“
Perhaps, when we remember wars, we should take off our clothes and paint ourselves blue and go on all fours all day long and grunt like pigs. That would surely be more appropriate than noble oratory and shows of flags and well-oiled guns.
”
”
Kurt Vonnegut Jr. (Cat’s Cradle)
“
I feel good with my husband: I like his warmth and his bigness and his being-there and his making and his jokes and stories and what he reads and how he likes fishing and walks and pigs and foxes and little animals and is honest and not vain or fame-crazy and how he shows his gladness for what I cook him and joy for when I make him something, a poem or a cake, and how he is troubled when I am unhappy and wants to do anything so I can fight out my soul-battles and grow up with courage and a philosophical ease. I love his good smell and his body that fits with mine as if they were made in the same body-shop to do just that. What is only pieces, doled out here and there to this boy and that boy, that made me like pieces of them, is all jammed together in my husband. So I don't want to look around any more: I don't need to look around for anything.
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
Fern was up at daylight, trying to rid the world of injustice. As a result, she now has a pig. A small one to be sure, but nevertheless a pig. It just shows what can happen if a person gets out of bed promptly.
”
”
E.B. White (Charlotte's Web)
“
And you are? (Elfa)
One of the reviewers who wrote that you were a piss-poor substitute for Kiara and that the entire system is saddened by the loss of her from the show. I was just telling her that if she doesn’t return soon and they leave your clumsy ass in, the show’ll be closing prematurely for sure. (Syn)
You’re a pig! (Elfa)
Oink, oink. (Syn)
”
”
Sherrilyn Kenyon (Born of the Night (The League, #1))
“
What Do Women Want?"
I want a red dress.
I want it flimsy and cheap,
I want it too tight, I want to wear it
until someone tears it off me.
I want it sleeveless and backless,
this dress, so no one has to guess
what's underneath. I want to walk down
the street past Thrifty's and the hardware store
with all those keys glittering in the window,
past Mr. and Mrs. Wong selling day-old
donuts in their café, past the Guerra brothers
slinging pigs from the truck and onto the dolly,
hoisting the slick snouts over their shoulders.
I want to walk like I'm the only
woman on earth and I can have my pick.
I want that red dress bad.
I want it to confirm
your worst fears about me,
to show you how little I care about you
or anything except what
I want. When I find it, I'll pull that garment
from its hanger like I'm choosing a body
to carry me into this world, through
the birth-cries and the love-cries too,
and I'll wear it like bones, like skin,
it'll be the goddamned
dress they bury me in.
”
”
Kim Addonizio
“
Give all your pearls, and the swine will make a pearl necklace, then run off. Don't show all your glory.
”
”
Anthony Liccione
“
How good it is when you have roast meat or suchlike foods before you, to impress on your mind that this is the dead body of a fish, this is the dead body of a bird or pig; and again, that the Falernian wine is the mere juice of grapes, and your purple edged robe simply the hair of a sheep soaked in shell-fish blood!
And in sexual intercourse that it is no more than the friction of a membrane and a spurt of mucus ejected.
How good these perceptions are at getting to the heart of the real thing and penetrating through it, so you can see it for what it is!
This should be your practice throughout all your life: when things have such a plausible appearance, show them naked, see their shoddiness, strip away their own boastful account of themselves.
Vanity is the greatest seducer of reason: when you are most convinced that your work is important, that is when you are most under its spell.
”
”
Marcus Aurelius
“
Said the reeve to the maid who was fresh to the farm
'Let me show you the beasts of the yard!'
Here's a cow that gives milk, and a pig that's for ham
Here's a cur and a goat and a lamb;
Here's a horse tall and proud, and a well-trained old hawk,
But the thing you should see is this excellent cock!
”
”
Scott Lynch (The Republic of Thieves (Gentleman Bastard, #3))
“
Nonsense. Hardly touched a drop. That much.” She held out two fingers to show how tiny an amount “that much” was.
“Just went to a party,” said Richard, “and saw Jessica and saw a real angel and got a little black pig and came back here.”
“Just a little drink,” continued Door, intently. “Old, old, drink. Tiiiiny little drink. Very small. Almost not there.” She began to hiccup.
”
”
Neil Gaiman (Neverwhere (London Below, #1))
“
It's fun to be amazing, to be the star of the show, to have everyone watching you—even if you have to act like a pig.
”
”
Rodman Philbrick (The Mostly True Adventures of Homer P. Figg)
“
The word compassion means “with suffering.” To have compassion is to willingly join in suffering—to show those you love that you will not let them suffer
”
”
Sy Montgomery (The Good Good Pig: The Extraordinary Life of Christopher Hogwood)
“
All six destroyer endermen stood at attention and grunted. (Apparently, it was their way of showing unity and dominance. But, truth be told, they sounded like pigs.)
”
”
Dr. Block (Diary of a Surfer Villager, Book 15 (Diary of a Surfer Villager #15))
“
I sat belonely
I sat belonely down a tree,
humbled fat and small.
A little lady sing to me
I couldn't see at all.
I'm looking up and at the sky,
to find such wondrous voice.
Puzzly puzzle, wonder why,
I hear but have no choice.
'Speak up, come forth, you ravel me',
I potty menthol shout.
'I know you hiddy by this tree'.
But still she won't come out.
Such softly singing lulled me sleep,
an hour or two or so
I wakeny slow and took a peep
and still no lady show.
Then suddy on a little twig
I thought I see a sight,
A tiny little tiny pig,
that sing with all it's might.
'I thought you were a lady'.
I giggle, - well I may,
To my suprise the lady,
got up - and flew away.
”
”
John Lennon (In His Own Write)
“
Calo bit the inside of his cheek, retuned his harp, and then began again:
"Said the reeve to the maid who was fresh to the farm
'Let me show you the beasts of the yard!’
Here’s a cow that gives milk, and a pig that’s for ham
Here’s a cur and a goat and a lamb;
Here’s a horse tall and proud, and a well-trained old hawk,
But the thing you should see is this excellent cock!"
“Where could you possibly have learned that?” shouted Chains. Calo broke up in a fit of giggles, but Galdo picked up the song with a deadpan expression on his face:
"Oh, some cocks rise early and some cocks stand tall,
But the cock now in question works hardest of all!
And they say hard’s a virtue, in a cock’s line of work
So what say you, lovely, will you give it a—
”
”
Scott Lynch (The Republic of Thieves (Gentleman Bastard, #3))
“
I fell in love with you when you crashed into my fence post and chased after my chickens and fell down in the mud with the pigs. I fell in love with you when you taught everyone in town to line dance. I fell in love with you when you put Mo’s feelings before your own and stayed with her for as long as she needed you.” One fat tear slid down her cheek as he said, “And, most of all, I fell in love with you when you showed me that it was safe to love again. I keep falling in love with you again and again. Just like I’m falling right this second.
”
”
Bella Andre (Always on My Mind (San Francisco Sullivans, #8; The Sullivans, #8))
“
And I propose to you that if we are to pay our sincere respects to the hundred lost children of San Lorenzo, that we might best spend the day despising what killed them; which is to say, the stupidity and viciousness of all mankind.
"Perhaps, when we remember wars, we should take off our clothes and paint ourselves blue and go on all fours all day long and grunt like pigs. That would surely be more appropriate than noble oratory and shows of flags and well-oiled guns.
”
”
Kurt Vonnegut Jr. (Cat’s Cradle)
“
There have been, of course, many other insatiable polymaths, and even the Renaissance produced other Renaissance Men. But none painted the Mona Lisa, much less did so at the same time as producing unsurpassed anatomy drawings based on multiple dissections, coming up with schemes to divert rivers, explaining the reflection of light from the earth to the moon, opening the still-beating heart of a butchered pig to show how ventricles work, designing musical instruments, choreographing pageants, using fossils to dispute the biblical account of the deluge, and then drawing the deluge. Leonardo was a genius, but more: he was the epitome of the universal mind, one who sought to understand all of creation, including how we fit into it.
”
”
Walter Isaacson (Leonardo Da Vinci)
“
Little girls are the nicest things that can happen to people. They are born with a bit of angel-shine about them, and though it wears thin sometimes, there is always enough left to lasso your heart—even when they are sitting in the mud, or crying temperamental tears, or parading up the street in Mother’s best clothes.
A little girl can be sweeter (and badder) oftener than anyone else in the world. She can jitter around, and stomp, and make funny noises that frazzle your nerves, yet just when you open your mouth, she stands there demure with that special look in her eyes. A girl is Innocence playing in the mud, Beauty standing on its head, and Motherhood dragging a doll by the foot.
God borrows from many creatures to make a little girl. He uses the song of a bird, the squeal of a pig, the stubbornness of a mule, the antics of a monkey, the spryness of a grasshopper, the curiosity of a cat, the speed of a gazelle, the slyness of a fox, the softness of a kitten, and to top it all off He adds the mysterious mind of a woman.
A little girl likes new shoes, party dresses, small animals, first grade, noisemakers, the girl next door, dolls, make-believe, dancing lessons, ice cream, kitchens, coloring books, make-up, cans of water, going visiting, tea parties, and one boy. She doesn’t care so much for visitors, boys in general, large dogs, hand-me-downs, straight chairs, vegetables, snowsuits, or staying in the front yard.
She is loudest when you are thinking, the prettiest when she has provoked you, the busiest at bedtime, the quietest when you want to show her off, and the most flirtatious when she absolutely must not get the best of you again. Who else can cause you more grief, joy, irritation, satisfaction, embarrassment, and genuine delight than this combination of Eve, Salome, and Florence Nightingale.
She can muss up your home, your hair, and your dignity—spend your money, your time, and your patience—and just when your temper is ready to crack, her sunshine peeks through and you’ve lost again. Yes, she is a nerve-wracking nuisance, just a noisy bundle of mischief. But when your dreams tumble down and the world is a mess—when it seems you are pretty much of a fool after all—she can make you a king when she climbs on your knee and whispers, "I love you best of all!
”
”
Alan Beck
“
Said the reeve to the maid who was fresh to the farm
Let me show you the beasts of the yard!
Here's a cow that gives milk, and a pig that's for ham
Here's a cur and a goat and a lamb;
Here's a horse tall and proud and a well-trained old hawk,
But the thing you should see is this excellent cock!
Oh, some cocks rise early and some cocks stand tall,
But he cock now in question works hardest of all!
And they saw hard's a virtue, in a cock's line of work
So what say you, lovely, will you give it a-
”
”
Scott Lynch
“
Then it dawned on me that men throughout the country had to know about nu shu (women's written word). How could they not? They wore it on their embroidered shoes. They saw us weaving our messages into cloth. They heard us singing our songs and showing off our third-day wedding books. Men just considered our writing beneath them.
It is said men have the hearts of iron, while women are made of water. This comes through men's writing and women's writing. Men's writing has more than 50,000 characters, each uniquely different, each with deep meanings and nuances. Our women's writing has 600 characters, which we use phonetically, like babies to create about 10,000 words. Men's writing takes a lifetime to learn and understand. Women's writing is something we pick up as girls, and we rely on the context to coax meaning. Men write about the outer realm of literature, accounts, and crop yields; women write about the inner realm of children, daily chores, and emotions. The men in the Lu household were proud of their wives' fluency in nu shu and dexterity in embroidery, though these things had as much importance to survival as a pig's fart.
”
”
Lisa See (Snow Flower and the Secret Fan)
“
He grinned at me, and it was a boyish weary grin aiming for wicked, but too tired and worried to reach it. “I love you. You’re mine. I’ll kill any bastard who tries to take you from me. So, here’s how it’s going to go: Ellie comes first, but while we’re taking care of her you can be as pig-headed as you want and pretend that we’re broken up. I’ll even let you. But I’m also going to be here, every day, showing you what you’re missing.
”
”
Samantha Young (On Dublin Street (On Dublin Street, #1))
“
Dear Jim."
The writing grew suddenly blurred and misty. And she had lost him again--had lost him again! At the sight of the familiar childish nickname all the hopelessness of her bereavement came over her afresh, and she put out her hands in blind desperation, as though the weight of the earth-clods that lay above him were pressing on her heart.
Presently she took up the paper again and went on reading:
"I am to be shot at sunrise to-morrow. So if I am to keep at all my promise to tell you everything, I must keep it now. But, after all, there is not much need of explanations between you and me. We always understood each other without many words, even when we were little things.
