“
You can’t tell me
what to do anymore, Travis! I don’t belong to you!”
In the second it took him to turn and face me, his
expression had contorted into anger. He stomped toward
me, planting his hands on the bed and leaning into my face.
“WELL I BELONG TO YOU!” The veins in his neck
bulged as he shouted, and I met his glare, refusing to even
flinch. He looked at my lips, panting. “I belong to you.
”
”
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
“
Twelve voices were shouting in anger, and they were all alike. No question, now, what had happened to the faces of the pigs. The creatures outside looked from pig to man, and from man to pig, and from pig to man again; but already it was impossible to say which was which.
”
”
George Orwell (Animal Farm)
“
You're insane!" she shouted.
"Pretty cool, huh?"
"No!"Tally yelled. "Why didn't you tell me it was broken?"
Shay shrugged. "More fun that way?"
"More fun?" Her heart beating fast,her vision strangely clear. She was full of anger and relief and...joy.
"Well, kind of. But you suck!
”
”
Scott Westerfeld (Uglies (Uglies, #1))
“
Anger, Tessa thought, was satisfying in its own way, when you gave in to it. There was something gratifying about shouting in a blind rage until your words ran out.
”
”
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
“
There was something peculiarly gratifying about shouting in a blind rage until your words ran out. Of course, the aftermath was less pleasant. Once you'd told everyone you hated them and not to come after you, where exactly did you go?
”
”
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
“
WELL I BELONG TO YOU!" The veins in his neck bulged as he shouted, and I met his glare, refusing to even flinch. He looked at my lips, panting. "I belong to you," he whispered, his anger melting as he realized how close we were.
”
”
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
“
Ian stood above me, his chest heaving with exertion and fury. For a second he turned away and put the door back in place with one swift wrench. And then he was glowering again.
I took a deep breath and rolled up onto my knees, holding my hands out, palms up, wishing that some magic would appear in them. Something I could give him, something I could say. But my hands were empty.
"You. Are. Not. Leaving. Me." His eyes blazed - burning brighter than I had ever seen them, blue fires.
"Ian," I whispered. "You have to see that... that I can't stay. You must se that."
"No!" he shouted at me.
I cringed back, and, abruptly, Ian crumpled forward, falling to his knees, falling into me. He buried his head in my stomach, and his arms locked around my waist. He was shaking, shaking hard, and loud, desperate sobs were breaking out of his chest.
"No, Ian, no," I begged. This was so much worse than his anger. "Don't, please. Please, don't."
"Wanda," he moaned.
"Ian, please. Don't feel this way. Don't. I'm so sorry. Please."
I was crying too, shaking too, though that might have been him shaking me.
"You can't leave."
"I have to, I have to," I sobbed.
And then we cried wordlessly for a long time.
”
”
Stephenie Meyer (The Host (The Host, #1))
“
One thing is certain: Yelling at someone who is already out of control can only lead to further dysregulation. Just as your dog cowers if you shout and wags his tail when you speak in a high singsong, we humans respond to harsh voices with fear, anger, or shutdown and to playful tones by opening up and relaxing. We simply cannot help but respond to these indicators of safety or danger.
”
”
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
“
Madoc was always calm, after all. So calm all the damn time growing up. He didn’t shout or show his anger until he’d had enough. And you never knew exactly when that was going to be. That was the scary part about him.
”
”
Penelope Douglas (Rival (Fall Away, #3))
“
SEPTEMBER 1, 1939
I sit in one of the dives
On Fifty-second Street
Uncertain and afraid
As the clever hopes expire
Of a low dishonest decade:
Waves of anger and fear
Circulate over the bright
And darkened lands of the earth,
Obsessing our private lives;
The unmentionable odour of death
Offends the September night.
Accurate scholarship can
Unearth the whole offence
From Luther until now
That has driven a culture mad,
Find what occurred at Linz,
What huge imago made
A psychopathic god:
I and the public know
What all schoolchildren learn,
Those to whom evil is done
Do evil in return.
Exiled Thucydides knew
All that a speech can say
About Democracy,
And what dictators do,
The elderly rubbish they talk
To an apathetic grave;
Analysed all in his book,
The enlightenment driven away,
The habit-forming pain,
Mismanagement and grief:
We must suffer them all again.
Into this neutral air
Where blind skyscrapers use
Their full height to proclaim
The strength of Collective Man,
Each language pours its vain
Competitive excuse:
But who can live for long
In an euphoric dream;
Out of the mirror they stare,
Imperialism's face
And the international wrong.
Faces along the bar
Cling to their average day:
The lights must never go out,
The music must always play,
All the conventions conspire
To make this fort assume
The furniture of home;
Lest we should see where we are,
Lost in a haunted wood,
Children afraid of the night
Who have never been happy or good.
The windiest militant trash
Important Persons shout
Is not so crude as our wish:
What mad Nijinsky wrote
About Diaghilev
Is true of the normal heart;
For the error bred in the bone
Of each woman and each man
Craves what it cannot have,
Not universal love
But to be loved alone.
From the conservative dark
Into the ethical life
The dense commuters come,
Repeating their morning vow;
'I will be true to the wife,
I'll concentrate more on my work,'
And helpless governors wake
To resume their compulsory game:
Who can release them now,
Who can reach the dead,
Who can speak for the dumb?
All I have is a voice
To undo the folded lie,
The romantic lie in the brain
Of the sensual man-in-the-street
And the lie of Authority
Whose buildings grope the sky:
There is no such thing as the State
And no one exists alone;
Hunger allows no choice
To the citizen or the police;
We must love one another or die.
Defenseless under the night
Our world in stupor lies;
Yet, dotted everywhere,
Ironic points of light
Flash out wherever the Just
Exchange their messages:
May I, composed like them
Of Eros and of dust,
Beleaguered by the same
Negation and despair,
Show an affirming flame.
”
”
W.H. Auden (Another Time)
“
why can't you just get out of here and leave me alone?"i bellowed.
"i can't!" dylan shouted back,his face twisted with an anger i'd never seen from him.
"you can,"i said through gritted teeth."just point your wings that way and flap!
”
”
James Patterson (Angel (Maximum Ride, #7))
“
It is true, I suppose, that nobody finds it exactly pleasant to be criticized or shouted at, but I see in the face of the human being raging at me a wild animal in its true colors, one more horrible than any lion, crocodile or dragon. People normally seem to be hiding this true nature, but an occasion will arise (as when an ox sedately ensconced in a grassy meadow suddenly lashes out with its tail to kill the horsefly on its flank) when anger makes them reveal in a flash human nature in all its horror.
”
”
Osamu Dazai (No Longer Human)
“
In addition to calling each other standard names like bitch and whore, the Finches incorporated Freud's stages of psycho-sexual development into their arsenal of invectives.
"You're so oral. You'll never make it to genital! The most you can ever hope for is to reach anal, you immature, frigid old maid," Natalie yelled.
"Stop antagonizing me," Hope shouted. "Just stop transfering all this anger onto me."
"Your avoidance tactics are not giong to work, Miss Hope," Natalie warned. "I'm not going to let you just slink away from me. You hate me and you have to confront me.
”
”
Augusten Burroughs
“
I see you all the time, but you've never seen me, because Kaylee said if I got too close to you, I'd suffer eternity without my balls."
"Jeez, Tod!" I shouted, my anger threatening to boil over and scald us all.
The reaper leaned closer to Emma and spoke in a stage whisper. "She's not as scary as she thinks she is, but I respect her intent.
”
”
Rachel Vincent (My Soul to Save (Soul Screamers, #2))
“
As his frustration grew he spoke to the orb. “I have the power, and you will obey me.” A few orange sparks danced down the staff and fizzed out as they hit the wet grass. Frustration turned to anger and Audun slammed the tip of the staff against the ground and shouted. “You will obey me.” In that moment the orb started to glow red and the staff became alive with amber flashes. Audun’s anger seemed to burn like the fire now emanating from the tip of the staff and as he raised the tip toward the first forge the red fire leapt across the open ground and the smithy exploded with a roar like thunder.
Robert Reid – The Son
”
”
Robert Reid (The Son (The Emperor, the Son and the Thief, #2))
“
Man's first expression, like his first dream, was an aesthetic one. Speech was a poetic outcry rather than a demand for communication. Original man, shouting his consonants, did so in yells of awe and anger at his tragic state, at his own self-awareness and at his own helplessness before the void.
”
”
Barnett Newman
“
You tell me to stand still, but I am not walking," he shouted, "whereas you who are walking say you are still. How is it that you are standing still but I am not?"
The Buddha turned round. "My legs move but my mind is still," he said. "Your legs are still but your mind moves all the time in a fire of anger, hatred, and feverish desire. Therefore, I am still but you are not.
”
”
Majjhimanikaya
“
You're Nash's brother. And a grim reaper?" She blinked again, and I readied myself for hysterics, or fear, or laughter. But knowing emma, I should have known better. "So you, what? Kill people? Did you kill me that day in the gym?" She clenched the headrest, her expression an odd mix of anger, awe, and confusion. But there was no disbelief. She'd seen and heard enough of the bizarre following her own temporary death that Tod's admission obviously didn't come as that much of a surprise.
Or maybe Nash's Influence was still affecting her a little.
"No," Tod shook his head firmly, but the corners of his mouth turned up in amusement. "I had nothing to do with that. I do kill people, then I reap their souls and take them to be recycled. But only people who are on my list."
"So, you're not...dangerous?"
His pouty grin deepened into something almost predatory, like the Tod I'd first met two months earlier. "Oh, I'm dangerous...."
"Tod..." I warned, as Nash punched his brother in the arm, hard enough to actually hurt.
"Just not to you," the reaper finished, shrugging at Emma. "I see you all the time, but you've never seen me, because Kaylee said if I got too close to you, I'd suffer eternity without my balls."
"Jeez, Tod!" I shouted, my anger threatening to boil over and scald us all.
The reaper leaned closer to Emma and spoke in a stage whisper. "She's not as scary as she thinks she is, but I respect her intent.
”
”
Rachel Vincent (My Soul to Save (Soul Screamers, #2))
“
If you have to shout to prove your point, you're probably wrong.
”
”
Aleksandra Ninković
“
There is a story I would like to tell you about a woman who practices the invocation of the Buddha Amitabha's name. She is very tough, and she practices the invocation three times daily, using a wooden drum and a bell, reciting, "Namo Amitabha Buddha" for one hour each time. When she arrives at one thousand times, she invites the bell to sound. (In Vietnamese, we don't say "strike" or "hit" a bell.) Although she has been doing this for ten years, her personality has not changed. She is still quite mean, shouting at people all the time.
A friend wanted to teach her a lesson, so one afternoon when she had just lit the incense, invited the bell to sound three times, and was beginning to recite "Namo Amitabha Buddha," he came to her door, and said, "Mrs. Nguyen, Mrs. Nguyen!" She found it very annoying because this was her time of practice, but he just stood at the front gate shouting her name. She said to herself, "I have to struggle against my anger, so I will ignore that," and she went on, "Namo Amitabha Buddha, Namo Amitabha Buddha."
The gentleman continued to shout her name, and her anger became more and more oppressive. She struggled against it, wondering, "Should I stop my recitation and go and give him a piece of my mind?" But she continued chanting, and she struggled very hard. Fire mounted in her, but she still tried to chant "Namo Amitabha Buddha." The gentleman knew it, and he continued to shout, "Mrs. Nguyen! Mrs. Nguyen!"
She could not bear it any longer. She threw away the bell and the drum. She slammed the door, went out to the gate and said, "Why, why do you behave like that? Why do you call my name hundreds of times like that?" The gentleman smiled at her and said, "I just called your name for ten minutes, and you are so angry. You have been calling the Buddha's name for ten years. Think how angry he must be!
”
”
Thich Nhat Hanh (Being Peace (Being Peace, #1))
“
You panicked". Venetia's voice is suddenly throbbing, as though she can't control a long-buried anger. "You panicked, Luke, and we lost the best relationship that we had. Everyone was jealous of us at Cambridge, everyone. We were perfect together."
We weren't perfect!" He looks at her incredulously. "And I didn't panic---"
You did! You couldn't cope with the commitment! It frightened you!"
It did not frighten me!" Luke shouts, exasperated. "It made me realize you weren't the person I wanted to have children with. Or spend the rest of my life with. Ever. And that's why I ended it!
