Shots Of Awe Quotes

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Man is manifestly not the measure of all things. This universe is shot through with mystery. The very fact of its being, and of our own, is a mystery absolute, and the only miracle worthy of the name. The consciousness that animates us is itself central to this mystery and ground for any experience we may wish to call “spiritual.” No myth needs to be embraced for us to commune with the profundity of our circumstance. No personal God need be worshipped for us to live in awe at the beauty and immensity of creation. No tribal fictions need be rehearsed for us to realize, one fine day, that we do, in fact, love our neighbors, that our happiness is inextricable from their own, and that our interdependence demands that people everywhere be given the opportunity to flourish. The days of our religious identities are clearly numbered. Whether the days of civilization itself are numbered would seem to depend, rather too much, on how soon we realize this.
Sam Harris (The End of Faith: Religion, Terror, and the Future of Reason)
We got hungry around three in the morning, and ordered a ton of pizza from an all-night pizza place. Afterward, Blake talked a guy into letting him borrow his skateboard, and he once again entertained all of us. If it had wheels, Blake could work it. “Is he your boyfriend?” a girl behind me asked. I turned to the group of girls watching Blake. They were all coifed and beautiful in their bikinis, not having gone in the water. My wet hair was pulled back in a ponytail by this point and I was wrapped in a towel. “No, he’s my boyfriend’s best friend. We’re watching his place while he’s . . . out of town.” A pang of fear jabbed me when I thought about Kai. “What’s your name?” asked a brunette with glossy lips. “Anna.” I smiled. “Hey. I’m Jenny,” she said. “This is Daniela and Tara.” “Hey,” I said to them. “So, your boyfriend lives here?” asked the blonde, Daniela. She had a cool accent—something European. “Yes,” I answered, pointing up to his apartment. The girls all shared looks, raising their sculpted eyebrows. “Wait,” said Jenny. “Is he that guy in the band?” The third girl, named Tara, gasped. “The drummer?” When I nodded, they shared awed looks. “Oh my gawd, don’t get mad at me for saying this,” said Jenny, “but he’s a total piece of eye candy.” Her friends all laughed. “Yum drum,” whispered Tara, and Daniela playfully shoved her. Jenny got serious. “But don’t worry. He, like, never comes out or talks to anyone. Now we know why.” She winked at me. “You are so adorable. Where are you from?” “Georgia.” This was met with a round of awwws. “Hey, you’re a Southern girl,” said Tara. “You should like this.” She held out a bottle of bourbon and I felt a tug toward it. My fingers reached out. “Maybe just one drink,” I said. Daniela grinned and turned up the music. Fifteen minutes and three shots later I’d dropped my towel and was dancing with the girls and telling them how much I loved them, while they drunkenly swore to sabotage the efforts of any girl who tried to talk to my man.
Wendy Higgins (Sweet Peril (Sweet, #2))
This universe is shot through with mystery. The very fact of its being, and of our own, is a mystery absolute, and the only miracle worthy of the name. The consciousness that animates us is itself central to this mystery and the ground for any experience we might wish to call 'spiritual.' No myths need be embraced for us to commune with the profundity of our circumstance. No personal God need be worshiped for us to live in awe at the beauty and immensity of creation. No tribal fictions need be rehearsed for us to realize, one fine day, that we do, in fact, love our neighbors, that our happiness is inextricable from their own, and that our interdependence demands that people everywhere be given the opportunity to flourish.
Sam Harris (The End of Faith: Religion, Terror, and the Future of Reason)
Man is manifestly not the measure of all things. This universe is shot through with mystery. The very fact of its being, and of our own, is a mystery absolute, and the only miracle worthy of the name. The consciousness that animates us is itself central to this mystery and ground for any experience we may wish to call "spiritual." No myth needs to be embraced for us to commune with the profundity of our circumstance. No personal God need be worshipped for us to live in awe at the beauty and immensity of creation. No tribal fictions need be rehearsed for us to realize, one fine day, that we do, in fact, love our neighbors, that our happiness is inextricable from their own, and that our interdependence demands that people everywhere be given the opportunity to flourish. The days of our religious identities are clearly numbered. Whether the days of civilization itself are numbered would seem to depend, rather too much, on how soon we realize this.
