“
Radar threw his books into his locker and shut it. Then the din of conversation around us quieted just a bit as he turned his eyes toward the heavens and shouted, "IT IS NOT MY FAULT THAT MY PARENTS OWN THE WORLD'S LARGEST COLLECTION OF BLACK SANTAS.
”
”
John Green (Paper Towns)
“
Do you have a Wish?' he asked, referring to this organization, The Genie Foundation, which is in the business of granting sick kids one wish.
'No' I said. 'I used my Wish pre-Miracle.'
'What'd you do?'
I sighed loudly. 'I was thirteen,' I said.
'Not Disney,' he said.
I said nothing.
'You did not go to Disney World.'
I said nothing.
'HAZEL GRACE!' he shouted. 'You did not use your one dying Wish to go to Disney World with your parents.'
'Also Epcot Center,' I mumbled.
'Oh, my God,' Augustus said. 'I can't believe I had a crush on a girl with such cliché wishes.
”
”
John Green (The Fault in Our Stars)
“
It's so awful, attacking your child. It's the worse thing I know, to shout loudly at this 50 lb. being with his huge trusting brown eyes. It's like bitch-slapping E.T.
”
”
Anne Lamott (Traveling Mercies: Some Thoughts on Faith)
“
If one of them (your parents) or both of them attain old age in your life, say not "UF" to them, nor shout at them but address them in terms of honour
”
”
Anonymous (القرآن الكريم)
“
Marginalia
Sometimes the notes are ferocious,
skirmishes against the author
raging along the borders of every page
in tiny black script.
If I could just get my hands on you,
Kierkegaard, or Conor Cruise O'Brien,
they seem to say,
I would bolt the door and beat some logic into your head.
Other comments are more offhand, dismissive -
Nonsense." "Please!" "HA!!" -
that kind of thing.
I remember once looking up from my reading,
my thumb as a bookmark,
trying to imagine what the person must look like
who wrote "Don't be a ninny"
alongside a paragraph in The Life of Emily Dickinson.
Students are more modest
needing to leave only their splayed footprints
along the shore of the page.
One scrawls "Metaphor" next to a stanza of Eliot's.
Another notes the presence of "Irony"
fifty times outside the paragraphs of A Modest Proposal.
Or they are fans who cheer from the empty bleachers,
Hands cupped around their mouths.
Absolutely," they shout
to Duns Scotus and James Baldwin.
Yes." "Bull's-eye." "My man!"
Check marks, asterisks, and exclamation points
rain down along the sidelines.
And if you have managed to graduate from college
without ever having written "Man vs. Nature"
in a margin, perhaps now
is the time to take one step forward.
We have all seized the white perimeter as our own
and reached for a pen if only to show
we did not just laze in an armchair turning pages;
we pressed a thought into the wayside,
planted an impression along the verge.
Even Irish monks in their cold scriptoria
jotted along the borders of the Gospels
brief asides about the pains of copying,
a bird singing near their window,
or the sunlight that illuminated their page-
anonymous men catching a ride into the future
on a vessel more lasting than themselves.
And you have not read Joshua Reynolds,
they say, until you have read him
enwreathed with Blake's furious scribbling.
Yet the one I think of most often,
the one that dangles from me like a locket,
was written in the copy of Catcher in the Rye
I borrowed from the local library
one slow, hot summer.
I was just beginning high school then,
reading books on a davenport in my parents' living room,
and I cannot tell you
how vastly my loneliness was deepened,
how poignant and amplified the world before me seemed,
when I found on one page
A few greasy looking smears
and next to them, written in soft pencil-
by a beautiful girl, I could tell,
whom I would never meet-
Pardon the egg salad stains, but I'm in love.
”
”
Billy Collins (Picnic, Lightning)
“
Honestly, Jared, one thing at a time. Why are you in a well with me? This is a really bad rescue!" [...]
"I called the police as I was running to the well. I'm sure they're coming."
"Did they say they were coming?" Kami asked suspiciously. "Or did you shout, 'Kami's in the well!' before jumping in the well too, thus loosing your phone and making sure the police think it was some kids playing a dumb joke?"
Jared paused. [...]
"Alternate plan," Jared said. "Do you have a very intelligent collie who might communicate through a system of barks to your parents that little Kami is in the well?
”
”
Sarah Rees Brennan (Unspoken (The Lynburn Legacy, #1))
“
So it is written - but so, too, it is crossed out. You can write it over again. You can make notes in the margins. You can cut out the whole page. You can, and you must, edit and rewrite and reshape and pull out the wrong parts like bones and find just the thing and you can forever, forever, write more and more and more, thicker and longer and clearer. Living is a paragraph, constantly rewritten. It is Grown-Up Magic. Children are heartless; their parents hold them still, squirming and shouting, until a heart can get going in their little lawless wilderness. Teenagers crash their hearts into every hard and thrilling thing to see what will give and what will hold. And Grown-Ups, when they are very good, when they are very lucky, and very brave, and their wishes are sharp as scissors, when they are in the fullness of their strength, use their hearts to start their story over again.
”
”
Catherynne M. Valente (The Girl Who Soared Over Fairyland and Cut the Moon in Two (Fairyland, #3))
“
They say that people who live next to waterfalls don't hear the water. It was terrible at first. We couldn't stand to be in the house for more than a few hours at a time. The first two weeks were filled with nights of intermittent sleep and quarreling for the sake of being heard over the water. We fought so much just to remind ourselves that we were in love, and not in hate. But the next weeks were a little better. It was possible to sleep a few good hours each night and eat in only mild discomfort. [We] still cursed the water, but less frequently, and with less fury. Her attacks on me also quieted. It's your fault, she would say. You wanted to live here. Life continued, as life continues, and time passed, as time passes, and after a little more than two months: Do you hear that? I asked her one of the rare mornings we sat at the table together. Hear it? I put down my coffee and rose from my chair. You hear that thing? What thing? she asked. Exactly! I said, running outside to pump my fist at the waterfall. Exactly! We danced, throwing handfuls of water in the air, hearing nothing at all. We alternated hugs of forgiveness and shouts of human triumph at the water. Who wins the day? Who wins the day, waterfall? We do! We do! And this is what living next to a waterfall is like. Every widow wakes one morning, perhaps after years of pure and unwavering grieving, to realize she slept a good night's sleep and will be able to eat breakfast, and doesn't hear her husband's ghost all the time, but only some of the time. Her grief is replaced with a useful sadness. Every parent who loses a child finds a way to laugh again. The timbre begins to fade. The edge dulls. The hurt lessens. Every love is carved from loss. Mine was. Yours is. Your great-great-great-grandchildren's will be. But we learn to live in that love.
”
”
Jonathan Safran Foer (Everything is Illuminated)
“
Let's teach that loving isn't always loving. Like when you loved the hamster so much that it died. Some adults do that too. Too much, the wrong way. These are 'Stay away' zones on your body. These are 'Stay away' people. You don't have to obey all adults. Not even parents. Disagree respectfully. Run, if you need. Shout, if you need. Adults can be bad too.
”
”
Deborah Ainslie (All Flowers Are Not Yellow)
“
It had been June, the bright hot summer of 1937, and with the curtains thrown back the bedroom had been full of sunlight, sunlight and her and Will's children, their grandchildren, their nieces and nephews- Cecy's blue eyed boys, tall and handsome, and Gideon and Sophie's two girls- and those who were as close as family: Charlotte, white- haired and upright, and the Fairchild sons and daughters with their curling red hair like Henry's had once been.
The children had spoken fondly of the way he had always loved their mother, fiercely and devotedly, the way he had never had eyes for anyone else, and how their parents had set the model for the sort of love they hoped to find in their own lives. They spoke of his regard for books, and how he had taught them all to love them too, to respect the printed page and cherish the stories that those pages held. They spoke of the way he still cursed in Welsh when he dropped something, though he rarely used the language otherwise, and of the fact that though his prose was excellent- he had written several histories of the Shadowhunters when he's retired that had been very well respected- his poetry had always been awful, though that never stopped him from reciting it.
Their oldest child, James, had spoken laughingly about Will's unrelenting fear of ducks and his continual battle to keep them out of the pond at the family home in Yorkshire.
Their grandchildren had reminded him of the song about demon pox he had taught them- when they were much too young, Tessa had always thought- and that they had all memorized. They sang it all together and out of tune, scandalizing Sophie.
With tears running down her face, Cecily had reminded him of the moment at her wedding to Gabriel when he had delivered a beautiful speech praising the groom, at the end of which he had announced, "Dear God, I thought she was marrying Gideon. I take it all back," thus vexing not only Cecily and Gabriel but Sophie as well- and Will, though too tired to laugh, had smiled at his sister and squeezed her hand.
They had all laughed about his habit of taking Tessa on romantic "holidays" to places from Gothic novels, including the hideous moor where someone had died, a drafty castle with a ghost in it, and of course the square in Paris in which he had decided Sydney Carton had been guillotined, where Will had horrified passerby by shouting "I can see the blood on the cobblestones!" in French.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
Sometimes we whisper it quietly and other times we shout it out loud in front of a mirror. I hate how I look. I hate how my face looks my body looks I am too fat or too skinny or too tall or too wide or my legs are too stupid and my face is too smiley or my teeth are dumb and my nose is serious and my stomach is being so lame. Then we think, “I am so ungrateful. I have arms and legs and I can walk and I have strong nail beds and I am alive and I am so selfish and I have to read Man’s Search for Meaning again and call my parents and volunteer more and reduce my carbon footprint and why am I such a self-obsessed ugly asshole no wonder I hate how I look! I hate how I am!
”
”
Amy Poehler (Yes Please)
“
I'm a good girl. I'm a nice girl. I'm a straight-A, strait-laced, good daughter, good career girl, and I never stole anybody's boyfriend and I never ran out on a girlfriend, and I put up with my parents' shit and brother's shit and I'm not a girl anyhow, I'm over forty fucking years old, and I'm good at my job and I'm great with kids and I held my mother's hand when she died,after four years of holding her hand while she was dying, and I speak to my father ever day on the telephone -- every day, mind you, and what kind of weather do you have on your side of the river, because here it's pretty gray and a big muggy too? It was supposed to say "Great Artist" on my tombstone, but if I died right now it would say "Such a good teacher/daughter/friend" instead; and what I really want to shout, and want in big letters on that grave, too, is FUCK YOU ALL.
”
”
Claire Messud (The Woman Upstairs)
“
Hazel GRACE!” he shouted. “You did not use your one dying Wish to go to Disney World with your parents.”
“Also Epcot Center,” I mumbled.
“Oh, my God,” Augustus said. “I can’t believe I have a crush on a girl with such cliché wishes.
”
”
John Green
“
Gansey despised raising his voice (in his head, his mother said, People shout when they don't have the vocabulary to whisper), but he heard it happening despite himself and so, with effort, he kept his voice even. "Not like this. At least you have a place to go. 'End of the world'... What is your problem, Adam? I mean, is there something about my place that's too repugnant for you to imagine living there? Why is it that everything kind I do is pity to you? Everything is charity. Well, here it is: I'm sick of tiptoeing around your principles."
"God, I'm sick of your condescension, Gansey," Adam said. "Don't try to make me feel stupid. Who whips out repugnant? Don't pretend you're not trying to make me feel stupid."
"This is the way I talk. I'm sorry your father never taught you the meaning of repugnant. He was too busy smashing your head against the wall of your trailer while you apologized for being alive."
Both of them stopped breathing.
Gansey knew he'd gone too far. It was too far, too late, too much.
Adam shoved open the door.
"Fuck you, Gansey. Fuck you," he said, voice low and furious.
Gansey close his eyes.
Adam slammed the door, and then he slammed it again when the latch didn't catch. Gansey didn't open his eyes. He didn't want to see if people were watching some kid fight with a boy in a bright orange Camaro and an Aglionby jumper. Just then he hated his raven-breasted uniform and his loud car and every three- and four-syllable word his parents had used in casual conversation at the dinner table and he hated Adam's hideous father and Adam's permissive mother and most of all, most of all, he hated the sound of Adam's last words, playing over and over.
He couldn't stand it, all of this inside him.
In the end, he was nobody to Adam, he was nobody to Ronan. Adam spit his words back at him and Ronan squandered however many second chances he gave him. Gansey was just a guy with a lot of stuff and a hole inside him that chewed away more of his heart every year.
They were always walking away from him. But he never seemed able to walk away from them.
Gansey opened his eyes. The ambulance was still there, but Adam was gone.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
Because no matter how bad your child’s behavior, it’s a cry for help. Sometimes the behavior requires a firm limit, but it never requires us to be mean. And you can’t help your child while you’re shouting.
”
”
Laura Markham (Peaceful Parent, Happy Kids: How to Stop Yelling and Start Connecting (The Peaceful Parent Series))
“
I wanted to get up and show everyone what a fool he was, to shout at him: I'm a human being, a person - with parents and memories and a history - and I was before you wheeled me into that operating room!
”
”
Daniel Keyes (Flowers for Algernon)
“
My parents were just carried out of the building in the service elevator," he shouted at the cops. "They were vile, but they didn't deserve to be taken out with the trash!
”
”
James Patterson (Confessions of a Murder Suspect (Confessions, #1))
“
Gods pretend to be parents, but they are children, clapping their hands and shouting for more.
”
”
Madeline Miller (Circe)
“
Dauntless traitors crowded the hallway; the Erudite crowd the execution room, but there, they have made a path for me already. Silently they study me as I walk to the metal table in the center of the room. Jeanine stands a few steps away. The scratches on her face show through hastily applied makeup. She doesn’t look at me.
Four cameras dangle from the ceiling, one at each corner of the table. I sit down first, wipe my hands off on my pants, and then lie down.
The table is cold. Frigid, seeping into my skin, into my bones. Appropriate, perhaps, because that is what will happen to my body when all the life leaves it; it will become cold and heavy, heavier than I have ever been. As for the rest of me, I am not sure. Some people believe that I will go nowhere, and maybe they’re right, but maybe they’re not. Such speculations are no longer useful to me anyway.
