset” who would kill him, according to Richard M. Bissell, Wisner’s successor as deputy director for plans.34 Instead, the CIA hired pornographic actors, including a very rough Sukarno look-alike, and produced an adult film in a bizarre attempt to destroy his reputation. The Agency boys knew that Sukarno routinely engaged in extramarital affairs. But everyone in Indonesia also knew it. Indonesian elites didn’t shy away from Sukarno’s activities the way the Washington press corps protected philanderers like JFK. Some of Sukarno’s supporters viewed his promiscuity as a sign of his power and masculinity. Others, like Sumiyati and members of the Gerwani Women’s Movement, viewed it as an embarrassing defect. But the CIA thought this was their big chance to expose him. So they got a Hollywood film crew together.35 They wanted to spread the rumor that Sukarno had slept with a beautiful blond flight attendant who worked for the KGB, and was therefore both immoral and compromised. To play the president, the filmmakers (that is, Bing Crosby and his brother Larry) hired a “Hispanic-looking” actor, and put him in heavy makeup to make him look a little more Indonesian. They also wanted him bald, since exposing Sukarno—who always wore a hat—as such might further embarrass him. The idea was to destroy the genuine affection that young Sakono, and Francisca, and millions of other Indonesians, felt for the Founding Father of their country. The thing was never released—not because this was immoral or a bad idea, but because the team couldn’t put together a convincing enough film.36
”
”
Vincent Bevins (The Jakarta Method: Washington's Anticommunist Crusade and the Mass Murder Program That Shaped Our World)
“
I miss Diana more than I can express. The world seems a colder place without her luminous presence. To had had Diana’s friendship, to have known her personally, has been a gift beyond comparison. She brought joy and pride and a touch of glamour to my life for years. I loved and admired her without reservation.
When Patrick recognized her picture on magazine covers, I thought how incredible it was that we actually knew the beautiful, famous Diana. Best of all, we knew she was even lovelier inside. I read her letters, feeling deeply touched that she continued to care for us. Seeing her in person--warm, unpretentious, and radiant--was a thrill that lasted a long, long time. It truly was, “like being brushed by angels’ wings,” as my friend at the funeral had said. Whoever would have thought when I called for a nanny so many years ago, that magic would enter my life.
My family and I watched her dazzling progress from a shy teenager to a multi-faceted and charismatic woman. She fulfilled her many roles so beautifully. Yet to me, Diana was a beloved friend, not the world-famous Princess of Wales. Behind the glamour, I saw the qualities I’d always admired in her--kindness, integrity, and grace in all she did.
Above all, Diana was born to be a mother. Showing affection was as natural to her as breathing. I saw her tender care for my young son. I know she was an utterly devoted mother to her own boys, giving them unconditional love and deriving her greatest joy in life from them.
I’ve wished so often that her life had been a fairytale, that Diana had been spared the pain and loneliness she suffered. But without the despair, she might not have developed the strength and humanity that reached out to people everywhere. Diana instinctively looked beyond her own problems to ease the pain and distress of others. She touched so many people in her short lifetime.
I never thought it would end this way--that she would die so young. I will always remember, as the last hymn faded into silence at her funeral, the solemn tread of the soldiers’ boots--so haunting, so final--as they carried her casket through the Abbey. I couldn’t bear that she was leaving forever.
For months now, I’ve searched for some solace in this tragedy. I hope that Diana’s untimely death and the worldwide mourning for her have silenced forever those who belittled her values and doubted her appeal. She rests peacefully now beyond reproach--young and beautiful.
Diana, you were greater than we realized.
We will never, never forget you.
”
”
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
“
So, my true first time with a boy was like this… You can look but you cannot touch Ha- that is what I thought, I was so wrong too and it was not with him either regrettably. It was okay my heart was beating so rapidly; I thought that it was going to explode out of my chest.
The silky-smooth skin ran along my body; it was like an enchanted expression of togetherness. At last, I felt as if I was loved. But I was not with the one that I loved. His brown eyes glazed- sweetly and softly into mine. I was so looking forward to this kiss and moment all my life. However, he walked with me in his arms to his bed. Then I was on his bed stripped of all forms of dignity. The lights were off, and the door was locked, and that took me back to when I was a little girl. Loving at night just holds onto me tight. The room is lit by the moonlight. When you are looking down at me is what you are seeing all right? This is maybe my special night. I cannot believe I am with a football player! I was not prepared at all for the performance of lovemaking. I had no idea what I was doing. I was thinking to myself this is not like the movies at all!
Yes, all the touching was extremely steamy, like before and then again, the playing around that he did on me was more intriguing, to say the least. I was thinking that he was the sweetest guy on earth. However, all the thoughts in my mind ran fast… thoughts like should we be doing this?
Yet, I am so shy and nervous my knees were knocked beforehand. Then again, this is going to be so beautiful; I had fantasized about this moment since I was a young girl. ‘Yet, I have to say to all you girls out there, to lose it when you are ready to. Please do it for you and no one else. It is about your timing, and what you choose to do, you can choose when and whom you let in!’ So, starting I felt like my tearing and breaking-in took forever, and that his pushing forward was never going to stop, love is painful in more than one way, it was so intense.
Yet, it was so perfect and feels so amazing with him now sliding in and out of me. It hurt at the start, but it got more enjoyable, that is for sure.
Yet also, it was like being run over by a speeding train, and I could not help but feel that he was not meant to be my first. Me being so naïve and only sixteen years of age I was so embarrassed by the fact that I was so under-experienced in sensual activities.
I wanted to make the best of the moments of intimacy. I was happy to say that I got my first French kiss as well, but his soft little kiss was sweeter, the first time we kissed as I remember at that time.