Sam Harris (The End of Faith: Religion, Terror, and the Future of Reason)
I. My first thought was, he lied in every word, That hoary cripple, with malicious eye Askance to watch the workings of his lie On mine, and mouth scarce able to afford Suppression of the glee, that pursed and scored Its edge, at one more victim gained thereby. II. What else should he be set for, with his staff? What, save to waylay with his lies, ensnare All travellers who might find him posted there, And ask the road? I guessed what skull-like laugh Would break, what crutch 'gin write my epitaph For pastime in the dusty thoroughfare. III. If at his counsel I should turn aside Into that ominous tract which, all agree, Hides the Dark Tower. Yet acquiescingly I did turn as he pointed, neither pride Now hope rekindling at the end descried, So much as gladness that some end might be. IV. For, what with my whole world-wide wandering, What with my search drawn out through years, my hope Dwindled into a ghost not fit to cope With that obstreperous joy success would bring, I hardly tried now to rebuke the spring My heart made, finding failure in its scope. V. As when a sick man very near to death Seems dead indeed, and feels begin and end The tears and takes the farewell of each friend, And hears one bit the other go, draw breath Freelier outside, ('since all is o'er,' he saith And the blow fallen no grieving can amend;') VI. When some discuss if near the other graves be room enough for this, and when a day Suits best for carrying the corpse away, With care about the banners, scarves and staves And still the man hears all, and only craves He may not shame such tender love and stay. VII. Thus, I had so long suffered in this quest, Heard failure prophesied so oft, been writ So many times among 'The Band' to wit, The knights who to the Dark Tower's search addressed Their steps - that just to fail as they, seemed best, And all the doubt was now - should I be fit? VIII. So, quiet as despair I turned from him, That hateful cripple, out of his highway Into the path he pointed. All the day Had been a dreary one at best, and dim Was settling to its close, yet shot one grim Red leer to see the plain catch its estray. IX. For mark! No sooner was I fairly found Pledged to the plain, after a pace or two, Than, pausing to throw backwards a last view O'er the safe road, 'twas gone; grey plain all round; Nothing but plain to the horizon's bound. I might go on, naught else remained to do. X. So on I went. I think I never saw Such starved ignoble nature; nothing throve: For flowers - as well expect a cedar grove! But cockle, spurge, according to their law Might propagate their kind with none to awe, You'd think; a burr had been a treasure trove. XI. No! penury, inertness and grimace, In some strange sort, were the land's portion. 'See Or shut your eyes,' said Nature peevishly, It nothing skills: I cannot help my case: Tis the Last Judgement's fire must cure this place Calcine its clods and set my prisoners free.
Robert Browning
Everyone started to file toward the door, crowding each other in their attempt to get the hell out of this flying deathtrap. I stood and waited for my turn, hefting my purse over my shoulder, and turned my cell phone back on. The second it lit up and I was able, I shot out a text. Landed. Getting off now. Romeo's response was instant, and I smiled. I'm waiting.
Cambria Hebert (#Hater (Hashtag, #2))
In our marriage—in every marriage?—no annoyed glance holds only the displeasure of the moment. Each one reflects all the irritated glances he’s ever shot at me for all of my transgressions: for lacking discipline, for being brittle and sharp, for overreacting, for swearing all the time, even in front of Hannah, for letting my worst self porcupine out before I retract my quills. Every exasperated look Chris gives me—and there have been plenty—carries the sediment of all the displeasure that has accumulated over the past fifteen years.
Lauren Fox (Days of Awe)
When, lo, there came about them all a great brightness and they beheld the chariot wherein He stood ascend to heaven. And they beheld Him in the chariot, clothed upon in the glory of the brightness, having raiment as of the sun, fair as the moon and terrible that for awe they durst not look upon Him. And there came a voice out of heaven, calling: Elijah! Elijah! And he answered with a main cry: Abba! Adonai! And they beheld Him even Him, ben Bloom Elijah, amid clouds of angels ascend to the glory of the brightness at an angle of fortyfive degrees over Donohoe's in Little Green street like a shot off a shovel.
James Joyce (Ulysses)
The crowd started going crazy. Like even crazier than when Romeo got up from the hit. I was clinging to the railing, wondering if I would like prison, when Ivy sighed. "I swear. You have all the luck." Confused, I glanced around. Romeo was jogging toward us, helmet in his hands. Quickly, I glanced at the big screen and it was showing a wide shot of me clinging onto the rails and him running toward us. When he arrived, he slapped the guard on his back and said something in his ear. The guard looked at me and grinned and then walked away. Romeo stepped up to where I was. At the height I was at one the railing, for once I was taller than him. "You're killing me, Smalls," he said. "I had to interrupt a championship game to keep you from going to the slammer." "I was worried. You didn't get up." "And so you were just going to march out on the field and what?" God, he looked so… so incredible right then. His uniform stretched out over his wide shoulders and narrow waist. The pads strapped to his body made him look even stronger. He had grass stains on his knees, sweat in his hair, and ornery laughter in his sparkling blue eyes. I swear I'd never seen anyone equal parts of to-die-for good looks and boy-next-door troublemaker. "I was going to come out there and kiss it and make it better." He threw back his head and laughed, and the stadium erupted once more. I was aware that every moment between us was being broadcast like some reality TV show, but for once, I didn't care how many people were staring. This was our moment. And I was so damn happy he wasn't hurt. "So you're okay, then?" I asked. "Takes a lot more than a shady illegal attack to keep me down." Behind him, the players were getting back to the game, rushing out onto the field, and the coach was yelling out orders. "I'll just go back to my seat, then," I said. He rushed forward and grabbed me off the railing. The crown cheered when he slid me down his body and pressed his lips to mine. It wasn't a chaste kiss. It was the kind of kiss that made me blush when I watched it on TV. But I kissed him back anyway. I got lost in him. When he pulled back, I said, "By the way, You're totally kicking ass out there." He chuckled and put me back on the railing and kept one hand on my butt as I climbed back over. Back in the stands, I gripped the cold metal and gave him a small wave. He'd been walking backward toward his team, but then he changed direction and sprinted toward me. In one graceful leap, he was up on the wall and leaning over the railing. "Love you," he half-growled and pressed a swift kiss to my lips. "Next touchdown's for you.