Peter slips an electrode beneath the collar of my shirt and presses it to my chest, right over my heart. He then attaches a wire to the electrode and switches on the heart monitor. I hear my heartbeat, fast and strong. Soon, where that steady rhythm was, there will be nothing.
And then rising from within me is a single thought:
I don’t want to die.
All those times Tobias scolded me for risking my life, I never took him seriously. I believed that I wanted to be with my parents and for all of this to be over. I was sure I wanted to emulate their self-sacrifice. But no. No, no.
Burning and boiling inside me is the desire to live.
I don’t want to die I don’t want to die I don’t want to!
Jeanine steps forward with a syringe full of purple serum. Her glasses reflect the fluorescent light above us, so I can barely see her eyes.
Every part of my body chants it in unison. Live, live, live. I thought that in order to give my life in exchange for Will’s, in exchange for my parents’, that I needed to die, but I was wrong; I need to live my life in the light of their deaths. I need to live.
Jeanine holds my head steady with one hand and inserts the needle into my neck with the other.
I’m not done! I shout in my head, and not at Jeanine. I am not done here!
She presses the plunger down. Peter leans forward and looks into my eyes.
“The serum will go into effect in one minute,” he says. “Be brave, Tris.”
The words startle me, because that is exactly what Tobias said when he put me under my first simulation.
My heart begins to race.
Why would Peter tell me to be brave? Why would he offer any kind words at all?
All the muscles in my body relax at once. A heavy, liquid feeling fills my limbs. If this is death, it isn’t so bad. My eyes stay open, but my head drops to the side. I try to close my eyes, but I can’t—I can’t move.
Then the heart monitor stops beeping.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
I'm sorry I shouted.
”
”
Luke Pearson (Hilda and the Bird Parade (Hilda, #3))
“
These are our parents!” Louise shouted, the first time she’d shouted at an adult maybe ever. “They’re not a doughnut! You don’t split them in half.
”
”
Grady Hendrix (How to Sell a Haunted House)
“
Dylan's friend Linus Millberg appears out of the crowd with a cup of beer and shouts, 'Dorothy is John Lennon, the Scarecrow is Paul McCartney, the Tin Woodman is George Harrison, the Lion's Ringo.'
'Star Trek,' commands Dylan over the lousy twangy country CB's is playing between sets.
'Easy,' Linus shouts back. "Kirk's John, Spock's Paul, Bones is George, Scotty is Ringo. Or Chekov, after the first season. Doesn't matter, it's like a Scotty-Chekov-combination Ringo. Spare parts are always surplus Georges or Ringos.'
'But isn't Spock-lacks-a-heart and McCoy-lacks-a-brain like Woodman and Scarecrow? So Dorothy's Kirk?'
'You don't get it. That's just a superficial coincidence. The Beatle thing is an archetype, it's like the basic human formation. Everything naturally forms into a Beatles, people can't help it.'
'Say the types again.'
'Responsible-parent genius-parent genius-child clown-child.'
'Okay, do Star Wars.'
'Luke Paul, Han Solo John, Chewbacca George, the robots Ringo.'
'Tonight Show.'
'Uh, Johnny Carson Paul, the guest John, Ed McMahon Ringo, whatisname George.'
'Doc Severinson.'
'Yeah, right. See, everything revolves around John, even Paul. That's why John's the guest.'
'And Severinson's quiet but talented, like a Wookie.'
'You begin to understand.
”
”
Jonathan Lethem (The Fortress of Solitude)
“
You don’t get many second chances in this world. Don’t turn your back on them. You don’t get many true loves. Embrace the ones in your life and set your fears aside. You only get two parents. Forgive them. Not every business in this country will willingly hand you a paycheck. Do your work with presence. And if the stars align and the heavens deem your art acceptable enough for an audience, love every new friend and never put ads on your website.
”
”
Markus Almond (Things To Shout Out Loud At Parties)
“
Fundamentalists didn’t try to disprove science. They didn’t argue against it. They pronounced against it! It was the equivalent of a parent clinching an argument with a child by shouting: ‘because I say so’. That’s what fundamentalist religion does. It refutes not by evidence but by authority. Why is Darwin wrong? Because the Bible says so! But they did more than pontificate. They tried to ban science itself. That’s
”
”
Richard Holloway (A Little History of Religion (Little Histories))
“
Home was still hellish, afire
with the painful realization
that no matter how much I loved my parents
my love could not fix them
”
”
Laurie Halse Anderson (Shout)
“
How angry am I? You don't want to know. Nobody wants to know about that.
I'm a good girl, I'm a nice girl, I'm a straight-A, strait-laced, good daughter, good career girl, and I never stole anybody's boyfriend and I never ran out on a girlfriend, and I put up with my parents' shit and my brother's shit, and I'm not a girl anyhow, I'm over forty fucking years old, and I'm good at my job and I'm great with kids and I held my mother's hand when she died, after four years of holding her hand while she was dying, and I speak to my father every day on the telephone -- every day, mind you, and what kind of weather do you have on your side of the river, because here it's pretty gray and a bit muggy too? It was supposed to say "Great Artist" on my tombstone, but if I died right now it would say "such a good teacher/daughter/friend" instead; and what I really want to shout, and want in big letters on that grave, too, is FUCK YOU ALL.
”
”
Claire Messud (The Woman Upstairs)
“
When I was six I decided that my only chance of having a life half as exciting as Grandpa Portman’s was to become an explorer. He encouraged me by spending afternoons at my side hunched over maps of the world, plotting imaginary expeditions with trails of red pushpins and telling me about the fantastic places I would discover one day. At home I made my ambitions known by parading around with a cardboard tube held to my eye, shouting, “Land ho!” and “Prepare a landing party!” until my parents shooed me outside. I think they worried that my grandfather would infect me with some incurable dreaminess from which I’d never recover—that these fantasies were somehow inoculating me against more practical ambitions—so one day my mother sat me down and explained that I couldn’t become an explorer because everything in the world had already been discovered. I’d been born in the wrong century, and I felt cheated.
”
”
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
“
Let the children be free; encourage them; let them run outside when it is raining; let them remove their shoes when they find a puddle of water; and, when the grass of the meadows is damp with dew, let them run on it and trample it with their bare feet; let them rest peacefully when a tree invites them to sleep beneath its shade; let them shout and laugh when the sun wakes them in the morning as it wakes every living creature that divides its day between waking and sleeping.” —Dr. Maria Montessori, The Discovery of the Child
”
”
Simone Davies (The Montessori Toddler: A Parent's Guide to Raising a Curious and Responsible Human Being)
“
He screamed and shouted 'Wooeeeee!' at Guitar's list, but because his life was not unpleasant and even had a certain amount of luxury in addition to its comfort, he felt off center. He just wanted to beat a path away from his parents' past, which was also their present and which was threatening to become his present as well.
”
”
Toni Morrison (Song of Solomon)
“
Suppose time is a circle, bending back on itself. The world repeats itself, precisely, endlessly.
For the most part, people do not know they will live their lives over. Traders do not know that they will make the same bargain again. Politicians do not know they will shout from the same lectern an infinite number of times in the cycle of time. Parents treasure the first laugh from their child as if they will not hear it again. Lovers making love the first time undress shyly, show surprise at the supple thigh, the fragile nipple. How would they know that each secret glimpse, each touch will be repeated again and again and again, exactly as before?
”
”
Alan Lightman (Einstein’s Dreams)
“
Tina wondered how long it had taken Lockie to give up on his parents. How long had he shouted and screamed and hoped for rescue? Did he stop because of the beatings or did he stop because the uniform told him no one was looking for him.
”
”
Nicole Trope (The Boy Under the Table)
“
Running away from home is not a good idea. Unless, of course, you happen to be forty years old, and then your parents will probably shout, "Hurrah!" and change the locks the minute you've stepped off the front stoop. But in the case of Gwendolyn and Homer, ages fifteen and twelve, setting off in the middle of the night would only bring their parents immense heartache and worry.
”
”
Suzanne Selfors (Smells Like Dog (Smells Like Dog, 1))
“
Yes" Bazarov began, "man's a strange being. When you look at a quiet, dull life, like my good parents' life here, cursorily or from a distance, you think - what could be better? Eat, drink and know you're acting in the most correct, sensible way. But that's not how it is. Boredom descends. You want to engage with people, even if just to shout at them, but still engage with them.
”
”
Ivan Turgenev (Fathers and Sons)
“
Morgenstern settled the matter, in her customary way, by going into the kitchen and coming out with a large soup plate from her best china set. She called the couple to the dining-room table, and told them to take hold of the plate and break it on the table. They did so, looking puzzled at each other. The fragments flew all over the floor, and the parents embraced each other, shouting
”
”
Herman Wouk (Marjorie Morningstar)
“
In any just world, I should have been able to kick the front room door open, like Lord Flashheart in Blackadder, and shout “OH YEAH. THAT HYMEN’S GONE. DON’T YOU WORRY ABOUT THAT,” and then run round the room, getting high fives from my parents and siblings.
”
”
Caitlin Moran (How to Build a Girl)
“
We stood under a roadlamp, thumbing, when suddenly cars full of young kids roared by with streamers flying. 'Yaah! Yaah! we won! we won!' they all shouted. Then they yoohooed us and got great glee out of seeing a guy and a girl on the road. Dozens of such cars passed, full of young faces and 'throaty young voices,' as the saying goes. I hated every one of them. Who did they think they were, yaahing at somebody on the road just because they were little high-school punks and their parents carved the roast beef on Sunday afternoons? Who did they think they were, making fun of a girl reduced to poor circumstances with a man who wanted to belove?
”
”
Jack Kerouac (On the Road)
“
He has little hope that university, when he gets there next year, will be any different. Like right now, all these pupils taking notes as if their life depended on it. All for what? he wants to shout. To get into the top university, so that you can somehow convince yourself you are better than the great unwashed? So that your parents can convince themselves that they are better parents than the great unwashed? So that Mum and Dad’s fourteen-hour days at the office, paying for a fucking private education you never asked for, wasn’t just a pathetic waste of a life?
”
”
Tabitha Suzuma (Hurt)
“
You will encounter resentful, sneering non-readers who will look at you from their beery, leery eyes, as they might some form of sub-hominid anomaly, bookimus maximus. You will encounter redditters, youtubers, blogspotters, wordpressers, twitterers, and facebookers with wired-open eyes who will shout at from you from their crazy hectoring mouths about the liberal poison of literature. You will encounter the gamers with their twitching fingers who will look upon you as a character to lock crosshairs on and blow to smithereens. You will encounter the stoners and pill-poppers who will ignore you, and ask you if you have read Jack Keroauc’s On the Road, and if you haven’t, will lecture you for two hours on that novel and refuse to acknowledge any other books written by anyone ever. You will encounter the provincial retirees, who have spent a year reading War & Peace, who strike the attitude that completing that novel is a greater achievement than the thousands of books you have read, even though they lost themselves constantly throughout the book and hated the whole experience. You will encounter the self-obsessed students whose radical interpretations of Agnes Grey and The Idiot are the most important utterance anyone anywhere has ever made with their mouths, while ignoring the thousands of novels you have read. You will encounter the parents and siblings who take every literary reference you make back to the several books they enjoyed reading as a child, and then redirect the conversation to what TV shows they have been watching. You will encounter the teachers and lecturers, for whom any text not on their syllabus is a waste of time, and look upon you as a wayward student in need of their salvation. You will encounter the travellers and backpackers who will take pity on you for wasting your life, then tell you about the Paulo Coelho they read while hostelling across Europe en route to their spiritual pilgrimage to New Delhi. You will encounter the hard-working moaners who will tell you they are too busy working for a living to sit and read all day, and when they come home from a hard day’s toil, they don’t want to sit and read pretentious rubbish. You will encounter the voracious readers who loathe competition, and who will challenge you to a literary duel, rather than engage you in friendly conversation about your latest reading. You will encounter the slack intellectuals who will immediately ask you if you have read Finnegans Wake, and when you say you have, will ask if you if you understood every line, and when you say of course not, will make some point that generally alludes to you being a halfwit. Fuck those fuckers.
”
”
M.J. Nicholls (The 1002nd Book to Read Before You Die)
“
Elaine Oliver is one of those people who thinks she needs to yell into a cell phone and cannot imagine anyone else might hear her conversation. 'I'm stiff from that yoga class Juana made me go to!' she was shouting, presumably to Dad. 'I did something to my groin area. ... Sure, you can massage it later.
”
”
E. Lockhart (The Treasure Map of Boys: Noel, Jackson, Finn, Hutch, Gideon—and me, Ruby Oliver (Ruby Oliver, #3))
“
Why didn't you go with your parents?" I shouted at Michael.
"Because I knew they were all right!" he shouted back, fixing his eyes on me. "I wasn't so sure about you! I couldn't call on you after your arrest. All I could do was vouch for you."
I blinked. "You vouched for me?" New Victorians charged with crimes could get out of paying bail or remaining imprisoned if they had someone powerful and aristocratic enough to speak on their behalf.
"Yes! Didn't you parents tell you? I met them at the courthouse the day your counsel summoned them."
I shook my head, and committed a note to memory: If parents survive, kill them.
”
”
Lia Habel (Dearly, Departed (Gone With the Respiration, #1))
“
It felt strange to call them directly, to hear her father’s “Hello?” after the second ring, and when he heard her voice, he raised his, almost shouting, as he always did with international calls. Her mother liked to take the phone out to the verandah, to make sure the neighbors overheard: “Ifem, how is the weather in America?
”
”
Chimamanda Ngozi Adichie (Americanah)
“
Harry had been picturing his parents’ deaths over and over again for three years now, ever since he’d found out they had been murdered, ever since he’d found out what had happened that night: Wormtail had betrayed his parents’ whereabouts to Voldemort, who had come to find them at their cottage. How Voldemort had killed Harry’s father first. How James Potter had tried to hold him off, while he shouted at his wife to take Harry and run … Voldemort had advanced on Lily Potter, told her to move aside so that he could kill Harry … how she had begged him to kill her instead, refused to stop shielding her son … and so Voldemort had murdered her too, before turning his wand on Harry.