"And so, you see, my dear, you had no need to break your heart over that old story of the blow. It was a hard hit, of course; but I have had plenty of others as hard, and yet I have managed to get over them,--even to pay back a few of them,--and here I am still, like the mackerel in our nursery-book (I forget its name), 'Alive and kicking, oh!' This is my last kick, though; and then, tomorrow morning, and--'Finita la Commedia!' You and I will translate that: 'The variety show is over'; and will give thanks to the gods that they have had, at least, so much mercy on us. It is not much, but it is something; and for this and all other blessings may we be truly thankful!
"About that same tomorrow morning, I want both you and Martini to understand clearly that I am quite happy and satisfied, and could ask no better thing of Fate. Tell that to Martini as a message from me; he is a good fellow and a good comrade, and he will understand. You see, dear, I know that the stick-in-the-mud people are doing us a good turn and themselves a bad one by going back to secret trials and executions so soon, and I know that if you who are left stand together steadily and hit hard, you will see great things. As for me, I shall go out into the courtyard with as light a heart as any child starting home for the holidays. I have done my share of the work, and this death-sentence is the proof that I have done it thoroughly. They kill me because they are afraid of me; and what more can any man's heart desire?
"It desires just one thing more, though. A man who is going to die has a right to a personal fancy, and mine is that you should see why I have always been such a sulky brute to you, and so slow to forget old scores. Of course, though, you understand why, and I tell you only for the pleasure of writing the words. I loved you, Gemma, when you were an ugly little girl in a gingham frock, with a scratchy tucker and your hair in a pig-tail down your back; and I love you still. Do you remember that day when I kissed your hand, and when you so piteously begged me 'never to do that again'? It was a scoundrelly trick to play, I know; but you must forgive that; and now I kiss the paper where I have written your name. So I have kissed you twice, and both times without your consent.
"That is all. Good-bye, my dear"
Then am I
A happy fly,
If I live
Or if I die
”
”
Ethel Lilian Voynich
“
President Josiah Bartlet: Good. I like your show. I like how you call homosexuality an abomination.
Dr. Jenna Jacobs: I don't say homosexuality is an abomination, Mr. President. The Bible does.
President Josiah Bartlet: Yes, it does. Leviticus.
Dr. Jenna Jacobs: 18:22.
President Josiah Bartlet: Chapter and verse. I wanted to ask you a couple of questions while I had you here. I'm interested in selling my youngest daughter into slavery as sanctioned in Exodus 21:7. She's a Georgetown sophomore, speaks fluent Italian, always cleared the table when it was her turn. What would a good price for her be? While thinking about that, can I ask another? My Chief of Staff Leo McGarry insists on working on the Sabbath. Exodus 35:2 clearly says he should be put to death. Am I morally obligated to kill him myself, or is it okay to call the police? Here's one that's really important 'cause we've got a lot of sports fans in this town: Touching the skin of a dead pig makes one unclean. Leviticus 11:7. If they promise to wear gloves, can the Washington Redskins still play football? Can Notre Dame? Can West Point? Does the whole town really have to be together to stone my brother John for planting different crops side by side? Can I burn my mother in a small family gathering for wearing garments made from two different threads? Think about those questions, would you? One last thing: While you may be mistaking this for your monthly meeting of the Ignorant Tight-Ass Club, in this building, when the President stands, nobody sits.
”
”
Aaron Sorkin (The West Wing Script Book)
“
Molecular genetic evidence (see Chapter 10 for the nature of this kind of evidence) shows that the closest living cousins of whales are hippos, then pigs, then ruminants. Even more surprisingly, the molecular evidence shows that hippos are more closely related to whales than they are to the cloven-hoofed animals
”
”
Richard Dawkins (The Greatest Show on Earth: The Evidence for Evolution)
“
Can I have a pig, too, Pop?’ asked Avery. ‘No, I only distribute pigs to early risers,’ said Mr Arable. ‘Fern was up at daylight, trying to rid the world of injustice. As a result, she now has a pig. A small one, to be sure, but nevertheless a pig. It just shows what can happen if a person gets out of bed promptly.
”
”
E.B. White (Charlotte's Web)
“
The Pig Chef was - if you thought about it - one of the more sinister icons of American roadside art. Danny's personal totem. What kind of pig is a butcher? What kind of pig cooks barbeque? A traitor pig, a killer pig, a doomed preterite pig destined for eternal damnation. Danny's Pig Chefs showed the full weight of this knowledge in their mocking eyes and snaggled snouts.
”
”
Rudy Rucker (Mad Professor: The Uncollected Short Stories of Rudy Rucker)
“
You're a beautiful young woman walking without an escort at one in the morning. Why doesn't one of your staff at least see you to your car?"
"Because they're not sexist pigs who think women are incapable of taking care of themselves."
Chance rolled his eyes. "This has nothing to do with feminism. I'm all for gender equality, but the fact remains that women are targeted for more specific crimes than men, and the perpetrators of those crimes often look for circumstances such as these to attack."
"See this?" Isa pulled something dark and oblong out of her purse. Chance's mouth twitched.
"Turbo Vagisil?"
"No, It's a taser!" Isa said indignantly. "I can take care of myself, Chance. I've been doing that just fine for the past twenty-nine and a half years before you showed up, remember?
”
”
Jeaniene Frost (Happily Never After (Night Huntress, #1.5))
“
Perhaps, when we remember wars, we should take off our clothes and paint ourselves blue and go on all fours all day long and grunt like pigs. That would surely be more appropriate than noble oratory and shows of flags and well-oiled guns. “I do not mean to be ungrateful for the fine,
”
”
Kurt Vonnegut Jr. (Cat's Cradle)
“
At its most elemental level the human organism, like crawling life, has a mouth, digestive tract, and anus, a skin to keep it intact, and appendages with which to acquire food. Existence, for all organismic life, is a constant struggle to feed-a struggle to incorporate whatever other organisms they can fit into their mouths and press down their gullets without choking. Seen in these stark terms, life on this planet is a gory spectacle, a science-fiction nightmare in which digestive tracts fitted with teeth at one end are tearing away at whatever flesh they can reach, and at the other end are piling up the fuming waste excrement as they move along in search of more flesh. I think this is why the epoch of the dinosaurs exerts such a strange fascination on us: it is an epic food orgy with king-size actors who convey unmistakably what organisms are dedicated to. Sensitive souls have reacted with shock to the elemental drama of life on this planet, and one of the reasons that Darwin so shocked his time-and still bothers ours-is that he showed this bone crushing, blood-drinking drama in all its elementality and necessity: Life cannot go on without the mutual devouring of organisms. If at the end of each person’s life he were to be presented with the living spectacle of all that he had organismically incorporated in order to stay alive, he might well feel horrified by the living energy he had ingested. The horizon of a gourmet, or even the average person, would be taken up with hundreds of chickens, flocks of lambs and sheep, a small herd of steers, sties full of pigs, and rivers of fish. The din alone would be deafening. To paraphrase Elias Canetti, each organism raises its head over a field of corpses, smiles into the sun, and declares life good.
”
”
Ernest Becker (Escape from Evil)
“
[The skeet tournament] It's a competition that I've entered – and won – every year since I was thirteen.
And here's the thing – it really pisses them off. All these hunting boys and their daddies show up decked out in camo gear, determined to beat the girl who has the audacity to challenge their masculinity.
And, okay, I'll admit it … I like to needle 'em just a bit. I purposely wear the girliest outfit possible – little flowery sundresses with cowboy boots, most years. Drives 'em nuts. If they're going to be beaten by a girl, they'd rather it be some tomboy wearing overalls and a flannel shirt, you know? Stupid sexist pigs.---(Jenna Cafferty)
”
”
Kristi Cook (Magnolia (Magnolia Branch, #1))
“
Today I’ve prepared for you a selection of plastic-wrapped charcuterie, featuring a rustic gastrique of artisanal pig anuses and a decadent mélange of mechanically separated chicken,” he said in the style of the chefs on all those cooking competition shows his mother complained about wasting her life watching, yet watched anyway. “Bon appétit.
”
”
Gina Damico (Hellhole)
“
As I pass through my incarnations in every age and race,
I make my proper prostrations to the Gods of the Market Place.
Peering through reverent fingers I watch them flourish and fall,
And the Gods of the Copybook Headings, I notice, outlast them all.
We were living in trees when they met us. They showed us each in turn
That Water would certainly wet us, as Fire would certainly burn:
But we found them lacking in Uplift, Vision and Breadth of Mind,
So we left them to teach the Gorillas while we followed the March of Mankind.
We moved as the Spirit listed. They never altered their pace,
Being neither cloud nor wind-borne like the Gods of the Market Place,
But they always caught up with our progress, and presently word would come
That a tribe had been wiped off its icefield, or the lights had gone out in Rome.
With the Hopes that our World is built on they were utterly out of touch,
They denied that the Moon was Stilton; they denied she was even Dutch;
They denied that Wishes were Horses; they denied that a Pig had Wings;
So we worshipped the Gods of the Market Who promised these beautiful things.
When the Cambrian measures were forming, They promised perpetual peace.
They swore, if we gave them our weapons, that the wars of the tribes would cease.
But when we disarmed They sold us and delivered us bound to our foe,
And the Gods of the Copybook Headings said: "Stick to the Devil you know."
On the first Feminian Sandstones we were promised the Fuller Life
(Which started by loving our neighbour and ended by loving his wife)
Till our women had no more children and the men lost reason and faith,
And the Gods of the Copybook Headings said: "The Wages of Sin is Death."
In the Carboniferous Epoch we were promised abundance for all,
By robbing selected Peter to pay for collective Paul;
But, though we had plenty of money, there was nothing our money could buy,
And the Gods of the Copybook Headings said: "If you don't work you die."
Then the Gods of the Market tumbled, and their smooth-tongued wizards withdrew
And the hearts of the meanest were humbled and began to believe it was true
That All is not Gold that Glitters, and Two and Two make Four
And the Gods of the Copybook Headings limped up to explain it once more.
As it will be in the future, it was at the birth of Man
There are only four things certain since Social Progress began.
That the Dog returns to his Vomit and the Sow returns to her Mire,
And the burnt Fool's bandaged finger goes wabbling back to the Fire;
And that after this is accomplished, and the brave new world begins
When all men are paid for existing and no man must pay for his sins,
As surely as Water will wet us, as surely as Fire will burn,
The Gods of the Copybook Headings with terror and slaughter return!
”
”
Rudyard Kipling
“
It's a good idea to begin with experiments on single cases and then to confirm the findings through studies of additional patients. By way of analogy, imagine that I cart a pig into your living room and tell you that it can talk. You might say, "Oh, really? Show me." I then wave my wand and the pig starts talking. You might respond, "My God! That's amazing!" You are not likely to say, "Ah, but that's just one pig. Show me a few more and then I might believe you." Yet this is precisely the attitude of many people in my field.
”
”
V.S. Ramachandran (Phantoms in the Brain: Probing the Mysteries of the Human Mind)
“
Pigs are remarkable creatures and, though most men are too blind to see it, have intelligence that they show in their eyes.
”
”
Diane Setterfield (Once Upon a River)
“
new performance ongoing where pages of a dictionary are ripped out and thrown on the stage floor, it’s a play on words with the title of the show being ‘Pun’.
”
”
J.S. Mason (A Dragon, A Pig, and a Rabbi Walk into a Bar...and other Rambunctious Bites)
“
It is to show you that it is the eyes of the mind with which one really sees….
”
”
Agatha Christie (Five Little Pigs (Hercule Poirot, #25))
“
And if I have always behaved like a pig, the fault lies not with me but with my superiors, who corrected me only on points of detail instead of showing me the essence of the system...
”
”
Samuel Beckett (Molloy)
“
If you want to dream, go back to sleep,” he told her.“When you wake up, we’ll still be escaped slaves in the middle of a siege. Crunch is dead. The pig as well, most like. Now find some armor and put it on, and never mind where it pinches. The mummer show is over. Fight or hide or shit yourself, as you like, but whatever you decide to do,
you’ll do it clad in steel.