Cambria Hebert (#Hater (Hashtag, #2))
These aren't still shots; the camera is always moving. And the scene is always just slipping out of sight, as if in spite of myself I were always descending a hill, rounding a corner, stepping into the street with a companion who urges me on, while I look back over my shoulder at the sight which recedes, vanishes. The present of my consciousness is itself a mystery which is also always just rounding a bend like a floating branch borne by a flood. Where am I? But I'm not. "I will overturn, overturn, overturn, it: and it shall be no more. . . .
Annie Dillard (Pilgrim at Tinker Creek)
Homer's Hymn to the Sun Published by Mrs. Shelley, "Poetical Works", 1839, 2nd edition; dated 1818. Offspring of Jove, Calliope, once more To the bright Sun, thy hymn of music pour; Whom to the child of star-clad Heaven and Earth Euryphaessa, large-eyed nymph, brought forth; Euryphaessa, the famed sister fair Of great Hyperion, who to him did bear A race of loveliest children; the young Morn, Whose arms are like twin roses newly born, The fair-haired Moon, and the immortal Sun, Who borne by heavenly steeds his race doth run Unconquerably, illuming the abodes Of mortal Men and the eternal Gods. Fiercely look forth his awe-inspiring eyes, Beneath his golden helmet, whence arise And are shot forth afar, clear beams of light; His countenance, with radiant glory bright, Beneath his graceful locks far shines around, And the light vest with which his limbs are bound, Of woof aethereal delicately twined, Glows in the stream of the uplifting wind. His rapid steeds soon bear him to the West; Where their steep flight his hands divine arrest, And the fleet car with yoke of gold, which he Sends from bright Heaven beneath the shadowy sea
Percy Bysshe Shelley (The Complete Poetical Works of Percy Bysshe Shelley)
When she asked him why he'd shot her daddy, he just shrugged and said that he'd been planning on shooting six people when he rode into town. She looked up at him, eyes wide, batting her eyelashes, feigning awe, looking on him the way that Joshua must have looked on the walls of Jericho, and asked him why six; and he said back to her: because his pistol had six bullets in it. With another shrug, as though that answered everything. And then he turned to face her, with his livid scar and gap teeth and breath that stank like the devil and hell, and the words flashed sudden through her mind, clear as if they'd been laid out on parchment: this is what the face of a free man looks like.
Phillip Andrew Bennett Low (Monsters in a Mirror: Strange Tales from the Chapel Perilous)
Flash after flash across the horizon: Tourists trying to take the Grand Canyon By night. They don’t know Every last shot will turn out black. It takes Rothko sixty years to arrive At the rim of his canyon. He goes there only after dark. As he stands at the railing, his pupils open Like a camera shutter at the slowest speed. He has to be patient. He has to lean Far over the railing To see the color as of darkness: Purple, numb brown, mud-red, mauve -an abyss of bruises. At first, you’d think it was black on black Something you son’t want to look at, he says As he waits, The colors vibrate in the chasm Like voices: You there with the eyes, Bring back something from The brink of nothing to make us see.
Chana Bloch
As we strolled, I noticed the soft light and its effect on the buildings around us. Like an aging screen actress shot in soft light to conceal her age lines, this magical twilight softened the avenues of Paris and produced an elegant scene not unlike a movie. Lining the street ahead of us, the buildings were constructed of solid white stone and more than one hundred years old, but all traces of age or dirt were diffused by the twilight, while their classic French architecture was center stage and highlighted. Fifty Parisians, the bluish cobblestones of the sidewalk, glowing neon, and a colorful outdoor flower stand completed the scene in front of us. Overwhelmed and in awe of the setting, I stopped and stared silently ahead.