”
”
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
“
He’d pissed the bed. It was awful. I couldn’t even look, really. I just shouted for his parents and they came down, and I went upstairs while they cleaned him up. When
”
”
John Green (The Fault in Our Stars)
“
Gods pretend to be parents,..but they are children, clapping their hands and shouting for more.
”
”
Madeline Miller (Circe)
“
Gods pretend to be parents,” I said, “but they are children, clapping their hands and shouting for more.
”
”
Madeline Miller (Circe)
“
Hassan said, "I'm a Kuwaiti exchange student; my dad's an oil baron."
Colin shook his head, "Too obvious. I'm a Spaniard. A refugee. My parents were murdered by Basque separatists."
"I don't know if Basque is a thing or a person and neither will they, so no. Okay, I just got to America from Honduras. My name is Miguel. My parents made a fortune in bananas, and you are my bodyguard, because the banana workers' union wants me dead."
Colin shot back, "That's good, but you don't speak Spanish. Okay, I was abducted by Eskimos in the Yukon Terr-no, that's crap. We're cousins from France visiting the United States for the first time. It's out high school graduation trip."
"That's boring, but we're out of time. I'm the English speaker?" asked Hassan. "Yeah, fine."
"Okay, they're coming," said Hassan. "What's your name?"
"Pierre."
"Okay. I'm Salinger, pronounced SalinZHAY."
........
"He has Tourette's?" asked Katrina.
"MERDE!" (Shit) shouted Colin.
"Yes," said Hassan excitedly. "same word both language, like hemorrhoid. That one we learned yesterday because Pierre had the fire in his bottom. He has Toorettes. And the hemorrhoid. But, is good boy.
"Ne dis pas que j'ai des hemorroides! Je n'ai pas d'hemorroide," (Don't say I have hemorrhoids! I don't have hemorrhoids.) Colin shouted, at once trying to continue the game and get Hassan on to a different topic.
Hassan looked at Colin, nodded knowingly, and then told Katrina, "He just said that your face, it is beautiful like the hemorrhoid.
”
”
John Green (An Abundance of Katherines)
“
Fear of the Dark I’ve always been prone to worry and anxiety, but after I became a mother, negotiating joy, gratitude, and scarcity felt like a full-time job. For years, my fear of something terrible happening to my children actually prevented me from fully embracing joy and gratitude. Every time I came too close to softening into sheer joyfulness about my children and how much I love them, I’d picture something terrible happening; I’d picture losing everything in a flash. At first I thought I was crazy. Was I the only person in the world who did this? As my therapist and I started working on it, I realized that “my too good to be true” was totally related to fear, scarcity, and vulnerability. Knowing that those are pretty universal emotions, I gathered up the courage to talk about my experiences with a group of five hundred parents who had come to one of my parenting lectures. I gave an example of standing over my daughter watching her sleep, feeling totally engulfed in gratitude, then being ripped out of that joy and gratitude by images of something bad happening to her. You could have heard a pin drop. I thought, Oh, God. I’m crazy and now they’re all sitting there like, “She’s a nut. How do we get out of here?” Then all of the sudden I heard the sound of a woman toward the back starting to cry. Not sniffle cry, but sob cry. That sound was followed by someone from the front shouting out, “Oh my God! Why do we do that? What does it mean?” The auditorium erupted in some kind of crazy parent revival. As I had suspected, I was not alone.
”
”
Brené Brown (The Gifts of Imperfection)
“
KID: [Whispering, pointing at Avery.] Mom, why is that girl here alone? MOM: I’m sure her parents are nearby. Don’t worry about it. KID: [Shouting, as I turned to walk Avery to the stacks.] ARE YOU AN ORPHAN?
”
”
Gina Sheridan (I Work at a Public Library: A Collection of Crazy Stories from the Stacks)
“
But how can an ordinary girl not know this? Had Varana's mother not bothered to teach her anything at all or just shouted complaints from a distance while her children fought and argued amongst themselves like wolf cubs?
”
”
Ruth Downie (Semper Fidelis (Gaius Petreius Ruso, #5))
“
An old woman with snow-white hair was holding a one-year-old child in her arms and singing to it and tickling it. The child was cooing with delight. The parents were looking on with tears in their eyes. The father was holding the hand of a boy about 10 years old and speaking to him softly; the boy was fighting his tears. The father pointed to the sky, stroked his head and seemed to explain something to him. At that moment the S.S. man at the pit shouted something to his comrade. The latter counted off about twenty persons and instructed them to go behind the earth mound… I well remember a girl, slim and with black hair, who, as she passed close to me, pointed to herself and said: “twenty-three years old.” I walked around the mound and found myself confronted by a tremendous grave. People were closely wedged together and lying on top of each other so that only their heads were visible. Nearly all had blood running over their shoulders from their heads. Some of the people were still moving. Some were lifting their arms and turning their heads to show that they were still alive. The pit was already two-thirds full. I estimated that it contained about a thousand people. I looked for the man who did the shooting. He was an S.S. man, who sat at the edge of the narrow end of the pit, his feet dangling into the pit. He had a tommy gun on his knees and was smoking a cigarette.
”
”
William L. Shirer (The Rise and Fall of the Third Reich: A History of Nazi Germany)
“
The man who wields the blood-clotted cowskin during the week fills the pulpit on Sunday, and claims to be a minister of the meek and lowly Jesus. The man who robs me of my earnings at the end of each week meets me as a class- leader on Sunday morning, to show me the way of life, and the path of salvation. He who sells my sister, for purposes of prostitution, stands forth as the pious advocate of purity. He who proclaims it a religious duty to read the Bible denies me the right of learning to read the name of the God who made me. He who is the religious advocate of marriage robs whole millions of its sacred influence, and leaves them to the ravages of wholesale pollution. The warm defender of the sacredness of the family relation is the same that scatters whole families,— sundering husbands and wives, parents and children, sisters and brothers,—leaving the hut vacant, and the hearth desolate. We see the thief preaching against theft, and the adulterer against adultery. We have men sold to build churches, women sold to support the gospel, and babes sold to purchase Bibles for the poor heathen! all for the glory of God and the good of souls! The slave auctioneer’s bell and the church-going bell chime in with each other, and the bitter cries of the heart-broken slave are drowned in the religious shouts of his pious master. Revivals of religion and revivals in the slave-trade go hand in hand together. The slave prison and the church stand near each other. The clanking of fetters and the rattling of chains in the prison, and the pious psalm and solemn prayer in the church, may be heard at the same time. The dealers in the bodies and souls of men erect their stand in the presence of the pulpit, and they mutually help each other. The dealer gives his blood-stained gold to support the pulpit, and the pulpit, in return, covers his infernal business with the garb of Christianity. Here we have religion and robbery the allies of each other—devils dressed in angels’ robes, and hell presenting the semblance of paradise.
”
”
Frederick Douglass (Narrative of the Life of Frederick Douglass)
“
His parents survived the Holocaust. He understand us," she told Bedros.
"He understand nothing," Bedros had shouted. "He shares his horror with the world, and the world gasps and apologizes. And what about us?" Bedros was right. The Armenians bore their loss alone.
”
”
Aline Ohanesian
“
I'm not out to make anyone else sad.
I can still smile when it's required, laugh when something is funny. I will still accept a hug and sometimes even give one. I'm not turning up to weddings crowing that most marriages end in divorce, lurking in maternity wards to tell new parents that they're certain to fuck up their child in some way. I've never interrupted a sporting event by shouting, "There are no winners because we all die!" I'm not totally dead inside. I can still get it up when I want to. I just don't want to, most of the time.
”
”
Lucie Britsch (Sad Janet)
“
FOR THE VOICELESS by El Niño Salvaje I speak for the ones who cannot speak, for the voiceless. I raise my voice and wave my arms and shout for the ones you do not see, perhaps cannot see, for the invisible. For the poor, the powerless, the disenfranchised; for the victims of this so-called “war on drugs,” for the eighty thousand murdered by the narcos, by the police, by the military, by the government, by the purchasers of drugs and the sellers of guns, by the investors in gleaming towers who have parlayed their “new money” into hotels, resorts, shopping malls, and suburban developments. I speak for the tortured, burned, and flayed by the narcos, beaten and raped by the soldiers, electrocuted and half-drowned by the police. I speak for the orphans, twenty thousand of them, for the children who have lost both or one parent, whose lives will never be the same. I speak for the dead children, shot in crossfires, murdered alongside their parents, ripped from their mothers’ wombs. I speak for the people enslaved, forced to labor on the narcos’ ranches, forced to fight. I speak for the mass of others ground down by an economic system that cares more for profit than for people. I speak for the people who tried to tell the truth, who tried to tell the story, who tried to show you what you have been doing and what you have done. But you silenced them and blinded them so that they could not tell you, could not show you. I speak for them, but I speak to you—the rich, the powerful, the politicians, the comandantes, the generals. I speak to Los Pinos and the Chamber of Deputies, I speak to the White House and Congress, I speak to AFI and the DEA, I speak to the bankers, and the ranchers and the oil barons and the capitalists and the narco drug lords and I say— You are the same. You are all the cartel. And you are guilty. You are guilty of murder, you are guilty of torture, you are guilty of rape, of kidnapping, of slavery, of oppression, but mostly I say that you are guilty of indifference. You do not see the people that you grind under your heel. You do not see their pain, you do not hear their cries, they are voiceless and invisible to you and they are the victims of this war that you perpetuate to keep yourselves above them. This is not a war on drugs. This is a war on the poor. This is a war on the poor and the powerless, the voiceless and the invisible, that you would just as soon be swept from your streets like the trash that blows around your ankles and soils your shoes. Congratulations. You’ve done it. You’ve performed a cleansing. A limpieza. The country is safe now for your shopping malls and suburban tracts, the invisible are safely out of sight, the voiceless silent as they should be. I speak these last words, and now you will kill me for it. I only ask that you bury me in the fosa común—the common grave—with the faceless and the nameless, without a headstone. I would rather be with them than you. And I am voiceless now, and invisible.
”
”
Don Winslow (The Cartel (Power of the Dog #2))
“
Pendennis, sir," he said, "your idleness is incorrigible and your stupidity beyond example. You are a disgrace to your school, and to your family, and I have no doubt will prove so in after-life to your country. If that vice, sir, which is described to us as the root of all evil, be really what moralists have represented (and I have no doubt of the correctness of their opinion), for what a prodigious quantity of future crime and wickedness are you, unhappy boy, laying the seed! Miserable trifler! A boy who construes de and, instead of de but, at sixteen years of age is guilty not merely of folly, and ignorance, and dulness inconceivable, but of crime, of deadly crime, of filial ingratitude, which I tremble to contemplate. A boy, sir, who does not learn his Greek play cheats the parent who spends money for his education. A boy who cheats his parent is not very far from robbing or forging upon his neighbour. A man who forges on his neighbour pays the penalty of his crime at the gallows. And it is not such a one that I pity (for he will be deservedly cut off), but his maddened and heart-broken parents, who are driven to a premature grave by his crimes, or, if they live, drag on a wretched and dishonoured old age. Go on, sir, and I warn you that the very next mistake that you make shall subject you to the punishment of the rod. Who's that laughing? What ill-conditioned boy is there that dares to laugh?" shouted the Doctor.
”
”
William Makepeace Thackeray (The History of Pendennis)
“
NOW!” Ronan shouted as Wolf zipped past his parents and Santa. He caught the little boy at the end of Santa’s red carpet. “Did you get it?” he asked the photographer. “I did,” the man laughed. “It’s the best picture I’ve taken all day! He looks like Roadrunner dashing away from the coyote.
”
”
Pandora Pine (Ghost of Christmas Past (Haunted Souls #11))
“
Without screaming or weeping these people undressed, stood around in family groups, kissed each other, said farewells and waited for a sign from another S.S. man, who stood near the pit, also with a whip in his hand. During the fifteen minutes that I stood near the pit I heard no complaint or plea for mercy… An old woman with snow-white hair was holding a one-year-old child in her arms and singing to it and tickling it. The child was cooing with delight. The parents were looking on with tears in their eyes. The father was holding the hand of a boy about 10 years old and speaking to him softly; the boy was fighting his tears. The father pointed to the sky, stroked his head and seemed to explain something to him. At that moment the S.S. man at the pit shouted something to his comrade. The latter counted off about twenty persons and instructed them to go behind the earth mound… I well remember a girl, slim and with black hair, who, as she passed close to me, pointed to herself and said: “twenty-three years old.” I walked around the mound and found myself confronted by a tremendous grave. People were closely wedged together and lying on top of each other so that only their heads were visible. Nearly all had blood running over their shoulders from their heads. Some of the people were still moving. Some were lifting their arms and turning their heads to show that they were still alive. The pit was already two-thirds full. I estimated that it contained about a thousand people. I looked for the man who did the shooting. He was an S.S. man, who sat at the edge of the narrow end of the pit, his feet dangling into the pit. He had a tommy gun on his knees and was smoking a cigarette. The people, completely naked, went down some steps and clambered over the heads of the people lying there to the place to which the S.S. man directed them. They lay down in front of the dead or wounded people; some caressed those who were still alive and spoke to them in a low voice. Then I heard a series of shots. I looked into the pit and saw that the bodies were twitching or the heads lying already motionless on top of the bodies that lay beneath them. Blood was running from their necks. The next batch was approaching already. They went down into the pit, lined themselves up against the previous victims and were shot. And so it went, batch after batch. The next morning the German engineer returned to the site. I saw about thirty naked people lying near the pit. Some of them were still alive… Later the Jews still alive were ordered to throw the corpses into the pit. Then they themselves had to lie down in this to be shot in the neck… I swear before God that this is the absolute truth.47
”
”
William L. Shirer (The Rise and Fall of the Third Reich: A History of Nazi Germany)
“
Across from me at the kitchen table, my mother smiles over red wine that she drinks out of a measuring glass.