”
”
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
“
The joy of her smiles and laughs seemed, to Mister Sun, to be in her genuine surprise at their arrival, as if strong emotions traveled some miles to get here and showed up without warning.
”
”
Warren Ellis (Dead Pig Collector (Kindle Single))
“
Dude," said Hassan softly. "Khanzeer." (Arabic:Pig)
"Matha, al-khanazeer la yatakalamoon araby?" Colin asked. (Arabic: What, pigs don't speak Arabic?"
"That's no pig," answered Hassan in Enlgish. "That's a goddamned monster." The pig stopped its rotting and looked up at them. "I mean. Wilbur is a fugging pig. Babe is a fugging pig. That thing was birthed from the loins of Iblis." (Arabic: Satan) It was clear now the pig could see them. Colin could see the black in its eyes.
"Stop cursing. The feral hog shows a remarkable understanding of human speech, especially profane speech," he mumbled, quoting from the book.
"That's a bunch of bullshit," Hassan said, and then the pig took two lumbering steps towards them, and Hassan said, "Okay. Or not. Fine. No cursing. Listen. Satan Pig. We're cool. We don't want to shoot you. The guns are for show, dude."
"Stand up so he knows we're bigger than he is," Colin said.
"Did you read that in the book?" Hassan asked as he stood.
"No, I read it in a book about grizzly bears."
"We're gonna get gored to death by a feral fugging hog and your best strategy is to pretend it's a grizzly bear?
”
”
John Green (An Abundance of Katherines)
“
There was once a town in the heart of America where all life seemed to live in harmony with its surroundings. The town lay in the midst of a checkerboard of prosperous farms, with fields of grain and hillsides of orchards where, in spring, white clouds of bloom drifted above the green fields. In autumn, oak and maple and birch set up a blaze of color that flamed and flickered across a backdrop of pines. Then foxes barked in the hills and deer silently crossed the fields, half hidden in the mists of the fall mornings.
Along the roads, laurel, viburnum, and alder, great ferns and wildflowers delighted the traveler's eye through much of the year. Even in winter the roadsides were places of beauty, where countless birds came to feed on the berries and on the seed heads of the dried weeds rising above the snow. The countryside was, in fact, famous for the abundance and variety of its bird life, and when the flood of migrants was pouring through in spring and fall people traveled from great distances to observe them. Others came to fish the streams, which flowed clear and cold out of the hills and contained shady pools where trout lay. So it had been from the days many years ago when the first settlers raised their homes, sank their wells, and built their barns.
Then a strange blight crept over the area and everything began to change. Some evil spell had settled on the community: mysterious maladies swept the flocks of chickens, the cattle, and sheep sickened and died. Everywhere was a shadow of death. The farmers spoke of much illness among their families. In the town the doctors had become more and more puzzled by new kinds of sickness appearing among their patients. There had been sudden and unexplained deaths, not only among adults but even among children whoe would be stricken suddently while at play and die within a few hours.
There was a strange stillness. The birds, for example--where had they gone? Many people spoke of them, puzzled and disturbed. The feeding stations in the backyards were deserted. The few birds seen anywhere were moribund; they trembled violently and could not fly. It was a spring without voices. On the mornings that had once throbbed with the dawn chorus of robins, catbirds, doves, jays, wrens, and scores of other bird voices there was no sound; only silence lay over the fields and woods and marsh.
On the farms the hens brooded, but no chicks hatched. The farmers complained that they were unable to raise any pigs--the litters were small and the young survived only a few days. The apple trees were coming into bloom but no bees droned among the blossoms, so there was no pollination and there would be no fruit.
The roadsides, once so attractive, were now lined with browned and withered vegetation as though swept by fire. These, too, were silent, deserted by all living things. Even the streams were not lifeless. Anglers no longer visited them, for all the fish had died.
In the gutters under the eaves and between the shingles of the roofs, a white granular powder still showed a few patches; some weeks before it had fallen like snow upon the roofs and the lawns, the fields and streams.
No witchcraft, no enemy action had silenced the rebirth of life in this stricken world. The people had done it to themselves.
”
”
Rachel Carson
“
As we were wrapping up the book, I sat down and thought about all the lessons I’d learned over the past two years. I couldn’t list them all, but here are a few:
Never complain about the price of a gift from your spouse--accept it with love and gratitude. You can’t put a price on romance.
Take lots of videos, even of the mundane. You will forget the sound of your children’s voices and you will miss your youth as much as theirs.
Celebrate every wedding anniversary.
Make time for dates. Hug your spouse every single morning. And always, ALWAYS, say “I love you.”
Believe in your partner.
When you hit hard times as a couple, take a weekend away or at least a night out. The times that you least feel like doing it are likely the times that you need it the most.
Write love notes to your spouse, your children, and keep the ones they give you.
Don’t expect a miniature pig to be an “easy” pet.
Live life looking forward with a goal of no regrets, so you can look back without them.
Be the friend you will need some day.
Often the most important thing you can do for another person is just showing up.
Question less and listen more.
Don’t get too tied up in your plans for the future. No one really knows their future anyway.
Laugh at yourself, and with life.
People don’t change their core character.
Be humble, genuine, and gracious.
Before you get into business with someone, look at their history. Expect them to be with you for the long haul, even if you don’t think they will be. If they aren’t someone you could take a road trip across the country with, don’t do business with them in the first place.
Real families and real sacrifices live in the fabric of the Red, White, and Blue; stand for the national anthem.
”
”
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
“
During his illness he had spent every minute of consciousness calling upon God, every second of every minute. Ya Allah whose servant lies bleeding do not abandon me now after watching oven me so long. Ya Allah show me some sign, some small mark of your favour, that I may find in myself the strength to cure my ills. O God most beneficent most merciful, be with me in this my time of need, my most grievous need. Then it occurred to him that he was being punished, and for a time that made it possible to suffer the pain, but after a time he got angry. Enough, God, his unspoken words demanded, why must I die when I have not killed, are you vengeance or are you love? The anger with God carried him through another day, but then it faded, and in its place there came a terrible emptiness, an isolation, as he realized he was talking to _thin air_, that there was nobody there at all, and then he felt more foolish than ever in his life, and he began to plead into the emptiness, ya Allah, just be there, damn it, just be. But he felt nothing, nothing nothing, and then one day he found that he no longer needed there to be anything to feel. On that day of metamorphosis the illness changed and his recovery began. And to prove to himself the non-existence of God, he now stood in the dining-hall of the city's most famous hotel, with pigs falling out of his face.
”
”
Salman Rushdie (The Satanic Verses)
“
Now he'd be standing behind the layers, watching. if there was one thing Shukhov couldn't endure, it was these spectators. Trying to wangle himself an engineer's job, the pig-faced bastard. Started showing me how to lay blocks once. Laughed myself sick. Till you've built one house with your own hands, you're no engineer. That's how I see it.
”
”
Aleksandr Solzhenitsyn
“
We are gathered here, friends,” he said, “to honor lo Hoon-yera
Mora-toorz tut Zamoo-cratz-ya, children dead, all dead, all murdered
in war. It is customary on days like this to call such lost children men.
I am unable to call them men for this simple reason: that in the same
war in which lo Hoon-yera Mora-toorz tut Zamoo-cratz-ya died, my
own son died.
“My soul insists that I mourn not a man but a child.
“I do not say that children at war do not die like men, if they have to
die. To their everlasting honor and our everlasting shame, they
do die like men, thus making possible the manly jubilation of
patriotic holidays.
“But they are murdered children all the same.
“And I propose to you that if we are to pay our sincere respects to the
hundred lost children of San Lorenzo, that we might best spend the
day despising what killed them; which is to say, the stupidity and
viciousness of all mankind.
“Perhaps, when we remember wars, we should take off our clothes
and paint ourselves blue and go on all fours all day long and grunt like
pigs. That would surely be more appropriate than noble oratory and
shows of flags and well-oiled guns.
“I do not mean to be ungrateful for the fine, martial show we are about
to see—and a thrilling show it really will be . . .”
He looked each of us in the eye, and then he commented very softly,
throwing it away, “And hooray say I for thrilling shows.”
We had to strain our ears to hear what Minton said next.
“But if today is really in honor of a hundred children murdered in war,”
he said, “is today a day for a thrilling show?
“The answer is yes, on one condition: that we, the celebrants, are
working consciously and tirelessly to reduce the stupidity and
viciousness of ourselves and of all mankind.
”
”
Kurt Vonnegut Jr. (Cat’s Cradle)
“
Once in a while, we came in at the death of a chief ’s pig; the noise of whose slaughtering was generally to be heard at a great distance. An occasion like this gathers the neighbors together, and they have a bit of a feast, where a stranger is always welcome. A good loud squeal, therefore, was music in our ears. It showed something going on in that direction.
”
”
Herman Melville (Omoo: A Narrative of Adventures in the South Seas)
“
Like a gold ring in a pig’s snout is a beautiful woman who shows no discretion. PROVERBS 11:22 Heavenly Father, I fear I haven’t been representing the dignity that You’ve given me. You have called me to be a woman of noble character who is respected. You have instructed me to present myself with beautiful modesty and a wise spirit. Lord, forgive me for trading in Your admirable qualities for worldly trends. My culture has glamorized provocative women with loose morals. I know You have higher standards for us because You cherish us more than we can understand. You’ve placed Your beauty inside of me, that I wouldn’t allow it to be slandered or trampled on. It breaks Your heart to see Your precious daughters throwing themselves at guys, accepting crude comments as compliments, and drawing inappropriate attention to their bodies. You created me for more than that, Lord. Remind me of my worth. Make my heart feel instantly sick the moment I present myself with less value than You’ve given me. You have crowned me as Your daughter and princess; You have inscribed Your royalty on my heart.
”
”
Stormie Omartian (A Book of Prayers for Young Women)
“
This change of perspective makes it apparent that the ‘Pro Life’ or ‘Right to Life’ movement is misnamed. Those who protest against abortion but dine regularly on the bodies of chickens, pigs and calves can hardly claim to have concern for ‘life’ as such. Their concern about embryos and fetuses suggests only a biased concern for the lives of members of our own species. On any fair comparison of morally relevant characteristics, like rationality, self-consciousness, awareness, autonomy, pleasure and pain and so on, the calf, the pig and the much derided chicken come out well ahead of the fetus at any stage of pregnancy – whereas if we make the comparison with an embryo, or a fetus of less than three months, a fish shows much more awareness.
”
”
Singer Sewing Company (Practical Ethics)
“
Read. You should read Bukowski and Ferlinghetti, read Sylvia Plath and Anne Sexton, and listen to Coltrane, Nina Simone, Hank Williams, Loretta Lynn, Son House, Robert Johnson, Howlin’ Wolf, Lightnin’ Hopkins, Miles Davis, Lou Reed, Nick Drake, Bobbie Gentry, George Jones, Jimmy Reed, Odetta, Funkadelic, and Woody Guthrie. Drive across America. Ride trains. Fly to countries beyond your comfort zone. Try different things. Join hands across the water. Different foods. New tasks. Different menus and tastes. Talk with the guy who’s working in construction on your block, who’s working on the highway you’re traveling on. Speak with your neighbors. Get to know them. Practice civil disobedience. Try new resistance. Be part of the solution, not the problem. Don’t litter the earth, it’s the only one you have, learn to love her. Care for her. Learn another language. Trust your friends with kindness. You will need them one day. You will need earth one day. Do not fear death. There are worse things than death. Do not fear the reaper. Lie in the sunshine but from time to time let the neon light your way. ZZ Top, Jefferson Airplane, Spirit. Get a haircut. Dye your hair pink or blue. Do it for you. Wear eyeliner. Your eyes are the windows to your soul. Show them off. Wear a feather in your cap. Run around like the Mad Hatter. Perhaps he had the answer. Visit the desert. Go to the zoo. Go to a county fair. Ride the Ferris wheel. Ride a horse. Pet a pig. Ride a donkey. Protest against war. Put a peace symbol on your automobile. Drive a Volkswagen. Slow down for skateboarders. They might have the answers. Eat gingerbread men. Pray to the moon and the stars. God is out there somewhere. Don’t worry. You’ll find out where soon enough. Dance. Even if you don’t know how to dance. Read The Four Agreements. Read the Bible. Read the Bhagavad Gita. Join nothing. It won’t help. No games, no church, no religion, no yellow-brick road, no way to Oz. Wear beads. Watch a caterpillar in the sun.
