Should Of Listened Quotes

We've searched our database for all the quotes and captions related to Should Of Listened. Here they are! All 100 of them:

I told you to hide your heart once. You should have listened.
Victoria Aveyard (Red Queen (Red Queen, #1))
We have two ears and one mouth, so we should listen more than we say.
Zeno of Citium
We have two ears and one mouth and we should use them proportionally.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
Love what you do and do what you love. Don't listen to anyone else who tells you not to do it. You do what you want, what you love. Imagination should be the center of your life.
Ray Bradbury
The eye should learn to listen before it looks.
Robert Frank
Go placidly amid the noise and the haste, and remember what peace there may be in silence. As far as possible without surrender, be on good terms with all persons. Speak your truth quietly and clearly, and listen to others, even the dull and ignorant; they too have their story. Be yourself. Especially do not feign affection. Neither be cynical about love – for in the face of all aridity and disenchantment it is perennial as the grass. Take kindly the counsel of the years, gracefully surrendering the things of youth. Nurture strength of spirit to shield you from misfortune. But do not distress yourself with imaginings. Many fears are born of fatigue and loneliness. Beyond a wholesome discipline, be gentle with yourself. You are a child of the universe no less than the trees and the stars; you have a right to be here. And whether or not it is clear to you, no doubt the universe is unfolding as it should. Therefore be at peace with God, whatever you conceive Him to be, and whatever your labours and aspirations, in the noisy confusion of life keep peace with your soul. With all its sham, drudgery and broken dreams, it is still a beautiful world.
Max Ehrmann (Desiderata: A Poem for a Way of Life)
The spiritual journey is individual, highly personal. It can't be organized or regulated. It isn't true that everyone should follow one path. Listen to your own truth.
Ram Dass
If you get stuck, get away from your desk. Take a walk, take a bath, go to sleep, make a pie, draw, listen to ­music, meditate, exercise; whatever you do, don't just stick there scowling at the problem. But don't make telephone calls or go to a party; if you do, other people's words will pour in where your lost words should be. Open a gap for them, create a space. Be patient.
Hilary Mantel
It is not advisable to venture unsolicited opinions. You should spare yourself the embarrassing discovery of their exact value to your listener.
Ayn Rand (Atlas Shrugged)
Those who still think that listening isn’t an art should see if they can do it half as well.
Michael Ende (Momo)
Only someone watching him closely like Celena would have noticed his intense preoccupation, and that something in a split second had happened to him.  She wondered where he had gone when he should have been listening to the sermon, where his soul had gone went it had left his body.
Barbara Sontheimer (Victor's Blessing)
Be silent and listen: have you recognized your madness and do you admit it? Have you noticed that all your foundations are completely mired in madness? Do you not want to recognize your madness and welcome it in a friendly manner? You wanted to accept everything. So accept madness too. Let the light of your madness shine, and it will suddenly dawn on you. Madness is not to be despised and not to be feared, but instead you should give it life...If you want to find paths, you should also not spurn madness, since it makes up such a great part of your nature...Be glad that you can recognize it, for you will thus avoid becoming its victim. Madness is a special form of the spirit and clings to all teachings and philosophies, but even more to daily life, since life itself is full of craziness and at bottom utterly illogical. Man strives toward reason only so that he can make rules for himself. Life itself has no rules. That is its mystery and its unknown law. What you call knowledge is an attempt to impose something comprehensible on life.
C.G. Jung (The Red Book: A Reader's Edition)
If this nation is to be wise as well as strong, if we are to achieve our destiny, then we need more new ideas for more wise men reading more good books in more public libraries. These libraries should be open to all—except the censor. We must know all the facts and hear all the alternatives and listen to all the criticisms. Let us welcome controversial books and controversial authors. For the Bill of Rights is the guardian of our security as well as our liberty. [Response to questionnaire in Saturday Review, October 29 1960]
John F. Kennedy
If anybody thinks they should listen to me because I'm a professor at MIT, that's nonsense. You should decide whether something makes sense by its content, not by the letters after the name of the person who says it.
Noam Chomsky
I ought not to have listened to her,' he confided to me one day. 'One never ought to listen to the flowers. One should simply look at them and breathe their fragrance. Mine perfumed all my planet. But I did not know how to take pleasure in all her grace.
Antoine de Saint-Exupéry (The Little Prince)
Listen, O drop, give yourself up without regret, and in exchange gain the Ocean. Listen, O drop, bestow upon yourself this honor, and in the arms of the Sea be secure. Who indeed should be so fortunate? An Ocean wooing a drop! In God's name, in God's name, sell and buy at once! Give a drop, and take this Sea full of pearls.
Jalal ad-Din Muhammad ar-Rumi
I should just listen to my gut and then do the opposite.
Gillian Flynn (Dark Places)
... God gave you just one mouth but He gave you two ears, so you should listen twice as much as you speak
Nick Vujicic (Life Without Limits)
The fire on the mountain.” That was Anna. “Alchemy,” she said. “I feel it singing in my bones.” “Singing?” Mary would never understand Anna. The young woman turned away. Wiseman’s reply was tinged with respect. “That great pair of alchemists, Francis Ransome and Roberta Le More, believed the work they did affected the world’s spirit, the anima mundi. The Native Americans they met believed they too could and should interact with the Great Spirit. They lived with reverence for the land and all its peoples, the ancestors, the animals, the rocks, the trees, mountains.”  Mary’s jaw dropped; Caroline glowed; Anna pretended not to listen. Wiseman nodded, then continued. “You mean…?” began Mary. “Yes, it could have been so different, a meeting of like-minded earth-based spiritualities. Just imagine, what could have been?
Susan Rowland (The Alchemy Fire Murder (Mary Wandwalker #2))
He sighed, and his eyes closed. "You were right," he murmured, his voice nearly lost in the darkness. "I couldn't do it alone. I should have listened to you back in Tir Na Nog." "Yes, you should have," I whispered. "Remember that, so that next time you can just agree with whatever I say and we'll be fine.
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
The so-called paradox of freedom is the argument that freedom in the sense of absence of any constraining control must lead to very great restraint, since it makes the bully free to enslave the meek. The idea is, in a slightly different form, and with very different tendency, clearly expressed in Plato. Less well known is the paradox of tolerance: Unlimited tolerance must lead to the disappearance of tolerance. If we extend unlimited tolerance even to those who are intolerant, if we are not prepared to defend a tolerant society against the onslaught of the intolerant, then the tolerant will be destroyed, and tolerance with them. — In this formulation, I do not imply, for instance, that we should always suppress the utterance of intolerant philosophies; as long as we can counter them by rational argument and keep them in check by public opinion, suppression would certainly be unwise. But we should claim the right to suppress them if necessary even by force; for it may easily turn out that they are not prepared to meet us on the level of rational argument, but begin by denouncing all argument; they may forbid their followers to listen to rational argument, because it is deceptive, and teach them to answer arguments by the use of their fists or pistols. We should therefore claim, in the name of tolerance, the right not to tolerate the intolerant. We should claim that any movement preaching intolerance places itself outside the law, and we should consider incitement to intolerance and persecution as criminal, in the same way as we should consider incitement to murder, or to kidnapping, or to the revival of the slave trade, as criminal.
Karl Popper (The Open Society and Its Enemies)
Every time he looked at me I felt like I'd touched my tongue to the tip of a battery. In art class I'd watch him lean back and listen and I was nothing but zing and tingle. After a while, the tingle turned to electricity, and when he asked me out my whole body amped to a level where technically I should have been dead. I had nothing in common with a sheddy like him, but a girl doesn't think straight when she's that close to electrocution.
Cath Crowley (Graffiti Moon)
Well, then, why should I listen to my heart?" "Because you will never again be able to keep it quiet.
Paulo Coelho (The Alchemist)
Every American should be forced to live outside the United States for a year or two. Americans should be forced to see how ridiculous they appear to the rest of the world! They should listen to someone else's version of themselves--to anyone else's version! Every country knows more about America than Americans know about themselves! And Americans know absolutely nothing about any other country!
John Irving (A Prayer for Owen Meany)
Yeah, listen you should really stop now, because I’m betting on the smartest thing that ever could come out of your mouth is a penis.
Christine Zolendz (Fall From Grace (Mad World, #1))
The second thing you have to do to be a writer is to keep on writing. Don't listen to people who tell you that very few people get published and you won't be one of them. Don't listen to your friend who says you are better that Tolkien and don't have to try any more. Keep writing, keep faith in the idea that you have unique stories to tell, and tell them. I meet far too many people who are going to be writers 'someday.' When they are out of high school, when they've finished college, after the wedding, when the kids are older, after I retire . . . That is such a trap You will never have any more free time than you do right now. So, whether you are 12 or 70, you should sit down today and start being a writer if that is what you want to do. You might have to write on a notebook while your kids are playing on the swings or write in your car on your coffee break. That's okay. I think we've all 'been there, done that.' It all starts with the writing.
