Shuffle Off This Mortal Coil Quotes

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To die, - To sleep, - To sleep! Perchance to dream: - ay, there's the rub; For in that sleep of death what dreams may come, When we have shuffled off this mortal coil, Must give us pause: there's the respect That makes calamity of so long life;
William Shakespeare (Hamlet)
To be, or not to be: that is the question: Whether 'tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And by opposing end them? To die: to sleep; No more; and by a sleep to say we end The heart-ache and the thousand natural shocks That flesh is heir to, 'tis a consummation Devoutly to be wish'd. To die, to sleep; To sleep: perchance to dream: ay, there's the rub; For in that sleep of death what dreams may come When we have shuffled off this mortal coil, Must give us pause: there's the respect That makes calamity of so long life; For who would bear the whips and scorns of time, The oppressor's wrong, the proud man's contumely, The pangs of despised love, the law's delay, The insolence of office and the spurns That patient merit of the unworthy takes, When he himself might his quietus make With a bare bodkin? who would fardels bear, To grunt and sweat under a weary life, But that the dread of something after death, The undiscover'd country from whose bourn No traveller returns, puzzles the will And makes us rather bear those ills we have Than fly to others that we know not of? Thus conscience does make cowards of us all; And thus the native hue of resolution Is sicklied o'er with the pale cast of thought, And enterprises of great pith and moment With this regard their currents turn awry, And lose the name of action.--Soft you now! The fair Ophelia! Nymph, in thy orisons Be all my sins remember'd!
William Shakespeare (Hamlet)
Devoutly to be wish'd. To die, to sleep; To sleep, perchance to dream—For in that sleep of death what dreams may come,When we have shuffled off this mortal coil, Must give us pause, there's the respect, That makes calamity of so long life
William Shakespeare (Hamlet)
For in that sleep of death what dreams may come When we have shuffled off this mortal coil,Must give us pause
William Shakespeare
I got mixed up with some oddness in my youth, and the long and short of it is that I can't shuffle off this mortal coil until I have read the ten most boring classics.
Jasper Fforde (Lost in a Good Book (Thursday Next, #2))
In fact, when I finally shuffle off this mortal coil, you will have to pry a book out of my cold, dead hands.
Michael Cart
Each person must develop a wholesome personal response to enduring the hardships of daily life and witnessing the discord, disharmony, dissension, and suffering of the world. We can either become an emotional hypochondriac or accept the fact that we are insignificant in a desolate and meaningless world. How we respond to the vale of tears until we shuffle off this mortal coil imbrues poetic meaning to our life.
Kilroy J. Oldster (Dead Toad Scrolls)
...Brain death didn't allow one time to heal, and the brain was the warehouse for the spirit. Punch a hole in that and you'd shuffle off your mortal coil right away. Keeping your coil unshuffled was the problem.
Kevin Hearne (Hunted (The Iron Druid Chronicles, #6))
He stepped on it. Squished it. Squashed it. Killed it. Cut it down in its prime. It kicked the bucket, turned up its toes, shuffled off this mortal coil. It was... an ex-rabbit." "He's a dangerous man, your father." "The baby better learn to dodge.
Derek Landy (Mortal Coil (Skulduggery Pleasant, #5))
You are one in a million; do not shuffle off your mortal coil as a blank space in the rear rank.
Anyaele Sam Chiyson (The Sagacity of Sage)
For in that sleep of death what dreams may come, When we have shuffled off13 this mortal coil,
William Shakespeare (Hamlet)
shuffled off this mortal coil.
Joseph Campbell (Myths of Light: Eastern Metaphors of the Eternal (The Collected Works of Joseph Campbell))
To die, to sleep. To sleep, perchance to dream—ay, there’s the rub, For in that sleep of death what dreams may come When we have shuffled off this mortal coil, Must give us pause. There’s the respect That makes calamity of so long life.
William Shakespeare (Hamlet)
To die, to sleep; To sleep: perchance to dream: ay, there's the rub; For in that sleep of death what dreams may come When we have shuffled off this mortal coil, Must give us pause: there's the respect That makes calamity of so long life;
William Shakespeare (Hamlet)
If memory is biased towards pessimism, if, retrospectively, all appears blacker and bleaker than it actually was, then this might make life easier to leave behind. If, like dear old Joan, dead now these thirty years and more, you had already been to hell and back in your lifetime, then what fear of actual hell, or, more probably, eternal nonexistence? There drifted into his mind words caught on the headcam of a British soldier in Afghanistan—words spoken by another soldier as he executed a wounded prisoner. “There you are. Shuffle off this mortal coil, you cunt,” the man had said before pulling the trigger. Impressive to have Shakespeare half-quoted on the modern battlefield, he had thought at the time.