”
”
Lucinda Williams (Don't Tell Anybody the Secrets I Told You: A Memoir)
“
A sane person who dwells among the mad will become insane because they will act like the mad. One who cares and treats the insane will have mad traits. A sane man who lives among the mad will be made mad by virtue of his associations and dealings. No sane person can dwell among the mad unless if that person is mad himself/herself. A mad person percieves madness and has no clear object or picture that can come out of his mind. Remember sore grapes can ruin good tasty grapes when taken together.You can't live amongst pigs if you are not a pig yourself. Therefore how can the mad treat their fellow mad. That is vanity too be treated by a mad physician who thinks he is sane. The treatment of a mad person speaks volumes and appears to suggest and show that they are treated in a haphazard way without a clear path in regard to recovering their sanity.
”
”
David Ssembajjo (The Stolen Gift)
“
I turn toward Dylan, who’s already reaching into her dress and unclasping her bra. The production crew rotates around us, cleaning up and preparing for tomorrow’s show, ignoring Dylan’s impending freeing of her breasts. They’re used to it by now. They know, when the show’s over and the red light has been turned off, Dylan is reaching into her shirt or dress and taking off her bra. I just wish when she did it, she didn’t grunt like a pig digging for truffles.
”
”
Meghan Quinn (Three Blind Dates (Dating by Numbers, #1))
“
I never suspected you had a sense of humor,” she mused aloud, studying his face as if he were a fascinating puzzle to be figured out. “See? Hardly ten minutes into the night and I am already learning fabulous things about you.”
“Imagine what will happen in an hour,” he said.
“That sounded suspiciously liberal to me,” she rejoined slyly, reaching to wind her arms around his neck. “Did I mention that you look like you just stepped off a pirate ship? This outfit is very . . . roguish.”
“Roguish?”
“‘Roguish’ is a word from the English language,” she lectured. “It means . . . to be like a rogue. In your case, to be in the style of a rogue. Roguish.”
“I know what it means, Neliss. I do not believe I have ever heard myself described in such a way before. I shall have to take your word on that.” He reached up to push back some of the heavy fall of her hair. “You always wear dresses like this, and almost never bind your hair. Do not take this as a complaint, but I was wondering why that is.”
“I like dresses. I never quite took to the idea of skirts above the ankle. I guess I am an old-fashioned eighteenth-century girl.”
“I see. And just when, exactly, should I begin to look for those pigs that will be flying by?”
“You know, you sit there and accuse me of having a smart mouth?”
“Well, you were wondering what part of you was going to show up in me,” he rejoined.
“Oh. Ha ha. Your stellar wit has charmed me straight to my toes,” was her dry reply.
“In any event,” he continued, ignoring her sarcasm, “your style suits you quite well. It suits me as well.
”
”
Jacquelyn Frank (Gideon (Nightwalkers, #2))
“
You want to talk pigs, come down to the office, take a look through my In basket any morning of the week, I’ll show you pigs! The things that other men do—and get away with! And with never a second thought! To inflict a wound upon a defenseless person makes them smile, for Christ’s sake, gives a little lift to their day! The lying, the scheming, the bribing, the thieving—the larceny, Doctor, conducted without batting an eye. The indifference! The total moral indifference! They don’t come down from the crimes they commit with so much as a case of indigestion!
”
”
Philip Roth (Portnoy's Complaint (Vintage Blue))
“
All moveables of wonder, from all parts,
Are here—Albinos, painted Indians, Dwarfs,
The Horse of knowledge, and the learned Pig,
The Stone-eater, the man that swallows fire,
Giants, Ventriloquists, the Invisible Girl,
The Bust that speaks and moves its goggling eyes,
The Wax-work, Clock-work, all the marvellous craft
Of modern Merlins, Wild Beasts, Puppet-shows,
All out-o'-the-way, far-fetched, perverted things,
All freaks of nature, all Promethean thoughts
Of man, his dullness, madness, and their feats
All jumbled up together, to compose
A Parliament of Monsters.
”
”
William Wordsworth (The Prelude)
“
THE CLOWN AND THE COUNTRYMAN
A Nobleman announced his intention of giving a public entertainment in the theatre, and offered splendid prizes to all who had any novelty to exhibit at the performance. The announcement attracted a crowd of conjurers, jugglers, and acrobats, and among the rest a Clown, very popular with the crowd, who let it be known that he was going to give an entirely new turn. When the day of the performance came, the theatre was filled from top to bottom some time before the entertainment began. Several performers exhibited their tricks, and then the popular favourite came on empty-handed and alone. At once there was a hush of expectation: and he, letting his head fall upon his breast, imitated the squeak of a pig to such perfection that the audience insisted on his producing the animal, which, they said, he must have somewhere concealed about his person. He, however, convinced them that there was no pig there, and then the applause was deafening. Among the spectators was a Countryman, who disparaged the Clown's performance and announced that he would give a much superior exhibition of the same trick on the following day. Again the theatre was filled to overflowing, and again the Clown gave his imitation amidst the cheers of the crowd. The Countryman, meanwhile, before going on the stage, had secreted a young porker under his smock; and when the spectators derisively bade him do better if he could, he gave it a pinch in the ear and made it squeal loudly. But they all with one voice shouted out that the Clown's imitation was much more true to life. Thereupon he produced the pig from under his smock and said sarcastically, "There, that shows what sort of judges you are!
”
”
Aesop (Aesop's Fables)
“
Let’s go see.” “Wait,” said Jack. He turned more pages of the book. “I want to see what’s really going on, Jack. Not what’s in the book,” said Annie. “But look at this!” said Jack. He pointed to a picture of a big party. Men were standing by the door, playing drums and horns. He read: Fanfares were played to announce different dishes in a feast. Feasts were held in the Great Hall. “You can look at the book. I’m going to the real feast,” said Annie. “Wait,” said Jack, studying the picture. It showed boys his age carrying trays of food. Whole pigs. Pies. Peacocks with all their feathers. Peacocks?
”
”
Mary Pope Osborne
“
So, once more, the question is: Does the Bible forbid homosexual behavior? Well, I’ve already said that it does. The Bible is so realistic! You might not expect it to mention a topic like homosexual behavior, but in fact there are six places in the Bible—three in the Old Testament and three in the New Testament—where this issue is directly addressed—not to mention all the passages dealing with marriage and sexuality which have implications for this issue. In all six of these passages homosexual acts are unequivocally condemned.
In Leviticus 18.22 it says that it is an abomination for a man to lie with another man as with a woman. In Lev. 20.13 the death penalty is prescribed in Israel for such an act, along with adultery, incest, and bestiality. Now sometimes homosexual advocates make light of these prohibitions by comparing them to prohibitions in the Old Testament against having contact with unclean animals like pigs. Just as Christians today don’t obey all of the Old Testament ceremonial laws, so, they say, we don’t have to obey the prohibitions of homosexual actions. But the problem with this argument is that the New Testament reaffirms the validity of the Old Testament prohibitions of homosexual behavior, as we’ll see below. This shows they were not just part of the ceremonial laws of the Old Testament, which were done away with, but were part of God’s everlasting moral law. Homosexual behavior is in God’s sight a serious sin. The third place where homosexual acts are mentioned in the Old Testament is the horrifying story in Genesis 19 of the attempted gang rape of Lot’s visitors by the men of Sodom, from which our word sodomy derives. God destroyed the city of Sodom because of their wickedness.
Now if this weren’t enough, the New Testament also forbids homosexual behavior.
”
”
William Lane Craig
“
When you, sweet sleeper, wake in the morning, one arm thrown over your golden-sticky eyes, sheets a-mangle, your dreams still flit through you, ragged, full of holes. You can remember the man with the yellow eyes, but not why he chased you. You can remember the hawk footed woman on your roof, but not what she whispered.
That is my fault. I could not help it. I tromped though you in the night and ate up your dreams, a moth through wool. I didn't want them all, only the sweetest veins, like fat marbling a slab of ruby meat, the marrowy slick of what she whispered, why he ran.
I am a rowling thing--my snout raises up toward the moon to catch the scent of your sweat. I show my flat teeth to the night wind. I beg permission of your bed clothes to curl up in the curve of your stomach, to gnaw on your shoulders, your breasts, your eyelids. I must open up a hole in you, to crawl through to the red place where your dreams spool out.
You put your arm around me in the night. Do you remember? My belly was taut and black, a tapir's belly, a tapir's snout snuffling for your breath as a pig for truffles. You were my truffle, my thick, earthy mushroom. You were delicious, and I thank you for my supper.
”
”
Catherynne M. Valente (The Melancholy of Mechagirl)
“
I had tracked down a little cafe in the next village, with a television set that was going to show the World Cup Final on the Saturday. I arrived there mid-morning when it was still deserted, had a couple of beers, ordered a sensational conejo au Franco, and then sat, drinking coffee, and watching the room fill up. With Germans. I was expecting plenty of locals and a sprinkling of tourists, even in an obscure little outpost like this, but not half the population of Dortmund. In fact, I came to the slow realisation as they poured in and sat around me . . . that I was the only Englishman there. They were very friendly, but there were many of them, and all my exits were cut off. What strategy could I employ? It was too late to pretend that I was German. I’d greeted the early arrivals with ‘Guten Tag! Ich liebe Deutschland’, but within a few seconds found myself conversing in English, in which they were all fluent. Perhaps, I hoped, they would think that I was an English-speaker but not actually English. A Rhodesian, possibly, or a Canadian, there just out of curiosity, to try to pick up the rules of this so-called ‘Beautiful Game’. But I knew that I lacked the self-control to fake an attitude of benevolent detachment while watching what was arguably the most important event since the Crucifixion, so I plumped for the role of the ultra-sporting, frightfully decent Upper-Class Twit, and consequently found myself shouting ‘Oh, well played, Germany!’ when Helmut Haller opened the scoring in the twelfth minute, and managing to restrain myself, when Geoff Hurst equalised, to ‘Good show! Bit lucky though!’ My fixed grin and easy manner did not betray the writhing contortions of my hands and legs beneath the table, however, and when Martin Peters put us ahead twelve minutes from the end, I clapped a little too violently; I tried to compensate with ‘Come on Germany! Give us a game!’ but that seemed to strike the wrong note. The most testing moment, though, came in the last minute of normal time when Uwe Seeler fouled Jackie Charlton, and the pig-dog dolt of a Swiss referee, finally revealing his Nazi credentials, had the gall to penalise England, and then ignored Schnellinger’s blatant handball, allowing a Prussian swine named Weber to draw the game. I sat there applauding warmly, as a horde of fat, arrogant, sausage-eating Krauts capered around me, spilling beer and celebrating their racial superiority.
”
”
John Cleese (So, Anyway...: The Autobiography)
“
Against Fate
Hey, Fate! When you fail a man, you spend
all your time digging a well to trap him.
Then you untie the well's wheel rope so that it can roll.
And you keep the poor mortal struggling up, only to fall back.
You show him a bushel of means and say
"This is it. Worry about it, and dream."
Meanwhile you spin the wheel of fortune and fill
the house of the wicked with jewels,
while you force the just and scrupulous
to sweep up the pieces.
And the man who should not even tend pigs
rides a horse as a cavalier.
And without a shovel, you scoop ruin onto the house
of the honorable and the just.
Fate, if I speak evil of you, you'll claim
the man is jealous and confused
But why do you look crossly at the learned
and make the ignorant the landlord?
Hey, why toss the bread of the wise
so far down the valley?
And why should I believe in your justice
When you don't serve it to anyone important?
Not that you keep either oath or bargain, treacherous one.
Whomever you love today and who is raised to a golden throne,
tomorrow may be sitting in ashes.
How can such a fraudulent judge make a just decision?
Fate, friend of the deceitful and devious, you are harsh to the honest.
What more can I say except that someday I expect
you to mix up sky and earth and sea.
”
”
Frik
“
I couldn’t hide my sadness in Waco. Partly because the holidays always made me miss Sarah, especially when I was with her brother and parents. But I was also starting to feel detached from my real life, and seeing my extended family perform for the cameras made me realize how much I was playing a part. Nowadays, I see so many people performing their identities on social media, but I feel like I was a guinea pig for that. How was I supposed to live a real, healthy life filtered through the lens of a reality show? If my personal life was my work, and my work required me to play a certain role, who even was I anymore? I had no idea who I really was.