”
”
Marcel Ray Duriez
“
Maybe a young Jacques Cousteau...?" Sadie was still working on the boy in the suit. "But that would just be silly. I mean, a suit...? On.No."
Apparently our scrutiny hadn't gone unnoticed. Teddy-Jacques-Whoever was bearing down on us,smiling broadly under the mustache that,I noticed, was coming loose at one corner.
"Good evening,ladies!"
He was a senior, I thought. We didn't have any classes together; he was AP everything,but I thought I remembered seeing him during Performance Night in the spring, part of a co-ed a capella group. They'd done a Black Eyed Peas song-pretty well,too. He was cute, too, in a pale,lanky way.
"Walter Elias Disney," he said with a bow. "At your disposal."
"Walt Disney?" Sadie was obviously too intrigued to be shy. "Um...?"
He grinned and waved his arm at the spectacle behind him with a flourish. "The myriad talents of Johnny Depp aside,it is debatable whether any of this would have come about without me. It seemed only appropriate that I should make an appearance."
I nodded. "I'll buy that."
He bowed again,but his eyes stayed on Sadie. "Would you care to dance?"
"Oh.I....Oh." Several emotions flooded her face in an instant: terror, pleasure, uncertainty, and why-the-hell-not. She darted a glance at me. I gave a quick, emphatic nod. I would be fine. She absolutely should dance. "Sure," she said.
And off they went.
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
everything in our culture tells men and boys to avoid any interest, activity or community dominated by women - and when article after article insists that boys are reading less than girls; when the pop cultural discourse shies away from portraying boys as readers, or closely associates male reading with male unpopularity and outcastness; when the humanities is widely touted as being the feminine alternative to the masculine sciences; when finally, after centuries of exclusion, girls are actually getting a break at something, the consequence is that boys are keeping away in droves.
[...]Having been raised to exclude girls from manly pursuits, boys are also reluctant to pursue female ones. If that means reading – and in some cases, sadly, it does, reading and other sedentary or indoor hobbies being viewed as the antithesis of sports, and therefore by extension the enemy of all things masculine – then writing more boy-centric books won’t help. (Unless, of course, your ultimate long-term plan is to take reading away from girls and return it to boys, in which case, you fail everything.) If, on the other hand, you want boys and girls to be reading with equal passion and in equal numbers, then a very clear alternative presents itself: teach your boys that there’s nothing wrong with girls, or girl things, period. Take away the stigma, and let everyone read without judgement. Stories are genderless, no matter who writes or stars in them. And if we can’t bear to teach our teenagers that, then we need to seriously rethink our sstatus as an equal and fair society.
”
”
Foz Meadows
“
So who else?”
“Who else what?”
With his mouth full, he says, “Who else got letters?”
“Um, that’s really private.” I shake my head at him, like Wow, how rude.
“What? I’m just curious.” Peter dips another fry into my little ramekin of ketchup. Smirking, he says, “Come on, don’t be shy. You can tell me. I know I’m number one, obviously. But I want to hear who else made the cut.”
He’s practically flexing, he’s so sure of himself. Fine, if he wants to know so bad, I’ll tell him. “Josh, you--”
“Obviously.”
“Kenny.”
Peter snorts. “Kenny? Who’s he?”
I prop my elbows up on the table and rest my chin on my hands. “A boy I met at church camp. He was the best swimmer of the whole boys’ side. He saved a drowning kid once. He swam out to the middle of the lake before the lifeguards even noticed anything was wrong.”
“So what’d he say when he got the letter?”
“Nothing. It was sent back return to sender.”
“Okay, who’s next?”
I take a bite of sandwich. “Lucas Krapf.”
“He’s gay,” Peter says.
“He’s not gay!”
“Dude, quit dreaming. The kid is gay. He wore an ascot to school yesterday.”
“I’m sure he was wearing it ironically. Besides, wearing an ascot doesn’t make someone gay.” I give him a look like Wow, so homophobic.
“Hey, don’t give me that look,” he objects. “My favorite uncle’s gay as hell. I bet you fifty bucks that if I showed my uncle Eddie a picture of Lucas, he’d confirm it in half a second.”
“Just because Lucas appreciates fashion, that doesn’t make him gay.” Peter opens his mouth to argue but I lift up a hand to quiet him. “All it means is he’s more of a city guy in the midst of all this…this boring suburbia. I bet you he ends up going to NYU or some other place in New York. He could be a TV actor. He’s got that look, you know. Svelte with fine-boned features. Very sensitive features. He looks like…like an angel.”
“So what did Angel Boy say about the letter, then?”
“Nothing…I’m sure because he’s a gentleman and didn’t want to embarrass me by bringing it up.” I give him a meaningful look. Unlike some people is what I’m saying with my eyes.
Peter rolls his eyes. “All right, all right. Whatever, I don’t care.
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
As for the other experiences, the solitary ones, which people go through alone, in their bedrooms, in their offices, walking the fields and the streets of London, he had them; had left home, a mere boy, because of his mother; she lied; because he came down to tea for the fiftieth time with his hands unwashed; because he could see no future for a poet in Stroud; and so, making a confidant of his little sister, had gone to London leaving an absurd note behind him, such as great men have written, and the world has read later when the story of their struggles has become famous. London has swallowed up many millions of young men called Smith; thought nothing of fantastic Christian names like Septimus with which their parents have thought to distinguish them. Lodging off the Euston Road, there were experiences, again experiences, such as change a face in two years from a pink innocent oval to a face lean, contracted, hostile. But of all this what could the most observant of friends have said except what a gardener says when he opens the conservatory door in the morning and finds a new blossom on his plant: — It has flowered; flowered from vanity, ambition, idealism, passion, loneliness, courage, laziness, the usual seeds, which all muddled up (in a room off the Euston Road), made him shy, and stammering, made him anxious to improve himself, made him fall in love with Miss Isabel Pole, lecturing in the Waterloo Road upon Shakespeare. Was he not like Keats? she asked; and reflected how she might give him a taste of Antony and Cleopatra and the rest; lent him books; wrote him scraps of letters; and lit in him such a fire as burns only once in a lifetime, without heat, flickering a red gold flame infinitely ethereal and insubstantial over Miss Pole; Antony and Cleopatra; and the Waterloo Road. He thought her beautiful, believed her impeccably wise; dreamed of her, wrote poems to her, which, ignoring the subject, she corrected in red ink; he saw her, one summer evening, walking in a green dress in a square. “It has flowered,” the gardener might have said, had he opened the door; had he come in, that is to say, any night about this time, and found him writing; found him tearing up his writing; found him finishing a masterpiece at three o’clock in the morning and running out to pace the streets, and visiting churches, and fasting one day, drinking another, devouring Shakespeare, Darwin, The History of Civilisation, and Bernard Shaw.
