Show Off Your Talent Quotes

Get Off The Scale! You are beautiful. Your beauty, just like your capacity for life, happiness, and success, is immeasurable. Day after day, countless people across the globe get on a scale in search of validation of beauty and social acceptance. Get off the scale! I have yet to see a scale that can tell you how enchanting your eyes are. I have yet to see a scale that can show you how wonderful your hair looks when the sun shines its glorious rays on it. I have yet to see a scale that can thank you for your compassion, sense of humor, and contagious smile. Get off the scale because I have yet to see one that can admire you for your perseverance when challenged in life. It’s true, the scale can only give you a numerical reflection of your relationship with gravity. That’s it. It cannot measure beauty, talent, purpose, life force, possibility, strength, or love. Don’t give the scale more power than it has earned. Take note of the number, then get off the scale and live your life. You are beautiful!

Civilized people must, I believe, satisfy the following criteria: 1) They respect human beings as individuals and are therefore always tolerant, gentle, courteous and amenable ... They do not create scenes over a hammer or a mislaid eraser; they do not make you feel they are conferring a great benefit on you when they live with you, and they don't make a scandal when they leave. (...) 2) They have compassion for other people besides beggars and cats. Their hearts suffer the pain of what is hidden to the naked eye. (...) 3) They respect other people's property, and therefore pay their debts. 4) They are not devious, and they fear lies as they fear fire. They don't tell lies even in the most trivial matters. To lie to someone is to insult them, and the liar is diminished in the eyes of the person he lies to. Civilized people don't put on airs; they behave in the street as they would at home, they don't show off to impress their juniors. (...) 5) They don't run themselves down in order to provoke the sympathy of others. They don't play on other people's heartstrings to be sighed over and cosseted ... that sort of thing is just cheap striving for effects, it's vulgar, old hat and false. (...) 6) They are not vain. They don't waste time with the fake jewellery of hobnobbing with celebrities, being permitted to shake the hand of a drunken [judicial orator], the exaggerated bonhomie of the first person they meet at the Salon, being the life and soul of the bar ... They regard prases like 'I am a representative of the Press!!' -- the sort of thing one only hears from [very minor journalists] -- as absurd. If they have done a brass farthing's work they don't pass it off as if it were 100 roubles' by swanking about with their portfolios, and they don't boast of being able to gain admission to places other people aren't allowed in (...) True talent always sits in the shade, mingles with the crowd, avoids the limelight ... As Krylov said, the empty barrel makes more noise than the full one. (...) 7) If they do possess talent, they value it ... They take pride in it ... they know they have a responsibility to exert a civilizing influence on [others] rather than aimlessly hanging out with them. And they are fastidious in their habits. (...) 8) They work at developing their aesthetic sensibility ... Civilized people don't simply obey their baser instincts ... they require mens sana in corpore sano. And so on. That's what civilized people are like ... Reading Pickwick and learning a speech from Faust by heart is not enough if your aim is to become a truly civilized person and not to sink below the level of your surroundings. [From a letter to Nikolay Chekhov, March 1886]

A TV show comprises many departments—Costumes, Props, Talent, Graphics, Set Dressing, Transportation. Everyone in every department wants to show off their skills and contribute creatively to the show, which is a blessing. You’re grateful to work with people who are talented and enthusiastic about their jobs. You would think that as a producer, your job would be to churn up creativity, but mostly your job is to police enthusiasm. You may have an occasion where the script calls for a bran muffin on a white plate and the Props Department shows up with a bran cake in the shape of Santa Claus sitting on a silver platter that says “Welcome to Denmark.” “We just thought it would be funny.” And you have to find a polite way to explain that the character is Jewish, so her eating Santa’s face might have negative connotations, and the silver tray, while beautiful, is giving a weird glare on camera and maybe let’s go with the bran muffin on the white plate. And then sometimes Actors have what they call “ideas.” Usually it involves them talking more, or, in the case of more experienced actors, sitting more. When Actors have ideas it’s very important to get to the core reason behind their idea.

This kind of machine-based learning is driven by a hunger for knowledge, not by a desire to show off your talent or to “signal” as we economists say.