”
”
Sophie Kinsella (Shopaholic & Baby (Shopaholic, #5))
“
Annabeth didn’t mean to, but she surged forward. Percy rushed toward her at the same time. The crowd tensed. Some reached for swords that weren’t there. Percy threw his arms around her. They kissed, and for a moment nothing else mattered. An asteroid could have hit the planet and wiped out all life, and Annabeth wouldn’t have cared. Percy smelled of ocean air. His lips were salty. Seaweed Brain, she thought giddily. Percy pulled away and studied her face. “Gods, I never thought—” Annabeth grabbed his wrist and flipped him over her shoulder. He slammed into the stone pavement. Romans cried out. Some surged forward, but Reyna shouted, “Hold! Stand down!” Annabeth put her knee on Percy’s chest. She pushed her forearm against his throat. She didn’t care what the Romans thought. A white-hot lump of anger expanded in her chest—a tumor of worry and bitterness that she’d been carrying around since last autumn. “If you ever leave me again,” she said, her eyes stinging, “I swear to all the gods—” Percy had the nerve to laugh. Suddenly the lump of heated emotions melted inside Annabeth. “Consider me warned,” Percy said.
”
”
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
“
Tears terrify people more than anger because they attach to your heart and leave angels of mercy to shout in your mind.
”
”
Shannon L. Alder
“
Outrage is easy, cheap, and oversold. The nation needs less anger and more thoughtful reflection, less shouting and more listening, less dissembling and more honesty.
”
”
Mario Cuomo (Reason to Believe: A Keen Assessment of Who We Are and an Inspiring Vision of What We Could Be)
“
A small thing, but in a dissonant world, every moment of harmony counts--and if we share music, we might just shout in anger a little less and sing in unity more. Or so we can hope.
”
”
Jon Meacham (Songs of America: Patriotism, Protest, and the Music That Made a Nation)
“
You shout at your children. Your boss had shouted at you earlier in the day. His boss probably shouted at him. The chain goes on and would probably end with someone not getting their breakfast on time. We pay our problems forward when the opportunity presents.
”
”
Bana (99 Days)
“
In an alleged democracy, the image of the public sphere with its appeal to dialogue and shared responsibility has given way to the spectacle of unbridled intolerance, ignorance, seething private fears, unchecked anger, along with the decoupling of reason from freedom. … What this decline in civility, the emergence of mob behavior …suggests is that we have become one of the most illiterate nations on the planet. I don't mean illiterate in the sense of not being able to read … The new illiteracy is about more than learning how to read the book or the word; it is about learning how not to read the world. … As a result of this widespread illiteracy that has come to dominate American culture we have moved from a culture of questioning to a culture of shouting, and in doing so have restaged politics and power in both unproductive and anti-democratic ways.
”
”
Henry A. Giroux
“
Come out, come out, little Harry!" she called in her mock-baby voice, which echoed off the polished wooden floors. "What did you come after me for, then? I thought you were here to avenge my dear cousin!"
"I am!" shouted Harry, and a score of ghostly Harrys seemed to chorus I am! I am! I am! all around the room.
"Aaaaaah... did you love him, little baby Potter?"
Hatred rose in Harry such as he had never known before. He flung himself out from behind the fountain and bellowed "Crucio!"
Bellatrix screamed. The spell had knocked her off her feet, but she did not writhe and shriek with the pain as Neville had -- she was already on her feet again, breathless, no longer laughing. Harry dodged behind the garden fountain again -- her counterspell hit the head of the handsome wizard, which was blown off and landed twenty feet away, gouging long scratches into the wooden floor.
"Never used an Unforgivable Curse before, have you, boy?" she yelled. She had abandoned her baby voice now. "You need to mean them, Potter! You need to really want to cause pain -- to enjoy it -- righteous anger won't hurt me for long -- I'll show you how it is done, shall I? I'll give you a lesson--!
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
When we are angry, what do we usually do? We shout, scream, and try to blame someone else for our problems. But looking at anger with the eyes of impermanence, we can stop and breathe. Angry at each other in the ultimate dimension, we close our eyes and look deeply. We try to see three hundred years into the future. What will you be like? What will I be like? Where will you be? Where will I be? We need only to breathe in and out, look at our future and at the other person's future.
Looking at the future, we see that the other person is very precious to us. When we know we can lose them at any moment, we are no longer angry. We want to embrace her or him and say: "How wonderful, you are still alive. I am so happy. How could I be angry with you? Both of us have to die someday, and while we are still alive and together it is foolish to be angry at each other."
The reason we are foolish enough to make ourselves suffer and make the other person suffer is that we forget that we and the other person are impermanent. Someday when we die we will lose all our possessions, our power, our family, everything. Our freedom, peace, and joy in the present moment is the most important thing we have.
”
”
Thich Nhat Hanh (No Death, No Fear: Comforting Wisdom for Life)
“
If you love me at all, then you’ll get off the damn edge of that roof!” she shouts, her sudden spurt of anger alarming me. “Because I can’t take this anymore…” Her shoulders heave as she cries. “I swear to God, if I lose one more person I love, it’s going to kill me.
”
”
Jessica Sorensen (Saving Quinton (Nova, #2))
“
Finders keepers!" Ian shouted, scooping up the overlay and hopping onto a rock outcropping.
"You cheater!" Amy was furious. No way was he going to get away with that. She climbed the rock, matching him step for step until she reached the top. There he turned to her, panting for breath. "Not bad for a Cahill," he said, grinning.
"You --y-y-you--" The words caught in her throat, the way they always did. He was staring at her, his eyes dancing with laughter, making her so knotted up with anger and hatred that she thought she would explode. "C-c-can't--"
But in that moment, something totally weird happened. Maybe it was a flip of his head, a movement in his eyebrow, she couldn't tell. But it was as if someone had suddenly held a painting at a different angle, and what appeared to be a stormy sea transformed into a bright bouquet -- a trick of the eye that proved everything was just a matter of perspective. His eyes were not mocking at all. They were inviting her, asking her to laugh along. Suddenly, her rage billowed up and blew off in wisps, like a cloud. "You're ... a Cahill, too," she replied.
"Touche."
His eyes didn't move a millimeter from hers.
This time she met his gaze. Solidly. This time she didn't feel like apologizing or attacking or running away. She wouldn't have minded if he just stared like that all day.
”
”
Peter Lerangis (The Sword Thief (The 39 Clues, #3))
“
My parents were just carried out of the building in the service elevator," he shouted at the cops. "They were vile, but they didn't deserve to be taken out with the trash!
”
”
James Patterson (Confessions of a Murder Suspect (Confessions, #1))
“
I remember the songs that come with all those visions. Songs full of hurt. Songs of sadness and tears. Songs pulsing with pain. A righteous anger and cry for justice.
But not hate.
They ain’t the same thing. Never was.
”
”
P. Djèlí Clark (Ring Shout)
“
Progress? You call this progress?” I was almost shouting now, anger spilled out of me as if I could no longer contain it. “If that’s what it is, then I don’t know if I want it.” The tears were flooding now, uncontrollable. “I don’t want it!” I closed my eyes and abandoned myself to my grief. It felt better, somehow, to be helpless.
”
”
S.J. Watson (Before I Go to Sleep)
“
The song is an unvarnished love shout, an implorement tinged with...anger? Something like anger, but the anger of a philosoher, the anger of a pot. An anger directed at the transience of the world, at its heartbreaking beauty that collides constantly with our awareness of the fact that everything gets taken away, that we're being shown marvels but reminded always that they don't belong to us. They're sultans' treasures; we're lucky, we're expected to feel lucky to have been invited to see them at all.
”
”
Michael Cunningham (The Snow Queen)
“
Shouting at someone is not the way to help. If you’ve already shouted, then realize that this is one of your unskillful behaviors. Go back to your in-breath and out-breath and say, I have to repair this. Then go to the other person and apologize, and tell yourself that next time you’ll try your best to remember beforehand and act differently.
”
”
Thich Nhat Hanh (Fidelity: How to Create a Loving Relationship That Lasts)
“
Now, where were we? Read me back the last line.” “ ‘Read me back the last line,’ ” read back the corporal who could take shorthand. “Not my last line, stupid!” the colonel shouted. “Somebody else’s.” “ ‘Read me back the last line,’ ” read back the corporal. “That’s my last line again!” shrieked the colonel, turning purple with anger. “Oh, no, sir,” corrected the corporal. “That’s my last line. I read it to you just a moment ago. Don’t you remember, sir? It was only a moment ago.” “Oh, my God! Read me back his last line, stupid.
”
”
Joseph Heller (Catch-22)
“
Not displaying anger wasn’t going to stop me being labelled as angry, so I thought: fuck it. I decided to speak my mind. The more politically assertive I became, the more men shouted at me.
”
”
Reni Eddo-Lodge (Why I'm No Longer Talking to White People About Race)
“
I pounded the mattress with my fists. “You can’t tell me what to do anymore, Travis! I don’t belong to you!”
In the second it took him to turn and face me, his expression had contorted into anger. He stomped toward me, planting his hands on the bed and leaning into my face.
“WELL I BELONG TO YOU!” The veins in his neck bulged as he shouted, and I met his glare, refusing to even flinch. He looked at my lips, panting. “I belong to you,” he whispered, his anger melting as he realized how close we were.
”
”
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
“
It is no more natural and no less conventional to shout in anger or to kiss in love than to call a table 'a table'. Feelings and passional conduct are invented like words. Even those which like paternity seem to be part and parcel of the human make-up are in reality institutions. It is impossible to superimpose on man a lower layer of behavior which one chooses to call 'natural' followed by a manufactured cultural or spiritual world. Everything is both manufactured and natural in man as it were in the sense that there is not a word, not a form of behavior which does not owe something to purely biological being and which at the same time does not elude the simplicity of animal life and cause forms of vital behavior to deviate from their pre-ordained direction through a sort of leakage and through a genius for ambiguity which might serve to define man.
”
”
Maurice Merleau-Ponty (Phenomenology of Perception)
“
Love is not the answer, peace is. Throughout my whole life I have experienced and seen others use love as a reason to treat people with unkindness by being controlling, jealous, shouting in anger, and projecting guilt and shame.
If you love someone but there is not peace in your heart when you think of that person then your work is not done. Do not stop at love, continue all the way towards the freedom of inner peace.
Love starts when peace begins. Without peace love is simply a mask for our insecurity, judgment, and egoic attachments.
”
”
Alaric Hutchinson
“
Imagine walking along a sidewalk with your arms full of groceries, and someone roughly bumps into you so that you fall and your groceries are strewn over the ground. As you rise up from the puddle of broken eggs and tomato juice, you are ready to shout out, 'You idiot! What's wrong with you? Are you blind?' But just before you can catch your breath to speak, you see that the person who bumped into you is actually blind. He, too, is sprawled in the spilled groceries, and your anger vanishes in an instant, to be replaced by sympathetic concern: 'Are you hurt? Can I help you up?' Our situation is like that. When we clearly realize that the source of disharmony and misery in the world is ignorance, we can open the door of wisdom and compassion.
”
”
B. Alan Wallace (Tibetan Buddhism from the Ground Up: A Practical Approach for Modern Life)
“
You listen to me, and listen good!" she shouted, shocking me. "I am not evil because I have a thousand years of demon smut on my soul!" she exclaimed, the tips of her hair trembling and her face flushed. "Every time you disturb reality, nature has to balance it out. The black on your soul isn't evil, it's a promise to make up for what you have done. It's a mark, not a death sentence. And you can get rid of it given time."
"Ceri, I'm sorry," I fumbled, but she wasn't listening.
"You're an ignorant, foolish, stupid witch," she berated, and I cringed, my grip tightening on the copper spell pot and feeling the anger from her like a whip. "Are you saying because I carry the stink of demon magic, that I'm a bad person?"
"No..." I wedged in.
"That God will show no pity?" she said, green eyes flashing. "That because I made one mistake in fear that led to a thousand more that I will burn in hell?"
"No. Ceri -" I took a step forward.
"My soul is black," she said, her fear showing in her suddenly pale cheeks. "I'll never be rid of it all before I die, but it won't be because I'm a bad person but because I was a frightened one.