”
”
Virginia Woolf (Complete Works of Virginia Woolf)
“
As their uncle, Earl Spencer, says their characters are very different from the public image. “The press have always written up William as the terror and Harry as a rather quiet second son. In fact William is a very self-possessed, intelligent and mature boy and quite shy. He is quite formal and stiff, sounding older than his years when he answers the phone.” It is Harry who is the mischievous imp of the family. Harry’s puckish character manifested itself to his uncle during the return flight from Necker, the Caribbean island owned by Virgin airline boss Richard Branson. He recalls: “Harry was presented with his breakfast. He had his headphones on and a computer game in front of him but he was determined to eat his croissant. It took him about five minutes to manoeuvre all his electronic gear, his knife, his croissant and his butter. When he eventually managed to get a mouthful there was a look of such complete satisfaction on his face. It was a really wonderful moment.”
His godparent Carolyn Bartholomew says, without an ounce of prejudice, that Harry is “the most affectionate, demonstrative and huggable little boy” while William is very much like his mother, “intuitive, switched on and highly perceptive.” At first she thought the future king was a “little terror.” “He was naughty and had tantrums,” she recalls. “But when I had my two children I realized that they are all like that at some point. In fact William is kind-hearted, very much like Diana. He would give you his last Rolo sweet. In fact he did on one occasion. He was longing for this sweet, he only had one left and he gave it to me.” Further evidence of his generous heart occurred when he gathered together all his pocket money, which only amounted to a few pence, and solemnly handed it over to her.
But he is no angel as Carolyn saw when she visited Highgrove. Diana had just finished a swim in the open air pool and had changed into a white toweling dressing gown as she waited for William to follow her. Instead he splashed about as though he were drowning and slowly sank to the bottom. His mother, not knowing whether it was a fake or not, struggled to get out of her robe. Then, realizing the urgency, she dived in still in her dressing gown. At that moment he resurfaced, shouting and laughing at the success of his ruse. Diana was not amused.
Generally William is a youngster who displays qualities of responsibility and thoughtfulness beyond his years and enjoys a close rapport with his younger brother whom friends believe will make an admirable adviser behind the scenes when William eventually becomes king. Diana feels that it is a sign that in some way they will share the burdens of monarchy in the years to come. Her approach is conditioned by her firmly held belief that she will never become queen and that her husband will never become King Charles III.
”
”
Andrew Morton (Diana: Her True Story in Her Own Words)
“
Though starting as a frail, shy boy, Kinsey grew up to be an “alpha” adult bully who controlled his underlings physically, psychologically, and behaviorally. Pomeroy confessed, “Kinsey dominated us.
”
”
Judith Reisman (Sexual Sabotage: How One Mad Scientist Unleashed a Plague of Corruption and Contagion on America)
“
Butterflies bashed around inside Rae’s gut. What if everyone knew about her like Devon did? What did that mean anyway? She let out a slow breath. “Sure.” No sense in being shy in front of the hot, and probably senior, boy. For some reason, she wanted to impress him and being a recluse wouldn’t accomplish that
”
”
W.J. May (The Chronicles of Kerrigan: Box Set Books 1-6)
“
It wasn’t true what they said in the movies. The nerdy, shy girl doesn’t get the boy. What she gets is to be in her twenties and still a virgin. While this wouldn’t have been my first choice, I couldn’t regret what had happened.
”
”
Zoe Blake (Sweet Cruelty (Ruthless Obsession #1))
“
She’s on her period,” he said. Ashes looked at me. I had no issues with her being on her period. It wasn’t exactly like blood was something I’d never been around before. “Specter, don’t be shy. I fucking bathe in blood, baby. Now I’ll get to fuck in it.” Church turned her face to him and bit her lip, making her whimper. “Spread your legs.
”
”
K.G. Reuss (Stitches (The Boys of Chapel Crest, #3))
“
Shockingly, she’s there, but it’s even more shocking that she’s pretty. She is pretty, sweeter, and cuter than me. Clear and white skin, pink lips. Every boys’ dream! I couldn’t stop gawking at her. Kellie has amazing big almost turquoise eyes that open wide and slight rosy cheekbones, like a model. And the best part of it all is her boobs look as big as mine. People are nudging and pushing us because she’s and, I am obstructing the entranceway, but we just stood there, anyways when we had that chat.
Oh, I forgot to say that a girl was peeing behind a car when looking out. It kind of slipped my mind. It’s a cold night, those intents better have a snuggle buddy to stay warm, and a good sleeping bag.
Maddie and Liv catch a glimpse of her walking by, and their mouths both drop open. ‘What the… hell… is that relay Karly little sister?’ Jenny and her boy turn to see what we’re both them staring at. I see Shy- looking to form the steps. Jenny goes ashen at first-she looks afraid, which is beyond strange, for her… because of her- the type to say you’re never too young to go down and get down. She loves to see young girls fall to their knees; I call it- ‘Fallen too You.’ It’s when you get up everything for a boy, like your dignity, pride, and justice.