Robin Hobb
If you're trying to be miserable, it's important you don't have any goals. No school goals, personal goals, family goals. Your only objective each day should be to inhale and exhale for sixteen hours before you go to bed again. Don't read anything informative, don't listen to anything useful, don't do anything productive. If you start achieving goals, you might start to feel a sense of excitement, then you might want to set another goal, and then your miserable mornings are through. To maintain your misery, the idea of crossing off your goals should never cross your mind.
John Bytheway (How to Be Totally Miserable: A Self-Hinder Book)
1. Everyone is entitled to their opinion about the things they read (or watch, or listen to, or taste, or whatever). They’re also entitled to express them online. 2. Sometimes those opinions will be ones you don’t like. 3. Sometimes those opinions won’t be very nice. 4. The people expressing those may be (but are not always) assholes. 5. However, if your solution to this “problem” is to vex, annoy, threaten or harrass them, you are almost certainly a bigger asshole. 6. You may also be twelve. 7. You are not responsible for anyone else’s actions or karma, but you are responsible for your own. 8. So leave them alone and go about your own life." [Bad Reviews: I Can Handle Them, and So Should You (Blog post, July 17, 2012)]
John Scalzi
I had a professor one time... He said, 'Class, you will forget almost everything I will teach you in here, so please remember this: that God spoke to Balaam through his ass, and He has been speaking through asses ever since. So, if God should choose to speak through you, you need not think too highly of yourself. And, if on meeting someone, right away you recognize what they are, listen to them anyway'.
Rich Mullins
You really should do some research for a change instead of just listening to the voices in your head.
John Ringo
And what are you that, missing you, I should be kept awake As many nights as there are days With weeping for your sake? And what are you that, missing you, As many days as crawl I should be listening to the wind And looking at the wall? I know a man that’s a braver man And twenty men as kind, And what are you, that you should be The one man in my mind? Yet women’s ways are witless ways, As any sage will tell,— And what am I, that I should love So wisely and so well?
Edna St. Vincent Millay
You may have noticed that the books you really love are bound together by a secret thread. You know very well what is the common quality that makes you love them, though you cannot put it into words: but most of your friends do not see it at all, and often wonder why, liking this, you should also like that. Again, you have stood before some landscape, which seems to embody what you have been looking for all your life; and then turned to the friend at your side who appears to be seeing what you saw -- but at the first words a gulf yawns between you, and you realise that this landscape means something totally different to him, that he is pursuing an alien vision and cares nothing for the ineffable suggestion by which you are transported. Even in your hobbies, has there not always been some secret attraction which the others are curiously ignorant of -- something, not to be identified with, but always on the verge of breaking through, the smell of cut wood in the workshop or the clap-clap of water against the boat's side? Are not all lifelong friendships born at the moment when at last you meet another human being who has some inkling (but faint and uncertain even in the best) of that something which you were born desiring, and which, beneath the flux of other desires and in all the momentary silences between the louder passions, night and day, year by year, from childhood to old age, you are looking for, watching for, listening for? You have never had it. All the things that have ever deeply possessed your soul have been but hints of it -- tantalising glimpses, promises never quite fulfilled, echoes that died away just as they caught your ear. But if it should really become manifest -- if there ever came an echo that did not die away but swelled into the sound itself -- you would know it. Beyond all possibility of doubt you would say "Here at last is the thing I was made for". We cannot tell each other about it. It is the secret signature of each soul, the incommunicable and unappeasable want, the thing we desired before we met our wives or made our friends or chose our work, and which we shall still desire on our deathbeds, when the mind no longer knows wife or friend or work. While we are, this is. If we lose this, we lose all.
C.S. Lewis (The Problem of Pain)
Most of us are not raised to actively encounter our destiny. We may not know that we have one. As children, we are seldom told we have a place in life that is uniquely ours alone. Instead, we are encouraged to believe that our life should somehow fulfill the expectations of others, that we will (or should) find our satisfactions as they have found theirs. Rather than being taugh to ask ourselves who we are, we are schooled to ask others. We are, in effect, trained to listen to others' versions of ourselves. We are brought up in our life as told to us by someone else! When we survey our lives, seeking to fulfill our creativity, we often see we had a dream that went glimmering because we believed, and those around us believed, that the dream was beyond our reach. Many of us would have been, or at least might have been, done, tried something, if... If we had known who we really were.
Julia Cameron
If you’re listening to this, congratulations! You survived Doomsday. I’d like to apologize straightaway for any inconvenience the end of the world may have caused you. The earthquakes, rebellions, riots,tornadoes, floods, tsunamis, and of course the giant snake who swallowed the sun—I’m afraid most of that was our fault. Carter and I decided we should at least explain how it happened.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
No, it’s not a very good story - its author was too busy listening to other voices to listen as closely as he should have to the one coming from inside.
Stephen King (Different Seasons)
If a little voice in your head is telling you something is up, maybe you should listen.
Sara Shepard (Crushed (Pretty Little Liars, #13))
My eyes narrowed. “You said it was a brilliant idea.” “I think lots of things are brilliant ideas. Like nuclear weapons, zero-calorie soft drinks, and blue jean vests,” he replied. “That doesn’t mean we should nuke people, or that diet drinks taste good, or that you should run out to the local Walmart and buy a jean vest. You people shouldn’t always listen to me.
Jennifer L. Armentrout (Opposition (Lux, #5))
Others would always be out there, trying to knock me down, to tell me who I was or who they thought I should be. People carved words into weapons often, but they only had power if I listened to them instead of trusting in myself.
Kerri Maniscalco (Kingdom of the Wicked (Kingdom of the Wicked, #1))
I think this point is so important, I'm going to repeat it: You should never listen to criticism that is primarily intended to wound, even if it contains more than a grain of truth.
Robin Stern (The Gaslight Effect: How to Spot and Survive the Hidden Manipulation Others Use to Control Your Life)
They say when you really love someone, you should be willing to set them free. So that is what I am doing. I will step back and you will move on. I will let you go. ... Your happiness means everything to me. I will listen for your voice in the distance. I will look at the moon. I will keep you in my pocket. I will carry your smile with me everywhere, like a warm and comforting glow.
Tabitha Suzuma (A Voice in the Distance (Flynn Laukonen, #2))
I’ll tell you another secret, this one for your own good. You may think the past has something to tell you. You may think that you should listen, should strain to make out its whispers, should bend over backward, stoop down low to hear its voice breathed up from the ground, from the dead places. You may think there’s something in it for you, something to understand or make sense of. But I know the truth: I know from the nights of Coldness. I know the past will drag you backward and down, have you snatching at whispers of wind and the gibberish of trees rubbing together, trying to decipher some code, trying to piece together what was broken. It’s hopeless. The past is nothing but a weight. It will build inside of you like a stone. Take it from me: If you hear the past speaking to you, feel it tugging at your back and running its fingers up your spine, the best thing to do—the only thing—is run.
Lauren Oliver (Delirium (Delirium, #1))
For those who are not frightened by the solitude, everything will have a different taste. In solitude, they will discover the love that might otherwise arrive unnoticed. In solitude, they will understand and respect the love that left them. In solitude, they will be able to decide whether it is worth asking that lost love to come back or if they should simply let it go and set off along a new path. In solitude, they will learn that saying ‘No’ does not always show a lack of generosity and that saying ‘Yes’ is not always a virtue. And those who are alone at this moment, need never be frightened by the words of the devil: ‘You’re wasting your time.’ Or by the chief demon’s even more potent words: ‘No one cares about you.’ The Divine Energy is listening to us when we speak to other people, but also when we are still and silent and able to accept solitude as a blessing. And when we achieve that harmony, we receive more than we asked for.
Paulo Coelho (Manuscript Found in Accra)
If anyone tells you a song is important to them, you should turn it up loud, close your eyes, and really listen . Because at the end, you will know that person so much better. Unknown
Kate Stewart (Drive (The Bittersweet Symphony Duet #1))
u should not be afraid of doing what ur mind tells you 2 do...just listen 2 ur heart...never say never
Justin Bieber
If we can tame or restrain our addiction to the blinding overabundance of technical widgets, we can “tool down” our mental frame. It’s, by opening our mind to the infinite potential of the world around, that we can take time for the others and learn to listen and interpret their captivating stories. ("Should I shave first?")