”
”
Jessica Simpson (Open Book)
“
Each season the people of Canterbury re-enact Becket’s death: it is the monkish version, because till now no other kind of history has been available. Crowds line the streets—excited, as if the tale might come out different this year. Hot pasties are sold. There are processions with drummers and pipes, and then the show begins. The knights get tuppence and some beer, but the lad who plays the saint gets a shilling, for the knights make him suffer, smashing him on the flags as the old archbishop was smashed. As Becket calls on Christ, a child crouching behind the altar squirts the scene with pig’s blood. The actor is carried away. Then everybody gets drunk.
”
”
Hilary Mantel (The Mirror & the Light (Thomas Cromwell, #3))
“
It was a Game called Yes and No, where Scrooge’s nephew had to think of something, and the rest must find out what; he only answering to their questions yes or no, as the case was. The brisk fire of questioning to which he was exposed, elicited from him that he was thinking of an animal, a live animal, rather a disagreeable animal, a savage animal, an animal that growled and grunted sometimes, and talked sometimes, and lived in London, and walked about the streets, and wasn’t made a show of, and wasn’t led by anybody, and didn’t live in a menagerie, and was never killed in a market, and was not a horse, or an ass, or a cow, or a bull, or a tiger, or a dog, or a pig, or a cat, or a bear. At every fresh question that was put to him, this nephew burst into a fresh roar of laughter; and was so inexpressibly tickled, that he was obliged to get up off the sofa and stamp. At last the plump sister, falling into a similar state, cried out:
“I have found it out! I know what it is, Fred! I know what it is!”
“What is it?” cried Fred.
“It’s your Uncle Scro-o-o-o-oge!”
Which it certainly was. Admiration was the universal sentiment, though some objected that the reply to “Is it a bear?” ought to have been “Yes;” inasmuch as an answer in the negative was sufficient to have diverted their thoughts from Mr. Scrooge, supposing they had ever had any tendency that way.
”
”
Charles Dickens (A Christmas Carol)
“
In recent years, as people began to rethink human-animal relations, such practices have come under increasing criticism. We are suddenly showing unprecedented interest in the fate of so-called lower life forms, perhaps because we are about to become one. If and when computer programs attain super-human intelligence and unprecedented power, should we begin valuing these programs more than we value humans? Would
it be okay, for example, for an artificial intelligence to exploit humans and even kill them to further its own needs and desires? If it should never be allowed to do that, despite its superior intelligence and power, why is it ethical for humans to exploit and
kill pigs/animals?
”
”
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
“
Look, I don’t feel so well. Maybe I’ll drop by tomorrow.” I’ve just reached the door when his voice stops me. “Katniss. I remember about the bread.” The bread. Our one moment of real connection before the Hunger Games. “They showed you the tape of me talking about it,” I say. “No. Is there a tape of you talking about it? Why didn’t the Capitol use it against me?” he asks. “I made it the day you were rescued,” I answer. The pain in my chest wraps around my ribs like a vise. The dancing was a mistake. “So what do you remember?” “You. In the rain,” he says softly. “Digging in our trash bins. Burning the bread. My mother hitting me. Taking the bread out for the pig but then giving it to you instead.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
On the other hand, irrational fears are difficult, if not impossible, to quantify. Here’s an example: when 152 people were infected with swine flu in Mexico in 2009, people around the world, prodded by the media’s manufactured hysteria, erupted in fear of an epidemic. We were warned that the threat was everywhere—that everyone was potentially at risk; however, the data showed these fears to be completely unwarranted. Weeks into the “outbreak,” there were around 1,000 reported cases of the virus in 20 countries. The number of fatalities stood at 26—25 in Mexico, and one in the United States (a boy who had just traveled to Texas from Mexico). Yet schools were closed, travel was restricted, emergency rooms were flooded, hundreds of thousands of pigs were killed, hand sanitizer and face masks disappeared from store shelves, and network news stories about swine flu consumed 43% of airtime.9 “There is too much hysteria in the country and so far, there hasn’t been that great a danger,” commented Congressman Ron Paul in response. “It’s overblown, grossly so.”10 He should know. During Paul’s first session in Congress in 1976, a swine flu outbreak led Congress to vote to vaccinate the entire country. (He voted against it.) Twenty-five people died from the vaccination itself, while only one person was killed from the actual virus; hundreds, if not more, contracted Guillain-Barre syndrome, a paralyzing neurological illness, as a result of the vaccine. Nearly 25 percent of the population was vaccinated before the effort was cancelled due to safety concerns.
”
”
Connor Boyack (Feardom: How Politicians Exploit Your Emotions and What You Can Do to Stop Them)
“
STAR DREK Human beings are such slobs that, from now on, pigs must declare us the other white meat. Do you know that right now there is so much discarded trash in outer space that three times last month the International Space Station was almost hit by some useless hunk of floating metal—not unlike the International Space Station itself? So really, you’ve got to give the human race credit: only humans could visit an infinite void and leave it cluttered. Not only have we screwed up our own planet; somehow we have also managed to use up all the space in space. Now, history shows over and over again that if the citizens of Earth put their minds to it, they can destroy anything. It doesn’t matter how remote or pristine, together, yes, we can fuck it up. The age of space exploration is only fifty years old, and we have already managed to turn the final frontier into the New Jersey Meadowlands.12
”
”
Neil deGrasse Tyson (Accessory to War: The Unspoken Alliance Between Astrophysics and the Military (Astrophysics for People in a Hurry Series))
“
Leonardo was also able to show, contrary to Galen, that the heart is simply a muscle rather than some form of special vital tissue. Like all muscles, the heart has its own blood supply and nerves. “It is nourished by an artery and veins, as are other muscles,” he found.28 He also corrected the Galenic belief that the heart has only two ventricles. His dissections showed that there are two upper and two lower ventricles. These must have distinct functions, he argued, because they were separated by valves and membranes. “If they were one and the same, there would be no need for the valves that separate them.” In order to figure out how the ventricles work, Leonardo opened up a pig whose heart was still beating. The upper and lower ventricles open at different times, he discovered. “The upper ventricles of the heart are different in their functions and nature from those below, and they are separated by gristle and various substances.
”
”
Walter Isaacson (Leonardo da Vinci)
“
Is this how you will die? Is this what you were meant for? To simply be bled out like a pig?
A spark of rage flickers, an antidote to despair.
Will you not even try to survive? Did the scientists make you too stupid even to consider fighting for your own life?
Emiko closes her eyes and prays to Mizuko Jizo Bodhisattva, and then the bakeneko cheshire spirit for good measure. She takes a breath, and then with all her strength she slams her hand against the knife. The blade slices past her neck, a searing line.
"Arai wa?!" the man shouts.
Emiko shoves hard against him and ducks under his flailing knife. Behind her, she hears a grunt and thud as she bolts for the street. She doesn't look back. She plunges into the street, not caring that she shows herself as a windup, not caring that in running she will burn up and die. She runs, determined only to escape the demon behind her. She will burn, but she will not die passive like some pig led to slaughter.
”
”
Paolo Bacigalupi (The Windup Girl)
“
We are suddenly showing unprecedented interest in the fate of so-called lower life forms, perhaps because we are about to become one. If and when computer programs attain superhuman intelligence and unprecedented power, should we begin valuing these programs more than we value humans? Would it be okay, for example, for an artificial intelligence to exploit humans and even kill them to further its own needs and desires? If it should never be allowed to do that, despite its superior intelligence and power, why is it ethical for humans to exploit and kill pigs? Do humans have some magical spark, in addition to higher intelligence and greater power, which distinguishes them from pigs, chickens, chimpanzees and computer programs alike? If yes, where did that spark come from, and why are we certain that an AI could never acquire it? If there is no such spark, would there be any reason to continue assigning special value to human life even after computers surpass humans in intelligence and power?
”
”
Yuval Noah Harari (Homo Deus: A Brief History of Tomorrow)
“
Elfa’s eyes drifted to where Nykyrian stood with his back to a wall. “Didn’t you come in with that Andarion over there?” Kiara tightened her grip on her glass, wanting to toss it in Elfa’s face. “Yes, I did.” A scheming look crossed Elfa’s face. “The promoters might not like that. Andarions are a controversial thing.” Kiara detected a hopeful note under the girl’s tone. “Have you been hooked up with him long?” Syn stepped forward with a snide grin. “She’s not hooked up with him, love. He’s my bodyguard. I, on the other hand, am the one she’s here with.” A calculating look darkened her eyes as she took in the expensive shoes and suit Syn wore. Her smile turned flirtatious. “And you are?” “One of the reviewers who wrote that you were a piss-poor substitute for Kiara and that the entire system is saddened by the loss of her from the show. I was just telling her that if she doesn’t return soon and they leave your clumsy ass in, the show’ll be closing prematurely for sure.” Elfa’s nostrils widened. “You’re a pig!” “Oink, oink.
”
”
Sherrilyn Kenyon (Born of Night (The League, #1))
“
We eat spaghetti all' amatriciana, with a sauce of guanciale, which is the pig's" ---he ran his finger down her cheek, briefly, a touch so fleeting she was hardly aware it had happened---"this part of the pig's face. We fry it in olive oil with a little chile, some tomatoes, and of course some grated pecorino romano, hard cheese. Or if you don't want spaghetti, you could have bucatini, or calscioni, or fettuccine, or pappardelle, or tagliolini, or rigatoni, or linguine, or garganelli, or tonnarelli, or fusilli, or conchiglie, or vermicelli, or maccheroni, but---" he held up a warning finger---"each of them demands a different kind of sauce. For example, an oily sauce goes with dried pasta, but a butter sauce goes better with fresh. Take fusilli." He held up a packet to show her. "People say this pasta was designed by Leonardo da Vinci himself. The spiral fins carry the maximum amount of sauce relative to the surface area, you see? But it only works with a thick, heavy sauce that can cling to the grooves. Conchiglie, on the other hand, is like a shell, so it holds a thin, liquid sauce inside it perfectly.
”
”
Anthony Capella (The Food of Love)
“
HERE ARE MY TEN BEEF NOODLE SOUP COMMANDMENTS: 1. Throw out the first: always flash-boil your bones and beef to get the “musk” out. I’ve gone back and forth on this a lot. I would sometimes brown the meat as opposed to boil, but decided in the end that for this soup, you gotta boil. If you brown, it’s overpowering. The lesson that beef noodle soup teaches you is restraint. Sometimes less is more if you want all the flavors in the dish to speak to you. 2. Make sure the oil is medium-high when the aromatics go down and get a slight caramelization. It’s a fine line. Too much caramelization and it becomes too heavy, but no caramelization and your stock is weak. 3. Rice wine can be tricky. Most people like to vaporize it so that all the alcohol is cooked off. I like to leave a little of the alcohol flavor ’cause it tends to cut through the grease a bit. 4. Absolutely no butter, lard, or duck fat. I’ve seen people in America try to “kick it up a notch” with animal fats and it ruins the soup. Peanut oil or die. 5. Don’t burn the chilis and peppercorns, not even a little bit. You want the spice and the numbness, but not the smokiness. 6. After sautéing the chilis/peppercorns, turn off the heat and let them sit in the oil to steep. This is another reason you want to turn the heat off early. 7. Strain your chilis/peppercorns out of the oil, put them in a muslin bag, and set them aside. Then add ginger/garlic/scallions to the oil in that order. Stage them. 8. I use tomatoes in my beef noodle soup, but I add them after the soup is finished and everything is strained. I let them hang out in the soup as it sits on the stove over the course of the day. I cut the tomatoes thin so they give off flavor without having to cook too long and so you can serve them still intact. 9. Always use either shank or chuck flap. Brisket is too tough. If you want to make it interesting, add pig’s foot or oxtail. 10. Do you. I don’t give you measurements with this because I gave you all the ingredients and the technique. The best part about beef noodle soup is that there are no rules. It just has to have beef, noodle, and soup. There are people that do clear broth beef noodle soup. Beef noodle soup with dairy. Beef noodle soup with pig’s blood. It would suck if you looked at my recipe and never made your own, ’cause everyone has a beef noodle soup in them. Show it to me.