”
”
Marcel Ray Duriez (Young Taboo (Nevaeh))
“
The mixture of displeasure and relief is so overpowering my mind. I knew that I would pick to have that pleasure if he kept being so passionate and felt right. I look down the tunneling hallway my eyes feel like kaleidoscopes, yet I can figure there are kids with sparklers and the firecrackers the sounds are going off within all the colors I see. He has to hold me with my back against the walls or I am sure I would fall, I see Justen feeling the left of a rail of the stairs, walking over the entryway into their room feather down that hallway, up above me, me like they’re going to slip away any second, and share the rest of the night cuddling in bed. Is tonight the night I follow him to his room and crawl in with him, or isn’t tonight the night, maybe hold back until tomorrow? That kept running through my head.
Tonight, or tomorrow? Tomorrow I’ll wake up and be the same, regardless if I am in his bed or not. This earth will look the same, and everything will feel and taste and smell the same. What am I rushing it for, he’s going to love me the same if not more is, I hold out? Maybe play that three-date rule.
My throat gets taut, just thinking about what we could be doing right now, also I have to think about what Ray and Justen are doing, and my eyes start to tingle in ire, and all I can think at that moment is that it’s all Ray’s fault, that my sis has gone home broken-hearted.
Yet I don’t want her spending the night here anyway, with him of all boys. It’s funny how you can go from love to hate in seconds. Half an hour later the party starts to wind down.
Inside, everyone is just about passed out, at this point, I need to find a place to crash too. Then I thought, should I, or shouldn’t I? My sis is one of those shy ones around cute boys, and those are the ones you have to worry about because they are freaks between the sheets. I can see that somebody pulled the drooping icicle lights off the wall there getting crouched on by the others passing by.
They are getting tangled up in my feet, as I move. There twanging and shorting out from the broken blabs, in sparks lighting up the grime corners, like cups and broken beer bottles. You have to be careful like I see a lot of girls with flip-flops on or barefoot running around not a good idea.
I think that I’m feeling better now until I move away from the walls, but I’m starting to feel more like the girl I should be around all my friends. ‘There’s always tomorrow,’ Jenny walked up to me and said before going up to her bed when I told her about Ray, yet she seemed not suppressed and I ran the phrase over and over in my head like a chant: There’s always tomorrow. There’s always tomorrow. So that is what I went with thinking… I am going to be with him tomorrow night. I see myself in the ornate hall mirror in the makeup that I replayed, thinking- ‘God Marcel loves this face.’ Every time I put on makeup it reminds me of my mom, I used to watch me bowed over her vanity, getting ready for dates with my father-daughter dates-and it calms me down.
”
”
Marcel Ray Duriez (Young Taboo (Nevaeh))
“
Madilyn was not stupid, she was just a little sightless, and by the time she went to high school, she lost the glass and was not a bad-looking girl at all just shy. She was always tiny, at that time she had boobs and hips that would not quit. Yet she was still the one that got picked on. I do not think I had ever said more than two words to her.
Though I think Maddie was hushed friends with her just, so she could get her homework done. Madilyn was the smarty- pants in our grade. Likewise, she was on the softball time too, with us yet she sits alone most of the time. Yet she did not seem too mined.
One time, during our freshman, it came to one of the big parties and said that she was a virgin and did not drink. We all laughed at her. I remember Jenny- saying get down on your knees girl and see what it is like. And she did, and I got it all on my phone and posted it on my web page.
Then Maddie said, to me we need to get that girl popped. Therefore, I found her a random scuzzy guy to go and do her. I had to yet I do not know why, but I feel as if that was so wrong now, yet I did it for my friends at the time. It was no different than what I went through really. If you were not given it all away by the time you were in training bras then there was something majorly wrong with you, or so the boys and some girls thought. I was the one that had her purity taken away, to some twenty-five-year-old loser. Like she was only fourteen! But like I said… I was a lot younger my first time, so maybe that makes it okay. What do you think?
I remember, Madilyn doing the walk of shame, we all have been there. Yet like I said that was the fun of it, seeing all that taking place in front of everyone at the party. I am not going to go into detail, but you could see that she was ridden hard and put away wet.
We all laughed at her after the fact, because she said it hurt and did not know what all that ‘stuff’ as she called it… was all over her face and body. ‘What do you think it is?’ said Jenny. ‘I- I DON’T know’ said Madilyn downright freaked out. Just so, you know I am not saying this to be gross or anything like that… No! This crap is what happens to us pre-teens and teens, I was one of them. Yet will I always be remembered for being one of them, just like that I am afraid so, I am afraid to live it all over?
”
”
Marcel Ray Duriez (Nevaeh Falling too You)
“
In my head I’d pictured her (Queenie) as tall, like Gloria, with a warm, smiley face. Being Sukie’s penpal, she was bound to be the fun-loving, lipstick-wearing, jitterbugging type, who’d be friendly and welcoming toward us.
It was bewildering that no one in the group fitted her description. These women didn’t even smile. They were pointing at us evacuees – discussing us – like they were choosing what cake to have for tea.
‘I’m looking for help with milking my Jerseys,’ said a woman with large front teeth. ‘Someone who’s not shy of getting up at dawn.’
The older kids seemed to think this a right lark, especially the boys, most of whom had probably never been near a live cow before. Within moments, they were falling over themselves to volunteer.
‘Don’t take all the best ones, Poll,’ another woman complained, which started them off bickering over who’d get the strongest boys.
It wasn’t exactly fun, hovering like a spare part while everyone else got picked. There was no sign of anyone who might be Queenie, either. I grew anxious again, wondering how much longer we’d have to wait. Cliff leaned his head sleepily on my soldier.