Erik Pevernagie
I needed to say something. Something romantic! Something to sweep her off her feet. "You’re like a potato!" I shouted after her. "In a minefield." She froze in place. Then she spun on me, her face lit by a half-grown fruit. “A potato,” she said flatly. “That’s the best you can do? Seriously?” “It makes sense,” I said. “Listen. You’re strolling through a minefield, worried about getting blown up. And then you step on something, and you think, ‘I’m dead.’ But it’s just a potato. And you’re so relieved to find something so wonderful when you expected something so awful. That’s what you are. To me.” “A potato.” “Sure. French fries? Mashed potatoes? Who doesn’t like potatoes?” “Plenty of people. Why can’t I be something sweet, like a cake?” “Because cake wouldn’t grow in a minefield. Obviously.” She stared down the hallway at me for a few moments, then sat on an overgrown set of roots. Sparks. She seemed to be crying. Idiot! I thought at myself, scrambling through the foliage. Romantic. You were supposed to be romantic, you slontze! Potatoes weren’t romantic. I should have gone with a carrot.
Brandon Sanderson (Firefight (The Reckoners, #2))
Should you ever feel too lonely...listen for the roar of the sea- for in it are all those who've been and all those who are to come.
Simon Van Booy (The Coming and Going of Strangers)
In Pakistan when women say they want independence, people think this means we don’t want to obey our fathers, brothers or husbands. But it does not mean that. It means we want to make decisions for ourselves. We want to be free to go to school or to go to work. Nowhere is it written in the Quran that a woman should be dependent on a man. The word has not come down from the heavens to tell us that every woman should listen to a man.
Malala Yousafzai (I Am Malala: The Girl Who Stood Up for Education and Was Shot by the Taliban)
I choose to believe that I owe my very life to you--ay--smile, and think it an exaggeration if you will. I believe it, because it adds a value to that life to think--oh, Miss Hale!' continued he, lowering his voice to such a tender intensity of passion that she shivered and trembled before him, 'to think circumstance so wrought, that whenever I exult in existence henceforward, I may say to myself, "All this gladness in life, all honest pride in doing my work in the world, all this keen sense of being, I owe to her!" And it doubles the gladness, it makes the pride glow, it sharpens the sense of existence till I hardly know if it is pain or pleasure, to think that I owe it to one--nay, you must, you shall hear'--said he, stepping forwards with stern determination--'to one whom I love, as I do not believe man ever loved woman before.' He held her hand tight in his. He panted as he listened for what should come.
Elizabeth Gaskell (North and South)
A faith without some doubts is like a human body with no antobodies in it. People who blithely go through life too busy or indifferent to ask the hard questions about why they believe as they do will find themselves defenseless against either the experience of tragedy or the probing questions of a smart skeptic. A person's faith can collapse almost overnight if she failed over the years to listen patiently to her own doubts, which should only be discarded after long reflection.
Timothy J. Keller
I missed the sound of her shuffling her homework while I listened to music on her bed. I missed the cold of her feet against my legs when she climbed into bed. I missed the shape of her shadow where it fell across the page of my book. I missed the smell of her hair and the sound of her breath and my Rilke on her nightstand and her wet towel thrown over the back of her desk chair. It felt like I should be sated after having a whole day with her, but it just made me miss her more.
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
..I find it incredible impossible not to cry when I hear Stevie Nicks's "Landslide," especially the lyric: "I've been afraid of changing, because I've built my life around you." I think a good test to see if a human is actually a robot/android/cylon is to have them listen to this song lyric and study their reaction. If they don't cry, you should stab them through the heart. You will find a fusebox.
Mindy Kaling
Someone else's vision will never be as good as your own vision of your self. Live and die with it 'cause in the end it’s all you have. Lose it and you lose yourself and everything else. I should have listened to myself.
Georgia O'Keeffe
Do you love me, Westley? Is that it?’ He couldn’t believe it. ‘Do I love you? My God, if your love were a grain of sand, mine would be a universe of beaches. If your love were—‘ ‘I don’t understand the first one yet,’ Buttercup interrupted. She was starting to get very excited now. ‘Let me get this straight. Are you saying my love is the size of a grain of sand and yours is this other thing? Images just confuse me so—is this universal business of yours bigger than my sand? Help me, Westley. I have the feeling we’re on the verge of something just terribly important.’ ‘I have stayed these years in my hovel because of you. I have taught myself languages because of you. I have made my body strong because I thought you might be pleased by a strong body. I have lived my life with only the prayer that some sudden dawn you might glance in my direction. I have not known a moment in years when the sight of you did not send my heart careening against my rib cage. I have not known a night when your visage did not accompany me to sleep. There has not been a morning when you did not flutter behind my waking eyelids….Is any of this getting through to you, Buttercup, or do you want me to go on for a while?’ ‘Never stop.’ ‘There has not been—‘ ‘If you’re teasing me, Westley, I’m just going to kill you.’ ‘How can you even dream I might be teasing?’ ‘Well, you haven’t once said you loved me.’ ‘That’s all you need? Easy. I love you. Okay? Want it louder? I love you. Spell it out, should I? I ell-oh-vee-ee why-oh-you. Want it backward? You love I.’ ‘You are teasing now; aren’t you?’ ‘A little maybe; I’ve been saying it so long to you, you just wouldn’t listen. Every time you said ‘Farm boy do this’ you thought I was answering ‘As you wish’ but that’s only because you were hearing wrong. ‘I love you’ was what it was, but you never heard, and you never heard.
William Goldman (The Princess Bride)
Each person is made of five different elements, she told me. Too much fire and you had a bad temper. That was like my father, whom my mother always critized for his cigarette habit and who always shouted back that she should feel guilty that he didn't let my mother speak her mind. Too little wood and you bent too quickly to listen to other people's ideas, unable to stand on your own. This was like my Auntie An-mei. Too much water and you flowed in too many different directions. like myself.
Amy Tan (The Joy Luck Club)
We may sometimes witness conversations at cross purposes and see how people hold muted dialogues of the deaf. They keep talking without really recognizing what the other is trying to bring home. Why should we not more engage in discussions with animals, promising much better results? Animals often appear to be much wiser, reasonable observers, and excellent listeners. (Let us say more and speak less)-Erik Pevernagie
Erik Pevernagie
A god who listens is love. A god who speaks is law. At their worst, the people who want a god who listens are self-centered...And the ones who want a god who speaks are cruel. They just want laws and justice to crush everything...Love is empty without justice. Justice is cruel without love....God should be both. If a god isn't, that is no God.
Daniel Nayeri (Everything Sad Is Untrue)
Anger is the go-to feeling for most people because it’s outward-directed—angrily blaming others can feel deliciously sanctimonious. But often it’s only the tip of the iceberg, and if you look beneath the surface, you’ll glimpse submerged feelings you either weren’t aware of or didn’t want to show: fear, helplessness, envy, loneliness, insecurity. And if you can tolerate these deeper feelings long enough to understand them and listen to what they’re telling you, you’ll not only manage your anger in more productive ways, you also won’t be so angry all the time.
Lori Gottlieb (Maybe You Should Talk to Someone)
Then listen to me,' he said and cleared his throat. 'It's true that a child belongs to its father. But when a father beats his child, it seeks sympathy in its mother's hut. A man belongs to his fatherland when things are good and life is sweet. But when there is sorrow and bitterness he finds refuge in his motherland. Your mother is there to protect you. She is buried there. And that is why we say that mother is supreme. Is it right that you, Okonkwo, should bring your mother a heavy face and refuse to be comforted? Be careful or you may displease the dead. Your duty is to comfort your wives and children and take them back to your fatherland after seven years. But if you allow sorrow to weigh you down and kill you, they will all die in exile.
Chinua Achebe (Things Fall Apart (The African Trilogy, #1))
Lord, if I thought you were listening, I'd pray for this above all: that any church set up in your name should remain poor, and powerless, and modest. That it should wield no authority except that of love. That it should never cast anyone out. That it should own no property and make no laws. That it should not condemn, but only forgive.