”
”
Eddie Huang (Fresh Off the Boat)
“
The next day we booked a three-hundred pound sow for a most unusual photoshoot. She was chauffeured to Hollywood from a farm in Central Valley, and arrived in style at the soundstage bright and early, ready for her close-up. She was a perfect pig, straight from the animal equivalent of Central casting: pink, with gray spots and a sweet disposition. Like Wilbur from Charlotte's Web, but all grown up. I called her "Rhonda."
In a pristine studio with white walls and a white floor, I watched as Rhonda was coaxed up a ramp that led to the top of a white pedestal, four feet off the ground. Once she was situated, the ramp was removed, and I took my place beside her. It was a simple setup. Standing next to Rhonda, I would look into the camera and riff about the unsung heroes of Dirty Jobs. I'd conclude with a pointed question: "So, what's on your pedestal?" It was a play on that credit card campaign: "What's in your wallet?"
I nailed it on the first take, in front of a roomful of nervous executives. Unfortunately, Rhonda nailed it, too. Just as I asked, "What's on your pedestal?" she crapped all over hers.
It was an enormous dump, delivered with impeccable timing. During the second take, Rhonda did it again, right on cue. This time, with a frightful spray of diarrhea that filled the studio with a sulfurous funk, blackening the white walls of the pristine set, and transforming my blue jeans into something browner. I could only marvel at the stench, while the horrified executives backed into a corner - a huddled mass, if you will, yearning to breath free.
But Rhonda wasn't done. She crapped on every subsequent take. And when she could crap no more, she began to pee. She peed on my cameraman, She peed on her handler. She peed on me. Finally, when her bladder was empty, we got the take the network could use, along with a commercial that won several awards for "Excellence in Promos." (Yes, they have trophies for such things.) Interestingly, the footage that went viral was not the footage that aired, but the footage Mary encouraged me to release on YouTube after the fact. The outtakes of Rhonda at her incontinent finest. Those were hysterical, and viewed more times than the actual commercial. Go figure.
Looking back, putting a pig on a pedestal was maybe the smartest thing I ever did. Not only did it make Rhonda famous, it established me as the nontraditional host of a nontraditional show. One whose primary job was to appear more like a guest, and less like a host. And, whenever possible, not at all like an asshole.
”
”
Mike Rowe (The Way I Heard It)
“
Because another thing we look away from, in the killing of animals, is just how much they are like us. One of the things the internet has done is circulate, on a vast scale, short films of animals being cute. A lot of the time this means: being like us. I watched, once, some YouTube footage of a pig who had been raised by a specific human and allowed to grow old. In the clip the pig sees this human again after several years of separation and rushes over to the edge of the pigsty, braying and trying to leap the fence with what seemed to my eyes like joy: like the joy of recognition – indeed, of love. If you post links to such films approvingly, cynics – men (always men) born with the knowledge that they know best – will tell you, with lordly condescension, that you are anthropomorphising. By which they mean projecting human emotions and responses onto animals. When they say this, they tend not “to consider the possibility that if this were not anthropomorphism – if the pig just, as the film clearly suggests, had empathy and memory and other-directedness, if it was really overjoyed to see the person who reared it again years later, if it was capable of love – if the pig were showing the big emotions which we humans think make us special, then complacently slaughtering and eating pigs might become a bit problematic.
”
”
David Baddiel (The God Desire)
“
Knocking on a massive carved door minutes later, the sigils on it shouting to those literate enough to ‘Stay away or else!’ he received a nice surprise when the door swung open.
Well, hello there. Reaching only his shoulder, with a wild mop of black hair, bright brown eyes and a rounded body made for worship – by his tongue – Remy wondered if he could convince the servant girl to come around the corner with him for a quickie before he met with this Ysabel person.
Then she opened her luscious mouth. “If you’re done gawking, you might want to step back before I smash your nose with the door when I shut it.”
Someone got up without sex today. He could fix that. “Hello beautiful, I actually have business with the occupant of this suite. I’m here to meet with Ysabel, the witch.”
“Really.” Her tone said what she thought of his claim and her brown gaze looked him up and down, then dismissed him. “I don’t think so.”
The door slammed shut in his face.
What. The. Fuck.
Remy pounded on the door. It immediately opened. The ebony haired vixen, her arms crossed under her bountiful tits, smirked. “Back already. What’s wrong? Did I hurt your feelings?”
“Listen woman, I don’t know what crawled up your ass and turned you into an uptight bitch, but I’m here to see Ysabel, so get the fuck out of my way before I put you over my knee and –”
“And what? Spank me?” Her eyes actually sparked with challenge, the minx. “I’d like to see you try. But, before you do, just so you know, my name is Ysabel. The witch.”
Aaaaah, shit. Never one to admit defeat, he let a slow simmering smile spread across his face. It worked on demonesses, damned souls, human women, and even gay men, but apparently, it had no effect on scowling witches. Too bad. “It’s your lucky day. Lucifer has informed me that you’re my next assignment.”
“Not by choice. And what are you supposed to do exactly? I need a tracker, not a gigolo. What happened? Did your gig as a pole dancer not work out? Equipment too small?” She dropped her gaze to his groin and sneered.
A sudden, irrational urge possessed him to drop his pants, flip her over and show her there was nothing wrong with the size of his cock. He abstained, but couldn’t prevent himself from taunting her, eyeing her up and down in the same dismissive manner. “Anytime you want to measure my dick, you let me know. Naked.”
“Pig.”
“No, demon. Really, get your terminology straight, would you? After Lucifer’s warning, I expected someone older and badder.”
To his credit he didn’t drop to the ground, but the pain in his balls did require he bend over to cup them gently which in turn meant he got the door in the face. Again.
-Ysabel & Remy
”
”
Eve Langlais (A Demon and His Witch (Welcome to Hell, #1))
“
the slow, contemplative “academic” mechanism of drug testing, Kramer groused, was becoming life-threatening rather than lifesaving. Randomized, placebo-controlled trials were all well and good in the cool ivory towers of medicine, but patients afflicted by a deadly illness needed drugs now. “Drugs into bodies; drugs into bodies,” ACT UP chanted. A new model for accelerated clinical trials was needed. “The FDA is fuckedup, the NIH is fucked-up… the boys and girls who are running this show have been unable to get whatever system they’re operating to work,” Kramer told his audience in New York. “Double-blind studies,” he argued in an editorial, “were not created with terminal illnesses in mind.” He concluded, “AIDS sufferers who have nothing to lose, are more than willing to be guinea pigs.” Even Kramer knew that that statement was extraordinary; Halsted’s ghost had, after all, barely been laid to rest. But as ACT UP members paraded through the streets of New York and Washington, frothing with anger and burning paper effigies of FDA administrators, their argument ricocheted potently through the media and the public imagination. And the argument had a natural spillover to other, equally politicized diseases. If AIDS patients demanded direct access to drugs and treatments, should other patients with terminal illnesses not also make similar demands? Patients with AIDS wanted drugs into bodies, so why should bodies with cancer be left without drugs?
”
”
Siddhartha Mukherjee (The Emperor of All Maladies: A Biography of Cancer)
“
Making good use of that room?” Lucius asked them, having a laugh with the trollop at his side. Oscar stood unwavering in the center of the hall, forcing Lucius to skirt around him.
“You’re a pig,” Camille replied, but he only squealed and snorted like a sow.
“Either of you figure out yet how we’re going to get home?” Lucius asked. “Don’t get me wrong. I’m perfectly content here for the time being.”
A pair of sloppy-looking men stumbled through the front door, obviously drunk, and howling like wolves. Oscar stepped up beside Camille, blocking her from their view. His shoulders and chest were the perfect shield against whatever misguided attentions the men might show her.
“When did you become concerned about the three of us sticking together?” she asked Lucius. “We haven’t set eyes on you since you disappeared into the orlop deck of the Londoner.”
Lucius nodded over his shoulder. “I’m being nursed back to health, can’t you see?”
She glared at him. Why someone like Lucius had survived the shipwreck instead of a worthier person like her father angered her. Maybe she really was cursed.
“You don’t have a plan, do you?” Lucius asked Oscar, who continued to block Camille from the two men anxiously waiting by the front door for someone to greet them. Lucius snorted a laugh. “Should’a guessed as much.”
Oscar took a step forward, pressing Camille between his chest and Lucius’s.
“What do you mean by that?”
Lucius laced his fingers together and bowed them, cracking his knuckles. “Just that everyone knew you were only good for dishing out orders that came from someone else.”
Camille placed one hand on Oscar’s chest and the other on Lucius and shoved them apart.
“Stop it,” she said. “I liked it better when you were out of sight, Lucius.
”
”
Angie Frazier (Everlasting (Everlasting, #1))
“
The Venetians catalogue everything, including themselves. ‘These grapes are brown,’ I complain to the young vegetable-dealer in Santa Maria Formosa. ‘What is wrong with that ? I am brown,’ he replies. ‘I am the housemaid of the painter Vedova,’ says a maid, answering the telephone. ‘I am a Jew,’ begins a cross-eyed stranger who is next in line in a bookshop. ‘Would you care to see the synagogue?’
Almost any Venetian, even a child, will abandon whatever he is doing in order to show you something. They do not merely give directions; they lead, or in some cases follow, to make sure you are still on the right way. Their great fear is that you will miss an artistic or ‘typical’ sight. A sacristan, who has already been tipped, will not let you leave until you have seen the last Palma Giovane. The ‘pope’ of the Chiesa dei Greci calls up to his housekeeper to throw his black hat out the window and settles it firmly on his broad brow so that he can lead us personally to the Archaeological Museum in the Piazza San Marco; he is afraid that, if he does not see to it, we shall miss the Greek statuary there.
This is Venetian courtesy. Foreigners who have lived here a long time dismiss it with observation : ‘They have nothing else to do.’ But idleness here is alert, on the qui vive for the opportunity of sightseeing; nothing delights a born Venetian so much as a free gondola ride. When the funeral gondola, a great black-and-gold ornate hearse, draws up beside a fondamenta, it is an occasion for aesthetic pleasure. My neighbourhood was especially favoured this way, because across the campo was the Old Men’s Home. Everyone has noticed the Venetian taste in shop displays, which extends down to the poorest bargeman, who cuts his watermelons in half and shows them, pale pink, with green rims against the green side-canal, in which a pink palace with oleanders is reflected. Che bello, che magnifici, che luce, che colore! - they are all professori delle Belle Arti. And throughout the Veneto, in the old Venetian possessions, this internal tourism, this expertise, is rife. In Bassano, at the Civic Museum, I took the Mayor for the local art-critic until he interupted his discourse on the jewel-tones (‘like Murano glass’) in the Bassani pastorals to look at his watch and cry out: ‘My citizens are calling me.’ Near by, in a Paladian villa, a Venetian lasy suspired, ‘Ah, bellissima,’ on being shown a hearthstool in the shape of a life-size stuffed leather pig. Harry’s bar has a drink called a Tiziano, made of grapefruit juice and champagne and coloured pink with grenadine or bitters. ‘You ought to have a Tintoretto,’ someone remonstrated, and the proprietor regretted that he had not yet invented that drink, but he had a Bellini and a Giorgione.
When the Venetians stroll out in the evening, they do not avoid the Piazza San Marco, where the tourists are, as Romans do with Doney’s on the Via Veneto. The Venetians go to look at the tourists, and the tourists look back at them. It is all for the ear and eye, this city, but primarily for the eye. Built on water, it is an endless succession of reflections and echoes, a mirroring. Contrary to popular belief, there are no back canals where tourist will not meet himself, with a camera, in the person of the another tourist crossing the little bridge. And no word can be spoken in this city that is not an echo of something said before. ‘Mais c’est aussi cher que Paris!’ exclaims a Frenchman in a restaurant, unaware that he repeats Montaigne. The complaint against foreigners, voiced by a foreigner, chimes querulously through the ages, in unison with the medieval monk who found St. Mark’s Square filled with ‘Turks, Libyans, Parthians, and other monsters of the sea’. Today it is the Germans we complain of, and no doubt they complain of the Americans, in the same words.