”
”
Emma Carroll (Letters from the Lighthouse)
“
Vera had started birth control for me. For me.
Fuck, if that wasn’t the hottest fucking thing. I hadn’t been able to stop thinking about it—about her. She had been so shy to tell me, but the thought of it got me so hard. I wanted to fuck her right then and there.
”
”
Emilia Rose (The Bad Boy (Bad Boys of Redwood Academy, #3))
“
what kind of music she likes (emo stuff from the early 2000s like Fall Out Boy).
”
”
Kayla Grosse (Puck Shy (Brother Puckers, #2))
“
Dečko taj,
čudni, začarani dečko taj
vele da gdje je svijetu kraj, svijetu kraju
otkri napokon.
Pomalo plah, tužan na mah
al' premudar bje on.
There was a boy
A very strange enchanted boy
They say he wandered very far
Very far
Over land and sea
A little shy and sad of eye
But very wise was he
”
”
eden ahbez (Nature Boy Sheet Music)
“
She no longer recognized the sweet boy who wrote her poems. Military training had transformed him, muscled him up, hardened him. And when they made love, the reticent young man, so shy with his girlish young body, had become brutal and selfish. It was then that she started to be afraid of him.
”
”
Hervé Le Tellier (The Anomaly)
“
Mom comes home and asks me how my day was. Well, if you must know, I got so scared watching a horror movie that I buried my face in Zack’s chest and he protectively wrapped his arms around me. Then we fell asleep in each other’s arms… It’s perfectly normal for that to happen to friends…right?
”
”
Emma Dalton (Bad Boys Don’t Fall For Shy Girls (Invisible Girls Club, #3))
“
The visitors, seeing Theobald look shy and wholly unmoved by the exhibition of so much consideration for his wishes, would remark to themselves that the boy seemed hardly likely to be equal to his father and would set him down as an unenthusiastic youth, who ought to have more life in him and be more sensible of his advantages than he appeared to be. No one believed in the righteousness of the whole transaction more firmly than the boy himself; a sense of being ill at ease kept him silent, but it was too profound and too much without break for him to become fully alive to it, and come to an understanding with himself. He feared the dark scowl which would come over his father’s face upon the slightest opposition. His father’s violent threats, or coarse sneers, would not have been taken au serieux by a stronger boy, but Theobald was not a strong boy, and, rightly or wrongly, gave his father credit for being quite ready to carry his threats into execution. Opposition had never got him anything he wanted yet, nor indeed had yielding, for the matter of that, unless he happened to want exactly what his father wanted for him. If he had ever entertained thoughts of resistance, he had none now, and the power to oppose was so completely lost for want of exercise that hardly did the wish remain; there was nothing left save dull acquiescence as of an ass crouched between two burdens. He may have had an ill-defined sense of ideals that were not his actuals; he might occasionally dream of himself as a soldier or a sailor far away in foreign lands, or even as a farmer’s boy upon the wolds, but there was not enough in him for there to be any chance of his turning his dreams into realities, and he drifted on with his stream, which was a slow, and, I am afraid, a muddy one.
”
”
Book House (100 Books You Must Read Before You Die - volume 1 [newly updated] [Pride and Prejudice; Jane Eyre; Wuthering Heights; Tarzan of the Apes; The Count of ... (The Greatest Writers of All Time))
“
Everyone’s going to wonder who gave the quiet, shy valedictorian a baby. What’re you going to say when people ask who’s child you’re carrying? Are you going to tell them that it’s your teachers? That you were such a pretty little slut for him that he gave you detention just so he could fill you?
”
”
Emilia Rose (Detention (Bad Boys of Redwood Academy, #4))
“
Gabs, can we talk a second?” He clears his throat. Nothing good ever follows that statement. I brace myself for what’s sure to be an awkward conversation. “I just want to apologize for our… misunderstanding freshman year.” I’m silent for a moment, but the rush of anger that spikes my pulse has me responding before I think better of it. “You’d call it a misunderstanding, huh?” I roll my eyes. “Funny, I didn’t think I misunderstood anything, but if you want to mansplain it to me now, go for it.” Why make this easy for him? It’s always been difficult for me to make friends, but for some reason, Rider slipped through my defenses. I was assigned to tutor him in English. I remember meeting him in the library, and the shy smile he gave me. He was embarrassed to need help. It was the most endearing thing I’d ever seen, and I swear when he leveled me with those big gray eyes, the ground fell out beneath me. I’m a practical girl, but foster care made me cynical, and ending up with my aunt did nothing to help my outlook on life. But Rider was funny and sweet, not to mention ridiculously good-looking, and I went over faster than a felled log in a forest. This was before he was the golden boy of the football team. When he was just this guy Rider from some speck-of-dust small Texas town like me. Even though he rode the bench, I went to all of his games, and we’d grab pizza afterward and talk until late in the night. Although he didn’t outright say it, I knew he had a rough home life. He mentioned that his father was an ass. I wanted to wrap my arms around him and make it better. And I thought I meant something to him. That what we had was special. Until he became the starting quarterback.
”
”
Lex Martin (The Varsity Dad Dilemma (Varsity Dads #1))
“
Sicily--- Oranges, pistachios, and/or aubergine. Sicilian food a product of immense, diverse history. Have sardines! Try the orange cake. You'll find it all over, but there used to be a good one in Taormina.
I shake my head in amazement. Somehow, it feels like Dad had been quietly guiding me.
Tuscany--- Wild boar is good but tomatoes are better. Nothing else! Please say something with Chiara's tomatoes. I want to help her. Farm is a century old and sells some obscure varieties. Tomato salads, tomato bread soup, panzanella.