Dear Young Black Males, Don’t be afraid to shine! Dimming your light just to appeal to others is an insult to self. Be who YOU are. If you’re smart, don’t play dumb just to fit in. If you have a special talent, don’t be afraid to show it off. If you’re considered a nerd, OWN it! Intelligence is what many people wish they had. Stand tall with your head held high. Self-confidence is an attractive quality to have. People may talk about you, tease you, or even try to discourage you, but don’t you EVER quit or doubt yourself. Be brave! Be authentic! Be comfortable in your own skin! Your life has purpose and YOU matter.

That's why you piss me off, Clark. Because I see all this talent, all this...' He shrugged. 'This energy and brightness and-' 'Potential. Yes. Potential. And I cannot for the life of me see how you can be content to live this tiny life. This life that will take place almost entirely within a five-mile radius and contain nobody who will ever surprise you or push you or show you things that will leave your head spinning and unable to sleep at night.

If you're looking for an Inspiration, then I think Rahul Mahajan is a perfect example for all the fainthearted people out there who fear to show their talent. Many people around us assume themselves as "not so special" person and people will laugh at them if they perform in public. I've seen Rahul Mahajan in a reality show of dancing, which is no way related to him. He is been asked to dance various dance forms, but the fact is he doesn't have the body language to perform like a dancer. His dances make people laugh, and his mistakes in the performances are taken as humor. Rahul never thinks about the results or what the audiences are thinking and keep on performing. Not only that but he is a favorite contestant of all the judges and the audiences too. The power is his honesty, hardwork, innocence, ego-less and he enjoys every bit of his performance to the core. I think that’s the reason why he's successful and lives in the heart of the Indian Audiences. Hats off to your spirit Rahul Mahajan. :)

What is a job interview? It’s a ritual where you prove to the master – the wolf – that you’re tame and harmless. You metaphorically bare your neck to them, the sign, according to ethologist Konrad Lorenz, of submission and appeasement that dogs make to show that they are entirely at the mercy of a stronger dog or wolf. If you snarl at the interviewers, bare your teeth and tell them to fuck off, you definitely won’t get the job, no matter how talented you are. You have deselected yourself by being insufficiently deferential.

Anything exciting with your music, dear?” her mom asks. At least she tries to look like she cares. “There’s a big show coming up at the end of the week. I have to prepare an original piece to perform.” Her brow furrows, and I can tell she’s unsure about it. “Sounds exciting,” her mom says with a smile. She tugs on her husband’s sleeve. “Doesn’t it, darling?” He shrugs her hand off his arm. “Sounds like a waste of time.” “Emily’s a talented musician,” I break in. I won’t let them put down her art. “You’ve never even heard her play.” “And you have?” he shoots back. “I might not be able to hear, but I can see the passion in her eyes and feel the joy in her heart when she’s playing, Mr. Madison.” I take a deep breath. “The crowd loves her. And she loves music. So, I love to watch her play.” I lean down and kiss her forehead. “I’ll be at your show, no matter what.” She smiles up at me and lays her head on my arm. “So will we,” her mother declares. I’m not going to hold my breath.

Then he took the teat closest to Sophia and gave it a twist. A fresh stream of milk shot forth, glancing off the rim of the bucket and splashing her slippers. “Take care!” With a little shriek of laughter, she pushed away from the goat’s side. Davy tilted his hand and squeezed the teat again, this time splattering Sophia from crown to chest. Sputtering and wiping milk from her face, she scrambled to her feet. “Davy Linnet,” she scolded, towering over both youth and goat. “You’re a rascal.” “Am I?” He flashed her a lopsided, innocent grin. Shrugging, he dropped his gaze and emptied the last drops of milk into the pail. “Well, you’re blushing.” Sophia made a show of huffing and crossing her arms, but she could not keep the laughter out of her voice. “Never say you’ve learned nothing from me, Davy. You might have shown me how to milk, but I’ve taught you to flirt.” “A fair bargain, then.” He stood and took the goat by its collar. “Perhaps. Mind you don’t confuse the two talents. Keep your goats straight from your girls.” “That’s easily done.” Mischief twinkled sharp in his eye. “The goat’s don’t blush.

