Showcase Talent Quotes

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If you got talent, showcase it. It's no good hidden in your closet.
Sreedhar P Iyer (The Enigmatic Expanse)
American Horrors is one of the only shows out there showcasing the best new talent working the genre. It's also one hell of a good time" ~Michael J. Hein/NYC Horror Film Festival Founder/Director
Michael J. Hein
With nothing else to do, I sipped my tea and watched the sushi masters. With quick precise strokes, they transformed glistening blocks of fatty tuna and gray mullet into smooth neat rectangles. The morsels shone like jewels, the color, cut, and shape perfectly showcasing the seafood's freshness. The two men snatched handfuls of rice from a wide wooden bowl and shaped them into ovals as if preparing for a snowball fight. They say the most talented sushi masters can form their rice so that every grain points in the same direction.
Victoria Abbott Riccardi (Untangling My Chopsticks: A Culinary Sojourn in Kyoto)
But that California trip was just a flash in the eye of that year. The rest of the time, I hung in purgatory, playing talent shows and showcases here and there, living like a normal teenager in Philadelphia. Or maybe I should say living like a normal black teenager, which meant that aimlessness was accompanied by a certain unique set of risks. One night, I was out driving with a few friends of mine when the police pulled us over. We were told we fit the description of someone who had committed a robbery or stolen a car, though I don’t really know what kind of description that could have been: three black kids in a Hyundai blasting U2’s Joshua Tree on their way back from Bible study? The officer actually drew a gun. I was terrified. The worst part of all was that when I saw the police in the rearview mirror, I started thinking that maybe I had stolen the car. I don’t know what the psychological phenomenon is called, exactly, but when you encircle someone with suspicion, the idea of guilt just starts to appear within them. It was a terrible feeling and it’s a terrible process, and it was another reminder that the life I was leading, while superficially uneventful, had the potential to turn against me at any moment.
Ahmir "Questlove" Thompson (Mo' Meta Blues: The World According to Questlove)
Meetings at work present great opportunities to showcase your talent. Do not let them go to waste.
Abhishek Ratna (No Parking. No Halt. Success Non Stop!)
reinvent yourself, creating situations that manifest into opportunities to showcase your talent. Now,
Tyler Green (Self-Discipline:The Ultimate Guide To Greatness, Get Results Most People Can Only Dream Of (Self Confidence, Self Control, Mental Toughness, Willpower))
How did you learn to ballroom dance? That’s quite an accomplishment for a boy your age.” “My mom taught me.” He glanced at her. The anger had faded from his eyes. “I’m pretty good.” “I’m not surprised.” She liked the way he’d perked up. It was good to see his confidence emerging. Too bad he couldn’t showcase his talent for tomorrow’s audience. She was certain it would be beneficial. “Is there anything else you could do for the show? What other talents do you have?” Max shrugged. “Nothing, really.” His feet shuffled under the table. “’Cept being a goalie and building boat models, but I can’t do those for a talent show.” “Is there some other kind of dance you could do?” “It’s too late to come up with a new dance. The show’s tomorrow. Besides, it’s for a parent and their child.” His eyes pulled down at the corners, and he ducked his head. “I wish I could help, but I don’t know how to ballroom dance. I guess it wouldn’t be the same without your mom anyway.” His head lifted. Hope sparkled in his eyes. “You could learn.” “Oh, I—I think it would take longer than a day, Max.” Meridith laughed uneasily. “Especially for me.” His head and shoulders seemed to sink. “I guess you’re right. I only know how to lead, and I don’t know how to teach it.” “I know how.” Jake appeared in the doorway, filling it with his broad shoulders and tall frame. “Didn’t mean to eavesdrop.” “He could teach you!” Max’s eyes widened. He looked back and forth between Jake and Meridith. “Oh,” Meridith said, “We couldn’t ask—” “I’m offering,” Jake said. “I can be here bright and early tomorrow morning.” Max’s dimple hollowed his cheek. “No, I—you don’t understand, the show’s tomorrow night, and I’m a bad dancer.” Jake leaned against the doorframe, crossed his arms. “You said you wanted to help.” “Well, I do, but I don’t see how—you know how to ballroom dance?” The notion suddenly struck her as unlikely. “I can do more than swing a hammer.” “I didn’t mean—” “So you’ll do it?” Max bounced on the chair. She hadn’t seen him this excited since she’d arrived. She looked at Jake. At his wide shoulders, thick arms, sturdy calloused hands. She remembered the look in his eyes just minutes ago and imagined herself trapped in the confines of his embrace for as long as it took her to learn the dance. Which would be about, oh, a few years. “And why would you do this?” It wasn’t as if he owed her anything. Unless he was punching the time clock on the lessons. “Let’s just say I was picked on a time or two myself.” Max rubbed his hands together. “Toby and Travis, eat your heart out!” “Now, hold on. We already missed dress rehearsals. I don’t know if Mrs. Wilcox will let us slip in last minute.” “Call her,” Jake said. He had all the answers, didn’t he? She spared him a scowl as she slid past on her way to the phone. “Hi, Mrs. Wilcox? This is Meridith Ward again.” She looked over her shoulder. Max waited, Jake standing behind him, thumbs hooked in his jeans pockets, looking all smug. “I was wondering. If Max can get a replacement for the dance, could he still participate?” Please say no. “I know he’s missing dress rehearsals and—” “That would be no problem whatsoever.” Mrs. Wilcox sounded delighted. “We’d fit him in and be glad to have him. Have you found him another partner?” “Uh, looks like we have.” She thanked Mrs. Wilcox and hung up, then turned to face a hopeful Max. “What did she say?” he asked. Meridith swallowed hard. “She said they could work you back into the schedule.” She cast Jake a plea. “But I don’t know if I can do this. I wasn’t kidding, I have no rhythm whatsoever.” “Look at the kid. You can’t say no to that.” Max was grinning from ear to ear. It was Meridith’s shoulders that slunk now. Heaven help her. She winced and forced the words. “All right. I’ll do it.” Max let out a whoop and threw his arms around her.