And here too, Leo and I had organically found the path my father laid out for us. The notes on Liguria are less specific, but when I read his scrawled handwriting, I smile to myself.
Liguria--- Was thinking about beans, but basil a good opinion.
Oh boy, I cannot wait to show that note to Leo. Basil a good option!
Leo.
I sit and write with an open heart, not shying away from treacly memories of cut oranges shared in the sea. Pushing my cynicism to the side and allowing the love I have for food, for Italy, for my father, to run from my heart down my veins to my fingers and onto the page.
”
”
Lizzy Dent (Just One Taste)
“
Contrary to my own misconceptions, it turns out that serial killers have been around for as long as there have been people—neither the modern world nor America is to blame. After discussing the well-known case of Jack the Ripper, Dr. von Krafft-Ebing discusses the far lesser known Vacher the Ripper, who stalked the French countryside in the late 1800s, murdering perhaps two dozen people. He would rape, strangle, and mutilate his victims, who included girls, women, and boys. It was said that he was born “of honourable parents and belonged to a mentally sound family. He never had a severe illness, [and] was from his earliest infancy vicious, lazy and shy of work.
”
”
Matt Murphy (The Book of Murder: A Prosecutor's Journey Through Love and Death)
“
Bassically
Baby, I’ll behave
If you let me stay
Please don’t say
That I’m begging you for love
Baby, let me stay
When the world is gone
Promise I’ll behave
Never right you wrong
Is that what you want
Like the other boys?
Someone you can throw
Like the other toys?
Is that what you found
Like the other boys
Someone you can drown
Like the other noise?!
Baby, I’ll behave
If you let me stay.
Please don’t say
That I’m begging you for love.
”
”
Tei Shi
“
No. No. Not this. Not this, that had kept him aloof from his fellows through school. Not this, fear of seeing the sun on a cheekbone, filtered through someone’s eyelashes, or the shadow of a jawline, and feeling . . . this thing. The thing that poets spoke about, but not like this. Not for the girls at the dances with their shy smiles and sturdy prettiness but for the boys, milling about on the other side of the room in navy shirts and red ties, looking, by turns, bored and nervous and happy.
”
”
Anonymous
“
Swimming
Used to know a boy, he was so shy
Never knew his thoughts, he never knew mine
My troubles disappeared whenever he came close
Was walking on air, my feelings exposed
Ooh, ooh, my life would be a different game
Ooh, ooh, lucky never we became
Ooh, ooh, and now so many years have past
Ooh, ooh, my memory's as clear as glass
I used to be the girl who never had a plan
Was only daydreaming of only one man
Smoking in my room crying over you
Walking on air into the blue
Ooh, ooh, my life would be a different game
Ooh, ooh, so lucky never we became
Ooh, ooh, and now so many years have past
Ooh, ooh, my memory's as clear as glass
”
”
Little Dragon
“
Piers Morgan
Piers Morgan is a British journalist best known for his editorial work for the Daily Mirror from 1995 through 2004. He is also a successful author and television personality whose recent credits include a recurring role as a judge on NBC’s America’s Got Talent. A controversial member of the tabloid press during Diana’s lifetime, Piers Morgan established a uniquely close relationship with the Princess during the 1990s.
William arrived at 1 p.m., age thirteen and a half, with braces on his teeth. Tall, shy, and clearly rather bemused to be here, he nodded, rather embarrassed, in my direction. “Hello, sir,” I said, totally unsure of what to call him. “Hello,” he replied, preferring not to call me anything.
Jane Atkinson made up the four. We went through to a small but very pleasant little dining room to eat. William asked Diana if she’d seen the portrait of the Queen in yesterday’s papers. “Her hands looked like she’d been in the garden all day; they were all big and dirty,” he laughed. Diana giggled instinctively, then stopped herself. “William, please, don’t say that.”
“Sorry, Mummy, but it’s true: Granny did look really funny.”
Granny. How odd it sounded.
“Can I have some wine, Mummy?”
“No, William! Whatever are you thinking?”
“But Mummy, I drink it all the time.”
“Erm, no, you don’t actually, and, well, you can’t have any.”
“Yes, I can,” he replied with a mischievous but determined grin.
And he did. A small but interesting piece of power play to observe. William knew what he wanted, and Diana was a soft touch with her boys. Both facts seemed quite good news to me.
”
”
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
“
Well, you don’t have to be shy with me, because I’ve been looking forward to meeting you. And I hear you’ve been a big help to Luke.” Art lifted his eyes and said, “You’re not the queen of England.” Maureen gave Luke a withering stare from narrowed eyes, something she had perfected by the time he was seven. It was that warning glance. The boys called it the “don’t fuck with me” look, but Maureen had never in her life uttered that word. “But
”
”
Robyn Carr (Temptation Ridge)
“
The first go out to his brothers, George the golden young man, Duke of Clarence, and the youngest York boy, twelve-year-old Richard, Duke of Gloucester, who smiles shyly at me and dips his head when I send him some braised peacock. He is as unlike his brothers as is possible, small and shy and dark-haired, slight of build and quiet, while they are tall and bronze-headed and filled with their own importance. I like Richard on sight, and I think he will be a good companion and playmate to my boys, who are only a little younger than him.
”
”
Philippa Gregory (The White Queen (The Plantagenet and Tudor Novels, #2))
“
Until the moment they locked eyes on the CBS plane, each so startled their masks fell, and Truman was, for only a fragment of a moment, no longer the startlingly self-assured prodigy but a lost little boy, forgotten. And Babe was, beneath the couture and makeup, a shy, unsure woodland creature, hugging herself for comfort.