Cardan turns back to me, gazing down at me as he did in my imaginings. 'When you forced me into working for the Court of Shadows, I never thought of the things I could do- frightening people, charming people- as talents, no less ones that might be valuable. But you did. You showed me how to use them to be useful. I never minded being a minor villain, but it's possible I might have grown into something else, a High King as monstrous as Dain. And if I did- if I fulfilled the prophecy- I ought to be stopped. And I believe that you would stop me.' 'Stop you?' I echo. 'Sure. If you're a huge jerk and a threat to Elfhame, I'll pop your head right off.' 'Good.' His expression is wistful. 'That's one reason I didn't want to believe you'd joined up with Madoc. The other is that I want you here by my side, as my queen.' It's a strange speech, and there's little of love in it, but it doesn't seem like a trick, either. And if it stings a little that he admires me primarily for my ruthlessness, well, I suppose there should be some comfort that he admires me at all. He wants me with him, and maybe he wants me in other ways, too. Desiring more than that from him is just greed. He gives me a half smile. 'But now that you're High Queen and back in charge, I won't be doing anything of consequence anyway. If I destroy the crown and ruin the throne, it will only be through neglect.' That startles a laugh out of me. 'So that's your excuse for not doing any of the work? You must be draped in decadence at all times because if you aren't kept busy, you might fulfil some half-baked prophecy?' 'Exactly.

My interest in comics was scribbled over with a revived, energized passion for clothes, records, and music. I'd wandered in late to the punk party in 1978, when it was already over and the Sex Pistols were history. I'd kept my distance during the first flush of the new paradigm, when the walls of the sixth-form common room shed their suburban-surreal Roger Dean Yes album covers and grew a fresh new skin of Sex Pistols pictures, Blondie pinups, Buzzcocks collages, Clash radical chic. As a committed outsider, I refused to jump on the bandwagon of this new musical fad, which I'd written off as some kind of Nazi thing after seeing a photograph of Sid Vicious sporting a swastika armband. I hated the boys who'd cut their long hair and binned their crappy prog albums in an attempt to join in. I hated pretty much everybody without discrimination, in one way or another, and punk rockers were just something else to add to the shit list. But as we all know, it's zealots who make the best converts. One Thursday night, I was sprawled on the settee with Top of the Pops on the telly when Poly Styrene and her band X-Ray Spex turned up to play their latest single: an exhilarating sherbet storm of raw punk psychedelia entitled "The Day the World Turned Day-Glo" By the time the last incandescent chorus played out, I was a punk. I had always been a punk. I would always be a punk. Punk brought it all together in one place for me: Michael Moorcock's Jerry Cornelius novels were punk. Peter Barnes's The Ruling Class, Dennis Potter, and The Prisoner were punk too. A Clockwork Orange was punk. Lindsay Anderson's If ... was punk. Monty Python was punk. Photographer Bob Carlos Clarke's fetish girls were punk. Comics were punk. Even Richmal Crompton's William books were punk. In fact, as it turned out, pretty much everything I liked was punk. The world started to make sense for the first time since Mosspark Primary. New and glorious constellations aligned in my inner firmament. I felt born again. The do-your-own-thing ethos had returned with a spit and a sneer in all those amateurish records I bought and treasured-even though I had no record player. Singles by bands who could often barely play or sing but still wrote beautiful, furious songs and poured all their young hearts, experiences, and inspirations onto records they paid for with their dole money. If these glorious fuckups could do it, so could a fuckup like me. When Jilted John, the alter ego of actor and comedian Graham Fellows, made an appearance on Top of the Pops singing about bus stops, failed romance, and sexual identity crisis, I was enthralled by his shameless amateurism, his reduction of pop music's great themes to playground name calling, his deconstruction of the macho rock voice into the effeminate whimper of a softie from Sheffield. This music reflected my experience of teenage life as a series of brutal setbacks and disappointments that could in the end be redeemed into art and music with humor, intelligence, and a modicum of talent. This, for me, was the real punk, the genuine anticool, and I felt empowered. The losers, the rejected, and the formerly voiceless were being offered an opportunity to show what they could do to enliven a stagnant culture. History was on our side, and I had nothing to lose. I was eighteen and still hadn't kissed a girl, but perhaps I had potential. I knew I had a lot to say, and punk threw me the lifeline of a creed and a vocabulary-a soundtrack to my mission as a comic artist, a rough validation. Ugly kids, shy kids, weird kids: It was okay to be different. In fact, it was mandatory.