Philip Pullman (The Good Man Jesus and the Scoundrel Christ)
You think I'm playing at some game? You think iron will keep you safe? Hear my words, manling. Do not mistake me for my mask. You see light dappling on the water and forget the deep, cold dark beneath. Listen. You cannot hurt me. You cannot run or hide. In this I will not be defied. I swear by all the salt in me: if you run counter to my desire, the remainder of your brief mortal span will be an orchestra of misery. I swear by stone and oak and elm: I'll make a game of you. I'll follow you unseen and smother any spark of joy you find. You'll never know a woman's touch, a breath of rest, a moment's peace of mind. And I swear by the night sky and the ever-moving moon: if you lead my master to despair, I will slit you open and splash around like a child in a muddy puddle. I'll string a fiddle with your guts and make you play it while I dance. You are an educated man. You know there are no such things as demons. There is only my kind. You are not wise enough to fear me as I should be feared. You do not know the first note of the music that moves me. -Bast
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
I did it because he wasn't fair to you. Because you deserve credit for what you've done. Because he needs to realize you aren't the person he's always thought you were. He needs to see you for who you really are, not for all the ideas and preconceptions he's built up around you." The power in Adrian's gaze was so strong that I kept talking. I was nervous about meeting that stare in silence. Also, part of me was afraid that if I pondered my own words too hard, I'd discover they were just as much about my own father and me as Adrian and his. "It should have been enough for you to tell him who you are - show him who you are - but he wouldn't listen
Richelle Mead
Sly vendors of tears who like to provoke emotional wreckage should be eschewed intently. Let us not be content with fake commitments but care for genuine concern. When we listen attentively to what tears tell us, we can comprehend their story. Empathy allows us to interpret and respond supportively since tears can convey awareness and identify fear, grief, shortage, or joy. ("Words had disappeared”)
Erik Pevernagie
That’s another thing,” she said. “You no longer need other people in your life once you have found your true love. No wonder Magnus feels he cannot open up to you, when you rely so heavily upon these other people. When love is true, you should meet each other people. When love is true, you should meet each other’s every desire, every need—A re you listening, young A lexander? For my advice is precious, and not given often…
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
The clock holds me nowhere. Nowhere. Nowhere. There is nothing else but now and the shifting depth of the night. I sit at a table alone smoking cigarettes and drinking coffee and listening and surviving. I should not be here or anywhere. I should not be breathing or taking space. I should not have been given this moment or anything else. I should not have this opportunity again to live. I do not deserve it or deserve anything yet it is here and I am here and I Have it all of it still. I won't have it again. This moment or this chance they are the same and they are mine if I choose them and I do. I want them. Now and as long as I can have them they are both precious and fleeting and gone in the blink of an eye don't waste them. A moment and an opportunity and a life, all in the unseen tick of a clock holding me nowhere. My heart is beating. The walls are pale and quiet. I am surviving.
James Frey (A Million Little Pieces)
We'll win, of course," he said. "You don't want that," said the demon. "Why not, pray?“ “Listen," said Crowley desperately, "how many musicians do you think your side have got, eh? First grade, I mean." Aziraphale looked taken aback. "Well, I should think-" he began. "Two," said Crowley. "Elgar and Liszt. That's all. We've got the rest. Beethoven, Brahms, all the Bachs, Mozart, the lot. Can you imagine eternity with Elgar?
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
The central attitudes driving Mr. Right are: You should be in awe of my intelligence and should look up to me intellectually. I know better than you do, even about what’s good for you. Your opinions aren’t worth listening to carefully or taking seriously. The fact that you sometimes disagree with me shows how sloppy your thinking is. If you would just accept that I know what’s right, our relationship would go much better. Your own life would go better, too. When you disagree with me about something, no matter how respectfully or meekly, that’s mistreatment of me. If I put you down for long enough, some day you’ll see.
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
It was awful to be Negro and have no control over my life. It was brutal to be young and already trained to sit quietly and listen to charges brought against my color with no chance of defense. We should all be dead. I thought I should like to see us all dead, one on top of the other. A pyramid of flesh with the whitefolks on the bottom, as the broad base, then the Indians with their silly tomahawks and teepees and wigwams and treaties, the Negroes with their mops and recipes and cotton sacks and spirituals sticking out of their mouths. The Dutch children should all stumble in their wooden shoes and break their necks. The French should choke to death on the Louisiana Purchase (1803) while silkworms ate all the Chinese with their stupid pigtails. As a species, we were an abomination. All of us.
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
I listen to the things people want out of love these days and they blow my mind. I go to the pub with the boys from the squad and listen while they explain, with minute precision, exactly what shape a woman should be, what bits she should shave how, what acts she should perform on which date and what she should always or never do or say or want; I eavesdrop on women in cafes while they reel off lists of which jobs a man is allowed, which cars, which labels, which flowers and restaurants and gemstones get the stamp of approval, and I want to shout, Are you people out of your tiny minds?
Tana French (Faithful Place (Dublin Murder Squad, #3))
Not called!' did you say? 'Not heard the call,' I think you should say. Put your ear down to the Bible, and hear Him bid you go and pull sinners out of the fire of sin. Put your ear down to the burdened, agonized heart of humanity, and listen to its pitiful wail for help. Go stand by the gates of hell, and hear the damned entreat you to go to their father's house and bid their brothers and sisters and servants and masters not to come there. Then look Christ in the face — whose mercy you have professed to obey — and tell Him whether you will join heart and soul and body and circumstances in the march to publish His mercy to the world.
William Booth
I think too many people presume to read the divine Scriptures and fall into such terrors as this,' said Patricius sternly. 'Those who presume on their learning will learn, I trust, to listen to their priests for the true interpretations.' The Merlin smiled gently. 'I cannot join you in that wish, brother. I am dedicated to the belief that it is God's will that all men should strive for wisdom in themselves, not look to it from some other. Babes, perhaps, must have their food chewed for them by a nurse, but men may drink and eat of wisdom for themselves.
Marion Zimmer Bradley (The Mists of Avalon (Avalon, #1))
I’ve always been a slow learner in some areas of my life.mostly the areas known as myself. Or maybe I should say ‘selves.’because the fact is, I’ve never, even as a child, felt I’m only one self, only one person. I’ve always felt I’m quite a few more than one. For example, there’s my jokey self, there’s my morose and fed-up self,there’s my lewd and disgusting self. There’s my clever-clogs self, and my fading-violet-who-cant-make-up-her-mind-about-anything self. There’s my untidy-clothes-everywhere-all-over-my-room self, and my manically tidy self when I want my room to be minimalist and Zen to the nth degree. There’s my confidant, arrogant self and my polite and reasonable and good listener self. There’s my self-righteous self and my wickedly bad self, my flaky self and my bsentimental self. There are selfs I like and selfs I don’t like.there’s my little-girl selfnwhonlikes to play silly games and there’s my old-woman self when I’m quite sure I’m eighty and edging towards geriatric. The self I show in action at any moment depends on where I am, who I’m with, the circumstances of the situation and the mood I’m in.
Aidan Chambers (This Is All: The Pillow Book of Cordelia Kenn)
Betrayal is too kind a word to describe a situation in which a father says he loves his daughter but claims he must teach her about the horrors of the world in order to make her a stronger person; a situation in which he watches or participates in rituals that make her feel like she is going to die. She experiences pain that is so intense that she cannot think; her head spins so fast she can't remember who she is or how she got there. All she knows is pain. All she feels is desperation. She tries to cry out for help, but soon learns that no one will listen. No matter how loud she cries, she can't stop or change what is happening. No matter what she does, the pain will not stop. Her father orders her to be tortured and tells her it is for her own good. He tells her that she needs the discipline, or that she has asked for it by her misbehavior. Betrayal is too simple a word to describe the overwhelming pain, the overwhelming loneliness and isolation this child experiences. As if the abuse during the rituals were not enough, this child experiences similar abuse at home on a daily basis. When she tries to talk about her pain, she is told that she must be crazy. "Nothing bad has happened to you;' her family tells her Each day she begins to feel more and more like she doesn't know what is real. She stops trusting her own feelings because no one else acknowledges them or hears her agony. Soon the pain becomes too great. She learns not to feel at all. This strong, lonely, desperate child learns to give up the senses that make all people feel alive. She begins to feel dead. She wishes she were dead. For her there is no way out. She soon learns there is no hope. As she grows older she gets stronger. She learns to do what she is told with the utmost compliance. She forgets everything she has ever wanted. The pain still lurks, but it's easier to pretend it's not there than to acknowledge the horrors she has buried in the deepest parts of her mind. Her relationships are overwhelmed by the power of her emotions. She reaches out for help, but never seems to find what she is looking for The pain gets worse. The loneliness sets in. When the feelings return, she is overcome with panic, pain, and desperation. She is convinced she is going to die. Yet, when she looks around her she sees nothing that should make her feel so bad. Deep inside she knows something is very, very wrong, but she doesn't remember anything. She thinks, "Maybe I am crazy.
Margaret Smith (Ritual Abuse: What It Is, Why It Happens, and How to Help)
She stopped and listened to him and somehow his cheerful, friendly little whistle gave her a pleased feeling--even a disagreeable little girl may be lonely, and the big closed house and big bare moor and big bare gardens had made this one feel as if there was no one left in the world but herself. If she had been an affectionate child, who had been used to being loved, she would have broken her heart, but even though she was "Mistress Mary Quite Contrary" she was desolate, and the bright-breasted little bird brought a look into her sour little face which was almost a smile. She listened to him until he flew away. He was not like an Indian bird and she liked him and wondered if she should ever see him again. Perhaps he lived in the mysterious garden and knew all about it.