Denise Hunter (Driftwood Lane (Nantucket, #4))
am a creative being A Being that You created You have unselfishly given me talent And I am here to showcase it All in praise of You You are the spirit within me You are the driving force I, Thank You O, God I, Thank You
Sandra Proto
Good talent needs a showcase to prove its worth.There are many cases across the world across arts where good and talented artists have disappeared bcz no one saw them.
Chetan katigar
It is easy to know your purpose in life because you choose your purpose in life. A purpose does not just happen; it is cultivated. A purpose does not come as a grand, all-encompassing and final solution or supreme-understanding. A purpose is more like a positive daily-grind, with gratitude and a smile. A purpose is nothing fancy and is not reserved for spiritual teachers, so-called geniuses or impassioned artistes. There is nothing more practical, down to earth and easily accessible as a purpose. You will find your purpose revealed in every single action, once you realize that — you — are your purpose. Your life is your purpose. We don’t “get” a purpose. We are witnesses to the unfolding of our purpose as our purpose is revealed to us daily by how we live life. The people who seem to know their purpose are sometimes just more present in their own choices and more focused with their gifts; gifts all of us have — yes, even you. But your purpose isn’t to merely craft and showcase your gifts. Your purpose is deeper than the busy-work of talent. Your purpose is with you at every moment. Your purpose is simply what you do each day. Your purpose is what you are experiencing in the living of your life. Your purpose is a great unfolding; a distinctive honor granted to all life — highest among those honors is the gift of freedom of thought and choice. The purpose of your life is the purpose you bring to it, choice by choice, and recognition by recognition. If you don’t know your gifts, your gifts and purpose know you — and if you are open, you will not have to find them, because they will find you. Let us shout, weep and sing, for every dark and bright thing. Let us joy in the breath, for the minutes we have left.
Bryant McGill (Simple Reminders: Inspiration for Living Your Best Life)
THE 5 DISCIPLINES OF THE MULTIPLIERS Diminisher The Empire Builder: Hoards resources and underutilizes talent The Tyrant: Creates a tense environment that suppresses people’s thinking and capability The Know-It-All: Gives directives that showcase how much they know The Decision Maker: Makes centralized, abrupt decisions that confuse the organization The Micro Manager: Drives results through their personal involvement Multiplier The Talent Magnet: Attracts talented people and uses them at their highest point of contribution The Liberator: Creates an intense environment that requires people’s best thinking and work The Challenger: Defines an opportunity that causes people to stretch The Debate Maker: Drives sound decisions through rigorous debate The Investor: Gives other people the ownership for results and invests in their success
Liz Wiseman (Multipliers: How the Best Leaders Make Everyone Smarter)
THE 5 DISCIPLINES OF THE MULTIPLIERS Diminisher The Empire Builder: Hoards resources and underutilizes talent The Tyrant: Creates a tense environment that suppresses people’s thinking and capability The Know-It-All: Gives directives that showcase how much they know The Decision Maker: Makes centralized, abrupt decisions that confuse the organization The Micro Manager: Drives results through their personal involvement Multiplier The Talent Magnet: Attracts talented people and uses them at their highest point of contribution The Liberator: Creates an intense environment that requires people’s best thinking and work The Challenger: Defines an opportunity that causes people to stretch The Debate Maker: Drives sound decisions through rigorous debate
Liz Wiseman (Multipliers: How the Best Leaders Make Everyone Smarter)
This. Her. Us. I’m as sure of her as I am that every night the moon will show up, the stars will shine down, and hours later, the sun will rise again. This is my favorite part of every day. The sun is down, and we eat by fairy lights strung overhead. We both devour the steak and salad I prepared. When our plates are scraped clean, I’m on my second beer and Bristol has gone through half a bottle of red wine. We’re cracking each other up and just sharing what happened during our day, which leads her back to lunch with Kevin. “Your fans would eat up a poetry book from you.” Bristol pours another glass of red. “And it would showcase the breadth of your talent beyond hip-hop.