Michael Bowe (The Weight of a Moment)
The frenzies of the chase had by this time worked them bubblingly up, like old wine worked anew. Whatever pale fears and forebodings some of them might have felt before; these were not only now kept out of sight through the growing awe of Ahab, but they were broken up, and on all sides routed, as timid prairie hares that scatter before the bounding bison. The hand of Fate had snatched all their souls; and by the stirring perils of the previous day; the rack of the past night's suspense; the fixed, unfearing, blind, reckless way in which their wild craft went plunging towards its flying mark; by all these things, their hearts were bowled along. The wind that made great bellies of their sails, and rushed the vessel on by arms invisible as irresistible; this seemed the symbol of that unseen agency which so enslaved them to the race. They were one man, not thirty. For as the one ship that held them all; though it was put together of all contrasting things — oak, and maple, and pine wood; iron, and pitch, and hemp — yet all these ran into each other in the one concrete hull, which shot on its way, both balanced and directed by the long central keel; even so, all the individualities of the crew, this man's valor, that man's fear; guilt and guiltiness, all varieties were welded into oneness, and were all directed to that fatal goal which Ahab their one lord and keel did point to. The rigging lived. The mast-heads, like the tops of tall palms, were outspreadingly tufted with arms and legs. Clinging to a spar with one hand, some reached forth the other with impatient wavings; others, shading their eyes from the vivid sunlight, sat far out on the rocking yards; all the spars in full bearing of mortals, ready and ripe for their fate. Ah! how they still strove through that infinite blueness to seek out the thing that might destroy them!
Herman Melville (Moby-Dick or, The Whale)
shot through and through.  Cocked rifles swept the bush with nervous apprehension.  But there was no rustle, no movement; nothing but the humid oppressive silence. “Bushmen he no stop,” Binu Charley called out, the sound of his voice startling more than one of them.  “Allee same damn funny business.  That fella Koogoo no look ’m eye belong him.  He no savvee little bit.” Koogoo’s arms had crumpled under him, and he lay quivering where he had fallen.  Even as Binu Charley came to the front the stricken black’s breath passed from him, and with a final convulsive stir he lay still. “Right through the heart,” Sheldon said, straightening up from the stooping examination.  “It must have been a trap of some sort.” He noticed Joan’s white, tense face, and the wide eyes with which she stared at the wreck of what had been a man the minute before. “I recruited that boy myself,” she said in a whisper.  “He came down out of the bush at Poonga-Poonga and right on board the Martha and offered himself.  And I was proud.  He was my very first recruit—” “My word!  Look ’m that fella,” Binu Charley interrupted, brushing aside the leafy wall of the run-way and exposing a bow so massive that no one bushman could have bent it. The Binu man traced out the mechanics of the trap, and exposed the hidden fibre in the tangled undergrowth that at contact with Koogoo’s foot had released the taut bow. They were deep in the primeval forest.  A dim twilight prevailed, for no random shaft of sunlight broke through the thick roof of leaves and creepers overhead.  The Tahitians were plainly awed by the silence and gloom and mystery of the place and happening, but they showed themselves doggedly unafraid, and were for pushing on.  The Poonga-Poonga men, on the contrary, were not awed.  They were bushmen themselves, and they were used to this silent warfare, though the devices were different from those employed by them in their own bush.  Most awed of all were Joan and Sheldon, but, being whites, they were
Jack London (Adventure)
I felt the sense of time and self drop away from me. No now, no to-morrow, no yesterday, no I! Only eternity, one vast whole—sun-shot, star-sprent, love-filled, changeless. And in it all, one spot of consciousness more acute than other spots; and that was the something that had eaten hugely, and that now felt the inward-flung glory of it all; the swooning, half-voluptuous sense of awe and wonder, the rippling, shimmering, universal joy. And then suddenly and without shock—like the shifting of the wood smoke—the mood veered, and there was nothing but I. Space and eternity were I—vast projections of myself, tingling with my consciousness to the remotest fringe of the outward swinging atom-drift; through immeasurable night, pierced capriciously with shafts of paradoxic day; through and beyond the awful circle of yearless duration, my ego lived and knew itself and thrilled with the glory of being. The slowly revolving Milky Way was only a glory within me; the great woman-star jeweling the summit of a cliff, was only an ecstasy within me; the murmuring of the river out in the dark was only the singing of my heart; and the deep, deep blue of the heavens was only the splendid color of my soul.