Frances Hodgson Burnett (Secret Garden (Dover Children's Evergreen Classics))
Reuven listen to me. The Talmud says that a person should do two things for himself. One is to acquire a teacher. Do you remember the other." "Choose a friend," I said. "Yes. You know what a friend is, Reuven? A Greek philosopher said that two people who are true friends are like two bodies with one soul." I nodded. "Reuven, if you can, make Danny Saunders your friend." "I like him a lot, abba." "No. Listen to me. I am not talking about only liking him. I am telling you to make him your friend and to let him make you his friend.
Chaim Potok (The Chosen (Reuven Malther, #1))
It was not the privileged and the fortunate who took in the Jews in France. It was the marginal and damaged, which should remind us that there are real limits to what evil and misfortune can accomplish. If you take away the gift of reading, you create the gift of listening. If you bomb a city, you leave behind death and destruction. But you create a community of remote misses. If you take away a mother or a father, you cause suffering and despair. But one time in ten, out of that despair rises as indomitable force. You see the giant and the shepherd in the Valley of Elah and your eye is drawn to the man with sword and shield and the glittering armor. But so much of what is beautiful and valuable in the world comes from the shepherd, who has more strength and purpose than we ever imagine.
Malcolm Gladwell (David and Goliath: Underdogs, Misfits, and the Art of Battling Giants)
I began my studies with eagerness. Before me I saw a new world opening in beauty and light, and I felt within me the capacity to know all things. In the wonderland of Mind I should be as free as another [with sight and hearing]. Its people, scenery, manners, joys, and tragedies should be living tangible interpreters of the real world. The lecture halls seemed filled with the spirit of the great and wise, and I thought the professors were the embodiment of wisdom... But I soon discovered that college was not quite the romantic lyceum I had imagined. Many of the dreams that had delighted my young inexperience became beautifully less and "faded into the light of common day." Gradually I began to find that there were disadvantages in going to college. The one I felt and still feel most is lack of time. I used to have time to think, to reflect, my mind and I. We would sit together of an evening and listen to the inner melodies of the spirit, which one hears only in leisure moments when the words of some loved poet touch a deep, sweet chord in the soul that until then had been silent. But in college there is no time to commune with one's thoughts. One goes to college to learn, it seems, not to think. When one enters the portals of learning, one leaves the dearest pleasures – solitude, books and imagination – outside with the whispering pines. I suppose I ought to find some comfort in the thought that I am laying up treasures for future enjoyment, but I am improvident enough to prefer present joy to hoarding riches against a rainy day.
Helen Keller (The Story of My Life: With Her Letters (1887 1901) and a Supplementary Account of Her Education Including Passages from the Reports and Letters of Her Teacher Anne Mansfield Sullivan by John Albert Macy)
There is a kind of listening with half an ear that presumes already to know what the other person has to say. It is an impatient, inattentive listening, that despises the brother and is only waiting for a chance to speak and thus get rid of the other person. This is no fulfillment of our obligation, and it is certain that here too our attitude toward our brother only reflects our relationship to God. It is little wonder that we are no longer capable of the greatest service of listening that God has committed to us, that of hearing our brother's confession, if we refuse to give ear to our brother on lesser subjects. Secular education today is aware that often a person can be helped merely by having someone who will listen to him seriously, and upon this insight it has constructed its own soul therapy, which has attracted great numbers of people, including Christians. But Christians have forgotten that the ministry of listening has been committed to them by Him who is Himself the great listener and whose work they should share. We should listen with the ears of God that we may speak the Word of God.
Dietrich Bonhoeffer (Life Together: The Classic Exploration of Christian Community)
Are not all lifelong friendships born at the moment when at last you meet another human being who has some inkling (but faint and uncertain even in the best) of that something which you were born desiring, and which, beneath the flux of other desires and in all the momentary silences between the louder passions, night and day, year by year, from childhood to old age, you are looking for, watching for, listening for? You have never had it. All the things that have ever deeply possessed your soul have been but hints of it -- tantalising glimpses, promises never quite fulfilled, echoes that died away just as they caught your ear. But if it should really become manifest -- if there ever came an echo that did not die away but swelled into the sound itself -- you would know it. Beyond all possibility of doubt you would say "Here at last is the thing I was made for.
C.S. Lewis (The Problem of Pain)
The Doctor: [hologram, speaking towards the console] This is Emergency Programme One. Rose, now listen, this is important. If this message is activated, then it can only mean one thing: we must be in danger, and I mean fatal. I'm dead, or about to die any second with no chance of escape. Rose Tyler: No! The Doctor: And that's OK, I hope it's a good death. But I promised to look after you, and that's what I'm doin'. The TARDIS is takin' you home. Rose Tyler: I won't let you. The Doctor: And I bet you're fussing and moaning now, typical. But hold on, and just listen a bit more. The TARDIS can never return for me. Emergency Programme One means I'm facing an enemy that should never get their hooves on this machine. So this is what you should do: let the TARDIS die. Just let this old box gather dust. No one can open it, no one will even notice it. Let it become a strange little thing standing on a street corner. And over the years, the world will move on, and the box will be buried. And if you wanna remember me, then you can do one thing. That's all, one thing. The Doctor: [hologram turns to face Rose, and with a full voice] Have a good life. Do that for me, Rose. Have a fantastic life.
Russell T. Davies
I’m good at science because I’m not good at listening. I have been told that I am intelligent, and I have been told that I am simple-minded. I have been told that I am trying to do too much, and I have been told that what I have done amounts to very little. I have been told that I can’t do what I want to do because I am a woman, and I have been told that I have only been allowed to do what I have done because I am a woman. I have been told that I can have eternal life, and I have been told that I will burn myself out into an early death. I have been admonished for being too feminine and I have been distrusted for being too masculine. I have been warned that I am far too sensitive and I have been accused of being heartlessly callous. But I was told all of these things by people who can’t understand the present or see the future any better than I can. Such recurrent pronouncements have forced me to accept that because I am a female scientist, nobody knows what the hell I am, and it has given me the delicious freedom to make it up as I go along. I don’t take advice from my colleagues, and I try not to give it. When I am pressed, I resort to these two sentences: You shouldn’t take this job too seriously. Except for when you should.
Hope Jahren (Lab Girl)
So,” he said, shaking his head. “I’m too much for you. You should have said something. We might be married, Mercy, but no still means no.” I widened my eyes at him. “I just haven’t wanted to hurt your feelings.” “When I give you that little nudge, hmm?” His voice took on a considering air. “Come to think of it, I’m feeling a little nudge coming on right now.” “Now?” I whispered in horrified tones. I looked up toward Jesse’s room. “Think of the children.” He tilted his head as if to listen, then shook it. “They won’t hear anything from there.” He started slowly down the stairs. “Think of Darryl, Zack, Lucia, and Joel,” I said earnestly. “They’ll be scarred for life.” “You know what they say about werewolves,” he told me gravely, stepping down to the ground. I broke and ran—and he was right on my tail. Figuratively speaking, of course. I don’t have a tail unless I’m in my coyote shape.
Patricia Briggs (Fire Touched (Mercy Thompson, #9))
Talk to me about the truth of religion and I'll listen gladly. Talk to me about the duty of religion and I'll listen submissively. But don't come talking to me about the consolations of religion or I shall suspect that you don't understand. Unless, of course, you can literally believe all that stuff about family reunions 'on the further shore,' pictured in entirely earthly terms. But that is all unscriptural, all out of bad hymns and lithographs. There's not a word of it in the Bible. And it rings false. We know it couldn't be like that. Reality never repeats. The exact same thing is never taken away and given back. How well the Spiritualists bait their hook! 'Things on this side are not so different after all.' There are cigars in Heaven. For that is what we should all like. The happy past restored.
C.S. Lewis (A Grief Observed)
Try to tell me what I shouldn't do You should know by now, I won't listen to you Walk around with my hands up in the air Cause I don't care Cause I'm alright, I'm fine Just freak out, let it go I'm gonna live my life I can't ever run and hide I won't compromise Cause I'll never know I'm gonna close my eyes I can't watch the time go by I won't keep it inside Freak out, let it go Just freak out, let it go You don't always have to do everything right Stand up for yourself And put up a fight walk around with your hands up in the air Like you don't care Cause I'm alright, I'm fine Just freak out, let it go I'm gonna live my life I can't ever run and hide I won't compromise Cause I'll never know I'm gonna close my eyes I can't watch the time go by I won't keep it inside Freak out, let it go On my own Let it go Yeah, yeah, yeah Just let me live my life I can't ever run and hide I won't compromise Cause I'll never know I'm gonna close my eyes I can't watch the time go by I won't keep it inside Freak out, let it go Gonna freak out, let it go Gonna freak out, let it go
Avril Lavigne (Avril Lavigne: Under My Skin)
After It happens when I’m at bodegas. It happens when I’m at school. It happens when I’m on the train. It happens when I’m standing on the platform. It happens when I’m sitting on the stoop. It happens when I’m turning the corner. It happens when I forget to be on guard. It happens all the time. I should be used to it. I shouldn’t get so angry when boys—and sometimes grown-ass men— talk to me however they want, think they can grab themselves or rub against me or make all kinds of offers. But I’m never used to it. And it always makes my hands shake. Always makes my throat tight. The only thing that calms me down after Twin and I get home is to put my headphones on. To listen to Drake. To grab my notebook, and write, and write, and write all the things I wish I could have said. Make poems from the sharp feelings inside, that feel like they could carve me wide open. It happens when I wear shorts. It happens when I wear jeans. It happens when I stare at the ground. It happens when I stare ahead. It happens when I’m walking. It happens when I’m sitting. It happens when I’m on my phone. It simply never stops.