”
”
Mary McCarthy
“
The Scientific Revolution was revolutionary in a way that is hard to appreciate today, now that its discoveries have become second nature to most of us. The historian David Wootton reminds us of the understanding of an educated Englishman on the eve of the Revolution in 1600: He believes witches can summon up storms that sink ships at sea. . . . He believes in werewolves, although there happen not to be any in England—he knows they are to be found in Belgium. . . . He believes Circe really did turn Odysseus’s crew into pigs. He believes mice are spontaneously generated in piles of straw. He believes in contemporary magicians. . . . He has seen a unicorn’s horn, but not a unicorn. He believes that a murdered body will bleed in the presence of the murderer. He believes that there is an ointment which, if rubbed on a dagger which has caused a wound, will cure the wound. He believes that the shape, colour and texture of a plant can be a clue to how it will work as a medicine because God designed nature to be interpreted by mankind. He believes that it is possible to turn base metal into gold, although he doubts that anyone knows how to do it. He believes that nature abhors a vacuum. He believes the rainbow is a sign from God and that comets portend evil. He believes that dreams predict the future, if we know how to interpret them. He believes, of course, that the earth stands still and the sun and stars turn around the earth once every twenty-four hours.7 A century and a third later, an educated descendant of this Englishman would believe none of these things. It was an escape not just from ignorance but from terror. The sociologist Robert Scott notes that in the Middle Ages “the belief that an external force controlled daily life contributed to a kind of collective paranoia”: Rainstorms, thunder, lightning, wind gusts, solar or lunar eclipses, cold snaps, heat waves, dry spells, and earthquakes alike were considered signs and signals of God’s displeasure. As a result, the “hobgoblins of fear” inhabited every realm of life. The sea became a satanic realm, and forests were populated with beasts of prey, ogres, witches, demons, and very real thieves and cutthroats. . . . After dark, too, the world was filled with omens portending dangers of every sort: comets, meteors, shooting stars, lunar eclipses, the howls of wild animals.8 To the Enlightenment thinkers the escape from ignorance and superstition showed how mistaken our conventional wisdom could be, and how the methods of science—skepticism, fallibilism, open debate, and empirical testing—are a paradigm of how to achieve reliable knowledge. That knowledge includes an understanding of ourselves.
”
”
Steven Pinker (Enlightenment Now: The Case for Reason, Science, Humanism, and Progress)
“
In the early 1680s, at just about the time that Edmond Halley and his friends Christopher Wren and Robert Hooke were settling down in a London coffee house and embarking on the casual wager that would result eventually in Isaac Newton’s Principia, Hemy Cavendish’s weighing of the Earth, and many of the other inspired and commendable undertakings that
have occupied us for much of the past four hundred pages, a rather less desirable milestone was being passed on the island of Mauritius, far out in the Indian Ocean some eight hundred miles off the east coast of Madagascar.
There, some forgotten sailor or sailor’s pet was harrying to death the last of the dodos, the famously flightless bird whose dim but trusting nature and lack of leggy zip made it a rather irresistible target for bored young tars on shore leave. Millions of years of peaceful isolation had not prepared it for the erratic and deeply unnerving behavior of human beings.
We don’t know precisely the circumstances, or even year, attending the last moments of the last dodo, so we don’t know which arrived first a
world that contained a Principia or one that had no dodos, but we do know that they happened at more or less the same time. You would be
hard pressed, I would submit to find a better pairing of occurrences to illustrate the divine and felonious nature of the human being-a species of organism that is capable of unpicking the deepest secrets of the heavens while at the same time pounding into extinction, for no purpose at all, a creature that never did us any harm and wasn’t even remotely capable of
understanding what we were doing to it as we did it. Indeed, dodos were so spectacularly short on insight it is reported, that if you wished to find
all the dodos in a vicinity you had only to catch one and set it to squawking, and all the others would waddle along to see what was up.
The indignities to the poor dodo didn’t end quite there. In 1755, some seventy years after the last dodo’s death, the director of the Ashmolean
Museum in Oxford decided that the institution’s stuffed dodo was becoming unpleasantly musty and ordered it tossed on a bonfire. This was a surprising decision as it was by this time the only dodo in existence, stuffed or otherwise. A passing employee, aghast tried to rescue the bird but could save only its head and part of one limb.
As a result of this and other departures from common sense, we are not now entirely sure what a living dodo was like. We possess much less information than most people suppose-a handful of crude descriptions by "unscientific voyagers, three or four oil paintings, and a few scattered osseous fragments," in the somewhat aggrieved words of the nineteenth century naturalist H. E. Strickland. As Strickland wistfully observed, we have more physical evidence of some ancient sea monsters and lumbering
saurapods than we do of a bird that lived into modern times and required nothing of us to survive except our absence.
So what is known of the dodo is this: it lived on Mauritius, was plump but not tasty, and was the biggest-ever member of the pigeon family,
though by quite what margin is unknown as its weight was never accurately recorded. Extrapolations from Strickland’s "osseous fragments" and the Ashmolean’s modest remains show that it was a little over two and a
half feet tall and about the same distance from beak tip to backside. Being flightless, it nested on the ground, leaving its eggs and chicks tragically easy prey for pigs, dogs, and monkeys brought to the island by outsiders. It was probably extinct by 1683 and was most certainly gone by 1693. Beyond that we know almost nothing except of course that we will not see its like again. We know nothing of its reproductive habits and diet, where it ranged, what sounds it made in tranquility or alarm. We don’t possess a single dodo egg.
From beginning to end our acquaintance with animate dodos lasted just seventy years.
”
”
Bill Bryson (A Short History of Nearly Everything)
“
The pigs are the capitalist state, and as such define the limits of all political struggles; to the extent that a revolutionary struggle shows signs of success, they come in and mark the point it can't go beyond.the point it can't go beyond.
”
”
Weather Underground (You Don't Need a Weatherman to Know Which Way the Wind Blows)
“
A maiden? Out here? And scented with festering carcasses?” Vladamir searched the forest that surrounded his castle. The hum of insects was quite clear on the morning air, and he noticed that the red bristled pigs grazing just beyond his walls were undisturbed. Nor could he detect movement within the barren limbs of the trees. Finally satisfied that the girl was alone, he turned his attention back to Ulric. He refused to show any interest in the maiden.
“Wake her and send her on her way.” He kept his voice passionless and made no effort to help the woman. “If she is dead, burn her, for I won’t tolerate that wretched smell in my bailey.”
“Should we not try to find out who she is first? Mayhap there are those who search fer her even now. Would you deny her kinsmen a proper burial?” Ulric protested quietly.
“Do as I command!” Vladamir insisted in a low growl. Even as he did so, he saw the knights that manned the wall look over the girl with curious stares. He heard their whispering as it drifted down, though he couldn’t make out their hasty words. He didn’t need to. The woman was more than likely a Saxon wench and they would wish to know whom, for none in the manor were missing. If she was dead, there was nothing he could do for her. He didn’t need this headache. His life was stressed enough.
”
”
Michelle M. Pillow (Maiden and the Monster)
“
We wandered the entire length of the street market, stopping to buy the provisions I needed for the lunch dish I wanted to prepare to initiate l'Inglese into the real art of Sicilian cuisine.
I took l'Inglese around the best stalls, teaching him how to choose produce, livestock, game, fish, and meat of the highest quality for his dishes.
Together we circled among the vegetable sellers, who were praising their heaps of artichokes, zucchini still bearing their yellow flowers, spikes of asparagus, purple-tinged cauliflowers, oyster mushrooms, and vine tomatoes with their customary cries:
"Carciofi fresci."
"Funghi belli."
"Tutto economico."
I squeezed and pinched, sniffed, and weighed things in my hands, and having agreed on the goods I would then barter on the price. The stallholders were used to me, but they had never known me to be accompanied by a man.
Wild strawberries, cherries, oranges and lemons, quinces and melons were all subject to my scrutiny.
The olive sellers, standing behind their huge basins containing all varieties of olives in brine, oil, or vinegar, called out to me:
"Hey, Rosa, who's your friend?"
We made our way to the meat vendors, where rabbits fresh from the fields, huge sides of beef, whole pigs and sheep were hung up on hooks, and offal and tripe were spread out on marble slabs. I selected some chicken livers, which were wrapped in paper and handed to l'Inglese to carry. I had never had a man to carry my shopping before; it made me feel special.
We passed the stalls where whole tuna fish, sardines and oysters, whitebait and octopus were spread out, reflecting the abundant sea surrounding our island. Fish was not on the menu today, but nevertheless I wanted to show l'Inglese where to find the finest tuna, the freshest shrimps, and the most succulent swordfish in the whole market.
”
”
Lily Prior (La Cucina)
“
Sharon did have house guests to keep her company, though. Abigail Folger, the heiress to the Folger Coffee Company and her boyfriend, Wojciech Frykowski, were also living at Cielo Drive. On the evening of August 8, 1969, Sharon made phone calls to her sister and her friend to cancel plans she had made, saying that she was tired and would spend the night in with another friend, Jay Sebring. The foursome, Sharon, Jay, Abigail, and Wojciech, ate at a local Mexican restaurant before returning to Sharon’s home at Cielo Drive. At 11.30 pm, Manson took his follower and right-hand man Tex Watson to one side and explained to him what he had to do. For the good of the family, Manson said, Tex had to lead the others to Cielo Drive to “totally destroy everyone in that house” and steal whatever they could. It’s unclear whether Manson even knew who was now living in that particular house, but he must have known they were rich and that they would serve as an example to the rest of the world that no one was safe. Manson rounded up Susan Atkins, Patricia Krenwinkel, and new follower Linda Kasabian. Dressed in black, the girls grabbed their knives and jumped into the car with Tex. Manson rested at Spahn Ranch, waiting for news from 10050 Cielo Drive. When the group arrived at the house, Tex climbed a telephone pole and snipped the wire. It was only now that the group had arrived that Tex told the girls exactly what they were there to do. If the girls were shocked, they didn’t show it, and they dutifully followed Tex’s lead in what came next. Steve Parent, an 18-year-old friend of the caretaker at Cielo Drive, was the first to be murdered. Parent was leaving the property in his car, having just visited his friend, when Tex shot him four times. Tex then entered the house through an open window and told the girls to follow him inside. New follower Kasabian was terrified and unable to help, so Tex told her to go back to the car and keep watch. In the sitting room of the house, Tex woke Wojciech who had fallen asleep on the couch, and Susan ventured upstairs where she found Abigail reading in bed. Abigail saw Susan but wasn’t alarmed at first. It wasn’t unusual for strangers to be in the house. But when Susan brandished a large knife and told Abigail, Sharon, and Jay to go with her downstairs, the group were terrified. Tex tied a rope around Wojciech’s throat, threw it over a beam in the house, and tied it around Sharon’s throat. Tex demanded money and grew furious when no one produced any, then he shot Jay in the stomach. As Sharon and Abigail screamed in terror, Tex stabbed Jay, over and over again. Realizing that no one was going to escape alive if he didn’t do something, Wojciech tried to break free, causing Susan to attack him with a knife. Wojciech was able to overpower Susan, so Tex shot him twice then battered him with the handle of his gun. Incredibly, Wojciech still managed to escape the house, but Tex caught up with him on the lawn and ended his life with a knife. Abigail also broke free of Patricia, but she caught her and stabbed her repeatedly. Tex finally ended Abigail’s life with his knife. Sharon was the only person still alive in the house; she pleaded for her life and the life of her unborn child. As Sharon begged, Susan Atkin’s began stabbing her, being sure to stab her directly through her pregnant stomach. Later, Susan said she “got sick of listening to her so I stabbed her and then I just stabbed her and she fell and I stabbed her again, just kept stabbing and stabbing.” The group almost left without writing the bloody graffiti Manson had explicitly told them to leave behind. Susan went back into the house and used a towel to write “PIG” on the front door of 10500 Cielo Drive in the victims’ blood.
”
”
Hourly History (Charles Manson: A Life From Beginning to End (Biographies of Criminals))
“
And I propose to you that if we are to pay our sincere respects to the hundred lost children of San Lorenzo, that we might best spend the day despising what killed them; which is to say, the stupidity and vicious-ness of all mankind. “Perhaps, when we remember wars, we should take off our clothes and paint ourselves blue and go on all fours all day long and grunt like pigs. That would surely be more appropriate than noble oratory and shows of flags and well-oiled guns. “I do not mean to be ungrateful for the fine, martial show we are about to see—and a thrilling show it really will be …” He looked each of us in the eye, and then he commented very softly, throwing it away, “And hooray say I for thrilling shows.