Dontchev was born in Bulgaria and emigrated to America as a young kid when his father, a mathematician, took a job at the University of Michigan. He got an undergraduate and graduate degree in aerospace engineering, which led to what he thought was his dream opportunity: an internship at Boeing. But he quickly became disenchanted and decided to visit a friend who was working at SpaceX. “I will never forget walking the floor that day,” he says. “All the young engineers working their asses off and wearing T-shirts and sporting tattoos and being really badass about getting things done. I thought, ‘These are my people.’ It was nothing like the buttoned-up deadly vibe at Boeing.” That summer, he made a presentation to a VP at Boeing about how SpaceX was enabling the younger engineers to innovate. “If Boeing doesn’t change,” he said, “you’re going to lose out on the top talent.” The VP replied that Boeing was not looking for disrupters. “Maybe we want the people who aren’t the best, but who will stick around longer.” Dontchev quit. At a conference in Utah, he went to a party thrown by SpaceX and, after a couple of drinks, worked up the nerve to corner Gwynne Shotwell. He pulled a crumpled résumé out of his pocket and showed her a picture of the satellite hardware he had worked on. “I can make things happen,” he told her. Shotwell was amused. “Anyone who is brave enough to come up to me with a crumpled-up résumé might be a good candidate,” she said. She invited him to SpaceX for interviews. He was scheduled to see Musk, who was still interviewing every engineer hired, at 3 p.m. As usual, Musk got backed up, and Dontchev was told he would have to come back another day. Instead, Dontchev sat outside Musk’s cubicle for five hours. When he finally got in to see Musk at 8 p.m., Dontchev took the opportunity to unload about how his gung-ho approach wasn’t valued at Boeing. When hiring or promoting, Musk made a point of prioritizing attitude over résumé skills. And his definition of a good attitude was a desire to work maniacally hard. Musk hired Dontchev on the spot.

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No,” said Mr. Klutz firmly. “Regular farts do not qualify as a talent.” “That’s not fair!” somebody shouted. “Yeah, if armpit farts are a talent, then real farts should be a talent, too,” said Neil the nude kid. “That’s discrimination against certain kinds of farts!” said Alexia. “And we were taught that discrimination is wrong.” “Yeah!” Everybody started talking about farting and discrimination until Mr. Klutz made the shut-up peace sign again. “Are there any questions that don’t concern farting?” he asked. Emily raised her hand. “What if somebody doesn’t have a talent?” she asked. “Does that mean they can’t be in the talent show?” Mrs. Lane came down off the stage and went over to Emily. “Everybody has talent, sweetie,” she said. “I’m sure y’all can do something that most other people can’t do. For instance, maybe y’all can play the spoons.” Mrs. Lane pulled two spoons out of her pocket and started hitting them against her legs in rhythm. It was cool. “I can’t do that,” said Emily. “Well, maybe y’all can yodel,” said Mrs. Lane. Mrs. Lane started yodeling. It was cool. “I can’t do that either,” said Emily. “Or maybe y’all can turn your eyelids inside out,” Mrs. Lane said. And then she turned her eyelids inside