John G. Neihardt (The River and I)
In her eyes, he could see the fear, but also the love. The need. Time to show her, that to him, she meant everything. “Before you shower me with kisses for saving you –” “I think it could be argued that I played a part.” “Not when I retell the story you won’t. But we can argue about that later, naked. As I was saying, I have something for you.” Remy pulled the sheet of paper out of his back pocket and unfolded it. Initially he’d worried about it being too short. But as Lucifer assured him when he made the contract and binding, the less clauses he put in, the more his promise would stick out. Handing it to her, he waited. Fidgeted when she didn’t say a word. Almost tore it from her grasp. Then stumbled back as she threw herself at him. I, Remy, the most awesome demon in Hell, do declare to love the witch Ysabel, fiery temper and all, for an eternity. I will never stray. Never betray her trust. Never do anything to cause her pain upon penalty of permanent death. This I do swear in blood, Remy A simple contract, which in its very lack of clauses and sub items, awed her. “You love me that much?” He peered at her with incredulity on his face. “Of course I love you that much. Would I have done all the things I did if I didn’t?” “Well, you are related to a mad woman.” “Yes, and maybe it’s madness for me to love you, but I do. Do you think just any woman would inspire me enough to take on a bloody painful curse. Or put up with the fact you have a giant, demon eating cat. I know you have trust issues, and that I might not have led the kind of life that inspires confidence, but I will show you that you can believe in me. I want you to love me.” “I know you do. And I do love you. Only for you would I come to the rescue wearing nothing to cover my bottom.” His eyebrows shot up. “You came to battle in a skirt without any underwear?” A slow nod was her answer. He grinned, then scowled. “You will not do that again. Do you know how many demons live in the sewer and could have looked up your skirt? I won’t have them looking at what’s mine. On second thought. Throw out all your underwear. I’ll lead the purge on the sewers myself so you can stroll around with your girl parts unencumbered for my enjoyment.” “You’re insane,” she laughed. “Crazy in love with you,” he agreed. “But I do warn you, we’ll have to have dinner with my crazy mother at least once a month.” “Or more often. I quite like your mom. She’s got a refreshing way of viewing the world.” “Oh fuck. Don’t tell me she’s already rubbing off,” he groaned, as he pulled her into his arms. She snuggled against him. This was where she belonged. But she did have a question. “As my new… what should I call you anyway? Boyfriend? Demon I sleep with?” “The following terms are acceptable to me. Yours. Mate. Husband. Divine taster of your –” She slapped a hand over his mouth. “I’ll stick to mate.” “And I’m going with my super, sexy, touch her and die, fabulous cougar, ass kicking witch.” “I dare you shout that five times in a row without stumbling.” He did to her eye popping disbelief. “I told you, I have a very agile tongue.” “I remember.
Eve Langlais (A Demon and His Witch (Welcome to Hell, #1))
On the table was a closed book. Oh how my heart beat! Never but then have I known the feeling of utter preciousness in a thing possessed. What doubts and fears would not this one lovely, oh unutterably beloved volume, lay at rest for ever! How my eyes would dwell upon every stroke of every letter the hand of the dearest disciple had formed! Nearly eighteen hundred years—and there it lay!—and there WAS a man who DID hear the Master say the words, and did set them down! I stood motionless, and my soul seemed to wind itself among the leaves, while my body stood like a pillar of salt, lost in its own gaze. At last, with sudden daring, I made a step towards the table, and, bending with awe, stretched out my hand to lay it upon the book. But ere my hand reached it, another hand, from the opposite side of the table, appeared upon it—an old, blue-veined, but powerful hand. I looked up. There stood the beloved disciple! His countenance was as a mirror which shone back the face of the Master. Slowly he lifted the book, and turned away. Then first I saw behind him as it were an altar whereon a fire of wood was burning, and a pang of dismay shot to my heart, for I knew what he was about to do. He laid the book on the burning wood, and regarded it with a smile as it shrunk and shrivelled and smouldered to ashes. Then he turned to me and said, while a perfect heaven of peace shone in his eyes: 'Son of man, the Word of God liveth and abideth for ever, not in the volume of the book, but in the heart of the man that in love obeyeth him. And therewith I awoke weeping, but with the lesson of my dream.