She says she doesn’t deprive herself,
but I’ve learned to find nuance in every movement of her fork.
In every crinkle in her brow as she offers me the uneaten pieces on her plate.
I’ve realized she only eats dinner when I suggest it.
I wonder what she does when I’m not there to do so.
Maybe this is why my house feels bigger each time I return; it’s proportional.
As she shrinks the space around her seems increasingly vast.
She wanes while my father waxes. His stomach has grown round with wine, late nights, oysters, poetry. A new girlfriend who was overweight as a teenager, but my dad reports that now she’s “crazy about fruit."
It was the same with his parents;
as my grandmother became frail and angular her husband swelled to red round cheeks, rotund stomach
and I wonder if my lineage is one of women shrinking
making space for the entrance of men into their lives
not knowing how to fill it back up once they leave.
I have been taught accommodation.
My brother never thinks before he speaks.
I have been taught to filter.
“How can anyone have a relationship to food?" He asks, laughing, as I eat the black bean soup I chose for its lack of carbs.
I want to tell say: we come from difference, Jonas,
you have been taught to grow out
I have been taught to grow in
you learned from our father how to emit, how to produce, to roll each thought off your tongue with confidence, you used to lose your voice every other week from shouting so much
I learned to absorb
I took lessons from our mother in creating space around myself
I learned to read the knots in her forehead while the guys went out for oysters
and I never meant to replicate her, but
spend enough time sitting across from someone and you pick up their habits
that’s why women in my family have been shrinking for decades.
We all learned it from each other, the way each generation taught the next how to knit
weaving silence in between the threads
which I can still feel as I walk through this ever-growing house,
skin itching,
picking up all the habits my mother has unwittingly dropped like bits of crumpled paper from her pocket on her countless trips from bedroom to kitchen to bedroom again,
Nights I hear her creep down to eat plain yogurt in the dark, a fugitive stealing calories to which she does not feel entitled.
Deciding how many bites is too many
How much space she deserves to occupy.
Watching the struggle I either mimic or hate her,
And I don’t want to do either anymore
but the burden of this house has followed me across the country
I asked five questions in genetics class today and all of them started with the word “sorry".
I don’t know the requirements for the sociology major because I spent the entire meeting deciding whether or not I could have another piece of pizza
a circular obsession I never wanted but
inheritance is accidental
still staring at me with wine-stained lips from across the kitchen table.
”
”
Lily Myers
“
You think you know what a man is? You have no idea what a man is. You think you know what a daughter is? You have no idea what a daughter is. You think you know what this country is? You have no idea what this country is. You have a false image of everything. All you know is what a fucking glove is. This country is frightening. Of course she was raped. What kind of company do you think she was keeping? Of course out there she was going to get raped. This isn't Old Rimrock, old buddy - she's out there, old buddy, in the USA. She enters that world, that loopy world out there, with whats going on out there - what do you expect? A kid from Rimrock, NJ, of course she didn't know how to behave out there, of course the shit hits the fan. What could she know? She's like a wild child out there in the world. She can't get enough of it - she's still acting up. A room off McCarter Highway. And why not? Who wouldn't? You prepare her for life milking the cows? For what kind of life? Unnatural, all artificial, all of it. Those assumptions you live with. You're still in your olf man's dream-world, Seymour, still up there with Lou Levov in glove heaven. A household tyrannized by gloves, bludgeoned by gloves, the only thing in life - ladies' gloves! Does he still tell the one about the woman who sells the gloves washing her hands in a sink between each color? Oh where oh where is that outmoded America, that decorous America where a woman had twenty-five pairs of gloves? Your kid blows your norms to kingdom come, Seymour, and you still think you know what life is?" Life is just a short period of time in which we are alive. Meredith Levov, 1964. "You wanted Ms. America? Well, you've got her, with a vengeance - she's your daughter! You wanted to be a real American jock, a real American marine, a real American hotshot with a beautiful Gentile babe on your arm? You longed to belong like everybody else to the United States of America? Well, you do now, big boy, thanks to your daughter. The reality of this place is right up in your kisser now. With the help of your daughter you're as deep in the sit as a man can get, the real American crazy shit. America amok! America amuck! Goddamn it, Seymour, goddamn you, if you were a father who loved his daughter," thunders Jerry into the phone - and the hell with the convalescent patients waiting in the corridor for him to check out their new valves and new arteries, to tell how grateful they are to him for their new lease on life, Jerry shouts away, shouts all he wants if it's shouting he wants to do, and the hell with the rules of hte hospital. He is one of the surgeons who shouts; if you disagree with him he shouts, if you cross him he shouts, if you just stand there and do nothing he shouts. He does not do what hospitals tell him to do or fathers expect him to do or wives want him to do, he does what he wants to do, does as he pleases, tells people just who and what he is every minute of the day so that nothing about him is a secret, not his opinions, his frustrations, his urges, neither his appetite nor his hatred. In the sphere of the will, he is unequivocating, uncompromising; he is king. He does not spend time regretting what he has or has not done or justifying to others how loathsome he can be. The message is simple: You will take me as I come - there is no choice. He cannot endure swallowing anything. He just lets loose. And these are two brothers, the same parents' sons, one for whom the aggression's been bred out, the other for whom the aggression's been bred in. "If you were a father who loved your daughter," Jerry shouts at the Swede, "you would never have left her in that room! You would have never let her out of your sight!
”
”
Philip Roth (American Pastoral)
“
Twas the night before Christmas, and all
through the base
Only sentries were stirring--they guarded the place.
At the foot of each bunk sat a helmet and boot
For the Santa of Soldiers to fill up with loot.
The soldiers were sleeping and snoring away
As they dreamed of “back home” on
good Christmas Day.
One snoozed with his rifle--he seemed so content.
I slept with the letters my family had sent.
When outside the tent there arose such a clatter.
I sprang from my rack to see what was the matter.
Away to the window I flew like a flash.
Poked out my head, and yelled, “What was that crash?”
When what to my thrill and relief should appear,
But one of our Blackhawks to give the all clear.
More rattles and rumbles! I heard a deep whine!
Then up drove eight Humvees, a jeep close behind…
Each vehicle painted a bright Christmas green.
With more lights and gold tinsel than I’d ever seen.
The convoy commander leaped down and he paused.
I knew then and there it was Sergeant McClaus!
More rapid than rockets, his drivers they came
When he whistled, and shouted, and called
them by name:
“Now, Cohen! Mendoza! Woslowski! McCord!
Now, Li! Watts! Donetti! And Specialist Ford!”
“Go fill up my sea bags with gifts large and small!
Now dash away! Dash away! Dash away, all!”
In the blink of an eye, to their trucks the troops darted.
As I drew in my head and was turning around,
Through the tent flap the sergeant came in with a bound.
He was dressed all in camo and looked quite a sight
With a Santa had added for this special night.
His eyes--sharp as lasers! He stood six feet six.
His nose was quite crooked, his jaw hard as bricks!
A stub of cigar he held clamped in his teeth.
And the smoke, it encircled his head like a wreath.
A young driver walked in with a seabag in tow.
McClaus took the bag, told the driver to go.
Then the sarge went to work. And his mission today?
Bring Christmas from home to the troops far away!
Tasty gifts from old friends in the helmets he laid.
There were candies, and cookies, and cakes, all homemade.
Many parents sent phone cards so soldiers could hear
Treasured voices and laughter of those they held dear.
Loving husbands and wives had mailed photos galore
Of weddings and birthdays and first steps and more.
And for each soldier’s boot, like a warm, happy hug,
There was art from the children at home sweet and snug.
As he finished the job--did I see a twinkle?
Was that a small smile or instead just a wrinkle?
To the top of his brow he raised up his hand
And gave a salute that made me feel grand.
I gasped in surprise when, his face all aglow,
He gave a huge grin and a big HO! HO! HO!
HO! HO! HO! from the barracks and then from the base.
HO! HO! HO! as the convoy sped up into space.
As the camp radar lost him, I heard this faint call:
“HAPPY CHRISTMAS, BRAVE SOLDIERS!
MAY PEACE COME TO ALL!
”
”
Trish Holland (The Soldiers' Night Before Christmas (Big Little Golden Book))
“
I was helping Avery, a six-year-old library regular, at the children’s reference desk when I overheard the next kid in line talking to his mother. KID: [Whispering, pointing at Avery.] Mom, why is that girl here alone? MOM: I’m sure her parents are nearby. Don’t worry about it. KID: [Shouting, as I turned to walk Avery to the stacks.] ARE YOU AN ORPHAN?
”
”
Gina Sheridan (I Work at a Public Library: A Collection of Crazy Stories from the Stacks)
“
For a long time, Ben had sensed that something was wrong. He had not heard his parents scream or shout at one another for days. He seldom even heard them argue. Instead they would just quit talking to each other until the whole house filled with a deep and disturbing quiet. Those silences gradually became longer and much more frequent. His father seemed to be gone more and more.
”
”
Gregg Lewis (Gifted Hands, Kids Edition: The Ben Carson Story (ZonderKidz Biography))
“
Before we returned to Harvard, I convinced my parents to take a detour to Niagara Falls. The mood in the car was heavy, and at first I regretted having suggested the diversion, but the moment Dad saw the falls he was transformed, elated. I had a camera. Dad had always hated cameras but when he saw mine his eyes shone with excitement. “Tara! Tara!” he shouted, running ahead of me and Mother. “Get yourself a picture of this angle. Ain’t that pretty!” It was as if he realized we were making a memory, something beautiful we might need later. Or perhaps I’m projecting, because that was how I felt. There are some photos from today that might help me forget the grove, I wrote in my journal. There’s a picture of me and Dad happy, together. Proof that’s possible.
”
”
Tara Westover (Educated)
“
Ladies and gents, we’re almost there!” I call out to the crew. Hearty shouts go up in response.
“Begging your pardon, Captain,” Enwen says, inching closer to me, “but are we sure going ashore is the best idea? The island could be haunted.”
“Sirens roam these waters, Enwen, and you’re worried about ghosts?” I ask.
“Ghosts, ghouls, banshees, wraiths—”
“Don’t exist,” Kearan cuts in from where he steers at the helm.
“Do so.”
“Have you ever seen one?”
“No, but there are stories.”
“Stories parents tell their children to make them behave,” Kearan says. “Nothing more. They’re not real.”
“You said sirens weren’t real once. And now look at our captain!” Enwen looks to me. “Meaning no offense, Captain. You’re all right.”
“Thanks, Enwen.”
“You happened to be right one time,” Kearan says. “That does not make the rest of your superstitions real.”
“Why’s that?”
“Because—” Kearan cuts himself off. “How am I having this conversation? Enwen, go blather to someone who wants to listen.”
“You like listening to me.”
“I really don’t.”
“Stop it,” I say to the two of them. “We’re going ashore. End of discussion. Niridia! Get everyone on the deck.
”
”
Tricia Levenseller (Daughter of the Siren Queen (Daughter of the Pirate King, #2))
“
She needed this wedding—this perfect, minutely orchestrated wedding—to shout, This is who I am. To tell us all that she was not that girl who’d tried to kill herself freshman year, the girl who developed an unhealthy obsession with her poetry professor junior year, the girl who had baffled psychiatrists and mystified her parents, for she had once been so perfect, so good, so obedient.
”
”
Joanna Rakoff (My Salinger Year: A Memoir)
“
To this day, I am embarrassed to admit that I still deeply struggle with get-yo-ass-up syndrome. At least back then, my dad was still down to be my human alarm clock. When all other tactics failed to get the job done- tickling me, pulling the covers off of my virtually comatose body, shouting- my dad made up a wake-up song that he sang to me nearly every morning for sixteen years: "Lainey Flainey, give me your answer true. I'm half crazy over the likes of you." He'd saunter into my room and sit on the edge of my bed, tap, tap, tapping my tiny body to the beat until I finally woke up. Looking back, it was the most loving, patient act of parenting in the universe. Of course, at the time, it was simply annoying as hell. "And we're off like a herd of turtles!" he'd say. Every. Single. Day.
”
”
Elaine Welteroth (More Than Enough: Claiming Space for Who You Are (No Matter What They Say))
“
Carter: "Dude, I don't know why it works, it just does. [...] Just pretend you're not into 'em and then ask a question. What's the worst that could happen?"
EJ makes eye contact with the smallest one, off to the side. [...]
She looks up at EJ and gives him the nicest smile. He pulls the trigger and yells, "You think you're hot stuff, don't you?"
What the...? Where are you going with this?
"Excuse me?" she replies, kind of sweetly.
EJ asks, "You think you're cool, don't you? Where did you get that shirt, the Salvation Army? What the hell is with your hair?
My eyes are as big as basketballs as he fires one mean-ass question after another at her.
"You don't have a boyfriend, do you?" he continues.
It's like he's armed with self-esteem killer.
"Did your parents have any kids that lived?" EJ asks.
The girls starts to buckle, and tears are on the way.
"Are these your friends, or are they like, counselors here to observe you?" EJ shouts. [...]
He asks, "Does your grandma know you borrowed her shoes?" as I drag him away. The girl is crying pretty hard, and her friends are trying to console her. [...]
"Man, that didn't do very well. What do you think I did wrong?" EJ asks.
"Are you serious?" I ask
"I was just doing what you told me to," he replies.
"I-I-I told you to go up to that girl and start abusing her?" I ask.
"You said to ask her questions and pretend I didn't like her!" he yells back.
"Pretend YOU'RE NOT INTO HER!" I clarify. "Not that you hate her and wish she would die! Good God, that girl thought she was gonna get a boyfriend when you walked up, not years of therapy."