”
”
Kim Harrison (A Fistful of Charms (The Hollows, #4))
“
Fuck off, Cam,” she shouted at him as he approached. “You’re practically naked,” he bellowed. “Get back to my quarters, now.” “No.” She tilted, angling to the left and pushing her wings harder to speed up. His anger spiked. “Elithea! I am losing my fucking patience!” She twisted back to look at him then swooped upward. “Eli—” Something hit him in the head from above. He slowed, pulled the material away. It was… her bra.
”
”
Zoey Ellis (Ruined by Power (Empire of Angels, #2))
“
Together they read the message. COVER YOUR BUTT. BERNARD IS WATCHING. —GOD Bernard went red with anger. “Who did this!” he shouted. “God,” said Shen.
”
”
Orson Scott Card (Ender's Game (Ender's Saga, #1))
“
Once when Newton was away from his astronomical laboratory, he had returned to find that his little poodle dog Diamond had torn into shreds and eaten up part of his map showing distant star points. Perhaps God was punishing him for his neglect of God. He had picked up his poodle from its basket and had brushed its curls with his loving hand as he- not shouting in anger- had whispered serenely, consolingly, "Ah, little Diamond! Diamond! Thou dost not know the harm which thou hast done." Some corner of the universe had been made into pulp. He had left it so.
”
”
Marguerite Young (Harp Song for a Radical: The Life and Times of Eugene Victor Debs)
“
Today Americans, who used to feel welcomed wherever we went, travel abroad with trepidation. We know we are not trusted or liked, that we are even hated, by millions of people around the globe. We must ask ourselves why this is so and do the work of discovering our historical behavior toward the other countries and peoples of the planet. As disturbing as this will be, it is a first step toward a peaceful existence. Not because we can make peace for our country, but because we can make peace without ourselves by changing any harmful behavior or attitudes that contribute to our present predicament. Choose any country on the map that appears to hate America. Listen to what people are shouting at their rallies and read what their banners proclaim in the street. Sit with their anger until you can see America through their eyes... Remember that you, yourself, are America. The U.S. Behave as if you are the entire country and carry yourself with humility and dignity.
”
”
Alice Walker (We Are the Ones We Have Been Waiting For: Light in a Time of Darkness)
“
You made me laugh at your jokes.
You made me cry at your criticism.
You made me shout at your lies.
Then I noticed how in every case someone else was present,
hearing you without laughter or tears or anger.
I alone reacted.
I see now; you never made me laugh or cry or rage.
I chose to find humor.
I chose to take offense.
I chose to feel scorned.
The truth is, you never had power over me.
”
”
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
“
It [the trip] captured five very long hours. If you want to know why, it is because Grandfather is Grandfather first and a driver second. He made us lost often and became on his nerves. I had to translate his anger into useful information for the hero. "Fuck," Grandfather said. I said, "He says that if you look at the statues, you can see that some no longer endure. Those are where Communist statues used to be." "Fucking fuck, fuck!" Grandfather shouted. "Oh," I said, "he wants you to know that that building, that building, and that building are all important." "Why?" the hero inquired. "Fuck!" Grandfather said. "He cannot remember," I said.
”
”
Jonathan Safran Foer (Everything is Illuminated)
“
A Buddhist story is that a man came shouting angrily at Buddha, who remained unaffected by him. When questioned by others as to how he remained calm and unaffected, Buddha answered with a question. “If someone gives you a gift and you choose not to receive it, to whom then does the gift belong?” Of course it stays with the giver.
”
”
Bronnie Ware (The Top Five Regrets of the Dying: A Life Transformed by the Dearly Departing)
“
terrified of being abandoned and all narcissists need Narcissistic Supply Sources. These narcissists prefer to direct their furious rage at people who are meaningless to them and whose withdrawal will not constitute a threat to the narcissists' precariously-balanced personalities. They explode at an underling, yell at a waitress, or berate a taxi driver. Alternatively, they sulk (silent treatment). Many narcissists feel anhedonic, or pathologically bored, drink or do drugs - all forms of self-directed aggression. From time to time, no longer able to pretend and to suppress their rage, they have it out with the real source of their anger. Then they lose all vestiges of self-control and rave like lunatics. They shout incoherently, make absurd accusations, distort facts, and air long-suppressed grievances, allegations and suspicions. These episodes are followed by periods of saccharine sentimentality and excessive flattering and submissiveness towards the target of the latest rage attack. Driven by the mortal fear of being abandoned or ignored, the narcissist debases and demeans himself to the point of provoking repulsion in the beholder. These pendulum-like emotional swings make life with the narcissist exhausting.
”
”
Sam Vaknin (Malignant Self-love: Narcissism Revisited)
“
Though anger seems a pessimistic response to a situation, it is at root a symptom of hope: the hope that the world can be better than it is. The man who shouts every time he loses his house keys is betraying a beautiful but rash faith in a universe in which keys never go astray. The woman who grows furious every time a politician breaks an election promise reveals a precariously utopian belief that elections do not involve deceit.
The news shouldn’t eliminate angry responses; but it should help us to be angry for the right reasons, to the right degree, for the right length of time – and as part of a constructive project.
And whenever this isn’t possible, then the news should help us with mourning the twisted nature of man and reconciling us to the difficulty of being able to imagine perfection while still not managing to secure it – for a range of stupid but nevertheless unbudgeable reasons.
”
”
Alain de Botton (News)
“
Kallias is going to explode on me at any moment. He’ll have me thrown into prison until he decides on the proper day and manner for killing me. He’ll—
Kallias laughs so loudly and abruptly, I nearly topple out of the armchair. He has his hands on his knees while his whole body shakes from the force of the laughter. What the devils?
Did I break the king?
He manages to straighten after a moment and look over at me, but then his face contorts and he’s back to uncontrollable laughter.
I feel my limbs grow tight, my face grow hot, anger pooling into every muscle.
“What the hell is wrong with you?” I snap, shouting over the top of his laughter. He wasn’t even this bad when he read Orrin’s love letter.
He says something I can’t quite make out, then rubs tears from his eyes and tries again. “You killed him!” He throws his head back and laughs and laughs.
And somehow, I know that I’m not in trouble. How can I be if he’s this jovial over the fact?
I could deny it. Plead on my behalf. But Kallias isn’t stupid. Though the constable doesn’t have enough evidence to convict me, Kallias knows the truth of it.
“I’ve an inclination to kill again,” I say, glaring at him.
Kallias props himself up on the nearest wall of books, catching his breath. Once he’s calm, he strides over to me and places his gloved hands on either side of my head.
“My little hellion. Quite the force to be reckoned with, aren’t you? Oh, say you’ll marry me, Alessandra!”
I swallow, thoroughly confused. “You’re not going to hang me?”
“Hang you?” he repeats, letting his hands fall to his sides. “The man did you wrong, Alessandra. Honestly, you’ve saved me the trouble of tracking him down and killing him myself.
”
”
Tricia Levenseller (The Shadows Between Us (The Shadows Between Us, #1))
“
We all laughed, but it wasn't really a room for laughter. Nor for tears, oddly, or for anger, or for any emotion other than a sort of solemnity. It was the place of absence; we were in the presence of something that had left. It was like coming to a valley where someone had once shouted, loud and joyously, and the echo of that shout had resonated between the hills and lasted a long time. But now it had vanished, and you stood on the same spot, and it was not the same.
”
”
Jonathan Stroud (The Hollow Boy (Lockwood & Co., #3))
“
Then someone else appeared from the crowd, and Annabeth's vision tunneled.
Percy smiled at her-that sarcastic, troublemaker's smile that had annoyed her for years but eventually had become endearing. His sea-green eyes were as gorgeous as she remembered. His dark hair was swept to one side, like he'd just come from a walk on the beach. He looked even better than he had six months ago-tanner and taller, leaner and more muscular.
Annabeth was to stunned to move. She felt that if she got any closer to him, all the molecules in her body might combust. She'd secretly had a crush on him sonar they were twelve years old. Last summer, she'd fallen for him hard. They'd been a happy couple together for four months-and then he'd disappeared.
During their separation, something had happened to Annabeth's feelings. They'd grown painfully intense-like she'd been forced to withdraw from a life-saving medication. Now she wasn't sure which was more excruciating-living with that horrible absence, or being with him again...
Annabeth didn't mean to, but she surged forward. Percy rushed toward her at the same time. The crowds tensed. Some reach d for swords that weren't there.
Percy threw his arms around her. They kissed, and for a moment nothing else mattered. An asteroid could have hit the planet and wiped out all life, Annabeth wouldn't have cared.
Percy smelled of ocean air. His lips were salty. Seaweed Brain, she thought giddily.
Percy pulled away and studied her face. "Gods, I never thought-"
Annabeth grabbed his wrist and flipped him over her shoulder. He slammed into the stone pavement. Romans cried out. Some surged forward, but Reyna shouted, "Hold! Stand down!"
Annabeth put her knee on Percy's chest. She pushed her forearm against his throat. She didn't care what the Romans thought. A white-hot lump of anger expanded in her chest-a tumor of worry and bitterness that she'd been carrying around since last autumn.
"Of you ever leave me again," she said, her eyes stinging, "I swear to all the gods-"
Percy had the nerve to laugh. Suddenly the lump of heated emotions melted inside Annabeth.
"Consider me warned," Percy said. "I missed you, too." Annabeth rose and helped him to his feet. She wanted to kiss him again SO badly, but she managed to restrain herself.
Jason cleared his throat. "So, yeah…It's good to be back…"
"And this is Annabeth," Jason said. "Uh, normally she doesn't judo-flip people.
”
”
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
“
It shouldn't have surprised me. I serve a God who experienced and expressed anger. One of the most meaningful passages of Scripture for me is found in the New Testament, where Jesus leads a one-man protest inside the Temple walls. Jesus leads a one-man protest inside the Temple walls. Jesus shouts at the corrupt Temple officials, overturns furniture, sets animals free, blocks the doorways with his body, and carries a weapon - a whip - through the place. Jesus throws folks out the building, and in so doing creates space for the most marginalized to come in: the poor, the wounded, the children. I imagine the next day's newspapers called Jesus's anger destructive. But I think those without power would've said that his anger led to freedom - the freedom of belonging, the freedom healing, and the freedom of participating as full members in God's house.
”
”
Austin Channing Brown (I'm Still Here: Black Dignity in a World Made for Whiteness)
“
the hinder portion scalding-house good eating Curve B in addition to the usual baths and ablutions military police sumptuousness of the washhouse risking misstatements kept distances iris to iris queen of holes damp, hairy legs note of anger chanting and shouting konk sense of "mold" on the "muff" sense of "talk" on the "surface" konk2 all sorts of chemical girl who delivered the letter give it a bone plummy bare legs saturated in every belief and ignorance rational living private client bad bosom uncertain workmen mutton-tugger obedience to the rules of the logical system Lord Muck hot tears harmonica rascal
that's chaos can you produce chaos? Alice asked certainly I can produce chaos I said I produced chaos she regarded the chaos chaos is handsome and attractive she said and more durable than regret I said and more nourishing than regret she said
”
”
Donald Barthelme (Sixty Stories)
“
It is true, I suppose, that nobody finds it exactly pleasant to be criticized or shouted at, but I see in the face of the human being raging at me a wild animal in its true colors, one more horrible than any lion, crocodile or dragon. People normally seem to be hiding this true nature, but an occasion will arise (as when an ox sedately ensconced in a grassy meadow suddenly lashes out with its tail to kill the horsefly on its flank) when anger makes them reveal in a flash human nature in all its horror. Seeing this happen has always induced in me a fear great enough to make my hair stand on end, and at the thought that this nature might be one of the prerequisites for survival as a human being, I have come close to despairing of myself.
”
”
Osamu Dazai (No Longer Human)
“
You stirred things up here." he finally said. "Why?"
"I'm not the one who-"
"You've angered the Sanguinati, and that's not going to help us right now."
"You don't know what's been going on here,' Elliot snapped. "what that monkey-fuck female has done."
"She's not a monkey-fuck, and she is not prey," Simon said, his voice a low, threatening rumble. "She is Meg."
"You don't know what she's done!"
"She gets mail and deliveries to the complexes on a regular basis. She has a routine with the deliverymen, so we get the merchandise we bought. And she got Sam out of the damn cage!"
"She put a him on a leash, Simon. On a leash!"
"It's not a leash," a young, scratchy voice shouted. Of tried to shout. "It's a safety line. Adventure buddies use a safety line so they can help each other."