and a hat and sunglasses.” “None of this information is new.” He eyed her knowingly. “There’s more, isn’t there?” “His hair was brown. His cheeks very pink. Either flushed or chapped. He was clean-shaven. She’s very certain of those facts. His clothing was inexpensive, but his gloves were furlined leather and she believes the scarf around his neck was silk.” “He wore a combination of his own expensive clothes and cheaper apparel.” “He was quite fair, his face round and full, his nose large, rather prominent. Not handsome, but not ugly.” “Anything else?” Griffin asked, knowing that even with an artist’s sketch, it was unlikely anyone could ID the suspect from this description. But it was far more than they’d ever had. And there was always the off chance that even a sketch showing a guy in sunglasses and wearing a hat might be of some use. After all, they now had a partial description. “Does Barbara Jean have any idea that you were—?” “No. When we spoke, she simply repeated what she had already told you in the past,” Yvette said. “The rest, I gained by invading her private thoughts.” Griff took Yvette’s small, slender hands into his, lifted them to his lips and kissed first one and then the other. “Don’t feel guilty for using your special talent. You did it for the right reason, for a good cause.” “The end always justifies the means.” Her voice held a tone of self-condemnation. “Not always,” he told her. “But sometimes.

Day after day, the curtain rises on a stage of epic proportions, one that has been running for centuries. The actors wear the costumes of their predecessors and inhabit the roles assigned to them. The people in these roles are not the characters they play, but they have played the roles long enough to incorporate the roles into their very being, to merge the assignment with their inner selves and how they are seen in the world. The costumes were handed out at birth and can never be removed. The costumes cue everyone in the cast to the roles each character is to play and to each character’s place on the stage. Over the run of the show, the cast has grown accustomed to who plays which part. For generations, everyone has known who is center stage in the lead. Everyone knows who the hero is, who the supporting characters are, who is the sidekick good for laughs, and who is in shadow, the undifferentiated chorus with no lines to speak, no voice to sing, but necessary for the production to work. The roles become sufficiently embedded into the identity of the players that the leading man or woman would not be expected so much as to know the names or take notice of the people in the back, and there would be no need for them to do so. Stay in the roles long enough, and everyone begins to believe that the roles are preordained, that each cast member is best suited by talent and temperament for their assigned role, and maybe for only that role, that they belong there and were meant to be cast as they are currently seen. The cast members become associated with their characters, typecast, locked into either inflated or disfavored assumptions. They become their characters. As an actor, you are to move the way you are directed to move, speak the way your character is expected to speak. You are not yourself. You are not to be yourself. Stick to the script and to the part you are cast to play, and you will be rewarded. Veer from the script, and you will face the consequences. Veer from the script, and other cast members will step in to remind you where you went off-script. Do it often enough or at a critical moment and you may be fired, demoted, cast out, your character conveniently killed off in the plot. The social pyramid known as a caste system is not identical to the cast in a play, though the similarity in the two words hints at a tantalizing intersection. When we are cast into roles, we are not ourselves. We are not supposed to be ourselves. We are performing based on our place in the production, not necessarily on who we are inside. We are all players on a stage that was built long before our ancestors arrived in this land. We are the latest cast in a long-running drama that premiered on this soil in the early seventeenth century.

You do sleight of hand, too?” I asked her. “No, I play his assistant. Hand him things on stage so the performance goes smoothly, with no gaps in the action and movement. It’s the best way to get through a talent show without having an actual talent.” What a brilliant idea. “Don’t happen to need any more assistants, do you?” I looked at Doran and hoped desperation was beaming out of my eyes. “Back off, Shield,” Lydia growled. “He’s my ticket through the Festival.” “And,” Karish tugged on my hair. “You’re doing something with me.” “We never agreed to that,” I protested. “We’re agreeing now.” High-handed bastard. “Neither of us have any talent.” Which was a pretty pathetic state of affairs. “You must be able to do something,” said Lydia. “You’d be stunned by the level of my ineptitude.

Rise up and show off your talents the world needs you. ~Janiece Rendon

We are taught the toxic, wicked belief that letting your light shine, that giving full reign to your talents and gifts is ‘showing off’. This is horrible, nasty, deceitful teaching that causes untold damage. It is wrong, wrong, wrong.

God wanted to show off His artistic talent when He designed each of us. It was never His plan to create only one type of beauty!