Kennedy Ryan (Grip Trilogy Box Set (Grip, #0.5-2))
When scientists and psychologists provide case studies of resilient individuals, they do not showcase a housekeeper who has overcome personal tragedy and now has impressive talents at self-regulation. They write about individuals who survived and became doctors, teachers, therapists, motivational speakers—sparkly members of society. Resilience, according to the establishment, is not a degree of some indeterminable measure of inner peace. Resilience is instead synonymous with success.
Stephanie Foo (What My Bones Know: A Memoir of Healing from Complex Trauma)
Rodolphe Salis was a tall, red-headed bohemian with a coppery beard and boundless charisma. He had tried and failed to make a success of several different careers, including painting decorations for a building in Calcutta. But by 1881 he was listless and creatively frustrated, uncertain where his niche might lie. More pressingly, he was desperate to secure a steady income. But then he had the ingenious idea to turn the studio which he rented, a disused post office on the resolutely working-class Boulevard de Rochechouart, into a cabaret with a quirky, artistic bent. He was not the first to attempt such a venture: La Grande Pinte on the Avenue Trudaine had been uniting artists and writers to discuss and give spontaneous performances for several years. But Salis was determined that his initiative would be different – and better. A fortuitous meeting ensured that it was. Poet Émile Goudeau was the founder of the alternative literary group the Hydropathes (‘water-haters’ – meaning that they preferred wine or beer). After meeting Goudeau in the Latin Quarter and attending a few of the group’s gatherings, Salis became convinced that a more deliberate form of entertainment than had been offered at La Grande Pinte would create a venue that was truly innovative – and profitable. The Hydropathe members needed a new meeting place, and so Salis persuaded Goudeau to rally his comrades and convince them to relocate from the Latin Quarter to his new cabaret artistique. They would be able to drink, smoke, talk and showcase their talents and their wit. Targeting an established group like the Hydropathes was a stroke of genius on Salis’s part. Baptising his cabaret Le Chat Noir after the eponymous feline of Edgar Allan Poe’s story, he made certain that his ready-made clientele were not disappointed. Everything about the ambience and the decor reflected Salis’s unconventional, anti-establishment approach, an ethos which the Hydropathes shared. A seemingly elongated room with low ceilings was divided in two by a curtain. The front section was larger and housed a bar for standard customers. But the back part of the room (referred to as ‘L’Institut’) was reserved exclusively for artists. Fiercely proud of his locality, Salis was adamant that he could make Montmartre glorious. ‘What is Montmartre?’ Salis famously asked. ‘Nothing. What should it be? Everything!’ Accordingly, Salis invited artists from the area to decorate the venue. Adolphe Léon Willette painted stained-glass panels for the windows, while Théophile-Alexandre Steinlen created posters. And all around, a disorientating mishmash of antiques and bric-a-brac gave the place a higgledy-piggledy feel. There was Louis XIII furniture, tapestries and armour alongside rusty swords; there were stags’ heads and wooden statues nestled beside coats of arms. It was weird, it was wonderful and it was utterly bizarre – the customers loved it.
Catherine Hewitt (Renoir's Dancer: The Secret Life of Suzanne Valadon)
Graphics Designing in Freelancing: Graphics Designing in Freelancing: In the digital age, where visual communication plays a pivotal role in conveying messages, the demand for skilled graphics designers has witnessed a significant surge. With the rise of Freelancing Platforms, graphic designers now have the opportunity to showcase their talent on a global scale. This article delves into the realm of graphics designing in freelancing, exploring the intricacies, challenges, and opportunities that this dynamic field presents.
Umar
Hyderabad's weddings are known for their opulence and grandeur. From the intricately designed bridal attire and jewelry to the sumptuous cuisine and exquisite decor, every detail is meticulously documented by photographers. These images serve as a testament to the city's rich cultural heritage and the values that bind families together. The business of wedding photography in Hyderabad india is thriving. The city's residents place a high value on preserving the memories of their special day, and they are willing to invest in professional photography services to achieve this. Photographers have embraced digital technology and social media to market their services and showcase their work. They have adapted to the changing times, offering diverse packages to meet the evolving needs and preferences of couples. Established photographers continue to innovate and expand their services, offering pre-wedding shoots, destination wedding coverage, thematic photography, and more. Aspiring photographers also enter the field, adding fresh talent and perspectives to the vibrant community of wedding photographers in Hyderabad.
chickrupa
against the cracked siding on the old home and barreled into the kitchen, eager to share what he’d found in the backyard. He was only ten years old, but he’d always been perceptive enough to recognize an opportunity, especially one that showcased one of his many talents. Darting into the living room, he found his mother cutting out coupons, one of her daily routines to save the family a buck or two. Her brow was furrowed over her dark eyes as she went about her task. She looked up at him, and her smooth, almost pasty-white complexion coiled into a prune as she swatted her hand in front of her face. “Take that thing out to the garage. It
John W. Mefford (At Dusk (Redemption Thriller #5; Alex Troutt Thriller, #5))