Elliot stared, frozen. Simon turned, barely breathing.
”
”
Anne Bishop (Written in Red (The Others, #1))
“
When you are angry, your blood pressure rises, you forget the basic norms of good behavior, you start shouting, you even use foul language and dig out all the past corpses of incidents afresh to ruin your future. So, choose to remain peaceful and stable --- whatever the situation.
”
”
Sanchita Pandey (Cancer to Cure)
“
I killed you," Sin said finally, his voice low and shaking with anger.
Emilio looked genuinely confused now and he gave Sin a bizarre look. "What the hell are you talking about?"
Sin shook his head slowly, incredulously, eyes narrowing into slits. "I fucking shot you, and you fucking died!" he shouted finally, taking a menacing step towards his father.
But Emilio didn't back down, he just shrugged calmly at the younger reflection of himself. "Oh, that.
”
”
Ais (Afterimage (In the Company of Shadows, #2))
“
I've taped a list to my bathroom mirror. It's my Most Violated List. . . Anger. I gave the finger to an ATM. You see, the ATM charged me a $1.75 fee for withdrawl. A dollar seventy-five? That's bananas. So I flipped off the screen. As Julie tells me, when you start making rude gestures to inanimate objects, it's time to work on your anger issues. Mine is not the shouting, pulsing-vein-in-the forehead rage. Like my dad, I rarely raise my voice. My anger problem is more one of long-lasting resentment. It's a heap of real or perceived slights that eventually build up into a mountain of bitterness. . . get some perspective. . . I ask myself the question God asked Jonah. 'Do you do well to be angry?'. . .The world will not end. . . Mute your petty resentment.
”
”
A.J. Jacobs
“
The rage inside Charlotte crested to a peak. "I'm angry because Papa and Aunt Branwell never would have sent you here," she shouted. "Not to a charity school. Not the precious boy."
"I know that," Branwell said, his voice ragged. "I've always known that. Don't you think that might be hard to live with?
”
”
Lena Coakley (Worlds of Ink and Shadow)
“
There, I saw Adam messing around with a container of tic tacs. I had found the source of the cinnamon taste of his kisses. He looked up.
"Want one?" he offered.
"Sure, thanks," I replied. He proceeded to knock exactly one tic tac into his palm and hand it to me. "Are you sure you can spare this?" I asked solemnly.
"How many did you want?"
"Well, more than one. Who gives somebody one tic tac? Would it kill to be a little more generous? some psychologist somewhere probably has some theory about one tic tac givers and fear of commitment."
"Fear of commitment, my ass. You should be committed, you loon. If you were intended to have more than one tic tac, they would have just made tic tacs bigger. This is regulation sized tic tac, and it should be more than enough to satisfy your breath freshening needs," he said, sounding affronted.
"A tic tac is not merely a breath freshener, it is a candy," I pointed out, voice rising in anger. Who was he calling a loon? "And they make them small on purpose, so you'll think you're getting more, and so you'll run out faster when someone asks for one, and you will give them a few!"
"Why would someone ask for A tic tac when they really wanted several tic tacs? What does that say about their psychology?! Why not be honest from the get-go about what you want?!" he shouted back at me.
" I didn't ask for one! You offered me one, God damn it!"
"And as for your other points, it is primarily a breath freshener, and maybe you should alert the media about your great tic tac size conspiracy!"
"I can't believe we're fighting about motherfucking tic tacs!" I screamed and the two of us glowered each other across my desk for several seconds before smiles slowly appeared on both of our faces.
"Want to have make-up sex?" he asked.
"Yeah, let's go," I said, getting up and heading for the bedroom.
”
”
N.M. Silber (Legal Briefs (Lawyers in Love, #3))
“
The words of the girl, my other self from the dream place, strikes with sudden understanding. The places where we hurt. Where we hurt. Not just me, all of us, colored folk everywhere, who carry our wounds with us, sometimes open for all to see, but always so much more buried and hidden deep. I remember the songs that come with all those visions. Songs full of hurt. Songs of sadness and tears. Songs pulsing with pain. A righteous anger and cry for justice. But not hate.
”
”
P. Djèlí Clark (Ring Shout)
“
Now, where were we? Read me back the last line.'
'"Read me back the last line,"' read back the corporal who could take shorthand.
'Not my last line, stupid!' the colonel shouted. 'Somebody else's.'
'"Read me back the last line."' read back the corporal.
'That's my last line again!' shrieked the colonel, turning purple with anger.
'Oh, no, sir,' corrected the corporal. 'That's my last line. I read it to you just a moment ago. Don't you remember, sir? It was only a moment ago.
”
”
Joseph Heller (Catch-22)
“
The sound of thunder awake me, and when I got up, my feet sank into muddy water up to my ankles. Mother took Buster and Helen to high ground to pray, but I stayed behind with Apache and Lupe. We barricaded the door with the rug and started bailing water out the window. Mother came back and begged us to go pray with her on the hilltop.
"To heck with praying!" I shouted. "Bail, dammit, bail!"
Mom look mortified. I could tell she thought I'd probably doomed us all with my blasphemy, and I was a little shocked at it myself, but with the water rising so fast, the situation was dire. We had lit the kerosene lamp, and we could see the walls of the dugout were beginning to sag inward. If Mom had pitched in and helped, there was a chance we might have been able to save the dugout - not a good chance, but a fighting chance. Apache and Lupe and I couldn't do it on our own, though, and when the ceiling started to cave, we grabbed Mom's walnut headboard and pulled it through the door just as the dugout collapsed in on itself, burying everything.
Afterward, I was pretty aggravated with Mom. She kept saying that the flood was God's will and we had to submit to it. But I didn't see things that way. Submitting seemed to me a lot like giving up. If God gave us the strength to bail - the gumption to try to save ourselves - isn't that what he wanted us to do?
”
”
Jeannette Walls (Half Broke Horses)
“
A little bit of hatred can spoil a score of years
And blur the eyes that ought to smile with many needless tears.
A little bit of thoughtlessness and anger for a day
Can rob a home of all its joy and drive delight away..
A little bit of shouting in a sharp and vicious tone
Can leave a sting that will be felt when many years have flown.
And just one hasty moment of ill temper can offend
And leave an inner injury the years may never mend.
It takes no mental fiber to say harsh and bitter things;
It doesn't call for courage to employ a lash that stings.
And cruel words and bitter any fool can think to say,
But the hurt they leave behind them takes years to wipe away.
Just a little bit of hatred robs a home of all delight,
And leaves a winding trail of wrong that time may never right.
For only those are happy and keep their peace of mind,
Who guard themselves from hatred and words that are unkind!
”
”
Edgar A. Guest
“
I saw how he looked at you,” he said. “I like how he looks at me!” I practically shouted. He shook his head, that bitter smile still playing on his lips. I wanted to smack it right off his face. “Just admit it,” he sneered. “He owns you.” “He owns you, too, Mal,” I lashed back. “He owns us all.” That wiped away his smile. “No he doesn’t,” Mal said fiercely. “Not me. Not ever.” “Oh really? Don’t you have someplace to be, Mal? Don’t you have orders to follow?” Mal stood up straight, his face cold. “Yes,” he said. “Yes, I do.” He turned sharply and walked out the door. For a moment, I stood there, quivering with anger, and then I ran to the doorway. I got all the way down the steps before I stopped myself. The tears that had been threatening to overflow finally did, coursing down my cheeks. I wanted to run after him, to take back what I’d said, to beg him to stay, but I’d spent my life running after Mal. Instead, I stood in silence and let him go.
”
”
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
“
Claiming to be a victim gives people perverse authority. Subjective experience becomes key: 'I am a sexual abuse victim. I am allowed to speak on this. You are not because you have never experienced what it is like to be...'. Victim status can buy special privileges and gives the green light to brand opposing views or even mild criticisms as tantamount to hate speech. So councils, who have become chief cheerleaders for policing subjective complaints, define hate speech as including 'any behavior, verbal abuse or insults, offensive leaflets, posters, gestures as perceived by the victim or any other person as being motivated by hostility, prejudice or hatred'. This effectively incites 'victims' to shout offense and expect a clamp-down. Equally chilling, if a victim aggressively accuses you of offense, it is dangerous to argue back, or even to request that they should stop being so hostile, should you be accused of 'tone policing', a new rule that dictates: '[Y]ou can never question the efficacy of anger ... when voiced by a person from a marginalized background'. No wonder people are queueing up to self-identify into any number of victim camps: you can get your voice heard loudly, close down debate and threaten critics.
”
”
Claire Fox (‘I Find That Offensive!’)
“
Out of the little grove, away from the baffled Spectres, out of the valley, past the mighty form of his old companion the armour-clad bear, the last little scrap of the consciousness that had been the aëronaut Lee Scoresby floated upwards, just as his great balloon had done so many times. Untroubled by the flares and the bursting shells, deaf to the explosions and the shouts and cries of anger and warning and pain, conscious only of his movement upwards, the last of Lee Scoresby passed through the heavy clouds and came out under the brilliant stars, where the atoms of his beloved dæmon Hester were waiting for him.
”
”
Philip Pullman (His Dark Materials)
“
Excellent,” says Gray, rubbing his hands together, a gleam in his eye. “The last
person to sing gets to buy the drinks.”
Ivy grins wide. “You’re on, Cupcake. I’m going to sing the house down.”
We all pause, our gazes darting back and forth as a certain sense of terror falls
over the table.
Ivy sees us and slaps her palm onto the table. “Oh, for fuck’s sake. I know what
you twats are thinking! If I suck at dancing, I’ll suck at singing? Well, I don’t. I’m
awesome.”
Awkward silence ensues, and she snorts.
“What? You think I don’t know I suck at dancing? I just don’t give a shit.” She
glares at Gray, though there really isn’t any anger in the look. “So you can stop
dancing like an ass now.”
A strangled sound leaves him. “You knew?”
“Of course.” She tosses a lock of her hair over her shoulder. “You’re too
coordinated on the field, and you kind of forget to suck when you do those victory
dances.”
He gapes at her for a long second, then gives a bark of laughter. “I fucking love
you, Special Sauce.” With that, he hauls Ivy into his lap and kisses her.
Fi, however, finally snaps out of the trance she’s been in since Ivy confessed.
“You sneaky shithead,” she shouts over the music. “All these years I’ve been
covering for your craptacular dancing, and you knew!” She shakes a fist. “I swear to
God, Ivy Weed…”
“Oh, please,” Ivy counters. “You pretend you suck at baking so you don’t have to
cook for family holidays.”
Fi sniffs, looking guilty as hell. “I don’t know what you’re talking about.”
Ivy leans in, her eyes narrowed. “Midnight cookie baking ring a bell, Tink?”
Fi’s cheeks flush, and she studies her nails with undue interest while muttering
something about traitor sisters under her breath. “Those are for PMS cravings and
nothing more. I was baking under duress.
”
”
Kristen Callihan (The Game Plan (Game On, #3))
“
He looked at me, eyebrows high and the sun glinting on his disguise-black hair. “You do the damnedest things in order to rile yourself up. Most people settle for doing it in an elevator, but not you. No, you have to make sure it’s a vampire you’re playing kissy-face with.”
Heat washed through me, pulled by anger and embarrassment. Ivy had said the same thing.
“I do not!”
“Rache,” he cajoled, sitting up to match my posture. “Look at yourself. You’re an adrenaline junkie. You not only need danger to make good in the bedroom, you need it to get through your normal day.”
“Shut up!” I shouted, giving him a backhanded thwack on his shoulder. “I like adventure, that’s all.
”
”
Kim Harrison (A Fistful of Charms (The Hollows, #4))
“
Has Stalin understood correctly?’ asked Stalin. ‘You were on Franco’s side, you have fought against Comrade Mao, you have… saved the life of the pig in London and you have put the deadliest weapon in the world in the hands of the arch-capitalists in the USA.
‘I might have known,’ Stalin mumbled and in his anger forgot to talk in the third person. ‘And now you are here to sell yourself to Soviet socialism? One hundred thousand dollars, is that the price for your soul? Or has the price gone up during the course of the evening?’