Julian Barnes (The Only Story)
As figure 20-1 shows, support for all three of its recrudescences—Trump, Brexit, and European populist parties—falls off dramatically with year of birth. (The alt-right movement, which overlaps with populism, has a youngish membership, but for all its notoriety it is an electoral nonentity, numbering perhaps 50,000 people or 0.02 percent of the American population.)44 The age rolloff isn’t surprising, since we saw in chapter 15 that in the 20th century every birth cohort has been more tolerant and liberal than the one that came before (at the same time that all the cohorts have drifted liberalward). This raises the possibility that as the Silent Generation and older Baby Boomers shuffle off this mortal coil, they will take authoritarian populism with them.
Steven Pinker (Enlightenment Now: The Case for Reason, Science, Humanism, and Progress)
Formerly we accorded to man, as his inheritance from some higher order of beings, what was called "free will"; now we have taken even this will from him, for the term no longer describes anything that we can understand. The old word "will" now connotes only a sort of result, an individual reaction, that follows inevitably upon a series of partly discordant and partly harmonious stimuli - the will no longer "acts," or "moves."... Formerly it was thought that man's consciousness, his "spirit," offered evidence of his high origin, his divinity. That he might be perfected, he was advised, tortoise-like, to draw his senses in, to have no traffic with earthly things, to shuffle off his mortal coil - then only the important part of him, the "pure spirit," would remain. Here again we have thought out the thing better: to us consciousness, or "the spirit," appears as a symptom of a relative imperfection of the organism, as an experiment, a groping, a misunderstanding, as an affliction which uses up nervous force unnecessarily - we deny that anything can be done perfectly so long as it is done consciously. The "pure spirit" is a piece of pure stupidity: take away the nervous system and the senses, the so-called "mortal shell," and the rest is miscalculation - that is all!...
Friedrich Nietzsche (The Anti-Christ)
To die, to sleep— To sleep, perchance to dream. Ay, there’s the rub, For in that sleep of death what dreams may come, When we have shuffled off this mortal coil, Must give us pause. There’s the respect That makes calamity of so long life. For who would bear the whips and scorns of time, Th’ oppressor’s wrong, the proud man’s contumely, The pangs of despised love, the law’s delay, The insolence of office, and the spurns That patient merit of th’ unworthy takes, When he himself might his quietus make With a bare bodkin? Who would fardels bear, To grunt and sweat under a weary life, But that the dread of something after death, The undiscovered country from whose bourn No traveler returns, puzzles the will And makes us rather bear those ills we have Than fly to others that we know not of? Thus conscience does make cowards of us all, And thus the native hue of resolution Is sicklied o’er with the pale cast of thought, And enterprises of great pitch and moment With this regard their currents turn awry And lose the name of action.
William Shakespeare (Hamlet)
Take the oft-repeated injunction to get “its” and “it’s” straight. Everyone claims it’s remarkably easy to remember that “its” is possessive and “it’s” is a contraction. But logic tells us that in English, ’s attached to a noun signals possession: the dog’s dish, the cat’s toy, the lexicographer’s cry. So if English is logical, and there are simple rules to follow, why doesn’t “it’s” signal possession? We know that ’s also signals a contraction, but we don’t have any problems with differentiating between “the dog’s dish” and “the dog’s sleeping”—why should we suddenly have problems with “it’s dish” and “it’s sleeping”? This type of grammar often completely ignores hundreds (and, in some cases, well over a thousand) years of established use in English. For “it’s,” the rule is certainly easy to memorize, but it also ignores the history of “its” and “it’s.” At one point in time, “it” was its own possessive pronoun: the 1611 King James Bible reads, “That which groweth of it owne accord…thou shalt not reape”; Shakespeare wrote in King Lear, “It had it head bit off by it young.” They weren’t the first: the possessive “it” goes back to the fifteenth century. But around the time that Shakespeare was shuffling off this mortal coil, the possessive “it” began appearing as “it’s.” We’re not sure why the change happened, but some commentators guess that it was because “it” didn’t appear to be its own possessive pronoun, like “his” and “her,” but rather a bare pronoun in need of that possessive marker given to nouns: ’s. Sometimes this possessive appeared without punctuation as “its.” But the possessive “it’s” grew in popularity through the seventeenth and eighteenth centuries until it was the dominant form of the word. It even survived into the nineteenth century: you’ll find it in the letters of Thomas Jefferson and Jane Austen and the speechwriting notes of Abraham Lincoln. This would be relatively simple were it not for the fact that “it’s” was also occasionally used as a contraction for “it is” or “it has” (“and it’s come to pass,” Shakespeare wrote in Henry VIII, 1.2.63). Some grammarians noticed and complained—not that the possessive “it’s” and the contractive “it’s” were confusing, but that the contractive “it’s” was a misuse and mistake for the contraction “ ’tis,” which was the more standard contraction of “it is.” This was a war that the pedants lost: “ ’tis” waned while “it’s” waxed.