George MacDonald (Thomas Wingfold, Curate)
I heard the fear in the first music I ever knew, the music that pumped from boom boxes full of grand boast and bluster. The boys who stood out on Garrison and Liberty up on Park Heights loved this music because it told them, against all evidence and odds, that they were masters of their own lives, their own streets, and their own bodies. I saw it in the girls, in their loud laughter, in their gilded bamboo earrings that announced their names thrice over. And I saw it in their brutal language and hard gaze, how they would cut you with their eyes and destroy you with their words for the sin of playing too much. “Keep my name out your mouth,” they would say. I would watch them after school, how they squared off like boxers, vaselined up, earrings off, Reeboks on, and leaped at each other. I felt the fear in the visits to my Nana’s home in Philadelphia. You never knew her. I barely knew her, but what I remember is her hard manner, her rough voice. And I knew that my father’s father was dead and that my uncle Oscar was dead and that my uncle David was dead and that each of these instances was unnatural. And I saw it in my own father, who loves you, who counsels you, who slipped me money to care for you. My father was so very afraid. I felt it in the sting of his black leather belt, which he applied with more anxiety than anger, my father who beat me as if someone might steal me away, because that is exactly what was happening all around us. Everyone had lost a child, somehow, to the streets, to jail, to drugs, to guns. It was said that these lost girls were sweet as honey and would not hurt a fly. It was said that these lost boys had just received a GED and had begun to turn their lives around. And now they were gone, and their legacy was a great fear. Have they told you this story? When your grandmother was sixteen years old a young man knocked on her door. The young man was your Nana Jo’s boyfriend. No one else was home. Ma allowed this young man to sit and wait until your Nana Jo returned. But your great-grandmother got there first. She asked the young man to leave. Then she beat your grandmother terrifically, one last time, so that she might remember how easily she could lose her body. Ma never forgot. I remember her clutching my small hand tightly as we crossed the street. She would tell me that if I ever let go and were killed by an onrushing car, she would beat me back to life. When I was six, Ma and Dad took me to a local park. I slipped from their gaze and found a playground. Your grandparents spent anxious minutes looking for me. When they found me, Dad did what every parent I knew would have done—he reached for his belt. I remember watching him in a kind of daze, awed at the distance between punishment and offense. Later, I would hear it in Dad’s voice—“Either I can beat him, or the police.” Maybe that saved me. Maybe it didn’t. All I know is, the violence rose from the fear like smoke from a fire, and I cannot say whether that violence, even administered in fear and love, sounded the alarm or choked us at the exit. What I know is that fathers who slammed their teenage boys for sass would then release them to streets where their boys employed, and were subject to, the same justice. And I knew mothers who belted their girls, but the belt could not save these girls from drug dealers twice their age. We, the children, employed our darkest humor to cope. We stood in the alley where we shot basketballs through hollowed crates and cracked jokes on the boy whose mother wore him out with a beating in front of his entire fifth-grade class. We sat on the number five bus, headed downtown, laughing at some girl whose mother was known to reach for anything—cable wires, extension cords, pots, pans. We were laughing, but I know that we were afraid of those who loved us most. Our parents resorted to the lash the way flagellants in the plague years resorted to the scourge.
Ta-Nehisi Coates (Between the World and Me)
José Daniel, who physically resembles Richard, was by common consent exceptionally bright and, depending on how you look at it, incredibly lucky or unlucky. Shot fourteen times during an ambush, he survived and hobbled out of the hospital, one-eyed, and hunted down his assailants. “One at a time,” said Richard, awed. Caught and jailed, in prison he was stabbed thirteen times and again survived, fueling rumors he made a pact with the devil for immortality. Belief in Santeria, a voodoo-tinged African-Caribbean import, was widespread, especially among gangsters who prayed to santos malandros, holy thugs, for success and survival. Who else, after all, could they turn to? Many of El Cementerio’s mothers dealt drugs, as did the head of the neighborhood association, who had a sideline renting pistols. The state was largely absent save for police, and they were brutal and corrupt, selling bullets, extorting store owners, moonlighting as kidnappers, auctioning prisoners for execution. Police killed between five hundred and a thousand people per year, mostly young men in slums, and were very seldom charged. Officers accidentally shot dead the Nuñez boys’ grandmother while chasing a suspect through their home. Which returns
Rory Carroll (Comandante: Hugo Chávez's Venezuela)
I used to play golf,” said Serge. “It’s a frightening game. Forget football or even NASCAR.” He whistled in awe. “Golf takes it to the brink.” “That bad?” “It’s the mental component. They try to hush it up, but the game can destroy the strongest men. Every year, dozens of ugly psychotic breaks. Frustration builds over a lifetime until a tee shot lands in the water of a sadistic island hole, and then a hedge-fund manager hurls all his clubs like tomahawks at the other guys in plaid knickers before stripping off all his clothes and making ‘snow angels’ in a sand trap, prompting a special unit from the pro shop to hustle him away through secret underground doors. Fortunately, I have the perfect emotional composition to excel at golf.
Tim Dorsey (The Riptide Ultra-Glide (Serge Storms #16))
It’s like this: You can’t really appreciate how good a golfer Tiger Woods is unless you’ve tried to play golf. That’s why other professionals seem to be in even greater awe of him than the casual fan. Those professionals know how difficult the shots are that Tiger seems to consistently pull off. In the same way, if we live coddled Christian lives, never sacrificing ourselves, the cross becomes a sentimental fairy tale—a good story to tell once a year, but something that becomes so familiar we can’t wait to move on to talk about the resurrection. But if we have suffered as Paul suffered, if we have sacrificed for someone as Paul sacrificed for those under his care, we look at the cross in awe because we realize that all our suffering, multiplied by a hundred, still can’t compare with what Christ endured on our behalf. As a result we are in absolute awe of what God has done for us. The passion of the cross metamorphoses from an abstract concept to an astonishing reality. All
Gary L. Thomas (Sacred Parenting: How Raising Children Shapes Our Souls)
Thwack, crack, pull—after only a few attempts, I could do it as neatly as my faceless tutor. Thwack, crack, pull. There’s a technical term for this: “one-shot learning.” You see something once; you can do it. Programmers who work on artificial intelligence and robot locomotion regard it with nearly mystical awe. Having mastered the elegant, one-handed egg-crack in if not one, then maybe three shots, I set myself to the deeper task of understanding it.