Allan no longer wanted to help. Of course, Yury was still a good man and he was the one who actually needed the help. But you couldn’t get away from the fact that the results of Yury’s work would end up in the hands of Comrade Stalin, and he was not exactly Allan’s idea of a real comrade. On the contrary, he seemed unstable, and it would probably be best for all concerned if he didn’t get the bomb to play with.
‘Not exactly,’ said Allan. ‘This was never about money…’
He didn’t get any further before Stalin exploded again.
‘Who do you think you are, you damned rat? Do you think that you, a representative of fascism, of horrid American capitalism, of everything on this Earth that Stalin despises, that you, you, can come to the Kremlin, to the Kremlin, and bargain with Stalin, and bargain with Stalin?’
‘Why do you say everything twice?’ Allan wondered, while Stalin went on:
‘The Soviet Union is prepared to go to war again, I’ll tell you that! There will be war, there will inevitably be war until American imperialism is wiped out.’
‘Is that what you think?’ asked Allan.
‘To do battle and to win, we don’t need your damned atom bomb! What we need is socialist souls and hearts! He who knows he can never be defeated, can never be defeated!’
‘Unless of course somebody drops an atom bomb on him,’ said Allan.
‘I shall destroy capitalism! Do you hear! I shall destroy every single capitalist! And I shall start with you, you dog, if you don’t help us with the bomb!’
Allan noted that he had managed to be both a rat and a dog in the course of a minute or so. And that Stalin was being rather inconsistent, because now he wanted to use Allan’s services after all.
But Allan wasn’t going to sit there and listen to this abuse any longer. He had come to Moscow to help them out, not to be shouted at. Stalin would have to manage on his own.
‘I’ve been thinking,’ said Allan.
‘What,’ said Stalin angrily.
‘Why don’t you shave off that moustache?’
With that the dinner was over, because the interpreter fainted
”
”
Jonas Jonasson (Der Hundertjährige, der aus dem Fenster stieg und verschwand)
“
I wanted peace and quiet, tranquillity, but was too much aboil inside. Somewhere beneath the load of the emotion-freezing ice which my life had conditioned my brain to produce, a spot of black anger glowed and threw off a hot red light of such intensity that had Lord Kelvin known of its existence, he would have had to revise his measurements. A remote explosion had occurred somewhere, perhaps back at Emerson's or that night in Bledsoe's office, and it had caused the ice cap to melt and shift the slightest bit. But that bit, that fraction, was irrevocable. Coming to New York had perhaps been an unconscious attempt to keep the old freezing unit going, but it hadn't worked; hot water had gotten into its coils. Only a drop, perhaps, but that drop was the first wave of the deluge. One moment I believed, I was dedicated, willing to lie on the blazing coals, do anything to attain a position on the campus -- then snap! It was done with, finished, through. Now there was only the problem of forgetting it. If only all the contradictory voices shouting inside my head would calm down and sing a song in unison, whatever it was I wouldn't care as long as they sang without dissonance; yes, and avoided the uncertain extremes of the scale. But there was no relief. I was wild with resentment but too much under "self-control," that frozen virtue, that freezing vice. And the more resentful I became, the more my old urge to make speeches returned. While walking along the streets words would spill from my lips in a mumble over which I had little control. I became afraid of what I might do. All things were indeed awash in my mind. I longed for home.
”
”
Ralph Ellison (Invisible Man)
“
Read me back the last line.” “ ‘Read me back the last line,’ ” read back the corporal who could take shorthand. “Not my last line, stupid!” the colonel shouted. “Somebody else’s.” “ ‘Read me back the last line,’ ” read back the corporal. “That’s my last line again!” shrieked the colonel, turning purple with anger. “Oh, no, sir,” corrected the corporal. “That’s my last line. I read it to you just a moment ago. Don’t you remember, sir? It was only a moment ago.” “Oh, my God!
”
”
Joseph Heller (Catch-22)
“
There’s something else I’m curious about, Kelsey.”
I smiled at him. “Sure, what else do you want to know?”
“What exactly is going on between you and Ren?”
A vise clamped down on my chest, but I tried to play it cool. “What do you mean?”
“I mean, are you two more than just traveling companions? Are you together?”
I clipped off a fast, “No. Definitely not.”
He grinned. “Good!” He grabbed my hand and kissed it. “Then that means you’re free to go out with me. No girl in her right mind would want to be with Ren, anyway. He’s very…stuffy. Cold, as far as relationships go.”
My mouth hung open for a minute, shocked, and then I felt anger shove the shock aside and take over. “First of all, I am not going to be with either one of you. Second, a girl would have to be crazy not to want Ren. You’re wrong about him. He’s not stuffy or cold. In fact, he’s considerate, warm, drop-dead gorgeous, dependable, loyal, sweet, and charming.”
He raised an eyebrow and measure me thoughtfuly for a minute. I squirmed under his gaze, knowing that I had spoken too quickly and said way too much.
He ventured carefully. “I see. You may be right. The Dhiren I know has surely changed in the past couple of hundred years. However, despite that and your insistent claim that you will not be with either one of us, I would like to propose that we go out and celebrate tonight, if not as my..what is the correct word?”
“The word is date.”
“Date. If not as my date…then, as my friend.”
I grimaced.
Kishan continued, pressing his point, “Surely, you won’t leave me to fend for myself on my first night back in the real world?”
He smiled at me, encouraging my acceptance. I did want to be his friend, but I wasn’t sure what to say to his request. And for just a moment, I wondered how Ren would feel about it and what the consequences might be.
I questioned, “Where exactly do you want to go to celebrate?”
“Mr. Kadam said there’s a nightclub in town nearby with dinner and dancing. I thought we could celebrate there, maybe get something to eat, and you can teach me how to dance.”
I laughed nervously. “This is my first time in India, and I don’t know a thing about dancing or the music here.”
Kisham seemed even more delighted by that news. “Fantastic! Then we will learn together. I won’t take no for an answer.” He jumped up to rush off.
I yelled, “Wait, Kishan! I don’t even know what to wear!”
He shouted back over his shoulder, “Ask Kadam. He knows everything!
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
the reactions were generally the same. As a rule, most people seem to appreciate being rescued by dashing strangers. Most people, perhaps, but not Sophie Quire. “Are you insane?” she shouted, her voice hoarse from screaming at him. “You nearly killed those men!” Peter almost fell over as she wrenched a book out from under his boot. He listened as she riffled through the pages, as though inspecting the book for damage. “And what were you doing up on that lamppost, anyway?” she demanded. “Were you following me?” Peter stepped back, caught off guard. “I . . . um . . .” Obviously he had been following her. People didn’t just spend their mornings climbing lampposts for the fun of it. But to hear her describe the activity, you would think it was the worst thing in the world. “In case you forgot,” he said finally, “I just rescued you.” “Rescued me?” The girl got right in his face. She was radiating indignation like a furnace. “I was going to have to pay a fine . . . Now I’m party to attempted murder. Who knows what they will do to me, or my father? One word from the Inquisitor and we’ll be on the street or worse—and it will all be thanks to you!” Peter opened his mouth but closed it again. He could feel his whole face flushing with anger, or perhaps embarrassment—he wasn’t sure which. All he knew was this was not what he had planned. “I . . . I was only trying to help,” he said, inching back. “Next time, resist the urge.” The girl yanked her cloak over her shoulders with a dramatic flap. “And if you’re going to throw something into the river,” she added, “why not start with that ridiculous hat? You look like an ostrich in mourning.” With a dramatic heel, she turned away and ran toward the road.
”
”
Jonathan Auxier (Sophie Quire and the Last Storyguard: A Peter Nimble Adventure)
“
And then there are those you stop counting the years with because they are here to stay.
They are here. And they aren't going anywhere.
Nothing will make them flinch.
Nothing will make them think twice.
They know you at your worst,
the worst you didn't even know you had.
They know the sound of your mood swings, the color of your anger, how you curse when you curse, how you shout when you throw a tantrum. They know when you're avoiding a subject. They know when you're lying. They know when you're jealous. They know your vices by heart and they celebrate them. They celebrate you-- vices included.
They know your lost dreams and how life fucked you over. They know the battles you lost. And they think your fabulous when you think you're just an unlucky mediocre person who once thought will make it big in life.
They know the last time you were happy. They see the unspoken sadness in your eyes. They know the words behind your silence. They know the photographs playing in your mind when you're looking afar.
They know YOU, the naked YOU, the raw YOU, not the embellished YOU people see, not the YOU that will be read in biographies or in elegies once you're dead, not the YOU that introduces you to others.
They love you from the bottom of their heart. They are your family regardless of their blood. They are your squad. They are your people.
And no matter how many times you make them open the door, they can't walk out. They just can't. Because, just sometimes, when people say forever, they mean it. They do.
”
”
Malak El Halabi
“
Annabeth didn't mean to, but she surged forward. Percy rushed toward her at the same time. The crowd tensed. Some reached for swords that weren't there.
Percy threw his arms around her. They kissed, and for a moment nothing else mattered. An asteroid could have hit the planet and wiped out all life, and Annabeth wouldn't have cared.
Percy smelled of ocean air. His lips were salty.
Seaweed Brain, she thought giddily.
Percy pulled away and studied her face. "Gods, I never thought--"
Annabeth grabbed his wrist and flipped him over her shoulder. He slammed into the stone pavement. Romans cried out. Some surged forward, but Reyna shouted, "Hold! Stand down!"
Annabeth put her knee on Percy's chest. She pushed her forearm against his throat. She didn't care what the Romans thought. A white-hot lump of anger expanded in her chest--a tumor of worry and bitterness she'd been carrying around since last autumn.
"If you ever leave me again," she said, her eyes stinging, "I swear to all the gods--"
Percy had the nerve to laugh. Suddenly the lump of heated emotions melted inside Annabeth.
"Consider me warned," Percy said. "I missed you, too."
Annabeth rose and helped him to his feet. She wanted to kiss him again so badly, but she managed to restrain herself.
”
”
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
“
At the heart of God is the desire to give and to forgive. Because of this, he set into motion the entire redemptive process that culminated in the cross and was confirmed in the resurrection. The usual notion of what Jesus did on the cross was something like this: people were so bad and so mean and God was so angry with them that he could not forgive them unless somebody big enough took the rap for the whole lot of them. Nothing could be further from the truth. Love, not anger, brought Jesus to the cross. Golgotha came as a result of God’s great desire to forgive, not his reluctance. Jesus knew that by his vicarious suffering he could actually absorb all the evil of humanity and so heal it, forgive it, redeem it. This is why Jesus refused the customary painkiller when it was offered him. He wanted to be completely alert for this greatest work of redemption. In a deep and mysterious way he was preparing to take on the collective sin of the human race. Since Jesus lives in the eternal now, this work was not just for those around him, but he took in all the violence, all the fear, all the sin of all the past, all the present, and all the future. This was his highest and most holy work, the work that makes confession and the forgiveness of sins possible…Some seem to think that when Jesus shouted “My God, my God, why hast thou forsaken me?” it was a moment of weakness (Mark 15:34). Not at all. This was his moment of greatest triumph. Jesus, who had walked in constant communion with the Father, now became so totally identified with humankind that he was the actual embodiment of sin. As Paul writes, “he made him to be sin who knew no sin (2 Cor. 5:21). Jesus succeeded in taking into himself all of the dark powers of this present evil age and defeated every one of them by the light of his presence. He accomplished such a total identification with the sin of the race that he experienced the abandonment of God. Only in that way could he redeem sin. It was indeed his moment of greatest triumph. Having accomplished this greatest of all his works, Jesus then took refreshment. “It is finished,” he announced. That is, this great work of redemption was completed. He could feel the last dregs of the misery of humankind flow through him and into the care of the Father. The last twinges of evil, hostility, anger, and fear drained out of him, and he was able to turn again into the light of God’s presence. “It is finished.” The task is complete. Soon after, he was free to give up his spirit to the father. …Without the cross the Discipline of confession would be only psychologically therapeutic. But it is so much more. It involves and objective change in our relationship with God and a subjective change in us. It is a means of healing and transforming the inner spirit.