This new sense of personal awareness also comes with many added social accessories (batteries included). Adolescent insecurity can be a devastating plague for a youngster, especially ones whose bodies are growing faster than their emotional and social maturity. One misstep can spell disaster from which recovery is next to impossible. Drop your books in the hall once between classes. Trip going up the school steps. Let a facial blemish emerge on the wrong day. Your voice cracks in class while asking a question. Suffer through the accusation of liking someone of the opposite sex. And pray hard that you don't wear the wrong clothes to your first dance. All these near-fatal mishaps can mark you forever in your classmates' eyes, socially branding you with a label that sticks like super-glue throughout your grade-school career. Most adults can recall childhood classmates from their childhood who failed to make the grade socially. Even today, though a former classmate may be a physician, she is still remembered for the time she cried and ran off stage during the school talent show. Or the successful businessman is forever known as the boy who wet his pants and had to go home early from school. We can still name the girl who always sat out during recess games because she was athletically uncoordinated.

since the accident. I don’t know what her problem was. After all, I was a “hero.” At least the newspaper said so. “Hey, Alex,” she said, twirling her ponytail with her pencil. “Oh, hi,” I stammered, looking down at my burger. “You guys sounded really great in the talent show. I didn’t know you could sing like that.” “Uhh, thanks. It must be all the practice I get with my karaoke machine.” Oh God, did I just tell her I sing karaoke? Definitely not playing it cool, I thought to myself. TJ butted in, “Yeah, Small Fry was ok, but I really carried the show with my awesome guitar solo.” He smiled proudly. “Shut up, TJ,” I said, tossing a fry at him, which hit him between the eyes. “Hey, watch it, Baker. Just because you’re a ‘hero’ doesn’t mean I won’t pummel you.” “Yeah, right,” I said, smiling. Emily laughed. “Maybe we could come over during Christmas break and check out your karaoke machine. Right, Danielle?” Danielle rolled her eyes and sighed. “Yeah, whatever.” I gulped. “Uhhh…yeah…that sounds great.” “Ok, give me your hand,” she said. “My hand,” I asked, surprised. “Yep,” she said, grabbing my wrist and opening my palm. “Here’s my number,” she said, writing the numbers 585-2281 in gold glitter pen on my palm.” I will never wash my hand again, I thought to myself. “Text me over break, ok?” she said, smiling brightly. “Yeah, sure,” I nodded, as she walked away giggling with Danielle. “Merry Christmas to me!” I whispered to TJ and Simon. “Yeah, there’s just one problem, Dufus,” TJ said. “Oh yeah, what’s that, TJ? That she didn’t give you her number?” I asked. “No, Dork. How are you going to text her if you don’t have a cell phone?” He smiled. “Oh, right,” I said, slumping down in my seat. “That could be a problem.” “You could just call her on your home phone,” Simon suggested, wiping his nose with a napkin. “Yeah, sure,” TJ chuckled. “Hi Emily, this is Alex Baker calling from the year 1984.” He held his pencil to his ear like a phone.  “Would you like to come over to play Atari? Then maybe we can solve my Rubik’s Cube while we break dance ….and listen to New Kids on the Block.” He was cracking himself up and turning bright red. “Maybe I’ll type you a love letter on my typewriter. It’s so much cooler than texting.” “Shut up, TJ,” I said, smiling. “I’m starting to remember why I didn’t like you much at the beginning of the year.” “Lighten up, Baker. I’m just bustin’ your chops. Christmas is coming. Maybe Santa will feel sorry for your dorky butt and bring you a cell phone.” Chapter 2 ePhone Denied When I got home from school that day, it was the perfect time to launch my cell phone campaign. Mom was in full Christmas mode. The house smelled like gingerbread. She had put up the tree and there were boxes of ornaments and decorations on the floor. I stepped over a wreath and walked into the kitchen. She was baking sugar cookies and dancing around the kitchen to Jingle Bell Rock with my little brother Dylan. My mom twirled Dylan around and smiled. She was wearing the Grinch apron that we had given her last Christmas. Dylan was wearing a Santa hat, a fake beard, and of course- his Batman cape. Batman Claus. “Hey Honey. How was school?” she asked, giving Dylan one more spin. “It was pretty good. We won second place in the talent show.” I held up the candy cane shaped award that Ms. Riley had given us. “Great job! You and TJ deserved it. You practiced hard and it payed off.” “Yeah, I guess so,” I said, grabbing a snicker-doodle off the counter. “And now it’s Christmas break! I bet your excited.” She took a tray of cookies out of the oven and placed