"Do you think I still have a shot?" he asks
"NO, I don't!" I bark
”
”
Brent Crawford (Carter Finally Gets It (Carter Finally Gets It, #1))
“
So it is written-but so, too, it is crossed out. You can write over it again. You can make notes in the margins. You can cut out the whole page. You can, and you must, edit and rewrite and reshape and pull out the wrong parts like bones and find just the thing and you can forever, forever, write more and more and more, thicker and longer and clearer. Living is a paragraph, constantly rewritten. It is Grown-Up Magic. Children are heartless; their parents hold them still, squirming and shouting, until a heart can get going in their little lawless wilderness. Teenagers crash their hearts into every hard and thrilling thing to see what will give and what will hold. And Grown-Ups, when they are very good, when they are very luck, and very brave, and their wishes are sharp as scissors, when they are in the fullness of their strength, use their hearts to start their story over again.
”
”
Catherynne M. Valente (The Girl Who Soared Over Fairyland and Cut the Moon in Two (Fairyland, #3))
“
They were the kind of parents that hid any bad shit. They didn’t yell at each other in front of us. They didn’t even shout at each other in their room when we were in bed, or at least if they did, we didn’t hear it. He was, Dad was, fuck, I was a little kid and I knew he was into her. Always kissin’ her, her mouth, cheek, neck, shoulder. Touchin’ her ass, her waist. They walked, he had his hand on her back or his arm around her or he held her hand. She walked through the livin’ room, he’d grab her and pull her into his lap. They laughed a lot. Gave each other looks a lot. We’d go to bed, they weren’t camped in front of the TV, but sittin’ at the bar in the kitchen, sittin’ close, talkin’. Not about heavy shit, air wasn’t like that around them. Not ever, that I can remember. They just got off on talkin’ to each other. It was fuckin’ cool. I loved that shit. Made the house feel safe.
”
”
Kristen Ashley (Own the Wind (Chaos, #1))
“
Dave Rich, an official of the Community Security Trust, a Jewish organization that monitors anti-Semitism in the United Kingdom, wrote recently: “Those British Muslims who verbally abuse British Jews on the street are more likely to shout ‘Heil Hitler’ than ‘Allahu akbar’ when they do so. This is despite the fact that their parents and grandparents were probably chased through the very same streets by gangs of neo-Nazi skinheads shouting similar slogans.
”
”
Anonymous
“
When she was younger, Ellie used to believe that her invisibility was a metaphor for something else, assuming it was her awkwardness, her fear of saying or doing the wrong thing. She had thought as she grew older, more confident, wiser, she would outgrow this not being noticed. But lately, Ellie really felt like a ghost. She would be in a place, but not really there. People looked through her, past her. Her invisibility had taken on a life of its own. It wasn't a metaphor anymore, or a defense mechanism or eccentric little tic. She was actually invisible. At least, that was how it felt to her.
Ellie wondered whether her parents were to blame. They were, after all, children of the sixties who had met at a love-in or lie-down or something of that sort, about which Ellie knew little except that a lot of drugs had been involved. Could Ellie's lack of physical presence be a genetic mutation caused by acid or mushrooms? Ellie grew up on their hippie commune among the highest, densest redwoods, where they dug their hands deep into the soil and grew their own food, made their own clothes. So perhaps it is there that the mystery is solved. Ellie indeed was a child of the earth, a baby of beiges and taupes and browns and muted greens. Nature doesn't scream and shout, demanding constant attention, and neither did Ellie. Maybe her invisibility was just her blending right in.
”
”
Amy S. Foster (When Autumn Leaves)
“
I don't know why I resented it so intensely to have them think of me as something newly minted in their private treasury, but it was-I am certain-echoes of that idea that had been sounding in the chambers of my mind from the time we had arrived in Chicago. I wanted to get up and show everyone what a fool he was, to shout at him: I'm a human being, a person - with parents and memories and a history - and I was before you ever wheeled me into that operating room!
”
”
Daniel Keyes
“
Cassie, if I do treatment, I’m most likely going to be too sick to want to do any of those things. It may only prolong my life for a short time. And leaving my parents with an enormous amount of debt because of medical bills is not what I want. How can I do that to them?”
“They love you, Xuan. There’s no price tag on your life.”
“What would you do if you were me?”
“I would fight!” I shouted.
“I’ve been trying to accept my fate, and I think you need to as well.
”
”
Kayla Cunningham (Fated to Love You (Chasing the Comet Book 1))
“
Addie Moore had a grandson named Jamie who was just turning six. In the early summer the trouble between his parents got worse. There were bad arguments in the kitchen and bedroom, accusations and recriminations, her tears and his shouts. They finally separated on a trial basis and she went off to California to stay with a friend, leaving Jamie with his father. He called Addie and told her what happened, that his wife had quit her job as a hairdresser and had gone out to the West Coast.
”
”
Kent Haruf (Our Souls at Night)
“
I was just about to get up when Dad rushed into the kitchen. He was in pajamas, which was totally bizarre. Dad never came down to breakfast until he was completely dressed. Of course, his pajamas even had a little pocket and handkerchief, so maybe he felt dressed.
He had a sheet of paper in his hands and was staring at it, his eyes wide.
“James,” Aislinn acknowledged. “You’re up kind of late this morning. Is Grace sleeping in, too?”
Dad glanced up, and I could swear he blushed. :”Hmm? Oh. Yes. Well. In any case. Um…to the point at hand.”
“Leave Dad alone,” I told Aislinn. “His Britishness is short-circuiting.” Instead of being grossed out, I was weirdly happy at the thought of my parents being all…whatever (okay, I was a little grossed out). In fact, their apparent reconciliation was maybe the one good thing to come out of this whole mess. Well, that and saving the world, obviously.
Dad shook his head and held out the papers. “I didn’t come down here to discuss my personal…relations. I came here because this arrived from the Council this morning.
I sat back in my chair. “The Council? Like, the Council Council? But they don’t even exist anymore. Maybe you’re wrong. Maybe it’s the Council For What Breakfast Cereals You Should-“
“Sophia,” Dad said, stopping me with a look.
“Sorry. Freaked out.”
He gave a little smile. “I know that, darling. And to be perfectly honest, perhaps you should be.”
He handed the papers to me, and I saw it was some kind of official letter. It was addressed to Dad, but I saw my name in the first paragraph. I laid it on the table so no one would see my hands shake. “Did this come by owl?” I muttered. “Please tell me it came-“
“Sophie!” nearly everyone in the kitchen shouted. Even Archer was exasperated, “Come on, Mercer.”
I took a deep breath and started to read. When I got about halfway down the page, I stopped, my eyes going wide, my heart racing. I looked back at Dad. “Are they serious?”
“I believe that they are.”
I read the words again. “Holy hell weasel.
”
”
Rachel Hawkins (Spell Bound (Hex Hall, #3))
“
Ashes were already falling, not as yet very thickly. I looked round: a dense black cloud was coming up behind us, spreading over the earth like a flood.
'Let us leave the road while we can still see,'I said,'or we shall be knocked down and trampled underfoot in the dark by the crowd behind.'
We had scarcely sat down to rest when darkness fell, not the dark of a moonless or cloudy night, but as if the lamp had been put out in a closed room.
You could hear the shrieks of women, the wailing of infants, and the shouting of men; some were calling their parents, others their children or their wives, trying to recognize them by their voices. People bewailed their own fate or that of their relatives, and there were some who prayed for death in their terror of dying. Many besought the aid of the gods, but still more imagined there were no gods left, and that the universe was plunged into eternal darkness for evermore. ~Pliny the Younger
Trust me…history will record the battle at the Puerto Rico Trench the same way. ~High Commander Mustafa
”
”
Pliny the Younger (The Letters of the Younger Pliny: Literally Translated (Classic Reprint))
“
I asked myself, What is true about a person? Would I change in the same way the river changes color but still be the same person? And then I saw the curtains blowing wildly, and outside the rain was falling harder, causing everyone to scurry and shout. I smiled. And then I realized it was the first time I could see the power of the wind. I couldn't see the wind itself, but I could see it carried the water that filled the rivers and shaped the countryside. It caused me to yelp and dance.
I wiped my eyes and looked in the mirror. I was surprised at what I saw. I had on a beautiful red dress, but what I saw was even more valuable. I was strong. I was pure. I had genuine thoughts inside that no one could see, that no one could ever take away from me. I was like the wind.
I threw my head back and smiled proudly to myself. And then I draped the large embroidered red scarf over my face and covered those thoughts up. But underneath the scarf I still knew who I was. I made a promise to myself. I would always remember my parent's wishes, but I would never forget myself
”
”
Amy Tan (The Joy Luck Club)
“
When a boy grows up in a “dysfunctional” family (perhaps there is no other kind of family), his interior warriors will be killed off early. Warriors, mythologically, lift their swords to defend the king. The King in a child stands for and stands up for the child’s mood. But when we are children our mood gets easily overrun and swept over in the messed-up family by the more powerful, more dominant, more terrifying mood of the parent. We can say that when the warriors inside cannot protect our mood from being disintegrated, or defend our body from invasion, the warriors collapse, go into trance, or die. The inner warriors I speak of do not cross the boundary aggressively; they exist to defend the boundary. The Fianna, that famous band of warriors who defended Ireland’s borders, would be a model. The Fianna stayed out all spring and summer watching the boundaries, and during the winter came in. But a typical child has no such protection. If a grown-up moves to hit a child, or stuff food into the child’s mouth, there is no defense—it happens. If the grown-up decides to shout, and penetrate the child’s auditory boundaries by sheer violence, it happens. Most parents invade the child’s territory whenever they wish, and the child, trying to maintain his mood by crying, is simply carried away, mood included. Each child lives deep inside his or her own psychic house, or soul castle, and the child deserves the right of sovereignty inside that house. Whenever a parent ignores the child’s sovereignty, and invades, the child feels not only anger, but shame. The child concludes that if it has no sovereignty, it must be worthless. Shame is the name we give to the sense that we are unworthy and inadequate as human beings. Gershen Kauffman describes that feeling brilliantly in his book, Shame, and Merle Fossum and Marilyn Mason in their book, Facing Shame, extend Kauffman’s work into the area of family shame systems and how they work. When our parents do not respect our territory at all, their disrespect seems overwhelming proof of our inadequacy. A slap across the face pierces deeply, for the face is the actual boundary of our soul, and we have been penetrated. If a grown-up decides to cross our sexual boundaries and touch us, there is nothing that we as children can do about it. Our warriors die. The child, so full of expectation of blessing whenever he or she is around an adult, stiffens with shock, and falls into the timeless fossilized confusion of shame. What is worse, one sexual invasion, or one beating, usually leads to another, and the warriors, if revived, die again. When a boy grows up in an alcoholic family, his warriors get swept into the river by a vast wave of water, and they struggle there, carried downriver. The child, boy or girl, unprotected, gets isolated, and has more in common with snow geese than with people.
”
”
Robert Bly (Iron John: A Book about Men)
“
Lucy Gray
Oft I had heard of Lucy Gray,
And when I cross'd the Wild,
I chanc'd to see at break of day
The solitary Child.
No Mate, no comrade Lucy knew;
She dwelt on a wild Moor,
The sweetest Thing that ever grew
Beside a human door!
You yet may spy the Fawn at play,
The Hare upon the Green;
But the sweet face of Lucy Gray
Will never more be seen.
"To-night will be a stormy night,
You to the Town must go,
And take a lantern, Child, to light
Your Mother thro' the snow."
"That, Father! will I gladly do;
'Tis scarcely afternoon—
The Minster-clock has just struck two,
And yonder is the Moon."
At this the Father rais'd his hook
And snapp'd a faggot-band;
He plied his work, and Lucy took
The lantern in her hand.
Not blither is the mountain roe,
With many a wanton stroke
Her feet disperse, the powd'ry snow
That rises up like smoke.
The storm came on before its time,
She wander'd up and down,
And many a hill did Lucy climb
But never reach'd the Town.
The wretched Parents all that night
Went shouting far and wide;
But there was neither sound nor sight
To serve them for a guide.
At day-break on a hill they stood
That overlook'd the Moor;
And thence they saw the Bridge of Wood
A furlong from their door.
And now they homeward turn'd, and cry'd
"In Heaven we all shall meet!"
When in the snow the Mother spied
The print of Lucy's feet.
Then downward from the steep hill's edge
They track'd the footmarks small;
And through the broken hawthorn-hedge,
And by the long stone-wall;
And then an open field they cross'd,
The marks were still the same;
They track'd them on, nor ever lost,
And to the Bridge they came.
They follow'd from the snowy bank
The footmarks, one by one,
Into the middle of the plank,
And further there were none.
Yet some maintain that to this day
She is a living Child,
That you may see sweet Lucy Gray
Upon the lonesome Wild.
O'er rough and smooth she trips along,
And never looks behind;
And sings a solitary song
That whistles in the wind.
”
”
William Wordsworth (The Works of William Wordsworth)
“
You know, Lockie,’ she said aloud.
‘What?’
‘The thing about parents is . . . the thing about good parents — and I think your parents are pretty good . . .’
‘Yeah, Mum makes cakes, amazing cakes, and Dad takes me fishing even when there’s work to do. They’re good parents, my mum and dad. But . . . but they didn’t find me.’
‘I know, Lockie, but I promise they were looking. When we get you home they’ll tell you. I promise they were looking.’
‘I should have stayed by the stroller. Maybe they’re mad and that’s why they didn’t look. Maybe they know I’m a bad boy.’
‘You are not bad, Lockie,’ said Tina. She said the words slowly, patiently. ‘You are not bad and your parents sound like they’re pretty good parents. And you know . . . well, the thing about good parents is that they kind of love you no matter what.’
‘No matter what?’
‘Yeah, whatever happens, whatever you do, they still love you. Sometimes they shout when you do stuff they don’t like but they always love you.’
‘What if the stuff you do is really bad?’
‘They’ll still love you. That’s their job.’
‘No, I mean what if the stuff you did is really, really bad?’
‘It doesn’t matter, Lockie. You’re just a kid. Nothing you could do could be that bad.’
‘You don’t know what bad is,’ said Lockie, and then he repeated the words to himself. ‘You don’t know what bad is.
