Shuffle Status Quotes

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I need not adapt in certain ways. I am in fact but a visitor to this world, an ephemeral gasp within its long, tired history, and, before anything else, a follower of Christ. By this alone I have the power not to shuffle away from the Faith, the power to break loose from these marching-shackles of ongoing cultural and political pretense.
Criss Jami (Healology)
Almost everything is tuned to keeping the status quo shuffling along. When your life really takes off, some of your friends are very likely to perceive this as a threat because you, not they, are stepping out into a new future. They will cajole you to keep within conventional bounds, to be reasonable, to do the “right” thing.
Nicholas Lore (The Pathfinder: How to Choose or Change Your Career for a Lifetime of Satisfaction and Success (Touchstone Books (Paperback)))
After all, a kiss between real lovers is not some type of contract, a neatly defined moment of pleasure, something obtained by greedy conquest, or any kind of clear saying of how it is. It is a grief-drenched hatching of two hearts into some ecstatic never-before-seen bird whose new uncategorizable form, unrecognized by the status quo, gives the slip to Death's sure rational deal. For love is a delicious and always messy extension of life that unfrantically outgrows mortality's rigid insistence on precise and efficient definition. Having all the answers means you haven't really ecstatically kissed or lived, thereby declaring the world defined and already finished. Loving all the questions on the other hand is a vitality that makes any length of life worth living. Loving doesn't mean you know all the notes and that you have to play all the notes, it just means you have to play the few notes you have long and beautifully. Like the sight of a truly beautiful young woman, smooth and gliding, melting hearts at even a distant glimpse, that no words, no matter how capable, can truly describe; a woman whose beauty is only really known by those who take a perch on the vista of time to watch the years of life speak out their long ornate sentences of grooves as they slowly stretch into her smoothness, wrinkling her as she glides struggling, decade by decade, her gait mitigated by a long trail of heavy loads, joys, losses, and suffering whose joint-aching years of traveling into a mastery of her own artistry of living, becomes even more than beauty something about which though we are even now no more capable of addressing than before, our admiration as original Earth-loving human beings should nonetheless never remain silent. And for that beauty we should never sing about, but only sing directly to it. Straightforward, cold, and inornate description in the presence of such living evidence of the flowering speech of the Holy in the Seed would be death of both the beauty and the speaker. Even if we always fail when we speak, we must be willing to fail magnificently, for even an eloquent failure, if in the service of life, feeds the Divine. Is it not a magical thing, this life, when just a little ash, cinder, and unclear water can arrange themselves into a beautiful old woman who sways, lifts, kisses, loves, sickens, argues, loses, bears up under it all, and, wrinkling, still lives under all that and yet feeds the Holy in Nature by just the way she moves barefoot down a path? If we can find the hearts, tongues, and brightness of our original souls, broken or not, then no matter from what mess we might have sprung today, we would be like those old-time speakers of life; every one of us would have it in our nature to feel obligated by such true living beauty as to know we have to say something in its presence if only for our utter feeling of awe. For, finally learning to approach something respectfully with love, slowly with the courtesy of an ornate indirectness, not describing what we see but praising the magnificence of her half-smiles of grief and persistent radiance rolling up from the weight-bearing thumping of her fine, well-oiled dusty old feet shuffling toward the dawn reeds at the edge of her part of the lake to fetch a head-balanced little clay jar of water to cook the family breakfast, we would know why the powerful Father Sun himself hurries to get his daily glimpse of her, only rising early because she does.
Martin Prechtel (The Unlikely Peace at Cuchumaquic: The Parallel Lives of People as Plants: Keeping the Seeds Alive)
As long as the economic motor of the world continues to function, however, the status quo will shuffle along. When the economic motor quits, then look to the battle lines that men have already drawn. Dislike will turn to hatred, and hatred to murderous rage. Growth and progress will end. Contraction and war will begin.
J.R. Nyquist
And yet the idea that a person’s character and social station could be read in his or her face had greater currency than ever. There were social and political reasons for this. Since the 1789 revolution, social hierarchies in France had undergone seventy years of unstinting, often violent upheaval. With the deck of class violently shuffled by a series of political disruptions, and industry rapidly changing the face of the city, fears of conspiracy and criminality were rife among the bourgeoisie and the upper classes. Not even fashion and dress brought clarity to the situation, since people could no longer be depended upon to dress in ways that reflected their social standing. Instead—and increasingly—people’s clothes expressed their social aspirations. Those whose status had once been relatively settled wanted reassurance. They needed to feel the city was legible, knowable, and at least potentially under control. (It’s not by accident that the genre of the detective novel, in which a hero endowed with preternatural abilities at reading clues solves puzzling crimes, emerged at the same time.) In these new, unstable social circumstances (which are a large part of what we mean by modernity), the pseudoscience of physiognomy was immensely appealing.
Sebastian Smee (The Art of Rivalry: Four Friendships, Betrayals, and Breakthroughs in Modern Art)