Robin Sloan (Sourdough)
On 3 September he sentenced three of the chiefs – Uso, Obakhavbaye and Ologbosere – to death, and pardoned another on grounds of youth. Uso and Obakhavbaye were shot by firing squad the next morning and Moor threatened reprisals against other chiefs if they did not help the British to catch Ologbosere, who was still at large. Gallwey wrote that the chiefs were ‘executed in the main market place of the city in the presence of an enormous crowd of their awe-stricken countrymen…the prisoners, with jaunty air, occasionally waved their hands to some friend in the crowd, as if they were going to market for quite another reason. They died without flinching’.
Barnaby Phillips (Loot: Britain and the Benin Bronzes (Revised and Updated Edition))
You testified that your son was drafted for the NFL," Zara said, the tone of her voice changing from demanding to conversational. "Did he get his love of the sport from you?" "I played in college," the witness said. "Wide receiver. I was a lock for a top-ten draft selection until I tore a ligament and that was the end for me." "You must have caught some good ones in your time." Now her voice was all warmth and sympathy, tinged with awe. The witness's eyes grew misty. "I miss those days." Plaintiff's counsel objected on the basis of irrelevance, and the judge sustained. Zara walked back to her table and consulted her notes. Was that it? He'd been expecting some theatrics, a smoking gun, or even a witness reduced to tears. Even without any legal training, he could see her cross-examination hadn't elicited any particularly useful information, and yet she didn't seem perturbed. Zara bent down to grab something from her bag. "Hut!" She spun around and threw a foam football at the plaintiff, her shout echoing through the courtroom, freezing everyone in place. The plaintiff shot out of his seat and took two steps to the side, hands in the air. "I got it. I got it." With a jump he grabbed the football and held it up, victorious. His smile faded as he stared at the stunned crowd, clearly realizing what he'd just done. "Objection." Plaintiff's counsel glared at Zara. "What was that?" "I believe it's called a Hail Mary pass." Zara smiled at the judge. "No further questions.
Sara Desai (The Singles Table (Marriage Game, #3))
If you had an Internet connection and lived in North America at the time, you may have seen it. Vasquez is the man behind the “Double Rainbow” video, which at last check had 38 million views. In the clip, Vasquez pans his camera back and forth to show twin rainbows he’d discovered outside his house, first whispering in awe, then escalating in volume and emotion as he’s swept away in the moment. He hoots with delight, monologues about the rainbows’ beauty, sobs, and eventually waxes existential. “What does it mean?” Vasquez crows into the camera toward the end of the clip, voice filled with tears of sheer joy, marveling at rainbows like no man ever has or probably ever will again. It’s hard to watch without cracking up. That same month, the viral blog BuzzFeed boosted a different YouTuber’s visibility. Michelle Phan, a 23-year-old Vietnamese American makeup artist, posted a home video tutorial about how to apply makeup to re-create music star Lady Gaga’s look from the recently popular music video “Bad Romance.” BuzzFeed gushed, its followers shared, and Lady Gaga’s massive fanbase caught wind of the young Asian girl who taught you how to transform into Gaga. Once again, the Internet took the video and ran with it. Phan’s clip eventually clocked in at roughly the same number of views as “Double Rainbow.” These two YouTube sensations shared a spotlight in the same summer. Tens of millions of people watched them, because of a couple of superconnectors. So where are Vasquez and Phan now? Bear Vasquez has posted more than 1,300 videos now, inspired by the runaway success of “Double Rainbow.” But most of them have been completely ignored. After Kimmel and the subsequent media flurry, Vasquez spent the next few years trying to recapture the magic—and inadvertent comedy—of that moment. But his monologues about wild turkeys or clips of himself swimming in lakes just don’t seem to find their way to the chuckling masses like “Double Rainbow” did. He sells “Double Rainbow” T-shirts. And wears them. Today, Michelle Phan is widely considered the cosmetic queen of the Internet, and is the second-most-watched female YouTuber in the world. Her videos have a collective 800 million views. She amassed 5 million YouTube subscribers, and became the official video makeup artist for Lancôme, one of the largest cosmetics brands in the world. Phan has since founded the beauty-sample delivery company Ipsy.com, which has more than 150,000 paying subscribers, and created her own line of Sephora cosmetics. She continues to run her video business—now a full-blown production company—which has brought in millions of dollars from advertising. She’s shot to the top of a hypercompetitive industry at an improbably young age. And she’s still climbing. Bear Vasquez is still cheerful. But he’s not been able to capitalize on his one-time success. Michelle Phan could be the next Estée Lauder. This chapter is about what she did differently.