”
”
Nicole Trope (The Boy Under the Table)
“
Gabriel was stunned by Pandora's compassion for a man who had caused her such harm. He shook his head in wonder as he stared into her eyes, as dark as cloud-shadow on a field of blue gentian. "That doesn't excuse him," he said thickly.
Gabriel would never forgive the bastard. He wanted vengeance. He wanted to strip the flesh from the bastard's corpse and hang up his skeleton to scare the crows. His fingers contained a subtle tremor as he reached out to trace the fine edges of her face, the sweet, high plane of her cheekbone. "What did the doctor say about your ear? What treatment did he give?"
"It wasn't necessary to send for a doctor."
A fresh flood of rage seared his veins as the words sunk in. "Your eardrum was ruptured. What in God's name do you mean a doctor wasn't necessary?" Although he had managed to keep from shouting, his tone was far from civilized.
Pandora quivered uneasily and began to inch backward.
He realized the last thing she needed from him was a display of temper. Battening down his rampaging emotions, he used one arm to bring her back against his side. "No, don't pull away. Tell me what happened."
"The fever had passed," she said after a long hesitation, "and... well, you have to understand my family. If something unpleasant happened, they ignored it, and it was never spoken of again. Especially if it was something my father had done when he'd lost his temper. After a while, no one remembered what had really happened. Our family history was erased and rewritten a thousand times.
But ignoring the problem with my ear didn't make it disappear. Whenever I couldn't hear something, or when I stumbled or fell, it made my mother very angry. She said I'd been clumsy because I was hasty or careless. She wouldn't admit there was anything wrong with my hearing. She refused even to discuss it." Pandora stopped, chewing thoughtfully on her lower lip. "I'm making her sound terrible, and she wasn't. There were times when she was affectionate and kind. No one's all one way or the other." She flicked a glance of dread in his direction. "Oh God, you're not going to pity me, are you?"
"No." Gabriel was anguished for her sake, and outraged. It was all he could do to keep his voice calm. "Is that why you keep it a secret? You're afraid of being pitied?"
"That, and... it's a shame I'd rather keep private."
"Not your shame. Your father's."
"It feels like mine. Had I not been eavesdropping, my father wouldn't have disciplined me."
"You were a child," he said brusquely. "What he did wasn't bloody discipline, it was brutality."
To his surprise, a touch of unrepentant amusement curved Pandora's lips, and she looked distinctly pleased with herself. "It didn't even stop my eavesdropping. I just learned to be more clever about it."
She was so endearing, so indomitable, that Gabriel was wrenched with a feeling he'd never known before, as if all the extremes of joy and despair had been compressed into some new emotion that threatened to crack the walls of his heart.
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
Come on, Bob, kill it!” “I’m trying, Tom. It won’t stop moving.” I looked at Wolf and whispered, “What do you think they are trying to kill?” Wolf shrugged. “Let’s go check it out.” We snuck forward until we could get a visual on what was happening. We saw that there were two large slimes and one baby slime. Judging by the way the large slimes were protecting the baby, I assumed it was their child rather than a random baby slime. The two players were slashing at the large slimes who were trying to defend themselves but failing. Eventually the players chopped the two large slimes into medium slimes, then into small slimes until they had finally killed all the pieces. That left the baby slime all alone. Bob and Tom looked at each other. “I think we should kill it,” said Tom. “Otherwise, it’s going to grow into an adult slime and try to get its revenge on us.” Where have I heard this story before? Bob laughed. “Slimes are stupid. It won’t be able to get revenge because it will be dead.” The players began to move forward to the baby slime. And that’s when something snapped in me. I was reminded of the night my parents sacrificed their lives for me. I couldn’t let this baby slime be killed. I jumped up and rushed to the players. Wolf shout-whispered, “No! Don’t do it!” I didn’t care. I ran up to the two players and without giving them a chance to surrender, mercilessly assassinated them. The baby slime looked at me with fear in its eyes and backed away, fearful that I would kill it too. But I didn’t. I put my sword back into my inventory and reached down and gently picked up the slime. “Can you talk?” I asked. The slime made cooing and booping noises, but apparently was too young to be able to speak yet. “I wish I could talk to you, Child. I would tell you that everything is going to be alright. I’ll be your new guardian.” Wolf arrived by my side a moment later. “It’s not part of the Way to kill players unless the killing falls under a specific rule or arises from self-defense.” I shot a look at Wolf. “I was defending the life of another. Is that not the same as self-defense?” “I guess, but it’s … hurrr … it’s a slime.” “Are you saying a slime has less right to be alive than us?” “I’m not saying that, but now that you mention it….” “Shut up. I’m taking charge of this child.” Wolf shook his head. “You realize that according to the Way, if you take the life of an orphan into your hands you have to protect it and see that it makes it to adulthood, just as I have with you.
”
”
Dr. Block (The Ballad of Winston the Wandering Trader, Book 1 (The Ballad of Winston #1))
“
And yes, many of us became fathers to fully understand what it means to be a father.
Albert Einstein once said: "Every man is a genius but if you judge a fish by its ability to climb trees, it will spend the rest of its life believing that its stupid."
To the men who never let other people’s metrics of success become the yardstick with which they measure theirs. It is no coincidence that we are diagrammatically represented by a circle with an arrow on the edge that points out.
To all of us who may not always be "there" so that we can always "be there",
To every hunter, every fighter, every missionary,
To every planter and tiller of a garden of eden,
To every warrior, conqueror of territories, every man always going out so he can bring something home.
To every provider and protector of his family.
Every defender of his domain and representative of God in the lives of his dependants.
To every man that choose character over caliber,
Every Major General, Lord of the Rings,
Lion of the Tribe of his house.
To every correcter with a shout,
Every tough and tender 9-ribbed carrier of his cross.
For every skill, strength, qualification and effort that we put into building meaningful relationships with our women, bonds with our children, and shield through tough times.
For every ‘crave’ for success without substituting values.
For the unconditional love, unflinching sacrifice, and diehard determination to go places our parents never imagined for themselves.
To those who happily lead, as though money, fame and power didn’t exist.
To those who stand tall and sit straight,
Who understand that it doesn't take a 6-figure to be a Father figure.
Happy Father's Day to every man who understands the responsibility and deserves the title.
*Happy Father's Day to You and Me.*
”
”
Olaotan Fawehinmi (The Soldier Within)
“
Oft had I heard of Lucy Gray, And when I crossed the Wild, I chanced to see at break of day The solitary Child. No Mate, no comrade Lucy knew; She dwelt on a wide Moor, The sweetest Thing that ever grew Beside a human door! You yet may spy the Fawn at play, The Hare upon the Green; But the sweet face of Lucy Gray Will never more be seen. 'To-night will be a stormy night, You to the Town must go, And take a lantern, Child, to light Your Mother thro' the snow.' 'That, Father! will I gladly do; 'Tis scarcely afternoon -- The Minster-clock has just struck two, And yonder is the Moon.' At this the Father raised his hook And snapped a faggot-band; He plied his work, and Lucy took The lantern in her hand. Not blither is the mountain roe, With many a wanton stroke Her feet disperse the powd'ry snow That rises up like smoke. The storm came on before its time, She wandered up and down, And many a hill did Lucy climb But never reached the Town. The wretched Parents all that night Went shouting far and wide; But there was neither sound nor sight To serve them for a guide. At day-break on a hill they stood That overlooked the Moor; And thence they saw the Bridge of Wood A furlong from their door. And now they homeward turned, and cried 'In Heaven we all shall meet!' When in the snow the Mother spied The print of Lucy's feet. Then downward from the steep hill's edge They tracked the footmarks small; And through the broken hawthorn-hedge, And by the long stone-wall; And then an open field they crossed, The marks were still the same; They tracked them on, nor ever lost, And to the Bridge they came. They followed from the snowy bank The footmarks, one by one, Into the middle of the plank, And further there were none. Yet some maintain that to this day She is a living Child, That you may see sweet Lucy Gray Upon the lonesome Wild. O'er rough and smooth she trips along, And never looks behind; And sings a solitary song That whistles in the wind.
”
”
William Wordsworth (AmblesideOnline Poetry, Year 4, Terms 1, 2, and 3: Tennyson, Dickinson, and Wordsworth)
“
I now pronounce you husband and wife.
I hadn’t considered the kiss. Not once. I suppose I’d assumed it would be the way a wedding kiss should be. Restrained. Appropriate. Mild. A nice peck. Save the real kisses for later, when you’re deliciously alone. Country club girls don’t make out in front of others. Like gum chewing, it should always be done in private, where no one else can see.
But Marlboro Man wasn’t a country club boy. He’d missed the memo outlining the rules and regulations of proper ways to kiss in public. I found this out when the kiss began--when he wrapped his loving, protective arms around me and kissed me like he meant it right there in my Episcopal church. Right there in front of my family, and his, in front of Father Johnson and Ms. Altar Guild and our wedding party and the entire congregation, half of whom were meeting me for the first time that night. But Marlboro Man didn’t seem to care. He kissed me exactly the way he’d kissed me the night of our first date--the night my high-heeled boot had gotten wedged in a crack in my parents’ sidewalk and had caused me to stumble. The night he’d caught me with his lips.
We were making out in church--there was no way around it. And I felt every bit as swept away as I had that first night. The kiss lasted hours, days, weeks…probably ten to twelve seconds in real time, which, in a wedding ceremony setting, is a pretty long kiss. And it might have been longer had the passionate moment not been interrupted by the sudden sound of a person clapping his hands.
“Woohoo! All right!” the person shouted. “Yes!”
It was Mike. The congregation broke out in laughter as Marlboro Man and I touched our foreheads together, cementing the moment forever in our memory. We were one; this was tangible to me now. It wasn’t just an empty word, a theological concept, wishful thinking. It was an official, you-and-me-against-the-world designation. We’d both left our separateness behind. From that moment forward, nothing either of us did or said or planned would be in a vacuum apart from the other. No holiday would involve our celebrating separately at our respective family homes. No last-minute trips to Mexico with friends, not that either of us was prone to last-minute trips to Mexico with friends. But still.
The kiss had sealed the deal in so many ways.
I walked proudly out of the church, the new wife of Marlboro Man. When we exited the same doors through which my dad and I had walked thirty minutes earlier, Marlboro Man’s arm wriggled loose from my grasp and instinctively wrapped around my waist, where it belonged. The other arm followed, and before I knew it we were locked in a sweet, solidifying embrace, relishing the instant of solitude before our wedding party--sisters, cousins, brothers, friends--followed closely behind.
We were married. I drew a deep, life-giving breath and exhaled. The sweating had finally stopped. And the robust air-conditioning of the church had almost completely dried my lily-white Vera.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
On the 27th morning, at around 8 a.m. the train left Godhra Station. The karsevaks were loudly chanting the Ram Dhoon. The train had hardly gone a few meters, when it suddenly stopped. Somebody had perhaps pulled the chain to stop the train. Before anybody could know what had happened, we saw a huge mob approaching the train. People were carrying weapons like Gupti, Spears, Swords and such other deadly weapons in their hands and were throwing stones at the train. We all got frightened and somehow closed the windows and the doors of the compartment. People outside were shouting loudly, saying ‘Maro, Kato’ and were attacking the train. A loudspeaker from the Masjid (i.e. Mosque) closeby was also very loudly shouting ‘Maro, Kato, Laden na dushmano ne Maro.’ (“Cut, kill, kill the enemies of Laden”)These attackers were so fierce that they managed to break the windows and close the doors from outside before pouring petrol inside and setting the compartment on fire so that nobody could escape alive. A number of attackers entered the compartment and were beating the karsevaks and looting their belongings. The compartments were drenched in petrol all over. We were terrified and were shouting for help but who was there to help us? A few policemen were later seen approaching the compartment but they were also whisked away by the furious mob outside. There was so much of smoke in the compartment that we were unable to see each other and also getting suffocated. Going out was too difficult, however, myself and Pooja somehow managed to jump out through the windows. Pooja was hurt in her back and was unable to stand up. People outside were trying to hold us to take us away but we could escape and run under the burning train and succeeded in crawling towards the cabin. I have seen my parents and sisters being burnt alive right in front of my eyes.” Luckily, Gayatri was not hurt too badly. “We somehow managed to go up to the station and meet our aunty (Masi). After the compartments were completely burnt, the crowd started withering. We saw that even amongst them were men, women and youngsters like us, both male and female.
”
”
M.D. Deshpande (Gujarat Riots: The True Story: The Truth of the 2002 Riots)
“
Gordon MacDonald once wrote about how what he called the “sinkhole syndrome” happens in a human life. It may be triggered by a failure at work, a severed relationship, harsh criticism from a parent, or for no apparent reason at all. But it feels like the earth has given way. It turns out, MacDonald wrote, that in a sense we have two worlds to manage: an outer world of career and possessions and social networks; and an inner world that is more spiritual in nature, where values are selected and character is formed — a place where worship and confession and humility can be practiced. Because our outer worlds are visible and measurable and expandable, they are easier to deal with. They demand our attention. “The result is that our private world is often cheated, neglected because it does not shout quite so loudly. It can be effectively ignored for large periods of time before it gives way to a sinkhole-like cave-in.” He quotes the haunting words of Oscar Wilde: “I was no longer captain of my own soul.” The sinkhole, says MacDonald, is the picture of spiritual vulnerability in our day.