Kory Stamper (Word by Word: The Secret Life of Dictionaries)
To die, to sleep, To sleep, perchance to dream; Aye, there’s the rub, For in that sleep of death, what dreams may come, When we have shuffled off this mortal coil, Must give us pause.
Andrew E. Kaufman (Twisted)
Would he paddle away any faster if he knew that there was no iron-barred room, no handcuffs, and no arrest churning happily along in his wake? That the only justice for him will be the final kind, from the High Court of Pain, and his rights are limited to only one: He has the right to shuffle off his mortal coil and spin away into the Dark Forever, and there is no appeal, no parole, and no way out at all.
Jeff Lindsay (Dexter's Final Cut (Dexter, #7))
Did you buy Daddy’s new pajamas? Did you? Did you wrap them? No. You wouldn’t even know what bloody size he is. You don’t even know what bloody size your own pants are because I BUY THEM FOR YOU. Did you get up at seven o’clock this morning to buy the bread for the sandwiches because some eejit came back from the pub last night and decided he needed to eat two rounds of toast and left the rest of the loaf out to get stale? No. You sat on your arse reading the sports pages. You gripe away at me for weeks on end because I’ve dared to claim back twenty percent of my life for myself, to try to work out whether there is anything else I can do before I shuffle off this mortal coil, and while I’m still doing your washing, and looking after Granddad, and doing the dishes, you’re there harping on at me about a shop-bought fecking cake. Well, Bernard, you can take the fecking shop-bought cake that is apparently such a sign of neglect and disrespect and you can shove it up your
Jojo Moyes (After You (Me Before You, #2))
FOR IN THAT SLEEP OF DEATH, WHAT DREAMS MAY COME, WHEN WE HAVE SHUFFLED OFF THIS MORTAL COIL. SWEET DREAMS, VIVIAN. LOVE, AMY.
Demitria Lunetta (In the After (In the After #1))
Depressive realism has a very impressive pedigree. The Buddha pronounced that “all life is suffering” about 2,500 years ago, at roughly the time when the original Greek tragedies were composed. The Old Testament writers and prophets bequeathed us the concepts of human evil, sin, and the Fall, all this stemming from about the 5th century BCE when Adam behaved badly and doomed us all to suffering and death. From Paul through Augustine and Aquinas we have inherited the concept of original sin. The idea that we live in a “vale of tears” is probably from a Catholic hymn. Shakespeare put the phrases “to be or not to be” and “shuffle off our mortal coil” in Hamlet’s mouth in 1603. Robert Burton’s monumental The Anatomy of Melancholy was published in 1621 and George Cheyne’s The English Malady in 1733. DR is hardly a wacky modern idea owing its existence to Enlightenment- denying pessimists or to 20th century existentialists.
Colin Feltham (Keeping Ourselves in the Dark)
On All Dogs Go to Heaven: Lastly, the heaven illustrated in the movie didn't seam much like the one being advertised during Big Church services. I mean, three was a whippet dog playing the role of Saint Peter, which is super dubious because I think if dogs uniformly had to elect a particular breed as the representative sample of goodness greeting them as the shuffled off their mortal coils (leashes?) and entered into eternity, it would probably go: 1) Golden Retriever: Might be more angelic than Saint Peter IMO 2) Labrador Retriever: The All-American, apple pie-sniffing dog next door. 3) Siberian Huskies: Those eyes tho. 4) Beagle: Scrappy, overachieving everydogs 5) German Shepherd: Would be higher but lost a ton of points thanks the unfortunate connection to the Big Bads of WW2. 6) Whippets: They look like they are either embarking upon or just recovering from an intense drug habit. LAST PLACE: CORGIS: These dogs are probably the gatekeepers to hell*. While cute, this dog is more useless than a urinal cake-flavored Popsicle. My parents have had two of these dogs and all they were good at was being emotional terrorists. Zero stars, would not recommend. *I know Greek myth says it's Cerberus, a giant, three-headed dog, and it makes no mention of dog breed, but I can guarantee you that Cerberus must have had three large and stupid Corgi heads.