”
”
Melanie Benjamin (The Swans of Fifth Avenue)
“
Adam: Adam was a young man whose anxiety turned into a monster. Where Shelly had a very mild case of social anxiety, Adam’s case could only be called severe. Over a period of several years, his underlying social fears developed into a full-blown school phobia. A quiet, unassuming person, Adam had never stood out in the classroom. Through elementary school and on into high school, he neither excelled nor failed his subjects. By no means a discipline problem, the “shy” Adam kept to himself and seldom talked in class, whether to answer a teacher’s question or chat with his buddies. In fact, he really had no friends, and the only peers he socialized with were his cousins, whom he saw at weekly family gatherings.
Though he watched the other kids working together on projects or playing sports together, Adam never approached them to join in. Maybe they wouldn’t let him, he thought. Maybe he wasn’t good enough. Being rejected was not a chance he was willing to take.
Adam never tried hard in school either. If he didn’t understand something, he kept quiet, fearful that raising his hand would bring ridicule. When he did poorly on an exam or paper, it only confirmed to him what he was sure was true: He didn’t measure up. He became so apprehensive about his tests that he began to feel physically ill at the thought of each approaching reminder of his inadequacy. Even though he had studied hard for a math test, for example, he could barely bring himself to get out of bed on the morning it was to take place. His parents, who thought of their child as a reserved but obedient boy who would eventually grow out of this awkward adolescent stage, did not pressure him. Adam was defensive and withdrawn, overwrought by the looming possibility that he would fail.
For the two class periods preceding the math test, Adam’s mind was awash with geometry theorems, and his stomach churning. As waves of nausea washed over him, he began to salivate and swallowed hard. His eyes burned and he closed them, wishing he could block the test from his mind. When his head started to feel heavy and he became short of breath, he asked for a hall pass and headed for the bathroom.
Alone, he let his anxiety overtake him as he stared into the mirror, letting the cool water flow from the faucet and onto his sweaty palms. He would feel better, he thought, if he could just throw up. But even when he forced his finger down his throat, there was no relief. His dry heaves made him feel even weaker. He slumped to the cold tile and began to cry. Adam never went back to math class that day; instead, he got a pass from the nurse and went straight home.
Of course, the pressure Adam was feeling was not just related to the math test. The roots of his anxiety went much deeper. Still, the physical symptoms of anxiety became so debilitating that he eventually quit going to school altogether. Naturally, his parents were extremely concerned but also uncertain what to do. It took almost a year before Adam was sufficiently in control of his symptoms to return to school.
”
”
Jonathan Berent (Beyond Shyness: How to Conquer Social Anxieties)
“
The children hadn't any Mamma. She had died when Phil was a baby, four years before my story began. Katy could remember her pretty well; to the rest she was but a sad, sweet name, spoken on Sunday, and at prayer-times, or when Papa was especially gentle and solemn. In place of this Mamma, whom they recollected so dimly, there was Aunt Izzie, Papa's sister, who came to take care of them when Mamma went away on that long journey, from which, for so many months, the little ones kept hoping she might return. Aunt Izzie was a small woman, sharp-faced and thin, rather old-looking, and very neat and particular about everything. She meant to be kind to the children, but they puzzled her much, because they were not a bit like herself when she was a child. Aunt Izzie had been a gentle, tidy little thing, who loved to sit as Curly Locks did, sewing long seams in the parlor, and to have her head patted by older people, and be told that she was a good girl; whereas Katy tore her dress every day, hated sewing, and didn't care a button about being called "good," while Clover and Elsie shied off like restless ponies when any one tried to pat their heads. It was very perplexing to Aunt Izzie, and she found it hard to quite forgive the children for being so "unaccountable," and so little like the good boys and girls in Sunday-school memoirs, who were the young people she liked best, and understood most about.
”
”
Susan Coolidge (What Katy Did)
“
After lunch with Beck, I spend some time with Emmy while we wait on Chelcie to finish up with Sway. According to Maddox’s last grunt filled, one-word response, phone call, she is happily being ‘fluffed like a f**king bird’. I start laughing so hard that I almost drop the phone when he tells me that Sway has already tried to sit on his lap twice. Those guys can play all they want, but they secretly love the attention that Sway is not shy about throwing at them.
“We need to get Sway a man. Not just any man, but we need someone that could stand up next to these C.S. boys and belong. Certified, grade-A, hunk material.”
Emmy looks up from where she’s entering some notes from an earlier meeting the guys had and drops her jaw.
“You aren’t seriously thinking about playing matchmaker, right?
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Harper Sloan (Beck (Corps Security, #3))
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When he glanced at the corner where he used to play by himself, he could almost see the ghost of the little boy he had been. So shy and bashful, afraid to speak to anyone. Owen was rarely tongue-tied now, and his good looks and confidence made him approachable. There was still that solitary little boy inside him, though, and he would always prefer the company of a few to the company of many.
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Jeff Wheeler (The Thief's Daughter (Kingfountain, #2))
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EMI might have termed the band below “berks from Liverpool,” but Martin was beginning to see Epstein’s boys in a different light. Dedicated, diligent performers, the skinny young men were nothing shy of exceptional. When
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Jude Southerland Kessler (Shivering Inside)
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Andy began losing his erection, and wasn’t able to perform. For me, the allure was Kismat’s unusualness. My erection was waning. If not for Nirob and Andy's alpha attention, I would not have been able to continue. I’d rather have been a voyeur, watching Kismat and Nirob, than an active participant. Nirob was completely turned on having a Lady Boy and a Pretty Boy simultaneously. He asked Andy to take photographs, thus providing him the perfect excuse to shy away from sexual participation (as he had totally lost his erection). He embraced the camera, clicking away, capturing our three-way action.