”
”
John Ortberg (Soul Keeping: Caring For the Most Important Part of You)
“
He’d mentioned it a month before. A month. Not a good month, admittedly, but still—a month. That was enough time for him to have written something, at least. There was still something of him, or by him at least, floating around out there. I needed it. “I’m gonna go to his house,” I told Isaac. I hurried out to the minivan and hauled the oxygen cart up and into the passenger seat. I started the car. A hip-hop beat blared from the stereo, and as I reached to change the radio station, someone started rapping. In Swedish. I swiveled around and screamed when I saw Peter Van Houten sitting in the backseat. “I apologize for alarming you,” Peter Van Houten said over the rapping. He was still wearing the funeral suit, almost a week later. He smelled like he was sweating alcohol. “You’re welcome to keep the CD,” he said. “It’s Snook, one of the major Swedish—” “Ah ah ah ah GET OUT OF MY CAR.” I turned off the stereo. “It’s your mother’s car, as I understand it,” he said. “Also, it wasn’t locked.” “Oh, my God! Get out of the car or I’ll call nine-one-one. Dude, what is your problem?” “If only there were just one,” he mused. “I am here simply to apologize. You were correct in noting earlier that I am a pathetic little man, dependent upon alcohol. I had one acquaintance who only spent time with me because I paid her to do so—worse, still, she has since quit, leaving me the rare soul who cannot acquire companionship even through bribery. It is all true, Hazel. All that and more.” “Okay,” I said. It would have been a more moving speech had he not slurred his words. “You remind me of Anna.” “I remind a lot of people of a lot of people,” I answered. “I really have to go.” “So drive,” he said. “Get out.” “No. You remind me of Anna,” he said again. After a second, I put the car in reverse and backed out. I couldn’t make him leave, and I didn’t have to. I’d drive to Gus’s house, and Gus’s parents would make him leave. “You are, of course, familiar,” Van Houten said, “with Antonietta Meo.” “Yeah, no,” I said. I turned on the stereo, and the Swedish hip-hop blared, but Van Houten yelled over it. “She may soon be the youngest nonmartyr saint ever beatified by the Catholic Church. She had the same cancer that Mr. Waters had, osteosarcoma. They removed her right leg. The pain was excruciating. As Antonietta Meo lay dying at the ripened age of six from this agonizing cancer, she told her father, ‘Pain is like fabric: The stronger it is, the more it’s worth.’ Is that true, Hazel?” I wasn’t looking at him directly but at his reflection in the mirror. “No,” I shouted over the music. “That’s bullshit.” “But don’t you wish it were true!” he cried back. I cut the music. “I’m sorry I ruined your trip. You were too young. You were—” He broke down. As if he had a right to cry over Gus. Van Houten was just another of the endless mourners who did not know him, another too-late lamentation on his wall. “You didn’t ruin our trip, you self-important bastard. We had an awesome trip.” “I am trying,” he said. “I am trying, I swear.” It was around then that I realized Peter Van Houten had a dead person in his family. I considered the honesty with which he had written about cancer kids; the fact that he couldn’t speak to me in Amsterdam except to ask if I’d dressed like her on purpose; his shittiness around me and Augustus; his aching question about the relationship between pain’s extremity and its value. He sat back there drinking, an old man who’d been drunk for years.
”
”
John Green (The Fault in Our Stars)
“
tried to go to a counselor, but it was just too weird. Talking to some stranger about my feelings made me want to vomit. I did go to the library, and I learned that behavior I considered commonplace was the subject of pretty intense academic study. Psychologists call the everyday occurrences of my and Lindsay’s life “adverse childhood experiences,” or ACEs. ACEs are traumatic childhood events, and their consequences reach far into adulthood. The trauma need not be physical. The following events or feelings are some of the most common ACEs: •being sworn at, insulted, or humiliated by parents •being pushed, grabbed, or having something thrown at you •feeling that your family didn’t support each other •having parents who were separated or divorced •living with an alcoholic or a drug user •living with someone who was depressed or attempted suicide •watching a loved one be physically abused. ACEs happen everywhere, in every community. But studies have shown that ACEs are far more common in my corner of the demographic world. A report by the Wisconsin Children’s Trust Fund showed that among those with a college degree or more (the non–working class), fewer than half had experienced an ACE. Among the working class, well over half had at least one ACE, while about 40 percent had multiple ACEs. This is really striking—four in every ten working-class people had faced multiple instances of childhood trauma. For the non–working class, that number was 29 percent. I gave a quiz to Aunt Wee, Uncle Dan, Lindsay, and Usha that psychologists use to measure the number of ACEs a person has faced. Aunt Wee scored a seven—higher even than Lindsay and me, who each scored a six. Dan and Usha—the two people whose families seemed nice to the point of oddity—each scored a zero. The weird people were the ones who hadn’t faced any childhood trauma. Children with multiple ACEs are more likely to struggle with anxiety and depression, to suffer from heart disease and obesity, and to contract certain types of cancers. They’re also more likely to underperform in school and suffer from relationship instability as adults. Even excessive shouting can damage a kid’s sense of security and contribute to mental health and behavioral issues down the road. Harvard pediatricians have studied the effect that childhood trauma has on the mind. In addition to later negative
”
”
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
“
I Love You'
Early on, I noticed that you always say it
to each of your children
as you are getting off the phone with them
just as you never fail to say it
to me whenever we arrive at the end of a call.
It's all new to this only child.
I never heard my parents say it,
at least not on such a regular basis,
nor did it ever occur to me to miss it.
To say I love you pretty much every day
would have seemed strangely obvious,
like saying I'm looking at you
when you are standing there looking at someone.
If my parents had started saying it
a lot, I would have started to worry about them.
Ofcourse, I always like hearing it from you.
That is never a cause for concern.
The problem is I now find myself saying it back
if only because just saying good-bye
then hanging up would make me seem discourteous.
But like Bartleby, I would prefer not to
say it so often, would prefer instead to save it
for special occasions, like shouting it out as I leaped
into the red mouth of a volcano
with you standing helplessly on the smoking rim,
or while we are desperately clasping hands
before our plane plunges into the Gulf of Mexico,
which are only two of the examples I had in mind,
but enough, as it turns out, to make me
want to say it to you now,
and what better place than in the final couplet
of a poem where, as every student knows, it really counts.
”
”
Billy Collins (Aimless Love: New and Selected Poems)
“
Sunja, who’d been quiet, waiting for Noa to speak up, wiped her wet hands on her apron. “Can I go? Can we leave now?” She’d never left early before. “I’ll stay here and finish. You go. Hurry. I’ll be right there after I’m done.” Sunja reached for Noa’s hand. * Halfway down the street, Sunja shouted, “Mozasu!” and Noa looked up at her. “Umma, Aunt will bring him home,” he said calmly. She clutched his hand tighter and walked briskly toward the house. “You ease my mind, Noa. You ease my mind.” Without the others around, it was possible to be kind to her son. Parents weren’t supposed to praise their children, she knew this—it would only invite disaster. But her father had always told her when she had done something well; out of habit, he would touch the crown of her head or pat her back, even when she did nothing at all. Any other parent might’ve been chided by the neighbors for spoiling a daughter, but no one said anything to her crippled father, who marveled at his child’s symmetrical features and normal limbs. He took pleasure in just watching her walk, talk, and do simple sums in her head. Now that he was gone, Sunja held on to her father’s warmth and kind words like polished gems. No one should expect praise, and certainly not a woman, but as a little girl, she’d been treasured, nothing less. She’d been her father’s delight. She wanted Noa to know what
”
”
Min Jin Lee (Pachinko (National Book Award Finalist))
“
My grandfather, also named Fraser Robinson, was decidedly less fun to be around, a cigar-puffing patriarch who’d sit in his recliner with a newspaper open on his lap and the evening news blaring on the television nearby. His demeanor was nothing like my father’s. For Dandy, everything was an irritant. He was galled by the day’s headlines, by the state of the world as shown on TV, by the young black men—“boo-boos,” he called them—whom he perceived to be hanging uselessly around the neighborhood, giving black people everywhere a bad name. He shouted at the television. He shouted at my grandmother, a sweet, soft-spoken woman and devout Christian named LaVaughn. (My parents had named me Michelle LaVaughn Robinson, in honor of her.) By day, my grandmother expertly managed a thriving Bible bookstore on the Far South Side, but in her off-hours with Dandy she was reduced to a meekness I found perplexing, even as a young girl. She cooked his meals and absorbed his barrage of complaints and said nothing in her own defense. Even at a young age, there was something about my grandmother’s silence and passivity in her relationship with Dandy that got under my skin. According to my mother, I was the only person in the family to talk back to Dandy when he yelled. I did it regularly, from the time I was very young and over many years, in part because it drove me crazy that my grandmother wouldn’t speak up for herself, in part because everyone else fell silent around him, and lastly because I loved Dandy as much as he confounded me. His stubbornness was something I recognized, something I’d inherited myself, though I hoped in a less abrasive form.
”
”
Michelle Obama (Becoming)
“
Christina walks out, bumping me with her shoulder as she leaves. Tris lifts her eyes to mine.
“We should talk,” I say.
“Fine,” she says, and I follow her into the hallway.
We stand next to the door until everyone else leaves. Her shoulders are drawn in like she’s trying to make herself even smaller, trying to evaporate on the spot, and we stand too far apart, the entire width of the hallway between us. I try to remember the last time I kissed her and I can’t.
Finally we’re alone, and the hallway is quiet. My hands start to tingle and go numb, the way they always do when I panic.
“Do you think you’ll ever forgive me?” I say.
She shakes her head, but says, “I don’t know. I think that’s what I need to figure out.”
“You know…you know I never wanted Uriah to get hurt, right?” I look at the stitches crossing her forehead and I add, “Or you. I never wanted you to get hurt either.”
She’s tapping her foot, her body shifting with the movement. She nods. “I know that.”
“I had to do something,” I say. “I had to.”
“A lot of people got hurt,” she says. “All because you dismissed what I said, because--and this is the worst part, Tobias--because you thought I was being petty and jealous. Just some silly sixteen-year-old girl, right?” She shakes her head.
“I would never call you silly or petty,” I say sternly. “I thought your judgment was clouded, yes. But that’s all.”
“That’s enough.” Her fingers slide through her hair and wrap around it. “It’s just the same thing all over again, isn’t it? You don’t respect me as much as you say you do. When it comes down to it, you still believe I can’t think rationally--”
“That is not what’s happening!” I say hotly. “I respect you more than anyone. But right now I’m wondering what bothers you more, that I made a stupid decision or that I didn’t make your decision.”
“What’s that supposed to mean?”
“It means,” I say, “that you may have said you just wanted us to be honest with each other, but I think you really wanted me to always agree with you.”
“I can’t believe you would say that! You were wrong--”
“Yeah, I was wrong!” I’m shouting now, and I don’t know where the anger came from, except that I can feel it swirling around inside me, violent and vicious and the strongest I have felt in days. “I was wrong, I made a huge mistake! My best friend’s brother is as good as dead! And now you’re acting like a parent, punishing me for it because I didn’t do as I was told. Well, you are not my parent, Tris, and you don’t get to tell me what to do, what to choose--!”
“Stop yelling at me,” she says quietly, and she finally looks at me. I used to see all kinds of things in her eyes, love and longing and curiosity, but now all I see is anger. “Just stop.”
Her quiet voice stalls the anger inside me, and I relax into the wall behind me, shoving my hands into my pockets. I didn’t mean to yell at her. I didn’t mean to get angry at all.
I stare, shocked, as tears touch her cheeks. I haven’t seen her cry in a long time. She sniffs, and gulps, and tries to sound normal, but she doesn’t.
“I just need some time,” she says, choking on each word. “Okay?”
“Okay,” I say.
She wipes her cheeks with her palms and walks down the hallway. I watch her blond head until it disappears around the bend, and I feel bare, like there’s nothing left to protect me against pain. Her absence stings worst of all.
”
”
Veronica Roth (Allegiant (Divergent, #3))
“
Hello,” she says. “My name is Amanda Ritter. In this file I will tell you only what you need to know. I am the leader of an organization fighting for justice and peace. This fight has become increasingly more important--and consequently, nearly impossible--in the past few decades. That is because of this.”
Images flash across the wall, almost too fast for me to see. A man on his knees with a gun pressed to his forehead. The woman pointing it at him, her face emotionless.
From a distance, a small person hanging by the neck from a telephone pole.
A hole in the ground the size of a house, full of bodies.
And there are other images too, but they move faster, so I get only impressions of blood and bone and death and cruelty, empty faces, soulless eyes, terrified eyes.
Just when I have had enough, when I feel like I am going to scream if I see any more, the woman reappears on the screen, behind her desk.
“You do not remember any of that,” she says. “But if you are thinking these are the actions of a terrorist group or a tyrannical government regime, you are only partially correct. Half of the people in those pictures, committing those terrible acts, were your neighbors. Your relatives. Your coworkers. The battle we are fighting is not against a particular group. It is against human nature itself--or at least what it has become.”
This is what Jeanine was willing to enslave minds and murder people for--to keep us all from knowing. To keep us all ignorant and safe and inside the fence.
There is a part of me that understands.
“That is why you are so important,” Amanda says. “Our struggle against violence and cruelty is only treating the symptoms of a disease, not curing it. You are the cure.
“In order to keep you safe, we devised a way for you to be separated from us. From our water supply. From our technology. From our societal structure. We have formed your society in a particular way in the hope that you will rediscover the moral sense most of us have lost. Over time, we hope that you will begin to change as most of us cannot.
“The reason I am leaving this footage for you is so that you will know when it’s time to help us. You will know that it is time when there are many among you whose minds appear to be more flexible than the others. The name you should give those people is Divergent. Once they become abundant among you, your leaders should give the command for Amity to unlock the gate forever, so that you may emerge from your isolation.”
And that is what my parents wanted to do: to take what we had learned and use it to help others. Abnegation to the end.
“The information in this video is to be restricted to those in government only,” Amanda says. “You are to be a clean slate. But do not forget us.”
She smiles a little.
“I am about to join your number,” she says. “Like the rest of you, I will voluntarily forget my name, my family, and my home. I will take on a new identity, with false memories and a false history. But so that you know the information I have provided you with is accurate, I will tell you the name I am about to take as my own.”
Her smile broadens, and for a moment, I feel that I recognize her.
“My name will be Edith Prior,” she says. “And there is much I am happy to forget.”
Prior.
The video stops. The projector glows blue against the wall. I clutch Tobias’s hand, and there is a moment of silence like a withheld breath.