Knox McCoy (The Wondering Years: How Pop Culture Helped Me Answer Life’s Biggest Questions)
On All Dogs Go to Heaven: Lastly, the heaven illustrated in the movie didn't seam much like the one being advertised during Big Church services. I mean, three was a whippet dog playing the role of Saint Peter, which is super dubious because I think if dogs uniformly had to elect a particular breed as the representative sample of goodness greeting them as the shuffled off their mortal coils (leashes?) and entered into eternity, it would probably go: 1) Golden Retriever: Might be more angelic than Saint Peter IMO 2) Labrador Retriever: The All-American, apple pie-sniffing dog next door. 3) Siberian Huskies: Those eyes tho. 4) Beagle: Scrappy, overachieving everydogs 5) German Shepherd: Would be higher but lost a ton of points thanks the unfortunate connection to the Big Bads of WW2. 6) Whippets: They look like they are either embarking upon or just recovering from an intense drug habit. LAST PLACE: CORGIS: These dogs are probably the gatekeepers to hell*. White cute, this dog is more useless than a urinal cake-flavored Popsicle. My parents have had two of these dogs and all they were good at was being emotional terrorists. Zero starts, would not recommend. *I know Greek myth says it's Cerberus, a giant, three-headed dog, and it makes no mention of dog breed, but I can guarantee you that Cerberus must have had three large and stupid Corgi heads.
Knox McCoy (The Wondering Years: How Pop Culture Helped Me Answer Life’s Biggest Questions)
On All Dogs Go to Heaven: Lastly, the heaven illustrated in the movie didn't seam much like the one being advertised during Big Church services. I mean, three was a whippet dog playing the role of Saint Peter, which is super dubious because I think if dogs uniformly had to elect a particular breed as the representative sample of goodness greeting them as the shuffled off their mortal coils (leashes?) and entered into eternity, it would probably go: 1) Golden Retriever: Might be more angelic than Saint Peter IMO 2) Labrador Retriever: The All-American, apple pie-sniffing dog next door. 3) Siberian Huskies: Those eyes tho. 4) Beagle: Scrappy, overachieving everydogs 5) German Shepherd: Would be higher but lost a ton of points thanks the unfortunate connection to the Big Bads of WW2. 6) Whippets: They look like they are either embarking upon or just recovering from an intense drug habit. LAST PLACE: CORGIS: These dogs are probably the gatekeepers to hell*. While cute, this dog is more useless than a urinal cake-flavored Popsicle. My parents have had two of these dogs and all they were good at was being emotional terrorists. Zero starts, would not recommend. *I know Greek myth says it's Cerberus, a giant, three-headed dog, and it makes no mention of dog breed, but I can guarantee you that Cerberus must have had three large and stupid Corgi heads.
Knox McCoy (The Wondering Years: How Pop Culture Helped Me Answer Life’s Biggest Questions)
I could not imagine a divine hand was involved, but perhaps Frank Lassiter had done enough evil that I was just the instrument being used to give him a shove off this mortal coil — because he wasn’t shuffling off fast enough on his own.
Bobby Underwood (Fandango (Romantic Noir, #1))
… what dreams may come/ When we have shuffled off this mortal coil, must give us pause.
Martin Aston (Facing the Other Way: The Story of 4AD)
You don't understand. When I was seven, Mum bought me a rabbit, Mister Fluffy. For two weeks, Dad paid more attention to that rabbit than he did me. He paid more attention to that rabbit than he did to me. He played with it, he took it on walks, he practically tucked it in at night. And that was a rabbit. Imagine what he's going to be like with a baby." “But after those two weeks, once the novelty wore off, he was back to normal, wasn’t he?” “ I don’t think it was because the novelty wore off. I think it was because he stood on Mister Fluffy.” “Pardon?” “He stepped on it. Squished it. Squashed it. Killed it. Cut it down in its prime. It kicked the bucket, turned up its toes, shuffled off this mortal coil. It was… an ex-ribbit.” “ He’s a dangerous man, your father.” “ The baby better learn to dodge.
Derek Landy (Mortal Coil (Skulduggery Pleasant, #5))
For in that sleep of death what dreams may come When we have shuffled off this mortal coil Must give us pause. There's the respect That makes calamity of so long life.
William Shakespeare (Hamlet)
when you’re gone, you’re gone, and that’s it. It doesn’t matter what happens to your remains. You never owned it in the first place, you were just borrowing it, so why should you be bothered about what happens to it after you shuffle off this mortal coil?
Robert Sheehan (Disappearing Act: A Host of Other Characters in 16 Short Stories)