”
”
Kurt Vonnegut Jr. (Cat's Cradle)
“
We'll be in Parma, Bologna, Florence, Ravenna, and the hills of Chianti with our own 'Morning in America' chef, Casey Costello, who will cook in the kitchens with real Italians. We'll show you how true parmigiano-reggiano is made and see the fat pigs that give us Parma ham. You'll learn how to cook a Tuscan steak the size of a cow, make a real Bolognese sauce, pasta the Italian way"- she leaned forward and gave the camera a coquettish twinkle- "and what to do with a squiggling eel." Who could resist?
”
”
Nancy Verde Barr (Last Bite)
“
Every once in a while goannas sauntered right through camp. As I chopped vegetables that first night, a big lacey showed up.
“Grab it,” Steve said to me. I dropped what I was doing and picked up the lizard. John and his crew went into action. I told the camera everything I knew about lace monitors.
“Lace monitors are excellent tree climbers,” I said. “They can grow up to seven feet long, but this guy looks to be between four and five feet.” I spoke about the lizard’s predatory nature and diet. Meanwhile, the star of the show flicked his forked tongue in and out. After we got some footage, I put the huge lizard down, and Steve leaned his head into the camera frame to have a last word.
“And they’ve also got teeth like a tiger shark, mate,” he said with relish. “They can tear you to ribbons!”
“Thanks a lot,” I said, laughing, after John stopped filming. “You should have told me that before I picked the bloody thing up!”
It was a brave new world that I found myself in. At night I would hear the sounds of the fruit bats as they came into the trees. Also in the mix were the strange, far-off grunts of the koalas as they sang out their mating calls. Herds of wild pigs passed right behind the tent. Venturing outside in the middle of the night with my dunny roll to go use a bush was a daunting experience.
”
”
Terri Irwin (Steve & Me)
“
I know what I should do.” “Oh?” “Yes. I should run away to Loire. I could…join a traveling show or something.” “I imagine folks would pay to see a noble who feeds pigs, massacres baskets, and runs a market stand,” Marie said. “I could learn how to ride a trick horse,” Cinderella said. “Of course.” “It would be a fine income,” Cinderella insisted. “Absolutely,” Marie said. The two girls stared at each other for a moment before erupting into laughter. “Y-you
”
”
K.M. Shea (Cinderella and the Colonel (Timeless Fairy Tales, #3))
“
Entertaining is a way of life for the Southern girl. We’ve been doing it for over three hundred years now, and we’re not too shy to say we’re just about the best in the world at it.
There really doesn’t have to be an occasion to entertain in the South. Just about any excuse will do, from the anniversary of your friend’s divorce (a “comfort” party) to national flag day (Southern girls are always eager to show the flag the respect it’s due).
Parties in the South have always been big affairs. In pre--Civil War days, it was a long way between plantations on bad roads (or no roads at all), so parties lasted for days on end. The hostess spared no expense, with lavish dances, beautiful dresses, and meals that went on and on, with all the best dishes the South had to offer: from whole roast pig to wild game stew. After all, plantation parties were a circuit. You might go to twenty parties a year, but you were only going to throw one--so you better make it memorable, darlin’.
Grits work hard to keep this tradition alive. The Junior League and Debutante balls are not just coming out parties for our daughters, god bless them, they are the modern version of old Southern plantation balls. The same is true of graduation, important birthdays, yearly seasonal galas, and of course our weddings.
”
”
Deborah Ford (Grits (Girls Raised in the South) Guide to Life)
“
Things improved when we got down to the specifics. Step one: Basic Flirtation. Lucy said you had to look the desired person in the eye. You had to smile and use the person's name. You had to pay compliments and, if at all humanly possible, touch the person. Not run your mitts all over them, of course, just "lightly brush" against them, preferably while "sharing a joke." A joke came thundering in my mind. What's the difference between a raw egg and a good ride? You can beat a raw egg. Perhaps that was not the kind of joke you would share with a total stranger. Above all, Lucy said, you had to ask questions. So far so good, I felt. I like asking people questions anyway; it was a very good thing to stop people asking questions about you.
Next stage was Getting That Date. Lucy said she would give us her secret weapon. The hormonal activity in the room seemed suddenly to surge. She leaned forward. "Little pauses," Lucy whispered.
Basically, the gist was that we were not supposed to go blundering in, grinning "howarya petal? Fancy a tequila sunrise or what?" We were supposed to "insert a little pause."
Lucy showed us what she meant. I was selected as guinea pig. She came over, sat down and gazed into my face, touching my wrist with just the right degree of pressure. My God, if there was one thing this woman understood, it was gravitational pull. She smiled. She moved her hair gently out of her sparkling eyes. She was so close now that I could smell her musky perfume. The class inhaled, 'en masse'. I felt my palms moisten.
"Listen Joe," she beamed, "Do yo, uh, want to have a drink with me sometime?
”
”
Joseph O'Connor (The Secret World Of The Irish Male)
“
So when Finn sailed back down the Negro at dawn, he saw no flames and heard no roaring as the house was destroyed. Everything at first seemed to be as it had always been: the big trees by the river, the huts of the Indians, the Carters’ launch riding at anchor.
Then the dog, standing beside him, threw back his head and howled.
“What is it?” asked Finn.
But now he, too, smelled the choking, lingering smoke.
And as he sailed toward the landing stage, he saw it--the space, the nothingness, where the Carters’ house should have been. Not even an empty shell. Nothing.
He had thought that the news of his father’s death was the worst thing that had happened to him, but this was worse, because he was to blame. If he had taken Maia as she had begged…
He was shivering so much that it was difficult to steer the Arabella to the jetty and make her fast. There was no point in searching the ruins; it was so obvious that no one could survive such a blaze.
But there was one last hope. The huts of the Indians had been spared. Perhaps they had gotten Maia out; perhaps he would find her sleeping there.
He pushed open the door of the first hut and went inside…then the second and the third. They were completely empty. Even the parrot on his perch had gone, even the little dog. A broken rope in the run outside showed where the pig, terrified by the flames, had rushed back into the forest.
There was no doubt now in Finn’s mind. They had let Maia burn and fled in terror and shame.
What would it be like, Finn wondered, going on living and knowing that he had killed his friend?
The howler monkeys had been right to laugh when he said he wasn’t going back. He had turned downriver again almost at once to fetch Maia, and he had made good time, traveling with the current--but he had come too late.
”
”
Eva Ibbotson (Journey to the River Sea)
“
Many scholars believe the Arab-Israeli conflict did not start out as a war between religions, but as a territorial dispute between two competing groups—Jews and Arabs—with nationalist claims and aspirations, and that religion was one of the characteristics that identified the competing nationalist groups. I will agree that that is what it might look like on the surface. But for these two particular groups whose religion, at least for the Muslims, is a significant daily part of their lives, it is hard to believe that religious beliefs do not influence their thinking and aspirations. All you have to do is read a few scriptures from the Koran about the Jews and hear the holy book recited weekly in every mosque and you’ll begin to understand where this resentment is coming from, regardless of what country this hate verbiage is coming out of. The major difference between the religions is that Judaism does not aspire to convert the world as Islam does. Jews can live within the context of a different society without seeking converts. Jews do not go to temple every Friday and read that God’s will is victory over all Muslims. They do not read that all Muslims are apes and pigs because they are cursed by Allah, which is what Muslims teach about Jews in their mosques. Muslims are out to convert everyone. Once they have the upper hand, they want to run the whole show and subject everyone to their own rules.
”
”
Brigitte Gabriel (Because They Hate: A Survivor of Islamic Terror Warns America)
“
In medieval Europe (and even colonial America) thousands of animals were summoned to court and put on trial for a variety of offenses, ranging from trespassing, thievery and vandalism to rape, assault and murder. The defendants included cats, dogs, cows, sheep, goats, slugs, swallows, oxen, horses, mules, donkeys, pigs, wolves, bears, bees, weevils, and termites. These tribunals were not show trials or strange festivals like Fools Day. The tribunals were taken seriously by both the courts and the
community.
”
”
Jason Hribal (Fear of the Animal Planet: The Hidden History of Animal Resistance (Counterpunch))
“
The show was a hit. A local chief attended. They sold 816 tickets. Zélie sang five songs from popular operas of the day. In a letter to her aunt, Zélie catalogued her pay for the show: “3 pigs, 23 turkeys, 44 hens, 5000 coconuts, 1200 pineapples, 120 bushels of bananas, 120 pumpkins, 1500 oranges.” But the windfall, Zélie wrote, left her with a problem.
”
”
Jacob Goldstein (Money: The True Story of a Made-Up Thing)
“
I wasn’t listening to what he was saying either. I just wanted to get back to Wiltwyck and steal something and get into a lot of trouble. I never wanted to go back to anyplace so bad in all my life. I wanted to be around K.B. and Horse and Tito and other cats like me. We could all get together up at Wiltwyck, raise a lot of hell, and show people that we weren’t pigs and that we couldn’t be fucked over but so much. Simms and Claiborne and Nick and Papanek and everybody else up at Wiltwyck knew I was somebody—even when I wasn’t getting into trouble. I couldn’t wait to get back to where I wasn’t a pig.
”
”
Claude Brown (Manchild in the Promised Land)
“
There must be another way,” said Dave. “There is,” said Tom. “But it’s not pretty.” “Don’t worry,” said Carl. “Neither is Dave.” “In fact,” said Tom, “it’s downright ugly.” “So is Dave,” said Carl. “Ok,” said Tom, “I’ll show you.” CHAPTER THIRTEEN The One-Armed Pig “Where are you going?” Sally said, running after Porkins. He was walking down the road that led away from Greenleaf village, his rucksack slung over
”
”
Dave Villager (The Legend of Dave the Villager Books 6–10 Illustrated: a collection of unofficial Minecraft books (Dave the Villager Collections Book 2))
“
During his illness he had spent every minute of consciousness calling upon God, every second of every minute. Ya Allah whose servant lies bleeding do not abandon me now after watching over me so long. Ya Allah show me some sign, some small mark of your favour, that I may find in myself the strength to cure my ills. O God most beneficent most merciful, be with me in this my time of need, my most grievous need. Then it occurred to him that he was being punished, and for a time that made it possible to suffer the pain, but after a time he got angry. Enough, God, his unspoken words demanded, why must I die when I have not killed, are you vengeance or are you love? The anger with God carried him through another day, but then it faded, and in its place there came a terrible emptiness, an isolation, as he realized he was talking to thin air, that there was nobody there at all, and then he felt more foolish than ever in his life, and he began to plead into the emptiness, ya Allah, just be there, damn it, just be. But he felt nothing, nothing nothing, and then one day he found that he no longer needed there to be anything to feel. On that day of metamorphosis the illness changed and his recovery began. And to prove to himself the non-existence of God, he now stood in the dining-hall of the city’s most famous hotel, with pigs falling out of his face. He looked up from his plate to find a woman watching him. Her hair was so fair that it was almost white, and her skin possessed the colour and translucency of mountain ice. She laughed at him and turned away. ‘Don’t you get it?’ he shouted after her, spewing sausage fragments from the corners of his mouth. ‘No thunderbolt. That’s the point.’ She came back to stand in front of him. ‘You’re alive,’ she told him. ‘You got your life back. That’s the point.
”
”
Salman Rushdie (The Satanic Verses)
“
Try these approaches: Describe: “You’re building a tower,” or “You’re coloring with a red crayon.” Mimic: If your child is drawing a flower, grab your own piece of paper, sit near her, and draw your own flower. No need for any words. When you mirror, you show your child that you’re paying full attention and they are valuable and interesting to you. Reflective listening: When your child says, “I want to play trucks!” respond with, “You want to play trucks!” If your child says, “The pig wants to come into the barn,” say back, “That pig wants to go into the barn, huh?
”
”
Becky Kennedy (Good Inside: A Practical Guide to Resilient Parenting Prioritizing Connection Over Correction)
“
More people are killed every year by pigs than by sharks, which shows you how good we are at evaluating risk.
”
”
Bruce Schneier