Elizabeth Acevedo (The Poet X)
To be pleasant, gentle, calm and self-possessed: this is the basis of good taste and charm in a woman. No matter how amorous or passionate you may be, as long as you are straightforward and refrain from causing others embarrassment, no one will mind. But women who are too vain and act pretentiously, to the extent that they make others feel uncomfortable, will themselves become the object of attention; and once that happens, people will find fault with whatever they say or do; whether it be how they enter a room, how they sit down, how they stand up or how they take their leave. Those who end up contradicting themselves and those who disparage their companions are also carefully watched and listened to all the more. As long as you are free from such faults, people will surely refrain from listening to tittle-tattle and will want to show you sympathy, if only for the sake of politeness. I am of the opinion that when you intentionally cause hurt to another, or indeed if you do ill through mere thoughtless behavior, you fully deserve to be censured in public. Some people are so good-natured that they can still care for those who despise them, but I myself find it very difficult. Did the Buddha himself in all his compassion ever preach that one should simply ignore those who slander the Three Treasures? How in this sullied world of ours can those who are hard done by be expected to reciprocate in kind?
Murasaki Shikibu (The Diary of Lady Murasaki)
I’ll tell you another secret, this one for your own good. You may think the past has something to tell you. You may think that you should listen, should strain to make out its whispers, should bend over backward, stoop down low to hear its voice breathed up from the ground, from the dead places. You may think there’s something in it for you, something to understand or make sense of. But I know the truth: I know from the nights of Coldness. I know the past will drag you backward and down, have you snatching at whispers of wind and the gibberish of trees rubbing together, trying to decipher some code, trying to piece together what was broken. It’s hopeless. The past is nothing but a weight. It will build inside of you like a stone. Take it from me: If you hear the past speaking to you, feel it tugging at your back and running its fingers up your spine, the best thing to do—the only thing— is run.
Lauren Oliver (Delirium (Delirium, #1))
There must be a glowing light above such houses. The joy they contain must escape in light through the stones of the walls and shine dimly into the darkness. It is impossible that this sacred festival of destiny should not send a celestial radiation to the infinite. Love is the sublime crucible in which is consummated the fusion of man and woman; the one being, the triple being, the final being-- the human trinity springs from it. This birth of two souls into one space must be an emotion for space. The lover is priest; the apprehensive maiden submits. Something of this joy goes to God. Where there really is marriage, that is to say, where there is love, the ideal is mingled with it. A nuptial bed makes a halo in the darkness. Were it given to the eye of the flesh to perceive the fearful and enchanting sights of the superior life, it is likely that we should see the forms of night, the winged stranger, the blue travelers of the invisible, bending, a throng of shadowy heads, over the luminous house, pleased, blessing, showing to one another the sweetly startled maiden bride and wearing the reflection of the human felicity on their divine countenances. If at that supreme hour, the wedded pair, bewildered with pleasure, and believing themselves alone, were to listen, they would hear in their room a rustling of confused wings. Perfect happiness implies the solidarity of the angels. That obscure little alcove has for its ceiling the whole heavens. When two mouths, made sacred by love, draw near to each other to create, it is impossible, that above that ineffable kiss there should not be a thrill in the immense mystery of the stars.
Victor Hugo (Les Misérables)
Hip-hop has always been controversial, and for good reason. When you watch a children's show and they've got a muppet rapping about the alphabet, it's cool, but it's not really hip-hop. The music is meant to be provocative - which doesn't mean it's necessarily obnoxious, but it is (mostly) confrontational, and more than that, it's dense with multiple meanings. Great rap should have all kinds of unresolved layers that you don't necessarily figure out the first time you listen to it. Instead it plants dissonance in your head. You can enjoy a song that knocks in the club or has witty punch lines the first time you hear it. But great rap retains mystery. It leaves shit rattling around in your head that won't make sense till the fifth or sixth time through. It challenges you. Which is the other reason hip-hop is controversial: People don't bother trying to get it. The problem isn't in the rap or the rapper or the culture. The problem is that so many people don't even know how to listen to the music.
Jay-Z (Decoded)
Ranna," she said aloud, touching the first, the smallest bell. Ranna the sleepbringer, the sweet, low sound that brought silence in its wake. "Mosrael." The second bell, a harsh, rowdy bell. Mosrael was the waker, the bell Sabriel should never use, the bell whose sound was a seesaw, throwing the ringer further into Death, as it brought the listener into Life. "Kibeth." Kibeth, the walker. A bell of several sounds, a difficult and contrary bell. It could give freedom of movement to one of the Dead, or walk them through the next gate. Many a necromancer had stumbled with Kibeth and walked where they would not. "Dyrim." A musical bell, of clear and pretty tone. Dyrim was the voice that the Dead so often lost. But Dyrim could also still a tongue that moved too freely. "Belgaer." Another tricksome bell, that sought to ring of its own accord. Belgaer was the thinking bell, the bell most necromancers scorned to use. It could restore independent thought, memory and all the patterns of a living person. Or, slipping in a careless hand, erase them. "Saraneth." The deepest, lowest bell. The sound of strength. Saraneth was the binder, the bell that shackled the Dead to the wielder's will. And last, the largest bell, the one Sabriel's cold fingers found colder still, even in the leather case that kept it silent. "Astarael, the Sorrowful," whispered Sabriel. Astarael was the banisher, the final bell. Properly rung, it cast everyone who heard it far into Death. Everyone, including the ringer.
Garth Nix (Sabriel (Abhorsen, #1))
People walk the paths of the gardens below, and the wind sings anthems in the hedges, and the big old cedars at the entrance to the maze creak. Marie-Laure imagines the electromagnetic waves traveling into and out of Michel’s machine, bending around them, just as Etienne used to describe, except now a thousand times more crisscross the air than when he lived - maybe a million times more. Torrents of text conversations, tides of cell conversations, of televisions programs, of e-mails, vast networks of fiber and wire interlaced above and beneath the city, passing through buildings, arcing between transmitters in Metro tunnels, between antennas atop buildings, from lampposts with cellular transmitters in them, commercials for Carrefour and Evian and prebaked toaster pastries flashing into space and back to earth again, I am going to be late and Maybe we should get reservations? and Pick up avocados and What did he say? and ten thousand I miss yous, fifty thousand I love yous, hate mail and appointment reminders and market updates, jewelry ads, coffee ads, furniture ads flying invisibly over the warrens of Paris, over the battlefields and tombs, over the Ardennes, over the Rhine, over Belgium and Denmark, over the scarred and ever-shifting landscape we call nations. And is it so hard to believe that souls might also travel those paths? That her father and Etienne and Madame Manec and the German boy named Werner Pfennig might harry the sky in flocks, like egrets, like terns, like starlings? That great shuttles of souls might fly about, faded but audible if you listen closely enough? They flow above the chimneys, ride the sidewalks, slip through your jacket and shirt and breastbone and lungs, and pass out through the other side, the air a library and the record of every life lived, every sentence spoken, every word transmitted still reverberating within it. Every hour, she thinks, someone for whom the war was memory falls out of the world. We rise again in the grass. In the flowers. In songs.
Anthony Doerr (All the Light We Cannot See)
What is the Other?" they ask. The Other is the one who taught me whatI should be like, but not what I am. The Other believes that it is our obligation to spend our entire life thinking about how to get our hands on as much money a possible so that we will not die of hunger when we are old. So we think so much about money and our plans for acquiring it that we discover we are alive only when our days on earth are practically done. And then it's too late." And you? Who are you?" I am just like everyone else who listens to their heart: a person who is enchanted by the mystery of life. Who is open to miracles, who experiences joy and enthusiasm for what they do. It's just that the Other, afraid of disappointment,kept me from taking action." But there is suffering in life," one of the listeners said. And there are defeats. No one can avoid them. But it's better to lose some of the battles in the struggle for your dreams than to be defeated without ever even knowing what you're fighting for." That's it?" another listener asked. Yes, that's it. When I learned this, I resolved to become the person I had always wanted to be. The Other stood there in the corner of my room, watching me, but I will never let the Other into myself again----even though it has already tried to frighten me, warning me that it's risky not to think about the future. From the moment that I ousted the Other from my life, the Divine Energy began to perform its miracles.