”
”
Richard J. Foster (Celebration of Discipline: The Path to Spiritual Growth)
“
The thing about fires most people don’t realise is the noise. It’s deafening so even if you shout, you can’t be heard three feet away. You can never quite get used to the fury of it, it’s like a mighty roar of anger that just keeps going. I suppose flame is beautiful, the way it leaps into the air like it’s free to do what it wants. Other elements are also free and I guess the sea can be pretty awesome, wind too, and lightning, but fire has a mind and a determination. You don’t see it as a blind raging thing, which I suppose it is, but something that attacks and thinks and changes tactics. It has a malevolence that uses surprise, dirty tricks, cunning. You get to think of it as someone, not something, and it’s someone you have to beat, but right from the start you don’t like your chances because it’s so big and unpredictable and can do so much harm.
”
”
Bryce Courtenay (Four Fires)
“
We finally made our way to the front of the line, where a young bouncer snapped an underage wristband on me and gave me an appraising look, eyes scanning my waist-length hair before raising the velvet rope. I rushed under it with Jay on my heels.
“For real, Anna, don't let me stand in the way of all these dudes tonight.” Jay laughed behind me, raising his voice as we entered the already packed room, music thumping. I knew I should have put my hair up before we came, but Jay's sister, Jana had insisted on my keeping it down. I pulled my hair over my shoulder and wound it into a rope with my finger, looking around at the tightly packed crowd and wincing slightly at the noise and blasts of emotion.
“They only think they like me because they don't know me,” I said.
Jay shook his head. "I hate when you say things like that.”
“Like what? That I'm especially special?”
I was trying to make a joke, using the term us Southerners fondly called people who "weren't right" but anger burst gray from Jay's chest, surprising me, then fizzled away.
“Don't talk about yourself that way. You're just...shy.”
I was weird and we both knew it. But I didn't like to upset him, and it felt ridiculous having a serious conversation at the top of our lungs.
Jay pulled his phone from his pocket and looked at the screen as it vibrated in his hand. He grinned and handed it to me. Patti.
“Hello?” I stuck a finger in my other ear so I could hear.
“I'm just checking to see if you made it safely, honey. Wow, it's really loud there!”
“Yeah, it is!” I had to shout. “Everything is fine. I'll be home by eleven.”
It as my first time going to something like this. Ever. Jay had begged Patti for permission himself, and by some miracle got her to agree. But she was not happy about it. All day she'd been as nervous as a cat the vet.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
I opened myself up to the kiss and kissed him back with enthusiasm. Putting all my secret emotions and tender feelings into the embrace, I wound my arms around his neck and slid my hands into his hair. Pulling his body that much closer to mine, I embraced him with all the warmth and affection that I wouldn’t allow myself to express verbally.
He paused, shocked for a brief instant, and then quickly adjusted his approach, escalating into a passionate frenzy. I shocked myself by matching his energy. I ran my hands up his powerful arms and shoulders and then down his chest. My senses were in turmoil. I felt wild. Eager. I clutched at his shirt. I couldn’t get close enough to him. He even smelled delicious.
You’d think that several days of being chased by strange creatures and hiking through a mysterious kingdom would make him smell bad. In fact, I wanted him to smell bad. I’m sure I did. I mean, how can you expect a girl to be fresh as a daisy while traipsing through the jungle and getting chased by monkeys. It’s just not possible.
I desperately wanted him to have some fault. Some weakness. Some…imperfection. But Ren smelled amazing-like waterfalls, a warm summer day, and sandalwood trees all wrapped up in a sizzling, hot guy.
How could a girl defend herself from a perfect onslaught delivered by a pefect person? I gave up and let Mr. Wonderful take control of my senses. My blood burned, my heart thundered, my need for him quickened, and I lost all track of time in his arms. All I was aware of was Ren. His lips. His body. His soul. I wanted all of him.
Eventually, he put his hands on my shoulders and gently separated us. I was surprised that he had the strength of will to stop because I was nowhere near being able to. I blinked my eyes open in a daze. We were both breathing hard.
“That was…enlightening,” he breathed. “Thank you, Kelsey.”
I blinked. The passion that had dulled my mind dissipated in an instant, and my mind sharply focused on a new feeling. Irritation.
“Thank you? Thank you! Of all the-“ I slammed up the steps angrily and then spun around to look down at him. “No! Thank you, Ren!” My hands slashed at the air. “Now you got what you wanted, so leave me alone!” I ran up the stairs quickly to put some distance between us.
Enlightening? What was that about? Was he testing me? Giving me a one-to-ten score on my kissing ability? Of all the nerve?
I was glad that I was mad. I could shove all the other emotions into the back of my mind and just focus on the anger, the indignation.
He leapt up the stairs two at a time. “That’s not all I want, Kelsey. That’s for sure.”
“Well, I no longer care about what you want!”
He shot me a knowing look and raised an eyebrow. Then, he lifted his foot out of the opening, placed it on the dirt, and instantly changed back into a tiger.
I laughed mockingly. “Ha!” I tripped over a stone but quickly found my footing. “Serves you right!” I shouted angrily and stumbled blindly along the dim path.
After figuring out where to go, I marched off in a huff. “Come on, Fanindra. Let’s go find Mr. Kadam.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
A sailor was stranded on a desert island and managed to survive by making friends with the local natives—such good friends, in fact, that one day the chief offered him his daughter for an evening’s entertainment. Late that night, while they made love, the chief’s daughter kept shouting, “Oga, boga! Oga, boga!” The arrogant sailor assumed this must be how the natives express their appreciation when something is fantastic. A few days later the chief invites the sailor for a game of golf. On his first stroke, the chief hit a hole in one. Eager to try out his new vocabulary, the sailor enthusiastically shouted “Oga boga! Oga boga!” The chief turned around with a puzzled look on his face and asked, “What you mean, ‘wrong hole’?
”
”
Osho (Emotional Wellness: Transforming Fear, Anger, and Jealousy into Creative Energy)
“
Healthy Choices
Hold still
Keep quiet.
Get a degree
to learn how to talk
saying nothing.
Catch a good man
by being demure.
the one your mother chooses.
Let him climb you
whenever his urge,
amidst headaches
and menstrual aches
and screaming infants.
And when he bids
quick, turn over.
Hold still.
Make your tongue
a slab of cement
a white stone etched
with your name.
Kill your stories with knives
and knitting needles
and Clorox bleach.
Hide in your mysteriousness
by saying nothing.
Starch your thoughts
with ironed shirts.
Tie your anger
with a knot in
your throat
and when he comes
without concern
swallow it.
Hold still.
Keep desire
hopeless as ice
and sleepless nights
and painful as pinched eyelid.
Keep your fingers
from the razor,
keep your longing
to sever
his condescension
safely in your douchbag.
Turn the blade
against yourself.
Don't twitch
as your slashed wrists
stain your bathroom tiles.
Disinfect with Pine Sol.
Hold still.
Keep quiet.
Keep tight your lips,
keep dead your dreams,
keep cold your heart.
Keep quiet.
And he will shout
praises
to your
perfection.
”
”
Janice Mirikitani
“
Joe stepped in front of them, blocking it from their view. "All of you listen to me." Three pairs of eyes locked on his face: hopeful, expectant, still dark with anger and fear. Protectiveness erupted , so strong Joe wanted to shout with it. He drew one breath, then another, but Jesus it didn't help.
"You're mine now," he told them, and he knew his voice was hoarse, trembling with furious conviction. He hadn't meant to rush Luna, to spill his guts so soon. He'd meant to give himself time, to give her and the kids time. But he couldn't hold it in. "All of you. I protect what's mine. No one is going to hurt you, and no one is going to run us off. I'll find the son of a bitch, I swear it. And when I do, he'll pay."
Luna's eyes, narrowed with rage only a moment ago, now softened with an expression far too close to concern. She gave a reluctant nod and spoke very softly. "All right, Joe."
He had an awful suspicion she agreed more to soothe him than because she believed what he said.
Willow swallowed, nodded, then gave him a trembling smile. "All right," she said, agreeing with Luna, and she, too, seemed to want to comfort him.
Women.
Austin launched himself forward, hugging himself around Joe's knees and hanging on tight. Joe almost fell over. He felt as though he'd been stomped on already, his muscles, his mind, his deepest emotions. Hell, he hadn't known he had deep emotions until the kids and Luna had dredged them from a dark, empty place.
He wasn't all that steady on his feet, and Austin hit him with the impact of a small tank. But it was more the punch to his heart than the impetus against his legs that threw him off balance.
Joe touched the tangled mop of blond hair. "Austin?"
Austin squeezed him, then said against Joe's knees, "Okay." He finally tipped up his face to give Joe a crooked, admiring grin. "I sure like it when you're disrespectful."
That ridiculous comment lightened Joe's mood, and he laughed. "Rodent.
”
”
Lori Foster (Say No To Joe? (Winston Brothers #5) (Visitation, North Carolina, #1))
“
I sat there on that Wednesday evening in my pokey fucking living room, looked at myself on the TV screen being a massive, odious cunt, and realised that nothing has really changed. Deep down, like most of us, still now at the age of thirty-eight, I have this empty, black hole inside of me that nothing and no one seems capable of filling. I say like most of us because, well, look around you. Our society, our businesses, our social constructs, habits, pastimes, addictions and distractions are predicated on vast, endemic levels of emptiness and dissatisfaction. I call it self-hatred. I hate who I was, am and have become and, as we are taught to, I constantly chastise myself for the things I do and say. And such are the global levels of intolerance, greed, entitlement and dysfunction it is evidently not just confined to a small, wounded section of society. We are all in a world of pain. If it was ever any different way back in the past, it has, by now, most certainly become normalised. And I am as angry about that as I am about my own past. There is an anger that runs underneath everything, that fuels my life and feeds the animal inside me. And it is an anger that always, always prevents me, despite my best efforts, from becoming a better version of myself. My goddamn head seems to have a life of its own, quite beyond my control, incapable of reason, compassion or bargaining. It shouts at me from deep inside. As a kid the words didn’t make sense. As an adult it’s waiting at the end of my bed and starts talking an hour or two before I wake up so that when my eyes open it is in full-on rage mode, blaring this shit at me about how glad it is I’m finally awake, how fucked I am today, how there won’t be enough time, I’ll fuck everything up, my friends are plotting against me, trust no one, I must try as hard as I can to salvage everything in my life while knowing it’s already a lost cause. I’m exhausted all the time. It’s a kind of toxic ME – corrosive, pervasive, penetrative, negative, all the bad -ives.
”
”
James Rhodes (Instrumental)
“
Isn't she doing this too? Connecting and disconnecting. Facing grief then turning from it. One minute she is caught up in minutiae. Will her feet get sore standing in heels at the church? Have they made enough food? Will the kitten get scared by dozens of strangers in the house? Should she shut him in a room upstairs? The next moment she is weeping uncontrollably, taken over by pain so profound she can barely move. Then there was the salad bowl incident; her own fury scared her. But maybe these are different ways of dealing with events for all of them. Molly and Luke are infantile echos of her, their emotions paired down, their reactions simpler but similar. For if they have difficulty taking in what has happened, then so too does she. Why is she dressing up, for instance? Why can't she wear clothes to reflect the fact that she is at her lowest end? A tracksuit, a jumper full of holes, dirty jeans? Why can't she leave her hair a mess, her face unmade up? The crazed and grieving Karen doesn't care about her appearance. Yet she must go through with this charade, polish herself and her children to perfection. She, in particular, must hold it together. Oh, she can cry, yes, that's allowed. People expect that. They will sympathize. But what about screaming, howling, and hurling plates like she did yesterday? She imagines the shocked faces as she shouts and swears and smashes everything. But she is so angry, surely others must feel the same. Maybe a plate throwing ceremony would be a more fitting ritual than church, then everyone could have a go...smashing crockery up against the back garden wall.
”
”
Sarah Rayner (One Moment, One Morning)
“
He remembered how once he had been walking down a crowded street when a tremendous shout of hundreds of voices–women’s voices–had burst from a side-street a little way ahead. It was a great formidable cry of anger and despair, a deep loud ‘Oh-o-o-o-oh!’ that went humming on like the reverberation of a bell. His heart had leapt. It’s started! he had thought. A riot! The proles are breaking loose at last! When he had reached the spot it was to see a mob of two or three hundred women crowding round the stalls of a street market, with faces as tragic as though they had been the doomed passengers on a sinking ship. But at this moment the general despair broke down into a multitude of individual quarrels. It appeared that one of the stalls had been selling tin saucepans. They were wretched, flimsy things, but cooking-pots of any kind were always difficult to get. Now the supply had unexpectedly given out. The successful women, bumped and jostled by the rest, were trying to make off with their saucepans while dozens of others clamoured round the stall, accusing the stall-keeper of favouritism and of having more saucepans somewhere in reserve. There was a fresh outburst of yells. Two bloated women, one of them with her hair coming down, had got hold of the same saucepan and were trying to tear it out of one another’s hands. For a moment they were both tugging, and then the handle came off. Winston watched them disgustedly. And yet, just for a moment, what almost frightening power had sounded in that cry from only a few hundred throats! Why was it that they could never shout like that about anything that mattered?