Shane Snow (Smartcuts: The Breakthrough Power of Lateral Thinking)
I WAS THE CATCHER for the Lake Luzerne Dodgers, a catcher with meager talent, a catcher in awe of Danny and Teddy. Danny was the first baseman and Teddy, the coach's son, was the left fielder. They were natural athletes: they could hit fastballs (a small miracle of hand-eye coordination that I never mastered), and they glided around the base paths with the grace of gazelles. They were, to a ten-year-old who was batting .111, the embodiment of beauty and summer and health. As I drifted to sleep at night, it was often with the image of Danny, horizontal and three feet off the ground, spearing a line drive, or of Teddy stretching a single into a double by slipping under the tag. In the early hours of a chilly, August, upstate New York morning, my father woke me. "Danny's got polio," he said. A week later Teddy got it too. My parents kept me indoors, away from other kids. Little League was suspended, the season unfinished. The next time I saw Danny, his throwing arm was withered and he couldn't move his right leg. I never saw Teddy again. He died in the early fall. But the next summer, the summer of 1954, there was the Salk vaccine. All the kids got shots. Little League resumed. The Lake Luzerne Dodgers lost the opening game to the Hadley Giants. The fear that kept us housebound melted away and the community resumed its social life. The epidemic was over. No one else I knew ever got polio.
Martin E.P. Seligman (The Optimistic Child)
I've got a better idea," said Spidroth. She walked up to the entrance to the corridor, then quickly slammed her foot down on one of the pressure plates, before moving it out of the way again. As soon as the pressure plate was pressed, the dispensers along the walls of the corridor began blasting out arrows: hundreds and hundreds of arrows all down the length of the corridor. The husks began BURRing in pain and panic as they were shot full of arrows. It was a husk massacre, with hundreds of the gray-brown zombies dying every second. Before long, all the husks had been slain, leaving piles of rotten flesh all over the floor. "Wow, Spidroth," said Carl, in awe, "that was… That was pretty ruthless." "Yes, well, I'm a pretty ruthless person," said Spidroth. "You'd do well to remember that, creeper." And for once, Carl didn't dare to make a sarcastic comment.
Dave Villager (Dave the Villager 31: An Unofficial Minecraft Story (The Legend of Dave the Villager))
When heavy cloud decks enveloped the planet, they created a whole new surface that had never before existed, of high mountain ranges, tumbling ravines. Sometimes the clouds would create huge cliffs, sheer walls miles high into which shadows fell to give them a startling sense of solidity, as though the whiteness below was some Antarctic winter mountain scene now spread across all the visible world. No oceans, no land surface, only that startling, shifting panorama, and then, suddenly, it became something else. Ethereal clouds. Some were misty, others wispy, but most were ghostlike. They appeared everywhere or strangely vanished, then showed up again, brushing the edges of islands and the shores of continents. They were members of the cloud family, a living race dancing and floating above the planetary surface. Astonished, awed, he had the strangest thought that perhaps this is what the angels could see . . . Deke gloried
Alan Shepard (Moon Shot: The Inside Story of America's Race to the Moon)
Corrigan shouted, “I got you now, you bastard!”, as his index finger began to pull back the trigger, but then stopped when a loud crack sounded behind him and a .44 pounded into the middle of his back at the same moment, knocking him forward and jerking his finger against the trigger, sending the shot high into the air. He never knew where the shot came from and would never have a chance to ask as he slumped back over his horse’s neck, then slid off to the side and tumbled to the ground. Conn had seen the distant muzzle flare and knew whose Winchester had created it, in awe of Sam’s ability yet again. He slowly rose to his feet, holstered his Colt, then picked up his damaged Winchester and began to limp to the last shooter, the one who had almost killed him. He was reasonably sure it was Steve Corrigan after hearing the shouted threat but wanted to be sure. But before he reached the dead shooter, Sam trotted up close on the black mare and asked anxiously, “Are you all right, Conn?” “Only because you arrived when you did, Sam. He had me in his sights. I was a dead man.” Sam dismounted in her usual
C.J. Petit (Conn Jackson)
A yellow parakeet flew straight up from Shoshana’s desk, furiously beating its wings. It came toward Carol unnaturally, in too straight of a line. Carol stared, transfixed at how fast it fluttered. The little yellow bird’s head shot straight off and its wings bloodlessly detached. Carol, mesmerized, still heard the fluttering, which continued without reason, and stared slackly at what was left of the little bird, its skinny feathered body, without head or wings, still heading toward her. As it approached, it exploded with a great popping sound into a sparkling confetti of pastel, cartoonish stars.
J.R. Hamantaschen (A Deep Horror That Was Very Nearly Awe)