Paulo Coelho (By the River Piedra I Sat Down and Wept)
Their [girls] sexual energy, their evaluation of adolescent boys and other girls goes thwarted, deflected back upon the girls, unspoken, and their searching hungry gazed returned to their own bodies. The questions, Whom do I desire? Why? What will I do about it? are turned around: Would I desire myself? Why?...Why not? What can I do about it? The books and films they see survey from the young boy's point of view his first touch of a girl's thighs, his first glimpse of her breasts. The girls sit listening, absorbing, their familiar breasts estranged as if they were not part of their bodies, their thighs crossed self-consciously, learning how to leave their bodies and watch them from the outside. Since their bodies are seen from the point of view of strangeness and desire, it is no wonder that what should be familiar, felt to be whole, become estranged and divided into parts. What little girls learn is not the desire for the other, but the desire to be desired. Girls learn to watch their sex along with the boys; that takes up the space that should be devoted to finding out about what they are wanting, and reading and writing about it, seeking it and getting it. Sex is held hostage by beauty and its ransom terms are engraved in girls' minds early and deeply with instruments more beautiful that those which advertisers or pornographers know how to use: literature, poetry, painting, and film. This outside-in perspective on their own sexuality leads to the confusion that is at the heart of the myth. Women come to confuse sexual looking with being looked at sexually ("Clairol...it's the look you want"); many confuse sexually feeling with being sexually felt ("Gillete razors...the way a woman wants to feel"); many confuse desiring with being desirable. "My first sexual memory," a woman tells me, "was when I first shaved my legs, and when I ran my hand down the smooth skin I felt how it would feel to someone else's hand." Women say that when they lost weight they "feel sexier" but the nerve endings in the clitoris and nipples don't multiply with weight loss. Women tell me they're jealous of the men who get so much pleasure out of the female body that they imagine being inside the male body that is inside their own so that they can vicariously experience desire. Could it be then that women's famous slowness of arousal to men's, complex fantasy life, the lack of pleasure many experience in intercourse, is related to this cultural negation of sexual imagery that affirms the female point of view, the culture prohibition against seeing men's bodies as instruments of pleasure? Could it be related to the taboo against representing intercourse as an opportunity for a straight woman actively to pursue, grasp, savor, and consume the male body for her satisfaction, as much as she is pursued, grasped, savored, and consumed for his?
Naomi Wolf (The Beauty Myth)
Peter pushed off from the roof and stalked a few feet away, his back to her. “Please tell me this is all some kind of a sick joke.” “It’s the truth. All of it. That’s why hunters are after me.” “How did they find out?” Peter asked, swiveling toward her now. “I think Beck ratted me out. I went to his house this morning and told him what had happened. He was furious, Peter. I’ve never seen anyone that angry.” “Duh! Now there’s a surprise,” her friend replied sarcastically. “I saw the way he looked at you at your dad’s funeral. Of course he’d be mad. You’re about the only one on the planet who doesn’t realize how he feels about you.” “He never said anything,” she retorted. “Hey, we guys don’t blurt out that kind of stuff,” he replied. “It’s against the man code. Beck may never have said how he felt, but everything he did for you should have been a big clue. I mean, come on, how slow are you?” She glowered at her friend. “I figured he was doing it because of my father.” “Maybe, but the guy is really into you, Riley.” “No way. If he’d liked me, he wouldn’t have blown me off and—” “Ancient history, girl!” he countered. “You were, what, fifteen? Your dad would have torn him apart if he’d touched you. Beck had no other choice.” “He didn’t have to be so mean.” “God, will you listen to yourself?” Peter retorted. “You have no idea how much he hurt me,” she shot back. “Give it up, will you? You’re my best friend, but you can be a real self-centered asshat sometimes.
Jana Oliver (Forgiven (The Demon Trappers, #3))
THE DAY YOU READ THIS On this day, you read something that moved you and made you realise there were no more fears to fear. No tears to cry. No head to hang in shame. That every time you thought you’d offended someone, it was all just in your head and really, they love you with all their heart and nothing will ever change that. That everyone and everything lives on inside you. That that doesn’t make any of it any less real. That soft touches will change you and stay with you longer than hard ones. That being alone means you’re free. That old lovers miss you and new lovers want you and the one you’re with is the one you’re meant to be with. That the tingles running down your arms are angel feathers and they whisper in your ear, constantly, if you choose to hear them. That everything you want to happen, will happen, if you decide you want it enough. That every time you think a sad thought, you can think a happy one instead. That you control that completely. That the people who make you laugh are more beautiful than beautiful people. That you laugh more than you cry. That crying is good for you. That the people you hate wish you would stop and you do too. That your friends are reflections of the best parts of you. That you are more than the sum total of the things you know and how you react to them. That dancing is sometimes more important than listening to the music. That the most embarrassing, awkward moments of your life are only remembered by you and no one else. That no one judges you when you walk into a room and all they really want to know, is if you’re judging them. That what you make and what you do with your time is more important than you’ll ever fathom and should be treated as such. That the difference between a job and art is passion. That neither defines who you are. That talking to strangers is how you make friends. That bad days end but a smile can go around the world. That life contradicts itself, constantly. That that’s why it’s worth living. That the difference between pain and love is time. That love is only as real as you want it to be. That if you feel good, you look good but it doesn’t always work the other way around. That the sun will rise each day and it’s up to you each day if you match it. That nothing matters up until this point. That what you decide now, in this moment, will change the future. Forever. That rain is beautiful. And so are you.
pleasefindthis (I Wrote This For You)
You will not remember much from school. School is designed to teach you how to respond and listen to authority figures in the event of an emergency. Like if there's a bomb in a mall or a fire in an office. It can, apparently, take you more than a decade to learn this. These are not the best days of your life. They are still ahead of you. You will fall in love and have your heart broken in many different, new and interesting ways in college or university (if you go) and you will actually learn things, as at this point, people will believe you have a good chance of obeying authority and surviving, in the event of an emergency. If, in your chosen career path, there are award shows that give out more than ten awards in one night or you have to pay someone to actually take the award home to put on your mantlepiece, then those awards are more than likely designed to make young people in their 20's work very late, for free, for other people. Those people will do their best to convince you that they have value. They don't. Only the things you do have real, lasting value, not the things you get for the things you do. You will, at some point, realise that no trophy loves you as much as you love it, that it cannot pay your bills (even if it increases your salary slightly) and that it won't hold your hand tightly as you say your last words on your deathbed. Only people who love you can do that. If you make art to feel better, make sure it eventually makes you feel better. If it doesn't, stop making it. You will love someone differently, as time passes. If you always expect to feel the same kind of love you felt when you first met someone, you will always be looking for new people to love. Love doesn't fade. It just changes as it grows. It would be boring if it didn't. There is no truly "right" way of writing, painting, being or thinking, only things which have happened before. People who tell you differently are assholes, petrified of change, who should be violently ignored. No philosophy, mantra or piece of advice will hold true for every conceivable situation. "The early bird catches the worm" does not apply to minefields. Perfection only exists in poetry and movies, everyone fights occasionally and no sane person is ever completely sure of anything. Nothing is wrong with any of this. Wisdom does not come from age, wisdom comes from doing things. Be very, very careful of people who call themselves wise, artists, poets or gurus. If you eat well, exercise often and drink enough water, you have a good chance of living a long and happy life. The only time you can really be happy, is right now. There is no other moment that exists that is more important than this one. Do not sacrifice this moment in the hopes of a better one. It is easy to remember all these things when they are being said, it is much harder to remember them when you are stuck in traffic or lying in bed worrying about the next day. If you want to move people, simply tell them the truth. Today, it is rarer than it's ever been. (People will write things like this on posters (some of the words will be bigger than others) or speak them softly over music as art (pause for effect). The reason this happens is because as a society, we need to self-medicate against apathy and the slow, gradual death that can happen to anyone, should they confuse life with actually living.)
pleasefindthis
Then what do you want?" she asked softly. He shook his head without answering. But Sara knew. He wanted to be safe. If he were rich and powerful enough, he would never be hurt, lonely, or abandoned. He would never have to trust anyone. She continued to stroke his hair, playing lightly with the thick raven locks. 'Take a chance on me," she urged. "Do you really have so much to lose?" He gave a harsh laugh and loosened his arms to release her. "More than you know." Clinging to him desperately, Sara kept her mouth at his ear. "Listen to me." All she could do was play her last card. Her voice trembled with emotion. "You can't change the truth. You can act as though you're deaf and blind, you can walk away from me forever, but the truth will still be there, and you can't make it go away. I love you." She felt an involuntary tremor run through him. "I love you," she repeated. "Don't lie to either of us by pretending you're leaving for my good. All you'll do is deny us both a chance at happiness. I'll long for you every day and night, but at least my conscience will be clear. I haven't held anything back from you, out of fear or pride or stubbornness." She felt the incredible tautness of his muscles, as if he were carved from marble. "For once have the strength not to walk away," she whispered. "Stay with me. Let me love you, Derek." He stood there frozen in defeat, with all the warmth and promise of her in his arms ... and he couldn't allow himself to take what she offered. He'd never felt so worthless, so much a fraud. Perhaps for a day, a week, he could be what she wanted. But no longer than that. He had sold his honor, his conscience, his body, anything he could use to escape the lot he'd been given in life. And now, with all his great fortune, he couldn't buy back what he'd sacrificed. Were he capable of tears, he would have shed them. Instead he felt numbing coldness spread through his body, filling up the region where his heart should have been. It wasn't difficult to walk away from her. It was appallingly easy. Sara made an inarticulate sound as he extricated himself from her embrace. He left her as he had left the others, without looking back.