”
”
George Orwell (1984)
“
Well, Metcalf, suppose you try keeping that stupid mouth of yours shut,and maybe that's the way you learn how. Now where were we? Read me back the last line."
"'Read me back the last line,'" read back the corporal who could take shorthand.
"Not my last line, stupid!" the colonel shouted. "Somebody else's."
"'Read me back the last line,'" read back the corporal.
"That's my last line again!" shrieked the colonel, turning purple with anger.
"Oh, no, sir," corrected the corporal. "That's my last line. I read it to you just a moment ago. Don't you remember, sir? It was only a moment ago."
"Oh, my God! Read me back his last line, stupid. Say, what the hell's your name, anyway?"
"Popinjay, sir."
"Well, you're next, Popinjay. As soon as this trial ends, your trial begins. Get it?"
"Yes, sir. What will he be charged with?"
"What the hell difference does that make? Did you hear what he asked me? You're going to learn, Popinjay - the minute we finish with Clevinger you're going to learn. Cadet Clevinger, what did - You are Cadet Clevinger, aren't you, and not Popinjay?"
"Yes, sir."
"Good. What did-"
"I'm Popinjay, sir."
"Popinjay. Is your father a millionaire, or a member of the Senate?"
"No, sir."
"Then you're up shit creek, Popinjay, without a paddle.He's not a general or a high-ranking member of the Administration, is he?"
"No, sir."
"That's good. What does your father do?"
"He's dead, sir."
"That's very good. You really are up the creek, Popinjay. Is Popinjay really your name? Just what the hell kind of name is Popinjay, anyway? I don't like it."
"It's Popinjay''s name, sir," Lieutenant Scheisskopf explained.
”
”
Joseph Heller
“
When a boy grows up in a “dysfunctional” family (perhaps there is no other kind of family), his interior warriors will be killed off early. Warriors, mythologically, lift their swords to defend the king. The King in a child stands for and stands up for the child’s mood. But when we are children our mood gets easily overrun and swept over in the messed-up family by the more powerful, more dominant, more terrifying mood of the parent. We can say that when the warriors inside cannot protect our mood from being disintegrated, or defend our body from invasion, the warriors collapse, go into trance, or die. The inner warriors I speak of do not cross the boundary aggressively; they exist to defend the boundary. The Fianna, that famous band of warriors who defended Ireland’s borders, would be a model. The Fianna stayed out all spring and summer watching the boundaries, and during the winter came in. But a typical child has no such protection. If a grown-up moves to hit a child, or stuff food into the child’s mouth, there is no defense—it happens. If the grown-up decides to shout, and penetrate the child’s auditory boundaries by sheer violence, it happens. Most parents invade the child’s territory whenever they wish, and the child, trying to maintain his mood by crying, is simply carried away, mood included. Each child lives deep inside his or her own psychic house, or soul castle, and the child deserves the right of sovereignty inside that house. Whenever a parent ignores the child’s sovereignty, and invades, the child feels not only anger, but shame. The child concludes that if it has no sovereignty, it must be worthless. Shame is the name we give to the sense that we are unworthy and inadequate as human beings. Gershen Kauffman describes that feeling brilliantly in his book, Shame, and Merle Fossum and Marilyn Mason in their book, Facing Shame, extend Kauffman’s work into the area of family shame systems and how they work. When our parents do not respect our territory at all, their disrespect seems overwhelming proof of our inadequacy. A slap across the face pierces deeply, for the face is the actual boundary of our soul, and we have been penetrated. If a grown-up decides to cross our sexual boundaries and touch us, there is nothing that we as children can do about it. Our warriors die. The child, so full of expectation of blessing whenever he or she is around an adult, stiffens with shock, and falls into the timeless fossilized confusion of shame. What is worse, one sexual invasion, or one beating, usually leads to another, and the warriors, if revived, die again. When a boy grows up in an alcoholic family, his warriors get swept into the river by a vast wave of water, and they struggle there, carried downriver. The child, boy or girl, unprotected, gets isolated, and has more in common with snow geese than with people.
”
”
Robert Bly (Iron John: A Book about Men)
“
There is another dangerous component to armed robberies, one that I could never understand. I noticed some time ago that with each robbery I committed there was an intense out of control anger that gripped me. It was as if I was there to get something that was inherently mine, and I came to take it by force. I’ve heard many stories directly from individuals about how they just burst into stores with their guns drawn. They would be shouting at people, gun butting them sometimes for no reason at all. One individual told me that he ran into a store and jump kicked a fella who just stood there. The only reason he was kicked is that he was there.
It’s as if once you’ve overridden your conscience of going through with the act, it is replaced with anger and a level of brutality that is usually reserved for when you are fighting for your life. This, to me, is what makes armed robberies so dangerous—because the slightest provocation or any sudden movement by anyone could lead to them being shot or killed. It is always an extremely delicate and dicey situation, because the armed robber is pulling the trigger out of fear more than anything else.
”
”
Drexel Deal (The Fight of My Life is Wrapped Up in My Father (The Fight of My Life is Wrapped in My Father Book 1))
“
this reaction. This was on college campuses, exactly the kind of environment where I had expected curiosity, lively debate, and, yes, the thrill and energy of like-minded activists. Instead almost every campus audience I encountered bristled with anger and protest. I was accustomed to radical Muslim students from my experience as an activist and a politician in Holland. Any time I made a public speech, they would swarm to it in order to shout at me and rant in broken Dutch, in sentences so fractured you wondered how they qualified as students at all. On college campuses in the United States and Canada, by contrast, young and highly articulate people from the Muslim student associations would simply take over the debate. They would send e-mails of protest to the organizers beforehand, such as one (sent by a divinity student at Harvard) that protested that I did not “address anything of substance that actually affects Muslim women’s lives” and that I merely wanted to “trash” Islam. They would stick up posters and hand out pamphlets at the auditorium. Before I’d even stopped speaking they’d be lining up for the microphone, elbowing away all non-Muslims. They spoke in perfect English; they were mostly very well-mannered; and they appeared far better assimilated than their European immigrant counterparts. There were far fewer bearded young men in robes short enough to show their ankles, aping the tradition that says the Prophet’s companions dressed this way out of humility, and fewer girls in hideous black veils. In the United States a radical Muslim student might have a little goatee; a girl may wear a light, attractive headscarf. Their whole demeanor was far less threatening, but they were omnipresent. Some of them would begin by saying how sorry they were for all my terrible suffering, but they would then add that these so-called traumas of mine were aberrant, a “cultural thing,” nothing to do with Islam. In blaming Islam for the oppression of women, they said, I was vilifying them personally, as Muslims. I had failed to understand that Islam is a religion of peace, that the Prophet treated women very well. Several times I was informed that attacking Islam only serves the purpose of something called “colonial feminism,” which in itself was allegedly a pretext for the war on terror and the evil designs of the U.S. government. I was invited to one college to speak as part of a series of
”
”
Ayaan Hirsi Ali (Nomad: From Islam to America: A Personal Journey Through the Clash of Civilizations)
“
Jackson. Wait.” He didn’t turn to face me when I finally reached him. Staring at his back, I scrambled for something to say. Why hadn’t I thought this through? In the end, watching him not even turn to face me, anger won out. “What the fuck, Jackson?” “Go back to your fiancée.” With a growl, I gripped his shoulder, forcing him to turn and then shoving him back into the wall. His eyes looked like they were holding back their own storm, daring me to push one more time. I was about to push a whole lot harder if it meant getting something out of him. “Talk to me.” I wanted it to be a command, but it came out as more of a plea. He took a deep breath, closing his eyes. When he opened them, I almost stepped back from how angry they were. “What do you want me to say? You’re not gay,” he sneered, beginning to back me up with each word. “You would never. Which I found pretty damn shocking since you loved being deep inside me, spilling your cum. Fucking me—a man—like a desperate fucking freight train.” He threw my words I’d stupidly sputtered to his brother back in my face. “I’m sorry,” I whispered. “Fuck you,” Jackson growled before bumping my shoulder to walk past me. Digging my hands in my hair, frustration rose inside me, pulling me under, drowning me. I was losing control and I couldn’t breathe because of it. “I’M SORRY, OKAY?” I shouted. “I fucked up. I panicked. This is all
new to me—liking a guy. Fooling around with you when I’m engaged. I can’t just talk about it. I fucking panicked and I’m sorry. So fucking sorry.” He let my apology linger, and I held my breath waiting. “Okay.” Okay? Okay? Was he fucking kidding me? I spilled my guts and it was okay? “No. It’s not fucking okay. This isn’t okay.” A fiery burn built behind my eyes, stinging my nose, but I wasn’t going to stop because he finally turned back to me. “I miss you. You won’t touch me, or kiss me, or sit with me, or hold me. Nothing. And I fucking miss you.” I choked on the last few words praying he wouldn’t turn away. It was the most honest I’d been with him—with myself—about my feelings for him. My heart thundered, and hands trembled from how nervous I was. Nervous that the words felt so right coming from my lips. Nervous about what it really meant, that I left Carina behind, so I could chase Jackson down and plead with him to not leave me. “Can we please go back? Can you please forgive me?” It wasn’t just about sex and exploring. Right there in the stairwell, getting lost in him, begging him to stay and care, it hit me. I was falling in love with him. With a man. I was falling in love with Jackson. While my fiancée sat upstairs, I realized I was falling in love with my best friend.
”
”
Fiona Cole (Lovers (Voyeur, #2))
“
longer; it cannot deceive them too much." Madame Defarge looked superciliously at the client, and nodded in confirmation. "As to you," said she, "you would shout and shed tears for anything, if it made a show and a noise. Say! Would you not?" "Truly, madame, I think so. For the moment." "If you were shown a great heap of dolls, and were set upon them to pluck them to pieces and despoil them for your own advantage, you would pick out the richest and gayest. Say! Would you not?" "Truly yes, madame." "Yes. And if you were shown a flock of birds, unable to fly, and were set upon them to strip them of their feathers for your own advantage, you would set upon the birds of the finest feathers; would you not?" "It is true, madame." "You have seen both dolls and birds to-day," said Madame Defarge, with a wave of her hand towards the place where they had last been apparent; "now, go home!" XVI. Still Knitting Madame Defarge and monsieur her husband returned amicably to the bosom of Saint Antoine, while a speck in a blue cap toiled through the darkness, and through the dust, and down the weary miles of avenue by the wayside, slowly tending towards that point of the compass where the chateau of Monsieur the Marquis, now in his grave, listened to the whispering trees. Such ample leisure had the stone faces, now, for listening to the trees and to the fountain, that the few village scarecrows who, in their quest for herbs to eat and fragments of dead stick to burn, strayed within sight of the great stone courtyard and terrace staircase, had it borne in upon their starved fancy that the expression of the faces was altered. A rumour just lived in the village—had a faint and bare existence there, as its people had—that when the knife struck home, the faces changed, from faces of pride to faces of anger and pain; also, that when that dangling figure was hauled up forty feet above the fountain, they changed again, and bore a cruel look of being avenged, which they would henceforth bear for ever. In the stone face over the great window of the bed-chamber where the murder was done, two fine dints were pointed out in the sculptured nose, which everybody recognised, and which nobody had seen of old; and on the scarce occasions when two or three ragged peasants emerged from the crowd to take a hurried peep at Monsieur the Marquis petrified, a skinny finger would not have pointed to it for a minute, before they all started away among the moss and leaves, like the more fortunate hares who could find a living there. Chateau and hut, stone face and dangling figure, the red stain on the stone floor, and the pure water in the village well—thousands of acres of land—a whole province of France—all France itself—lay under the night sky, concentrated into a faint hair-breadth line. So does a whole world, with all its greatnesses and littlenesses, lie in a twinkling star. And as mere human knowledge can split a ray of light and analyse the manner of its composition, so, sublimer intelligences may read in the feeble shining of this earth of ours, every thought and act, every vice and virtue, of every responsible
”
”
Charles Dickens (A Tale of Two Cities)
“
Right now he needed to concentrate on keeping himself under control. Inside, his gut churned. There was a war going on. The joy of holding his son again clashed with the waves of anger that rose higher and higher with each passing moment. He thought he had known why Pete had arrived at the farm. He had pushed the fork into the soil and watched the earth turn over sure that the truth of their tragedy was about to be laid before them. He had watched the dry earth give up the rich brown soil and wanted to stay there forever in the cold garden just watching his fork move the earth. He had not wanted to hear what Pete had to say. And now this..this..What did you call this? A miracle? What else could it be? But this miracle was tainted. He was not holding the same boy he had taken to the Easter Show.