And now,” said Wyatt when the headwaiter and the other waiters had gone, “what do you think we were doing in Worthington’s?” “It was Sara’s guess that you were buying a ring,” said Andrew. “As usual,” said Wyatt, “Sara was right.” “May we see it?” said Sara. Verna hesitated a moment, then took a box from her purse and opened it, showing them a gold ring set with a small but exquisitely cut diamond. “It’s beautiful!” said Sara. “But why aren’t you wearing it?” “I don’t know,” said Verna. “I suppose because I feel a little awkward about it. After all, I’m not exactly a young and blushing bride-to-be.” “Because you have a son?” said Wyatt. “That has nothing to do with it. As for the rest, knowing your talent, I’m sure you could blush if you thought it was necessary. So, as a favor to Sara as well as me, won’t you wear it?” “Since you ask me so nicely, yes,” said Verna and, taking off her glove, put the ring on. “It really is lovely, darling,” she said, holding it up. “Thank you.” “No,” said Wyatt. “Thank you.” And leaning over, he kissed her lightly on the cheek. “All of which calls for a small celebration, which, with my usual foresight, I have of course provided for.” He signaled to the headwaiter, who brought over a silver ice bucket with a bottle of champagne in it, which he twirled dexterously to chill before opening. “On an occasion like this,” Wyatt went on, “I think the young people should be permitted to join us, don’t you, my dear?” “I certainly do,” said Verna, smiling at the two of them.

Some days I wonder if they have the slightest clue what’s going on in my life. Steve says maybe it’s because I live in my own little world and they aren’t invited, so it’s easy for them to just assume everything’s okay. There’s probably something to that. But there are days I wish I got half the attention from my folks that Steve gets from his. The good half, of course. I still show them my drawings sometimes, but the responses are all pretty much the same. “That’s great, T. Why don’t you put it on the fridge?” “Cool, man. Leave it on the table and I’ll take it to work.” “I love it. Do me a favor and take the trash out, will you?” It’s not that they don’t look. They always look—for three seconds, every time, as if they were counting in their heads—but I’m never sure they really see what I want them to. I guess it happens to everyone. You get pushed off to the side, or you just learn to blend in, stay out of the way, merge with the crowd. And you start to think that maybe you’re not the center of the universe anymore. Maybe you’re not as awesome or creative or talented or worthy of attention as you originally thought. But in your head, at least, you can still be all those things. You can be the hero at the center of it all. The man with the plan. The one who leads the way.

Needing a second opinion This one. I think this is the one women in the workplace are scared of. I know I am. Broad City is a very collaborative environment, and I trust everyone we’ve hired to work with us, so I naturally ask people’s opinions. But when you get a new job, a new assignment, or a promotion, the fear of not being good enough, of not knowing everything can seep in. In the last season of Broad City (4), I directed two episodes. This was a new experience for me, and one I took very seriously. But I found, during the process, that a big insecurity for me is the fear that if I need a second opinion, that means I don’t know what I’m doing. This is false, I do know what I’m doing, but it’s that vulnerability, that want for another set of eyes on my decision that can make me shaky. I ultimately made all the decisions I needed to—after using my resources aka asking questions—but in order to do that, I had to continually let go of this unease that someone from a dark, back corner would pop out, pointing directly at me, yelling about how I’m a fraud for asking for help while in charge. That I’d be plucked up by a huge claw and dropped outside on the sidewalk, banished from taking on this new role. This fear is mindless. Understandable, but stupid. Crews are a team. Any business is a team, and the whole point of having people do different jobs and be experts in their specific department is for them to help in any way they know how. The director isn’t there to bark out orders. They are the conductor bringing everyone’s talents together to execute their own artistic vision. Asking and bouncing ideas off people, and even changing your mind, is allowed. It’s so hard to ever show any sort of weakness, especially when you’re a woman at the top of the project, in a business you never thought you’d actually be able to break into. But going through all the possibilities and asking for help is not weak, it’s smart. I’m going to go ahead and dog-ear this paragraph so even I can come back and remind myself.