Then the shouting begins.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
We both know Dad was my parental trash can, the fatherly receptacle on whom I dumped my emotions. Does she think because she offered me a blanket and chocolate-covered whatever that I'll just hand over the keys to my inner diary? Uh, no.
"I know you're eighteen now," she huffs. "I get it, okay? But you don't know everything. And you know what? I don't like secrets."
My head spins. The first day of the Rest of My Normal Life is not turning out as planned. I shake my head. "I guess I still don't understand what you're asking me."
She stomps her foot. "How long have you been dating him, Emma? How long have you and Galen been an item?"
Ohmysweetgoodness. "I'm not dating Galen," I whisper. "Why would you even think that?"
"Why would I think that? Maybe you should ask Mrs. Strickland. She's the one who told me how intimate you looked standing there in the hall. And she said Galen was beside himself when you wouldn't wake up. That he kept squeezing your hand."
Intimate? I let my backpack slide off my shoulder and onto the floor before I plot to the table and sit down. The room feels like a giant merry-go-round.
I am...embarrassed? No. Embarrassed is when you spill ketchup on your crotch and it leaves a red stain in a suspicious area.
Mortified? No. Mortified is when you experiment with tanning lotion and forget to put some on your feet, so it looks like you're wearing socks with your flip-flops and sundress.
Bewildered? Yep. That's it. Bewildered that after I screamed at him-oh yes, now I remember I screamed at him-he picked up my limp body, carried me all the way to the office, and stayed with me until help arrived. Oh, and he held my hand and sat beside me, too.
I cradle my face in my hands, imagining how close I came to going to school without knowing this. How close I came to walking up to Galen, telling him to take his tingles and shove them where every girl's thoughts have been since he got there. I groan into my laced fingers. "I can never face him again," I say to no one in particular.
Unfortunately, Mom thinks I'm talking to her. "Why? Did he break up with you?" She sits down next to me and pulls my hands from my face. "Is it because you wouldn't sleep with him?"
"Mom!" I screech. "No!"
She snatches her hand away. "You mean you did sleep with him?" Her lips quiver. This can't be happening.
"Mom, I told you, we're not dating!" Shouting is a dumb idea. My heartbeat ripples through my temples.
"You're not even dating him and you slept with him?" She's wringing her hands. Tears puddle in her eyes.
One Mississippi...two Mississippi...Is she freaking serious?...Three Mississippi...four Mississippi...Because I swear I'm about to move out... Five Mississippi...six Mississippi...I might as well sleep with him if I'm going to be accused of it anyway... Seven Mississippi...eight Mississippi...Ohmysweetgoodness, did I really just think that?...Nine Mississippi...ten Mississippi...Talk to your mother-now.
I keep my voice polite when I say, "Mom, I haven't slept with Galen, unless you count laying on the nurse's bed unconscious beside him. And we are not dating. We have never dated. Which is why he wouldn't need to break up with me. Have I missed anything?"
"What were you arguing about in the hall, then?"
"I actually don't remember. All I remember is being mad at him. Trust me, I'll find out. But right now, I'm late for school." I ease out of the chair and over to my backpack on the floor. Bending over is even stupider than shouting. I wish my head would just go ahead and fall off already.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
This story begins when Tay’s daughter Emily, who was nearly seven, shouted to her that she was stuck on a jungle gym, that she needed help to get off. I told her to get down and, when she said she couldn’t, I suddenly felt furious. I thought she was being ridiculous—she could easily get down herself. I shouted, “Get down this minute!” She eventually did. Then she tried to hold my hand, but I was still furious, and I said no, and then she howled. Once we got home and made tea together she calmed down and I wrote off the whole thing to myself as “God, kids can be a pain.” Fast-forward a week: we’re at the zoo and there’s another jungle gym. Looking at it, I felt a flash of guilt. It obviously reminded Emily of the previous week too, because she looked up at me almost fearfully. I asked her if she wanted to play on it. This time, instead of sitting on a bench looking at my phone, I stood by the jungle gym and watched her. When she felt she’d got stuck, she held out her arms to me for help. But this time I was more encouraging. I said, “Put one foot there and the other there and grab that and you’ll be able to do it by yourself.” And she did. When she had got down, she said, “Why didn’t you help me last time?” I thought about it, and I said, “When I was little, Nana treated me like a princess and carried me everywhere, told me to ‘be careful’ all the time. It made me feel incapable of doing anything for myself and I ended up with no confidence. I don’t want that to happen to you, which is why I didn’t want to help when you asked to be lifted off the jungle gym last week. And it reminded me of being your age, when I wasn’t allowed to get down by myself. I was overcome with anger and I took it out on you, and that wasn’t fair.” Emily looked up at me and said, “Oh, I just thought you didn’t care.” “Oh no,” I said. “I care, but at that moment I didn’t know that I was angry at Nana and not at you. And I’m sorry.
”
”
Philippa Perry (The Book You Wish Your Parents Had Read: (And Your Children Will Be Glad That You Did))
“
One cannot erase from a human being's soul those actions which his ancestors loved most and carried out most steadfastly: whether they were, for example, industrious savers attached to a writing table and money box, modest and bourgeois in their desires, as well as modest in their virtues, or whether they were accustomed to live giving orders from morning until night, fond of harsh entertainment and, along with that, perhaps of even harsher duties and responsibilities; or whether, finally, they had at some time or other once sacrificed the old privileges of their birth and possessions in order to live entirely for their faith ― their "God" ― as men of an unrelenting and delicate conscience, which blushes when confronted with any compromise. It is in no way possible that a man does not possess in his body the characteristics and preferences of his parents and forefathers, no matter what appearance might say to the contrary. This is the problem of race. If we know something about the parents, then we may draw a conclusion about the child: some unpleasant excess or other, some lurking envy, a crude habit of self-justification ―as these three together have at all times made up the essential type of the rabble― something like that must be passed onto the child as surely as corrupt blood, and with the help of the best education and culture people will succeed only in deceiving others about such heredity. And nowadays what else does education and culture want! In our age, one very much of the people - I mean to say our uncouth age ―"education" and "culture" must basically be the art of deception― to mislead about the origin of the inherited rabble in one's body and soul. Today an educator who preached truthfulness above everything else and constantly shouted at his students "Be true! Be natural! Act as you really are!" ― even such a virtuous and true-hearted jackass would after some time learn to take hold of that furca [pitchfork] of Horace, in order to naturam expellere [drive out nature]. With what success? "Rabble" usque recurret [always returns].
”
”
Friedrich Nietzsche (Beyond Good and Evil)
“
As the months rolled on, John and Sarah began to understand themselves less as teachers and more as parents, living into the names Baba and Kama Kiwawa. It was clear the boys needed something Keu couldn’t provide, consistent support and affection. Sarah started giving out hugs and bandages, and John role-modeled manhood by providing food, shelter, and an education. But unlike many parents, John and Sarah didn’t dole out punishments. They left that to the council. On his first visit, Keu had appointed six boys with hair sprouting on their chins as the elders of Kiwawa. He spent a week with them on a hill near Kiwawa where he instructed them in the ways of a traditional elder council, showing them how to resolve problems that might arise according to the Pokot traditions. And each night after the guard heard John’s snores rumbling out of the camper, the council built a fire and legislated the day’s problems according to the nomadic values they had learned, sometimes choosing to defer ruling on more complicated matters until Keu returned. Stolen writing stick? The elders huddled together in the shadow of the illuminated acacia tree. The oldest returned and pointed at the offender: “Water-fetching duty for a week.” “Oee,” the boys would shout, the Pokot version of Amen. “Refusing to share meat?” “Three rope whippings.” “Oee.” “Crying because you miss your mother?” “Spend more time with Kama,” the oldest boy would say with compassion. “Oee.” “We were modeling the Pokot elders by becoming the keepers of justice and fairness. You see, Pokot elders can never settle a matter based on anger or some personal retribution. That is so unacceptable,” Michael explained. “A punishment is meant to reform the person as quickly as possible so the criminal can be brought back into the group. This is because every single person has a job to do, whether it is to fetch water, herd cows, or stand guard against Karamoja. And if you are gone, then someone else has to work harder in your absence. Nomads do not have prisons like the modern world, which changes our whole entire judicial system. In America you can lock somebody up in prison for two years for just a small crime like stealing a cow. And while in prison they are taken out of the community and are expected to think about what they have done. And then after those two years of isolation, a group of psychologists and lawyers and I don’t know who else will examine that person and see if they have changed their stealing ways. If not, then they lock them back up,” he said, turning an invisible key. “In America there is the potential to give up on somebody, to leave them outside of the community. But there are no prisons in the desert, and without prisons the elders are left with two choices: reform you or kill you. And as I said, if they kill you, they are not only losing a good worker, but also a brother and a son. And the desert has already taken so many of our sons.
”
”
Nathan Roberts (Poor Millionaires: The Village Boy Who Walked to the Western World and the American Boy Who Followed Him Home)
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Given that at all times, so long as there have been human beings, there have also been herds of human beings (racial groups, communities, tribes, peoples, states, churches) and always a great many followers in relation to the small number of those issuing orders - and taking into consideration also that so far nothing has been better and longer practised and cultivated among human beings than obedience, we can reasonably assume that typically now the need for obedience is inborn in each individual, as a sort of formal conscience which states "You are to do something or other without conditions, and leave aside something else without conditions," in short, "Thou shalt." This need seeks to satisfy itself and to fill its form with some content. Depending on its strength, impatience, and tension, it seizes on something, without being very particular, like a coarse appetite, and accepts what someone or other issuing commands - parents, teachers, laws, class biases, public opinion - shouts in people's ears. The curiously limitation of human development - the way it hesitates, takes so long, often regresses, and turns around on itself - is based on the fact that the herd instinct of obedience is passed on best and at the expense of the art of commanding. If we imagine this instinct at some point striding right to its ultimate excess, then there would finally be a total lack of commanders and independent people, or they would suffer inside from a bad conscience and find it necessary first to prepare a deception for themselves in order to be able to command, as if they, too, were only obeying orders. This condition is what, in fact, exists nowadays in Europe: I call it the moral hypocrisy of those in command. They don't know how to protect themselves from their bad conscience except by behaving as if they were carrying out older or higher orders (from ancestors, the constitution, rights, law, or even God), or they even borrow herd maxims from the herd way of thinking, for example, as "the first servant of their people" or as "tools of the common good." On the other hand, the herd man in Europe today makes himself appear as if he is the single kind of human being allowed, and he glorifies those characteristics of his thanks to which he is tame, good natured, and useful to the herd, as the really human virtues, that is, public spiritedness, wishing everyone well, consideration, diligence, moderation, modesty, forbearance, and pity. For those cases, however, where people believe they cannot do without a leader and bell wether, they make attempt after attempt to replace the commander by adding together collections of clever herd people All the representative constitutional assemblies, for example, have this origin. But for all that, what a blissful relief, what a release from a pressure which is growing unbearable is the appearance of an absolute commander for these European herd animals. The effect which the appearance of Napoleon made was the most recent major evidence for that: - the history of the effect of Napoleon is almost the history of the higher happiness which this entire century derived from its most valuable men and moments.
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Friedrich Nietzsche (Beyond Good and Evil)
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The traditional hospital practice of excluding parents ignored the importance of attachment relationships as regulators of the child’s emotions, behaviour and physiology. The child’s biological status would be vastly different under the circumstances of parental presence or absence. Her neurochemical output, the electrical activity in her brain’s emotional centres, her heart rate, blood pressure and the serum levels of the various hormones related to stress would all vary significantly. Life is possible only within certain well-defined limits, internal or external.
We can no more survive, say, high sugar levels in our bloodstream than we can withstand high levels of radiation emanating from a nuclear explosion. The role of self-regulation, whether emotional or physical, may be likened to that of a thermostat ensuring that the temperature in a home remains constant despite the extremes of weather conditions outside. When the environment becomes too cold, the heating system is switched on. If the air becomes overheated, the air conditioner begins to work.
In the animal kingdom, self-regulation is illustrated by the capacity of the warm-blooded creature to exist in a broad range of environments. It can survive more extreme variations of hot and cold without either chilling or overheating than can a coldblooded species. The latter is restricted to a much narrower range of habitats because it does not have the capacity to self-regulate the internal environment. Children and infant animals have virtually no capacity for biological self-regulation; their internal biological states—heart rates, hormone levels, nervous system activity — depend completely on their relationships with caregiving grown-ups.
Emotions such as love, fear or anger serve the needs of protecting the self while maintaining essential relationships with parents and other caregivers. Psychological stress is whatever threatens the young creature’s perception of a safe relationship with the adults, because any disruption in the relationship will cause turbulence in the internal milieu. Emotional and social relationships remain important biological influences beyond childhood. “Independent self-regulation may not exist even in adulthood,” Dr. Myron Hofer, then of the Departments of Psychiatry and Neuroscience at Albert Einstein College of Medicine in New York, wrote in 1984. “Social interactions may continue to play an important role in the everyday regulation of internal biologic systems throughout life.” Our biological response to environmental challenge is profoundly influenced by the context and by the set of relationships that connect us with other human beings. As one prominent researcher has expressed it most aptly, “Adaptation does not occur wholly within the individual.”
Human beings as a species did not evolve as solitary creatures but as social animals whose survival was contingent on powerful emotional connections with family and tribe. Social and emotional connections are an integral part of our neurological and chemical makeup. We all know this from the daily experience of dramatic physiological shifts in our bodies as we interact with others. “You’ve burnt the toast again,” evokes markedly different bodily responses from us, depending on whether it is shouted in anger or said with a smile. When one considers our evolutionary history and the scientific evidence at hand, it is absurd even to imagine that health and disease could ever be understood in isolation from our psychoemotional networks. “The basic premise is that, like other social animals, human physiologic homeostasis and ultimate health status are influenced not only by the physical environment but also by the social environment.” From such a biopsychosocial perspective, individual biology, psychological functioning and interpersonal and social relationships work together, each influencing the other.
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Gabor Maté (When the Body Says No: The Cost of Hidden Stress)