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
Do not despise your inner world. That is the first and most general piece of advice I would offer… Our society is very outward-looking, very taken up with the latest new object, the latest piece of gossip, the latest opportunity for self-assertion and status. But we all begin our lives as helpless babies, dependent on others for comfort, food, and survival itself. And even though we develop a degree of mastery and independence, we always remain alarmingly weak and incomplete, dependent on others and on an uncertain world for whatever we are able to achieve. As we grow, we all develop a wide range of emotions responding to this predicament: fear that bad things will happen and that we will be powerless to ward them off; love for those who help and support us; grief when a loved one is lost; hope for good things in the future; anger when someone else damages something we care about. Our emotional life maps our incompleteness: A creature without any needs would never have reasons for fear, or grief, or hope, or anger. But for that very reason we are often ashamed of our emotions, and of the relations of need and dependency bound up with them. Perhaps males, in our society, are especially likely to be ashamed of being incomplete and dependent, because a dominant image of masculinity tells them that they should be self-sufficient and dominant. So people flee from their inner world of feeling, and from articulate mastery of their own emotional experiences. The current psychological literature on the life of boys in America indicates that a large proportion of boys are quite unable to talk about how they feel and how others feel — because they have learned to be ashamed of feelings and needs, and to push them underground. But that means that they don’t know how to deal with their own emotions, or to communicate them to others. When they are frightened, they don’t know how to say it, or even to become fully aware of it. Often they turn their own fear into aggression. Often, too, this lack of a rich inner life catapults them into depression in later life. We are all going to encounter illness, loss, and aging, and we’re not well prepared for these inevitable events by a culture that directs us to think of externals only, and to measure ourselves in terms of our possessions of externals. What is the remedy of these ills? A kind of self-love that does not shrink from the needy and incomplete parts of the self, but accepts those with interest and curiosity, and tries to develop a language with which to talk about needs and feelings. Storytelling plays a big role in the process of development. As we tell stories about the lives of others, we learn how to imagine what another creature might feel in response to various events. At the same time, we identify with the other creature and learn something about ourselves. As we grow older, we encounter more and more complex stories — in literature, film, visual art, music — that give us a richer and more subtle grasp of human emotions and of our own inner world. So my second piece of advice, closely related to the first, is: Read a lot of stories, listen to a lot of music, and think about what the stories you encounter mean for your own life and lives of those you love. In that way, you will not be alone with an empty self; you will have a newly rich life with yourself, and enhanced possibilities of real communication with others.
Martha C. Nussbaum
At the end of that class Demian said to me thoughtfully: "There’s something I don’t like about this story, Sinclair. Why don’t you read it once more and give it the acid test? There’s something about it that doesn’t taste right. I mean the business with the two thieves. The three crosses standing next to each other on the hill are almost impressive, to be sure. But now comes this sentimental little treatise about the good thief. At first he was a thorough scoundrel, had committed all those awful things and God knows what else, and now he dissolves in tears and celebrates such a tearful feast of self-improvement and remorse! What’s the sense of repenting if you’re two steps from the grave? I ask you. Once again, it’s nothing but a priest’s fairy tale, saccharine and dishonest, touched up with sentimentality and given a high edifying background. If you had to pick a friend from between the two thieves or decide which one you’d rather trust, you most certainly wouldn’t choose the sniveling convert. No, the other fellow, he’s a man of character. He doesn’t give a hoot for ‘conversion’, which to a man in his position can’t be anything but a pretty speech. He follows his destiny to it’s appointed end and does not turn coward and forswear the devil, who has aided and abetted him until then. He has character, and people with character tend to receive the short end of the stick in biblical stories. Perhaps he’s even a descendant of Cain. Don’t you agree?" I was dismayed. Until now I had felt completely at home in the story of the Crucifixion. Now I saw for the first time with how little individuality, with how little power of imagination I had listened to it and read it. Still, Demian’s new concept seemed vaguely sinister and threatened to topple beliefs on whose continued existence I felt I simply had to insist. No, one could not make light of everything, especially not of the most Sacred matters. As usual he noticed my resistance even before I had said anything. "I know," he said in a resigned tone of voice, "it’s the same old story: don’t take these stories seriously! But I have to tell you something: this is one of the very places that reveals the poverty of this religion most distinctly. The point is that this God of both Old and New Testaments is certainly an extraordinary figure but not what he purports to represent. He is all that is good, noble, fatherly, beautiful, elevated, sentimental—true! But the world consists of something else besides. And what is left over is ascribed to the devil, this entire slice of world, this entire half is hushed up. In exactly the same way they praise God as the father of all life but simply refuse to say a word about our sexual life on which it’s all based, describing it whenever possible as sinful, the work of the devil. I have no objection to worshiping this God Jehovah, far from it. But I mean we ought to consider everything sacred, the entire world, not merely this artificially separated half! Thus alongside the divine service we should also have a service for the devil. I feel that would be right. Otherwise you must create for yourself a God that contains the devil too and in front of which you needn’t close your eyes when the most natural things in the world take place.
Hermann Hesse (Demian)
When once more alone, I reviewed the information I had got; looked into my heart, examined its thoughts and feelings, and endeavoured to bring back with a strict hand such as had been straying through imagination's boundless and trackless waste, into the safe fold of common sense. Arraigned to my own bar, Memory having given her evidence of the hopes, wishes, sentiments I had been cherishing since last night--of the general state of mind in which I had indulged for nearly a fortnight past; Reason having come forward and told, in her quiet way a plain, unvarnished tale, showing how I had rejected the real, and rapidly devoured the ideal--I pronounced judgement to this effect-- That a greater fool than Jane Eyre had never breathed the breath of life; that a more fantastic idiot had never surfeited herself on sweet lies, and swallowed poison as if it were nectar. "You," I said, "a favourite with Mr. Rochester? You're gifted with the power of pleasing him? You're of importance to him in any way? Go!--your folly sickens me. And you have derived pleasure from occasional tokens of preference--equivocal tokens shown by a gentleman of family and a man of the world to dependent and novice. How dared you? Poor stupid dupe! Could not even self-interest make you wiser? You repeated to yourself this morning the brief scene of last night? Cover your face and be ashamed! He said something in praise of your eyes, did he? Blind puppy! Open their bleared lids and look on your own accursed senselessness! It does no good to no woman to be flattered by her superior, who cannot possibly intend to marry her; and it is madness in all women to let a secret love kindle within them, which, if unreturned and unknown, must devour the life that feeds it; and if discovered and responded to, must lead into miry wilds whence there is no extrication. "Listen, then, Jane Eyre, to your sentence: tomorrow, place the glass before you, and draw in chalk your own pictures, faithfully, without softening on defect; omit no harsh line, smooth away no displeasing irregularity; write under it, 'Portrait of a Governess, disconnected, poor, and plain.' "Afterwards, take a piece of smooth ivory--you have one prepared in your drawing-box: take your palette, mix your freshest, finest, clearest tints; choose your most delicate camel-hair pencils; delineate carefully the loveliest face you can imageine; paint it in your softest shades and sweetest lines, according to the description given by Mrs. Fairfax of Blanche Ingram; remember the raven ringlets, the oriental eye--What! you revert to Mr. Rochester as a model! Order! No snivel!--no sentiment!--no regret! I will endure only sense and resolution... "Whenever, in the future, you should chance to fancy Mr. Rochester thinks well of you, take out these two pictures and compare them--say, "Mr. Rochester might probably win that noble lady's love, if he chose to strive for it; is it likely he would waste a serious thought on this indignent and insignifican plebian?" "I'll do it," I resolved; and having framed this determination, I grew calm, and fell asleep.
Charlotte Brontë (Jane Eyre)