This thin child with shaved hair was not the Lockie he knew. Someone had taken that child. They had taken his child and he could feel by the weight of him they had starved him. Someone had done this to him. They had done this and god knew what else. Doug walked slowly into the house, trying to find the right way to break the news to Sarah.
She was lying down in the bedroom again. These days she spent more time there than anywhere else. Doug walked slowly through the house to the main bedroom at the back. It was the only room in the house whose curtains were permanently closed.
How damaged was his child? Would he ever be the same boy they had taken up to the Show ? What had been done to him? Dear God, what had been done to him? His ribs stuck out even under the jumper he was wearing. It was not his jumper. He had been dressed in shorts and a T-shirt, perfect for the warm day. He had a cap with a Bulldogs logo. What could have happened to his clothes? How long had he had the jumper?Doug bit his lip. First things first.
He opened the bedroom door cautiously and looked into the gloom. Sarah was on her back. Her mouth was slightly open. She was fast asleep. The room smelled musty with the heater on. Sarah slept tightly wrapped in her covers. Doug swallowed. He wanted to run into the room whooping and shouting that Lockie was home but Sarah was so fragile he had no idea how she would react. He walked over to the window and opened the curtains. Outside it was getting dark already but enough light entered the room to wake Sarah up. She moaned and opened her eyes.
‘Oh god, Doug, please just close them. I’m so tired.’
Doug sat down on the bed and Sarah turned her back to him. She had not looked at him. Lockie opened his eyes and looked around the room.
‘Ready to say hello to Mum, mate?’ Doug asked.
‘Hi, Mum,’ said Lockie to his mother’s back. His voice had changed. It was deeper and had an edge to it. He sounded older. He sounded like someone who had seen too much. But Sarah would know it was her boy.
Doug saw Sarah’s whole body tense at the sound of Lockie’s voice and then she reached her arm behind her and twisted the skin on her back with such force Doug knew she would have left a mark.
‘It’s not a dream, Sarah,’ he said quietly. ‘He’s home.’
Sarah sat up, her eyes wide.
‘Hi, Mum,’ said Lockie again.
‘Hello, my boy,’ said Sarah softly. Softly, as though he hadn’t been missing for four months. Softly, as though he had just been away for a day.
Softly, as though she hadn’t been trying to die slowly.
Softly she said, ‘Hello, my boy.’
Doug could see her chest heaving.
‘We’ve been looking for you,’ she said, and then she held out her arms. Lockie climbed off Doug’s lap and onto his mother’s legs. She wrapped her arms around him and pushed her nose into his neck, finding his scent and identifying her child. Lockie buried his head against her breasts and then he began to cry. Just soft little sobs that were soon matched by his mother’s tears. Doug wanted them to stop but tears were good. He would have to get used to tears.
”
”
Nicole Trope (The Boy Under the Table)
“
Why did you cry off?”
She stiffened in surprise; then, trying to match his light, mocking tone, she said, “Viscount Mondevale proved to be a trifle high in the instep about things like his fiancé cavorting about in cottages and greenhouses with you.” She fired and missed.
“How many contenders are there this Season?” he asked conversationally as he turned to the target, pausing to wipe the gun.
She knew he meant contenders for her hand, and pride absolutely would not allow her to say there were none, nor had there been for a long time. “Well…” she said, suppressing a grimace as she thought of her stout suitor with a houseful of cherubs. Counting on the fact that he didn’t move in the inner circles of the ton, she assumed he wouldn’t know much about either suitor. He raised the gun as she said, “There’s Sir Francis Belhaven, for one.”
Instead of firing immediately as he had before, he seemed to require a long moment to adjust his aim. “Belhaven’s an old man,” he said. The gun exploded, and the twig snapped off.
When he looked at her his eyes had chilled, almost as if he thought less of her. Elizabeth told herself she was imagining that and determined to maintain their mood of light conviviality. Since it was her turn, she picked up a gun and lifted it.
“Who’s the other one?”
Relieved that he couldn’t possibly find fault with the age of her reclusive sportsman, she gave him a mildly haughty smile. “Lord John Marchman,” she said, and she fired.
Ian’s shout of laughter almost drowned out the report from the gun. “Marchman!” he said when she scowled at him and thrust the butt of the gun in his stomach. “You must be joking!”
“You spoiled my shot,” she countered.
“Take it again,” he said, looking at her with a mixture of derision, disbelief, and amusement.
“No, I can’t shoot with you laughing. And I’ll thank you to wipe that smirk off your face. Lord Marchman is a very nice man.”
“He is indeed,” said Ian with an irritating grin. “And it’s a damned good thing you like to shoot, because he sleeps with his guns and fishing poles. You’ll spend the rest of your life slogging through streams and trudging through the woods.”
“I happen to like to fish,” she informed him, striving unsuccessfully not to lose her composure. “And Sir Francis may be a trifle older than I, but an elderly husband might be more kind and tolerant than a younger one.”
“He’ll have to be tolerant,” Ian said a little shortly, turning his attention back to the guns, “or else a damned good shot.”
It angered Elizabeth that he was suddenly attacking her when she had just worked it out in her mind that they were supposed to be dealing with what had happened in a light, sophisticated fashion. “I must say, you aren’t being very mature or very consistent!
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Christina walks out, bumping me with her shoulder as she leaves. Tris lifts her eyes to mine.
“We should talk,” I say.
“Fine,” she says, and I follow her into the hallway.
We stand next to the door until everyone else leaves. Her shoulders are drawn in like she’s trying to make herself even smaller, trying to evaporate on the spot, and we stand too far apart, the entire width of the hallway between us. I try to remember the last time I kissed her and I can’t.
Finally we’re alone, and the hallway is quiet. My hands start to tingle and go numb, the way they always do when I panic.
“Do you think you’ll ever forgive me?” I say.
She shakes her head, but says, “I don’t know. I think that’s what I need to figure out.”
“You know…you know I never wanted Uriah to get hurt, right?” I look at the stitches crossing her forehead and I add, “Or you. I never wanted you to get hurt either.”
She’s tapping her foot, her body shifting with the movement. She nods. “I know that.”
“I had to do something,” I say. “I had to.”
“A lot of people got hurt,” she says. “All because you dismissed what I said, because--and this is the worst part, Tobias--because you thought I was being petty and jealous. Just some silly sixteen-year-old girl, right?” She shakes her head.
“I would never call you silly or petty,” I say sternly. “I thought your judgment was clouded, yes. But that’s all.”
“That’s enough.” Her fingers slide through her hair and wrap around it. “It’s just the same thing all over again, isn’t it? You don’t respect me as much as you say you do. When it comes down to it, you still believe I can’t think rationally--”
“That is not what’s happening!” I say hotly. “I respect you more than anyone. But right now I’m wondering what bothers you more, that I made a stupid decision or that I didn’t make your decision.”
“What’s that supposed to mean?”
“It means,” I say, “that you may have said you just wanted us to be honest with each other, but I think you really wanted me to always agree with you.”
“I can’t believe you would say that! You were wrong--”
“Yeah, I was wrong!” I’m shouting now, and I don’t know where the anger came from, except that I can feel it swirling around inside me, violent and vicious and the strongest I have felt in days. “I was wrong, I made a huge mistake! My best friend’s brother is as good as dead! And now you’re acting like a parent, punishing me for it because I didn’t do as I was told. Well, you are not my parent, Tris, and you don’t get to tell me what to do, what to choose--!”
“Stop yelling at me,” she says quietly, and she finally looks at me. I used to see all kinds of things in her eyes, love and longing and curiosity, but now all I see is anger. “Just stop.”
Her quiet voice stalls the anger inside me, and I relax into the wall behind me, shoving my hands into my pockets. I didn’t mean to yell at her. I didn’t mean to get angry at all.
I stare, shocked, as tears touch her cheeks. I haven’t seen her cry in a long time. She sniffs, and gulps, and tries to sound normal, but she doesn’t.
“I just need some time,” she says, choking on each word. “Okay?”
“Okay,” I say.
She wipes her cheeks with her palms and walks down the hallway. I watch her blond head until it disappears around the bend, and I feel bare, like there’s nothing left to protect me against pain. Her absence stings worst of all.
”
”
Veronica Roth (Allegiant (Divergent, #3))
“
Well, I saved you today, didn’t I? Just like I saved you before. You walked out of the Bastion free, without a scratch, and if any Cokyrian but me had caught you with that dagger, you might be drawn and quartered by now.”
“You didn’t save me from that butcher,” I said irritably. “But you’re right. About today, I mean.” I could sense his satisfaction, which irritated me all the more. “So accept my thanks, but stay away from me. We’re not friends, you know.”
I was nearing my neighborhood and didn’t want anyone to see me with him. He stepped in front of me, forcing me to stop.
“We’re not friends yet. But you’ve thought about it. And you just thanked me.”
“Are you delusional?”
“No. You just said thank you to the faceless Cokyrian soldier who arrested you.”
“Don’t you ever stop?” I demanded, trying in vain to move around him.
“I haven’t even started.”
“What does that mean?”
There was silence as Saadi glanced up and down the street. “I want to know where you got that dagger. Or at least what story you told.”
“Why don’t you ask Commander Narian? The two of you seemed fairly close.”
“Quit making jokes.”
“I haven’t made a single one.”
“Well?”
“It was my father’s,” I said, clinging to the lie Queen Alera had provided, whether by mistake or not.
“Oh.” This seemed to take Saadi aback.
“And now, because of you, I don’t have it anymore.” I knew I was pressing my luck, but I wanted to make him feel bad.
“I’m sorry,” he muttered, seeming sincere enough.
Thinking I had maybe, finally, succeeded in getting him to leave me alone, I stepped around him.
“Shaselle?”
I stopped again, without the slightest idea why.
“Your father--what was he like?”
The question shocked me; I also wasn’t sure I could answer it without crying. But Saadi appeared so genuinely interested that I couldn’t disregard him.
“You have no right to ask me that,” I answered out of principle. “But for your information, he was the strongest, bravest, kindest and best-humored man I ever knew. And none of it was because he took what was handed to him.”
For the second time, I attempted a dramatic departure.
“Shaselle?”
“What now?” I incredulously exclaimed.
“Do you have plans tomorrow?”
“What?”
“I have a day off duty. We could--”
“No!” I shouted. “What is this? You expect me to spend a day with you, a Cokyrian--a Cokyrian I can’t stand?”
“Yes,” he affirmed, despite my outburst.
I laughed in disbelief. “I won’t. This is ridiculous. You’re ridiculous. Enjoy your time off duty with your own kind.”
Turning, I sprinted down the street, and though he called after me yet again, I ignored him. As I neared my house, I glanced behind once or twice to assure myself he wasn’t following. He was nowhere in sight.
I reached the security of my home just in time for dinner, and just in time to cut off Mother’s growing displeasure--the first step in her progression to anger. I smiled at her, hurried to wash, and was a perfect lady throughout the meal. Afterward I retired to my room, picking a book from my shelf to occupy me until my eyes drooped. Instead of words on pages, however, I kept seeing Saadi’s face--his clear blue eyes, that irritating hair, those freckles across his nose that made me lose willpower.
What if I had offended him earlier? He had only asked to spend time with me, and I had mocked him. But he was Cokyrian. It was ludicrous for him to be pursuing my company. It was dangerous for me to be in his. And that, I suddenly realized, was part of the reason I very much wanted to be with him. Saadi aggravated me, confused me, scared me, and yet I could no longer deny that he intrigued me in a way no one else ever had.
”
”
Cayla Kluver (Sacrifice (Legacy, #3))