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Young (Initiation (A Harem Boy's Saga Book 1))
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There’s this little boy in my class – Raymond. I don’t know if you remember him. He stutters, so he’s real shy. The kids make fun of him, even the teacher loses patience, but every time I see him I just want to take him in my arms and hold him, protect him because I know no one sticks around too long with somebody who can’t communicate. Not enough love in the world that can withstand that kind of stinginess that kind of terror. You hear what I’m saying Wendal? The teacher says I’m not helping him by not making him speak, but the real message always seems to come through when the words are moved out of the way… don’t you think? Like now, how I heard you, for the first time loud and clear… it’s been good, Wendal, but I can do better. You know what I’m saying?... I can do better with someone, someone who cares, at least tries to stutter. Hope you can get your money back on the ring.
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Cheryl L. West (Before it Hits Home.)
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Gandhi was born on October 2, 1869, in Porbandar, India. At the time of his birth, India had been ruled by the English for over 200 years. “There was nothing unusual about the boy Mohandas Karamchand Gandhi, expect perhaps that he was very, very shy. He had no unusual talent, and went through school as a somewhat less than average student.”14
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Cameron C. Taylor (8 Attributes of Great Achievers)
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The one thing I do know is that Miki is obsessed with me, maybe in his own fucked up way he loves me. He won’t let me go and in the end that will kill him…- Shi
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Rochelle H. Ragnarok (The Boy with the Koi Tattoo (Boys in Love #2))
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Does it mean I’m your wife?” He playfully teased holding up his long slender finger showcasing the band.
“Yep, but I’ll be good to you.” They kissed again.
“You’re too good.” Dai whispered. “But I’m not going to be the lady of the house.”
Shi gasped in mock surprise. “You mean you’re not going to cook for me and do the laundry?”
Dai laughed. “Depends.”
“On?”
“How good you suck cock.” Dai leaned forward and whispered in his ear.
“Really? I didn’t realize I was marrying someone so demanding.”-Dai and Shi
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Rochelle H. Ragnarok (The Boy with the Koi Tattoo (Boys in Love #2))
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I’ve never been shy about dancing. Boys who are shy about dancing look like uncoordinated morons, and girls definitely get turned off by that.
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Anonymous
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burned low. The next morning servants brought in bananas, milk, and sweet rice to their room. After breakfast, Madam Vesteria pursed her lips as she inspected them, and satisfied, led them down a white marble hallway, broad and lined with statues of gods, goddesses, and mythical heroes and creatures. They came to the grand foyer, a circular and open room with light streaming in from above, and with one direction leading to a massive carved mahogany door, and opposite, a spiral staircase wound up and around four stories high. “You will wait here.” Master Vesteria pulled on a long, silken rope that sounded a deep, melodic bell. “Prepare yourselves to meet the young masters of the Five Calazars.” Talis heard the slow clicking of heels down the staircase. Two boys, twins about the same age as Rikar, sauntered down, followed by a girl who appeared a year younger than Mara. Talis laughed to himself, expecting more children from five families. The girl was petite and pale, shy to the point of almost being afraid to glance at them. The twins chuckled as they whispered, staring at Talis as if caught up in some private joke. Their eyes held proud, indifferent expressions. They also were dressed in white, but their clothes were made of woven silk, layered with gold and some black metal. “Just arrived?” a twin said, his voice laced with sarcasm. “Let
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John Forrester (Fire Mage (Blacklight Chronicles, #1))
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Time to lose the clothes, shy boy." Every muscle in Tad's body wrenched tight. "Come again?" Scott's eyes glittered. "And again. And again.
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Kora Knight (Loser Takes All (Upending Tad: A Journey of Erotic Discovery, #1))
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As young girls, my friends and I often played “school” or “house,” cooperative role-playing games in which we acted out scenarios like math class or making dinner. As long as I got to be the teacher or the mother, I loved these games. They played into my need for control and my love of organizing. If I didn’t get to be the teacher or the mother, the game usually ended in a nasty fight between me and the girl who got that role. Other kids’ rules made no sense to me. They felt all wrong. I had to be in charge or I wasn’t playing. Dr. Tony Attwood describes this as “god mode”—the way that autistic kids need to control every aspect of a social situation to make it safe for them to interact. For whatever reason, a few friends tolerated my god mode and hung around, though not all the time. I remember sometimes daily shouting matches that left me without a playmate for the rest of the day. Unlike boys’ games, where there tend to be winners and losers, girls’ games are often based on how well a girl cooperates with the group to create an enjoyable role-playing scenario. Boys
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Cynthia Kim (Nerdy, Shy, and Socially Inappropriate: A User Guide to an Asperger Life)
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If I ignored you at some stupid party it wasn't on purpose. I was a ____ing idiot when I was a teenager Saint. My priorities we locked firmly in my pants. If a girl was a sure thing back then you think any 18 year old guy was going to turn her down? But I heard that next week Nash, I saw you with my own eyes. It was a long time ago but my memory is clear. If it was just a case of boys being boys, it still really really hurt. I never even thought that about you Saint. So there is no way I would have said it. I thought you were shy and yeah maybe pretty awkward and a little to studious for my taste, but I always thought you were pretty. Why do you think I said hi to you everyday, try to engage you. I thought your smile was beautiful, and when you finally loosened to give it to me on a regular basis I was stoked. Your hair is awesome and wild I love that ____, and your eyes, your eyes could inspire men to go to war, to paint works of art, to rip their goddam heart out of their chests and to offer it you without a second thought. Then and now. None of that has changed over the years.
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Jay Crownover
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Juvenalius has problems... though like most kids on the threshold of sexual awareness he only knows life sucks... he isn't clear about why. His mother rants on and on about the iniquity of his school having a gay straight alliance. She's quite safe about that, as Ryan is too shy to join, or is that scared? His only friend is a dog so the question of boy or girl-friend hardly arises... until he gets a valentine... from the least likely boy in the school.
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JUVENALIUS